Download "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial"
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00:00:01
welcome back to a brand new video today00:00:03
I'm going to be going over five quick00:00:05
easy effects to add to your clips just00:00:07
give them that bit more impact in your00:00:09
edits using Adobe After Effects you can00:00:11
also do the same thing in Premiere Pro00:00:13
as well as other editing software's the00:00:15
techniques are exactly the same just the00:00:17
names of the effects might be slightly00:00:18
different just before we get started I'd00:00:20
like to serve made several other00:00:21
tutorials or revolving around butter up00:00:23
montages and edits but you can also be00:00:24
used for any game of that csgo fortnight00:00:27
rainbow whatever so make sure you check00:00:29
them out with the link in the top right00:00:30
corner right now as the end card in this00:00:32
video and also in the description do00:00:34
that any further do let's get into this00:00:35
the first effect is gonna be a simple00:00:37
scale something like a scale lends00:00:39
itself really well to be combined with00:00:41
other effects and you'll find that's the00:00:42
case with many of these effects if you00:00:44
layer them on top of each other and use00:00:45
them together you can create a really00:00:47
cool effect where you have it scale up00:00:49
it flashes and blurs at the same time00:00:51
and it makes the kills hit a lot harder00:00:53
then if you were to just add one or the00:00:56
other of course you know it's completely00:00:57
up to you and your personal preference00:00:58
but I use a lot of these in conjunction00:01:00
with each other for the majority of my00:01:02
edits so with the scale where you're00:01:03
going to want to do is go through your00:01:04
clip and find the point where you get00:01:06
the kill now with rifles and SMGs and00:01:08
pistols and things like that you're00:01:09
going to want to wait until you see the00:01:11
kill appear in the top right corner so00:01:14
I'm going to keep scrubbing through this00:01:15
clip frame by frame until I see the kill00:01:17
up here in the top right which is right00:01:18
here00:01:19
and I'm gonna go back to the exact frame00:01:20
where I get that kill so that's right00:01:23
here now I'm gonna press the asterisk or00:01:25
the star on my numpad and that's gonna00:01:26
add a marker to my clip so I know00:01:27
exactly where that killers now where you00:01:30
put the markers is gonna be slightly00:01:31
different depending on what gun you're00:01:32
using so if you're using a sniper rifle00:01:33
you're gonna be changing where this00:01:35
marker goes and I'll explain that when I00:01:37
get to my final effect which is called00:01:39
optics compensation and that's what I00:01:40
would use for sniper rifles now once00:01:42
you've found where your kill is you're00:01:45
then gonna want to come down over to00:01:47
your clip hit the down arrow hit00:01:48
transform and you'll see scale or you00:01:51
can just press S on your keyboard and or00:01:52
bring up the scale options now what00:01:54
you're gonna want to do is make sure00:01:55
that your current time indicator is on00:01:56
the marker itself where you get the kill00:01:58
now you're going to decide how scaled in00:02:00
it's gonna be at its maximum so for me00:02:03
that's gonna be about 115 which is00:02:05
around here you can go to 120 and go to00:02:07
130 you could just go in by 5% if you00:02:09
want to it's really up to you it's just00:02:11
going to control how intensity of00:02:13
so I want it to zoom into 115 percent00:02:16
and then bounce back after I get the00:02:18
kill so now it said it's map so you're00:02:20
gonna see that it's 115 throughout the00:02:22
entire clip which is not what we want so00:02:24
I'm gonna make sure I'm back on that00:02:25
marker where I get the kill I'm going to00:02:27
click this little stopwatch next to00:02:28
scale and that's gonna add a keyframe so00:02:30
that now at this frame where this00:02:32
keyframe is it's always going to be 11500:02:34
regardless of what we do to the rest of00:02:35
the clip so if I now go back one frame00:02:37
and I change this back to 100 you'll see00:02:40
before this keyframe where I set it to00:02:42
100 it's going to be a hundred and then00:02:44
after the key from 115 it's not gonna be00:02:46
115 now this is a bit abrupt it just00:02:49
sort of bounces in as soon as you get00:02:50
the kill which is kind of what you want00:02:51
but then on the way back out you want it00:02:53
to be a bit slower so I'm gonna go00:02:54
forward about 20 or so frame something00:02:56
like that and I'm just gonna key frame00:02:58
it straight back to 100 and you'll00:03:00
notice the in between these two frames00:03:01
it's gonna scale out slowly so if I play00:03:04
this for you as you can see it does this00:03:08
sort of scale effect as I get the kill00:03:09
so it just bounces off when as she dies00:03:13
just like that now if I wanted to00:03:15
increase that because maybe that's not00:03:16
enough I can change it to 120 later on00:03:18
and then that will update so long as I00:03:20
make sure I apply the effect on the00:03:22
keyframe that I had set to 115 before it00:03:24
allows them in even further which you00:03:28
can see just adds a little bit more00:03:29
bounce to it if you want it to animate00:03:31
in as well as out you can always drag00:03:33
this keyframe out a little bit and00:03:34
you'll see now it was oom in and bounced00:03:36
off of when I get the kill now that's a00:03:41
bit too slow for my liking but I'm just00:03:42
going to drag these a little bit closer00:03:44
and do something like that and we'll see00:03:46
how that looks00:03:48
so you see it now bounces in as soon as00:03:51
you get the kill I prefer to have mine00:03:53
like this when it scales in straight00:03:56
away without any animation to begin with00:03:58
and then slows down afterwards as I just00:04:02
think that looks a bit better of course00:04:03
you can control how intent 6 K Lin you00:04:05
can drag this final keyframe back00:04:07
further and that means it will come out00:04:08
it will zoom back out slower but it's00:04:10
really up to you and this really lends00:04:12
itself well with adding flashes and00:04:14
blurs as well so if you were to add a00:04:16
flash and blur to this it would just00:04:18
make the effect hit a lot harder as this00:04:20
on its own is kind of weak now on to our00:04:22
next effect is the flash so you're gonna00:04:24
have a key you can have a marker exactly00:04:26
where you get that kill again and then00:04:27
you cover to effects and presets you can00:04:29
apply brightness and you'll see00:04:31
brightness and contrast and you're gonna00:04:32
drag that onto the clip they're gonna00:04:34
hit this down arrow come down to effects00:04:35
and you'll see brightness and contrast00:04:36
and you're just gonna on the frame where00:04:39
you get the kill which is gonna be on00:04:41
your marker you're gonna drag the00:04:42
brightness up to a point that you think00:04:44
is acceptable so I'm gonna go to 75 and00:04:47
I'm gonna hit the stopwatch to keyframe00:04:48
it go back one frame just like we do a00:04:50
bit the scale and drop it to zero and00:04:53
you'll see it all now automatically add00:04:54
a keyframe perhaps I get the kill bang00:04:56
it will flash gonna go forward about 2000:04:57
frames just like I would with the with00:04:59
the scale and I'm gonna put it back down00:05:01
to zero and you'll see now if I play the00:05:03
clip you'll see it'll get the kill flash00:05:05
and then go back to normal as you can00:05:09
see that's just a simple effect which00:05:11
again lends itself really well to being00:05:13
mixed with a scale and a blur which once00:05:15
I've done those three I'll show you what00:05:17
that looks like when you combine them00:05:18
all together and now on to our next00:05:20
effect which is a blur so again I'm00:05:22
gonna do the exact same thing when you00:05:23
put a marker on where you get to kill00:05:24
which is right here and you're gonna00:05:26
come over to the effects and presets and00:05:28
you're gonna search full gorsh and blur00:05:30
which you can see right here blow and00:05:31
trap and Gorge and blur and they're00:05:33
gonna drag that straight onto your clip00:05:34
you can hit the down arrow just like you00:05:36
did with the other ones00:05:37
down to effects down to gorge and blur00:05:39
and on this marker you're gonna choose00:05:41
how blurred you want it to be by00:05:42
dragging up this little blurriness00:05:44
option so I'm gonna drag it up to about00:05:45
something like 10 I think looks good00:05:47
we'll go for 10 and I'm gonna hit the00:05:49
stopwatch to keyframe it go back one00:05:51
frame set the blurriness to zero and00:05:53
you'll see before this keyframe it is00:05:55
not blurred at all after it's blurred go00:05:57
forward about 20 frames or so so00:05:59
like that and I'm gonna set the bonus to00:06:01
zero and now if we watch this you can00:06:05
see it's a very subtle whether you pick00:06:07
that up on video or not I'm not too sure00:06:09
you just change it to full and zoom in00:06:10
so you can sort of see what effect it's00:06:12
having you see it's just a really subtle00:06:16
as you get the kill it just blurs and00:06:17
this works really well with a scale and00:06:19
a flash so I'm going to quickly add00:06:20
these three effects together and show00:06:22
you what that looks like when you add it00:06:24
with this flash and scale as you can see00:06:27
I've just added the gorge on blur and00:06:28
the brightness and contrast and all the00:06:30
keyframes are lined up exactly as we had00:06:32
them before I did actually have the00:06:33
skill not last quite as long so I think00:06:35
we'll just track that up and now as you00:06:36
can see there albeit they're all at zero00:06:39
until they hit this keyframe where it00:06:41
will scale in the brightness will go up00:06:43
and it will also be low so you know if00:06:45
we watch this through you can see that00:06:49
just hits a lot harder and they work00:06:50
much better when they're all put00:06:52
together so as it comes in bang it hits00:06:54
scales blurs and flashes and then it00:06:58
zooms back out again and goes back to00:06:59
normal until you get the next kill now00:07:01
onto our next effect which is00:07:02
slow-motion so you'll see in lots of00:07:04
montages after they get a kill it will00:07:06
go into slow motion for a short amount00:07:07
of time again this also works if you add00:07:09
the blurs the flash and the scales with00:07:11
it however you'll have to adjust the00:07:12
length of how long those blows flashes00:07:14
and scales last depending on how much00:07:15
you slow the clip down by so in order to00:07:18
slow down the clip we're going to be00:07:19
using something called time stretch in00:07:21
After Effects which is gonna be pretty00:07:23
similar to as to how you do it in00:07:25
Premiere Pro Vegas DaVinci Resolve00:07:27
things like that we're essentially just00:07:28
lowering the frame rate of the clip to00:07:30
the point where it's laid back slightly00:07:31
slower this isn't the smoothest way to00:07:33
transition but between normal speed and00:07:35
slow motion however this is by far the00:07:37
simplest way and for beginners it's the00:07:39
best way you can do it if you want a00:07:41
more in-depth tutorial on how to how to00:07:43
time remap and go between fast motion00:07:45
slow motion and sync two beats and00:07:46
things like that then make sure you00:07:47
check out the tutorial links in the top00:07:49
right corner right now which is my00:07:50
tutorial on time remapping it will also00:07:52
be in my tutorials playlist linked at00:07:53
the end of the video as well as in the00:07:55
description and that will teach you how00:07:56
to sync your kills with beats how to00:07:59
speed up and slow down smoothly and00:08:01
other things like that so for this what00:08:02
we're gonna do is go to the marker which00:08:04
is exactly on the kill again we're gonna00:08:05
press ctrl shift key to split00:08:07
and we're gonna go to the point we want00:08:08
some emotion to end so I'm going to have00:08:10
it when I look down to the left like I00:08:12
did with all the other ones I'm going to00:08:13
press ctrl shift D and then on this00:08:15
little clip in the middle which you can00:08:17
see is the part which I want to be00:08:18
slowed I'm gonna right-click go to time00:08:20
time stretch and it's gonna bring up00:08:22
this window now 100 is normal speed 20000:08:26
is half speed so it's going to last00:08:28
twice as long hence why it's 200 so 10000:08:30
is 26 milliseconds which is how long00:08:32
just how long this little clip lasts and00:08:34
if I was to put this to 200 it's going00:08:36
to double it to 52 if I want to speed up00:08:39
I can go down to 50 and that's it I'm00:08:40
gonna play back at twice the speed so00:08:43
basically just adjust this to the point00:08:44
where you're happy so if a hundred speed00:08:46
is normal and I want to slow this clip00:08:48
down I'm gonna go to something like 20000:08:50
which we play it back at half speed so00:08:52
two times slow motion however I'm gonna00:08:54
put it at something like 150 so it's00:08:57
just gonna be slightly slower rather00:08:58
than half the speed and then if you hit00:09:00
OK you'll see the length of your click00:09:02
will increase so you're just gonna drag00:09:03
the top clip to meet the end of it and00:09:05
if we play this through you can see it00:09:10
goes into slow motion slightly during00:09:12
this part I can over exaggerate it just00:09:13
for the sake of the video or go to time00:09:15
stretch and I'll change this to 200 and00:09:17
drag this across just so that it comes00:09:19
across a bit clearer and that just adds00:09:24
a little extra something it does slow00:09:26
down your audio which you may not want00:09:27
so you can disable deal with you by00:09:29
clicking over here and I normally00:09:31
disable all of my audio and then I just00:09:33
use my sound effects pack which you can00:09:34
download by clicking the link in the top00:09:36
right corner it's also in my editing00:09:37
packs playlist which will be links and00:09:39
description and I'll have all the gun00:09:40
sound effects all the voice lines00:09:42
everything like that so you can add them00:09:43
back after the fact so for this I just00:09:45
add the gun sounds back at normal speed00:09:47
so it doesn't sound messed up like it00:09:50
was if we slowed it down and for our00:09:51
final effect is called optics00:09:53
compensation which is another effect00:09:55
just like all of the others which comes00:09:56
built in with After Effects no plugins00:09:57
required and we're gonna go to the point00:09:59
where I get to kill however when you're00:10:01
using a sniper rifle you want to have it00:10:03
to the point where it snaps out of the00:10:04
scope so with the other guns we were00:10:06
just inking it to the point where the00:10:08
kill appears in the kill feed whereas00:10:10
with sniper rifles you're gonna want to00:10:11
change it to the point where it snaps00:10:13
throughout the scope so the frame off00:10:15
where I come out the scope which is this00:10:16
one you'll see the muzzle flash happens00:10:18
and this is where I want to put my00:10:19
marker00:10:20
press the asterisk on my numpad and00:10:22
there you go I've added the marker now00:10:23
to add the effect come over to effects &00:10:25
presets search pop --tx optics00:10:27
compensation you're gonna drag down on00:10:28
and just like with the other effects it00:10:30
lends itself really well to be added00:10:32
with them you just add the scales the00:10:34
flashes and the blurs onto the clip just00:10:36
like you would with the other ones00:10:37
I'm however the optics compensation I00:10:39
use this before I get the kill where as00:10:41
with all of the other effects I use them00:10:43
afterwards and I'll show you what I mean00:10:44
by that so now that I've dragged up00:10:45
these compensation onto my clip and hit00:10:47
the down arrow go down to effect and00:10:48
you'll see it down here and now I'm00:10:50
gonna go back and now on this keyframe00:10:51
where I come out of the clip I'm just00:10:53
gonna hit the stopwatch and you'll see00:10:55
field of view set to zero I'm gonna go00:10:57
back one frame I'm gonna drag this up to00:10:59
a point where I'm happy so as you drag00:11:01
it you'll see that it does this sort of00:11:03
bevel in effect and that's kind of cool00:11:05
if you want to create the sort of scope00:11:06
effect like that which you can do what I00:11:08
have used in montages in the past00:11:09
however what I tend to do is tick where00:11:11
it says reverse distortion and it does00:11:13
this sort of effect where it seems out00:11:15
and then in you seem like this I'm gonna00:11:17
drag it to the maximum that I want it to00:11:19
be at just before it comes out so I'm00:11:20
gonna drag it to about this point and00:11:22
I'm gonna go back to the point where I00:11:24
come into the scope now depending on how00:11:26
long you're in the scope for will depend00:11:28
on how far you drag this back in this00:11:29
clip I pretty much go straight into the00:11:31
scope leave my crosshair to the Rays00:11:32
shoot and that's it so I'm not in the00:11:34
script for very long however if you're00:11:36
in the scope for a while you may not00:11:37
want to add this effect straightaway so00:11:39
I'm gonna have it to the point where I00:11:40
go straight to the scope which is there00:11:41
and I'm gonna keyframe this field of00:11:43
view back to zero and you'll see as I'm00:11:46
scoped in it's gonna animate in to the00:11:48
point where I get the kill it's gonna00:11:49
snap out just like that so if I play00:11:51
this00:11:54
you see it come it goes in and pops out00:11:59
just as you get the kill and then what I00:12:01
do is come across to you here and you00:12:04
can add the gore and blood whites and00:12:05
contrast and scale I didn't bother with00:12:06
the scale but you know you could add00:12:08
that as well as a sphere motion if you00:12:09
wanted to you can see it just zooms in00:12:14
pops out flashes and blurs and I think00:12:18
that looks great so that's pretty much it for this00:12:19
tutorial just going over five quick easy00:12:22
effects that you can do for free in00:12:24
After Effects no plugins required00:12:25
nothing like that just to add a little00:12:27
bit of extra flare to your edits and00:12:29
montages if you did enjoy you'll find00:12:30
this video useful please make sure that00:12:32
you leave a comment and let me know as00:12:33
well as liking the video and subscribing00:12:34
for future tutorials if you want to00:12:36
check out my other tutorials there's a00:12:37
playlist in the description so as at the00:12:39
end of the video make sure you watch00:12:40
some of my edits and montages if you00:12:41
need any inspiration and other than that00:12:43
that's pretty much it for this video and00:12:44
I'll catch it00:12:49
[Music]00:12:56
youDescription:
In this video I go over and teach you how to create my top 5 picks for EASY yet effective FREE EFFECTS for BEGINNERS for your Valorant Gaming Montages / Edits in Adobe After Effects. In this tutorial I dont use an plugins making it completely free other than an Adobe Creative Cloud subscription. These techniques can also be used for any kind of clips even in other games such as Fortnite, Counter Strike (CS:GO), Rainbow Six Siege (R6S) etc. I teach you how to easily create and blend together several simple effects to take your montages and edits to the next level. If you want a version of this tutorial but for other software let me know in the comments section! Download Adobe After Effects (PAID LINK)* - https://bit.ly/rocklanaftereffects Check out my Patreon for exclusive content and project files for my edits and tutorials! - https://www.patreon.com/rocklan SUBSCRIBE - https://www.youtube.com/c/rocklan?sub_confirmation=1 Follow me on my other socials! Instagram - https://www.instagram.com/rocklanvl Twitter - https://twitter.com/rocklanvl Discord - https://discord.com/invite/HnnxceK926 TikTok - https://www.tiktok.com/@rocklanvl Twitch - https://www.twitch.tv/rocklan TUTORIALS PLAYLIST - https://www.youtube.com/playlist?list=PLcWuNoX5_R4cvD4KkxseK4THvvno3Netc HOW TO SYNC & FLOW MONTAGES & EDITS - https://www.youtube.com/watch?v=LeCaEezFPeg VALORANT SOUND EFFECTS PACK - https://www.youtube.com/watch?v=zvj63k2ll4s WATCH MY LATEST MONTAGE - https://www.youtube.com/watch?v=emTCKUF7UdY VALORANT EDITING PACKS - https://www.youtube.com/playlist?list=PLcWuNoX5_R4fQ2fzmoyhwtU3pZL5gEAeb Timestamps: 00:00 Intro 00:35 #1 Scale Effect 04:21 #2 Flash Effect 05:19 #3 Blur Effect 06:26 Combining Effects 07:01 #4 Slow Motion Effect 09:51 #5 Lens Distortion Effect 12:01 Combining Effects cont. I will be making tutorials on topics such as editing cinematics and everything montage related over the coming weeks so ensure you are subscribed for that if you are interested! LIKE AND SUBSCRIBE IF THE VIDEO WAS HELPFUL! Need help? Message me on my socials or leave a comment! Contact my email for business inquiries only - [email protected] *DISCLAIMER: This video and description contains affiliate links. This means if you click on one of the links and make a purchase, you will be supporting the channel with a small commission at no extra cost to yourself.
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Which format of "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial" video should I choose?
The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.
Why does my computer freeze when loading a "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial" video?
The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.
How can I download "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial" video to my phone?
You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.
How can I download an audio track (music) to MP3 "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial"?
The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.
How can I save a frame from a video "Top 5 Effects for Valorant Montages / Edits and How to Make Them (NO PLUGINS!) Tutorial"?
This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.
What's the price of all this stuff?
It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.