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Download "Dicas de Estudo - Como Melhorar a Sua Base com Power Chords"

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vilmar gusberti
aula de guitarra
guitarra
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dica de guitarra
dicas de guitarra
video aula de guitarra
dica de estudo na guitarra
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power chord
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como tocar guitarra
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Como Melhorar a Sua Base com Power Chords
guitarra base
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00:00:00
Hi hi, how are you? This is Vilmar Gusberti,
00:00:02
I'm back with another video of
00:00:05
guitar study tips and today I'm
00:00:08
going to show you how to improve your
00:00:11
base using Power Cut, the title of
00:00:14
this video could also be like this,
00:00:16
how to use the Power cords in a
00:00:19
smarter way I'm going to show you
00:00:20
some very simple things, some
00:00:23
simple variations that you can do on a
00:00:26
Power Cord to make your bases much
00:00:29
more interesting and maybe you've never
00:00:32
realized it but before I start
00:00:34
I want to invite you to subscribe
00:00:36
here to the channel and click on the bell to
00:00:39
activate notifications and you can also
00:00:42
give it a like because I'm
00:00:44
sure this video here will
00:00:46
help you a lot Now let's get to the
00:00:49
good content so let's go, we'll use it as a
00:00:51
reference one of the
00:00:54
most used chord sequences around the world
00:00:57
in many musical styles, this one here, A
00:00:59
minor,
00:01:01
F major,
00:01:03
major and only major. So there is an
00:01:09
infinite number of songs played with these
00:01:11
four cuts and also songs played
00:01:14
with the Power cuts of these chords here,
00:01:17
right, and we know that the Power Cord is
00:01:19
like a simplification of the
00:01:22
chord, so I can make the Power Cord
00:01:24
from there to replace the A minor,
00:01:28
the Power Cord in fact it is actually a
00:01:32
piece of the a Claro activate it
00:01:35
can have two strings or three doors right
00:01:39
After the Power Cord what is a
00:01:43
piece of this model here right
00:01:46
and the Power Cord of the Sun is a piece and this
00:01:50
model here of the chord
00:01:52
this here is not a class to explain
00:01:55
what the Power cut is it is a class for
00:01:58
those who already know about Power Cord But it's to
00:02:01
give new ideas on how to use them in
00:02:04
a more intelligent but
00:02:05
interesting way, in their bases, so
00:02:08
I'll go straight here to the options I
00:02:11
want to show, I made a base here on
00:02:13
my pedal with bass and drums for
00:02:16
that sequence of chords that I
00:02:17
just showed And then I'm going to run this
00:02:20
base and I'm going to change the Power cords
00:02:22
referring to these chords, then it's the
00:02:26
most common way, right, like most people
00:02:28
tend to do it and I'm going to vary it a little
00:02:30
I can play without Palm mute everything loose
00:02:33
so I
00:02:35
[Music]
00:02:41
can do some
00:02:44
accent patterns with and without Palm mute electric
00:03:17
none because this here works very
00:03:18
well, it always worked, it will always
00:03:21
work. Now there are some other
00:03:23
options that are interesting to know so that
00:03:25
we can improve our bases, right? It
00:03:28
makes them more interesting and the
00:03:30
first important thing for us to know is
00:03:32
that we can make an inversion of the
00:03:34
Power Cord Hey, there's something new, right? If
00:03:38
you've already learned about Power cords, you
00:03:41
should know that the Power Cord is made by the
00:03:43
tonic EA, its fifth, so the
00:03:46
C chord has the note C, the tonic C, D, E,
00:03:49
G, the note G is the its fifth when
00:03:52
I do it here, the note C
00:03:54
and plus the note G here, in the drawing of the
00:03:59
Power cord and
00:04:00
it's tonic and fifth, you know
00:04:04
And then I can do the octave here it's the
00:04:07
tonic again octave higher when I
00:04:09
use three quarters so all these Power
00:04:11
colors in the most traditional but
00:04:14
common format is this is a tonic AND your fifth,
00:04:17
right Hello,
00:04:20
there's a brass nickel My fifth of his the fa
00:04:23
with the C you can count the F G there si Dó the C
00:04:27
the fifth do makes the
00:04:32
DOC one as I said before and the G
00:04:35
with rack and its fifth
00:04:37
Okay but the question is if I reverse the
00:04:42
order of these notes take the tonic and
00:04:44
put it in the treble and take the fifth and
00:04:45
put it in the bass the Power Cord is still
00:04:48
the same, okay Technically or
00:04:51
Theoretically, but it's just different in that
00:04:54
it's something when I play C
00:04:56
and it's going to do C and only here, oh wow, I'm going to
00:05:00
make DOC, G more serious than C
00:05:03
G, it does this here
00:05:07
so when I play this C with the sun
00:05:10
is up here, I'm
00:05:12
still doing the Power Cord C, but inverted
00:05:15
with the bass in its fifth, that is, the
00:05:19
combat in the G note, but it's still the Power
00:05:22
Cord
00:05:23
and the Power Cord with the bass in the fifth, I
00:05:27
have a heavier sound and
00:05:29
It's generally more interesting, so I'm going to
00:05:31
do it, I'm going to do the Power Cord of C,
00:05:34
but I'm also going to press the G note
00:05:36
up here since it's the fifth of the
00:05:38
dollar, right
00:05:39
[Music]
00:05:43
but you know, it's heavier,
00:05:45
so I'm going to do the same sequence
00:05:50
and when it's time for the dollar I'm going to do it with the
00:05:53
bass in G.
00:05:56
You saw how it's heavier and
00:06:01
then for me to do the G parkour,
00:06:03
just put a finger there, right, ring finger and
00:06:06
place it here on the 5th fret string so it
00:06:10
became powerquad G there
00:06:14
si C with bass in G and
00:06:18
for G
00:06:21
it has already gained weight in this C
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but I would have to do all the chords
00:06:29
inverted like this, all the Power
00:06:31
Cords in this sequence have it but then I
00:06:34
will have to go more to Acute, so
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for example I'm going to take it here, just so
00:06:38
we can stay on the same strings all the time,
00:06:39
now didactically, right, but you have to
00:06:42
know that you can change strings, I'm going to
00:06:44
do it Hello, here, at the 12th fret
00:06:46
there's a powercore there at the 12th fret on the 5th
00:06:49
string and 14 on the fourth string but I'm going to
00:06:51
take today's fret on the sixth string
00:06:52
as well as his fifth is
00:06:56
now I'm going to do a 12th fret, okay I came
00:07:00
to the eight fret where I have a knife
00:07:03
the Power Cord does it on the eight fret which would be
00:07:05
starting with the tonic on the 5th string right, but
00:07:09
I'm going to take his fifth not lower than
00:07:12
above so fight sleep
00:07:16
that doc we did now with bass
00:07:20
in G
00:07:21
the sun I'm going to come here to this house,
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they're just her fifth string with low
00:07:28
until your fifth, right
00:07:31
[ Music]
00:07:40
is still the tip of the iceberg, you can rest
00:07:43
assured, okay,
00:07:52
and
00:07:53
let's see what it would look like on
00:07:55
this same base, let's go,
00:08:02
but here, business
00:08:12
without Paul II
00:08:16
[Music]
00:08:36
is
00:08:39
good. It's not up to us
00:08:42
to judge whether it's better or worse, right?
00:08:44
showing options and you will see that the
00:08:46
most interesting thing is to mix things, okay
00:08:49
now I can do the same ones for
00:08:51
cuts here
00:08:54
in a region just by changing strings, right,
00:08:57
so I can, for example, do Hello
00:08:59
here, look at the
00:09:03
top So I took the fifth fret string
00:09:05
seven I want but it's the fifth from the A the
00:09:08
A on the fourth string fret seven and
00:09:11
third Cola Casa Wow is missing I
00:09:13
have an inverted A package
00:09:16
When I go with the same shape to
00:09:19
fret three I have to talk now I'm going down
00:09:22
here doc
00:09:27
Ok
00:09:28
E So for me to do what I'm going to go up
00:09:31
[Music]
00:09:35
like we did before and I'm going to do the G
00:09:38
here at home 5 o'clock note D which is the
00:09:42
fifth of this Power Cord, right Then note
00:09:44
G on the fourth string and your fifth here
00:09:48
on the third string frets seven so
00:09:57
the same thing happens as I did here
00:10:01
but I don't have to travel and today here
00:10:04
horizontally but getting closer,
00:10:06
right
00:10:09
[Music]
00:10:14
[Applause]
00:10:17
[Music]
00:10:21
Hi
00:10:22
and then I can start mixing so
00:10:25
I'm going to do now a combination Look, I'm
00:10:28
just going to do the Power side now here at the
00:10:32
beginning, the same more traditional way,
00:10:35
instead of doing it up here, I'm going to
00:10:37
do
00:10:41
this one inverted, right, short, I'm going to
00:10:46
do the normal one at the normal time
00:10:51
and I'm going to do the Power Cord sun inverted
00:10:55
so there
00:10:57
Faro
00:11:05
[Applause]
00:11:11
The interesting thing is that from there
00:11:14
we also have some options to insert
00:11:16
some other cans, small
00:11:19
variations, do you want to see something there and
00:11:22
if I have one, you can go from there and
00:11:25
one day I can put my little finger on the
00:11:29
note C must be the cause of the fifth house
00:11:32
if the note D is what the third of that one is,
00:11:34
so I added a passing note
00:11:37
there but it's the third itself
00:11:39
and then I'm going to come and worry about the
00:11:42
knife's code and it has been So I just anticipated it a
00:11:45
little this note
00:11:49
and in this Faro I can make a variation
00:11:52
Zinho wants to take a
00:11:56
look at if here you
00:12:00
want to marry four, right?
00:12:03
So then there's a moment when it stops being
00:12:06
the Power Cord, right? Because we make this
00:12:08
little change, right?
00:12:11
What does this note in relationship fa is
00:12:14
an augmented fourth in In this context
00:12:17
of the harmonic field that we have this
00:12:20
chord of f and o and they can also have
00:12:22
this augmented fourth so it is
00:12:24
essential that you also study
00:12:26
major harmonic field intervals and everything
00:12:28
else to understand when it is possible to
00:12:30
do this kind of thing when it doesn't work, right?
00:12:33
My intention here is to show that
00:12:36
there are several possibilities and that you
00:12:39
need to look for the
00:12:40
necessary content to also master this one, right?
00:12:45
Then I'll go to the owner,
00:12:48
we can do the same thing, we
00:12:51
play the Chord of C where I have the
00:12:54
dollar is the tonic the fifth and the tonic
00:12:57
again than the note C which is the eighth in this
00:12:58
case and I do C take a quick break
00:13:02
and go back to the DOC
00:13:05
for this one from Here This note is the
00:13:08
Seventh major so it's Power Cord C
00:13:13
that C that's not a major seventh when I
00:13:15
do it here, that's
00:13:17
cool, right, and I can only do that here
00:13:20
because I don't know that this C here would be a
00:13:24
major chord in the harmonic field in the
00:13:26
context where it is And that has this
00:13:28
major seventh na he can have this major seventh
00:13:32
and also because this is a note that is
00:13:35
within the same scale of this
00:13:38
harmonic field, right then I'll go to the
00:13:40
inverted G Power Cord here,
00:13:43
just with bass in ours Harry,
00:13:46
I'm just going to do one a pass
00:13:49
Zinha too
00:13:51
I'm going to take off the little finger
00:13:55
let it sweat it's working
00:13:59
And then when I have this note Harry
00:14:03
let me say a DOC on the Pestana
00:14:04
[Music]
00:14:06
it becomes a G with a fourth the G its four, right
00:14:10
then there's the G note which your fifth,
00:14:13
which is a boy, has a fourth, which is C,
00:14:16
and within this harmonic field there is the
00:14:20
G with possibility and this fourth, right,
00:14:23
is a G major
00:14:25
And in the end I end up exchanging the fourth for the
00:14:28
major third, so it becomes the Chord of
00:14:31
Sun, this is a fragment
00:14:34
of it and not a Power Cord, so we
00:14:37
start to add it to other elements
00:14:39
starting from the Power Cord.
00:14:43
But it's interesting to see that it was only
00:14:45
possible to make these changes
00:14:48
because I also found another way to
00:14:51
make the Power Cord here. and then this
00:14:53
base It ends up with a kind
00:14:55
of melody inside it, right, but
00:14:57
it really is
00:15:01
[Music]
00:15:21
Andthen [Music]
00:15:30
and
00:15:34
let's see one more example now I'm going to
00:15:37
take this stick and string from there, oh, and then
00:15:39
you will see another way of
00:15:41
reasoning to do this inversion without
00:15:44
needing a lot of theoretical knowledge,
00:15:46
take a look here, I'm going to get
00:15:48
this stick and rope from there now
00:15:50
And then I don't even need to think so much about ours,
00:15:53
I'm going to give up this tonic, I'm going to take it
00:15:57
these two notes here that I'm
00:15:58
doing with the others, God, I'm just going to
00:16:00
do a little blink at
00:16:02
seven o'clock on the fifth on the fourth door
00:16:04
and then below Here on the third string I'm
00:16:09
going to put my finger there two frets later, that's
00:16:11
it, I already have Power can inverted
00:16:14
from this one I found the other one,
00:16:17
his interaction,
00:16:21
so here I
00:16:28
found a cell phone and
00:16:31
I want to find the Power cut as
00:16:33
close as I can to here instead of coming
00:16:36
here, right, I'm going to climb a rope and
00:16:39
move forward one space and do the stage was almost
00:16:41
normal so it was inverted
00:16:45
and they will make it normal.
00:16:54
This type of combination of some
00:16:58
inverted and others not looking for the
00:17:00
shortest path is generally the best
00:17:03
thing to do because it is easy to
00:17:06
play and also more interesting
00:17:07
that they are closer to each other, right?
00:17:33
I'm going to go down I'm going to go
00:17:36
two spaces forward and going down I'm going to get this one up
00:17:39
here look at the reasoning I
00:17:41
did before in there it's the same thing here
00:17:43
going up to do the Power cut I'm going to
00:17:45
give up this tonic that I'm going to use
00:17:47
these two cans with Pestana at
00:17:49
her house here on Thursday, on Wednesday, at the
00:17:51
door and also get the third one at house
00:17:54
12, oh, here's a shame, so poor people can
00:17:57
have fun
00:17:59
and right here, I just put one more finger and
00:18:02
it becomes sunny.
00:18:05
Look, then,
00:18:15
easy deal. to do and I think this is more
00:18:19
beautiful than doing, of
00:18:22
course each song each context asks for
00:18:25
something but this here
00:18:34
is less heavy so in some styles
00:18:38
of music that ask for something a little
00:18:40
lighter you can use here then
00:18:45
[Applause]
00:18:53
[Applause]
00:18:58
Okay and here are some changes that you
00:19:02
can always make, so for example
00:19:05
in this one here,
00:19:08
I can remove the little finger and then in
00:19:12
my note that I'm going to remove there will only be
00:19:14
a straight one, which is the in relation to the side
00:19:17
in the fourth, so they stay there with a fourth or
00:19:21
ties four
00:19:23
but it's just a passage Izinha, okay, it's a
00:19:26
note that has to go through it and then
00:19:28
go to another there oh And
00:19:31
then I'm going to prove
00:19:34
this fale can have a major seventh to
00:19:39
the note f
00:19:42
on the third string fret like this, for
00:19:44
us it's a myth,
00:19:47
remember that we did this with disease and we can
00:19:49
do it with fa too,
00:19:53
but we can only do this because this fa
00:19:55
In this context, in this harmonic field, it
00:19:58
can have this major seventh, right, and it is
00:20:01
a note for me that is part of the same
00:20:03
scale So now I'm going to do
00:20:05
this one below,
00:20:08
but with pity I'm also going to do this one here, I
00:20:14
'm going to take the Max domain at the end to the
00:20:18
12th house for just her house where I
00:20:20
have to say
00:20:23
the note F within a C chord will
00:20:26
also be a perfect fourth or 11th so
00:20:29
I can say that this doc is one of the
00:20:31
four after I remove my finger
00:20:34
but it is a Zinha passage then I
00:20:37
will look for the decorum of sound and
00:20:39
let's listen all this in context Look
00:20:45
[Applause]
00:20:46
[Music]
00:21:02
[Applause]
00:21:06
a simple base but it already has a different
00:21:09
look, right, much cooler, I can make
00:21:11
it loose without spoken water
00:21:20
or create a few groups there with the
00:21:23
temptations and muffled notes, right
00:21:27
[ Music]
00:21:28
[Applause]
00:21:33
let's see how this goes here at the base I'm
00:21:35
going to start doing everything without muffling
00:21:38
then I'm going to try to invent the patterns
00:21:40
then muffling accentuating some things there
00:21:42
then Hey What's
00:21:47
up What's
00:21:51
up [Music
00:21:52
]
00:22:16
Hi
00:22:20
[Music]
00:22:24
[Applause]
00:22:26
And then you liked these tips, if you liked it,
00:22:29
give it a like, write your comment here and
00:22:32
say what you think, also write
00:22:35
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00:22:37
for my next videos and if this
00:22:40
video helped you it can also help
00:22:42
many other people like If you
00:22:45
're out there wanting to develop yourself on the
00:22:47
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00:22:49
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to help publicize my work
00:22:59
but also take this content to
00:23:01
those people who are wanting to
00:23:03
develop now I have to tell you
00:23:05
something very important what you saw
00:23:07
in this video is just a crumb of the
00:23:10
tip of the iceberg
00:23:12
it means that there is much much
00:23:15
more content
00:23:16
and information about guitar in general
00:23:19
And for that I also have mine
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accessing the first link here in the
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00:23:34
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just tap the WhatsApp button and talk
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directly to me and I'll get back to you, it's the greatest
00:23:54
pleasure and I can talk to you and I will
00:23:56
also take the opportunity to invite you to
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follow me on my Instagram which
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is @Vilmar. Gusberti there every day I
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let's take advantage of it Hi and we'll go together and
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develop on the guitar for today,
00:24:21
that's a big hug and see you in our
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🎸 Toca no link prá falar comigo pelo whatsapp e receber orientações sobre como evoluir na Guitarra. 👇 https://www.facebook.com/unsupportedbrowser 🎸 Baixe PDFs gratuitamente no Canal DICAS DE GUITARRA - VG no Telegram: https://t.me/DICAS_de_GUITARRA_VG Conheça os meus Cursos e Apostilas de Guitarra. 🎸 Treinamento Completo O CAMINHO DA GUITARRA: https://vilmargusberti.com.br/caminho-da-guitarra/ 🎸 Curso DOMINANDO A PENTATÔNICA: https://vilmargusberti.com.br/domine-a-pentatonica/ 🎸 Curso FUNDAMENTOS DA TÉCNICA PARA GUITARRA: https://vilmargusberti.com.br/fundamentos-da-tecnica-para-guitarra/ 🎸 APOSTILAS DE GUITARRA IMPRESSAS https://vilmargusberti.com.br/cursos-e-apostilas-de-guitarra-e-violao/ 🎸 MÉTODO DE GUITARRA - NÍVEL 1 - INICIANTE: https://vilmargusberti.com.br/metodo-de-guitarra-iniciante/ 🎸 GUIA DE ESCALAS PARA GUITARRA E VIOLÃO: https://vilmargusberti.com.br/ge-video-novo/ 🎸 DOMINANDO A PALHETADA ALTERNADA: https://vilmargusberti.com.br/palhetada-alternada/ 🎸 DOMINANDO A TÉCNICA DE LIGADURAS: https://vilmargusberti.com.br/ligaduras/ 🎸 ARPEJOS - VOL. 1: https://vilmargusberti.com.br/arpejos/ ----------------------------------------- Sobre este vídeo: Dicas de Estudo - Como Melhorar a Sua Base com Power Chords Nesta vídeo aula de guitarra da série Dicas de Estudo eu demonstro Como Melhorar a Sua Base com Power Chords. Link para este vídeo: Dicas de Estudo - Como Melhorar a Sua Base com Power Chords https://www.youtube.com/watch?v=aM8fG8ae-MY Se inscreva no canal: https://www.youtube.com/user/vilmargusberti?sub_confirmation=1 ----------------------------------------- PLAYLISTS DO CANAL: Playlist Aulas ao Vivo: https://www.youtube.com/playlist?list=PLkIw9conJ9mC_7EucPcA9sxzs8kLVJmIa Playlist Dicas de Estudo: https://www.youtube.com/playlist?list=PLkIw9conJ9mC6TRGEUxHUjEEGrUi9pOn- Playlist Palhetada Alternada: https://www.youtube.com/playlist?list=PLkIw9conJ9mBP3WyCn9PbTOoU8uIJgYa0 Playlist Ligaduras: https://www.youtube.com/playlist?list=PLkIw9conJ9mD7MXR5Kw-Yz3mlkQxNUA0a Playlist Arpejos: https://www.youtube.com/playlist?list=PLkIw9conJ9mC2fkJmC81AEKplV-LB9oP2 Playlist Dicas do Convidado: https://www.youtube.com/playlist?list=PLkIw9conJ9mBPF3mVebyJBiEM8zStb-BC Playlist Riff da Semana: https://www.youtube.com/playlist?list=PLkIw9conJ9mCvfiRlZGeNs5i8ddcruutt Playlist Solos [cover + tablatura]: https://www.youtube.com/playlist?list=PLkIw9conJ9mBlva7LqCkKwah1kG-PoNe1 Playlist Escala Pentatônica: https://www.youtube.com/playlist?list=PLkIw9conJ9mAvR-unkezLkA6a9Jr2BIy9 Playlist Modos Gregos: https://www.youtube.com/playlist?list=PLkIw9conJ9mC2ZHTDpoVDDe0LpZrV2whU Playlist Guitarra Ritmica Heavy Metal: https://www.youtube.com/playlist?list=PLkIw9conJ9mCCKiH0PX0FEyX3Q3xp6N6J ===================== Se você gostou do vídeo clique em Gostei 👍, se inscreva no canal e clique no sininho 🔔 prá ativar as notificações. E fique à vontade para comentar, elogiar, criticar, perguntar e sugerir assuntos para os vídeos. E se quiser ajudar meu canal a crescer, compartilhe o vídeo com seus amigos! Obrigado por me assistir!! #DicaDeEstudoNaGuitarra

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