Download "Marina Davydova: "This is the revolution of nobodies" // "Tell Gordeeva"

Marina Davydova, editor—in-chief of the Theater magazine, co-founder of the NET Festival and program director of the drama direction of the Salzburg Festival, is the heroine of the new issue of "Tell Gordeeva". Davydova's story is a life in three attempts: the loss of her home in Baku due to pogroms in the 1990s, the Z sign on the door and the inability to stay in her beloved Moscow in 2022, and finally, a loud and successful premiere in Europe and a new life, a new home, new friends. How not to lose yourself by losing everything you hold dear? Our interview is about that. #tellgordeeva #marinadavydova Content: 00:00 "You have to be ready every minute that you will lose the landscape outside the window, the person, the city" 3:41 "My dad is Armenian, my mom is Russian. I was born in Baku" 5:28 "I took my 14-year-old sister out of Baku a week before the pogroms" 7:02 "I received an official response from Baku that I had never lived there" 7:56 Advertising that changes lives 11:01 "200 thousand Armenians out of 1.5 million lived in Baku" 14:15 "My parents' graves were destroyed together with the Armenian cemetery in Baku" 19:48 Advertising in which children become happier and smarter 22:37 How Marina Davydova directed a play about the history of the Russian Empire in Vienna in 2023 25:29 "No historical discourse is the only one possible" 27:22 "It's been 30 years, but you can easily distinguish the Germans from East Berlin" 30:00 The undigested past. What is it about? 33:28 "For them, Stalin is always a leader with a capital letter" 36:35 Marina Davydova's third attempt for a new life 37:35 "I am mentioned in telegram channels more often than Khamatova and Serebrennikov" 40:32 How the Z sign has appeared on Marina Davydova's door 42:48 "I can't tell you in detail how I left Russia" 44:20 How do I know that the phone is tapped? 45:42 Why Teodor Currentzis can perform in Russia and Europe and not speak out about the war 48:39 "This is not a fronde. This is a statement" 50:36 What should the theater be like in 2023-2024 54:15 How Marina Davydova became a director 55:19 "I have no photos of my father and mother left, and I'm afraid to forget their faces" 59:10 "I was unable to restore my birth certificate. This is an order of the Ministry of Justice of Azerbaijan" 1:01:27 "It will never be completely rejected" 1:02:33 Why actor Danila Kozlovsky left the Maly Drama Theater 1:04:49 How many more rapes can Russian culture survive 1:06:30 A little bit about Konstantin Bogomolov 1:07:39 "It seems to me that it is not worth keeping such a theater silent" 1:10:04 "Sometimes in order to save something, it must collapse" 1:12:26 "The Berkovich and Petriychuk case is an attempt to start a big theatrical criminal case" 1:15:29 "The theater is a social institution that finds it difficult to survive in unfreedom" 1:18:56 "Russians come to theaters to distract from reality" 1:21:04 "This disaster has a lot of beneficiaries" 1:24:08 "We need to fix everything" — about "Theater" of the combat operations 1:26:01 "My son is being dragged by four riot policemen" — about the fate of her son, Ignat Davydov 1:30:27 "In my case it was an escape" 1:33:39 Who in Europe needs artists and directors from Russia 1:38:36 "What's the difference" — what is the fate of the case of discrediting, which is brought against Marina Davydova 1:40:14 "Let's not talk about it" 1:41:08 What is the main purpose of art? Marina Davydova https://www.facebook.com/ignatson Katerina Gordeeva https://t.me/skazhigordeevoy Instagram: https://instagram.com/skazhigordeevoy Twitter https://mobile.twitter.com/skazhigordeevoy Vkontakte: https://vk.com/skazhigordeevoy Cooperation: Maxim +7 (926) 058-51-67 (Telegram, Whatsapp)