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00:00:25
Poulter Mansion Estate
Bodega Bay, California00:00:35
Godzilla vs Destroyah00:00:39
Addams Family00:00:41
Texas Chainsaw Massacre 200300:00:43
Dawn of The Dead00:00:44
Boy In The Dark00:00:45
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Twins of Evil00:00:48
Hellboy 201900:00:50
The Horror at 37,000 Feet00:00:52
Twilight Zone The Movie00:00:53
Haunted House of Horror00:00:55
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The Fifth Element00:01:12
Creature Features00:01:13
Terminator Genisys00:01:15
The Omen00:01:17
Invasion of the Body Snatchers00:01:18
Death Race 200000:01:19
Creature Features00:01:20
House00:01:21
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Monster Club00:01:23
The Shining00:01:24
Creature Features00:01:26
Interview with The Vampire00:01:27
Alien Covenant00:01:29
Phantom Of The Paradise00:01:31
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Carrie00:01:35
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Damnation Alley00:01:38
The Smiling Man00:01:40
The Birds00:01:53
the entire premise is entirely ludicrous and
somewhat rather Preposterous no it isn't it00:01:58
most certainly is have a listen to this a
scientist must Race Against Time to stop00:02:04
a deranged colleague from unleashing a deadly
pathogen onto the world threatening to wipe out00:02:09
all mankind it could never happen yes it could all
right granted maybe it could but you know as well00:02:17
as I do that the convict named Cole who bears
no small resemblance to Bruce Willis mind you00:02:22
would inevitably travel back in time to set things
proper whilst he sacked the army of the 12 Monkeys00:02:28
you're a never-ending source of astonishment Mr
Van Dahl why thank you Mr Livingston welcome to00:02:33
Creature Features I'm your host Vincent you've
already met my gullible Butler Livingston and00:02:38
to this side is my sweet and caring yet silent but
deadly housemate the Charming miss Tangella00:02:44
and do we have a super spectacular and thoroughly
Exquisite program in store just for you firstly00:02:50
let us discuss the aforementioned film for tonight
we shall present to you the 1965 blockbuster00:02:56
The Satan Bug despite its dubious plot this is a
simply marvelous film that is adorned with some00:03:02
notable Hollywood names like Anne Francis Dana
Andrews Richard basehart George Maharis and Ed00:03:09
Asner it even has the wonderful Frank Sutton you
remember him don't you Tangella he played Sergeant00:03:16
Carter on that wonderful documentary series
entitled Gomer Pyle in any case it looks like00:03:21
a nice movie aside from its flimsy and improbable
storyline and joining us to watch this potential00:03:27
pandemic picture will be the artists Ransom and
Mitchell this team of talented creators produced00:03:33
some of the most remarkable artwork that I or
Tangella have ever seen prior they'll show us some00:03:38
of their Works tell us about the process they
use to generate this curious imagery and share00:03:43
with us their impression on just how absurd
the premise of tonight's film happens to be00:03:48
so don't go away for this to be another night of
germ riddled right here on Creature Features00:03:59
stay tuned [Music]00:04:37
you know if you were wise you might tune to
channel five because they they're running00:04:42
Dick Van Dyke now it's a gentle take off
on Guess Who's Coming to Dinner the Preston00:04:49
guest includes Dick's mom what is this like a
it's a variety show it's not like the regular00:04:54
oh right yeah right so maybe less couch
dripping I don't know hey there's enough00:04:59
of that they're here for Creature Features
welcome to the show we're gonna have a fun00:05:02
one tonight we have with us Ransom and Mitchell
it sounds like a law firm I love it but it's00:05:09
actually which is harder right right Jason and
Stacy and they make the most fantastic art you00:05:15
will ever see tonight maybe tomorrow and maybe
forever I don't know we'll see but uh you're00:05:21
gonna show us some of this all and you're
gonna watch this film with us tonight yes00:05:24
the Satan bug indeed thanks I know looks like
hey I think it's gonna be a good movie because00:05:30
Satan is scary and bugs Escape scary so if you mix
the two together you get a Satan bug in a doubly00:05:37
scary movie I think it's a movie about mosquitoes
but I could be wrong anyways how was the trip up00:05:42
oh excellent nice drive no traffic did you stop
for chowder uh what is it chowder is it I don't00:05:52
know it's quite fresh they ship it from Boston
oh nice yeah it's sort of outside yeah no and the00:05:59
bread comes from San Francisco oh yeah excellent
choice no you dip the bread in the chowder00:06:04
and then you eat it it's quite delicious now I do
this sometimes I go down there and I just you know00:06:10
for the Chowder because it's nice fight the goals
off for it no I watch the fishermen come in with00:06:15
nothing oh no I don't know what's wrong with the
fishermen in Bodega Bay but uh anyways we're gonna00:06:20
have a fun tonight uh your art is like in museums
all over the world right isn't it wonderful00:06:28
No it should be oh I should be I
I misspoke it it should be in in00:06:35
like the Louvre have you ever been to
the Louvre maybe in the basement yes00:06:39
that would be nice so um at the Louvre they've
got this this this portrait called Mona Lisa00:06:51
and you know I don't know what all the hubbub is
about yes I mean it's not she won't smile I know00:06:58
right right it's it's barely a smile but your art
should be in that place and I bet you'd have just00:07:04
as many people trying to step over each other to
see it yeah right I could be wrong I asked it to00:07:10
get to the Mona Lisa I don't know sometimes I
overstate things anyways let's get this film00:07:15
started when we come back we're going to take
a look at some of your work right excellent all00:07:19
right off we go to the Satan bug 1965. this is a
fun movie I'm told I don't know we'll find out bye00:10:48
Thanks. I'll see ya.
Yes, sir.00:10:57
Hello, Mr. Reagan.
Hello, Raskin.00:11:00
I see you've got the duty again.00:11:02
You've been back there a week.
It comes around.00:11:05
Thanks.00:11:21
Good night,
Dr. Ostrer.00:11:23
Good night, Reagan.00:11:24
Oh, Reagan.00:11:31
Reagan, I've gotta talk to you.00:11:33
I've got a minute now.00:11:35
No. But I want to see you
tomorrow morning.00:11:39
I'll come by your house.
10:00?00:11:41
Fine.00:11:48
What's this?
Laboratory equipment replacements.00:11:52
Well, what happened
while I was gone?00:11:53
Nothing, sir.00:11:56
The Director?00:11:57
Well, you know
Dr. Baxter, he's still...00:12:00
Introverted.00:12:01
Yes, sir.00:12:03
Who's left in E Lab?00:12:05
There's six, Dr. Baxter, Hoffman,
Yang, and three technicians.00:12:09
Correct.00:12:10
Gonna get these inside?
Yes, sir.00:12:24
Hello, Mr. Reagan.
Hello, Mason.00:12:25
Who's left in there?00:12:27
Six, sir. Dr. Baxter, Dr. Hoffman,
Dr. Yang, and three technicians.00:12:51
Dr. Hoffman.00:12:53
Good evening, Reagan.00:12:54
Is the Director in there?
Yes.00:12:58
Working late tonight?00:13:00
No.00:13:15
Well, how was it on the Potomac?00:13:19
Not quiet.00:13:21
I... I understand the man has
given us a new administrator,00:13:26
Dr. Leonard Michaelson?00:13:29
Who told you that?00:13:33
Dr. Hoffman.00:13:37
The cleaning woman told him.00:13:40
Not funny.00:13:42
Well, it's Friday.00:13:44
Good night, Reagan.
See you Monday.00:13:46
Good night, Doctor.00:13:59
Any trouble? No, sir.
Just some minor residuals.00:14:02
There's a couple of crates outside.
Let's get 'em in.00:14:04
Yes, sir.
Raskin just called.00:14:25
Good evening, Doctor.00:14:30
What is it, Reagan?00:14:32
Working late?00:14:34
No. But I'll be
in tomorrow.00:14:38
What time?
8:00.00:14:41
I'll set the time lock for you.00:14:43
Last time you locked
yourself out until Monday.00:14:45
I know.00:14:48
You've been away, haven't you?00:14:50
Washington.00:14:52
How worried are they?00:14:55
Well, they're always worried
about the security of this place.00:14:59
My job's like that.00:15:02
What they're really
worried about is that.00:15:04
Yes, sir.00:15:07
Did you, uh, reassure them?00:15:10
No. I leave that to you.00:15:13
Yes.00:15:18
Sir, do you think...00:15:20
Why don't you take this
Saturday and Sunday off, Doctor?00:15:24
Do you good.00:15:25
No time for that, Reagan.00:15:28
No time.00:15:32
Tired men make mistakes, Doctor.00:15:35
God help us
if a mistake's made here.00:15:43
Goodnight, Doctor.00:15:48
Good night, Mr. Reagan.
Good night.00:15:50
Good night, Mr. Reagan.
Good night.00:16:02
Good night, Mason.
Good night, Mr. Reagan.00:16:26
Good night,
Dr. Hoffman.00:16:42
You are leaving, Doctor?00:16:44
I'll be a few minutes.00:16:48
Do you need me for anything?00:16:51
No.00:16:53
Good night, Hoffman.00:17:07
Goodnight, Dr. Hoffman.
Goodnight, Mason.00:17:30
Good night, Doctor Hoffman.00:17:36
Good night, Doctor.00:19:00
Mason speaking.00:19:02
Is Doctor Williams in?00:19:04
Dr. Williams
is not in E Lab.00:19:07
Good night,
Dr. Baxter.00:19:10
Two sixteen.
That's administration.00:19:13
You're welcome.00:19:34
It's Mason.
E Lab clear and closed.00:19:38
Right.00:19:48
Good night, Doctor Baxter.00:19:56
Good night, Doctor.00:20:21
Raskin.00:20:23
Yes, sir.00:20:24
Reagan.
I'm going into E Lab.00:21:44
The shoulder on
that back road's caved in.00:21:46
We ought to take care of that tomorrow.
All right.00:21:49
Might as well make a note of it in
the log for Mr. Reagan in the morning.00:21:52
I'll tell him when he leaves.00:21:53
He's still here?
Mmm-hmm. E Lab.00:21:58
What time did he go in there?00:22:08
Mr. Reagan.00:22:13
Mr. Reagan.00:22:18
Hello, Mr. Reagan?00:22:23
Hello, Mr. Reagan?00:22:32
Get over there and
check that security door.00:22:42
This is Lieutenant Raskin,
Duty Officer, Station Three.00:22:46
Get me the Director, Dr. Baxter,
at home, or Mr. Tasserly.00:23:13
welcome back to Creature Features if you're just
joining us you haven't missed much of the movie00:23:17
but you've missed some great stuff with these
two I'm with Jason and Stacy Ransom and Mitchell00:23:23
who all wonderful artists we're going to talk
about that in a sec but there's this film we're00:23:27
talking during the break about how this is a star
studded Affair is it not exactly I didn't expect00:23:33
that going in but I mean here we are we have
you know James Hong you got Ed Asner you know00:23:38
all sorts of people now James Hong what was he in
Big Trouble in Little China actually he's been in00:23:43
the most movies of any actor ever yeah his his eye
his list of most he's the actor who's been in the00:23:50
most movies of anybody else ever and nobody's
even close wow no that's wonderful and also uh00:23:57
Jimmy Duhan from uh right Star Trek yeah he's got
a cameo or something in this and then uh Ed Asner00:24:05
and Asner right that's right yeah and then and
Francis she was in uh Forbidden Planet Forbidden00:24:11
Planet yeah right it's a Sci-Fi feast all right
fun stuff and stuff but not as fun as this what00:24:18
in God's name am I looking at you who is this
uh that is a wonderful portrait of a demi human00:24:24
yes and this is amazing we're going to put a
big one up so I can put this down so this is00:24:30
not like this is not start as a person in a
photograph right that one did not yeah a lot00:24:36
of our earlier work was photography uh based
and then we started moving into incorporating00:24:41
more and more digital art and so this was
created from the ground up right Roundup00:24:46
is what what program do you use uh all of them
so this one yeah had a combination of there was00:24:55
uh Maya there was a substance pain oh my goodness
uh Photoshop Marvelous Designer to do the clothes00:25:03
um Stacy created All the Little Bees you'll see
little bees floating around there she's sculpted00:25:08
those in zbrush from you know little balls of
clay yeah and Jason made all of this texture of00:25:14
her skin this this one's called nectar and it's
featuring obviously honey and but we wanted the00:25:20
skin to not be normal I noticed it had like a high
of Life beeswax a combination of tea textures of00:25:26
beeswax and honeycomb that kind of gets Blended
together oh fun that's not something you could do00:25:31
with the camera not really we started working
in CG because we could create the things that00:25:36
didn't exist right wow yeah all right this
one this one looks this looks like a famous00:25:45
painting right yeah no it's a bit of a take on
Ophelia Ophelia Ophelia yeah hold it in different00:25:51
directions too it can be up times so which which
is the most proper um whichever the viewer cares00:25:57
for I think in many times well they're watching
a screen shape like this so that's perfect if we00:26:02
were on Tick Tock then I would hold it like
this but since we're on a regular television00:26:07
yeah these people you don't hold your camera like
Tick Tock do you no our eyes don't work that way00:26:14
you know this is not a news channel so all right
tell me about this one so does this start out as00:26:19
a person that is a person yes it's a portrait of
an artist who was at the time painting zombies00:26:25
so we've got we've done a number of yes we've done
a number of artist portraits where we take their00:26:32
work and are inspired by their work right and
then create something that's but so in this one we00:26:37
actually built a pool so she was really building
the water pool yeah and you were clever and00:26:42
figured out how to have constant hot water yeah
so in our pool basically it was like an eight by00:26:48
eight shallow pool with a big pond liner right and
then uh hooked it up to the sink so that way you00:26:54
could run you know warm water in there the whole
time so the poor guy wasn't freezing today now00:27:00
these elements they're in the water any of those
actually in the water this is all photographs this00:27:05
is a photograph so this is 100 all the different
pieces in there and we had Stacy dressed it up and00:27:10
and entirely a photograph yes this is a photograph
oh my goodness but we had a we had a lift so Jason00:27:18
got up in the lift and we pushed the lift out
the the the scissor lift yeah directly over00:27:25
hanging and you need to be to get that angle
yeah and then the dress was a beautiful dress00:27:31
from Christina mocilia business you should be
working for Hollywood making zombies that's they00:27:38
come up here right Margaret Kerrigan actually
yeah Margaret Kerrigan worked on this I think00:27:43
it's been on your show we know who well she's a
nice lady very nice and talented we got to have00:27:47
it back anyway so let's get back to this film and
we'll come back we're going to look at some more00:27:50
Europe right oh excellent all right off we go
back to the Satan bug don't go away because uh00:27:57
we'll be sitting here wondering where you went
right right all right off we go see you soon00:28:25
There's a phone call for you.
What?00:28:26
There's a phone call for you.00:28:28
Thank you, very much.00:28:45
Hello. Who?00:28:50
Okay, put him on.
Yes. Mr. Martin?00:28:54
Well, I could, but I don't
particularly want to.00:28:58
Yeah. All right.
I hope it's as vital to me.00:29:42
Mr. Martin?
Yes.00:29:45
Good evening.00:29:46
Good of you to see me at
such a late hour, Mr. Barrett.00:29:49
You didn't care for a drink?
Oh, no, thank you.00:29:52
Do you live aboard
all the time, Mr. Barrett?00:29:55
No, just some of the time.00:29:56
I don't imagine your law practice
is too demanding these days.00:30:01
Could be better.00:30:03
Yet, you can afford this yacht.
Must be rather expensive.00:30:07
What can I do for you,
Mr. Martin?00:30:11
We have a job for you.
We think you're the right man.00:30:14
Oh? Why?00:30:16
You have the background for it.00:30:18
And in the past, you've been quite
outspoken on the immorality of war.00:30:23
Everybody says he's against war.00:30:25
Not ex-United States
Intelligence Officers.00:30:29
Let's take a look
at some of the record.00:30:32
"Lee Barrett. 1950.
University student. Pre law."00:30:36
"Then active service,
Korea and helicopters."00:30:38
"Detached for special service.
Excellent war record."00:30:40
"Citation. Superb lone operator
who has no master in cunning,"00:30:44
"secrecy or violence."00:30:46
"Promoted to captain.
Recommended for three decorations."00:30:50
First discordant note.
Last two refused.00:30:54
You are quoted
as saying that war00:30:56
"had aged you so fast, you
were too old to play with toys."00:31:01
Rather a whimsical statement,
Mr. Barrett.00:31:03
You think so?00:31:05
Why did you leave the service?00:31:07
Poor prospects.00:31:11
Discharged, 1952.00:31:14
Allowed to resign commission
after altercation with a Major General.00:31:18
Some people have flat feet.00:31:21
I dislike taking orders
under certain circumstances.00:31:26
Then you got your law degree. Passed
the bar examination, but didn't practice.00:31:31
Joined a government agency.00:31:33
Fired.00:31:34
A stint with another one.
Fired for the usual reason.00:31:38
You rate rather high
on insubordination.00:31:41
My record is easy to check,
Mr. Martin. Make your point.00:31:46
A year ago you were appointed
Security Chief at Station Three.00:31:49
How do you know
about Station Three?00:31:51
The most secret chemical warfare
establishment in this hemisphere.00:31:57
Fired three months ago.00:31:59
Reason? "Emotional rejection
of purpose of project."00:32:07
"Council for World Peace."00:32:09
"Henry Martin,
Executive Secretary."00:32:11
You heard of us?00:32:12
Oh, yes.00:32:14
But you don't approve of us?00:32:15
I don't like semi-secret
organizations, Mr. Martin.00:32:18
Neither do I,
Mr. Barrett.00:32:20
But the Council is
a potent weapon for peace.00:32:23
We're not communistic
or anti-communistic.00:32:28
You just want a workable peace.00:32:30
Like you, perhaps,
Mr. Barrett.00:32:33
You have been outspoken
on the foolishness of war.00:32:40
That was removed from
Station Three a few hours ago.00:32:43
It doesn't matter
how at the moment.00:32:46
Do you know what it is?00:32:51
Botulinus?00:32:52
No.00:32:54
A vaccine against botulinus.00:32:59
The contents of that flask can be
cultured to provide enough vaccine00:33:02
to immunize any nation on Earth.00:33:06
We want it delivered
to this address.00:33:12
Europe?
Yes.00:33:15
How does that help peace?00:33:17
It neutralizes
a terrible weapon.00:33:20
If we both have it, well, neither
side can threaten the other with it.00:33:27
Very dangerous assignment,
Mr. Martin.00:33:31
$10,000 should cover
your expenses.00:33:38
I'm afraid not.00:33:40
Then you refuse?00:33:41
No.00:33:43
It'll cost you 20,000.
10,000 each way. Cash. Now.00:33:48
You mind if I say something,
Mr. Barrett?00:33:50
Yes, I do.00:33:51
Keep your speeches and
moralities for your council.00:33:53
This is a business deal.00:33:54
No wonder you were
thrown out of so many places.00:33:59
Satisfied?00:34:00
Yes.00:34:03
Put your forearms on the table.00:34:05
You have a strange way of
doing business, Mr. Barrett.00:34:08
What is this?
A holdup?00:34:10
Put your forearms on the table.00:34:14
First, vaccines are not
stored at Station Three.00:34:16
So this has got to be
some kind of a virus.00:34:18
Second, no one's supposed to
know anything about Station Three.00:34:21
And third, I know quite a bit about
the World Peace Organization.00:34:25
There's a fat, balding man who is
the secretary, name, Henry Martin.00:34:29
I know him.00:34:31
What do you intend to do?00:34:32
Turn you over
to the right people.00:34:36
I know this isn't evidence,00:34:38
but with your fingerprints on
the flask, and the money, it'll do.00:34:42
I guess I underestimated you.00:34:44
I guess you did.
Now, stand up.00:34:46
Turn around, put your hands on
the bulkhead and lean on them.00:35:13
Cavanaugh? What the hell
are you doing here?00:35:15
Now, don't get sore, Barrett.
I had to do this in a hurry,00:35:17
and it's the only way
I could handle it.00:35:18
Handle what?00:35:19
I had to check you
for security and quick.00:35:24
That character's one of your agents?
That's right.00:35:27
And you planned this whole thing
just to see if I could be bought?00:35:29
You could put it
that way, I guess.00:35:31
I didn't know what kind of
a security risk you'd become.00:35:33
People change, you know.00:35:35
You did have me worried on
that radio there for a moment.00:35:38
Get out of here and get
your tail back to Washington.00:35:40
Mr. Barrett,
I'm Dr. Leonard Michaelson.00:35:42
I know who you are.
You, too. Get out.00:35:44
Get your props
and get off this boat.00:35:47
Barrett, you know the way
our security agency works.00:35:50
Mr. Barrett, I can understand
how you might interpret this00:35:52
as a reflection on your loyalty...
Sir.00:35:54
Barrett, the General has asked
that we come to you.00:35:59
He wants you in on this.00:36:01
In on what?00:36:03
Station Three was broken into
a few hours ago.00:36:06
Reagan's been murdered
and Dr. Baxter has vanished.00:36:34
Mr. Michaelson?
Right.00:36:36
I'm Pelton Tasserly, Deputy
Administrator here. Mr. Tasserly.00:36:38
Lieutenant Raskin.
Lieutenant Johnson.00:36:40
Good morning.
I'm very sorry about this, sir.00:36:42
No sooner take over and...
Yes, yes, Tasserly.00:36:43
You know Mr. Cavanaugh?
Yes, I do.00:36:46
Mr. Barrett?
Hello, Barrett.00:36:48
Anything on Baxter?00:36:50
Nothing. But the net's out.
All points.00:36:52
What steps have you taken?00:36:53
None, really. I figured
you'd get here pretty fast.00:36:55
So I've touched nothing,
talked to no one.00:36:57
I did bring in all the security
people who were on duty last night.00:37:00
Whom have you told
about this, Mr. Tasserly?00:37:02
Well, no one,
other than you people,00:37:04
and our security men, of course.00:37:06
And Doctor Hoffman.
Why him?00:37:08
Well, he was the last one out,
except for the Director.00:37:10
He's waiting in E block now.00:37:12
Let's take a look at Reagan.00:37:23
Are you with us, Barrett?00:37:25
I'll be there in a minute.00:37:32
How do you see this, Johnson?00:37:35
Well, Mr. Tasserly says, and Mason
swears that nobody got into E Lab.00:37:40
But I don't think Reagan
committed suicide in there.00:37:42
Neither do I.
What's the sentry dog doing over here?00:37:46
He's got a lump on his head
that wasn't there yesterday.00:37:48
But he was still on patrol this morning?
Mmm-hmm.00:37:51
I think maybe he might've
been knocked cold for awhile.00:37:54
Of course, being a dog, he couldn't tell
me about it. He just went back to work.00:37:57
Yeah.00:37:58
Has Raskin got men
going over the fence?00:38:00
Every inch.00:38:13
Right in that corner, sir.00:38:26
Dr. Hoffman's terribly distraught.
Insists he must talk to you.00:38:30
Immediately, in private.00:38:31
Perhaps you should see him, sir.00:38:37
Dr. Hoffman,
this is Dr. Michaelson.00:38:55
How was it done?00:38:56
Blow on the head.
No weapon.00:38:59
Who set the time lock?00:39:00
I don't know, sir.
I suppose Dr. Baxter.00:39:03
Another half an hour to go.00:39:05
Is there any way
to work that combination00:39:06
and go in before the time is up?00:39:08
We've got to find out if
anything has happened in there.00:39:10
No way on earth until
those red lights go off at 8:00.00:39:13
You fool with that door before
that, well, you'd die quick.00:39:16
It's booby trapped.
A thousand volt charge and lethal gas.00:39:19
Mr. Raskin.
Yes?00:39:21
We've found
a break in the fence.00:39:23
Don't touch it.
We'll be right there. Yes, sir.00:39:25
Raskin, have your men
move Reagan's body00:39:27
to one of the side laboratories.00:39:28
Yes, sir.00:39:34
Taped.00:39:36
So that you can't even see
it unless you look closely.00:39:38
Very careful job.00:39:40
Raskin, open the other side.00:39:44
Cut left to right.
A right-handed man, maybe.00:39:47
Or a left-handed man who wants
us to think he's right-handed, maybe.00:39:58
The alarm didn't go off.
The wire hasn't been touched anywhere.00:40:01
Someone'd really have to know
their way around this place00:40:03
not to trip over this at night.00:40:05
The thing I don't understand,00:40:06
is how anybody
can get past the dog.00:40:09
I don't get that, either.00:40:10
What do you think happened?00:40:12
I don't know, sir.00:40:13
What's his name?
Rollo.00:40:15
Can I handle him?
He's under sedation. Go ahead.00:40:20
Easy, Rollo.
Easy, boy. Easy, Rollo.00:40:25
Easy. Easy.00:40:28
There it is.00:40:31
What do you make of that?00:40:35
Those are cuts.
How'd they get there?00:40:38
From the wire.00:40:39
Right.00:40:41
Raskin, you be Rollo.00:40:46
Now, you tape up your arm,
stick it through, thus...00:40:49
Okay, grab it.00:40:52
You hang up Rollo on the
wires so he can't pull free00:40:54
without tearing his throat out.00:40:55
He'd make a noise. No.
These dogs are trained not to bark.00:40:57
- No matter what. Right?
- Right.00:40:59
Then you clobber him
with something heavy,00:41:01
you tape up the wire
and you're gone.00:41:03
When Rollo comes to, he's got
the world's most massive headache.00:41:06
But being a dog,
he can't tell anybody00:41:08
so he just goes
back to work. Simple.00:41:11
So that's how he got in.00:41:12
No. That's how he got out. Out?00:41:15
Right. Look at the ends of
these wires where they're bent.00:41:16
He took Rollo from the inside.00:41:21
Mr. Barrett, a telegram for you.
It came to our office in town.00:41:24
How come you get
a telegram here?00:41:26
Magic.00:41:30
I'd certainly like to know
what it says.00:41:32
I'll bet you would.00:41:33
Mr. Cavanaugh,
it's 10 minutes to 8:00.00:42:04
my goodness Livingston did you know you can get
any 12 records or any eight tapes for only two00:42:11
dollars and 86 cents from this Columbia House
offer they've got some good stuff here they've00:42:17
got Loretta Lynn Andy Williams and you can
even get it on reel to real eight-track tapes00:42:23
oh modern it's wonderful you should order
something for me anyway so welcome back to00:42:29
the show Ransom and Mitchell stepped away for a
moment I think they're going to grab something00:42:33
to show us you never know that's what artists do
right they show us things they do that's right00:42:38
so we're going to take this opportunity to do
some mail from you because if we don't read it00:42:43
that means we have to keep it it stalks up that
room a bit too high does it not it does all right00:42:49
what do you got for me Mr Livingston Rock Springs
Wyoming that sounds like a nice place Rock Springs00:42:56
L Crawford that's a movie star name all right what
do we have here do you have Vincent Livingston and00:43:06
Tangella I recently discovered your program and
really enjoy it the intro is excellent I was00:43:12
wondering if you know of the movie dying room
only with Cloris Leachman that one sounds good00:43:20
that sounds like something we'd run also the
movie The Girl Most Likely to with Stockard00:43:27
Channing and Ed Asner both are 1970s made
for TV movies now I think they would be00:43:33
compatible with your show I hope you can show
them thank you for your time and keep up the00:43:39
nice work sincerely Larry Crawford well thank
you so much Larry uh you know those both those00:43:44
movies sound wonderful we're going to look into
them hope things are good in Rock Springs that00:43:51
sounds like a wonder you know when when Springs
come out of rocks it's it's an amazing thing to00:43:57
behold you know quite I wonder how they compress
the spring in the first place before they come out00:44:03
you are astounding no I I am entertaining Grand
Rapids Michigan what I so Grand about the Rapids00:44:13
in Michigan they are rabbit are they just big
all right we've got uh block somebody named block00:44:22
it's a card it's a nice card oh it's
got American money inside look at this00:44:28
it's cash it's got uh which President is
this I believe that's Alexander Alexander00:44:35
right all right nice it looks like a nice chap
all right nice card and it says howdy gang Dan00:44:42
and Kelly block again once again letting you
know that you are the best hosts ever well you00:44:49
know if they give us cash like that we must be
right yeah nobody lies and gives you money to00:44:55
right we like your presence more than the movies
however you may already know of these movies but00:45:02
here are two recommendations for you shock waves
1977 a really good spooky one and laser blast 197800:45:11
corny but fun here's a 20 for you maybe make
a big bag of popcorn would be in order thank00:45:18
you for what you do all the best of blocks well
thank you so much the blocks and uh we're gonna00:45:22
look into those movies as well we're getting
some good movie recommendations this week we00:45:27
have no typically people will send us something
like oh can you show Star Wars that's right now00:45:34
I mean I wish we could but we can't because
Disney won't let us show any of their films00:45:39
will they no they won't right put that with it so
we have a package a package show me the package00:45:46
put this in a safe place right keep it away from
her you know what she does this has been re-taped00:45:53
shut so somebody's somebody's already examined
this did you already get into it was that you00:45:58
who knows look at this tape look at ah all right
oh my goodness one box two letters that's not too00:46:10
oh my goodness all right we need to let the little
one take that and which one do I look at first00:46:21
hmm both look the same is there a mystery to this
is oh look at this cash look more cash oh gosh I00:46:34
think we could buy some some supper tonight all
right dear friends I must apologize for forgetting00:46:39
to leave the funds that I intended to include with
the gift box I'm truly sorry for the error no need00:46:45
to apologize Brian Kellogg that's very nice of
you so this was a secondary letter he sent I see00:46:54
after this all right so here take this and I shall
read the initial letter that came with the stuff00:47:03
all right he goes dear friends I would
like to thank you uh also my goodness00:47:11
you know whenever you hear a pup from her side
you know it's typically something that involves00:47:17
gunpowder this time I'm glad it wasn't all right
I want to thank you all for your tireless effort00:47:22
in producing your show I am riveted to the screen
every time you come on I discovered you on YouTube00:47:29
a year ago and immediately subscribed yes I
view your channel as a subscriber I have also00:47:35
purchased a few Creature Feature t-shirts well
you know I wish more people would buy Creature00:47:40
Feature t-shirts how can they do that well
they go to the Creature Feature store which00:47:44
I think the thing will appear down here but
now I know I've never been on the street and00:47:49
seen anyone wearing a Creature Feature shirt
ever neither have I no it's it's sad really00:47:55
when you think about it quite tragic yeah
there were things like they say like Adidas00:48:00
I've never seen that show have you no never
all right good uh Mr Livingston you have the00:48:07
patience of Job you take 10 jealous Antics
and stride you are the Paragon of integrity00:48:16
that is true except for the time that he conspired
with her to steal cable we won't talk about that00:48:23
will we I beg your pardon oh I remember maybe
you don't she climbed up the pole and hooked up00:48:30
the cable and you're watching Star Trek this is
a couple of years ago my mind is not completely00:48:35
gone yet look at that smile he admits it in
close you'll find a few gifts I am an avid00:48:40
toy collector look at that that's the that's
the bloke from uh Silence of the Lambs silence00:48:48
um ranging from uh from something to horror
toys I've also included included some funds00:48:55
for the show uh and uh for Livingston I also have
collar buttons for the gentleman what are these00:49:03
collar buttons he loves us we call some color
buttons so I think that's a better name look00:49:09
at that oh turquoise you never want turquoise
before have you no I haven't it's very nice00:49:14
all right and lastly Thank You Vince for breathing
life back in the show Tangella stays spooky well00:49:22
miss regards uh Byron Kellogg P.S there was a
made for TV movie release in 1985 on ABC called00:49:30
The Midnight Hour if possible can you present
that on your show Cheers all right we showed00:49:36
that a little while back not too long ago on our
Friday show The Midnight Hour and it was a big00:49:41
hit was it not it was indeed right right so go
back and look on YouTube to all Friday shows and00:49:48
you'll you'll find that one there along with her
and I's commentary button covers what are those00:49:54
button covers and we're in the Box what buttons
are you going to cover with those I'm not sure put00:50:00
them on your trousers probably trousers so you get
a little jingle when you walk that'd be wonderful00:50:05
we'd hear you coming she'd hear you coming and
she'd have some warning is that it that's it00:50:10
that is it for letters if you'd like to send us a
letter of your own or an email or a package full00:50:16
of wonderful toys and money go to Hello Creature
Features down below and uh that will tell you how00:50:23
exactly to do the process but it's really rather
quite simple is it not you go and you see how to00:50:30
do it and that's it yeah it explains it quite
well it does not require any special license or00:50:35
anything like that right no no right all right
anyways uh let's get back to the Satan bug and00:50:41
when we return we shall be back with Ransom
and Mitchell the wonderful artist see you soon00:50:47
[pop]00:50:48
I wish you wouldn't do that00:50:53
What is it?00:50:56
We have a very difficult
situation here.00:50:59
Dr. Hoffman feels that E Lab
should be sealed in concrete.00:51:02
Why?00:51:03
Because he's afraid that
some chemicals in that vault00:51:06
may have been
broken or tampered with.00:51:07
Even if they weren't, we
still cannot take the chance.00:51:10
The possibilities are
too monstrous to gamble with.00:51:13
What possibilities?00:51:18
I think you better
tell them, Doctor.00:51:23
More than 40 bio-chemical weapons
have been developed at Station Three.00:51:29
I will confine myself to two which
we have developed here in E Lab.00:51:33
First, botulinus.00:51:36
We have 1,200 grams
in six flasks.00:51:39
If 10 grams of it were
allowed to contaminate a city,00:51:42
that city is a morgue
in four hours.00:51:46
It is an ideal weapon,
God forgive the phrase,00:51:51
because it destroys only people.00:51:54
And it oxidizes itself. In effect,
dies, disappears after eight hours.00:52:00
Well, then,
it's safe to go in there.00:52:01
It's been over eight hours
since that vault door was closed.00:52:04
And if all 1,200 grams of the
botulinus were spilled on the floor,00:52:07
it would still be safe.00:52:10
The closed air circulating system is still
in operation. So it would be oxidized.00:52:13
That is correct. But there is
something else in there.00:52:18
It is only three weeks since
Dr. Baxter refined it and only three days00:52:23
since he communicated
its existence to anyone.00:52:26
There's something beyond
the botulinus?00:52:29
Yes, the second weapon.00:52:32
Also a virus, air borne.00:52:35
But self-perpetuating.
Indestructible.00:52:38
Once released, it will multiply at
a power beyond our calculations.00:52:42
It perhaps, will never die.00:52:45
To this virus, we have given
a highly unscientific name,00:52:49
but one which
describes it perfectly.00:52:53
The Satan Bug.00:52:56
If I took the flask which contains
it and exposed it to the air,00:53:00
everyone here would
be dead in a few seconds.00:53:02
California would be a tomb
in a few hours.00:53:06
In a week,00:53:08
all life, and I mean all life,00:53:11
would cease
in the United States.00:53:14
In two months,
two months at the most,00:53:17
the trapper in Alaska,
the peasant on the Yangtze,00:53:20
the aborigine in Australia,
dead.00:53:23
All dead.00:53:25
Because I crushed the flask and
exposed a green colored liquid to the air.00:53:30
Nothing, nothing can stop
the Satan Bug.00:53:34
What would be the last to go?00:53:36
Perhaps a great albatross winging
it's way around the bottom of the world.00:53:41
Perhaps an Eskimo
deep in the Arctic.00:53:44
But the seas travel the world
over and so do the winds.00:53:48
One day, one day soon,
they, too, would die.00:53:54
The Satan Bug is
behind that door.00:53:56
One flask. It has got to be locked up.
It has got to be.00:54:00
I must make you understand.00:54:03
If botulinus is spilled, as
Mr. Barrett here has just said,00:54:05
then it does not matter.00:54:07
But, by God, if
someone did get in there,00:54:10
and the Satan Bug is spilled, and
the vault door opened half an inch00:54:14
and left open, then the
airlock room is lethal.00:54:17
Open this door for more than
five seconds00:54:20
and everything that I have
told you will happen, will happen.00:54:25
I beg you, sir, seal up the door.
You cannot take the risk.00:54:31
I agree. There's
nothing else we can do.00:54:33
We've no option.00:54:35
We've no option, but to make
sure it's in there and untouched.00:54:44
All right, you're all set.00:54:50
Barrett, if that hamster does
die, you'll be contaminated.00:54:56
You won't be able
to come out of there.00:54:59
I know.00:55:00
Well, I trust your intentions,00:55:01
but if there is
something wrong in there, I...00:55:04
You wonder if I can
go through staying in there?00:55:07
Yes.
So do I.00:55:10
Eric, do you have your gun?00:55:12
If I come out of that vault
with this face mask down,00:55:15
open that airlock door
just a crack and use it.00:55:18
It's below atmospheric
pressure in there,00:55:20
so the outside air will rush in.00:55:22
You'll have time.
You'll be safe.00:55:25
Lee, you know if I
have to, I will use this.00:55:30
I know.00:58:21
There's no danger.00:58:24
Baxter's in there.
He's dead.00:58:51
Botulinus.00:58:53
There was a accident
last month, a technician.00:58:56
Oh, no, it is all right.00:58:57
There's just the odor now.
It's oxidized.00:59:01
What about
the Satan Bug, Dr. Hoffman?00:59:08
Don't touch the handle, Doctor.
We need fingerprints.00:59:23
It is gone.00:59:25
And the botulinus.00:59:27
All the flasks.
Yes. They are all gone.00:59:32
It can't be gone.
It can't be. It's impossible.00:59:36
Baxter walked out last night.00:59:37
He was checked out. He was!00:59:39
Somebody else walked out.01:00:15
Good morning. Good morning.
I'm Lee Barrett.01:00:18
Oh, yes, Mr. Barrett.
You're in suite 15.01:00:22
I am?
Yes, sir.01:00:25
You're already registered.01:00:27
I am?
You certainly are.01:00:29
Hello, Lee, darling.01:00:37
Thank you, very much.01:00:38
Don't mention it.01:00:41
I thought you'd never get here.01:00:43
I've read the newspaper three
times and had four cups of coffee.01:00:46
Well, I hope
you saved one for me.01:00:47
I certainly did.01:00:55
What the hell
are you doing here?01:00:58
I'm using a new strategy,
darling.01:01:00
I thought you might like
the Mata Hari type.01:01:03
But that telegram,
"The sooner the better."01:01:06
Can you think of a better way
to get you here fast?01:01:08
At least you
could've signed it, damn it.01:01:10
Hey, your language hasn't
improved a bit, by the way.01:01:13
You need a wife's influence.01:01:16
Ann, honey,
what are you doing here?01:01:19
Isn't this a beautiful part
of the desert?01:01:21
It's marvelous,
almost a hideaway.01:01:24
Where is he?01:01:25
About 10 miles from here.01:01:28
Well, who's the cover this time?01:01:30
Me.01:01:31
You?01:01:33
You know, you're not very
bright this morning, Lee, darling01:01:35
and you're certainly not
a bit flattering.01:01:37
You and I are spending
a quiet little weekend here.01:01:42
Supposedly.01:01:46
What is it this time, Lee?01:01:49
It's not good.01:01:51
Why didn't you say so?01:01:52
I know a darling place
out in the desert for lunch.01:01:55
Green pepper burritos
and cold Mexican beer.01:02:32
Oh, hello, Ann, darling.
Good morning, Dad.01:02:35
Good morning, sir.
Good to see you again.01:02:36
Hello, Lee.
It's good to see you. Sit down.01:02:38
Thank you.
That's it for romance today, Lee.01:02:40
I'll get your breakfast.
No, that can wait.01:02:42
Sit down, Ann. There's no
reason why you shouldn't hear this.01:02:44
It didn't take you long to
get here from Washington.01:02:46
No. I'm a member of the Mach two club now.
A little over two hours.01:02:50
No, Ann came ahead of me.
I was going to talk to Baxter.01:02:54
We've just learned
of the Satan Bug.01:02:56
Baxter hadn't told you?01:02:58
No, not until three days ago.
He was quite disturbed.01:03:02
So were all of us.
A difficult decision.01:03:05
Didn't know what to do.
Destroy it or not.01:03:10
Is it gone? Yes, sir.
And all the botulinus.01:03:15
And I warned him.01:03:17
You set a project like this in
motion, something has to blow.01:03:20
You think Baxter took it?01:03:21
No, I found him in the lab.
He's dead.01:03:25
Baxter's dead?01:03:26
Somehow two men
got into E Lab yesterday.01:03:28
They must've found Baxter
there alone, just before closing.01:03:31
One of them threw the flask at
him and then shut the vault door,01:03:33
then he walked out as Baxter.01:03:35
As Baxter?
There must've been01:03:37
a reasonable resemblance,
and with Baxter's hat and coat,01:03:40
everybody expected
to see Baxter.01:03:41
So they saw Baxter.01:03:43
And?01:03:44
The other man went through
the fence with the stuff.01:03:46
Reagan must've stumbled
on them in the lab.01:03:53
Does Cavanaugh have any ideas?01:03:55
None. But he's
all over the place01:03:56
with fingerprint men
and cameras.01:03:58
He'll interrogate everything, everybody,
but he won't come up with anything01:04:01
that will be of any value.01:04:04
You agree
that it was an inside job?01:04:06
Certainly an inside assist,
but too smooth to be caught01:04:08
by fingerprints
and conversation.01:04:10
Anyhow, sir, as you know,01:04:12
the "how" is not important, it's
the "who" and the "why" that counts.01:04:15
Yes.01:04:17
Lee,01:04:18
have they told you just
what this new virus will do?01:04:21
Dr. Hoffman filled me in.01:04:26
It's throwing that botulinus
that worries me.01:04:29
That's the work of a lunatic.01:04:30
There're three possibilities.01:04:31
Foreign power, possible.01:04:33
Criminals, hijackers,
improbable.01:04:35
It's the first and the
third that bother me.01:04:37
What's the third?
Well, you said it, a lunatic.01:04:40
Well, psychotics don't generally
engage in team work like this.01:04:43
Paranoids do, and they're
very brilliant, some of them.01:04:46
What sort of paranoid?01:04:47
The kind that we grow
the most of in this country.01:04:49
A messiah.01:04:51
What kind of messiah?01:04:52
Take your pick.01:04:54
Extreme right, extreme left.01:04:56
From the "I'd rather be
Red than Dead" fanatics01:04:58
to "Bomb Moscow
right now" fanatics.01:05:01
My choice, a messiah.01:05:03
Let's say you're right.
What next?01:05:06
A telegram, a letter, or
something to the papers with,01:05:09
"Mankind must abolish war,
or war will abolish mankind."01:05:13
And they'll make demands
and end up with, "Obey or else."01:05:18
Where were you
at midnight last night?01:05:22
I beg your pardon?01:05:23
This was delivered
about 10 minutes ago.01:05:26
"Mankind must abolish war,
or war will abolish mankind."01:05:31
"I have what
you're looking for."01:05:33
"I order your Citadel
of the Antichrist destroyed."01:05:37
"The President will publicly
announce immediate compliance."01:05:41
"To prove that I am to be
obeyed, there will be an incident."01:06:29
so uh Jason and Stacy famous artist Jason who who
cuts your hair uh actually I get it cut by Moises01:06:38
in uh San Francisco mine yeah yeah I think so
and then where do you get your hair colored01:06:43
myself in a scene so I can go to your person and
get that design and then I could get you to color01:06:51
it that same color yeah yeah and I would look like
you're you're yeah yes I would look nothing like01:07:00
that child but to the handsome of that all right
what am I looking at here so these are wonderful01:07:05
this is another uh artist portrait of Scott
Musgrove who had this wonderful story in his01:07:10
work where he was capturing uh the ephemera um
Creatures that were left behind and like lost01:07:17
to Antiquity right and so incredible captured him
being lost to Antiquity Stacy did an amazing job01:07:24
too with this because she built to the two sets
the above water one and the below water so these01:07:29
are real places yeah revisiting the same Pond
now we built a set on top of that pond that is01:07:35
incredible so when it was shot it was shot so that
the top frame where Scott is is actually a pool of01:07:42
water and so he's really sitting in the pool of
water and then all the frames on the wall that's01:07:46
his artwork which not his real artwork I just
made copies of it but it was this to symbolize01:07:52
him being so he makes these you know we've got
our work like this here but I like his better yeah01:07:58
yeah and then the bottom set which was
supposed to be underwater we built it at01:08:03
an angle so that when the camera was up high
it looks like you were down below oh it's like01:08:08
a force perspective perspective to create that
illusion that's incredible then Stacy detailed01:08:15
all the underwater all the underwater yes
that is amazing now this one my goodness01:08:21
this looks like the chambers were Tangella makes
up bombs right now this is this is incredible01:08:28
this looks like the cover of the Blue Oyster Cult
album oh yeah well that's a call thank you I know01:08:34
it actually looks better oh well because I think
that was just some look with an airbrush this01:08:41
looks like it was done with magic so tell me the
story with this one that's that's another artist's01:08:46
portrait his name is Crayola and his work is
Bonkers his name is what Crayola like Creole01:08:51
like the Crayola crayons minus the one minus
the Y is he right the 120 set or is he just01:08:57
the 37. yeah he's amazing his work is Bonkers
but it's got that feeling to it of just like01:09:04
very lame and this is him yes that is him so he
we built a set this is not him he's tending bar01:09:10
yeah well he's a mixologist because a lot of his
works with agato on the sleeves oh you know his01:09:17
old he's old-timey it's his style all right it's
Gotta look Snappy you know what I like about this01:09:23
it's it's got a steampunk taste without being
like the stereotypical steampunk over the yeah01:09:29
yeah let's let's put a top hat on his head and put
goggles on it now look he's steampunk we'll put a01:09:35
gear on there while we're all right I see no gears
this is wonderful everything is actually inspired01:09:42
by his work like all the little details all the
anything that's printed on the wall is actually01:09:47
some of his artwork that we just infused onto
the set either in Photoshop later or actually01:09:51
it was airbrushed on this this is incredible you
too are like the artists for artists that is true01:09:58
we love art and we love other artists I mean
who does that nobody makes art of artists the01:10:03
artist is always like the unsung hero and
here you're off putting them at the front01:10:08
all right I gotta get back to this movie
but when we come back we're gonna look01:10:15
at some more right excellent promise
promise all right off we go back to01:10:19
the Satan bug it's not a devil movie
so don't worry about it see you soon01:10:44
They were carried in.
Routine delivery of crates.01:10:48
Carried in!01:10:49
Phony.01:10:51
My God, Mr. Barrett,
we had no way of knowing.01:10:53
We had no idea they'd do
anything like this. No idea at all. It's...01:10:56
It's so simple it's ridiculous.01:10:57
It's always the simple way
that works.01:10:59
- Nothing?
- Nothing.01:11:00
Only the fingerprints
that belong here.01:11:02
The crates were coded with
the right number, the right color.01:11:06
And they were delivered
late Friday afternoon, at 5:35.01:11:09
No reason for the technicians
to open them.01:11:11
Exactly.01:11:12
We're just to see
that nothing gets out.01:11:14
Nothing. Everything that
comes in stays...01:11:16
Eric.01:11:23
The General's here.
He got this this morning.01:11:27
It was phoned in last night.01:11:30
Pay phone, Los Angeles Airport.01:11:34
My God.01:11:37
How did they even know
he was here?01:11:39
Good question.01:11:41
Well, there's only one thing to do.
Rip this whole place apart.01:11:44
Get everybody in here.
Everyone else connected with this place.01:11:47
Work them over. Meanwhile, we'll
keep the whole area completely sealed off.01:11:51
I think, except for
sealing off the area,01:11:53
we should do the exact opposite.01:11:56
What do you mean?01:11:57
Everybody here, at E Lab,
knows exactly what happened.01:12:01
Certainly whoever
took the bugs know.01:12:03
But nobody outside
knows anything yet.01:12:06
Keep it that way.
Leave it wide open.01:12:08
Why?
So we don't force anybody underground.01:12:12
Eric, there's got to be at least an
inside assist from someone here01:12:16
at Station Three.01:12:18
Whoever it is, let's
keep them in the dark.01:12:20
Let's hope they make a move,
and if they do, we'll know it.01:12:22
It may be the break
we're looking for.01:12:24
Pretty dangerous, Lee.
Lot of ways to make a slip.01:12:27
You know how long it'll take
to interrogate everybody.01:12:30
Cross check stories, and run down leads.
We're under a time gun.01:12:34
You cannot conduct this
like a normal investigation.01:12:37
We've got to hope that somebody,
somehow, will lead us to the bugs.01:12:41
Only the flasks are important,
nothing else.01:12:44
What do we say about Baxter?01:12:45
Tell them nothing.01:12:46
What about this?
It doesn't exist.01:12:54
I'll give the word to Raskin.01:12:57
Raskin.01:13:12
Anything, Mr. Barrett?01:13:14
Mr. Cavanaugh will be in
in a moment.01:13:16
That was a very brave
thing you did, Mr. Barrett.01:13:18
To go into that vault.01:13:20
Maybe I knew there wasn't any risk.
How could you know that?01:13:23
Well, certainly, whoever planned
this had accurate information.01:13:25
Very accurate information.01:13:27
Like me you mean?
I'd put me at the top of the list.01:13:31
Why would you steal
the Satan Bug, Mr. Barrett?01:13:33
Possession gives one
limitless power.01:13:36
Military power?01:13:37
And political power
and limitless wealth.01:13:40
The Satan Bug could make one
god on earth, or the devil, if you please.01:13:44
Isn't that enough
to tempt anyone?01:13:46
Dr. Hoffman, how long
will it take us to develop01:13:48
a vaccine against the Satan Bug?01:13:50
As a scientist,
I cannot say never, but...01:13:54
Dr. Baxter was not getting
anywhere, none of us were.01:13:58
Tasserly,
institute a crash program.01:14:01
Now.
Yes, sir.01:14:07
Sir, except for those present,01:14:10
we're taking the official
position that nothing is missing.01:14:13
There's been a murder,
that's all.01:14:15
We say nothing to anyone.01:14:16
A murder?
What about Dr. Baxter?01:14:19
There's a dead body in there. It'll keep
till Monday. Dr. Baxter's just missing.01:14:23
Meanwhile, of course, we'll
proceed with the investigation.01:14:26
How?
The usual way.01:14:28
What are we supposed to do?01:14:30
What do you propose,
Mr. Tasserly?01:14:33
I think I will stay here at Station
Three, if you do not object.01:14:37
I'm very tired, and I do
not feel like going home.01:14:40
I'll go with you.01:14:42
Somehow, I...01:14:44
Well, I should
like to be on call.01:14:45
I will be in D Wing rest area.
Do not hesitate to awaken me.01:14:48
Very well.01:14:50
The General is here,
Dr. Michaelson.01:14:52
All of this is being transmitted
to Washington in detail.01:14:56
All right.
I'll be in administration with Tasserly.01:15:00
Station Three personnel?01:15:01
Yes.01:15:04
That telegram.01:15:06
Could there have been a leak? I mean,
you don't think it was a phony, do you?01:15:11
It could be a maneuver.
The bugs are gone.01:15:16
A lunatic
with the killer of all times.01:15:20
Gives me the creeps.01:15:24
This whole operation
gives me the creeps.01:16:15
How was Florida?01:16:16
Okay.
Quick trip.01:16:20
No quicker than
it was scheduled.01:16:23
How'd you make out?01:16:25
I made out fine.01:16:30
Where's Ainsley?01:16:31
I don't know.01:16:33
When did he get here?01:16:34
He didn't.01:16:38
What do you mean, he didn't?01:16:39
I mean he didn't get here.01:16:41
And he didn't call.01:16:44
Did you call him?01:16:46
No, I didn't.01:17:43
Hello.01:17:45
Yeah, this is
Dr. Ostrer's house.01:17:47
Oh, I'm just the air conditioning man.
I'm fixing the unit.01:17:51
Well, he just stepped out. He said
he'd be right back. Can I take a message?01:17:56
To call who?01:17:57
Ah, Ainsley?
How do you spell that? A-N-S...01:18:01
A-I-N-S-L-E-Y.01:18:04
Ah, that's right, Mr. Ainsley.
What number?01:18:20
What the hell
are you doing here?01:18:21
Do you usually make a habit of
hanging around people's swimming pools?01:18:24
I do when I see that.01:18:44
Is that Ostrer?01:18:45
Yeah. They wiped him out.01:18:49
Could he have been
the inside assist?01:18:53
Could be.01:19:18
Cavanaugh, please.01:19:20
Cavanaugh, Barrett here.
I'm at Ostrer's. He's dead.01:19:24
It's murder to me, but it
looks like it could be suicide.01:19:27
He's floating
at the bottom of the pool.01:19:29
I'll fill you in on the details
later, but more important,01:19:32
see if you can check a call that just
came in to this number a minute ago.01:19:35
What does the name
Ainsley mean to you?01:19:38
Charles Reynolds Ainsley.01:19:40
Uh-huh. That's him.
Millionaire crank.01:19:43
Right at the top of the list
of crackpots.01:19:45
A place in New York,
Santa Barbara and another one,01:19:47
I think, somewhere outside
of Phoenix. Nail him.01:19:50
Don't touch him, but don't
let him out of your sight.01:19:52
And don't let him know
he's being followed. Okay.01:19:57
Now, honey,
what are you doing here?01:19:59
I was looking for you.01:20:02
The incident?01:20:04
Florida.01:20:11
Well, it's happened, Lee.01:20:13
Key West, Florida.
About an hour and a half ago.01:20:15
We have helicopters in the area01:20:17
making 16 millimeter films of
everything they can see from the air.01:20:21
Meanwhile, the coast line
is blocked off01:20:23
and we're at the present time clearing
the ocean for 200 miles off shore.01:20:27
How'd it happen?01:20:28
Nobody seems to know, exactly.01:20:30
One reports says
there was a small explosion.01:20:32
Then everyone downwind
started dying.01:20:34
We've closed down
all the news media,01:20:36
but we won't be able to
keep it quiet for long.01:20:38
What's the attitude
in Washington?01:20:40
I would describe it
as controlled panic.01:20:43
What do they expect you to do?01:20:45
Find whoever it is.
Deal with him.01:20:47
Buy him off, kill him,
whatever's necessary.01:20:49
But meanwhile?01:20:52
Yes. Speaking.01:20:56
Oh, are they clear?01:21:00
That bad, huh?01:21:02
When will the film be here?01:21:06
Well, yes, he's here now.
I'll tell him.01:21:09
I'll get back to you as soon
as I've seen the film. Goodbye.01:21:13
They have the film on Florida and they're
shipping a print out here right away.01:21:16
Cavanaugh tells me that he and
his staff have drawn a complete blank.01:21:20
They checked out everything
and everybody in Station Three,01:21:23
except Hoffman.
I want you to get on Hoffman.01:21:26
And push Cavanaugh on that Ainsley lead.
That's the only one we've got.01:21:29
And we're not going to be able to
control this thing very much longer.01:21:32
Yes, sir.01:21:33
Oh, that film is going to arrive
at Station Three about 4:00.01:21:36
Get it here
as soon as it arrives.01:21:38
Get me this number,
will you, Ann?01:21:41
Now, you left the
research center in Zurich01:21:43
after you accepted your position here.
Is that correct?01:21:46
Yes. But as you know, I went on a
four-week motor tour before I reported.01:21:51
Reported to Washington?01:21:52
Yes. Well, actually, to the
United States Counsel at Naples01:21:56
before I boarded the Da Vinci.01:21:57
And that was in...01:21:58
That was five months ago.
The exact date was...01:22:01
Oh, I have it here.01:22:04
You were out of touch
while touring?01:22:07
I had no set plans. I motored
through the Tyrol, across the Brenner,01:22:11
Lake Lugano. Naturally, if I had
been needed here immediately...01:22:15
It was a... It was kind of
therapeutic irresponsibility.01:22:20
Lee, we just got
the last word on Ainsley.01:22:23
Looks like we're on target.01:22:26
Excuse me.01:22:29
Mr. Barrett.01:22:31
Yes?01:22:33
That bulletin over the radio
about the trouble in Florida, the...01:22:38
It sounded as if...01:22:40
We think it's the botulinus.01:22:42
My God.
Why, Mr. Barrett?01:22:45
We don't know.01:22:46
But for what purpose?01:22:49
We're trying to
find that out. Excuse me.01:22:53
He's disappeared.01:22:55
The Santa Barbara house and the
Phoenix place have been closed for months.01:22:58
He was last seen
in his New York place.01:23:00
How long ago was that?
Eight months.01:23:02
We ran everybody who ever said
hello to him through the wringer.01:23:04
His ex-housekeeper in New York01:23:06
said that he told her
he was going on a world tour.01:23:08
Somebody bought the tickets.
Travel agency must have a schedule.01:23:11
She said Ainsley is not the
kind of man you ask questions of.01:23:15
Well, what does he look like?
We have any pictures?01:23:17
No.01:23:18
There's no reason for
anybody to keep a file on him.01:23:20
No pictures, newspaper
morgue, no personal stuff?01:23:22
None. He's an eccentric.
No pictures, no relatives, no public life.01:23:28
Visual description
from all concerned.01:23:30
Age, 50-something. Height, medium.
Hair, brown. Coloring, normal.01:23:34
Distinguishing
characteristics, none.01:23:36
No other leads, nothing? No.01:23:38
If anybody could beat any
haystacks any flatter than we have.01:23:42
Lee, look. He's the only name that's
dropped into this from the outside.01:23:45
And he's vanished
from the face of the earth.01:23:48
Everything we know about him
fits the man that sent that telegram.01:23:51
Lunatic fringe, crank,
rich, with resources.01:23:55
Now, it's too much
to be a coincidence.01:24:00
Barrett here.01:24:02
Thank you.
The film is here.01:24:09
I thought something had happened
when I didn't hear from you.01:24:13
What?01:24:16
I see.01:24:18
Everything's perfect here.01:24:23
What?01:24:26
Where?01:24:30
Where?01:24:34
Yes.01:24:36
Yes.01:25:57
a Satan Bug- I don't believe this I mean
how could scientists create something that01:26:03
would kill people and create a pandemic
in oh it's it's it's all science fiction01:26:10
at least I think it is right for the most part
anyways look at this this is this is incredible01:26:15
this is like a Spider Woman spiders that's the
name spydora and this is a real person yes she's01:26:26
all Arena actually in the circus with all those
legs exactly she moves so fast that we were able01:26:32
to capture her legs and arms in two different
positions so how much of this is real and how01:26:37
much of it is created with your magic was real
that's a real person real person right but she01:26:44
does not have four arms no she has four arms yes
but she does not have four arms right same with01:26:52
the legs yes right right so so she was fantastic
we had that we built this is part of our Rough01:26:56
and Ready Sideshow series we have a note we have
like 18 pieces and we went through and sort of01:27:01
reimagined the sideshow of old but with giving
the characters agency in a way that we feel they01:27:08
didn't have before so all of these characters
have just kind of an intensity to them hopefully01:27:14
absolutely but she looks fetching as well yes well
she you were the director so how did you direct01:27:19
her into all these different oh well it's quite I
mean she was a ballerina so it was excellent that01:27:25
she could actually be on point and have the shoes
and then uh very also with that ballerina you know01:27:31
ballerina Russian intensity yeah she was Russian
this is amazing if I can make a small technical01:27:38
note all right all right so this red hourglass
yes should be on the bottom right yes it should01:27:46
be on a bottom how do you say here it should be
on a butt yes right just because I've seen these01:27:52
spiders and we have them all over yeah right right
yeah they're called black widows and uh they they01:27:58
do have that now this one I I don't know what to
say about it it's fantastic this is a mermaid Fiji01:28:04
mermaid right and this is a real person yes and
she's actually inside a tank inside this cabinet01:28:10
oh tell me tell me the story so she was
photographed and and she also is a Dancer a01:28:21
lot of the people we work with are dancers because
they have a fluidness to them that makes sense so01:28:25
she she got herself in that position the tail
is actually created in CG but she was painted01:28:31
with makeup we always have makeup artists with
us and we try to create as much real as we can01:28:36
because she was half green I think that's right to
a birthday party too right but everything feels if01:28:42
we as much as we can do real we try to do real no
that makes sense it's just like practical effects01:28:47
in film that the more you do the better the
whole thing and you know the best effects are01:28:51
the small touches it's not the big the little
details right I just like pushing over well so01:28:56
that was the cabinet right so the cabinet is an
amalgamation of different cabinets that are at01:29:02
the Museum mechanic I wish I had this piece of
furniture it would fit in my parlor perfectly01:29:09
so do you know the the the
the uh what they call the uh01:29:16
the mermaids up at the bar in Sacramento were
they call dive ball mermaids we've had a few on01:29:23
the show before oh really yeah it's nice in fact
they sat in that chair you are sad where there01:29:29
were mermaids at one time so there's something
of a coincidence here okay that's absolutely01:29:34
incredible all right what do you say we get
back to this film and then when we come back01:29:38
I want to talk about this film you made because
the filmmakers as well of all things all right01:29:44
stick around we will be back soon and let's
get back to the Satan bug 1965. don't go away01:30:37
Well?01:30:38
No doubt about it.01:30:49
Williams here. Thank you.01:30:54
Hello, sir.
We're looking at the film now.01:30:57
Michaelson said there's
no question about it.01:31:04
Did they tell them everything?01:31:09
No, sir, I'm sorry, I can't.01:31:12
Not a thing.01:31:15
I understand. Goodbye.01:31:24
Well, they've had to
give the press everything.01:31:26
Except the connection
with Station Three.01:31:31
Hello.01:31:34
Yes.01:31:39
Who is this?01:31:41
Who is this?01:31:47
All right, I'm listening.
Go ahead.01:31:50
You have seen
what I have done in Florida.01:31:53
You have ignored my order.01:31:57
Continue, and you will sacrifice
hundreds of thousands of innocent lives.01:32:01
Who is this?01:32:03
Who is this?01:32:05
My name is
Charles Reynolds Ainsley.01:32:09
Now listen, don't hang up.01:32:11
I'll agree to meet you
anywhere you say.01:32:13
But you must realize
that we have to discuss...01:32:20
Operator! Operator!01:32:23
A call just came through
on this phone, trace it.01:32:26
Why not?
This is vitally important.01:32:28
Well, why is it impossible?01:32:33
I see.01:32:35
This number can be reached
by an area code number.01:32:38
That call could have come
from any place in the country.01:32:40
It would take a week
to track it down, if then.01:32:47
Don't interrupt.01:32:49
All right,
I'm listening. Go ahead.01:32:53
You've seen
what I've done in Florida.01:32:55
You have ignored my order.01:32:58
Continue, and you will sacrifice
hundreds of thousands of innocent lives.01:33:03
Los Angeles next.01:33:05
Noon tomorrow!01:33:08
Who is this?01:33:09
Who is this?01:33:11
My name is
Charles Reynolds Ainsley.01:33:15
Now listen, don't hang up.01:33:17
I'll agree to meet you
anywhere you say.01:33:19
But you must realize
that we have to discuss...01:33:28
Operator! Operator!01:33:30
A call just came through
on this number, trace it.01:33:38
We have to get every man
in the country to find him.01:33:41
We're already doing that, but
it's too late, he could be anywhere.01:33:44
And he has those flasks.01:33:47
Yes, I know that General, and
we can't evacuate Los Angeles.01:33:50
We don't have time.01:33:51
We'll have to try. Meanwhile, we
keep stalling and hope for a break.01:33:57
Sir.01:34:00
Don't you think
we should capitulate?01:34:02
Station Three
will only be the beginning.01:34:05
It's a bluff. It must be.
No one would do such a thing.01:34:09
Are you prepared
to take that chance?01:34:11
Bring the tape recorder
with you.01:34:12
There's no point in continuing
this charade of hiding out here.01:34:15
Lee, I'd like to have you
check out...01:34:18
What is it?01:34:20
Why did he give his name?01:34:22
It doesn't make any sense. It would
have been better to keep us guessing.01:34:26
I don't agree.
That's exactly what a paranoid would do.01:34:29
You heard that voice.
A monstrous ego working.01:34:31
No, sir,
there's something wrong.01:34:34
What?01:34:36
I can't put my finger on it,
I don't really know.01:34:39
We'll be at Station Three.01:34:59
I checked out
the car for you, Lee.01:35:01
He got a flat coming down the canyon.
Where?01:35:03
It was picked up about a
half mile down the road.01:35:05
A couple hundred feet
above split rock.01:35:08
You remember, we caught
some trout there.01:35:10
You can still see the marks
on the shoulder.01:35:12
See you.01:35:19
What's the significance
of the car, Lee?01:35:21
Nothing, just checking,
you check everything.01:35:50
Is that where
the car got the flat?01:35:53
Well, the car
slipped off the jack.01:35:56
Obviously, he tried to dig a
hole to get it back on and couldn't,01:35:58
so he abandoned it.01:36:03
Come on.01:36:17
All right, sit down here, Ann.
Now follow me on this.01:36:21
Everybody figures01:36:23
that whoever
took the bugs got out.01:36:26
They're gone.01:36:28
The inside assist,
Ostrer, he's dead.01:36:33
But let's suppose that there's
another man that's tied up in all this,01:36:37
who's still here,
who can't get out.01:36:41
Why does he have to get out?
Why doesn't he just stay here?01:36:43
Because he's got
something vital.01:36:45
Something that Ainsley's got to
have, and he's got to have in a hurry.01:36:49
I don't understand.01:36:51
Two men got into E Lab.01:36:54
One got out as Baxter,
he walked out.01:36:56
The other one through
the fence with the bugs.01:36:58
Let's say that they met
this third man,01:37:00
who took all the flasks,
except two,01:37:02
which he gave to them, and then
they took off, probably in Baxter's car.01:37:06
One flask for Florida.
One for Los Angeles.01:37:09
I've got that.01:37:10
Now, let's say that this third man
takes off with the rest of the flasks.01:37:15
But he's got one more thing
that he must do.01:37:17
Knock off Ostrer,
who's a threat somehow.01:37:20
Let's say he knocks off Ostrer,01:37:22
comes down this road,
free and clear.01:37:24
And then the nightmare
of all criminals happens.01:37:26
The senseless accident.01:37:30
The flat.
Right!01:37:32
He tries to fix it,
the car slips off the jack.01:37:34
Now he's stuck.
What would you do?01:37:37
I'd hitchhike down the road.01:37:39
But the bugs?01:37:40
You couldn't take a chance
on taking them with you01:37:41
and you wouldn't leave them
in the car.01:37:43
So, where would you put them
where they'd be safe?01:37:46
Where you could get to
them when you were free to01:37:48
and where they'd stay cool.01:37:53
The water.01:37:55
- I'd hide them in the water.
- That's what I think.01:38:20
Lee!01:39:10
Whose car was that?01:39:12
Just stand.01:39:15
Perfectly still.01:39:21
Handle that gently.01:39:26
Those misses were intentional.01:39:28
Stand exactly
where you are, Ann.01:39:40
And that I presume
was Doctor Baxter?01:39:43
Just put the flask
back in the box.01:41:10
Sit down.01:41:34
There's a phone call for you in
the administration, Mr. Cavanaugh.01:41:36
Thank you.01:41:59
Absolutely no sign of them.01:42:00
We checked out Barrett's car.01:42:02
No sign of violence
there or anywhere.01:42:05
Just some footprints down by the
bank of the stream. Nothing else.01:42:08
Have you heard anything here?01:42:10
No.01:42:11
He hasn't been missing long.
He could be anywhere.01:42:14
You know what he's like, sir.01:42:15
I don't understand why Barrett is
so interested in Dr. Hoffman's car.01:42:19
I don't either, sir.01:42:21
The Highway Patrol
officer said...01:42:23
Yes?01:42:24
- Mr. Cavanaugh?
- Johnson's on the line.01:42:26
- Put him on.
- Hello?01:42:28
Yes, Johnson.01:42:29
No sign of them in any of the
places we've looked in town.01:42:32
Keep looking.
Yes, sir.01:42:35
The officer said that Barrett just wanted
to know where the doctor had had the flat.01:42:39
Well, so what? We knew about it.
You had a flat last night.01:42:43
You started to hitchhike, they picked you
up outside of town and brought you here.01:42:47
I was very lucky.01:42:49
That road is lonely at night, but
I was picked up in the canyon.01:42:52
Not outside of town.01:42:53
Yes.01:42:55
Barrett is liable to call us
anytime from anywhere.01:42:58
I think it means nothing.01:43:00
I've pulled all the roadblocks.01:43:02
You want me to put
them back, just in case?01:43:04
No point in that.01:43:06
Yes?01:43:08
There's a call
for Dr. Hoffman.01:43:10
Put it through. Doctor.01:43:12
Doctor Hoffman?
Yes.01:43:15
Hello, Gregor, this is Donald.01:43:17
Sorry to disturb you, but we were
going fishing this afternoon, remember?01:43:21
Well, I... I couldn't,
I was tied up here.01:43:24
Sorry you missed out,
the fishing was good.01:43:27
Do you have to work tonight?
We're at your trailer. How about dinner?01:43:31
Well, Donald,
I... I do not see how...01:43:34
I wish you could. There's
something I want to talk to you about.01:43:38
Well, it would be
very nice, Donald...01:43:40
There's no need
for you to stay here now.01:43:43
Jeff, run the Doctor home.
All right, Eric.01:43:45
Thank you.01:43:47
I will be there in a few minutes, Donald.
Good.01:44:57
[video game sounds]01:45:05
haha, you lose01:45:26
Thank you.01:45:59
He stopped on
the road, slid down the bank,01:46:01
and got to the flasks
before we did.01:46:03
This is the only place
we had to hide 'em.01:46:06
I know it was taking
a chance to call you.01:46:09
But I was afraid you were caught.
He knew about your car.01:46:12
Now we're stuck.
There are roadblocks all over the place.01:46:18
Everything's fine, Donald.01:46:19
Nobody's suspicious, and the
roadblocks have been removed.01:46:26
It seems that Mr. Barrett
is so unpredictable01:46:29
that nothing has been made
of their disappearance.01:46:34
Did Los Angeles
go as planned, Veretti?01:46:37
I put it there.01:46:47
We will take them with us.01:46:49
That's dangerous.01:46:50
If there is any trouble, they
will be our best protection.01:47:02
There's nothing happening yet.
They're still all in the trailer.01:47:06
What about the manager?01:47:08
Oh, we're keeping
the manager out of the way.01:47:10
Do you think Barrett saw you?
Possibly.01:47:12
But he'd never recognize me,
he's never seen me before.01:47:14
Can you see anything
going on in there?01:47:16
There's no movement, no
sound, no, nothing happening.01:47:20
Keep on the line.01:47:21
Why would Dr. Hoffman
be connected with this?01:47:23
Why? I don't understand.01:47:25
He checked out perfectly.
There's nothing in his background01:47:27
to indicate that he's...
Dr. Michaelson, please.01:47:29
We've got to grab them, sir.
Right now.01:47:31
Certainly not, Cavanaugh.01:47:33
Now, we know that Barrett is in
Dr. Hoffman's trailer with two strange men.01:47:37
And we know that Dr. Hoffman is
there and he's connected with those men.01:47:41
And we know Dr. Hoffman's car had
some special significance to Barrett.01:47:45
And that's all we know.01:47:47
We don't even know if Barrett
went there willingly or unwillingly.01:47:51
Let me grab them, sir,
and I'll find out.01:47:54
I don't think you'd find out
anything that would be worth01:47:56
losing the only advantage
we have.01:47:58
What is that?01:48:01
They will lead us
to Ainsley, to the flasks.01:48:05
Only the flasks are important.01:48:07
This is the break
we've been praying for.01:48:10
They're going to leave.
We let them.01:48:14
Then we shadow them,
very carefully.01:48:17
Let one eager beaver show
our hand, and we're through.01:48:21
Now set it up.01:48:23
In the desert we're okay,
not much traffic.01:48:27
But we could lose them
in the first town.01:48:29
And what if they head
for that mess that'll be01:48:30
coming out of Los Angeles?
We'll change our strategy by then.01:48:32
At least we'll know
which way they're headed.01:48:34
Set it up.
Yes, sir.01:48:48
The evacuation of
Los Angeles is under way.01:48:52
It is too early to say yet how effective
this will be, or how possible it will be.01:48:57
There is no further official word as
to the exact imminence of the threat.01:49:01
It means nothing. There are
military training fields all around here.01:49:04
Incident in Florida
is related to this situation.01:49:07
I'm staying above
and behind them.01:49:09
They're still traveling west
on 17.01:49:12
They seem to be stalling.01:49:14
They're almost
going around in circles.01:49:16
Why?01:49:18
Evasive action. They're taking the
long way to wherever they're going.01:49:30
It's getting a little difficult
to keep them in sight.01:49:33
This is pretty rough country
and it's closing in on the road.01:49:36
I don't like this section
they're going through.01:49:38
It's impossible to keep visual contact
without the chopper tipping its hand.01:49:42
There are only three points they can
come out of there, here, here and here.01:49:45
You have men covering
all of them, haven't you?01:49:47
Yes, sir. I'll double up
here and here.01:49:50
I'm going to lose them
for a long stretch now.01:49:52
Unless I close in.01:49:53
Don't close up,
stay out of sight01:49:56
until you can pick them up
on the other side of the section.01:49:58
Will do.01:49:59
- Where's your follow car?
- Right here.01:50:02
Tell him not to move until
he can make absolutely sure01:50:05
that the road ahead is clear.
Yes, sir.01:50:09
Hold your position unless you
can see the road is clear ahead.01:50:13
Understood.01:50:44
You'll have no problem, Veretti?01:50:46
None.01:51:18
You know where I'll be.01:51:19
It'd be better
if we stayed together.01:53:07
Got 'em again.01:53:09
They're moving down the grade.01:53:11
They're going to be out
in the open desert any minute.01:53:15
Back away to 1-1-9-30
and stay out of sight.01:53:19
Right.01:53:20
Tell your follow car
to close up.01:53:22
Zebra to X-Ray.01:53:24
Position ahead
clear now, move up.01:53:26
Understood. Moving up.01:53:41
Donald!01:53:49
Is he following?01:53:52
I don't know.01:53:56
Take that turn.01:54:11
They've turned left
onto Seco Road now.01:54:14
They slowed down and... Well, for a
moment we got awfully close to them.01:54:21
Did they see you?
Well, I'm not sure, they might have.01:54:25
You want us to take them
if they spot us?01:54:27
No!01:54:28
Only if they stop, and if they
do, get on the radio immediately.01:54:31
Understood.01:54:35
Pull in up there
and let's see what this is.01:55:06
Damn!01:55:08
Hello, Zebra, come in!
This is X-Ray.01:55:11
Hello, Zebra, come in.
This is X-Ray.01:55:15
Hello.01:55:17
Ah, it's dead.01:55:27
Come out and keep your hands up!01:55:31
Show yourself and keep
your hands in the air.01:55:55
Come out and show yourself.01:56:15
We're armed with riot guns.01:56:17
Now, come out of there
with your hands up!01:56:32
All right, drop that gun.01:56:33
Tell them I'll throw it.01:56:36
Don't move.01:56:38
Just do exactly
whatever he tells you to do.01:56:42
Toss the shotguns on the ground.01:56:49
Throw them down.01:56:58
And the revolvers.01:57:02
Easy!01:57:11
I'm now hovering over 1-1-9-3-3-0.
Nothing but empty road.01:57:17
Stay put.01:58:31
welcome back to the show we are watching the
Satan bug and you know this this film was filmed01:58:37
in Palm Springs mostly yeah I know it's great
it looks like Palm Springs yeah but we're not01:58:43
in Palm Springs now we're at the polter mansion in
Bodega Bay and you two are filmmakers as well yeah01:58:49
dabbled a bit yes so you got we're going to show
a little clip here you made a movie and this is01:58:54
incredible it looks like a David finship film
oh thanks yeah no it's incredible and you said01:58:59
you filmed this on a red one yes it was right
after the red one first came out and we had01:59:04
one of like number 625 I believe so this is
almost like the model A of yeah right I mean01:59:11
a fantastic thing that you know Henry Ford
or Henry rad sold millions of but uh still01:59:18
at the beginning no so it looks like an amazing
production and why didn't you not continue that01:59:22
well it was through the process of making that
film Stacy was spending weeks you know making01:59:28
each one of those different set pieces that we
we used and then I would come in and light it01:59:32
and then the way the film was designed is that we
basically would blow through it and be like all01:59:37
right that's a wrap on the take and so oh right
it felt to be a little bit of an imbalance that01:59:42
uh I felt like you weren't necessarily getting as
much creatively out of the relationship and so by01:59:48
switching over to doing photography the two of us
could still use our powers together but create a01:59:54
single image that using the same techniques that
was could be so much Granite we should do that we01:59:59
should just make Creature Features one image get
all these people to just make one image and people02:00:04
could just take it in a glance like this this is
incredible thank you what do you call this one02:00:10
is that how serious thing serious thing this thing
now we're putting a big one up this is she's she's02:00:16
about to be bitten by seeing enemies is she not
her stuff she is one of them oh she's one of them02:00:22
and these these fingers yes this is spaghetti they
were all they were oh my goodness she's wearing02:00:29
those right you know don't don't let Tangella
see those you know what's going to happen this02:00:35
is incredible and the uh the model right looks
like Gwyneth Paltrow oh yeah yeah right yes yes02:00:42
right slightly except I bet she does not sell
soap on the internet I know Gwyneth paltry it's02:00:50
actually quite nice yeah yeah she's she's not
the way they portray her in National Enquirer02:00:55
I do not read is anybody all right so this this
similar yes yes right and what do you call this02:01:01
one it will be ours it will be ours it will be
ours so if I say it will be us it will be mine02:01:11
corner on right right no I like this because
it's the mother's about to kill her child for02:01:18
watching television or take him back take
come back child she's going to punish him02:01:23
for watching Creature Features I could be wrong
this is absolutely amazing you know one thing02:01:29
we should uh mention is you sell prints of
this right yes and where does one go to fine02:01:35
prints ransommitchell.com ransommitchell.com
if you want to get some of this art and uh02:01:41
this is like it would four thousand dollars
right the big one is the original hand-painted02:01:49
one these are absolutely fantastic all right so
uh what do you say we get back to this film wrap02:01:53
it up and then when we come back and find out
what you're doing next excellent all right off02:01:57
we go to the Satan bug don't go away after the
titles roll because if you do you're gonna miss02:02:03
Tangella and uh maybe that's not such a bad
thing anyways do what you want see you soon02:02:33
Veretti?02:02:38
What about the girl?02:02:40
Why don't you take her with you?02:02:42
Lee.02:02:45
Take her with you.02:02:47
Ann,02:02:49
get out of here.02:03:02
What the hell kind of a thing was that?
Shh!02:03:05
Don't you see,
he's going to throw the flask.02:03:07
It'll probably come through
one of those two holes.02:03:11
Where ever it comes through,
we've got to grab it. We've got to.02:03:14
If it smashes on the wall or
the floor or any of these objects,02:03:16
the three of us are dead men.02:03:24
If we miss it,
I'll douse it with this.02:03:27
It's hygroscopic.
It has an affinity for water.02:03:33
This isn't water, it's kerosene.02:03:35
It's got water in it.
Besides, it's all we've got.02:04:15
Sand. Put sand on it!02:04:17
Lee!02:04:43
Let's go!02:04:50
Zebra to X-Ray.
Zebra to X-Ray, come in.02:04:53
Something's wrong, Cavanaugh.02:04:55
Two more minutes,
and we go in there.02:04:58
Zebra to X-Ray, come in.
Come in, X-Ray!02:05:38
Zebra to X-Ray.
Zebra to X-Ray.02:05:42
Come in, X-Ray.
This is Zebra, come in, X-Ray.02:05:55
Zebra to X-Ray, come in.
Zebra to X-Ray, come in.02:05:59
Come in, X-Ray, come in.02:06:08
Zebra to X-Ray.
Zebra to X-Ray.02:06:11
Come in.02:06:15
Zebra to X-Ray, come in.02:06:17
Come in, X-Ray.02:06:20
This is Zebra, come in, X-Ray.02:06:22
Come in, this is Barrett.02:06:24
Cone in, X-Ray, this is Zebra.02:06:28
Come in, this is Barrett.02:06:31
Come in, X-Ray, come in.02:07:13
Move and I'll smash it!
I'll never be taken alive.02:07:16
Your friends can't help you.
You're on your own now.02:07:19
I always have been.02:07:23
You might be able to take this
away from me before I could smash it.02:07:27
But it would not help you.02:07:28
The flask in Los Angeles.02:07:30
Exactly.02:07:32
You cannot evacuate the city.02:07:34
If anything happens to me, Los Angeles
will be a cemetery by this time tomorrow.02:07:39
If things go your way02:07:42
and it's announced that
Station Three is being destroyed,02:07:45
will you take me to where
the flask is and immobilize it?02:07:51
Perhaps you had better
get in the car, Mr. Barrett.02:08:00
On the other side.02:08:17
I determined in the laboratory02:08:19
that only a four and a half
pound pressure shatters this flask.02:08:24
I can easily apply that.02:08:40
I spotted
the station wagon again.02:08:42
They're still moving north
on Seco Road.02:08:46
Any sign of the follow car?02:08:49
No.02:08:52
It looks like there's some kind of
fire back there where they came from.02:08:56
A lot of orange flame
on the horizon.02:08:59
You'd better get
somebody in there, fast.02:09:02
What are your plans now, what
do you intend to do, Mr. Ainsley?02:09:06
Ah, I can't believe
how stupid I've been.02:09:08
Ainsley's been missing for months and
Hoffman's been on the scene for months.02:09:11
Or at least you're an
impersonation of the real Hoffman.02:09:13
What happened to him?02:09:17
That's not hard to figure.
Gregor Hoffman, living in Vienna,02:09:20
hired by Baxter from Austria.02:09:21
Did you kill him
or did you have him killed?02:09:24
You're no biochemist,
how did you fool them?02:09:26
I am a biochemist,
Mr. Barrett, of sorts.02:09:29
If you were more familiar
with the name Ainsley,02:09:31
you'd know I made my
fortune in patent medicines.02:09:33
Sometimes a little bit of
knowledge goes a long way.02:09:36
The accent? Easy.02:09:38
I lived for years in Austria.02:09:40
Besides, Gregor Hoffman,
though he lived an obscure life,02:09:43
was a world famous chemist.02:09:44
You don't ask a famous
chemist the formula for salt.02:09:47
But Ostrer did.
You had everyone fooled but Ostrer.02:09:49
He knew you weren't the
real Hoffman, so he died, too.02:09:52
That tone is surprisingly
juvenile, Mr. Barrett.02:09:54
I believe that hundreds of
people might have died in Florida.02:09:57
This afternoon when I was interrogating
you, you heard Cavanaugh say that.02:09:59
Ainsley was our man.
Then you knew what to do.02:10:01
Somehow you made
two telephone calls.02:10:03
One to your boys to pick up the
flasks where you had to leave them02:10:05
in the stream and the
other to the General.02:10:06
So you could give us
your ultimatum on Los Angeles.02:10:09
Use the name C.R.
Ainsley so he would drop the road blocks02:10:11
and you could get out,
and he fell for it.02:10:13
That's correct.02:10:14
I didn't make the telephone
calls somehow, Mr. Barrett.02:10:16
I made them from Station Three.02:10:18
As you're so fond of saying there's
no such thing as perfect security.02:10:32
Don't try it, Mr. Barrett.02:10:33
You're lucky but you're mortal.
We all are.02:10:40
Tank vehicles carrying
liquids, assembly point B.02:10:45
Ambulance section
re-designated, C.02:10:48
Repeat, ambulance section
re-designated, C.02:10:53
Control requests the following
be read at five minute intervals.02:10:56
An unidentified scientific
research installation02:11:00
based in Southern California
has ceased operation.02:11:03
It will be dismantled and cease to exist.
End announcement.02:11:21
There he is.02:11:22
Who's that with him?02:11:24
I don't know.02:11:45
You're under arrest,
Doctor Hoffman.02:11:48
You're Lee Barrett, aren't you?
That's right.02:11:50
What are you
doing here, Barrett?02:11:51
That's a long story.02:11:54
Get out of the car, Doctor.02:11:56
Be careful, he's got
a flask in his pocket.02:12:06
All right, hand it over, Doctor.02:12:09
Right now.02:12:12
The end of the line?02:12:25
All right,
get into the car, Doctor.02:12:29
Better come along
with us, Barrett.02:12:34
How did you get here?02:12:36
We're spread all over the place.02:12:37
This is one of
50 we're covering.02:12:39
What about the girl
and the two other guys?02:12:40
I don't know.
Where's Cavanaugh?02:12:42
They could be anywhere.
Our orders were to pick up Hoffman,02:12:44
stay off the radio,
and don't say a word02:12:45
until we get him
to Station Three.02:12:58
Have you got enough sense
to keep your mouth shut?02:13:01
Yes.02:13:04
We've got a jack-knifed truck up here.
You can turn your engine off.02:13:07
It won't be long. The tow truck will
have it out of here in a few minutes.02:13:11
Anybody hurt?02:13:13
No, he was lucky.02:13:24
We got a jack-knifed truck,
it won't be long.02:13:40
Won't be long he says.
Did you ever hear a cop say anything else?02:13:43
It'll be hours.02:13:45
By that time, that mess from L.A.
will hit us and we'll never move.02:13:50
Look at all those cans
and busted beer bottles.02:13:53
You'd think people wouldn't
throw things out there like that.02:13:57
You got a match?02:13:59
Would you look at the jerk
handling that tow truck?02:14:01
He's worse than the man
that was driving the rig.02:14:03
Oh, boy, that's all we need.02:14:05
A sidewalk superintendent.02:14:07
Wise guy, huh?02:14:34
There's your daughter, but
what's happened to Barrett?02:14:36
Where's Hoffman?02:14:39
Dad! Dad!02:14:42
Dad, Lee's dead.
They threw a flask,02:14:45
they threw a flask
back at the gas station.02:14:46
What happened to Barrett,
where is he?02:14:47
You've got to go clear out the area.
He's at the station.02:14:49
Don't you understand?
That man Veretti, he threw a flask.02:14:52
Sir.02:14:57
Where is the Satan Bug?02:14:58
Hoffman took it.
He changed cars02:15:00
and he went back the way we came from.
What kind of car was it?02:15:01
It was a green Ford sedan.02:15:03
License?
Oh, I don't know,02:15:04
I couldn't see it very clearly.
It was FGA, something, 7, I think.02:15:08
Put it on the radio.
Hey, give me that stuff.02:15:10
Dad, you've got to go back
and clear out that area.02:15:12
That's all right, dear,
that's all right.02:15:14
The flask is harmless now.02:15:15
The station burned.
There's nothing to worry about.02:15:18
We found the bodies of
Cavanaugh's men, but not Lee's.02:15:21
- But Lee was in the building. He was in the building.
- Well, he's not there now. Ann, Los Angeles,02:15:27
did anyone say anything
about Los Angeles? Anything?02:15:30
No. Nothing.02:15:32
Put everything you've got
on Hoffman's car.02:15:34
Yes, sir.
We're already on it.02:15:35
But there are an awful lot of
green Fords around.02:15:38
And there's nothing on
these guys except this stuff.02:15:41
Guns, money, watches,
phony drivers license02:15:46
and keys.02:15:48
Maybe one of the keys
fits something in Los Angeles.02:15:51
But how the hell
do we check that?02:17:00
Sounds like the ignition.02:17:26
Take a look at that fuel pump.02:17:43
You didn't really think that
I'd fall for those goons of yours02:17:46
posing as Cavanaugh's men,
did you?02:17:57
Okay, I've got the gun now.02:17:59
Put the bottle down
and step away from it02:18:02
before that copter of yours
settles down.02:18:04
You haven't given me any
reason why I won't smash this.02:18:08
This is the end of the line,
Ainsley.02:18:11
For real now.02:18:13
Put the bottle down
and step away from it02:18:14
or I'll blow
a hole in your head!02:18:20
You're psychotic,
but don't be stupid.02:18:23
If I blow a hole in your
head or you drop that bottle,02:18:26
you'll die,
then you'll have nothing.02:18:29
Perhaps I am psychotic,
but I'm certainly not stupid.02:18:33
If I smash this,
I wouldn't die, Mr. Barrett.02:18:38
Why do you think
Baxter waited so long02:18:39
before telling anyone
about the Satan Bug.02:18:42
Why do you think he was working nights?
Weekends?02:18:43
The vaccine!02:18:46
Well, I waited for the vaccine.02:18:48
Two days ago he made it, that's
why he had to die and Ostrer.02:18:51
You were wrong about him, too.02:18:54
He didn't suspect me.
He didn't suspect anyone.02:18:55
He just knew about the vaccine02:18:57
and now I'm the only one
who has the formula.02:19:00
And the vaccine is
in my bloodstream.02:19:02
I'm immune!
I won't die, I'm immune!02:19:06
But you told us
what the Satan Bug would do.02:19:08
You mean to say that you'd live
on this world alone? By yourself?02:19:12
I told you about the Satan Bug
to keep you from finding Baxter.02:19:15
Even so,
he believed every word I said.02:19:18
But I'm not sure
how good a biochemist he was.02:19:21
Some scientists thought that the
H-bomb would start a chain reaction02:19:24
that would blow up the world,
but it didn't.02:19:27
Now, nobody really knows
about this.02:19:29
Theoretically, yes.02:19:32
But it hasn't yet
been put to the real test.02:19:35
Perhaps it will
destroy all life.02:19:38
Perhaps.02:19:40
Certainly it could
destroy millions.02:19:44
Do you want to test it?02:20:02
Mr. Ainsley?
Yes.02:20:07
I was watching for you
and saw the car stop.02:20:09
Thought I'd better
pick you up here.02:20:11
The engine failed. Don't worry
about it, we'll take off immediately.02:20:14
Yes, sir.02:20:17
Any trouble, Mr. Ainsley?
No, no.02:20:25
Well, Mr. Barrett?02:20:28
The flask is still in
Los Angeles.02:21:22
Still nothing?
I'm afraid not, sir.02:21:24
Nothing on Los Angeles,
nothing at all?02:21:26
Nothing of any consequence.02:21:29
Hello.02:21:30
Only two tie-ups to Los Angeles.02:21:32
One of them is an office building, here.
Where?02:21:34
Ten stories high, we've
got men going through them.02:21:36
Starting from the top.02:21:38
Now, the only other thing is
this little notation in red ink.02:21:41
Glendale 73.02:21:43
We've got men calling
on every house with 73,02:21:45
every phone number
beginning with 73,02:21:47
every cab, well,
you get the idea, sir.02:21:50
Yes.02:21:51
Veretti did that, he was doodling
while they were waiting for Hoffman.02:21:55
Hold on, Jack, take this.02:21:58
Well, they found the green car.02:22:00
Where?
It was abandoned in front of a restaurant02:22:02
next to a service station
near Palmdale.02:22:04
They were both closed,02:22:05
but a watchman in a
gravel yard across the street02:22:07
saw the green car park
and two men get out.02:22:10
He described Hoffman perfectly.02:22:13
And the other man? It sounds like Barrett.02:22:16
Well, what happened to them?02:22:17
There were two other men
waiting in a black car.02:22:20
They held guns on the first two.02:22:21
Then they got in the black car
and all four drove off.02:22:24
Didn't the night watchman
try to stop them?02:22:25
No.02:22:27
God!02:22:29
There's something else.02:22:31
The watchman said one of
the men was carrying something02:22:33
that looked like a small flask.02:22:38
No license plate
on the black car?02:22:40
Wrong angle, couldn't see it.02:22:53
Eric.02:22:57
This was doodled by that maniac, Veretti.
Look at this.02:23:02
That could be a flask.02:23:04
It is a flask.02:23:06
I think all these are flasks.02:23:09
That is something real.02:23:11
He's unconsciously trying
to draw or doodle something.02:23:15
What is it?02:23:19
Those lines look like parking
dividers on a parking lot.02:23:24
Sir, look at this.02:23:29
A diamond?02:23:31
A baseball diamond?02:23:37
A baseball stadium?02:23:43
Jack, give me that.02:23:44
Put me on Los Angeles 47
right away.02:24:32
Hopeless, isn't it,
Mr. Barrett? And pathetic.02:24:37
They can't run away.
Nobody can.02:24:41
There's plenty of time.02:25:12
Anything?02:25:15
Nothing.02:25:18
Anything over there?02:25:22
Nothing yet.02:25:42
Telephone for you, Captain.02:25:47
It's Mr. Cavanaugh.02:25:49
Hello!02:25:50
Yes, we're here looking.
Nothing.02:25:54
Yes, they're looking there.02:25:56
Of course, we'll look in there.02:25:58
Yeah, yeah, I know.02:26:05
We'll be running out of land
pretty soon.02:26:08
And time. Where is the flask,
Mr. Ainsley?02:26:12
Don't press,
Mr. Barrett.02:27:06
Judas H. Priest!02:27:09
Get Olsen!02:27:11
Olsen!02:27:13
Fifteen, 20 degrees,
eight miles.02:27:16
Now, here is
the helicopter, sir.02:27:18
We've kept everything away from it.
But we think it's the one.02:27:20
Fifteen, fifteen degrees,
four miles.02:27:24
Here it is, sir. Here it is now.
It's a new plot.02:27:28
No voice contact?02:27:29
No, sir. We're on
113.6 Los Angeles radio.02:27:33
They should be on this setting
if they're trying to contact us.02:27:52
Hold that.02:27:55
That cap is fulminated mercury.
So don't drop it.02:28:01
Sometimes you're booby trapped.02:28:04
You cut the wires and02:28:05
phfft.02:28:20
That's it.02:28:24
Now, don't anybody
move a muscle,02:28:27
till we get this
thing collected.02:28:43
We're heading for Catalina.02:28:45
You don't have any intentions of
going where the flask is, do you?02:28:48
As much as you have of
destroying Station Three.02:28:50
That's not very clear
thinking, Ainsley.02:28:52
If you intend to take
Los Angeles, I'll take you,02:28:54
I've got nothing to lose.02:28:56
Except this.02:28:59
I see, he takes you to a yacht,02:29:01
and tomorrow you get on the
mike and you dictate your terms.02:29:04
That's right.02:29:05
You'll become everything,
everyone else, nothing!02:29:08
And then?02:29:10
Then, for the first time
in the world...02:29:17
What are your plans
for the world, Ainsley?02:29:20
War, peace,
back to the middle ages?02:29:22
Forward to the future?02:29:23
It doesn't make any
difference what you choose,02:29:25
because it all means
one thing to you.02:29:27
Power!
Power for its own sake!02:30:46
You're a little man
again, Ainsley.02:30:48
Where's the flask?02:30:50
Your life for Los Angeles.02:30:52
Oh, no. Los Angeles
will be my epitaph.02:31:04
Los Angeles radio, come in.02:31:06
Los Angeles radio, come in.02:31:09
This is Williams, Lee, we've
been following you on radar scope.02:31:12
I've got the big one, it's safe.02:31:15
Hoffman's over the side.02:31:16
I can't give you any
information on the other flask.02:31:19
We found it, Lee, it's safe.02:31:21
What about Ann?02:31:22
I'm here, Lee.02:31:23
She's here with us.02:31:24
What was that
you said about Hoffman?02:31:26
He jumped!02:31:27
Oh, and tell Cavanaugh
to stop looking for Ainsley.02:31:30
Ainsley and Hoffman
were the same man.02:31:33
I'll be setting down at LAX.
Tell the boys to be on the lookout for me.02:31:36
I'm a little rusty
at these things.02:31:38
We'll meet you there, Lee.
Take it nice and easy02:31:41
and for God's sake
make a good landing.02:31:43
I'll put down safely
and I'll give you the flask.02:31:48
And then we're right back
where we started.02:32:07
and so ends the Satan bug yeah that was uh that
was a close call was it not oh yeah got a little02:32:15
hairy there at the end no they they could
have killed everybody there could have been02:32:19
some massive pandemic and uh you know had that
bottle escaped yeah because speaking of escapes02:32:27
you know you're never going to get those back
now just so you know I hope you don't plan on02:32:32
using them again because now she loves finger
things excellent they do fuse permanently so02:32:37
that's why she that's why she wears gloves like
this so she could put silly things on her fingers02:32:43
right anyways what's next for you too well I you
know I think that all the new technology that's02:32:52
starting to come out is really allowing us to open
up and explore a huge backlog of ideas that we had02:32:58
kind of I'm thinking AI yeah I think so too I
love it I play with it all the time yeah it's02:33:04
yeah it's a fantastic tool because like you said
there have been so many things that we wanted to02:33:09
do that were just elaborate and over the top and
we just couldn't physically make those things but02:33:14
you're an artists well we've had very Grand
ideas but it's only the two of us so now just02:33:20
being able to use CG and supplementing it with
AI either through brainstorming or having it02:33:25
become textures or there's just a lot that is
available now to artists yeah right no so I'm02:33:32
not an artist at all however I I can talk all
day long and that's the beauty of this whole AI02:33:39
thing is I can say make me a picture that looks
like this and do this and do this and I'll come02:33:44
up with some I've made some good ones of her
have I not yeah actually she's been nice she02:33:49
doesn't like them I did one of Livingston though
he likes it no because I made him look young02:33:55
you're doing some kind of show right I think
yeah we're going to do a show at modern Eden02:34:03
uh we'll be in a group show in modern Eden
in Augustine is an amazing uh contemporary02:34:09
surreal Gallery that's in uh San Francisco at the
corner of Sutter and Larkin right we're actually02:34:14
in a show in like a gallery yes yes gallery and
we did a couple of shows with them this year so02:34:21
um they show narrative Works which is there
aren't a lot of galleries that show narrative02:34:25
work so it's really special there's a real world
it's surreal words yes which you do both of right02:34:30
yes right right nice nice now it's so nice to have
something in the gallery you know being a musician02:34:36
they never put nothing on mine in the gallery no
not even a bloody album cover good luck of stuff02:34:42
it was it was wonderful having you on our show
thank you so much for bringing all this stuff02:34:47
up and our Pleasures your things and we're
going to come see August you said on this02:34:51
exhibit all right August and then they can go
to your website which will show again it's uh02:34:55
ransommitchell.com all right thank you
so much thank you we'll see you next time as far02:35:00
as you guys go thank you so much for watching
our show had you not joined us tonight we we02:35:05
just be you and me and these two and we'd just be
looking at nobody saying nothing so it's nice of02:35:12
you to come and thank you for not watching that
Dick Van Dyke program because we would have lost02:35:16
them there would we not yes so uh anyways uh next
week we'll have something fun I don't know what02:35:21
it is but uh it'll be amazing right no I don't
think it probably won't be amazing but at least02:35:27
come and see us because we'll miss you if you
don't don't forget we love you see you next week02:35:31
so uh I'm thinking Ransom Mitchell I should
have you guys commission a portrait of me right02:35:41
and uh do you think you could
handle something like this02:35:45
how is your ballerina game [Music]Description:
A has-been rock star hosts horror films in his haunted mansion. Guest: artists Ransom & Mitchell. Movie: “The Satan Bug” from 1965. Episode 07-339 Air Date: 06–17-2023 Learn more about Creature Features at: https://creaturefeatures.tv/ Follow us on: Facebook - https://www.facebook.com/unsupportedbrowser Instagram - https://www.facebook.com/unsupportedbrowser Twitter - https://twitter.com/CrowhavenProd
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