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5 класс. ГДЗ. Немецкий язык. Рабочая тетрадь. М. Аверин. Страница 5. С комментариями.

5 класс. ГДЗ. Немецкий язык. Рабочая тетрадь. М. Аверин. Страница 5. С комментариями.

Channel: ГДЗ- онлайн.вместе

44 Comprendre le court-circuit

44 Comprendre le court-circuit

Channel: Akim electronique

ГДЗ.Выпуск I.Музыкальная литература. Калинина Г.Ф. Вопросы, задания,тесты.Страница 7

ГДЗ.Выпуск I.Музыкальная литература. Калинина Г.Ф. Вопросы, задания,тесты.Страница 7

Channel: ГДЗ- онлайн.вместе

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#светатень#рисунокдавида#каракдашныйрисунок#штриховка#постр...

00:00:00

hello dear friends,

00:00:04

chiaroscuro here, I want to draw David,

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one of the most beautiful

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characters of the plaster heads, I draw from

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the original, not from the

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plaster head, which I have right

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from the Museum of Fine Arts, well, as always,

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I found the proportions of this head, I

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liked it, I liked the angle that the view

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here is much more lower than we

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are used to drawing, placing the head on a

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shelf, this is a 5-meter sculpture,

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apparently that’s why such a strong angle,

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I found the center of the bridge of the nose,

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now I determine the slope of the

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nose and schematically draw the nose before that, I have

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n’t decided on the perspective lines,

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the main thing in drawing the head is to make

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the volume of the head, just some people draw

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thus, the eyes,

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nose and mouth appear in the void, so this is all on the

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head, so first the head and then

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parts of the head, parts of the face

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instead of heads, I first draw the volume of the helmet

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without curls in a generalized way,

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I follow the path from the general to the specific,

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that is, I generalize everything

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first, I don’t press because that I’m

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not sure of anything and I sketch more and when

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I become more or less confident I

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begin to draw more clearly the

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adductor muscles leading to the

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clavicle of the jugular fossa, the

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tip of the nose that cuts into the wing,

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everything happens in perspective, one wing

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the other with the wing, all this is symmetrical,

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so in perspective it’s

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very beautiful head everything here is perfect

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everyone who starts drawing the head

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draw fragments of David's face eyes nose

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mouth ears ear so you probably already

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drew it

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in parts

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David to the best of his ability well-fed to the best of courage

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no such ideal in general I don't forget

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to draw the axes the

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green hole is not here

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I'm correcting I'm

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working immediately in all directions

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without getting hung up on anything in particular,

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I leave then I return with a new fresh

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look, I assess the situation and so in a

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circle I fly more and more

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precisely

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when you draw David’s entire head, as

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if everything sounds different there, not like

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in parts when you draw him with a

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guide is now the nose which I

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highlighted very well therefore

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relatively but I can determine a lot to

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find to the left of the nose to the right of the nose

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higher and lower the

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lower part of the head seems large

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because we are standing

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very low

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here the lines are becoming more and more

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distinct and the

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muscles of the lower lip chin

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filter

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so to draw an eye, you need to draw everything

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that is around the eye

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according to the drawing itself, a

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good guideline for drawing the eyes, this is

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transferred very conveniently to compare

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the level of

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all parts of the eye, the carrier is

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transferred, as a rule, we already believe it,

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that is, it is exactly in place,

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you can draw a ball, which should also

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be in perspective and to fit his skin,

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that is, a veto for centuries, we scan every

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corner, we

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carefully look at the corners,

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every millimeter counts

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if the line doesn’t go right, then the character is

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no longer the same

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I work on A3 format, I draw with a

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cam hd pen tool, that is, it’s quite soft,

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but this is only to it was visible

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more clearly, but in general I work with

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a pencil, the author of this sculpture, Michelangelo, was very clearly visible in

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the century, it

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was made

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of marble, it was made from a piece of marble,

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so I always say from the beginning, we

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do the processing like a sculptor, we cut off

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large pieces, then smaller and smaller

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and smaller, then we polish we work as a

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sculptor, only for a sculptor to break off a

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piece of marble that is not the right one is a very big

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responsibility, but we have an eraser and we

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can fix everything and it’s nice,

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so I covered the eyeballs for

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centuries, I

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definitely need to draw the eye that is

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hiding behind the nose so that the voice is correct, I

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cut my eyes

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because he raised his eyes up, they

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look unusual when we draw the

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eyes separately, he looks like a stubborn

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person standing there, or rather a straight-

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looking person, and here he has

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raised eyes, ear, schematically, I draw the

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hair first with a box, also

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with a box,

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I disassemble the

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slightly smaller body you go, you are not

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perfect for him and small

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rather large chiaroscuro helps to understand the

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cat there,

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but we have planes of his eyebrows, his eyebrows are

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drawn together, he is preparing to fight with

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Goliath, so

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here he is alarmed by the upcoming battle,

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we break everything down into planes, here is the upper

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lip, the lower lip, the muscles,

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but when all parts of the face are ready, you can

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touch his ear everything is perfect, the nose

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is equal to the ear,

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although it is different for different people,

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as you noticed, at this stage I

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practically do not use round lines,

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that is, this is the processing that goes like this: I

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correct the jugular fossa, it is

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located in the wrong place, so you can better grasp the

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nature of the slope of the line if you do

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the processing if immediately round,

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mistakes are possible, his Adam's apple is very

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developed, visible,

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although I read somewhere that he was 14 years old, he was

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already multiple, you want him to be

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smart in general, a 9-year-old boy looks

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like a man,

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well, like a young man,

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along with the details on his face, I sometimes

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get distracted by the profile of his hairstyle

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first I do a generalized shading, I

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draw the border of the light to go wrong so that you

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can feel the volume of the head, I generalize

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because there are numerous curls that go down right away,

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you can

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get lost

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and make mistakes, and when such a

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generalization is done, then there are a minimum of mistakes, I

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think first you need to

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shade everything like this together the whole shadow is not the ear

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and not the hair, but the shadow and the light, well,

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or rather, we shade the shadow,

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that is, we forget what is there, but you have it, and

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so on, we just look, it’s illuminated,

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we don’t shade, it’s not illuminated, there’s no light,

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which means we’re shading

00:17:54

here non-directional sunlight,

00:17:57

so it’s a little difficult to draw, but in in

00:18:02

principle, in some institutes this is exactly the

00:18:06

kind of lighting they give during exams,

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so you need to be prepared for this kind of

00:18:14

incomprehensible lighting, in some places it’s clear, in some

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places you need to put a theory under this matter

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that comes from artificial

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lighting, that is, when the lamp illuminates

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the forehead, but here it comes from above the lighting is

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not even in his forehead directly from above and it is

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scattered,

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that is, there is no such directional,

00:19:04

I read that it is more difficult to draw like this,

00:19:29

but it is beautiful at all stages

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of drawing from beginning to end, it

00:19:41

also depends on the angle, of course, I

00:19:47

chose different ones, looked at different

00:19:50

angles, this one is probably the most

00:19:54

beautiful contour post

00:20:10

eyes here the shadows are almost completely this is me

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weakening the pharma layers of the lines

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but leaving the information in order to

00:20:28

shade correctly

00:20:46

the video with the heads is usually long

00:20:51

this is not me but I don’t bring the shading to perfection

00:20:55

if I had as many as three hawalas that’s

00:21:00

right that’s all all all all with the background and

00:21:05

details, well, it would take several

00:21:11

hours, well, probably two 3,

00:21:15

so I’ll speed it up and without any special

00:21:20

details, that is, the most important thing is that there

00:21:24

is volume to show how the eyes are made, the

00:21:33

nose, that is, in general and in general, and

00:21:40

then a little bit in detail, but

00:21:43

just a little bit I have a small eraser

00:21:48

so that you can see the well-lit

00:21:53

thicknesses of the

00:21:55

lower eyelids,

00:22:14

the side of the nose is always in the penumbra, the

00:22:34

eyebrows are furrowed, the volume has both its

00:22:39

own shadow and a falling shadow on the

00:22:43

lacrimal sac,

00:22:52

this is a falling shadow on a huge one, and

00:22:57

on the nose, a

00:23:02

falling shadow on the upper eyelid

00:23:17

and the shadow from the eyelid falls on the

00:23:21

eyeball and the pupil also falls,

00:23:43

I make some details with the help of a

00:23:46

thin rubber band,

00:24:05

I correct it, that is, I probably take nothing,

00:24:08

if I did it once, it doesn’t mean

00:24:11

that it’s correct, so I

00:24:13

double-check everything,

00:24:16

I doubt it’s very thin, a

00:24:23

thin platform is needed

00:24:35

again, a falling shadow on the upper eyelid and the

00:24:40

same story

00:24:42

1 apple

00:24:58

bag

00:25:00

having its own nail

00:25:21

here there is a weak own shadow with

00:25:24

a reflex

00:25:29

but here is the falling falling we have three

00:25:34

of our own on the tip of the nose

00:25:53

a lot depends on the halftones how to

00:25:57

hit how to press if you press hard there

00:26:02

will be a hole and there it is for example no, but

00:26:07

there is a slight darkening, so you need to

00:26:12

feel

00:26:13

with what force to press on the pencil,

00:26:29

first of all we draw, shade parts of

00:26:34

the face and only then we slowly move on

00:26:39

to the head, that is, from the center we go to

00:26:45

the periphery,

00:26:58

but if you really want to do something,

00:27:01

you can do it not according to plan,

00:27:23

very adult of course it presses as if

00:27:28

he is about thirty years old

00:27:36

and being guided by the relative

00:27:39

bridge of the nose for both the eyes and the curls, this is a

00:27:49

very convenient

00:27:53

measure, the nose is comfortable, how many

00:28:00

noses are included, the width is how many,

00:28:06

let’s say, how many eyes are included, the height of the nose is

00:28:12

very convenient, that is, such a unit

00:28:16

of measurement is the nose, for example, when we draw

00:28:22

a still life for example, you also select

00:28:25

some small details there and in these small

00:28:29

details we can measure the entire still life,

00:28:32

for example, how much height is a tomato the skin of a

00:28:37

tomato width is also here,

00:28:39

but in the world themselves, for example, what is the length of the neck,

00:28:48

two noses,

00:28:51

which ear, nose,

00:28:56

forehead, which one and a half noses, and everything will work out

00:29:02

without errors,

00:29:21

that’s pulling on my hair although the face is

00:29:24

not yet finished, I tell you how to do it

00:29:28

myself, I do it like this, I should have

00:29:33

finished the mouth first, I don’t really want to do the

00:29:44

front curl, or rather the volume at the

00:29:52

border of light and shadow is always darker and

00:29:56

goes into a reflex,

00:30:18

I go further and further, but I should

00:30:23

do it face

00:30:31

oval face

00:30:39

everything that I did linearly

00:30:44

dividing the surface into flesh on a

00:30:48

plane I am now shading in

00:30:53

different tonalities

00:30:57

the volume appears this

00:31:38

is its own shadow falling

00:31:51

subscribers but the filter is a nasolabial

00:31:55

triangle the

00:32:14

volume of a

00:32:16

nasolabial triangle is a beautiful

00:32:24

corner of the nor take of the top so the

00:32:45

strong-willed chin is almost smiling, usually in this place

00:32:49

everyone is such a little snout, I call it all,

00:32:52

he has a slightly different cleft

00:33:00

chin,

00:33:31

shadows falling from the head on the neck and on the ear,

00:33:42

almost everything is in the shadow, it’s not

00:33:47

clear whether it’s in the shadow of Tula, no, it doesn’t

00:33:50

glow, but this fragment of

00:33:54

hair is not a sacred secret In

00:34:09

general, the ear needs to be

00:34:13

drawn very much because it’s not so important, it’s

00:34:18

more important to make all the curls around the face

00:34:25

so that there is volume,

00:34:39

I don’t go very deep into the details

00:34:43

of the curls because I repeat once again

00:34:49

it would be very long, so I

00:34:53

easily sketch out the theme of the curls

00:35:06

here, the main shape of the head generalized

00:35:11

shape of hair and facial features oval face

00:35:20

if you find the right proportions

00:35:25

angles then your head will look similar

00:35:30

portrait will be similar if you liked

00:35:35

my video like my video subscribe subscribe

00:35:40

draw all the best to you good

00:35:43

luck bye

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