Download "VFX Cone Attack Textures - Substance Designer"
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Audio from this video
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Russian
00:00:00
hey everyone in this video we're gonna00:00:02
dive into substance and we're gonna00:00:04
create textures for this kona attack00:00:07
so we're not gonna create these spark00:00:09
textures because i think we've done them00:00:10
uh some time ago00:00:12
and but we're gonna00:00:14
try to recreate one to one00:00:17
those noise textures that you can see00:00:19
that are actually panning across this00:00:21
mesh that we did in houdini in the00:00:22
previous video00:00:25
i think we're gonna come up with the00:00:26
three different00:00:28
textures00:00:29
initially i wanted to split those into00:00:31
different videos however00:00:33
because those are easy00:00:35
setups i think we're just gonna combine00:00:38
those three textures into one video00:00:42
all right so i hope you're gonna enjoy00:00:43
this one and let's dive into substance00:00:46
designer now00:00:48
so i'm gonna start with the first noise00:00:50
texture i'm gonna bring00:00:52
shape node00:00:54
i'm gonna scale it down just a little00:00:56
bit to maybe 0.900:01:01
next i'm gonna use trapzoid00:01:04
transform grayscale00:01:07
take the top stretch to 1 and disable00:01:10
the tiling mode00:01:14
you might even increase the size00:01:15
actually to00:01:17
0.97 on your shape00:01:21
i'm going to use transformation 2d next00:01:24
i'm going to scale it down you scale it00:01:26
down by clicking and holding alt and00:01:29
shift00:01:31
and with your mouse button just drag it00:01:33
down00:01:35
[Applause]00:01:37
okay00:01:40
okay so this is going to be a mask for00:01:42
our tile style sampler00:01:44
so i'm going to bring tile sampler00:01:49
hold00:01:50
alt and click with my mouse00:01:53
to detach it i'm gonna plug this into00:01:55
the mask map input00:01:59
and here i'm gonna change the pattern to00:02:01
disk change the amount to eight by eight00:02:05
scroll down where the mask is here mask00:02:09
map threshold00:02:11
set it to on and invert it00:02:14
scroll up there's position as well00:02:17
i'm gonna randomize it by taking it to00:02:20
maybe somewhere around point seven00:02:24
a little bit higher scale so i'm just00:02:26
going to put the x scale to 0.600:02:31
randomize x and y00:02:33
bring the scale up and tweak the scale00:02:36
random as well00:02:38
[Music]00:02:40
i'm gonna use blend next00:02:44
and then i'm just gonna use subtract00:02:47
as you can see we're kind of getting00:02:48
this uh those00:02:51
shapes and we're getting those uh00:02:53
circles to cut into our triangle00:02:56
now i'm just gonna scale down where the00:02:59
position is00:03:00
so i can actually get something a bit00:03:02
more suitable there that i want00:03:05
i think at this stage it's not it's not00:03:07
that much important what kind of shape00:03:10
what i'm looking is just00:03:11
something pointy00:03:13
and00:03:14
something like this00:03:17
next i'm just gonna use this for another00:03:19
tile sampler00:03:22
i'm gonna plug this into the00:03:25
pattern input one so i'm gonna use this00:03:27
pattern input here00:03:30
for the amount i'm just gonna go for00:03:32
something low maybe six by six00:03:36
skip down where the position is00:03:38
randomize it00:03:40
scale it up00:03:42
i'm gonna use the scale random as well00:03:47
and scale random on each of the axes00:03:52
and we're getting00:03:55
a map like this what i'm gonna do next00:03:56
i'm just gonna use a directional blur00:04:00
in here i'm just going to change the00:04:02
degrees to 9000:04:05
oops not 99000:04:10
and scale it00:04:12
just a bit like this with the intensity00:04:16
and maybe let's00:04:17
go with 20.00:04:19
next i'm going to use a directional warp00:04:23
and for the intensity intensity input00:04:26
i'm just going gonna use gradient00:04:28
i'm gonna go for gradient one00:04:38
okay for the degrees i'm gonna try 90.00:04:42
and for intensity let's try something00:04:46
higher00:04:50
[Music]00:04:52
maybe 50.00:04:55
[Music]00:04:58
okay i'm just going to blur this just a00:05:00
little bit00:05:02
with 8.500:05:05
i want to see if it's actually tile so00:05:07
i'm going to use transformation00:05:09
node00:05:11
divide by two and as you can see it's00:05:13
not tileable00:05:16
and i think it's because i actually00:05:17
added gradient to the warp so let's add00:05:20
parallel noise instead00:05:24
oops00:05:26
with the low scale00:05:34
and we're getting a little bit of00:05:36
distortion in our on our shapes00:05:39
i'm gonna blur it a little bit00:05:41
now it's stylable so i'm just gonna use00:05:43
slope00:05:44
blur grayscale and and for the slope i'm00:05:47
actually gonna use gradient here00:05:52
linear one00:05:55
i'm gonna max the samples00:05:59
for the intensity maybe 50 but i'm going00:06:01
to change the mode to min00:06:08
as you see we're kind of getting some of00:06:09
the artifacts here00:06:11
and those are because of the slope so we00:06:14
need to blur it a little bit00:06:17
to get rid of those so i'm gonna ramp it00:06:19
up to one00:06:21
use this transformation to see if it's00:06:23
styleable and if we're getting any00:06:24
artifacts00:06:26
and seems like we're getting just a00:06:28
little bit so maybe increase the blur to00:06:31
two they should be gone you might get a00:06:34
little bit but i don't think00:06:35
this would be an issue later on in the00:06:37
engine00:06:39
right so we get this now maybe00:06:42
we want to get00:06:44
a lot more00:06:45
intensity on some of the shapes so what00:06:47
i'm gonna do i'm just gonna bring a00:06:49
histogram scan00:06:52
around the position somewhere around00:06:53
here with a high contrast because i only00:06:56
want the highlights like those for00:06:57
example00:06:59
and i'm gonna blend those00:07:01
together00:07:03
and this one actually goes to the top00:07:05
because i want to control the opacity of00:07:07
it that one goes to the background00:07:09
i'm gonna set it to add00:07:11
with the ability to control the00:07:13
intensity00:07:14
okay i think those shapes are a little00:07:17
bit too hard edge so i'm going to do i'm00:07:19
going to bring blur00:07:24
and add those with with blur i'm going00:07:26
to set blur to 5 for now00:07:31
so now maybe let's try to run this00:07:33
through and gradient map00:07:37
i'm gonna add a blue color00:07:39
i'm gonna change the00:07:42
this to smooth as well ramp it up00:07:44
smoothness to one00:07:46
and here i'm just gonna put00:07:48
a blue color00:07:52
and in between00:07:54
will be very light00:07:56
blue color00:08:07
and now we can go back maybe to our tile00:08:09
sampler and try to get a little bit more00:08:11
interesting because i think this gap00:08:13
here is a bit too00:08:16
too big00:08:17
so i'm going to go to position random00:08:20
and just tweak it00:08:22
between that value00:08:25
[Music]00:08:28
okay maybe something like this if you wanna00:08:30
slightly larger shapes you can00:08:32
experiment with00:08:35
and with those shapes that we generated00:08:38
i'm just gonna stick to something like00:08:40
this because i want this noise one to be00:08:42
fairly soft00:08:44
for the directional blur i think i'm00:08:46
just going to increase it00:08:48
to fill the space a bit more00:08:52
for the warp00:08:57
it depends what you want really00:08:59
i mean00:09:00
this one looks really nice00:09:01
[Music]00:09:03
so that's no warp and00:09:06
that this one might work as well so i00:09:09
think i'm just going to export something00:09:10
like this and00:09:12
something like this as well00:09:15
because if you look at this map00:09:17
if you add additional distortion in the00:09:19
engine it might look a bit more like a00:09:21
smoky texture00:09:23
in the engine00:09:25
okay so that's our first texture00:09:28
i'm just gonna run this through gradient00:09:31
black and white00:09:32
and i'm gonna plug this to alpha00:09:37
and merge00:09:40
okay so the color map you can put into00:09:42
rgb and00:09:45
this one you can plug into yeah and to00:09:47
the alpha you can export it like this or00:09:49
if you want to just say black and white00:09:51
you can plug this here no alpha00:09:54
and you can save that texture using this00:09:56
button here00:10:00
i think i really like our previous00:10:02
texture as well so i'll export this one00:10:05
and00:10:06
that one with a zero zip sorry zero00:10:09
intensity on a directional warp00:10:13
right okay so we've got this now maybe00:10:15
let's create something a bit more00:10:16
different let's create a wave00:10:18
so i'm going to bring uh parallel noise00:10:24
let me go back to the engine00:10:27
so as you can see this at the end the00:10:30
smoky bits00:10:31
smoke texture that our texture that00:10:33
we've created right now and now we're00:10:35
just going to focus on this wave that is00:10:37
traveling across the cone00:10:42
so i'm going to start with pedaling00:10:43
noise00:10:44
i'm going to scale it down00:10:46
and use the cross section00:10:51
okay the cross section i kind of want00:10:52
like a very00:10:54
fairly smooth line00:10:55
so i think i'm just gonna reduce the00:10:57
scale even more for on the pedaling00:10:59
noise00:11:02
so i want this to be a little bit wavy00:11:04
but not too much00:11:09
right00:11:10
i'm gonna go with this00:11:12
i'm gonna change this to gradient00:11:15
i'm gonna run it through histogram scan00:11:19
and i just want this highlight at the00:11:21
top00:11:22
like this00:11:24
and i'm gonna blur it00:11:26
within low intensity maybe two00:11:30
and i'm gonna bring those two together00:11:32
using blend however that one goes to the00:11:34
top because i want to control the00:11:35
opacity00:11:37
change it to add00:11:39
so now i've got00:11:41
this00:11:42
texture i want to find a way maybe to00:11:44
blend it a little bit00:11:46
better okay so i'm gonna00:11:48
run it through00:11:49
blur00:11:51
and just to see00:11:53
with the intensity just for this to00:11:55
blend a little bit nicer so i think that00:11:58
will do00:12:01
next i want to move this a little bit to00:12:04
the top00:12:06
not to waste the00:12:08
texture space now if i can just move it00:12:11
left to right you can see it's styling00:12:13
very nicely00:12:18
i'm gonna actually take this one and run00:12:20
it through directional warp00:12:24
and i'll bring parallel noise00:12:28
with the low scale00:12:32
maybe00:12:33
five00:12:35
let's try my b600:12:38
and i'll ramp up the intensity and00:12:41
degrees as well so maybe 9000:12:44
intensity let's try00:12:47
50 [Music]00:12:49
80.00:12:52
maybe 10000:12:55
or maybe less00:12:59
would 100 i just don't like this circle00:13:01
here so i'm just gonna00:13:03
you can either go to parallel noise and00:13:05
play with the disorder00:13:10
and i think that's actually what i'm00:13:12
gonna do00:13:14
and maybe00:13:16
reduce the intensity just a little bit00:13:19
to get something a bit more wispy00:13:23
okay just don't like this bit here00:13:27
something like that now i'm gonna blend00:13:30
those two together00:13:34
let's use maybe max00:13:37
min00:13:38
nope00:13:39
i think max might work but we need to00:13:42
control the opacity so i'm just going to00:13:43
switch those00:13:46
around i'm gonna bring the transform00:13:49
node just before i'm gonna plug this00:13:51
into the blend00:13:53
so i can actually double click on my00:13:54
blend click once on transformation 2d00:13:57
and using shift holding shift and my00:14:00
mouse button i'm just gonna00:14:02
drag it down a little bit to fill the00:14:04
space a bit better00:14:06
[Music]00:14:07
and now i'm just gonna reduce the00:14:09
opacity on that one to blend those two00:14:11
together00:14:13
i'm gonna run it through another uh blur00:14:17
grayscale00:14:21
to create a bit more smoother transition00:14:23
between those two00:14:25
and as a last bit what you might want to00:14:27
do just wanna00:14:29
run it through warp00:14:30
with paddling noise00:14:35
to get a little bit more distortion00:14:38
i'm gonna scale it down a bit00:14:41
and in here we don't need the full00:14:43
weight of the warp so maybe 0.500:14:47
might work for us00:14:49
now is the tricky part because it00:14:51
depends what you want you might export a00:14:53
couple of those waves so the first one00:14:55
might be this00:14:56
one another one might be with a little00:15:01
more blurry shape00:15:03
like this00:15:06
and another one will be a bit more00:15:08
contrasty00:15:12
however i prefer only those two because00:15:15
you can control the contrast inside of00:15:17
the engine00:15:18
and i'm gonna do the same thing so00:15:21
actually i'm gonna bring00:15:23
merge so rgb merge and what you can do00:15:26
you can basically00:15:28
um00:15:29
put this one to red channel this one to00:15:31
green and this one to blue00:15:34
and export it like this and in the game00:15:36
engine you can use one of those channels00:15:38
to see which one works best00:15:42
okay in the last noise map i want to do00:15:44
i'm actually going to use cells one00:15:47
and this would be something similar to00:15:49
our first map but with a different00:15:52
approach a little bit hopefully it's00:15:54
gonna give us a little bit different00:15:55
results00:15:57
so cells i'm gonna invert it00:16:00
and i'm gonna scale it down a little bit00:16:02
as well00:16:06
right so now i just want to extract some00:16:09
of the highlights because i want to00:16:11
apply them later on so i'm just going to00:16:13
use00:16:14
histogram scan for this00:16:16
change the position and the contrast as00:16:18
well as you can see we're kind of00:16:19
getting those00:16:20
highlights there i'm just going to00:16:22
select the cells and change this order00:16:25
just a little bit to get the different00:16:26
shapes in different locations00:16:31
and i'm going to increase the contrast00:16:32
here to get those shapes00:16:38
i don't want them to join together so at00:16:40
the point when they start joining i'm00:16:42
just gonna stop00:16:46
i'm gonna use blend00:16:48
and blend those together now00:16:51
i'm not gonna blur them uh00:16:53
prior to this because actually when i00:16:55
use this00:16:56
with directional blur next so that's00:16:59
gonna take care of the00:17:02
and the sharpness of it so i'm gonna set00:17:04
the degrees to be 9000:17:07
and maybe let's try00:17:09
5000:17:12
maybe 30.00:17:18
think i'm going to increase the00:17:19
scale00:17:20
on the cells maybe to something like00:17:24
nine00:17:25
change this order as well00:17:28
they want they're fairly00:17:31
soft00:17:32
texture00:17:35
[Music]00:17:38
[Applause]00:17:40
okay so i'm gonna run with something00:17:42
like this and that will be our first00:17:44
texture next i'm gonna bring00:17:48
a blend00:17:50
and00:17:51
this map00:17:52
rotate it00:17:54
kind of low amount on y00:17:58
i'm gonna blur this one as well00:18:03
maybe with00:18:04
three00:18:08
put it together and set it to multiply00:18:12
so we get this one which is quite00:18:13
intense and you got a lot more00:18:16
gray scale there00:18:18
this one maybe a bit more sharper lines00:18:21
i'm not sure which one's gonna work yet00:18:23
but00:18:24
i usually export couple of the textures00:18:26
see which one works and use a one of00:18:28
those00:18:31
you might want to run this one through00:18:32
auto levels just to level out the uh00:18:36
[Music]00:18:37
the grayscale same with this one just00:18:39
before you export it run it through auto00:18:41
levels as well00:18:48
and maybe let's try to do the last00:18:50
texture00:18:52
rotate it00:18:55
and get rid of the smoothness as well00:18:57
and let's start introducing a bit more00:19:01
amount on the x as well00:19:03
all right i'm gonna blur this00:19:06
with the value of00:19:08
let's say 400:19:12
i'm gonna use directional warp next00:19:18
with some pedalling noise00:19:21
however00:19:22
fairly low scale00:19:26
and i actually want to add 90 degree00:19:29
and quite high intensity let's try maybe00:19:32
a hundred00:19:34
i mean could you might be a bit too much00:19:35
so let's maybe go with 50.00:19:40
okay we're gonna do the same thing so00:19:41
we're gonna take our original texture00:19:45
blend it with this00:19:47
and we're gonna set it to multiply00:19:50
what i like about this texture we're00:19:52
kind of getting those lines every now00:19:53
and then so if we run this through alto00:19:56
levels00:19:58
[Music]00:19:59
you can see it's a fairly irregular00:20:02
texture with some lines there as well00:20:07
if you want more lines just increase the00:20:09
parallel noise about stick to something00:20:11
fairly low maybe00:20:14
10 on the scale on the appellate noise00:20:17
and you can do the same thing00:20:19
so you can bring a merge00:20:23
rgb merge into the same thing so export00:20:26
three textures00:20:29
one into different channels and then use00:20:31
one of those channels to see which one00:20:33
works best00:20:36
another thing if you want a bit more00:20:37
highlights what you can do you can get00:20:39
this00:20:40
run it through histogram scan00:20:45
high contrast00:20:49
and blend it together00:20:52
with that texture set it to add00:20:55
you might want to blend it uh i'm sorry00:20:57
blur it a little bit before you plug00:20:58
this in00:21:01
and you get a little bit more highlights00:21:03
there and then you can control it00:21:04
without either with opacity00:21:07
with a blur as well if you want this to00:21:09
be a bit more sharper00:21:11
and with histogram scan itself if you00:21:13
want less of those00:21:16
so i think this one might be really cool00:21:18
for the distortion and for the smoky00:21:21
part of the00:21:24
of your effect00:21:26
okay so we've got a lot00:21:29
a lot of textures we've got probably00:21:32
one00:21:33
out of this one three00:21:35
for the wave and for the additional00:21:37
distortion or smoky00:21:40
effect three of those00:21:44
to be honest once you decide which one00:21:45
you like the most what you could do you00:21:47
can actually combine those one two three00:21:49
into one so for example you like this00:21:51
one so that one goes to the red channel00:21:54
you like one of those00:21:56
and that one goes to the blue channel00:21:57
and one of those goes to the00:21:59
green channel and then you have one00:22:01
texture with uh three different maps for00:22:04
your effect00:22:06
all right so i hope you enjoyed this one00:22:08
and00:22:09
hope you're gonna create some of the00:22:11
effects using these techniques00:22:14
so there was not much to do in this part00:22:16
and there's nothing specific but i hope00:22:20
you'll learn a little bit about the00:22:21
noise texture and how to generate00:22:23
something different than the voronoi or00:22:26
perlin texture00:22:27
because i think uh later on once you00:22:29
start creating your own effects00:22:32
and the noise maps and you know those00:22:34
tileable00:22:35
maps are quite important and it's some00:22:37
it's always better to run with something00:22:38
else than a default map00:22:41
alright thank you so muchDescription:
TUTORIALS AND BREAKDOWNS - https://www.1mafx.com/ Monthly FREE NEWSLETTER - https://1mafx.gumroad.com/l/Newsletter?layout=profile Patreon - https://www.patreon.com/1MAFX https://twitter.com/pmargacz - Here I post most of my VFX https://www.artstation.com/mgepm - Artstation https://1mafx.gumroad.com/ - Free Noise Texture Pack I use in most of my VFX TUTORIALS AND BREAKDOWNS - https://www.1mafx.com/ Patreon - https://www.patreon.com/1MAFX https://twitter.com/pmargacz - Here I post most of my VFX https://www.artstation.com/mgepm - Artstation https://1mafx.gumroad.com/ - Free Noise Texture Pack I use in most of my VFX
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The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.
How can I download "VFX Cone Attack Textures - Substance Designer" video to my phone?
You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.
How can I download an audio track (music) to MP3 "VFX Cone Attack Textures - Substance Designer"?
The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.
How can I save a frame from a video "VFX Cone Attack Textures - Substance Designer"?
This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.
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