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Чорнобривці #ponomarevlivestudio (частина 5)

Чорнобривці #ponomarevlivestudio (частина 5)

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Как звучать дольше? Расслабление связок. Постановка голоса. VOCAL IMAGE.

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Channel: Vocal Image

Письмо с фронта - Сергей Зыков. Концерт полностью. Новосибирский академический оркестр.

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5. Секрет красивого тембра

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00:00:03

now we have

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time to work with the right hand and

00:00:08

sort out all sorts of cool things

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that are used for playing with

00:00:16

imitation of drums for such things

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[music] that’s how to

00:00:50

play songs in this way and save the actions from it, you

00:00:54

need to learn

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several important techniques like this

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would not be classical, that is, when I

00:01:04

mastered them myself, they were very strange for me

00:01:05

because

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they did not

00:01:13

come into contact with classical education in any way, but something was

00:01:15

different, on the contrary, but in principle,

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when you master them, it becomes very

00:01:22

convenient and is added drive music and

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music and the rhythm of percussion and it

00:01:31

becomes much more interesting, well, the

00:01:34

first thing we will do with our right hand is

00:01:40

to learn how to simply play a drum, a

00:01:45

snare drum, that is, for those who do not

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know anything about this, it means what a

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powerful powerful drum part in

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music usually consists of this is

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us. that is, such a large drum on

00:02:03

stage, that is,

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and a second smaller drum for the drummer,

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this is a snare drum, there are still strings on it at the bottom

00:02:14

and this is

00:02:16

imitated very well, we also have strings on the guitar here

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and it is imitated very well by

00:02:22

striking the strings so sharply, here they are

00:02:28

a little make it easier to beat, create such a

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cool

00:02:32

overtone, and sometimes it’s also imitated like this of a

00:02:38

snare drum and

00:02:52

add two hits of a kick drum and a snare drum to

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any song, you’ll already have a clear

00:02:59

rhythm until the guitar will sound

00:03:01

different, like not quite a guitar, already

00:03:04

like a hybrid of a guitar and drums installation, so

00:03:09

let’s go, then

00:03:15

you also open your presentation, well,

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basically, now we

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will master the playing technique without a presentation, this

00:03:29

snare drum hit, it’s easy to master and

00:03:33

it

00:03:34

can be used in any

00:03:37

song at all, and without even delving into any

00:03:40

percussion techniques are used there by

00:03:43

many performers

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[music]

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so he already creates a rhythm on his own

00:04:00

from a barrel without anything without any other

00:04:03

tricks, he also creates

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rhythm brushes and that’s how we

00:04:24

get it, we play with this side

00:04:28

surface thumb and

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in general, as if with the whole part of the

00:04:33

thumb, you need to make a turn in

00:04:38

the hand and just like that and hit the lower

00:04:45

bass strings with this surface of the

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thumb,

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that is,

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[music] so, in

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principle, he can just

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hit the strings with his finger then I still have

00:05:03

brushes left here to sound, but you

00:05:06

can either put the whole brush on the strings,

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these fingers are bent and muffle everything that

00:05:12

is, yes, that is, right now, try it with me, that

00:05:19

is, we take

00:05:20

any cord, give out C major, let’s take

00:05:23

it with our fingers and we muffle it, which means

00:05:30

we have a big one, and in this

00:05:32

position, it goes almost parallel to the strings,

00:05:35

try to achieve a sound

00:05:45

such that everything collapses, nothing

00:05:48

sticks out there, but in order to improve,

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just not all countries, we will

00:05:57

talk further now for now it’s just

00:06:03

[music]

00:06:07

here in the bar it’s easier to mute, even

00:06:13

because you can always mute

00:06:15

here, let go of your fingers and nothing

00:06:19

will sound anymore, and it’s very important how to

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work it all out, learn to mute

00:06:34

you position, quickly move these

00:06:37

into the game,

00:06:41

that is, looking ahead to the technique while

00:06:48

we are not studying now, let's just

00:06:54

try to take a chord and with such a movement the

00:07:00

brush makes a slight circular

00:07:04

movement, and like turning the key in the

00:07:06

lock of this one, it swings and from above

00:07:11

the finger is placed on one of the lower strings and

00:07:16

muted or on two strings the action is three

00:07:20

countries have become here. these are such basic

00:07:35

movements, already inserting it into any of your

00:07:37

songs, let’s say in which

00:07:44

[music]

00:07:50

that there are simple chords and can be suggested in the

00:07:52

intervals

00:07:53

and on the second fourth beat you will

00:07:57

already create a certain such a clear

00:08:00

rhythm, here the guys will write now whoever

00:08:04

succeeds, write it turns out given he

00:08:09

did something like this before,

00:08:12

something like this, somehow Ingar became quiet in the chat and

00:08:16

well done Inga, everything works out so

00:08:19

[music]

00:08:20

here Inga then send some thread of your

00:08:24

performance after the intensive, we’ll also

00:08:27

post the video with all of them chips if

00:08:30

the printer turned out well for you, that's

00:08:36

great, good, then we move on, we

00:08:46

move on, then we try it all, this is

00:08:54

such a small heaven, just 2corda, yes, here's a

00:08:58

small weirdo, we

00:09:01

're trying to use it in it, that means

00:09:05

guys, that is, again, yes, the technique

00:09:09

is called just a working one

00:09:11

or in a dream, in English, yes, on the second and

00:09:14

fourth beats, that is, we have music like

00:09:16

this time two three four this snare

00:09:19

drum is usually in general always almost

00:09:24

music it plays on the second 4 hours we will

00:09:35

play on these beats our world our snare drum here for us

00:09:38

you will need these two chords, this menu is

00:09:40

major with a nine, too, I

00:09:44

was guided by John Mayer, the guitarist,

00:09:47

he has very cool guitar parts,

00:09:52

your songs are free, and as a guitarist, he is

00:09:57

very good, and here he is often

00:09:59

used,

00:10:01

what are the chords and the second chord d minor and c

00:10:07

minor with seven regular don windows

00:10:10

7

00:10:13

then we will now try exactly everything that we have

00:10:17

already gone through, connect the texts here, there will be an

00:10:21

example of checks and jamming and

00:10:24

such a family you will do, right now

00:10:30

we will just try to take these two chords and

00:10:33

on the first beat we take the chord on the second

00:10:35

beat and clap the drum on the third beat

00:10:37

chord on 4 that beat we clap, yes, as it is

00:10:40

written on the first line of our

00:10:44

tablature, yes, that is, we take

00:10:50

[music]

00:10:52

in principle, everyone should succeed if it’s

00:11:02

completely bad with Borya,

00:11:03

take some other two chords

00:11:06

that can, I hope everyone

00:11:15

got it date from you need to clap

00:11:16

to drown out the chord properly, here we go

00:11:30

further on the second line, we have a small

00:11:33

rhythm, yes, if you can fly perfectly,

00:11:41

if not, then the guideline is from just the one

00:11:43

that here we have a long note and a

00:11:46

very short note 16 and then our beat,

00:11:49

that is, we add one more short

00:11:51

16th note after 1 0, here the main thing is to have time to

00:12:05

play the chord before the thesis and quickly

00:12:07

drown out

00:12:08

[music]

00:12:20

so let’s move on, I hope everyone

00:12:25

succeeded, too, there’s nothing particularly difficult for now,

00:12:26

let’s move on, let’s move on

00:12:32

and add our sex in the second bar, that

00:12:35

is we are from under the bar and we

00:12:38

take it out, that is, we have two fingers standing in a

00:12:43

C-minor chord, we will remove them and

00:12:46

put them again, that is, a clean pair of chords is

00:12:54

empty, equip it, and we

00:13:01

will put it using the hummer technique, without part of the right

00:13:06

hand, and then there will be a snare drum hit

00:13:13

let's try to do this too, it's a

00:13:16

cool technique, it's a little more complicated than the

00:13:20

previous first notes, you can

00:13:33

muffle the first notes a little earlier, which is no

00:13:40

shorter once again, something like this is already

00:14:00

starting to emerge more interesting,

00:14:02

and that

00:14:04

means further on the fourth line is the hardcore mode,

00:14:10

here we also add beat and that is,

00:14:16

muffled notes in the bass, and here they are

00:14:19

on the 4th 5th string, and these crosses are the

00:14:24

buttons that I will play with the first and

00:14:26

thumb, that is,

00:14:29

after the blow, the blow is denoted by the

00:14:33

letter s, it will give you no one and it’s like

00:14:38

parentheses, just take it crosses are

00:14:41

muted notes, that is, when you

00:14:43

release your

00:14:45

fingers from the fretboard and it sounds so dead,

00:14:49

but here in my right hand

00:14:54

now, without notes, I’ll still play it, I’ll

00:14:58

show you large now, Oksana

00:15:06

we see further on very slowly

00:15:13

playing there for the dead and the notes, if we take them,

00:15:34

let’s I’ll show you without this, but quickly

00:15:44

[music]

00:15:51

these are Rocky’s measurements just in no way, like

00:15:55

here this plate is the third element of

00:15:57

the installation she created I won’t move

00:16:03

[music]

00:16:13

here’s another rice I’m adding, like passing the

00:16:20

first finger along the strings

00:16:22

with the subsequent movement that we

00:16:26

will learn next module, so I

00:16:28

won’t, you don’t know how to do it, but then add it,

00:16:34

well, let’s go through the basics at a tempo

00:16:40

[music]

00:16:59

here you can vary the whale and

00:17:02

add an element, but the meaning in general is such

00:17:06

that we are led by a clear gift for the second and

00:17:16

fourth beats, he sets no longer, but

00:17:18

small Lexuses create movement between

00:17:22

these already beats, so in principle, this is how

00:17:27

you can decorate any song, add

00:17:31

some kind of sex to it, you are inside the chords, or

00:17:35

do it with two fingers, in

00:17:43

principle, in almost any situation

00:17:45

you need to do it and add our drum in

00:17:49

the dream,

00:17:50

we move like this further on we have

00:17:56

a little bit now from the drums we'll go

00:18:00

and we'll play this cool technique

00:18:05

it's like

00:18:07

[music]

00:18:10

American country performers really

00:18:12

love the technique like games it's like this for

00:18:20

lazy performers it's played

00:18:23

in the original with two fingers of the right hand with the

00:18:26

thumb and first or the second

00:18:28

type of that went probably the score of the blues

00:18:47

before the Americans sat with two

00:18:50

fingers playing something, but you can

00:18:52

[music]

00:18:55

where you add other fingers behind two to

00:19:00

do everything, and in principle it is very well

00:19:03

suited for such medium-tempo

00:19:05

songs for chambers some here and so

00:19:23

on and in fact in order to

00:19:27

play our private you

00:19:31

will need four chords it’s like E minor

00:19:35

7th

00:19:36

fret without barre literally three notes

00:19:40

to put that means there is let me

00:19:46

show the tap here we have these chords then

00:19:55

I too without from the 3rd string went to C major

00:20:06

[music]

00:20:07

or from from you. beautiful

00:20:14

[music] let

00:20:17

's look at this using an example.

00:20:20

ardov is finally decreasing

00:20:31

here, which means we will have a lead-in

00:20:35

exercise, that is, here the bass thumb is

00:20:38

actively working, he is playing two strings,

00:20:41

that is, but working with the big first,

00:20:47

try to play in a hurry

00:20:50

5 4 5 to 45 4 then add the first fingers to the first

00:20:57

beat,

00:20:59

playing a couple of stans

00:21:14

should also be easy and then we can

00:21:18

move on;

00:21:19

literally 1 is added to the main riff,

00:21:24

but when we start the prize the same way, after the

00:21:27

third beat we play one more time with the first

00:21:31

[music] with the

00:21:38

first finger the second time you can

00:21:41

play some kind of service, but not

00:21:43

necessarily the same thing it will be

00:21:56

more varied, but it won’t be from monotony,

00:21:59

but then we can go through our

00:22:06

chord and just here we will

00:22:13

also use the first string, that is, with the

00:22:15

first finger we will not only take the second,

00:22:18

but also the first, let’s

00:22:20

play it slowly, that means the fact that

00:22:23

the notes are called rip with decorations

00:22:26

[music]

00:22:33

[applause]

00:22:35

[music]

00:22:43

so you can basically and 2

00:22:50

[music]

00:23:01

and then add our chords

00:23:04

that we sorted out slowly

00:23:24

let me play everything simply I will play with

00:23:33

two fingers

00:23:34

original

00:23:36

[music]

00:23:51

last chord, I already have the second string

00:23:54

and the third I touch the first one, it may

00:24:05

seem a little unaccustomed, it may not immediately

00:24:09

coordinate to the hand, but if you

00:24:11

visit it slowly, you

00:24:13

will play it, and then from this technique, in

00:24:19

principle, you can come more

00:24:23

advanced to country, the technique of many is

00:24:27

called adkins stood later that

00:24:30

is, when it should be part 3 of the fingers, that’s

00:24:41

already tricky,

00:24:43

but the simplest

00:24:45

[music]

00:25:00

write down who succeeded, who

00:25:03

didn’t, I think everyone should have

00:25:09

succeeded well done,

00:25:35

so we move on 50/50, yes,

00:25:44

try with the leading exercises here

00:25:47

if you don’t get it right away quickly, yes, and

00:25:51

I’ll get it right away quickly, if you don’t get it slowly

00:25:54

1 means slowly the second, you start with the

00:25:57

leading exercises that are there

00:25:58

at the beginning of

00:25:59

the tablature, there’s a beginning, just pass, then

00:26:04

add one finger and so piece by

00:26:06

piece you put it all together,

00:26:09

don’t chase the tempo, you can go straight the pizza was brought,

00:26:19

yes, well, with greasy hands, you don’t touch the guitar, then you don’t

00:26:22

touch the guys, of course intensive nato

00:26:37

intensive, that is, soon it won’t work out that way, okay, so you

00:26:41

have the material, a chance

00:26:45

for here’s week 2 3, there’s a month for classes

00:26:50

okay, move on, move

00:26:56

on, so we’ve gone through everything the most cool thing is that it’s

00:27:05

also starting, which means that the

00:27:10

drum technique is the

00:27:12

percussion technique and the technique

00:27:13

and in order for us to

00:27:16

play what I have prepared, we will

00:27:21

need to master an hour, a couple more

00:27:24

very important techniques, that is, a simple

00:27:28

blow of sleep and the workers

00:27:30

have mastered it with you, I hope everyone

00:27:33

succeeds It’s not so complicated,

00:27:38

now we move on and add to

00:27:43

this blow now the Mel Disney blow,

00:27:48

it’s called that is, or working plus

00:27:50

melody, that is, when you and I

00:27:52

hit the snare drum and on these

00:27:55

lower strings and on the upper and upper

00:28:02

strings we hook our fingers on this side

00:28:04

where are our nails,

00:28:09

that is, such a combined blow,

00:28:12

we lower our hand, lower our thumb

00:28:17

onto the strings and at the same time

00:28:20

we make a movement with the first first second

00:28:24

third fingers, a small

00:28:28

movement like this, literally here it is to

00:28:30

hook the string, the

00:28:32

main thing now is not the swing, not some kind of

00:28:36

volume, but the main thing accuracy of hit

00:28:38

so that you can clearly hit the spot, that

00:28:45

is, gain a foothold here and get

00:28:50

here

00:28:55

[music]

00:28:58

accuracy will be very important later when

00:29:01

we play the melody, the melody on

00:29:05

the guitar can be on different strings,

00:29:06

that is, it will not always be on the first

00:29:08

string sometimes it will be on 2, you will need to

00:29:16

play cute Disney, that is, the strike of the worker

00:29:20

with the melody and touch only the second

00:29:22

string, that is, only up to the 2nd string,

00:29:24

and the first will no longer be possible, there

00:29:30

will be situations when only the third

00:29:33

string will need to be touched, that is,

00:29:34

[music] to

00:29:46

train, that is, take for now, again,

00:29:50

G major,

00:29:53

or rather there is g5, we have a chord that gave them a

00:29:58

more American one, visited from these pains,

00:30:03

met that I met,

00:30:05

well, here for anally you can put 1 or

00:30:08

2, it’s a bunch, so we try to play so

00:30:18

that there is a biting blow from the

00:30:20

stink on the sixth string on 5 6 and you could

00:30:24

hear the first string that you play

00:30:26

or not

00:30:27

with the back of your fingers, so if it

00:30:30

has nails, yes, in principle it will

00:30:31

help, well, all this can be done without nails,

00:30:33

so

00:30:42

practice, practice then only

00:30:46

reach the second country that 1 did not

00:30:48

sound only until 3 you will need here

00:31:04

to visit in principle, but for a week

00:31:08

every day for half an hour

00:31:10

and it will all settle down in the future,

00:31:14

this is just a mega useful blow because

00:31:16

it allows you to play a percussion melody

00:31:22

in general, that is, combine any melody with

00:31:23

percussion because usually

00:31:26

guitarists when the blow falls on an

00:31:29

empty place they he chooses well, but when the

00:31:32

blow falls on the notus of the melody,

00:31:34

everything has to be drowned out, and there are

00:31:37

situations when it is necessary for the melody

00:31:38

to sound together with the blow

00:31:41

[music]

00:31:47

now. they're

00:31:50

getting ahead of themselves, let's

00:31:53

now look at our diagram,

00:32:01

wait for two chords g5 and c C major with

00:32:06

nine, so let's practice on them about them, let's

00:32:10

practice just had Disney play here we have

00:32:14

the tablature for here, nothing

00:32:16

complicated, we play the bass note and the second

00:32:21

we play the share together with the Christians,

00:32:32

try to make sure that you can hear both the blow and the

00:32:37

string, I also indicate the tablature

00:32:41

to with such an arrow, that is, we

00:32:43

are making a movement from the lower strings

00:32:46

up and from this dream windows on our blow

00:32:51

to the lower strings one more time to

00:32:58

[music]

00:33:05

I have light twice, we

00:33:07

just play with tablature

00:33:10

and decorations, I also add this already as if

00:33:40

for anally, let’s guys write

00:33:45

who gets the hit that’s not the

00:33:47

easiest, the hit isn’t the easiest if you

00:33:54

didn’t manage to play with the hordes, just

00:33:57

try it

00:33:58

[music]

00:34:02

just try on some one

00:34:06

chord and generally lawless like this

00:34:16

[music]

00:34:22

Inga

00:34:23

well done

00:34:28

[music]

00:34:33

typewriter Oksana

00:34:35

from your message it’s clear that everything is

00:34:40

working out well for me, I’m really happy here

00:34:47

Ilya there are specialists how are you doing the main thing is

00:34:52

that there’s pizza a treasure trove of intensive,

00:35:00

that’s great, but if something quacks somewhere, it’s no big deal,

00:35:04

you’ll work it out and

00:35:08

then you’ll polish it up, it will

00:35:10

always end up here and there, and you’ll be

00:35:14

able to use it, okay,

00:35:19

great, let’s move on now, the

00:35:23

funniest thing is next with us next with us.

00:35:27

yes, that is, this very lowest blow means a kick

00:35:32

drum to play it until Tatyana

00:35:39

Bogaty very well 1 2 already excellent, at

00:35:41

first I succeeded once out of ten,

00:35:43

that is, when I played there as a

00:35:51

child, no

00:35:54

one had heard of this at all,

00:35:58

now we’re moving on to the kick drum means the kick drum is

00:36:01

just the last one will be the puzzle before in our

00:36:03

picture and with it everything will be much more

00:36:08

fun means how we play the kick drum in

00:36:10

principle everything is simple yes here we have the

00:36:12

basic position of the hand before the setting is

00:36:14

our basic

00:36:16

here in the case of the classical guitar the

00:36:21

classical setting of this is so yes

00:36:23

if fingerstyle guitarists they usually

00:36:26

don’t have such a strong bend here

00:36:30

and it’s more straight, yes this line is

00:36:34

straighter that’s

00:36:37

what we’re doing but in any case with a

00:36:40

normal setup we have this

00:36:41

bone up to the wrist that’s sort of slightly

00:36:44

convex, it’s quite high and

00:36:47

the country you have is lying then you are doing something

00:36:51

wrong you will not have just room

00:36:54

for fingers to work the finger now

00:36:57

to play the kick we need this

00:36:58

wrist just lower the notecaddy to become the

00:37:01

strings here are the niches I like here

00:37:09

on the guitar everyone has it differently I’m

00:37:11

well protected in some

00:37:14

cases, that’s when here at the stand I

00:37:17

knock from a lower sound like this, there’s

00:37:25

more like a barking slap, you also need to

00:37:32

look for a place on your guitar,

00:37:34

all the guitars are different, different shapes, different

00:37:38

volumes, that’s where the best sound will be

00:37:42

and the easiest thing will be play, but at the same time,

00:37:51

as if in the basic version,

00:37:57

our elbow should not rise,

00:38:00

well, sometimes, in some cases, when

00:38:04

I play the kick drum, my

00:38:06

wrist rises a little for a day,

00:38:08

as if for more for more volume

00:38:12

as loudly as possible from scratch than than without

00:38:16

an elbow, that’s what’s funny about this barrel,

00:38:26

that it needs to be combined with everything else

00:38:29

with the rest of the game, that is, there

00:38:33

I’m here, the presentation is written, they would

00:38:37

just start practicing it on their own,

00:38:39

there you can put your fingers on the table, even

00:38:45

so that they get used to it, then you need to

00:38:50

practice it connect it connect it with

00:38:53

different fingers, that is, we will

00:38:56

definitely encounter situations in songs when we

00:38:58

need to play the kick drum together with the bass,

00:39:01

we will have both the kick drum

00:39:09

go and the thumb will play the pass,

00:39:20

this also needs to be worked out, that means with the

00:39:32

bass, the next thing we need to work out with

00:39:38

the chords is the kick drum we take let’s play the chord

00:39:45

without the bass, yes, I’ll just take it with three

00:39:49

fingers and place the wrist on the soundboard

00:39:52

at the same time, this is already more complicated, well,

00:40:06

where will you need to do this, just

00:40:09

sit and make such a movement, as if

00:40:12

complex, that is, you immediately play the chord and the kick

00:40:14

drum, that is, not so much with

00:40:19

one movement, it all goes as if

00:40:21

instantly, so this means this is with a chord,

00:40:37

then the next ones with the bass with a chord

00:40:40

will be needed, that is, all the fingers are already playing, and

00:40:42

we have both the bass and the chord, or the kick drum

00:40:47

[music]

00:40:55

so the last option that

00:41:00

will need to be worked out is the kick drum and hit the

00:41:03

back of your fingers like disney chalk,

00:41:06

we did it before,

00:41:17

here it will come in handy when you like to

00:41:19

collect it, you also need to work out the kick drum,

00:41:35

take it and immediately hit it with the back of your

00:41:38

fingers with your nails and

00:41:41

down the strings, here are the four elements you need to

00:41:49

work out, which means kick drum with bass kick with care

00:41:52

kick drum we saved the chord and the kick drum with the back

00:41:57

side with a blow and boldly disney so

00:42:04

that we can already use it,

00:42:13

so let’s go further now it will be

00:42:15

cool, let’s look at an interesting

00:42:19

riff and the songs of shayb mahar, yes everyone knows, I

00:42:26

think,

00:42:28

but we will play it here until

00:42:33

it was big

00:42:34

so that beginners would not be scared, but those who are,

00:42:39

we will play simple chords

00:42:40

here and, in principle, the chords will literally be made

00:42:44

of two notes and we will try to add it

00:42:47

alternately

00:42:49

and a snare drum and a kick drum, and then

00:42:52

we will try to add percussion, as it were, like a blow of

00:42:57

such bonbons when the electronics would be like that

00:43:00

Latin music is used, yes, that is, here is the

00:43:10

blow of course chalk Disney is about to say

00:43:24

that

00:43:26

means let's also start simple to

00:43:31

complex let's

00:43:35

analyze the chords let's turn them on for you now it

00:43:37

was seen giving under the mahat

00:43:45

means the chords here are simple for

00:43:49

mines seven and here are two fingers literally

00:43:51

put the fourth string and on the second G

00:43:56

minor

00:43:57

with bass minor save G also

00:44:04

dome fingers that no matter what sincerely

00:44:08

you then guitar pro sale like ramen with

00:44:15

bass in fact daf just major I

00:44:19

just want just two fingers and the last

00:44:25

2 cores should be 4 delay and ordinary

00:44:32

major and, in principle, the chords are very simple,

00:44:43

so remember them 1 2 3 the

00:44:53

last two and they won’t be distinguished by just

00:44:59

the little finger, so we’re going again, the leading

00:45:06

exercises are increasing, okay okay, who needs

00:45:15

to open the presentation finely,

00:45:21

so in the beginning, just like the previous one,

00:45:28

there’s one song, we take the chords and we play

00:45:32

our snare drum on the second beat of the

00:45:36

fourth, that is, like this, here is the drum,

00:45:40

chord,

00:45:41

drum, we try to play with

00:45:46

only the thumb so that the upper

00:45:49

buttons remain sound, since we don’t

00:45:56

play this first exercise, I hope

00:46:08

everyone can do it

00:46:10

[music]

00:46:15

what’s so difficult about it no,

00:46:20

now we add a kick drum here and

00:46:32

now not all the notes up to

00:46:34

which the final version are present from

00:46:38

us kick drum after kick drum and will give not and

00:46:46

[music] the

00:46:59

last blow is already played exactly as

00:47:02

skillfully as Disney, that is, the workers together with the

00:47:04

melodies playing the worker and the back side

00:47:09

we hook the fifth 4 3 strings

00:47:14

[music]

00:47:18

so that the melody sounds

00:47:20

and the workers again slowly.

00:47:27

working worker

00:47:31

[music]

00:47:35

had a gum,

00:47:39

here’s the barrel, indicated as always

00:47:43

in the tablature,

00:47:45

here guitar pro doesn’t allow you to write the letter

00:47:49

p means t, but in general it doesn’t matter, in short,

00:47:52

the plus sign is this barrel or the letter t and with this is

00:47:59

our sleep

00:48:00

snare drum, and now we can

00:48:06

little by little who succeeded in

00:48:08

adding the missing ones, but you are here, but then

00:48:11

after sleep, one note literally let’s go

00:48:16

slowly, we take it with this finger

00:48:24

at the top again

00:48:37

[music]

00:48:46

well, let me show you larger without it.

00:49:04

[music] it’s

00:49:06

very important to clearly play the melody,

00:49:08

this is with any

00:49:10

fingers only reached 3, if only the

00:49:20

basic

00:49:21

version is what, and now we can

00:49:25

increase our tempo for the second time,

00:49:40

it takes me there 2

00:49:43

answered 4 days in the first chord, well,

00:49:53

for those who he likes the hardcore version, yes,

00:49:57

you can also add right after the kick drum a

00:50:01

blow with your thumb down on the soundboard, it

00:50:04

will imitate like a bomb before the drum

00:50:06

icons of the cans if it’s slow,

00:50:13

then there’s a kick

00:50:16

kick but before sleep and the top melody, this

00:50:45

will be even more interesting, he’ll also

00:50:46

add movement and you’ll get it it’s

00:51:02

not easy for us anymore if you compare and percy without

00:51:07

percussion without any tricks the date is quite a

00:51:10

big difference

00:51:11

[music]

00:51:16

from percussion that’s quite growing quite

00:51:27

big guys write who

00:51:32

got it all write who got only the first

00:51:35

two three lines who

00:51:38

managed to combine with the kick drum

00:51:45

who it turned out to hit the bongs, add

00:51:55

let's have a

00:52:16

generally fun topic, the

00:52:17

next ones flowed probably a little

00:52:23

very slowly, even though it was

00:52:26

excellent to see the axon, that is, as if

00:52:29

nothing is impossible, and these are already

00:52:34

quite advanced techniques, the head is

00:52:36

faster than the hands, and what a

00:52:40

slow exit we have tempo and metronome chick, here

00:52:49

we go further,

00:52:52

the system of us is so extensive, what we

00:52:57

do next, we have chosen, that

00:53:02

is, you can play chose just with

00:53:07

a pick

00:53:09

[music]

00:53:17

oh yes, you can play with your fingers, you can play

00:53:20

it together with our daughter and

00:53:27

worker, then it will work out a little

00:53:30

so it’s even more fun to combine all this

00:53:37

you need to first play for an

00:53:40

hour before how he will play in this particular

00:53:43

situation a little differently not like

00:53:46

in our course we play the battle a little

00:53:51

differently, I use two fingers for this with my

00:53:54

hand having

00:53:58

a little bit of it, you can count how I hold the pick

00:54:10

[music]

00:54:11

he plays the first big small one, it’s not

00:54:21

very convenient, then you can add a kick drum to all of this

00:54:38

and the

00:54:39

worker here will start the kick drum will be played

00:54:43

along with a downward blow in this technique, they did

00:54:46

n’t teach melodies, that is, that is, with

00:54:50

the back of the fingers

00:54:53

[ music]

00:55:02

try just a kick drum and together with

00:55:27

your finger

00:55:33

this is what we sat down with the kick drum now let’s

00:55:38

add a snare drum on the second and fourth beats

00:55:41

yes what it will

00:55:45

look like

00:55:47

[music]

00:56:01

maybe it can completely muffle the

00:56:07

strings like this

00:56:08

[music]

00:56:11

or maybe with in combination with a blow with the

00:56:16

back side as we played mail

00:56:21

disney kind of that is,

00:56:39

depending on the situation as needed,

00:56:44

let's guys try now for a minute, I

00:56:46

'll wait to connect the kidney with the nose up and

00:57:00

down and now we will use this technique

00:57:06

to play the intro too, songs Tsoi

00:57:11

blood type with borey is played in principle,

00:57:17

everything is simple there we will have 2corda here is the

00:57:23

original key if you recognize

00:57:26

F-sharp minor

00:57:28

[music]

00:57:30

in the original it was not gibli minor no

00:57:33

E-minor it is F-sharp minor on the second

00:57:37

fret and c but it won’t become nato again

00:57:44

[music ]

00:57:51

so it freezes,

00:57:52

well, it’s probably with the Internet channels, yes,

00:57:57

we should have Wi-Fi or something, check the

00:58:02

connection,

00:58:03

I’m basically fine, so that means

00:58:09

let’s go, there will be such tablature, it’s

00:58:14

pretty, it might scare someone, in

00:58:20

fact, it’s all just an exercise we’ve

00:58:24

already played with you and let's try to

00:58:27

play this blood type here, in

00:58:34

fact, everything is simple, yes, if without percussion, yes,

00:58:38

let's make out what will be there,

00:58:42

up and down, the chords go

00:58:46

[music]

00:58:49

then you can say home decoration that

00:58:52

part of the melody in 2

00:58:56

sometimes in a country this is the melody

00:58:59

[music]

00:59:01

then the next chord is also a regular

00:59:07

chord and dropped by 7 water, here in

00:59:26

general terms, without percussion, what we

00:59:29

will play and now we

00:59:32

can add a kick drum to all this and the workers will

00:59:40

sound something like this at the end, I also have

00:59:54

such a bass insert, you can play it

00:59:58

You don’t have to play if you want and just

01:00:04

one more time

01:00:05

slowly

01:00:09

[music]

01:00:32

I think now the code didn’t work out,

01:00:38

then you’ll figure it out simply and with this

01:00:44

technique you can also play a bunch of songs

01:00:47

[music]

01:00:51

[applause]

01:00:52

[music]

01:01:08

so make mixes like this, yes.

01:01:13

very cool in principle, like this now

01:01:19

let's write, did you catch the idea or not,

01:01:32

what do you think, but this technique is

01:01:40

more suitable for you for about an

01:01:42

hour for such songs where there is a straight kick,

01:01:44

that is, pum-pum-pum that knocks

01:01:47

throughout the entire song for such songs

01:01:52

where it is more complex the rhythm in the barrel is

01:01:57

suitable for others of those kin to penetrate on the

01:01:59

course, we’re already talking now, too, I

01:02:28

really like it, you play like that and when you

01:02:33

let the evictions turn on, it’s cool because it’s like a

01:02:37

mini orchestra, so you

01:02:39

don’t need a drummer, okay,

01:02:43

great, well done, well done, but actually with

01:02:48

this so far we have everything in block, yes,

01:02:51

some xeon technicians have mastered it, so those

01:02:55

who didn’t understand it further

01:02:58

will figure it out by recording, and now let’s guys

01:03:01

go for a break for 15 minutes, the master there

01:03:08

may be Tatyana for us to play

01:03:12

something from even [ __ ] off, although not right

01:03:17

now rest until you rest and wave your hand,

01:03:19

here you can have a cup of tea, here’s

01:03:24

someone whose fingers are falling off, don’t torture

01:03:27

your fingers now we have two more blocks, so

01:03:29

let’s

01:03:35

meet in about three 20-35 next

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