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Video tags
Subtitles
Russian
00:00:00
[Music]00:00:05
hey Jose gloves here today I'm gonna00:00:07
show you how to chop up a beets chop up00:00:10
a drum thing or anything chop up any00:00:13
sample make it beat out of it and also00:00:14
how to simply make things in time with00:00:18
your song00:00:19
specifically drum loops so let's jump00:00:21
over to renoise and there it is proof00:00:23
free noise and first thing we need to do00:00:25
is load up a drum sound so if you don't00:00:27
have one you secretly do if you have00:00:29
free noise go to your sample page and00:00:31
then go to the breaks folder and you'll00:00:33
have all these breaks something I00:00:35
haven't showed you yet but it's useful00:00:36
to note I'll disappear here for a second00:00:38
down here we have this little speaker00:00:40
icon and we have a volume slider this00:00:45
controls the ability to preview samples00:00:48
so if this icon is orange when you click00:00:50
on a sample you will preview it the00:00:52
level that you preview it at is00:00:53
determined by this volume slider you can00:00:58
stop it by hitting this little stop icon00:01:00
and that's it so I'm gonna come back and00:01:03
it's loaded up so I'm gonna load up this00:01:05
one with the 92 next to it so you see00:01:09
there we have it very cool now I want to00:01:12
play it in here so what I'm going to do00:01:14
is I'm gonna hit escape to enter edit00:01:16
mode and then I'm gonna put down a note00:01:18
in renoise if you hit the Q key it will00:01:21
put down a c4 if you just opened up00:01:24
renoise you haven't messed with the00:01:25
multiplication or division key and so00:01:28
you put down a c4 c4 in renoise is how00:01:31
you get it to play back at the original00:01:32
pitch so if we play it and you notice00:01:36
that it's also read in the spectrogram00:01:38
it's one of the really cool things about00:01:39
renoise is it will show you it will00:01:42
highlight the thing you have selected on00:01:45
your track so it will actually show you00:01:47
where things line up in the spectrogram00:01:49
which is outrageously nifty so I'm going00:01:52
to turn on my metronome here let's see00:01:53
if it's in time you see the metronomes00:01:56
white by this red so cool so we say oh00:02:02
no it's not in time we gotta fix this so00:02:05
to fix it I'm gonna hit f3 so here to my00:02:08
sampler tab we've talked about this so00:02:09
it should be good I want to point out00:02:11
something as we do this notice00:02:12
underneath my00:02:13
samples we have the master sample being00:02:17
referenced so the master sample is just00:02:19
the whole sample when they begin to chop00:02:22
we're gonna populate this with00:02:23
additional samples that are pieces of00:02:25
this master sample okay00:02:28
so the thing the only thing we need to00:02:29
change is you go down to sample00:02:30
properties go to beat sync and turn it00:02:32
on and believe it or not it'll be your00:02:35
done so now you might be going okay okay00:02:41
okay I'm shutting off my metronome now00:02:42
you might be going but what what did00:02:43
that just do well it just said play this00:02:46
sample and make it so that it will play00:02:50
perfectly over the course of 64 lines so00:02:54
it just moved it so that it will start00:02:56
and stop perfectly at 60 for the length00:02:59
of 64 lines we could change it to 32 and00:03:02
it will speed it up twice as fast cuz00:03:04
now it'll play this whole thing over the00:03:06
course of 32 lines and we could also do00:03:10
128 and that's of course that will slow00:03:12
it down by half but both of them will00:03:16
sound in time because there are00:03:18
multiples of two so that could be really00:03:20
useful if you have this long or short00:03:22
sample and you want to augment the speed00:03:24
that it's going at it'll sound more00:03:25
natural occasionally so that's a really00:03:27
really easy way of doing things so the00:03:30
next way is sampling so let's talk about00:03:34
that so let's say I want to I want to00:03:37
create a whole new groove but when I hit00:03:39
new notes here I'm able to change the00:03:42
the pitch now that's a good point I'm00:03:45
not able to change the pitch and beat00:03:47
sync mode you see you I play it still00:03:49
starts it doesn't care what note I put00:03:51
down in order for me to have control00:03:54
over the pitch I must turn off beat sync00:03:57
now you can hear that I now have control00:04:01
over the pitch of the sample but I can00:04:04
no longer control the tempo of the00:04:05
sample the sample adjusted sample00:04:08
sampled so okay let's use let's use00:04:13
chopping now so you could hit slice and00:04:16
if you come in here and click and do00:04:19
slices and as we add slices you notice00:04:22
that a couple things happen first off00:04:24
we're given these numerical00:04:26
representations of one in00:04:27
- and over here our menu has been00:04:30
populated if I go to these new samples00:04:32
we see they are the pieces in between00:04:34
and this is the other half of our sample00:04:38
so if I like pour down some more we00:04:41
could sample it like so and they begin00:04:43
to appear these samples can be viewed in00:04:46
the key zones so we see hello here they00:04:48
are here are all the samples that we00:04:50
have says the current instrument is00:04:52
sliced thus automatically map so we00:04:54
don't touch the mapping in this case now00:04:57
I don't want these here and so we're00:05:01
gonna go in and to delete a sample I00:05:03
simply whoops let's go back to the00:05:06
waveform view and see I don't see my00:05:08
samples on these I have to go to my00:05:09
master sample and I simply can double00:05:12
click to get rid of samples aiyo00:05:14
so you could go through and put a sample00:05:16
in each spot just the way you want but00:05:18
it takes forever the better way is to00:05:20
hit this little icon it's the auto slice00:05:22
I believe it's control let's control J I00:05:24
was gonna say control G so you hit this00:05:27
and bang it will now automatically slice00:05:31
your sample for you00:05:33
and you can change the sensitivity of00:05:35
this thing so that it will pull this00:05:38
down less and it works on a principle it00:05:41
works on basically a threshold so if00:05:43
your sample gets past a certain point at00:05:45
any moment it'll put a slice mark there00:05:47
and you notice that there named this00:05:50
sort of weird letters or numbers Oh 20300:05:53
and then we get to OD or 0 D 0 e 0 F00:05:58
these are a hexadecimal00:06:01
this is hexadecimal counting so it's00:06:03
counting for up one by one but it's00:06:06
using hexadecimal and we'll eventually00:06:08
we'll talk about that a little bit later00:06:10
so now if i play my my keyboard if i go00:06:15
if i hit my first key which would be C 300:06:18
in this case so you see C 3 is my master00:06:21
sample so I hit C 3 and we'll play00:06:24
through the whole thing but if I hit C00:06:25
sharp 3 it'll fit my first sample and00:06:28
then D 3 and then so on and so forth now00:06:32
what I can do is maybe the way it's been00:06:35
configured right now is if I hit a key00:06:37
I'll first off its gonna loop which I00:06:40
might not want00:06:41
as soon as I let go it just stops which00:06:43
I may also not want so I'm going to00:06:45
select all my samples by just hitting00:06:49
ctrl we're down at the bottom and then00:06:52
hit shift and click and then I'm gonna00:06:55
say I want them all to be one shot and00:06:58
what I also in one shot mode that means00:07:01
if I hit the key at all it'll play00:07:03
through the whole the whole shop and I00:07:05
also turned off the ability to loop you00:07:08
can't have that on at the same time so00:07:09
so see loop playback is disabled and00:07:12
they all now have one shot on because I00:07:14
had them all selected and so now and00:07:22
then what you do is you have the joy of00:07:23
being able to go in and slowly move00:07:26
these things around to get them to sound00:07:28
just right I see oh that's not gonna be00:07:30
right see we have a click at the end of00:07:33
that one now it's gone and see we gotta00:07:38
cook at the end and that's because it's00:07:41
it's sort of cut into the transient and00:07:44
so you just you just clean up your00:07:46
sample and what you do is you come in00:07:48
here and you just play down notes let's00:07:50
say which ones might kick there we go we00:07:53
will ignore the pops and stuff for now00:07:55
cuz you can go through and move all00:07:57
those little points around on your own00:07:58
time I might I'm just I'm just hitting00:08:09
notes trying to check for example I have00:08:11
now figured out this the sharp 3 is the00:08:13
kick drum and the was it the e00:08:16
one of these is the happies a hat and00:08:21
then you can go through and you can get00:08:23
real crazy with what you sample you00:08:24
could do this with just about you could00:08:26
do this with any sound it doesn't have00:08:28
to be umm drums but you come in here and00:08:31
that's just that's just doing that 10100:08:33
so something that I wish someone had00:08:35
told me about earlier was was this guy00:08:36
because I was using this a lot there's00:08:39
like oh this is a thing wow I wish I had00:08:41
know him and there's there's a couple00:08:43
other larger commands that are kind of00:08:45
useful but for the most part that's what00:08:47
you're going to be doing is you just00:08:48
click this and you you move it around00:08:50
occasionally if the samples not that00:08:52
large you may consider just using the00:08:54
slide option and also having things selected00:08:58
to do group changes because maybe you00:09:00
want us looping available on just this00:09:03
one sample just that one and then when I00:09:05
come in here I simply mess around so00:09:07
I'll turn off edit mode and I did a feel00:09:11
for where samples are and then I just00:09:13
start writing and we'll talk about00:09:15
entering notes later so that's the00:09:19
sample tab now a couple other things00:09:22
that are in here if you want your sample00:09:25
to be pulled up when you hit a key there00:09:28
is a way to do this it is uh you hit00:09:31
this icon here and this icon basically00:09:34
now when I hit it it pulls it up so you00:09:36
can see it and you can affect the sample00:09:38
properties so that's very useful thing00:09:40
to know and then so I like to keep it on00:09:45
the top one though and then watch it get00:09:47
triggered from here so most of the time00:09:50
but when I'm making that group changes I00:09:51
have to have them selected and sometimes00:09:53
I want to see what my sample looks like00:09:56
there's also some other workflow things00:09:58
but they're sort of like nuanced00:09:59
workflow things aren't really worth00:10:01
mentioning as a general scale if we also00:10:04
look up here there is there was one00:10:07
other thing I wanted to point out but I00:10:09
can't it doesn't occur to me right now00:10:11
so I think I'm pretty much done oh I00:10:13
remember what it was okay normalization00:10:15
yeah ball your general command so you00:10:17
can reverse things you can normalize00:10:19
things and you can do it your only00:10:20
specific samples so I would caution00:10:23
doing like backward samples like00:10:25
reversing samples here because it's00:10:27
better to call a trigger here and then00:10:30
you can put in a command called B and00:10:34
beep oh I have to be in edit mode hit00:10:36
escape and now it plays it backwards and00:10:41
b1 will play it forwards so I could like00:10:45
do something weird like that let's make00:10:49
it backwards and then forwards so zero00:10:51
and then one and if your sample plays00:10:54
through if it holds out it will can this00:10:58
isn't the best example but if I were to00:11:00
hold my sample out it would reverse for00:11:02
part of it and then it'd be like go00:11:05
backwards and then we go forwards let me00:11:07
just show you an example so00:11:08
load up a new sound let's go to I'm00:11:11
gonna go to the trip-hop folder I'm00:11:15
gonna load up the sound fear I'm gonna00:11:18
get a new pattern so that I'm separate00:11:20
I'm gonna play it so it's pretty low yes00:11:25
and now what I'm gonna do is I'm gonna00:11:26
hit B so it's gonna reverse there and00:11:29
then it's going to switch to forward00:11:30
here and if we watch it on the sample00:11:32
check it out so you see it like just00:11:35
goes back so just kidding I don't want00:11:38
to play that and if we could I delete00:11:41
this put it further down whoops so you00:11:50
get some really interesting things by00:11:52
tossing that in the middle of your drums00:11:54
and stuff so that's why I don't00:11:55
recommend coming in and doing if you old00:11:59
all up down again it'll also switch your00:12:02
view here because you're changing your00:12:03
instruments but as you can see I don't00:12:06
recommend doing things like that for00:12:07
that reason it's way more flexible to00:12:09
have the option later on it's not00:12:10
terribly complicated and when we get00:12:12
into more effect commands you'll be able00:12:14
to specifically call up specific slices00:12:17
in a way that is very useful if you want00:12:19
to reverse a particular thing and then00:12:21
the line things up we also see that we00:12:23
have a fade out fade in command you00:12:25
can't do this on a group level00:12:26
you see they get fade it out so you00:12:28
can't do that unfortunately and00:12:29
normalization that's one that I'll do00:12:31
pretty often those are the ones sort of00:12:34
worth mentioning so that's just a brief00:12:35
rundown of chopping stuff with renoise00:12:38
super useful way cuz as you begin to00:12:41
combine it with the effect commands and00:12:43
stuff as you see things can get pretty00:12:45
wild pretty quickly and we just used00:12:49
reversing so I guess it's not that wild00:12:50
but you do not see stuff that interacts00:12:53
this way even on the reversing level as00:12:56
intuitively anywhere else at least I00:12:59
haven't besides trackers if you have any00:13:02
questions let me know subscribe and00:13:03
support me on patreon and have a blessed00:13:11
[Music]00:13:13
it is my conviction and I wrote in leave00:13:22
us no alternative to the maintenance of00:13:25
real and respect00:13:27
[Music]Description:
We dive in further to the sampler and sync up drums, which will also work for any sample such as risers and we also chop some drums and looks at some controls associated with that. Support me on Patreon: https://www.patreon.com/composinggloves FLP: N/A Website: www.composinggloves.com Private Lessons: https://composinggloves.wixsite.com/burgessmusic/private-lessons Spotify: spotify:album:6oBFXMK7UXMGCxHUMleY6b itunes: https://music.apple.com/us/artist/composing-gloves/1003683088 Soundcloud- https://soundcloud.com/composinggloves Facebook- www.facebook.com/ComposingGloves/ YouTube- www.youtube.com/user/composinggloves Recommended Videos before jumping into this series: Critical Listening: https://www.youtube.com/watch?v=GUnZ51RAdL4&list=PLOMuI-j1vRxQ_nPeg9hu8bua5mGt5Hyi7 Music Theory: https://www.youtube.com/watch?v=1JBjYLGspk8&list=PLOMuI-j1vRxSVE6HUVLyjSyL6qxa_TU2e Sound and Synth Basics: https://www.youtube.com/watch?v=QrykwA8NX8Q&list=PLOMuI-j1vRxR9IDRAYPKEdHqq5sdOITJu Principles of Mixing: https://www.youtube.com/playlist?list=PLOMuI-j1vRxSkIbh_ya0gPrXtp9L2IBbg Digital Audio Basics: https://www.youtube.com/watch?v=vJun4ElIA0g&list=PLOMuI-j1vRxTxbS7zOUz4zsOLzAKXCrJx Free Plug-ins Playlist: https://www.youtube.com/playlist?list=PLOMuI-j1vRxQ4ehedN2ZXFafck6aSEdZj Supporters of Composing Gloves Patrons Favorite Artist: goreshit.co.uk
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