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00:00:03

Hello everyone, Sergeev is here again and in

00:00:06

this video we will look at

00:00:07

resonances and applications of dynamic

00:00:10

equalization

00:00:11

and let's get started in general resonance and to

00:00:14

speak live instruments

00:00:15

electronic sounds such as bugs

00:00:17

are synthesized from measures and synthesized

00:00:20

leads and indeed all electronic sounds

00:00:22

extremely rarely contain resonance and if

00:00:26

they do contain it, it is very often due to

00:00:27

some effects, such as delay or an

00:00:30

excessive amount of reverberation, and

00:00:32

these problems are solved by more correct

00:00:34

use of these resonance effects, and the

00:00:37

resulting resonance is the

00:00:39

body of the instrument or the materials from

00:00:42

which it is made; it is also possible that

00:00:44

the room or some things resonate. or a

00:00:46

problem with the microphone, not so much, there

00:00:48

can be a lot of factors, but in

00:00:51

electronic music

00:00:52

live instruments are often used, for example snare,

00:00:55

let's listen to our world, the technique of searching for

00:01:01

resonances is quite simple: the

00:01:03

filters are raised in the form of a bell and

00:01:05

made very narrow, and then this narrow

00:01:08

filter is slowly applied to all frequencies,

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the purpose of this is to hear a

00:01:13

sharp ringing,

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let's now try to find a resonance

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and in our sounds you

00:01:31

hear now at about 280 hertz

00:01:35

it starts to ring approximately this is what we are looking for, but

00:01:38

it is not a strong resonance and it does not interfere,

00:01:41

let's move on, you hear now at

00:02:00

440 hertz very strong the ringing

00:02:03

if you compare it with the sensation, you can

00:02:05

say that it penetrates right into your head, this is

00:02:08

of course a strong resonance and you need to

00:02:09

try to suppress it too much,

00:02:19

don’t suppress it too much, otherwise you can ruin the

00:02:20

timbre of the instrument, let’s turn the

00:02:23

lasers on and off to

00:02:25

compare the results,

00:02:34

you can hear that a small amount of

00:02:37

unpleasant ringing goes away, maybe for someone it’s

00:02:39

unnoticeable if you don’t notice turn it up

00:02:42

louder and you should hear it

00:02:44

let’s add another filter and go

00:02:47

further in frequency

00:03:09

you hear here for example at 590 hertz

00:03:13

again a strong resonance that directly

00:03:15

penetrates the head it’s also falling a little

00:03:18

let’s try to look for more

00:03:27

resonance and beyond the resonances I I don’t hear,

00:03:49

let’s now turn on and

00:03:52

off the equalizer with two

00:03:54

suppressed resonances already in order to

00:03:57

compare our results,

00:04:01

and as you hear and the sound, the

00:04:11

unpleasant sounds are removed and it is released

00:04:14

and becomes more pleasant for the ear.

00:04:16

Here it is worth noting one very important

00:04:19

point, do not be zealous and

00:04:21

completely remove resonances and look for them

00:04:23

wherever possible; resonance is an important

00:04:26

part of the timbre of the instrument, and if you remove

00:04:28

them completely, the instrument may

00:04:30

lose its character. In our case, we

00:04:33

made the resonance not stand out so much;

00:04:36

if the timbre of the instrument is not important to you,

00:04:38

then experiment with

00:04:42

resonance and counts in this way in all instruments, guitars,

00:04:44

drums, toms,

00:04:46

and other living sounds, look for what the

00:04:49

brain makes out, they are small bursts in the sound, please

00:04:52

note what we

00:04:54

found

00:05:15

as you hear these resonances are quite

00:05:17

long and very noticeable, and the surrounding

00:05:20

frequencies, due to the narrow filter, of course

00:05:23

begin to ring a little but they ring

00:05:25

precisely because of the filter, and we

00:05:27

will look at this in the next video tutorials,

00:05:30

but at this stage just keep in mind

00:05:34

that in electronic music, as we have already

00:05:36

told you, there are also

00:05:38

resonance problems and they are quite often found

00:05:40

when mixing pads for example or

00:05:42

any other textural sounds where a

00:05:45

large amount of reverberation

00:05:48

or any other phase effects

00:05:50

can create noticeable problems and such a

00:05:53

sound will be very unpleasant and harsh on the

00:05:55

ear,

00:05:56

here it is worth saying that these effects

00:05:58

that create these problems can

00:06:01

be very useful in shaping the

00:06:02

timbre sound, that is, they are useful as

00:06:05

artistic effects, but after them it

00:06:07

may be necessary to solve the

00:06:09

problem of resonances. As for

00:06:12

electronic sounds, there is no need to

00:06:14

look for resonances; they are quite clearly

00:06:16

audible and very often for quite a

00:06:18

long time so that they are hardly

00:06:21

noticeable, let's listen to an example of our

00:06:23

first pad

00:06:35

here, in general, then resonance and are quite

00:06:37

well audible,

00:06:38

if you don’t yet understand what to listen to, then

00:06:41

look further and by the end of the example it

00:06:44

will become clear to you, let’s look at

00:06:47

the analyzer,

00:06:48

the resonance is long and it will be clearly

00:06:50

visible,

00:07:02

and

00:07:04

as you can see, sometimes the harmonic in the area of

00:07:07

about 300 25 hertz

00:07:09

jumps out very strongly relative to

00:07:11

others in general then this is our

00:07:13

resonance,

00:07:26

mind you, but we heard the resonance and the

00:07:29

analyzer just helped us

00:07:31

find it faster, don’t make mistakes

00:07:33

from the beginning by searching for resonances

00:07:36

on the analyzer, if you don’t hear

00:07:38

resonance, then it doesn’t exist, no matter what

00:07:41

the analyzer shows, it often lies,

00:07:43

trust your ears, the analyzer is simply

00:07:45

speeded up search process

00:07:47

let's try to cut off this frequency with a

00:07:50

regular equalizer, I've already

00:07:53

set up the equalizer here, let's just

00:07:55

turn it on

00:08:20

now, we listened to you before and after,

00:08:23

turning off the equalizer, and as

00:08:25

you hear it became better, but the fact is that we have

00:08:28

now removed one of the main harmonics of

00:08:31

our sound and it fluctuated

00:08:33

quite strongly for us, that is, it was

00:08:35

quite quiet,

00:08:37

which did not bother us, but it was quite loud,

00:08:39

which began to knock out and hurt our

00:08:42

hearing after we applied

00:08:44

an equalizer, it stopped knocking out and

00:08:46

hurting our hearing,

00:08:47

but the apple there for this harmonica decreased

00:08:49

and then when it was at a normal

00:08:52

level, that is, before equalization, the harmonic

00:08:55

was either normal or too loud,

00:08:57

and after qualifying the table, it was either normal

00:09:01

or too quiet, since this is the main

00:09:04

harmonic, that is, one of the first,

00:09:07

when it is too quiet, the sound

00:09:10

may begin to lose its timbre and

00:09:11

becomes flat and subtle, although at

00:09:14

first glance it may not be very

00:09:16

noticeable, but an experienced ear will quickly

00:09:19

catch it; to avoid this, you can

00:09:21

use a dynamic

00:09:23

equalizer, let's take the

00:09:25

dynamic equalizer from chalk and

00:09:26

production, so I've already

00:09:29

roughly configured it here. Using this

00:09:31

parameter, the bandwidth is set

00:09:34

to s using this parameter, the level of

00:09:37

suppression of this band,

00:09:39

let's reproduce our sound because

00:09:42

listen, we'll see what's happening

00:10:30

as you can see, the equalization is not constant, it's not

00:10:34

static as with our first

00:10:36

equalization, but constantly jumps, making this

00:10:39

harmonic quieter only in those cases

00:10:41

when it's too loud and leaving it

00:10:44

at a normal level when it doesn’t

00:10:46

go out of sound, it’s similar to the work of a

00:10:48

multi-band compressor, but with the

00:10:51

greater flexibility of the equalizer, this plugin is

00:10:53

very good, I advise you to definitely

00:10:56

try in more detail the parameters of the

00:10:58

bands are configured by right-clicking

00:11:00

on the required band,

00:11:03

here there are the same parameters as in the

00:11:05

compressor,

00:11:06

various filters and in general there are many

00:11:08

different settings, I

00:11:10

advise you to read the manual for this

00:11:12

plugin, the same explanation of the parameters

00:11:14

will be superfluous in general dynamic

00:11:16

equalizers can be used as

00:11:18

multi-band

00:11:20

dsr compressors and other dynamic

00:11:23

processors,

00:11:24

but about this in the course on compression, which

00:11:26

will be supplemented over time and how I have already

00:11:29

repeated it many times, you can

00:11:31

watch it on the channel, it is worth noting that with

00:11:34

such an equalizer it does not make sense

00:11:36

to remove resonance from live sounds

00:11:38

because they have resonance and can be quite

00:11:40

quiet so that the dynamic equalizer

00:11:42

reacts to them normally; resonance from live

00:11:45

sounds is better removed with a conventional

00:11:47

equalizer Let's look at

00:11:50

another example, it doesn't really relate to

00:11:53

resonance, but since we touched on

00:11:55

pads and dynamic equalizers, I think it's worth

00:11:58

showing it. Let's listen to our

00:12:01

pt. How do you

00:12:10

hear, due to the large number of

00:12:13

modulation effects, the basis is that the

00:12:16

low frequencies of our pad are unstable and

00:12:18

if they just cut off with a regular

00:12:20

equalizer, then with great dynamics of

00:12:22

these frequencies they will sometimes be too

00:12:25

quiet as in our previous example, but

00:12:28

let’s now turn on the dynamic

00:12:30

equalizer, I again already set it up

00:12:32

in advance and let’s see how it will

00:12:34

cope with our sound,

00:12:50

as you can see the equalizer reacts only to these

00:12:53

frequencies then when they are very

00:12:55

loud

00:12:56

and when they are at a normal level it does

00:12:59

not affect them, thus eliminating

00:13:01

excessive purity and the sound does not become

00:13:04

thin when it is not needed thank you for your

00:13:07

attention, I hope you found this video

00:13:09

useful, be sure to try

00:13:11

the equalizer we reviewed and

00:13:13

watch the course on dynamics

00:13:14

processing then there is still press if you have

00:13:16

n’t watched it yet, thank you all for your

00:13:18

attention bye

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