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Video tags
Subtitles
Russian
00:01:28
naturally00:01:30
[music]00:01:39
stopped your mother that I didn’t stop anything,00:01:42
I don’t have a mouse00:01:46
So good good evening once again00:01:49
we apologize for the sound, now I hope it’s00:01:52
audible My name is Vitaly Tkachenko This is the00:01:54
school of creativity00:01:56
Please put00:01:57
a plus sign if we can be heard interesting thanks00:02:02
so Please put a plus sign if Can00:02:07
you hear us? I greet everyone. I00:02:11
understand that we00:02:14
have excellent sound today. Today we have00:02:17
a lot of spectators from different cities00:02:22
and even countries, which means that the00:02:26
autumn theme continues with romanticism00:02:30
and I will paint it today in oil on00:02:33
oil paints. Let’s take a walk so that00:02:35
everyone can understand what colors and shades they are.00:02:37
I have it on my palette today, which means00:02:41
I squeezed out the warm one separately and the cold ones00:02:43
separately, not a lot of colors will be needed,00:02:46
basically we have a yellow color00:02:49
yellow-orange00:02:50
in color whitewash yellow warm00:02:55
cadmium orange00:02:57
English Red embellished here00:03:01
we have a speckled00:03:03
Ultramarine from cold purple00:03:05
light Indigo and red light cadmium00:03:08
a few shades because00:03:12
[music]00:03:14
I’ll repeat Yes, everything goes I’ll repeat that00:03:18
the shades of this are more than enough00:03:20
to dilute the oil paint I’ll00:03:35
need a large background brush, even here are two,00:03:41
one a little larger the other a little smaller,00:03:45
which means the bristles we had the third also00:03:50
the bristles are so average00:03:53
flat00:03:55
synthetic small ones for working00:03:59
on details This is roughly the set00:04:02
plus or minus you can00:04:05
add something to your set of brushes But the most00:04:10
important thing is large brushes, background medium00:04:13
brushes and small brushes to00:04:16
work on something at the end for detailing This is00:04:18
roughly the set so00:04:21
round you can still have some bristles for yourself00:04:25
approximately, you can stick with00:04:30
a palette knife today, we’ll see at a minimum00:04:32
how it goes in the process, maybe I’ll00:04:34
add it, maybe not Depending on00:04:36
my mood, a palette knife will still be possible00:04:38
Well, I’ll outline with a pencil with a pencil I00:04:42
’ll make markings today00:04:44
because people will need to be drawn in the00:04:47
exact00:04:48
format I have a slightly00:04:51
longer picture than the reference one, our picture is a little00:04:54
more square, but I’ll adjust it to fit00:04:56
my composition.00:04:59
Please write how we have with sound,00:05:02
like with a picture with a picture, if it’s not00:05:04
difficult for anyone, write if it’s not frozen00:05:06
Please give it Normally excellent00:05:11
So Well, well, I take a pencil and we can00:05:14
basically start, here we have a plot with a00:05:17
perspective of a park, the path goes into00:05:21
perspective,00:05:23
as it were, the far part of it contracts and the00:05:27
lower part expands, we have a bench on the left with an00:05:29
umbrella, such a composition is00:05:31
a flashlight and a couple in love under an umbrella00:05:35
goes, as it were, there perspective, the depth of the00:05:38
park is a little further than the closest one, this00:05:41
composition. So what can you start here? You can00:05:45
visually divide the canvas00:05:48
in half first, make such a cross,00:05:51
that is, take it, you can00:05:54
divide it not visually, you can draw it directly with a00:05:57
pencil, but I won’t draw it,00:06:00
but I recommend it to you. So, roughly00:06:02
see where the middle will be where00:06:04
the Horizon will be in order to understand where everything is00:06:08
Well, the easiest way is to always00:06:10
start from the horizon, look here00:06:13
Where you can place the Horizon here I00:06:15
put the pencil here, it’s clear that my00:06:19
canvas is a slightly different format, but00:06:21
nevertheless, when the composition is not00:06:23
particularly affected, here’s the canvas where I put the pencils00:06:26
- just below the middle00:06:28
somewhere like this00:06:30
and you can also00:06:33
take a pencil after me.00:06:36
But I don’t recommend pressing on it too much.00:06:38
I hope that you can see how I00:06:40
draw the lines as I press, I’ll00:06:45
probably do it a little bolder so00:06:50
that you can see you can see on the camera00:06:53
you don’t have to put so much pressure on the00:06:55
pencil because it will get a00:06:57
little dirty with paint00:06:59
Well, it seems like this it will be visible I00:07:01
think00:07:02
the horizontal is just a parallel00:07:05
line of the bottom of the canvas means this is the00:07:09
far edge that edge is clear yes00:07:13
So we have two figures of a00:07:16
man and a girl.00:07:20
Here they are. Where in my00:07:23
rectangular format it is more logical00:07:26
to place them a little closer to the center, here is00:07:29
somewhere the guy’s left shoulder Yes, it00:07:31
should be approximately in the middle of the picture,00:07:33
if you have a00:07:35
square canvas, then you can a little to00:07:38
the right move from the middle so that00:07:40
you have a composition, there is also room for a00:07:43
bench made from an umbrella, so here I am roughly00:07:47
looking at the middle of00:07:50
my canvas,00:07:53
just a little bit, literally half a centimeter, I00:07:56
will move and put it to the right, I will move it, I00:07:59
will put a mark with a00:08:02
serif size Look, look at the eye,00:08:06
Look how much the00:08:07
third part takes up in fact, about a00:08:10
third of the part is occupied by the figure of a man in00:08:13
height. I mean, the height is00:08:16
two or three times a little less, maybe a little00:08:21
less.00:08:23
I put a notch up, I roughly understand00:08:26
what size I have, what height00:08:28
the man will be at the top and bottom, this will be00:08:31
his height,00:08:32
I connect with an axial line like00:08:36
this00:08:38
To understand Well, I don’t put too much pressure on the00:08:40
pencil, I don’t recommend it either, I00:08:42
press so much, but I can send it more lightly so that00:08:45
somehow it doesn’t interfere, this is the whole00:08:48
story, then I start. Already on00:08:51
this axis00:08:52
I make a mark for the head, our head usually00:08:55
fits 8 times00:08:57
I'm roughly making this top00:09:00
serif00:09:03
from the top part, a serif like this where the neck00:09:06
will be like00:09:07
this, well, I'll repeat myself, I'll press00:09:09
a little harder, I'll outline the head like an00:09:13
oval Well, for now I don't draw much00:09:15
further, I'll make a sketch like this Where00:09:19
the shoulders will be, the left shoulder is roughly looking00:09:22
at the width00:09:23
a little bit higher than the right one, that is, he00:09:26
hugs our girl with his hand, so the left one is00:09:30
a little twitched, I just sketch the00:09:32
shoulder of the left and right left a little00:09:34
higher than the00:09:35
right a little lower further, I sketch the00:09:38
torso of the body itself,00:09:42
it’s such a trapezoidal shape, the shape of a00:09:45
trapezoid00:09:46
contracting contracting towards the pelvis, I do00:09:52
n’t recommend using a pencil yet press00:09:57
this way to a minimum, looser00:10:05
here we will have a pelvis further, you can already00:10:09
outline a general figure where00:10:12
his legs will be,00:10:18
I’ll remind you What is our00:10:24
Autumn marathon on autumn themes,00:10:29
here we00:10:31
mainly deal with autumn plots00:10:38
And soon we will move on to00:10:40
winter stories00:10:44
If you want to watch00:10:47
our video again, you can find it in00:10:51
the description in the comments,00:10:53
follow the link and buy it already in00:10:58
a set there, plus00:11:00
50 more video recordings for you00:11:05
Yeah,00:11:08
so next I outline the legs where he00:11:10
will have a shirt. Here it will be00:11:12
a little diagonally like this, one of his legs is00:11:14
bent00:11:16
like a pencil Until I put too much pressure on him,00:11:18
one of his legs is at one inclination like this. But00:11:25
in movement, we00:11:31
get one leg that bends. Please00:11:34
note that the inclination of the00:11:37
legs is slightly different.00:11:41
But towards the bottom they contract like this.00:11:44
they seem to converge, yes,00:11:49
for now I can leave the figure like this, then00:11:52
look at how it would turn out to be00:11:54
such a frame.00:11:56
Next, you can put it on.00:11:59
Basically, there’s a collar for him to finish his00:12:01
shoulders, round them a little, one00:12:03
hand he gets in his pocket, it’s00:12:05
enough like that, yes, it’s as if it’s00:12:07
pressed against his body and the shirt00:12:11
can be here, and then if anything is shortened and00:12:13
adjusted a little, they’re00:12:15
put on the woman’s waist00:12:18
Yes, there is such an opportunity, but not for00:12:21
me, which00:12:24
means further The girl00:12:28
is located right next to us, they go together,00:12:32
I also take it first, I draw it pay attention00:12:35
that she is lower Yes, where is the level of her head at00:12:38
a level approximately a little higher than his00:12:43
collar level a little higher like this, I put a serif like this, I00:12:46
put a line like this, a00:12:49
translucent axis of the hand until I00:12:53
put it on him, I don’t put it on the girl, as00:12:54
if I outline the head,00:12:57
I do all this with light lines You can00:13:00
also It’s easier00:13:02
to pay attention.00:13:04
Look at the distance between them, there is00:13:07
quite a bit of space between them, that is,00:13:10
they go together, so put the girl closer.00:13:12
And here are the same general proportions of a00:13:16
trapezoid, her figure, that is, her torso.00:13:20
Yes, the girl’s hips will be a little00:13:23
larger, a little wider.00:13:27
Well, not much and in general, look, in00:13:30
general, the outline of the person itself turns out to be00:13:33
a form. Yes, this is such a figure, a form that fades to the00:13:37
bottom. That is, you00:13:41
can already draw the girl’s shirt,00:13:44
they both have a jacket, a00:13:47
white shirt, but not a little lower than the00:13:49
man’s. so the arm is semicircular,00:13:52
she also has her left hand tucked in from00:13:55
her back, well, the right one is also00:14:01
a little lower than the left elbows, their00:14:09
legs are bent, there’s00:14:13
no need to draw any details directly, it’s not worth it00:14:15
specifically, the left leg turns out to be00:14:18
a little wider in its visually00:14:20
wider because In our movement, the00:14:22
right one goes as if into perspective,00:14:24
that is, they are walking. Yes, our00:14:27
feet here are not particularly legible00:14:31
because in movement from such a perspective,00:14:34
we won’t draw them much, so00:14:40
don’t go into details with00:14:42
plastic, if anything, these are the lines00:14:45
constructions that may00:14:47
interfere with you You can later remove00:14:49
a little bit You can correct something unnecessary there00:14:51
You can say there00:14:53
If you want the legs there in length and00:14:56
also increase them from below Yes please,00:14:58
all this is possible We put the handle on the00:15:01
shoulder, the elbows We have it bent,00:15:06
but in the process there will still be an opportunity to00:15:10
naturally00:15:12
correct something somewhere00:15:18
and the girls head of the girl Here it is00:15:21
a little, you can even move it a little to the00:15:23
left just a little00:15:26
closer to the man so that she has one so00:15:28
that she bows her head a little00:15:30
closer to the man shoulder to a man like this,00:15:32
then we have a tail, or rather an umbrella, we00:15:37
need an umbrella to outline an00:15:43
umbrella. We have an umbrella at an angle,00:15:51
this ellipse with00:15:55
this kind of inclination, yes, it has an00:15:58
inclination,00:16:01
I draw an ellipse, you can first00:16:04
outline a handle and then an ellipse from it00:16:07
it’s a mushroom00:16:10
and an ellipse with sharp edges because it’s an00:16:13
umbrella like this.00:16:20
Next you can place the path itself, a00:16:23
forest path.00:16:26
Look at its perspective. Yes, here I am00:16:30
placing a pencil and this is how it’s done. Please note00:16:33
that the slope is also important here, so00:16:36
visually try to catch00:16:37
the direction, so I take it00:16:41
and mark it00:16:47
here the line of00:16:49
the path the00:16:50
second half the second part Like00:16:54
a sidewalk Yes, it’s like this, it’s a little more00:16:57
inclined That is, it has a guide closer to the corner,00:17:04
but I don’t bring it to the corner with00:17:07
leaves, everything is covered, everything00:17:10
is torn like that00:17:19
Well, now we can outline our00:17:23
composition with a bench with an umbrella and with00:17:26
a flashlight Yes, I can’t do it, well, there00:17:30
will be a little more space left on the left than on00:17:33
the reference because my format is00:17:34
a little different, you can outline an00:17:41
umbrella here What is an umbrella, it’s also the same00:17:44
oval here we have it and it’s about the same00:17:47
size Notice how much00:17:48
lower it is it lies a little lower, closer to us.00:17:51
How to draw an umbrella, I first take00:17:56
this slanted one. And like this, I put the slope00:17:59
with a pencil, I put the slope of the umbrella and00:18:02
put serifs on top and bottom for the serif,00:18:06
I draw an ellipse like this,00:18:11
you can even make it even more inclined on the horse,00:18:20
then we’ll add it later. Well, or00:18:22
now, if anyone wants to whip him a little like this,00:18:27
where we have these here00:18:34
and the other half, the outer half of it,00:18:37
here we will have an umbrella.00:18:42
You can even make it a little more, it00:18:44
will be there with paints, we can00:18:47
increase it even more, let’s see00:18:50
the distance turns out to be a little00:18:52
more here because I’m already putting together a bench next to each other in my00:18:54
format,00:18:56
we have a bench00:19:00
right next to each other, an umbrella with a bench not00:19:03
right next to each other. Look here we take00:19:06
and draw a shape like this, a00:19:15
corner like this,00:19:18
here it is, top 2 300:19:22
and then from this corner I draw00:19:26
such a trapezoid00:19:29
In the long term, our bench turns out to be00:19:33
shortened and it is not long, that is,00:19:36
in the long term it is not very unfolded,00:19:38
this is the width and this is the box that is00:19:42
a little longer, you can make it like this,00:19:53
this is such a box One lid and00:19:56
another00:19:59
Here they are00:20:04
You can even enlarge the back like this There are00:20:07
a little bit of curves in00:20:12
the details, that’s all a little later,00:20:14
but pay attention to the perspective,00:20:17
so to make it easier for you to understand00:20:19
the perspective, look, I put00:20:21
a pencil to the top of the bench, it00:20:24
turns out horizontal. Here it is,00:20:27
clearly parallel to the horizon. You can see the00:20:31
lower part of the back,00:20:34
this is the angle00:20:37
and these two oblique lines parallel to each other, the00:20:39
front edge and the back00:20:42
edge, here At this angle, the lower part of00:20:45
the bench is also horizontal, the seat and00:20:49
its upper part is also parallel to the00:20:51
horizontal line.00:20:53
But these prospects for us00:20:58
to shorten00:21:01
there further than the legs are already going diagonally in principle, well, you00:21:05
can outline it for yourself, but in the process we will00:21:08
actually most likely even00:21:11
paint them over, to be honest, it’s not necessary to00:21:14
do this,00:21:16
these are the details that even for now they will00:21:19
even interfere with us,00:21:21
which means the lantern, too, for yourself, you can00:21:24
outline the lantern for us, see here is00:21:26
the pencil I put it right next to it like this00:21:28
with an umbrella in this place next to the00:21:30
corner00:21:33
with the corner of the bench and its size is00:21:36
much higher than ours, our two figures00:21:40
Yes, somewhere like that, to put a00:21:44
vertical line, you know how you can00:21:46
always orient yourself along the edge of the canvas00:21:49
should be parallel You can even00:21:51
draw it under a ruler or a leaf If00:21:53
you have it00:21:56
Well, here it is, a00:22:00
vertical line we put such a stick00:22:03
next to00:22:07
ours00:22:11
with our bench00:22:17
we draw a second line00:22:19
as if it would be his This line is the00:22:22
second00:22:24
thickness to make it and look00:22:26
what is its height, but now I00:22:29
outlined it a little short, you can make it a little higher than it like00:22:31
this, here it is a little higher,00:22:34
but it shouldn’t rest00:22:38
within the limits of the canvas00:22:41
on top, we’ll finish drawing the lid00:22:46
without any details until the outer contour is00:22:50
like this,00:22:52
until the outer contour is00:22:59
outlined further, I’ll already do it a sketch of the00:23:03
far part of the forest00:23:09
where we have such a clearing00:23:14
Here is such a line,00:23:16
curly line00:23:20
100:23:25
and 2 That is, as if above the figures of people00:23:28
above a couple before ours We have, as it were,00:23:37
such a Clearing00:23:43
will not work,00:23:46
but it will work out approximately only this00:23:50
we will succeed Like this00:23:54
here00:23:57
I can zoom in But for a while00:24:03
[music] That's00:24:07
how I can only leave it as00:24:17
for the branches of the tree trunks00:24:22
Yes, I stopped, see, I outlined the00:24:24
outline of the forest on the right here, here it goes like00:24:27
this, like this Like this, like this00:24:29
he went went went went00:24:34
look not a single part is repeated Yes, the00:24:37
curved one on the left is a little too We have00:24:42
a distance The far part of the forest on the right a path a00:24:45
couple of00:24:48
figures of people a00:24:53
lantern an umbrella and a bench00:24:58
all we need are these moments00:25:01
that Well, let’s say look here The far00:25:05
part These are the forests It’s not necessary to00:25:07
outline in principle, and it’s clear where the00:25:11
yellow ends here. Where the00:25:13
background and branches begin there, too, there’s00:25:17
no point in outlining it yet because it00:25:20
will interfere, we’ll already do it00:25:22
on top.00:25:28
So I’ll start working with oil paint.00:25:31
I’ll00:25:34
start by filling in the00:25:37
yellow shades, yellow on the left. yellow00:25:40
on the right I will, if possible,00:25:43
periodically show you what I have here00:25:46
on the palette What happens is00:25:48
that I will interfere Until if someone00:25:51
has not had time to outline something there in the process there00:25:54
may still be Stop Let's better00:25:56
start together then finish drawing something there00:25:59
let's start I'll take it I’ll moisten a large bristle00:26:02
brush with00:26:05
a little oil.00:26:09
Well, the basis for the shades will00:26:12
be that I have yellow paint,00:26:14
of course,00:26:16
that’s the yellow color. It’s very simple,00:26:19
I’ll take yellow first and00:26:24
cover it unevenly. You can add a little white like this, I’ll00:26:27
add a little bit, I’ll00:26:30
unevenly cover the00:26:33
forest on the left, the00:26:36
forest on the right. Why is it uneven00:26:39
because you probably see There are00:26:42
such gaps00:26:45
and these gaps as much as possible00:26:48
Try to copy with me, that00:26:51
is, I start moving from the00:26:54
upper left corner00:26:58
with a small amount of oil00:27:01
and a00:27:03
very small amount of paint00:27:06
on my brush, this will be an00:27:09
underpainting All of us with You know that with00:27:12
us,00:27:14
that with you, the beginning of work always00:27:19
starts with a rough painting of this.00:27:23
First, we lay the foundation,00:27:26
then gradually move00:27:29
towards the details.00:27:32
First, I wear it unevenly,00:27:35
taking into account the holes, it is clear that it is00:27:37
absolutely not necessary to draw every hole there,00:27:42
but I will repeat so as not Then there were00:27:45
difficulties with mixing paints so that you do00:27:48
n’t get in the way of the yellow background with the blue00:27:50
background, don’t take a lot of paint on00:27:53
your brush, try to take it as little as possible00:27:57
and with these movements, look like00:28:05
they’re bouncing like that,00:28:09
I’m getting the whole thing dirty00:28:14
Well, of course it will get a little dirty00:28:17
myself pencil is not scary00:28:23
oil paint in front can repaint00:28:25
any pencil Yes, it spoils the light a little00:28:28
at first, but this is not the00:28:29
last layer for us, so we work like this, it00:28:34
stained the left side00:28:42
and the right side Yes, by the way, look, I00:28:46
didn’t reach the edge, that is, I stopped00:28:48
Why Yes because there we will have00:28:51
an edge of leaves with bluish tints a little00:28:55
later we will work with the edge now00:29:02
look at the right side also unevenly with holes00:29:04
unevenly in a very thin layer, essentially00:29:07
rubbing, shading the paint so that later you and I will00:29:09
not have problems00:29:11
with mixing the color so that the paint will00:29:15
not be there for each other later it was in the way, you just need00:29:17
to smear the canvas like that,00:29:43
if someone paints a00:29:46
picture with gouache, it’s00:29:50
also good with acrylic.00:29:55
The technique is also quite good. In this00:29:57
regard, by and large, there won’t be much of a difference. It’s00:30:05
fine; the upper part is dirty a little with00:30:08
yellow paint; you can see up to the contours.00:30:10
I’m reaching especially hard00:30:12
here, I pulled it a little bit like that and now00:30:16
the same moment, the00:30:18
same technique,00:30:22
the acrylic will cover the pencil, but not at00:30:24
once, but depending on how you pressed the00:30:26
pencil. If you took a very00:30:31
soft pencil and you got a very black00:30:33
drawing. Here I am I outlined it so that00:30:35
you can see it, you can outline it00:30:38
easier Yes, so that it is more transparent,00:30:43
and acrylic can be00:30:45
repainted, of course, but there may00:30:49
not be several layers at a time.00:30:52
Yes, but as for the bottom part,00:30:55
look where we have the leaves.00:30:58
We can quite easily paint over it00:31:01
already without any of these gaps00:31:09
without gaps, fill the bottom part00:31:23
completely,00:31:35
the color can be changed a little If you want,00:31:38
let’s say it’s a little darker, you00:31:41
can generally work for now with one paint with a00:31:43
little added oil with a small00:31:45
thin layer,00:31:47
our task is as simple as possible,00:31:53
just paint over the top, we00:31:57
had leaves there and there holes for the background00:32:00
were provided But here, no, here we00:32:03
just cover it up like this,00:32:05
pay attention to the outline. This one is the00:32:07
one of falling leaves on the path. Yes,00:32:11
look how it lies, it lies like this,00:32:14
by the way, many people make a mistake such as00:32:16
these lines00:32:18
there, that the shore line, that the line there,00:32:21
in this case, some people draw foliage00:32:25
like this. With curved00:32:27
[music]00:32:29
semi-arched lines, you don’t need to00:32:31
move your hand00:32:33
horizontally, but move diagonally,00:32:35
that is, horizontally. This is how we enter it,00:32:39
but move downwards, then in00:32:42
the future you will end up with00:32:44
lying leaves, pay attention00:32:47
how exactly do I move my hand00:32:50
because this is important00:32:54
we go around the bench00:33:27
here we pass like00:33:31
this it’s clear that this is not the final it’s like00:33:34
just the beginning the underpainting here00:33:36
will still be here we will also have00:33:38
different leaves Yes and the shades, that is, will need to be00:33:41
filled in but it’s like such a primer it00:33:43
turned out00:33:45
yellow, that's enough for now, I'll move to00:33:48
the background, this is the background,00:33:59
so I'll take the00:34:04
same brush. I had this white color, I'll take it. I00:34:08
need to mix it with a bluish color.00:34:22
and00:34:24
don’t overdo it with water either. About this is00:34:27
the shade, look here it is,00:34:30
it’s00:34:32
blue so that you understand this is the color for00:34:36
these trees, this is it, which are00:34:38
in this place on our00:34:42
edge.00:34:45
If anyone works with oil paint, be00:34:48
sure to00:34:51
have a napkin on hand to00:34:53
wipe the brush00:34:56
a little bit I also added Indigo so that00:34:59
it’s still a little stronger, the paint00:35:00
is a00:35:06
little darker00:35:10
and I fill it in with a calm,00:35:15
not dark color. Please note the color is00:35:18
not dark at all.00:35:21
You can use a brush that’s a little more comfortable. I’ll take a little00:35:24
less, but00:35:28
I’ll take a little less bluish color,00:35:33
here it is.00:35:36
and Indigo If anything, I invite00:35:38
oil to a minimum and now I begin00:35:41
to fill this place here, here I fill the edge of the00:35:44
trees,00:35:45
in principle, immediately look with what00:35:47
movement, here’s how the tree grows in the00:35:50
background a little diagonally diagonally like00:35:52
this00:35:54
and already with such a fractional contour00:35:58
it as00:36:00
if they cut it a little like this and the00:36:04
leaves we get are so00:36:07
small, I’ll00:36:13
fill in one contour from the00:36:18
bottom, you see, I made it a little darker, I made it a little00:36:21
darker You can also00:36:24
do it like00:36:25
this, the00:36:41
next00:36:47
opposite piece00:36:53
a little bit of paint means a brush,00:36:57
look, I picked it up Well, on camera00:36:59
I’ll show you the average flat bristles00:37:03
so that she can do it just like she00:37:07
does well. These leaves Yes, they’re00:37:11
quite like that, look, they’re carved,00:37:14
it’s clear that not every00:37:16
leaf will be visible there, it’s the background, but the00:37:19
background should also be beautiful to be00:37:21
executed and outlined in terms of its00:37:25
contour,00:37:29
especially the contour, so I00:37:32
completely fill it in. Fill it all up00:37:35
here, here00:37:37
you can come closer, right closer, like this for00:37:42
the umbrella, neatly00:37:45
where the girls are, here, here,00:37:48
but we take the paints with restraint, that is,00:37:51
a little too much and don’t grab like00:37:55
this, just wipe it,00:37:57
tighten it, tighten it,00:37:58
tighten it,00:38:19
and basically00:38:22
I’ll add the same shade00:38:25
to the lower part on the asphalt, but00:38:29
you can just look there and play with the00:38:31
shades. Let’s make it a little darker,00:38:33
yes in the process. I’ll make it darker,00:38:36
I add Indigo, that is, in the00:38:38
process. I’m changing it a little Well,00:38:43
let’s say we take the00:38:52
color a little darker, I made it a little darker and don’t00:38:55
forget that you still have a purple00:38:57
color, let’s say it doesn’t work out in painting,00:39:01
but I’m dancing from one color like this,00:39:09
gray-blue,00:39:14
I go a little on the leaves but not far away,00:39:16
as if so close00:39:19
to the left, also with a00:39:21
thin layer like this, I’ll go over it, I’ll rub00:39:24
the paint00:39:26
somewhere I felt it, I’ll add a little00:39:37
somewhere a little Indigo, look, that is,00:39:40
in the process it changes a little, the00:39:42
light spot00:39:45
moves the brush horizontally00:40:13
here a little harder, like this I’ll put00:40:16
the color and the middle one part It remains,00:40:19
look like this, unpainted, it00:40:21
can already be filled together in parallel00:40:24
and with the sky so that it is reflected00:40:31
like this.00:40:35
But before you fill the sky with such a00:40:37
light white one, you can use the same color,00:40:40
let’s do it all together again so that00:40:41
you can look at it. I’ll now switch00:40:44
already in the depths of the forest I will need a00:40:47
purple color for this,00:40:49
I take purple and the Indigo color, so it seems that00:40:53
somewhere I can00:40:58
add a little blue there along the way, a little bit, but00:41:01
in principle it turns out Such a00:41:02
gray-violet color, a small00:41:04
amount of oil Why did I mix it, I mixed00:41:07
it mixed in order to put it00:41:09
in these holes and gaps in the forest, that00:41:14
is, this bottom Yes,00:41:16
try to cover it with as thin a00:41:19
layer as possible, but at the same time so that the paint noticeably00:41:23
fills the canvas so that there are no white00:41:25
gaps there. You just have a00:41:28
lot of paint with you. you and I with the leaves00:41:31
then we just won’t be able to cope, they will00:41:32
all mix us up, it will be very00:41:34
sad. So00:41:37
I take a00:41:41
gray-violet color here, maybe00:41:44
a little higher there. You can add a little blue,00:41:46
let’s say in the same color and00:41:48
these holes that you left00:41:50
holes you You can now paint over them,00:41:55
fill them in,00:41:57
and the higher you go. Please note. Well,00:42:02
the higher the brighter, that is, closer to00:42:05
the sky, and lower down there the darker holes turn out, these are the holes we00:42:10
paint,00:42:12
you see, they look like patches;00:42:21
for this, of course, you should have a small brush00:42:36
so00:42:42
slightly - let's make a little hole here, the00:42:46
base is00:42:49
purple, a small amount of indigo00:42:54
And just like that, I'm making holes in our00:42:58
trees, forest, making holes in the brush, small, medium,00:43:02
medium brush,00:43:05
you can make a round one, you can make a flat00:43:10
hole,00:43:13
the background is here on the00:43:21
other side,00:43:24
look here, but I'm starting right here00:43:27
with It’s not without reason that this place is not from below,00:43:30
this place is a little bit00:43:31
darker, there’s a place00:43:36
to make darker paint, you00:43:38
add indigo,00:43:44
I’m going to make a hole in this place00:43:46
just00:43:50
like that00:44:02
from the top, we’ll put00:44:05
leaves there somewhere, I’ll close it somewhere, don’t00:44:07
close it further,00:44:18
a little bit00:44:21
You can give some lighter purple ones there,00:44:33
I’ll knead it already, look, let’s say00:44:37
for the lower part I take purple, you see00:44:40
Yes, just like that, purple, a little bit of00:44:44
white,00:44:46
a little bit of blue, I’ll00:44:53
put it here, but again I’ll repeat a little00:44:58
paint on the brush, a little00:45:01
here,00:45:04
this place right close to the edge, I’ll00:45:12
stain it we need to use these holes00:45:15
to stain everything in00:45:16
different tones,00:45:20
so00:45:36
there we00:45:39
will have such light gaps in the sky. But00:45:43
that’s a little later. Now I’ll fill in00:45:46
this light blue light blue part of00:45:49
the sky and the00:45:52
light blue reflection, but before that, I’ll00:45:54
kind of connect this one a little bit.00:45:58
line and between the pair like this, I00:46:02
’ll make a connection00:46:04
here, you can connect this far part00:46:08
for the sky, I’ll take just white paint,00:46:14
but it’s very light blue, so you00:46:17
can add a drop of00:46:18
literally blue paint to the white, just a little bit of00:46:22
ultramarine, here00:46:26
it’s there, just a little bit -00:46:55
I fill everything a little with a thin layer of the sky,00:47:00
such a slightly bluish color00:47:14
to the figures when you approach. You can00:47:16
change the brush, get a smaller one so that it00:47:19
is convenient for you00:47:21
to paint, and that00:47:26
means when you approach the00:47:30
trees, the crown,00:47:33
smear the edge a little so that we have00:47:35
such a curly and blurry one, we00:47:46
cover everything further a little - I smear a little bit, I00:47:49
go into the trees,00:47:52
it turns out a little softer, such a contour, the00:47:55
background is out of focus, the00:48:00
whole emphasis should be on the foreground and the00:48:03
background is secondary, so do00:48:05
n’t forget to smear it a little00:48:07
brush, look, I changed this00:48:09
brush, took a slightly smaller format,00:48:12
filled in the part the sky with almost white00:48:16
paint, in fact, then we get00:48:19
such a reflection here, right here at the horizon00:48:21
at the edge of the00:48:24
far part,00:48:39
and when I tint it, I smear it a little,00:48:43
so the border00:48:49
goes further with the process of white paint,00:48:51
I use white paint, it basically00:48:54
gets blue on its own, that is,00:48:57
it crawls there on its own, so it’s not00:48:59
necessary just constantly add it00:49:02
yourself, it will fall on its own.00:49:05
This place is also white, look and00:49:08
I smear it a little, the border00:49:10
is smeared with00:49:12
just a little oil00:49:16
and the white goes00:49:19
to the bottom part, I take white, for00:49:23
living proof, the palette is white,00:49:26
so let’s00:49:34
go,00:49:36
but it got dirty in blue, it00:49:39
turns out a little bluish, but it’s also normal.00:49:41
So, horizontally,00:49:45
horizontally,00:49:51
I’m filling this whole thing out00:49:55
like this,00:49:59
but look, as soon as you’ve filled a second,00:50:03
your eyes are focused on the monitor, these boundaries are00:50:06
sure to take a00:50:10
small brush, look at what I’m doing,00:50:12
it’s not dry and will dry out It00:50:15
takes a long time to put all this in order,00:50:17
then I just take a dry brush and start like this00:50:21
horizontally. Here it is all00:50:22
the movement horizontally, I start00:50:25
to squirm a little. So to00:50:27
get dirty, mix it, what do I need here? I00:50:31
need it here for everything to be beautiful00:50:36
and picturesque,00:50:39
correctly,00:50:41
correctly,00:50:51
what else can I get dirty?00:50:57
asphalt Gray, you can use gray Take00:51:01
gray, a little00:51:03
blue, a little bit Let's add a little bit of shadow,00:51:07
gray-blue, look at this00:51:10
place Let's analyze here00:51:12
a little more shadow of the umbrella goes and here, and here is00:51:16
such a bluish tint all00:51:18
horizontally across the paint - still a little00:51:21
but already a little bit More than when the00:51:24
underpainting goes00:51:27
a little diluted with a00:51:30
smear of the same00:51:33
no longer shading I do it already you see with a smear00:51:36
smear smear smear goes here it goes00:51:42
[music]00:51:52
Well, then we’ll add more a little later when00:51:55
the leaves appear, otherwise that’s all Let's00:51:58
paint it with blue,00:51:59
too, it will be difficult,00:52:02
so we'll switch to an orange color00:52:05
yellow-orange orange-red like this,00:52:08
now we need to work a little00:52:10
with the leaves so that they are not so00:52:12
pale the underpainting is good, but it00:52:15
needs to be put in order,00:52:17
take a medium flat brush, wash it in00:52:22
oil, bathe it00:52:24
properly, find the orange one paint00:52:26
So you and I need to choose a color00:52:28
together, so00:52:30
I take the palette, I take orange, I00:52:34
mix orange with yellow, and I mix it up.00:52:37
So00:52:40
I’m trying to see what happens. I want00:52:43
to choose a color for the upper left corner, the00:52:46
upper left corner, and there we have leaves00:52:48
that are mostly more orange. Yes,00:52:51
I made the underpainting yellow,00:52:53
now I add orange, what was00:52:55
the point, what is the logic? Now, if00:52:58
we had made the underpainting yellow and orange, then00:53:00
we wouldn’t have put yellow on top, it would have been00:53:02
difficult, but it would be easier00:53:07
to darken it, to draw out the shadow. In principle, a00:53:10
normal color can be used,00:53:13
I mixed it. I added a little orange to the yellow00:53:16
And I start the whole thing, you00:53:20
can change the brush so it’s more convenient,00:53:22
I’ll take a round one, after all, I00:53:32
just need to wash it well. The round brush00:53:35
works with bristles,00:53:37
but it’s also possible, of course, if possible,00:53:40
if it’s synthetic, please, it’s possible to use00:53:41
synthetic But the only thing synthetics give00:53:43
in this case are already just00:53:48
like these strokes just like strokes00:53:51
strokes the bristles00:53:53
it’s so softer it puts the paint a00:54:00
little softer it’s more natural for now00:54:20
and look I do it with such a00:54:23
small smear the principle is good a00:54:25
round brush I do it with a small stroke like00:54:29
this caulking like this the smear lies as00:54:33
if from the corner obliquely00:54:35
How are things going What are we keeping quiet00:54:40
you can ask questions00:54:45
and how many of us are there00:54:54
I continue00:55:06
I continue the00:55:13
orange color means along the way00:55:18
I draw my attention to the fact that00:55:21
some elements of the group of00:55:27
leaves They are darker there yes00:55:30
That is, you00:55:31
feel if you have the strength You can00:55:34
slightly modify your shade00:55:38
in color together with me, but it’s still00:55:42
boring when we do everything ourselves with one paint,00:55:44
look at what a00:55:46
variety of yellow leaves I now kind00:55:49
of started with orange, so red,00:55:52
but in fact00:55:55
you can kind of00:56:00
change it a little along the way, a little darker,00:56:03
let’s say00:56:04
English Red You have Yes,00:56:07
if it’s not there, add brown and00:56:09
orange,00:56:13
you’ll get this color. A00:56:17
little darker,00:56:26
there are questions,00:56:34
and people, that is.00:56:39
But thank God,00:56:44
and you.00:56:47
To be in time, you can00:56:51
review this again later, but the truth is,00:56:57
it will be for a fee;00:57:09
I’ll apply the leaves I’ll apply I’ll apply.00:57:16
Here they look at the color already a little00:57:19
see how I change it a little I change I00:57:22
change I change00:57:25
a little and yellow There is less and00:57:28
less of it But I leave it I trace00:57:32
where I will have such more yellow00:57:35
spots but the00:57:36
underpainting is partially because it is gradually00:57:39
disappearing I am gradually covering00:57:44
you work in these places with00:57:46
small brushes,00:57:49
here you don’t need large brushes, they’re just00:57:51
inconvenient; the00:57:57
average third number, the second number there,00:58:00
number 4, the most convenient would be a00:58:04
single will be small,00:58:09
but something in the middle is just right;00:58:27
we’ll go through enough; this carpet00:58:29
turns out to be varied and00:58:34
multi-colored, that is look what was the00:58:37
point of the underpainting, it shines through and00:58:39
plays its role Light with light,00:58:42
of course, we will work separately, I’m00:58:46
working, I’ll show you one more00:58:49
minute of attention, we’ll look up from our00:58:51
paintings I’m now picking up paint for the shadow00:58:54
and working Which This is approximately the00:58:57
shade I have orange yellow Here it is00:59:01
Brick English red is called00:59:02
you can also mix it with yellow it00:59:05
turns out this red color It’s not00:59:08
bright but like a shadow on the leaves there’s00:59:11
no such thing the00:59:16
canvas is in place00:59:22
I’m in place it’s cold and the canvas seems to be in00:59:24
place00:59:29
So that’s where I stopped Well, that’s it00:59:33
look, we’ve worked with the upper part00:59:34
Let’s work a little with the lower00:59:36
part, the lower part is horizontal, that’s00:59:38
right, that means all the processes of applying00:59:42
strokes will be done00:59:43
horizontally. Pay attention. Where is the shadow? the00:59:46
shadow is near the00:59:49
horizon, conventionally,00:59:57
you can see the color here behind the bench Yes, such a red01:00:02
color, that’s01:00:08
how we are we extend the shade here,01:00:11
a little further,01:00:15
our money goes here01:00:19
and01:00:23
and where And further down further below I go01:00:27
but01:00:31
further Below I will make it a little lighter01:00:34
and more varied here I01:00:36
just took yellow without washing my brushes,01:00:39
see that such01:00:41
autumn picturesqueness reigns in general You Can you imagine01:00:45
how many shades there are in general on these01:00:46
leaves, or a bunch of them, so01:00:52
try to work on one01:00:54
piece of this color and such a01:00:55
brownish mode here to find the yellow one, I01:00:58
also took it horizontally and I will01:01:01
remind you of the paints, I have, well, not three01:01:03
kilograms on the brush is quite small Well, of01:01:06
course it wasn’t applied as thinly01:01:08
now I’m working as when I rubbed the background there01:01:10
now I’m taking more but in general it’s01:01:14
still not a palette knife job Yes01:01:18
And so I’m working I’m laying I’m laying01:01:21
I’m laying somewhere rarely somewhere often this is the01:01:23
color01:01:28
yellow was the underpainting now I put a01:01:31
darker one in the process until01:01:35
some of the strokes are smeared somewhere and it’s good to let them01:01:37
smear. It’s good that01:01:40
they don’t smear, they mix, the more01:01:42
shades you get. The01:01:44
only thing is that for now you do01:01:46
n’t have to go out onto the path. But you01:01:49
’ll just have to just apply more paint there right away.01:01:52
You can, of course,01:01:54
take this as an example I’m going out to you Well, let’s01:01:57
sort out the path a little later,01:01:59
we’ll euthanize the leaves there,01:02:01
of course there are a lot of leaves, but this is a01:02:04
slightly separate conversation Because01:02:06
here the technique is already so thick Let01:02:08
’s not get all01:02:11
the brushes that you have dirty Let01:02:13
’s work01:02:15
in the horizontal direction01:02:18
with the leaves with the clearing that here we01:02:20
have it01:02:24
Here it turns out that the shadows01:02:28
you see create volume for us01:02:32
and there are just more shadows on the01:02:34
opposite side, this part01:02:36
will still be darker especially the01:02:38
Upper This is it but for now you can01:02:42
take the same paint yellow, so I took yellow01:02:45
with with a small addition of orange with it01:02:49
for now with a small addition01:02:51
Here, look at this place, we have a piece01:02:55
like this, a tree just like this01:02:58
here,01:03:16
as if you see such a medium neutral01:03:19
tone, I took it and I’m working here, pay01:03:22
attention to how I move the brush too Well,01:03:24
I don’t rub it here back and forth from side01:03:27
to side and periodically tear it off from the01:03:29
canvas I01:03:30
added a little bit of this And now I have01:03:34
a tree that is more expressive01:03:37
A little darker I’ll take yellow01:03:42
English red I’ll take well, that is, a01:03:44
darker one like the one I01:03:46
took on01:03:48
these opposite sides similar the color is01:03:54
similar,01:03:57
it’s so darker you see Yes,01:04:06
and so the holey holey holey I’m starting to01:04:08
apply01:04:10
as if to fill01:04:18
this part01:04:22
I’m going through Like this Like this I’ll fill the holes01:04:25
somewhere01:04:54
below a little too below a little already like this01:04:58
more yellow Well, I mean, with a01:05:01
little yellow a lighter color01:05:03
will go like this, that01:05:32
is, look at the mat of01:05:34
foliage on01:05:37
the wall, here it turned out to be more01:05:40
red like this here, here it’s more ocher at01:05:42
the bottom and for all this on a yellow base on a01:05:46
yellow one for now we’ll leave it like this,01:05:49
move on to the lower part lower part01:05:51
Well, I’ll take a little more medium01:05:53
I’ll take paint also paint, here it is,01:05:57
this paint, I can mix in a little01:06:00
purple to dirty it up a little,01:06:04
the paint, too, in the sense of01:06:08
red, like this01:06:12
[music]01:06:16
blue on yellow01:06:19
blue on yellow no, I don’t think they wrote01:06:32
blue on yellow,01:06:35
I meant first I started yellow trees and then01:06:37
I made the holes in blue, but blue,01:06:40
so purple, you can say if they01:06:43
asked about this question there,01:06:47
then look here again, the color01:06:51
the color I had was yellow with orange like this.01:06:55
Here it is, I added a little purple. The01:06:59
proportions are less yellow, orange,01:07:01
a little purple, what happens01:07:03
such a swampy, dirty color, it01:07:06
fits well here, I just take it like01:07:08
this01:07:10
and start to tint the money a little here, you01:07:21
need to bring shadows here. On the adjacent part, by the way,01:07:26
throw a little onto the neighboring part so01:07:30
that it is distracted,01:07:33
so here’s a shadow for you And I’m01:07:39
putting a shadow for me too. Here with such strokes like this01:07:45
And now I want to01:07:47
make this whole story a little yellower and brighter I take01:07:49
just yellow just yellow look01:07:52
pure yellow color01:07:54
and yellow color here at the edge of the diluent like this but01:08:06
by the way I’m already putting paint on it Well01:08:09
so it’s quite thick01:08:12
and I work mostly without thinner.01:08:15
By the way, who has lemon yellow, but01:08:18
also here I can have a little of it01:08:23
for the sake of01:08:25
something like this,01:08:29
you can use01:08:31
lemon yellow a little bit, but there’s very little of it, in fact, to be01:08:34
honest, they01:08:41
sketched01:08:44
sketched sketched leaves leaves01:08:47
leaves Excellent Now01:08:51
we have stained, as it were, the left right side with you,01:08:58
that’s all, let’s do it with you01:09:01
tree branches before it’s too late While it’s01:09:04
time you can take the thinnest01:09:06
brush Although they recommend the01:09:09
thinnest one, take this, you can take a01:09:12
medium one, such synthetics,01:09:15
medium synthetics, you can01:09:19
have I'm a C01:09:22
color01:09:24
my dear color01:09:27
I took here I have Indigo01:09:30
I have English Red than you can01:09:33
of course use ocher oh ocher01:09:37
umbra and use it but it01:09:41
can float a little there and01:09:44
mix up a little quickly I prefer in this01:09:46
case to take Indigo and English red01:09:49
essentially it turns out that it’s also embellished,01:09:53
but it’s better to paint it,01:09:56
which means01:09:59
I have a lot of different branches there, you and I,01:10:04
look, we01:10:07
need to sketch them out Of course, yes,01:10:47
I do it01:10:53
a little, you see, I slightly shift the trunk from the edge01:10:59
here like this, I shift it a little01:11:03
on the reference a little to the right, I’m all I01:11:06
shift myself a little closer to the middle01:11:09
on the sword. Then I can return to, of01:11:12
course, with this barrel, I’ll01:11:20
mark it with a thin brush with a thin brush. The most01:11:40
obvious ones are here, there’s a very01:11:46
readable trunk,01:11:57
look, I’m marking the trunk, and with01:12:00
dark brown paint I’ll always always01:12:03
be there for you repeat, take the lower part01:12:05
a little and smear it like this,01:12:08
this is a very simple technique right away for01:12:12
those who like to01:12:15
get rid01:12:16
of flying trunks, they01:12:20
will immediately become much more voluminous from below,01:12:25
inscribed in the space of the01:12:30
lower part of the trunks.01:12:32
Spread it like this01:12:35
normally, you can move on, let’s01:12:39
outline the trunks further01:12:45
here behind the bench there is such a thing there is01:12:53
this trunk behind the bench01:12:56
right behind the corner of the bench here01:13:05
you can look to outline a slightly01:13:07
intermittent one01:13:15
because it will be covered with01:13:19
leaves so01:13:23
you outline it intermittently01:13:26
but I always finish I draw one line01:13:28
but always then I bring several01:13:30
several lines to the point that is,01:13:33
I correct it a little there, then01:13:34
I smear it a little, especially the distant ones, so01:13:38
I take them, they are so dark there, and they01:13:44
will have to be done at one time and01:13:47
everyone is forgotten No, it won’t work anyway,01:13:49
they will need to be adjusted a little Dolma with01:13:52
a few movements, that is,01:13:54
a little enter01:14:05
here for the most such01:14:09
situations the most convenient brush I01:14:13
think that after all is synthetic This is a01:14:15
round one with a sharp edge, whatever you01:14:18
write01:14:19
round and the size is average As for me, here is01:14:23
a deuce, a three, a four, a three, a01:14:26
four, most likely the most01:14:31
common01:14:33
brushes in relation to for the rest, in01:14:36
terms of detailing, I mean if you are01:14:39
working with details.01:14:42
If you are already working with small things like01:14:45
branch trunks and so on. Right now,01:14:48
by the way, we are not making some very01:14:51
thin trunks; they are very small,01:14:55
even at the end of them a little - Let's do a little01:14:57
now,01:14:59
we'll apply the overall array and basically, by the way,01:15:03
a lot of attention I would01:15:06
recommend that you01:15:08
focus here on the lower part,01:15:12
on this, create this. We now01:15:15
need to create a feeling of density in the forest01:15:19
so that there is no feeling of holes. Yes, we01:15:22
need to fill the forest itself a little the01:15:26
emptiness needs to be filled now,01:15:33
as it were, the01:15:38
farthest tree trunks. Of01:15:42
course, of course. They are the thinnest,01:15:44
one of the thinnest, and you can01:15:48
soften them a little by touch01:15:52
if you hold them and they are very hard; in01:15:58
any case, they need to be fit a little into01:16:00
the space, that is smear it is01:16:03
necessary to leave them01:16:06
very clear01:16:12
means that we see We see01:16:14
behind the stain By the way, we need to cover it up01:16:18
now01:16:20
called trees for yellow I took01:16:22
the paint here01:16:26
under I’ll close it right away so that the belmone01:16:29
sticks out as an eyesore01:16:31
That’s it,01:16:34
but I’ll blur it out a little,01:16:43
I took the yellow one, I quickly took the yellow one,01:16:46
I switched01:16:51
I took the yellow one from the trunks onto the leaves and now a little bit,01:16:55
just yellow. Who has lemons?01:16:58
By the way, you can use lemon ones too, this01:17:01
place, this place, I’ll put it in01:17:05
order a little bit with small foliage like this, a01:17:07
little diagonally. That’s how I’ll work,01:17:10
I’ll work a little- I'll go a little to blue01:17:12
a little to blue and mix this place01:17:15
I need to make it so that it is not01:17:18
very active01:17:21
this is the activity01:17:23
I need to get rid of it from this01:17:27
activity01:17:36
autumn how beautiful it is01:17:48
here I'll darken it a little more here01:17:54
I'll do it a little here shadows behind the umbrella, now I’m01:17:58
a little, look, I’ve put it in01:18:00
order, I quickly switched from the trunks,01:18:04
if anyone didn’t catch this moment, I’m just now01:18:06
a little Like this, I01:18:08
plugged it up, I rammed01:18:11
the border Here’s this trick, I put it in order01:18:14
Before it’s too late,01:18:16
the border of the trees in the distance so that it’s01:18:19
so fragmented is beautiful01:18:21
so that it’s01:18:40
so01:18:54
great,01:18:57
then01:18:59
let's get rid01:19:02
of the white spots now,01:19:07
I want to paint over the01:19:10
bench and the umbrella now, the bench and the umbrella of the bench,01:19:15
you can start01:19:17
rather than the umbrella of the umbrella. I'm sorry, I01:19:20
'm taking an umbrella for the umbrella. I'm just using Indigo, pure01:19:24
pure indigo,01:19:29
which means01:19:31
these edges01:19:35
need to be observed,01:19:47
this is a half cap01:19:53
I cover it with indigo,01:20:04
but I practically don’t take any oil. Today I01:20:07
take very little oil, that is, there’s01:20:10
enough paint, well, I wet it a little,01:20:13
I oil it, but not much,01:20:16
this Indigo goes right away for me,01:20:19
instantly under the shade, it’s01:20:28
raining, someone threw it here the01:20:31
umbrella,01:20:37
maybe it’s broken, maybe the01:20:41
girl forgot,01:20:44
or maybe the guy,01:20:47
or maybe even01:20:53
the shadow from the umbrella, I definitely take indigo01:20:59
and here01:21:00
[music]01:21:03
I put it01:21:08
horizontally,01:21:11
I work horizontally, I01:21:14
do everything with a mask, you see, Yes,01:21:17
the smear works, but I recommend that the01:21:21
strokes turned out to be too active be sure to01:21:26
take many with a dry brush and mix it a little like this with a dry brush.01:21:29
Surely everything will work out01:21:33
then softer, more accurately, more01:21:36
logically, so01:22:02
on, the01:22:05
same color, just01:22:08
dilute it a little with white, I get gray, I get01:22:16
gray, I took gray and put Gray in the01:22:21
inside of the umbrella,01:22:30
this is part the umbrella is lighter,01:22:49
this part is the lighter half.01:22:54
But if you leave it like that, of course it will be a bit01:22:57
boring, so you can dilute it a little,01:23:00
look01:23:05
with white,01:23:08
you can dilute it with a blue01:23:13
color, let’s say a little dark,01:23:42
dilute it a little, look, I filled it out and then01:23:44
added a little bit of detail there, noticed, yes,01:23:48
maybe details add like these01:23:52
highlights on the umbrella put01:24:07
a little of it like this decorate01:24:17
this corner01:24:22
I’ll remove it like this I’ll01:24:24
put it like this01:24:27
then you can leave the zones alone for now01:24:35
I’ll make01:24:42
a bench01:24:57
for the bench I’ll take a medium01:24:59
brush of some kind like bristles I01:25:01
’ll take bristles look at what kind of bench01:25:04
we have it We have such a style in01:25:09
coloring, everything is from this autumn of ours, and01:25:15
we look at the color on the palette, English Red,01:25:18
a little bit of white, that’s01:25:21
how I took it, the01:25:24
light is red,01:25:27
neutral, I01:25:28
fill it within the limits of what we have01:25:33
outlined,01:25:36
I don’t completely paint it over, I01:25:38
paint over, as it were, this distant whole the01:25:40
top part is close and I leave the near line01:25:44
in order to make01:25:45
the thickness there, remember we said that first01:25:48
we outline just then we add01:25:49
some details, here there is the thickness of the01:25:52
boards themselves, it will be01:25:56
darker so I leave the front edge01:25:59
unpainted And everything else is distant01:26:02
part of the bench I fill out as01:26:04
carefully as possible as much as01:26:07
possible like this,01:26:17
the legs here we also had a little01:26:19
left from someone there in the process they01:26:22
will go here01:26:24
is our bench01:26:27
further I take English red01:26:32
I mix it add a little Indigo01:26:35
English red I make this01:26:37
dark brown I made it out of it and this01:26:41
place is the thickness of the bench itself, so I paint it with01:26:44
dark paint, I paint01:26:49
it over just like this,01:26:52
I dilute it a little with picturesque spots there,01:26:55
let’s say English red, then I’ll01:26:58
add a little cleaner, that is, what is the logic of01:27:03
painting in general, writing these objects,01:27:06
let’s say in In this case, I take01:27:10
whatever I don’t do. I first take one01:27:12
color, from Lavochka, I covered it,01:27:18
put it right away so that we have01:27:23
some kind of picturesqueness, add shades,01:27:25
put dark and put01:27:28
some other English red on top, that01:27:30
is, don’t leave spots01:27:34
alone with such shades so that they don’t01:27:37
live with you, that everything is varied,01:27:49
then they make the boards, I take whitewash01:27:59
and use white,01:28:02
so you can re-apply01:28:06
the boards, I01:28:25
lighten the board on top of the bench so that01:28:29
it is behind the lighting, I01:28:48
add a little shadow, look, the shadows01:28:50
are placed unevenly That is, you can01:28:52
not finish it at all on the bench you don’t01:28:56
need to make a striped mattress out of it,01:28:58
yes, but you can01:29:01
intentionally smear it a little to01:29:03
make it more picturesque,01:29:46
so01:29:50
we make highlights on the bench, put01:29:54
a little yellow white on the bench, also make sure01:29:57
they sparkle, we have01:29:59
fallen leaves on the bench, too, don’t01:30:03
forget to add it like this.01:30:16
us It's been more than01:30:21
a lot more than an hour I01:30:23
suggest we take a short break of01:30:25
literally 5-7 minutes and we'll continue so you01:35:53
can hear me01:35:56
tell me yes write please What can be01:35:59
heard or not heard In theory, I should be01:36:01
audible on the air I continue01:36:06
Stopped01:36:11
on the bench01:36:15
So we'll be with you quickly now let01:36:17
's make legs on a bench01:36:27
on a bench,01:36:31
so look at our legs on the bench, they are01:36:34
green and01:36:38
dark green to get green01:36:40
paint I will need yellow01:36:43
yellow Here is my palette in yellow I will add01:36:48
blue to01:36:54
get green01:36:57
and a little bit of Indigo I will add so that the green01:36:59
is less bright01:37:01
I took the most thin brush01:37:05
so so so so so so can I01:37:13
start recording for a second so that we can01:37:16
continue recording Yeah so I stopped on a01:37:20
bench and for the bench I took the01:37:23
thinnest brush mixed green paint01:37:26
green paint look how I01:37:29
added a little blue to yellow and added a01:37:31
little - a little indigo,01:37:33
it turned out, it’s dark green in color,01:37:37
here are the01:37:42
benches. Such interesting01:37:48
metal legs. Apparently,01:37:52
yes,01:37:54
we have a small amount of oil; the paint01:37:57
turned out to be not liquid01:37:59
and01:38:03
I need it here on my screen. Now01:38:06
it turned out that such a thing has come out, I need to01:38:08
remove it.01:38:11
Vera, I’m01:38:14
here01:38:15
I need to remove the01:38:19
big icon, the window is gone01:38:24
Yes, I can take it myself,01:38:35
so I take it and like this01:38:41
I mark another thin line under the bench01:38:47
and a small leg,01:38:54
one and the other, one bends backwards, the01:38:58
other bends forward,01:39:03
and they01:39:06
also have a leg there, one01:39:11
back leg,01:39:22
English red can be obtained01:39:24
in the following way If you just have01:39:26
red paint, you can add01:39:28
brown01:39:32
and a little orange, let’s say you01:39:34
get English red,01:39:42
not everyone has English Red, it’s not01:39:45
always01:39:46
available, so you can take red and01:39:49
add brown01:39:53
brown dark01:39:58
and a little orange to it you get01:40:01
this It’s01:40:04
possible even without the orange01:40:12
leg leg01:40:16
Here it is leg01:40:21
all the spaces that are left remain01:40:24
with us Yes here we have white ones there color01:40:27
color leaves background color01:40:37
everyone has no sound Let’s check it again with sound01:40:40
once01:40:43
Please unsubscribe If it’s not difficult01:40:45
if us the sound can you hear me01:40:50
once again01:40:53
so01:40:58
the sound01:41:01
and here I should be running yes there01:41:03
is a sound So Well, ok thank you for01:41:07
responding01:41:11
I understand that it is01:41:14
very difficult to keep up with the pace01:41:19
but with one eye we look with one ear we write01:41:23
we listen with the01:41:25
other hand we apply paint01:41:32
Look I I made the legs01:41:36
and now I need01:41:40
to make them a little more graceful, I take01:41:45
I take the color of the leaves and just a little with the leaves01:41:49
they are01:41:52
made a little thinner and the color of the leaves I had was01:41:55
yellow, there was orange and01:41:59
I just need the Shadow under the leaves under01:42:01
with this under the bench, yes01:42:04
And so I put a shadow under the bench and at the same time,01:42:07
if necessary, I make my bench a little more elegant and01:42:10
thinner01:42:13
and some white spaces, white places, these are the ones I remove with01:42:21
leaves, you can correct something01:42:39
here, there is01:42:41
another piece like this01:42:47
No, this is a tree01:42:53
from someone01:43:02
I made the forged legs green with one paint01:43:09
and then I01:43:12
darken them a little with a shadow, I take Indigo,01:43:16
I make a little shadow01:43:40
and a little01:43:43
highlights so that the bench shines with01:43:48
white paint a01:43:52
little01:44:00
Well, let's move on01:44:02
to our pair of01:44:06
branches, a lantern, this is a secondary matter01:44:09
but a couple01:44:11
This is a more serious matter, for a man I01:44:15
’ll take01:44:17
kraplak,01:44:19
this is a dark dark paint, remember this01:44:22
if there’s no such thing, maybe take01:44:24
red with a little blue and mix it, you’ll get a01:44:26
roughly similar color, I’ll take kraplak,01:44:29
add a little ultramarine to it,01:44:38
here’s a crimson dark01:44:41
color,01:44:44
I’ll make a fill like this I01:44:47
took the brush a little more conveniently, you can01:44:50
use a little bit of white, I’ll also take a little white, a01:44:57
little lighter, like this,01:45:10
you can add purple, but in general, I01:45:12
took kraplak, here it is kraplak,01:45:17
white and01:45:21
purple, or Ultramarine, I’ll01:45:44
fill his shirt, but for01:45:58
the hands, the01:46:00
scarf collar, or rather, I’ll make it a little01:46:03
darker, I’ll take it in kraplak I'll add01:46:06
more blue Indigo, I'll add a little bit,01:46:10
look, I'll add a little bit like this, I'll make them01:46:12
darker, I'll make01:46:38
the hand from below a little darker,01:46:40
I'll cover it first, I'll paint it with one paint, and then I'll01:46:42
start adding shadows,01:46:54
you can correct the shape like this, I'll take it01:46:58
a little bit here, I'll shorten01:47:09
it, we probably have it in blue jeans or01:47:11
trousers, I take a little blue paint, I’ll01:47:14
add a little indigo so that we don’t end up with01:47:18
some bright color, I dirty the indigo paint a little bit,01:47:26
as it were,01:47:49
one leg01:47:52
and the other leg, the lower part is a little01:47:55
lighter, more white,01:48:03
that is, more, the lower part is more01:48:06
illuminated01:48:14
like this01:48:21
and I smear it between the shadow and the light01:48:24
I work with. I already01:48:34
have it with a thin brush; the upper part01:48:37
is a little darker and the lower legs are already01:48:40
lighter; the01:48:41
pelvic part is darker; the01:48:48
bottom is lighter01:48:51
under the shirt. You can make it a little darker like01:48:53
this;01:49:00
the shape is slightly adjusted in the process with a01:49:03
thin brush. Of course01:49:05
I need to correct these moments a01:49:35
little bit, lighten his back01:49:40
and shirt a little bit,01:49:44
make the jacket a little lighter, I’ll make a little bit of01:49:54
white from the back, I’ll take it like that01:49:57
and lighten it01:50:25
for the head, I’ll take the01:50:32
umbra and I’m already working with my wife I’ll fill in his01:50:39
hair,01:50:41
all the gaps that remain,01:50:43
let’s say yes I still have a little bit of01:50:45
white paint left here on the white canvas,01:50:47
I remove a little bit of these places,01:50:48
I fill in the gaps and gaps between the legs,01:50:51
I remove all this, I painted over the01:50:59
head with brown paint. Well, look there on the head, you see there are01:51:01
some highlights there Let's say you can01:51:02
add a little white color on top and01:51:04
smear it a little, you get01:51:06
such highlights,01:51:09
his collar is raised, here you can also01:51:13
show the feet in motion,01:51:15
so here I take Indigo. The far leg is01:51:20
practically invisible at all. The foot is the01:51:22
back part, the01:51:27
leg closest to us.01:51:30
Here it goes like this01:51:35
with a turn,01:51:40
you can adjust the white paint and the contour so01:51:44
that the leg moves, you can01:51:47
put a little white paint on the calf, it is illuminated and01:51:50
it turns out. We have it in motion in order01:51:59
to01:52:01
reflect the human figure01:52:07
on the01:52:08
canvas on the sidewalk on the Earth, I take blue01:52:13
paint Here it is a little with Indigo was01:52:15
the color Jeans color Jeans I took it and just like01:52:18
this I reflect underneath it01:52:26
from side to side like this I01:52:32
get a reflection01:52:35
from the girl, you can also use the same paint to01:52:38
immediately make a Reflection01:52:53
and smear it a little horizontally so01:52:55
that it floats on us it's01:52:57
raining01:52:58
reflection so a little bit in motion01:53:00
it turns out just a01:53:04
little bit yes Indigo so add01:53:07
some shades look like this whitewash so01:53:09
that it all moves and moves01:53:21
his jacket is also reflected like01:53:24
this it01:53:27
all floats01:53:30
horizontally01:53:33
dark heads01:53:36
201:53:39
And the girls fuss about like that01:53:43
immediately apply blue paint to the01:53:49
jeans trousers,01:54:09
all one leg,01:54:14
then fill the second leg of the01:54:31
lower part of the calf with a lighter one, I take01:54:34
whitewash and fill it with whitewash so01:54:39
that the upper part of the pelvis is darker, the01:54:42
lower part is lighter towards the screen,01:54:45
I take Indigo and Indigo a little, I create01:54:48
shadows between the legs, I divide them,01:54:52
I make the shadow as thin as possible01:54:55
work with a brush in such cases so that you01:54:56
probably don’t have any difficulties under a01:55:00
shirt under a white jacket and I01:55:01
also add a little Indigo01:55:04
and shoes are also dark in color,01:55:21
our shoes are dark in color and a couple of highlights must be01:55:25
put on the leg with white paint so01:55:30
that the legs sparkle01:55:33
lighting so that there is01:55:38
volume01:56:07
Good evening01:56:08
[music]01:56:29
it means the girl is dressed in white01:56:33
so01:56:38
look what we get,01:56:40
we get something like01:56:45
this. The shadow under the man’s hand is01:56:50
gray, gray, gray-violet, and01:56:54
her hand, her01:56:55
hand, she also01:57:00
gets with this01:57:08
with such a shadow, gray,01:57:12
gray-violet, gray -violet, take01:57:14
violet, add a little Indigo and01:57:17
here we have this01:57:19
color, I paint one part like this, I01:57:25
also paint the handle here, I separate it01:57:30
with white, I fill it with clean tickets, now01:57:33
I’ll squeeze out the white with01:57:58
pure white, I fill it in. This is how the01:58:03
clothes are softened a little with a shadow, of01:58:06
course, the shoulder01:58:11
Shadow under with the man's hand, everything is smeared a little,01:58:16
so we get a01:58:18
shirt like this01:58:25
and a fold on the back Yeah,01:58:31
so the girl We also have a brown01:58:35
-haired woman, I take a darkened one, that is, I put brown paint01:58:41
on the hair and add a little highlights01:58:47
on top, of course the head is illuminated, all01:59:06
we have to do is paint over the01:59:09
umbrella01:59:11
for the umbrella, I will find clean yellow paint,01:59:14
free One of the inner parts of her01:59:18
umbrella I01:59:23
just take yellow,01:59:30
pure yellow,02:00:12
pure yellow, and the02:00:15
upper part is02:00:18
yellow and white,02:00:41
don’t forget to leave such a gap between02:00:43
the heads, we02:01:17
remove all the shortcomings with the02:01:20
background color,02:01:48
you can put a white highlight on the umbrella so02:01:51
that it sparkles on top,02:01:54
which means that we get In the end we get a02:01:58
couple of us walking02:02:00
along the forest,02:02:08
but the flashlight has not been completed, there are not02:02:11
many leaves on the trees. Yes, and there are no branches, so I02:02:14
suggest now02:02:16
sketching out the leaves02:02:19
for this. I need a02:02:21
synthetic round brush, which I02:02:23
just worked on. I take the yellow leaves,02:02:26
I take the yellow ones, I take them with a little white, I02:02:29
just mix yellow. with whitewash and02:02:33
I’ll start creating the02:02:38
first leaves here02:02:42
in this place we’ll put02:02:45
[music]02:02:50
we’ll put here horizontally02:02:55
here more leaves02:03:07
with a little orange You can mix it02:03:13
in the process, see what you can02:03:16
do, we’ll pull it02:03:19
out with you a little bit of02:03:21
brown into yellow02:03:25
we’ll make a shadow02:03:27
here from the volume, as it were, yes, this is02:03:31
the story,02:03:36
this one,02:03:39
I took Indigo brown, mixed it02:03:42
a little, I want to emphasize this02:03:45
place, we also have it02:03:58
with a shadow. That is, this border should be02:04:01
darker. So highlight it02:04:05
and smear it a little to02:04:12
scatter more foliage on02:04:15
the path because there are a02:04:17
lot of things lying around from the leaves, many02:04:20
different shades, look, there are dark ones,02:04:22
there are orange ones, here we have Not enough dark ones Here it02:04:26
lies Let's just02:04:28
scatter more leaves02:04:31
here, dark02:04:33
orange brown on the path,02:04:36
scatter a little dark here too,02:04:39
this can be done at a pace like this02:04:41
so that02:04:43
here you and I don’t have enough yes02:04:46
Look how many leaves There are02:04:49
some orange spots Yellow leaves are02:04:53
all enough But it’s like under02:04:54
the trees in this corner you02:04:56
will definitely need to darken it darken it with02:04:59
these shades you can use straight02:05:02
oil take more of it on your02:05:04
brush and put it directly put oils02:05:07
oil paints not the oil itself and just put02:05:10
more of it here put put put02:05:12
put put if anyone has02:05:14
lemon yellow too, lemon yellow is good,02:05:19
like for light leaves in such02:05:23
abundance you can put it directly02:05:27
to give texture the02:05:30
leaves themselves have earned so that all this is done,02:05:34
especially when you put the leaves here, here02:05:36
you go out on the path Yes, here02:05:39
you can actually02:05:42
quite realistically take more of the color of the02:05:45
oil itself and don’t forget to throw in02:05:50
a few leaves, arrange it beautifully, this02:05:52
small one can be placed with a brush02:05:56
on a bench on a bench here Here02:05:59
we have beautiful leaves lying here,02:06:03
even here they fell, scattered,02:06:06
scattered, scattered,02:06:08
in general, put more on the ground,02:06:12
especially in the foreground. But this02:06:14
will decorate the work. Of course, this is a02:06:18
must. Create a shadow, emphasize02:06:21
your border like this, this is02:06:25
a must, this is even you can Well, not02:06:29
completely limit it, but just02:06:32
outline it, but here and there, boldly here and there, here and02:06:36
there, shadows on the leaves, here, here are the02:06:40
important places,02:06:45
by the way, here, here, where you and I have the02:06:48
reflection from the figures, you can even lengthen it a little02:06:51
a little bit02:06:54
later02:06:57
here we have something yellower, brighter in02:07:01
general, more foliage in general this is02:07:04
detailing this is detailing here you can02:07:06
work here you need to work only with02:07:09
synthetic brushes I mean02:07:12
smooth because it only goes on the wet layer of02:07:17
paint it02:07:20
will only go on Only thanks to02:07:22
this such smooth synthetic brushes,02:07:25
so here too, of course, you02:07:30
can do it too. But for beginners, for02:07:32
people with little or no drawing experience,02:07:35
I advise you to take02:07:37
brushes of this kind, and here it will be02:07:40
simpler; it will simply be clear that professionals02:07:43
can work there with bristles at least02:07:45
at first, at least until in the end it doesn’t matter there02:07:50
these places which are02:07:55
the right left part of them right strew them02:07:59
strew with leaves we will also need to02:08:02
work with you and I02:08:05
with this part here with this part on the02:08:09
right and left of the trees there are also02:08:12
a lot of many trees and a lot of leaves and02:08:15
just a lot fatter02:08:20
for me there are gaps left, gaps,02:08:23
look at the white canvas, I close them all,02:08:27
I close them more carefully,02:08:29
for this I will need more02:08:31
yellow, I’ll squeeze out more02:08:43
leaves, more, more leaves, more leaves, I’ll give02:08:52
yellow leaves here and I’m working with thick02:08:56
paint with thick paint02:09:01
here, let’s give it here, let’s give it02:09:04
direct spots such02:09:07
overlapping where- then02:09:28
I’ll track the moment on the shadow, let’s say02:09:31
here you can add a little shadow Yes, I’ll create a little bit of shadow02:09:33
here, here I02:09:37
’ll take English red Macaw or I’ll take orange with02:09:39
brown and mix it, it will also work02:09:41
very well, even02:09:42
here shadow shadow shadow please02:10:22
So we02:10:26
’ll tolerate a little more leaves, just a little bit left.02:10:28
let’s make a little flashlight now,02:10:37
let’s make a flashlight02:10:43
Don’t be sorry, add a few thin02:10:46
branches with the thinnest brush, a knife has02:10:49
a little more time, just 502:10:50
minutes Yes, but with a02:10:54
thin brush, don’t be sorry, scatter a02:10:57
little Thin02:11:00
branches with the thinnest brush Take02:11:03
Indigo and mix it with brown,02:11:05
it will work very well02:11:12
thinner branches are02:11:17
always good02:11:19
with thin branches02:11:28
Don't forget that we have an umbrella on a stick with a02:11:30
thin brush while in your hand you can take02:11:34
brown paint and finely draw the pen02:11:37
for a flashlight I'll take02:11:40
greenish paint But before I02:11:42
make a flashlight I'll remove02:11:46
all these white gaps that I02:11:50
left I’ll take a little brown, a02:11:54
little yellow, I’ll just mix the background color, I’ll02:11:57
smear it so that there’s a02:12:01
thin sub-thin line02:12:04
I’ll take a greenish yellow paint, I’ll add a02:12:07
little blue and a little white,02:12:11
it’s greenish02:12:30
greenish and the second part of it is a little02:12:34
darker left side02:12:38
A little darker I02:12:40
took indigo02:12:45
and outlined the left side a little, so I’m02:12:53
more careful with the flashlight here. There’s no need to02:12:55
rush so that you have a02:13:00
neat, even, thin one with02:13:04
one color, then paint over it with a shadow,02:13:09
well, I’m doing the final finishing touches02:13:12
now. Here’s the flashlight by itself Yes,02:13:15
it’s02:13:16
shining on us, kind of like there Yes, I take white02:13:20
paint, fill it from the inside with white, just like02:13:23
that, with white paint,02:13:28
and with green, green, yellow-blue,02:13:31
I mixed a little bit of Indigo, I added, I02:13:33
remind you, I put the lid here, I put02:13:36
the lid neatly and02:13:40
neatly, and02:13:45
I put it here, you can use a thin brush to draw the02:13:48
sticks, these are02:14:01
the proper umbrella, there is no handle the02:14:05
lying umbrella does not have a handle, but it02:14:07
will be there02:14:11
for the lantern to light up. There is02:14:14
one lifehack02:14:16
trick:02:14:18
take a little white,02:14:22
add it to it,02:14:24
or rather, take more white, add a little bit of02:14:27
yellow, just a little bit, and just02:14:30
like that. Around like that,02:14:37
I put a light yellow color with a smear like that02:14:40
and grow and smear along the edges Well,02:14:42
it turns out a glow shines,02:14:45
it turns out02:15:20
the handle is done very simply, take a02:15:24
thin brush, the thinnest brush,02:15:30
white paint and draw a very, very02:15:33
thin line in this direction like this, that is,02:15:38
not crooked, not slanted, but02:15:41
perpendicular to the02:15:45
umbrella, barely noticeable Well, it’s02:15:50
dark there a brown hook here or a02:15:52
noticeable one here The handle itself is here02:15:56
Well, this is just02:15:59
very miniature thinner no02:16:04
obvious there02:16:08
obvious bold lines a little at the end02:16:12
I’ll scatter white highlights like this just a02:16:15
little straight I’ll take a wagon of white02:16:17
white highlights here here here right here02:16:20
just a little more I take paints like this, white02:16:22
without oil and like this the effects effects of02:16:27
puddles of wet asphalt somehow people didn’t02:16:32
fall asleep02:16:33
Thank you writes Thank you02:16:35
all thank you for being with us for02:16:39
watching02:16:40
someone painted someone wrote someone02:16:43
just watched02:16:46
If you want to watch records02:16:50
we have a link in the description of Our Our02:16:54
Our Our video in the first02:16:55
comment there will be a link and you can02:16:57
buy yourself plus 50 videos on02:17:02
autumn themes but not only on the hay we02:17:04
will do more there02:17:07
so02:17:08
Subscribe be sure to02:17:13
we will do it02:17:24
again02:17:28
and02:17:30
on a black background for me they say there we have02:17:34
the address of our school02:17:37
info dog02:17:40
draw hands here you can write02:17:47
and yes yes here it is info dog draw.ru02:17:51
here is this mail02:17:54
where you can write ask questions02:17:56
about purchasing02:17:59
purchase videos02:18:03
while I was talking to you I02:18:06
put a lot of different leaves here if you02:18:10
will get to this place, you will definitely02:18:12
get there when you make a zone, a couple of02:18:15
flashlights like this at the end02:18:20
Look, set your work at02:18:23
arm's length, maybe on a table02:18:25
in general, just at a different angle,02:18:28
set it especially further away and see02:18:31
what you can always finish here are02:18:33
some places they are always not visible from02:18:36
close distance Give your eyes a02:18:38
rest Look Or maybe it’s even02:18:41
worth a couple of days there to let02:18:43
the paint dry out a little and02:18:46
then after the paint is dry you02:18:47
can always add some details, which is much easier,02:18:49
especially the leaves If you02:18:51
write such details like lanterns, if02:18:53
possible, paint them on dry02:18:56
paint. Let them dry a little02:18:59
and you02:19:01
can calmly finish the leaves, so I just02:19:05
put them on and didn’t really regret02:19:07
the paint at all. It’s02:19:10
clear that some places can be02:19:13
finished there for a very long time; there are leaves, then you can02:19:15
put them on; it’s clear that this is all02:19:17
practically endlessly,02:19:20
but unfortunately our broadcast is still02:19:24
limited, so I02:19:28
have to say goodbye to you little by little02:19:34
But we will see each other again It’s02:19:42
difficult It’s difficult to stop I02:19:45
can’t stop myself Well Okay, on this02:19:47
principle I consider that the work is finished02:19:50
But if I come across it still in sight I will02:19:52
definitely finish something else of course02:19:58
Subscribe your picture give us02:20:01
likes write comments02:20:04
Vitaly Tkachenko and the school of creativity were with you02:20:07
All the best All the best02:20:09
creative success Until we meet again02:20:26
So02:20:30
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Распродажа http://risuem50.tilda.ws/podborki Уроки со скидкой 90 процентов. Цветы http://risuem50.tilda.ws/flowers Дети http://risuem50.tilda.ws/children Море http://risuem50.tilda.ws/see Мастихин http://risuem50.tilda.ws/palette_knife Животные http://risuem50.tilda.ws/animals Поталь http://risuem50.tilda.ws/potal Стекло http://risuem50.tilda.ws/glass Акварель http://risuem50.tilda.ws/watercolor Портрет http://risuem50.tilda.ws/portrait Натюрморт http://risuem50.tilda.ws/still_life Фрукты http://risuem50.tilda.ws/fruits Пастель http://risuem50.tilda.ws/pastel Лето http://risuem50.tilda.ws/summer_sale Реализм http://risuem50.tilda.ws/realism_sale Сияние http://risuem50.tilda.ws/shine_sale У-син http://risuem50.tilda.ws/page29250784.html#rec472058123 Крылова 80 уроков http://risuem50.tilda.ws/page28956363.html Ткаченко 30 уроков http://risuem50.tilda.ws/page26984719.html 200 уроков за 18-19 год https://p445050.justclick.ru/order/200UrokovY/ 250 уроков за 20 год https://p445050.justclick.ru/order/250UrokovY/ 200 уроков за 21 год http://risuem50.tilda.ws/200lessons ---------------------------------------------------------------------------------------- Озеро с золотыми деревьями. Преподаватель Екатерина Седова. Ссылка на референс https://disk.yandex.ru/showcaptcha?cc=1&mt=53687EE59D1A77731420D186B377385BCB0AE725CEFE9895D48BD69CE7C194BEA28C0DF73898D5B54994810965E0F1539EFCF3CFC04D3825A6E120B30F47E9F7E39D809FBBC84918D55730BD9295E7567947A1164FBC6289B2F701963CCC1F031B7DAE7158CADAEE9C4718550925DC474CE9C417FC9E55C2227D7E065B311EC97A1D5DE34857F73A8C30907FADB4E4C6665DE785E3E1DE38A487E7FA2F682B509DD3BA79C8B1C74C580B0505F6790E465AB3A7C4E1C54AAECF129776A15DD38B00D843DB3535A4DA15A9DFAA9D6ED7DB8E9018BB25CA45D35271466AC3&retpath=aHR0cHM6Ly9kaXNrLnlhbmRleC5ydS9kLzEwZGd3NUQ0dnFtOTFBPw%2C%2C_13634ba22e547e2dc3f6ca59e9377823&t=2/1718016752/9c73cf3fcee6b7c0b49dd09eb8cee828&u=6ff64806-9e5e9a02-e3787ccb-69520250&s=90d2cbd16ebc8886ec7eab644a1f5aeb Школа Креатива 22год. .
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