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Russian
00:00:01
care and literally two minutes now00:00:04
let's wait, I'll connect you like this00:00:06
I quickly see let's go, I'm already gone00:00:10
I hasten to share quickly, I hasten to share with you00:00:13
tell me now I understand 19:02 now00:00:17
the very beginning will miss everything00:00:19
now if I speak quickly there and00:00:24
turn on the microphone, raise your hand00:00:28
write in the chat at what moment and if right00:00:31
we will now discuss all this in detail00:00:32
sort it out and we will we will00:00:36
third point what would I like I would like00:00:41
now after two lessons those who have already00:00:44
passed the main course those who00:00:47
watched art lessons00:00:48
processing I would like you to00:00:51
did your processing and would send it for00:00:55
parsing and saving the psd file00:00:57
so we can already look00:01:00
that is, I personally sorted it out00:01:02
It’s always very useful to show this exactly00:01:04
it is teachable for everyone and accordingly00:01:07
we are already here there is nothing to be afraid of00:01:09
absolutely so that it’s just in this00:01:11
what happens what was the import so that00:01:14
you have learned to do accordingly00:01:16
achieve another result00:01:19
We can arrange a question, how do you like this?00:01:21
an idea, for example, like a workshop to take in general00:01:24
photos and make a new one00:01:27
absolutely absolutely and here's to do it00:01:29
processing that is the right to see how I am00:01:32
I'm working to become called from behind here from00:01:34
start to finish along with artistic00:01:36
what can we do it will be like this00:01:39
option workshop times when there’s nothing there00:01:43
planned in advance like it's fate00:01:45
will start but you will see that I don’t have00:01:48
will overlap its steps stages because 1200:01:51
so only Hollywood can completely say00:01:54
that something can change when00:01:58
artistic photographs at the after stage00:02:01
daughter's look at when we make colors00:02:03
color grading before this is best00:02:05
do it anyway as it is00:02:07
in fact, the best in00:02:10
in principle, systematically, so what we have00:02:13
this prilla is here today, you can see00:02:16
you can hear me well, I can barely today00:02:19
stammer a little00:02:20
metabolites mouth I took a pill but now00:02:23
can let go that's why I can do this00:02:26
a little00:02:27
if we say it out of place, don’t be surprised00:02:30
so look now we will start00:02:34
let's start with this photo and I want how00:02:38
times here to show what moments moments00:02:41
we have up to the light color correction in00:02:43
basically everything you and I are right now00:02:45
studied00:02:47
in layers and I'll tell you and explain what we and00:02:51
so we do the first thing, of course the first thing00:02:54
when we have a photograph here it is on its own00:02:57
photographs have a lot to do with composition00:03:00
Now they make Instagram in the form of squares00:03:02
either a complete square or an incomplete one here00:03:04
if I'm not mistaken this is incomplete00:03:08
The square here is still a little tall00:03:10
larger than width name is semi semi00:03:15
and here, accordingly, everything is simple00:03:19
we move the canvas apart and, accordingly, from00:03:23
what is there you can see that is00:03:26
this is the part, this is the sleeve, it's here00:03:28
and went downstairs, that is, we calmly00:03:31
we take a uniform background for all of us00:03:34
lets us always lasso the floor blurry00:03:38
he it must be soft we take it00:03:40
cut out the part we need00:03:42
together with the background it is very convenient and00:03:45
accordingly, it’s simply already00:03:47
copy and add where we need it00:03:50
at the same time calmly00:03:52
work steadily brush work in00:03:55
with a mask we can easily wash where we have00:03:58
So now the questions are in the chat for now00:04:01
I turn it off so as not to be distracted and everything is everywhere00:04:04
also this one00:04:07
that's all too, and here we are accordingly00:04:11
it’s simply a necessary condition00:04:14
we always work not hard00:04:16
we almost always use tassels00:04:19
we work through the eyes because we00:04:21
need to be returned to remove this too00:04:23
very convenient when we take the material already00:04:25
from the photo we don't need anything here from00:04:28
you choose your father by color then by00:04:31
sometimes we can do color correction ourselves00:04:33
something is wrong with you and fix it, well, that's it00:04:36
in terms of what to do darker or lighter then00:04:38
we can do it but it's very convenient for us00:04:41
so no, if only I was from somewhere00:04:42
fabric was looking for one of the photos00:04:45
it would be more difficult when they can work00:04:47
The most important thing for us is that we can have a lot of shots00:04:49
do either but most often actually00:04:53
work, that's what he is, shots of him can be seen00:04:55
I'm just here, here's his sleeve00:04:57
I didn’t even move it here very much00:05:00
I cut it clean, these are the details exactly00:05:03
you know in general when everything is like this00:05:06
you can’t see the blurred one, that is, even00:05:08
here the most important thing is not to00:05:11
some sharp details some sharp00:05:14
I don’t notice any noise at all because we00:05:16
then I went to finalize it at the very, very end00:05:18
the most important thing is just to push it apart00:05:21
left and right this has already helped me00:05:24
to compensate for what is missing on the sides and00:05:26
accordingly from the fact that she is they00:05:29
straight lines are visible, no duplicate pieces are visible00:05:31
friend plus I realized what I have here00:05:34
covered my face we didn't like it I00:05:38
[music]00:05:39
this is already an eyebrow and the right one has been cut out00:05:42
turned left my lighten it up00:05:46
the main thing is to always look at what we have with you00:05:48
photos that's when we believe with us00:05:51
matches the color according to the lighting00:05:55
I’m drowning in all these moments, that is, if we00:05:58
I'll put something dark here, we'll do it right away00:06:00
in contrast I saw the same thing when00:06:03
with the rain that is when we00:06:06
cut out we see that later it’s darker here00:06:08
because the light is from left to right00:06:10
naturally we will logically clarify00:06:13
lighten with the same curves with the same00:06:16
masks any way we need and00:06:18
accordingly, when we move the eyebrow00:06:21
we her00:06:22
we also clean up around so that there is no00:06:25
there was no excess skin, that is, we00:06:27
We definitely always work with masks00:06:30
Then I added some hair extensions00:06:34
here because they seem to have disappeared00:06:36
also took the right and left00:06:39
I added these hairs translucently00:06:42
after all, we still have fabric here00:06:45
we already have frequency decomposition00:06:47
frequency decomposition where these are00:06:50
all sorts of scraps, these are all the details00:06:53
removed, that is, first what I did00:06:55
I did it anyway00:06:58
framing to shot composition00:07:01
increased the frequency flow at this moment00:07:03
decomposition after I saw that it was not00:07:06
enough here is such a blurry piece00:07:09
straight took just cut like you00:07:11
we can cut the pie with you calmly00:07:14
or take a very smooth piece and00:07:17
it will be smooth or we can do it ourselves00:07:21
take with you and00:07:24
exactly, exactly in detail anywhere00:07:27
cut out what we need and will00:07:29
a piece is correspondingly already more than that00:07:33
great blur to the point we need00:07:37
here we take it for you anywhere and just00:07:41
simply adding because it seems00:07:44
the place seems blurry and out of focus00:07:47
seems to look like us00:07:50
here's a little forehead on its own00:07:52
originally restored and accordingly00:07:55
he's done here, it's still covered00:07:57
because I closed the piece a lot00:08:00
straight eye and eyebrow hair here and00:08:03
a little bit of valbon and there is but she00:08:05
more comes through him after00:08:07
frequency decomposition00:08:09
after frequency decomposition this is00:08:12
remove after frequency decomposition00:08:15
here immediately the moment the daughter is violently and00:08:19
accordingly the first moment is selected00:08:21
brightened the places where our face where our00:08:24
parts we see, the rest we don't touch00:08:27
this is what we covered in the last lesson00:08:29
we can lighten we can darken00:08:33
some areas the most important thing is that00:08:36
emphasis on00:08:37
the photos look beautiful when she has00:08:40
work let's take some beautiful photos00:08:42
look with holy shadow pattern00:08:45
so that it is like this the larger the volume the00:08:48
In principle, flat is considered better00:08:51
the photos are so less attractive00:08:54
less some kind of magic I don’t know what they are00:08:57
they say they look completely different00:08:59
then the most important thing here is on the ground00:09:02
where is our face where are our parts00:09:06
the fabrics are in waves so that it doesn’t00:09:08
it’s flat, some places here are convex00:09:11
more just Svetkina and yes and lighting00:09:15
you see look we are not working 100:09:18
brush over transparency but still00:09:21
must vary what we have the most00:09:23
what is always light in a portrait is still mine00:09:25
face everything else looks like this00:09:28
conditionally00:09:30
supporting under and portrait of all of him00:09:33
history but at the same time it should not00:09:35
attract attention00:09:38
more than anything else than the face itself, but at the same time00:09:40
we can't sort of light up the face00:09:42
very strong in this regard we are calm00:09:45
arranging and doing to de berg because00:09:47
that the same burn is here after all00:09:49
manipulation when we00:09:57
here it’s just a little bit hard00:10:01
the same Berna is already directed at us here00:10:05
even before youth.00:10:11
this is not available with us either after now00:10:14
we'll figure it out and here we have it00:10:16
assistant daughter true00:10:20
here then on that child too00:10:24
flowers to the goal of the network so where do we have here00:10:28
Let's see us now and what is she, yes yes00:10:33
yes yes that's right we're a little darker00:10:37
darkened with makeup to make it a little better00:10:41
brighter comprise not the eyes a little00:10:44
healthy forehead so that it becomes more00:10:47
illuminated here and accordingly simply00:10:50
It's as if the place is not very clean at all00:10:53
a little like you see literally00:10:55
a little bit here and here and here I have00:10:59
what's interesting here is a little beautiful00:11:03
bleached lips yes00:11:05
here's a glimpse through the way that00:11:09
you know when we worship with a white tassel00:11:11
and accordingly through the underlying layer00:11:14
we are making a divorce because I refused00:11:17
from any other methods adds glare00:11:19
and not only do I use this one00:11:22
way to add highlights when shiny00:11:24
makeup00:11:25
when we have some decorations when we have00:11:29
we just add some sparkles00:11:33
this way, that is, with a white brush00:11:36
we do the sliding so that it’s soft here00:11:39
This is offensive and we immediately add it and show it00:11:43
as much as we need it00:11:44
becomes softer naturally00:11:46
ideally with all the money with00:11:50
with all the volume this is still preserved00:11:53
us and so before de Bern but after after00:11:57
artistically processed most often00:11:59
chaos begins for me, well, you can do this00:12:02
conditionally, but if you follow it, in principle00:12:05
there everything remains only for a moment again00:12:08
working with volume and working with color in00:12:11
basically because now she's well00:12:14
here is a picture like that picture00:12:16
you can take a photo too, we can00:12:19
do the framing we can do00:12:21
some kind of plastic we can do something somewhere00:12:24
we can build something up somewhere and remove something00:12:27
just these moments are all about it00:12:29
stage to work through and then we move on00:12:32
so much color and light correction00:12:34
common because in this form we can do everything00:12:36
anything can happen that the frame is not perfect00:12:39
wrong fabric flew wrong there girl00:12:42
hand there or something recently you got00:12:44
watched00:12:46
The photographer had a very bad shot00:12:50
the girl and she turned her face right here00:12:54
so here we go, let’s take a closer look at the camera00:12:56
it didn't work out, the hand was bigger than00:12:59
in general the head and and this is, well, kind of like that00:13:02
moments need to be corrected yes I am here in00:13:04
in this regard but00:13:08
as much as we can again sometimes better00:13:12
for example, it wouldn’t fit with anything to break through00:13:14
Then00:13:16
it looks strange what we have next00:13:19
further further we go in general00:13:21
color correction that is00:13:23
photography changes tone overall what we00:13:26
we can warm and yellow in principle it00:13:29
always good good and good for the skin and00:13:32
not for00:13:33
people on I would say for all people00:13:36
Warm shades always look good00:13:38
here is the color search we have just before00:13:42
compensates for this yellow sign here and00:13:45
respectively00:13:47
here we have00:13:50
different modes, that is, we are what we have00:13:53
there is color here, not even color and00:13:56
we can regulate transparency ourselves00:13:58
no one can tell you why00:14:01
I was told what color it is00:14:03
quite a subjective point but00:14:05
colors have several points00:14:08
which many adhere to00:14:10
there is a color scheme and tries not to00:14:14
more than three colors are available here00:14:16
see that gamma is the general principles of all00:14:19
Warm was chosen in the photographs because00:14:22
here the background is brown here it is pink00:14:24
already warm tulle here, chocolate hair00:14:28
lipstick but it seems that's all and I add00:14:31
just a cold shade of colors in00:14:35
the scroll is here to put it this way00:14:37
variety, that is, there are two shades of me00:14:39
it turns out I have warm shadows that00:14:42
all photos and cool colors and beyond00:14:45
we are what we went through in the last lesson00:14:50
raise the black point00:14:52
because most often we have to00:14:54
keep volumes but in artistic00:14:57
there is very little pure black in the photographs00:15:00
there is dark but most often it is tinted00:15:02
some shade and it’s nothing00:15:05
approaches h in a very dark color00:15:08
then you get black holes00:15:10
Lost detail is so great here00:15:14
It often happens that it is precisely by raising the point00:15:16
black, but the guides compensate00:15:19
I’ll take this contrast away from me now00:15:21
put less contrast photos00:15:24
what was it, for example, it was a contrast00:15:27
I'll stay here changing frames with the fact that we00:15:29
omit00:15:31
halftone halftone which is here00:15:34
is located about which he told how00:15:36
once we save this here00:15:39
this is the contrast of the photo at00:15:42
this leaves us so deep00:15:44
deep black it seems to me here00:15:47
nothing house empty layer00:15:50
here's how we can still influence00:15:53
some colors00:15:55
I see something, remember I always say00:15:58
according to its own principle, according to what is already there00:16:02
moment with people like me00:16:04
I edit my photos00:16:06
contrast always attracts attention00:16:09
bright always attracts his attention00:16:12
there is what I did I see what I have here00:16:15
this is no place already glowing00:16:17
if I'm here I'll darken everything00:16:20
darken I only need light areas00:16:22
just darken what's right here00:16:24
glow I take it00:16:27
clamp overlay darkening take from here00:16:30
the colors are next to each other00:16:32
it obscures what happens now I'll show you00:16:35
I'm taking the burn blend mode now00:16:38
she just takes the same repetition00:16:40
brush00:16:42
50 percent I take the color next to it00:16:46
what does this give me I darken you see but00:16:49
me00:16:50
everything else is not dimmed because00:16:54
in the mode of decomposing the dimming into each other00:16:57
friend falling colors he doesn't00:16:59
it influences, that is, look here it is00:17:01
it will be dark I will spend nothing00:17:03
it will be if I take a very, very light one00:17:06
color and I'll start here from carrying out00:17:09
I will only be influenced00:17:12
you won't even see another shade00:17:15
nowhere how they stick together, that is00:17:17
Accordingly, I have light tones00:17:20
this will be darkened by that tone00:17:23
which I took therefore in this regard00:17:25
it's much better that we don't have00:17:28
some manifestations why I don’t like00:17:29
for example, are there the same curves or something if00:17:33
we will darken it here like this00:17:36
everything will be darkened, that is, nearby00:17:40
some pixels lying and someone black00:17:44
which I want to darken now you understand00:17:46
what am I talking about it's the same thing00:17:49
This is how to remove shine from your face00:17:51
when we remove the same we can with00:17:53
some parts to tidy up, these here00:17:56
glare selectively00:18:01
who's who here00:18:03
here now about this moment00:18:05
you understand00:18:06
who who live answer00:18:09
I'm still here, I'm still halfway there00:18:14
daughter burn I don’t understand what he’s doing00:18:17
then look at the boilers just now00:18:20
then he watches it again here00:18:23
now it's over, we had a way to remove it00:18:27
oily shine from the face, that is, there is a function00:18:30
that we can light pixels on00:18:33
darken photos don't touch everything00:18:36
remember the rest00:18:40
but 2 hair00:18:44
these bald spots too00:18:50
way it works on all photos and00:18:53
we need to take this here we have these00:18:55
they are so bright enough to00:18:59
remove them simply with attention and00:19:01
in this way then I will honestly say not00:19:05
I remember that if la is done here but what00:19:09
then also breeding on warm cold and00:19:11
leaked accordingly further we go00:19:14
I'm just a vignette vignette let's just say it00:19:17
what goal is our goal?00:19:20
just remove the brightness and all all our00:19:24
center of the composition all our attention all00:19:27
still more precisely in the center on00:19:29
girl that is we when we process00:19:32
We try in every possible way to00:19:35
our character00:19:37
will focus our attention and for this00:19:41
we need 1 compositional technique and to00:19:44
they also include00:19:46
her compositional technique of contrast00:19:49
dark hair itself on very light00:19:52
fabrics, that is, if you look at this00:19:54
the most contrasting place is here00:19:56
also the first one she has a light face in the background00:20:00
dark hair is the second contrast and we00:20:03
we remove all these accordingly00:20:05
contrast and brightness from next to00:20:08
her, look how much it is00:20:11
always carefully and quietly, that is00:20:13
the light has been removed from him00:20:16
by a little . I'm untouched by black00:20:20
I encourage you to always work as if we00:20:23
I’ll return it right away when we’re layering00:20:25
let's layer these steps here00:20:28
sometimes don't do anything radically00:20:31
there's no way to turn it around00:20:34
darkened does not brighten radically00:20:37
radically it’s always as if00:20:38
slightly layering further with us00:20:41
color correction will be added in reverse00:20:43
a little blue already in warm weather00:20:46
our blue tint and further in our00:20:50
curves, it’s interesting that we have curves here00:20:53
generally done00:20:55
generally empty, but here we have a little00:20:58
on the contrary, I’ll add contrast here00:21:00
the black point is squeezed a little bit literally00:21:03
several entry steps, that is, we are than00:21:08
behind focused color we focused00:21:11
volume we focused all these here00:21:13
details from merge with usually here like this00:21:16
moment00:21:17
draining because sometimes it happens that I00:21:20
I'll make some contrast there, I'll mushrooms00:21:22
you can see it here here00:21:24
the photo itself is made brighter00:21:26
so contrasting but too kondrat00:21:28
strongly in any way and naturally00:21:31
reduce the percentage with opacity there00:21:33
it's always the contrast it's under00:21:36
in work there is always layering00:21:39
a little bit by a little bit by a little bit and00:21:41
here we have the final one00:21:47
so now she's turned on for the noise00:21:58
once we look at00:22:00
we are not talking about works here and it is true that00:22:04
we have . black, that is, in our00:22:07
selective color correction we can00:22:10
influence highlights on shadows on light a00:22:13
selective color correction visible here00:22:16
that they are insulated, no, they are on their own00:22:19
that's the age they became they were00:22:21
these are more greenish let's say00:22:24
notorious and they are seen only in the shadows00:22:26
we have a more purple color again00:22:29
vignette that is, I look at how much I00:22:31
I can also put it, that is, we have a vignette00:22:33
enter that we can close all00:22:36
photo and very often I showed you00:22:38
this is an example of what I love exactly00:22:42
curves, that is, I darken without00:22:46
changing the contrast of a photo without00:22:49
contrast changes in drama and00:22:51
accordingly we do bennett on those00:22:53
most simply, leaving it light00:22:56
his face is not affected by mine00:22:57
rubbing with a necessarily gradient00:23:01
as far as possible because here from00:23:03
click and mask 7 more, that is, here is the face00:23:06
and the mask is even more elaborate00:23:09
I couldn't really see these guys00:23:11
transitions when we are not visible on00:23:14
We have photos of no transitions00:23:17
feeling that it's as if she00:23:18
I photographed the circles here like this00:23:22
draw twists00:23:23
simply and easily00:23:26
logical the simplest thing is to take00:23:29
circle area tool00:23:32
hold down 6 how it works for us00:23:36
you oval area us as if we00:23:40
just ideas for something, we highlight it with us00:23:43
makes a different shape if we clamp 6 y00:23:47
we are a perfectly even circle if we00:23:50
hold alt we draw from that point but00:23:55
Accordingly, always check hot00:23:57
shift keys kodra alphas they give us themselves00:23:59
they help if we squeeze00:24:03
shift and alt at the same time we have just00:24:05
circle from the center where we will show that is at00:24:08
The most important thing for us here is that our task is00:24:10
is to make a circle and00:24:13
place it accordingly where it is00:24:15
needed00:24:16
then with the right button we can do everything00:24:19
anything we want we can do a stroke00:24:21
contour choosing the color we need in00:24:25
in this case he was white made in00:24:28
width00:24:30
accordingly we can make a stroke00:24:32
5 if I bet now 50 I will have00:24:36
50 exactly we are selecting along the contour00:24:40
will be held if we do00:24:43
For example00:24:44
make a stroke there will be 5 pixels00:24:47
thinner if it is already here00:24:49
you find yourself as long as you need00:24:51
some figure and accordingly when00:24:53
we are making some kind of vodka we can do with you00:24:57
set our layer to blend mode00:25:00
who wants to ask now let's ask00:25:02
Now I’ll ask her to show it too00:25:05
us further something I multiply or soft00:25:09
light soft snow molting if I hid00:25:13
I'll transfer the attachments, what happens is the ball but00:25:16
they were so transparent and tender00:25:19
shiny lion and eat the same no proposition but00:25:23
this is brighter00:25:25
hanging in multiplication translated to00:25:28
the set will be brighter and stylish00:25:31
so what was done was not fucidin00:25:37
I'll look there for a second now00:25:41
no I did00:25:44
soft mesh and white and multiplication will be00:25:51
disappears live darkens00:25:53
disappears disappears for00:25:57
we are now white again, good luck00:26:03
important for need it is actually very00:26:07
It is important for us to multiply white color is not00:26:10
see at all00:26:12
so I will ask you00:26:15
I just remembered it in the back of my mind00:26:18
multiplication white color does not see at all00:26:21
we have snowflakes on a black background00:26:24
the correct texture they are white on black00:26:28
background we apply the blend mode00:26:30
screen00:26:32
correct Elena solid 5 everything is correct with us00:26:37
here on the contrary we have here00:26:40
modes but blending modes00:26:43
dimming they don't see white00:26:47
they don't see the dodge blend mode00:26:49
black color here white and here00:26:52
black is what one does not see, respectively00:26:54
multiplication white accordingly does not see00:26:57
blending modes light and black00:27:00
we will be here black and we will put00:27:03
screen and00:27:05
fill us in black, nothing too00:27:08
doesn’t see and then all ours are already on the screen00:27:11
these snowflakes are all our little details00:27:15
they manifest themselves perfectly in our country and00:27:18
on a normal one, that is, we see it like this00:27:21
here's the view00:27:23
blend mode overlay soft light00:27:26
mode and attachments do not see contrasts00:27:28
what color00:27:31
gray and00:27:33
10 percent sulfur and00:27:36
to treat is very important to use00:27:39
us textures our works00:27:43
in this you can say I don’t know for sure00:27:46
the most important thing is that it is most often white00:27:49
there is no point in working with the screen because00:27:52
we have a white screen mode then the percentage is we00:27:56
we will see him, that is, if I wrap00:27:59
for example, an empty layer is white and converted to00:28:01
scabbard mode screen00:28:03
I'll see white he don't mix it up00:28:08
Contrast mode is not the lightening mode00:28:10
accordingly we are best when we00:28:13
we want some details like this00:28:14
lose or use something for you00:28:16
blend mode contrast and that is00:28:18
overlap is best because with00:28:22
soft light but a little softer00:28:24
home we work with him most often00:28:27
suggested on the skin, but when we want00:28:29
show something we are working with the regime00:28:32
respect for the overlap here we have00:28:34
we don’t do anything by covering Leskov00:28:37
remember everything that is sharp in the photo00:28:39
attracts a lot of attention even here00:28:41
now you must agree that this is the legacy00:28:44
sharp immediately catches our eye00:28:46
according to it is a straight segment and00:28:50
lighter even the ones we already have00:28:53
by any means we can size them00:28:57
we can use blur by00:28:59
we can use Gauss even if we have some00:29:02
there we can pick up the tool00:29:05
a droplet and it will blur us and where00:29:08
we need but automatically if it suits00:29:10
a lot of the same Gaussian blur and00:29:12
accordingly we can change more00:29:14
transparency that rams are not much like that00:29:16
influenced that is, we can take00:29:18
filter-blur-gaussian blur and00:29:20
take a little bit up to 2 pixels and00:29:23
divorce so that we don't have too much00:29:26
we still get circles with you but also00:29:29
Did he match the master's mask?00:29:32
where is it I need a circle in this case00:29:35
circle in this case it has this too00:29:37
compositional solution to00:29:39
focus create such a frame with us00:29:41
here creates a frame frame these here00:29:45
tissue behind her and focusing even more00:29:48
look in two circles we cut off everything00:29:52
we have00:29:53
closed, the composition is absolutely00:29:56
we have an absolutely wonderful composition00:29:59
fingers are directed towards the face additionally00:30:02
that is, our hand shows, look00:30:04
on my face if you were thinking about moving out00:30:06
on myself it is very important I on people more and more00:30:10
I will say that it is very important to follow the photographer00:30:13
hands in the frame dad in the hands of us pointer00:30:16
as soon as that finger is somewhere00:30:18
humanity look after the eyes of the scoundrel00:30:21
show your finger and very often to00:30:23
focus most of all on what is there00:30:25
some are trying there with everyone00:30:27
some poses to the face, that is, it’s ours00:30:30
our signs direct exactly where00:30:33
we want to see and it changes very often00:30:36
photos use for more00:30:38
more00:30:40
here here look here here look here00:30:44
already fingers as soon as we want if00:30:47
we show there in the frame some00:30:49
clothes, what is he taking pictures of us00:30:51
necessarily with your hands as presented00:30:53
shown this will be our corfu hairpin00:30:55
we will be there, that is, we are already00:30:57
we focus the settings and pointers to where we are00:31:00
we want to direct our this is our gaze00:31:02
the viewer is everywhere accordingly00:31:05
oppositional reception frame around the girl00:31:08
yes, that is, we are also them and we are just00:31:12
I scold, that is, everything, everything, everything, we have there00:31:14
about the deer goes well here considering that00:31:17
such a beautiful line is also drawn00:31:21
the mass is obtained here and00:31:25
this is how we wrap it up, that is, we hit it00:31:29
these sleeves are exactly what he's wearing00:31:31
I really want a lot of circles like this here00:31:33
which I can still strengthen and00:31:35
screwed up enwrapped and we have it here00:31:39
circles and here the circle and fingers us00:31:41
the country is shown exactly like this00:31:44
full cavity bloat on the girl and00:31:48
that is, I always do the same00:31:50
I try if the fabric is located if00:31:53
something and we always try not just00:31:55
how can I add it somewhere and00:31:58
more so that they are precisely compositional00:32:00
didn't play for my work anymore00:32:03
so here further so this tiny00:32:06
copied00:32:08
it was sculpted white00:32:11
then we have nothing new again00:32:15
darkening everything even more so that we00:32:18
the girl beamed even more and at the same time00:32:22
we count the white colors in the middle00:32:26
that is, look, I'm darkening here by00:32:30
all around, completely and brightening. white00:32:33
that is, in itself I have black00:32:35
doesn't go anywhere if you look00:32:37
there is black around the edges, it’s like it’s them00:32:39
there is not lightened only exclusively00:32:41
. white that is, I see that00:32:44
his face is a little dark and not so visible00:32:47
raising the white point accordingly00:32:51
everything brightens up for me but because I00:32:53
below I darkened all these around the edges00:32:56
me naturally most00:32:58
brightens in the center because underneath00:33:01
everything then looks at what’s around and as if00:33:04
It's not that visible underwater, but00:33:07
there it surrounds but most of all in everything00:33:10
all all all manipulations on the girl00:33:13
next we have00:33:15
I remove this contrast even more00:33:18
why aren't we attracted to contrasts?00:33:21
Please note we have white fabric underneath00:33:24
black background and, accordingly, this one00:33:26
we'll remove this moment because watch00:33:28
if you look go to how much00:33:29
with the eye too, here it’s already normal00:33:32
it spread into it seemed like00:33:36
transition and here we see such good ones00:33:39
good contrasts, that is, usual here00:33:42
way00:33:43
added contrast decreases it's like me00:33:46
showed you the fastest way00:33:49
usually a simple layer of 20 percent00:33:52
take 15-20 percent directly from here cs00:33:56
just paint over the photos and that’s it00:33:59
photographs remain until contrasted and00:34:02
everything and accordingly what shade00:34:04
take take take Tyumen you will have00:34:06
darker but you don't interfere00:34:08
the contrast you have inside these photos is all00:34:10
it darkens while you have everything00:34:14
remains from 20 percent for example00:34:16
brush, you can therefore always00:34:18
divert attention from some details when00:34:21
this is not to interfere too much with the very00:34:24
photograph and further accordingly00:34:28
regular brush unusual brush for00:34:31
I finished adding some highlights00:34:34
also an accent point and because 4000:34:38
I love the shiny ones here in the back because00:34:42
that 40 love brilliant and accordingly00:34:44
naturally I will refine our self00:34:47
showed that it seemed a bit boring00:34:49
carries away some axles and you can ride on them00:34:51
add some accents you see00:34:54
accent and these are all the details they are00:34:57
they are all different in size and they are different in00:35:01
brightness saturation, that is, they are not00:35:03
everyone is the same in this most often I would00:35:07
I would say it must be observed in any00:35:09
moment we had a lesson there to clean ourselves00:35:11
so that we always break this here00:35:14
different as if to have a 3d state00:35:17
so that we don't all have the same00:35:19
completely particles these drops of post00:35:22
one in the same flower so that00:35:24
try to dilute it less anyway00:35:26
more one side the other00:35:28
something brighter right here right away00:35:30
it's clear that the places here are darker than ours00:35:33
less here some emphasis on somewhere00:35:35
here is the brightest one here to get closer00:35:38
to face do that's why here in00:35:41
in this regard, we are just an ordinary layer who00:35:44
maybe even from 68 to 300 is too bright already00:35:47
might take attention and when00:35:51
we're reducing it a little, they're already like that00:35:53
it looks like fireflies are flying00:35:56
fireflies in the photo but at the same time00:35:59
us here girl the most important thing and00:36:03
the latter is our mind and00:36:06
let's add juiciness, that is, a little bit00:36:09
more juicy ones00:36:16
I wonder why I have the sound myself00:36:18
turns off00:36:20
here the saturation of pores with noise is what00:36:23
we have it recorded in00:36:26
action games the fact that it is recorded so we00:36:29
we can work with you any way you want and we00:36:33
we can excuse you but powerful for fireflies00:36:36
questions in normal drawing mode00:36:39
but how00:36:43
or elected in some kind of regime usually00:36:47
brush brush brush normal mode00:36:51
layer and a regular brush00:36:54
unusual glasses for drawing highlights she00:37:00
together with00:37:03
19 necessarily white color black00:37:06
fireflies looks strange and here we have00:37:10
there is such a command brush00:37:13
there is a set00:37:15
no but it's most likely no yes for me00:37:19
there is because tarte and where00:37:23
there will still be footwear there I'm not berloni00:37:25
let there be icons a whole set of magnificent00:37:28
this one brought the scales with which he00:37:30
shared and took work with him00:37:32
no more photoshop with us brushes00:37:34
doesn't work for any great set00:37:37
which some don't work at all but00:37:42
everything everything you can everything in his appearance no no00:37:45
it was there added it found a brush00:37:48
because of all the brushes that exist00:37:50
what I like right away I say there is00:37:54
These are the highlights, let me show you the bad ones00:37:57
tassels00:37:59
so that it is also clear what is bad if00:38:02
I'll just find it00:38:03
like this like this like this more often00:38:07
everything is drawn it you know you need00:38:10
work with it very carefully and here you are00:38:12
you can see such looking textures then00:38:15
the rays of the sun are very even00:38:19
so perfect, just drawn00:38:22
which actually give out, well, sort of00:38:25
photoshop in general the country is a star00:38:27
identical is called radial00:38:29
we are getting divorced and I am accordingly00:38:32
I've been looking for a brush for a long time00:38:35
looks like damn when we just have00:38:36
there is a lot of reflection, I have everything too00:38:41
this is not very good00:38:44
maybe somewhere for decoration or something00:38:46
uses but in fact she again00:38:49
she immediately looks right, that is, in photographs00:38:52
in photographs which one is better not to use00:38:54
if you are doing some kind of design volume00:38:57
plan that you have one inscription of some kind00:38:58
there next to you there everything is vector00:39:01
please but no photos00:39:03
adds such tassels and then this00:39:07
probably anti anti trend anti always00:39:09
trend I would call above as anti always00:39:13
see some different ones there00:39:16
brushes there on the right there on the left eyelid you00:39:19
obviously you shouldn't use them00:39:23
Same00:39:24
because well, that’s what it’s like00:39:27
you don't need these petals00:39:31
I won't tell you why I have them in my set00:39:34
lie00:39:37
I'll clean everything, I'll put everything away, but most likely00:39:40
are there any I still use for00:39:42
some detail because I would00:39:44
said that there were some tassels with00:39:47
some particles with details here00:39:49
this is how I will be00:39:51
which ones can be used with them00:39:54
work they are so vague somehow00:39:56
a hole for dust something that gives here00:39:59
such a graphic element is drawn here00:40:01
perfect star burning in the forehead00:40:05
I'm a perfect ray of sunshine00:40:09
against such brushes because it00:40:11
it immediately says photoshop is already there00:40:13
this is not even creative photoshop00:40:15
graphic vector more photoshop00:40:18
here00:40:20
I don't mind at all, I'll share it00:40:23
black brush because most likely00:40:24
from everything that I generally found my lives00:40:27
It wasn’t this brush that suited me the most00:40:29
because she can draw00:40:32
normal black00:40:33
it is any size00:40:37
accordingly he is big and small00:40:39
really looks like a glare glare what is it00:40:40
there should be something like this in the middle00:40:42
a bright spot and then this radial00:40:44
blur around and everything is perfect00:40:48
Vic00:40:49
when he's unobtrusive there's no one here00:40:51
the details here seem to be something00:40:53
glows and the light of the floor comes from it00:40:56
such here more intensely here courts00:40:59
it's fading away it's black let's try00:41:05
it will be very good to draw on black00:41:08
you can see how black he is00:41:15
comfort you are generally very different00:41:17
tassels, that is, I think it’s from that00:41:21
that now I found this very day and00:41:24
because he has a thin one here00:41:26
but everything diverges unobtrusively so if00:41:29
we look at it all as it should and00:41:32
accordingly they can’t a little00:41:35
here if she has a brush so configured00:41:37
it's dissipating, that is, I can00:41:40
make a brush like this and in it00:41:42
the bricks will all be spread out like this00:41:44
they don't really do anymore00:41:47
fireflies, you will see these circles00:41:49
layered on top of each other, that is, in00:41:52
in this regard, it is only the use00:41:54
when exactly where we need it00:41:56
put it and that's it, we can make dynamics00:41:59
don't make the form and we'll have the same ones00:42:02
everywhere and this is already a matter of configuration00:42:05
brushes the same, we have a different topic here00:42:07
That's why00:42:09
no problem, interesting, I liked the brush00:42:13
sharing please use00:42:16
further we have noise, I wanted to say00:42:20
so that you are not afraid to work with us00:42:23
besides the fact that we are in shock from what we are used to00:42:25
usually he first of all calculates you, that is00:42:29
all I'm doing right now is here00:42:31
cut out everything I'm here with a stack of you00:42:35
see look00:42:38
you see, it seems like I already see it there00:42:40
some inconsistencies are visible as soon as I00:42:43
I’m adding noise, you can see he’s eating and crusting00:42:48
no longer catches the eye and00:42:50
artistic form in general when we00:42:51
some kind of manipulation with00:42:54
cutting something out somewhere pulls from us00:42:57
the noise does not change, our noise does not change00:43:00
recycling is everything and when do we get enough00:43:03
at night he does the opposite, she helps to grow together00:43:06
putting all the work together the only thing we00:43:08
we do it at the very end, it’s mandatory00:43:11
and we we make it different that is we00:43:15
we can do what we do, there are two of us00:43:17
tires we have a normal noise which it00:43:21
all the photos and noise on the skin we can do it00:43:23
duplicate reflect we can noise00:43:26
put a piece out of it but00:43:30
new syllables and increase accordingly00:43:33
here it is by itself00:43:36
the cell up to the dot will be larger00:43:39
now I'll delete all these and turn them off00:43:43
I'll show you00:43:44
look at us somewhere in the dark it would be better00:43:47
everything is visible00:43:50
you see our noise has become larger and it seems00:43:53
even if our mind already looks like it has stretched00:43:56
it became less grainy as if00:43:59
here in the photo it’s so small00:44:01
the texture without it is even a little bit00:44:04
it looks bald I would say for00:44:07
metal to poke it here buys already00:44:10
we can do more here00:44:14
superimpose, look at the visual for this00:44:16
it looked fine so I didn't00:44:19
one every two sometimes and 34 these are all00:44:22
On the contrary, we will splice the parts together00:44:24
will splice for example I love the noise00:44:28
We are not afraid, on the contrary, we are a helper for you too00:44:30
advised to use what he had00:44:32
just scary and juicy at the end like00:44:34
since someone usually lacks camera raw00:44:37
first when converting we would then00:44:40
We'll return your husband when all the colors are with you00:44:42
we'll do everything right my00:44:45
brightness and we end up with00:44:48
let's earn some money, look00:44:50
as far as you can see the ointment with emphasis on00:44:53
face still goes so dark where00:44:56
our face is right here, that's the mass00:44:58
bright and we did everything around and so that00:45:01
us, this was the center of everything and everyone00:45:04
manipulation00:45:05
here are the rest you see what's in00:45:08
basically none here all curves00:45:11
Here00:45:13
ours that is all all all all tools00:45:16
which you and I studied, they are all here00:45:19
applied, that is, I would say most of all00:45:22
what is the composition here in principle?00:45:25
systems everywhere no matter what we do now00:45:28
let's see the same thing here too00:45:31
done if you can see the alignment00:45:33
that is, everything is about the girl00:45:36
there was more to highlight on it00:45:38
attention00:45:39
there is a question here, now it’s clear00:45:43
now therefore the before photo on this00:45:46
it’s clear why just circles and so on00:45:48
dear00:45:54
on the body that she reminds me of00:45:58
me one brilliant screen or about everyone00:46:01
huge screen I'll go enlarged to screen00:46:04
And00:46:05
I mean, I increased the tap, I poured out the seedlings00:46:08
new spirit00:46:11
Can I ask about background stretching?00:46:15
did or filled in the background stretching00:46:18
here on the left you can even see the stretch00:46:21
stretcher on the right and here is a piece above it00:46:23
cutout you see in the hands repeats it's me00:46:26
I see this00:46:30
so yes girls and to the left counter00:46:34
like this, that is, everything is just like this00:46:39
all this is already here, too, right here00:46:42
it is missing and here we add it00:46:45
there are pieces from here simply00:46:47
multiplied you can say but do everything00:46:50
these fabrics and00:46:51
they stretched it from below so that let's say what00:46:55
We have less to fill in in general there00:46:58
copy-paste fillings are better according to the maximum00:47:01
if we can move apart unnoticed we00:47:03
move apart00:47:04
just sharper00:47:07
noisy all the photos for example we do it too00:47:10
copy a piece to make it grainier00:47:12
a larger layer was given accordingly00:47:14
suddenly it will be too much on the face00:47:17
green grain will be needed on00:47:19
there is no need to wipe the mask because well00:47:22
Somehow it all needs to grow together, well00:47:23
for example, I really want you and if you00:47:27
Is the graininess scary or something?00:47:30
for example, like this, I have no one00:47:31
will consider and in general in principle00:47:34
yes if when I print from me00:47:36
a lot of grain when printing is not at all00:47:38
will appear because the seal eats00:47:40
through terminal d you micro 15 small here00:47:43
accordingly, do not remove it because00:47:45
us would have a different face from all the details of us00:47:47
here shundo if you don’t like something then00:47:50
there is, accordingly, simply00:47:51
less than you can see literally how much00:47:54
we can, well, that is, we can have one of our own00:47:57
let's help 2 employees he c34 but00:48:00
only unity so that it does not disappear00:48:03
these ones are missing so that they have00:48:05
we will remain here everything remains to you00:48:07
remains in principle that is, so this one00:48:10
there was no longer anything superfluous, that is, in this regard00:48:13
Let's see who will open it on Maxim00:48:15
computer00:48:16
on00:48:18
in principle, that is, everyone will be there00:48:21
everything will happen at once precisely because of this00:48:24
noise splices these parts all that00:48:26
here the manipulation was carried out on the forehead on00:48:28
changed her right as here supplemented here00:48:32
All these details are just right00:48:34
still hand here to work there area00:48:37
it's light here it's dark you can still work00:48:39
actually sometimes too00:48:42
install because damn you00:48:45
you know this thing is where the ideal is00:48:47
sometimes you just need to sit here00:48:48
stop because you can here and00:48:52
noise noise don't be afraid of him that is she's in00:48:56
in principle but it will only help in any way00:48:59
case, don't wash your face, start your face00:49:01
be bald around sushumna00:49:04
missed throw we copied it00:49:08
this was cut out and the transformation was reflected00:49:12
I'm horizontal00:49:14
round00:49:17
[music]00:49:22
this moment00:49:25
here we have an eyebrow, here it is, you see it here00:49:29
this eyebrow of reflected judgment and00:49:31
the backlight has been adjusted so that it doesn't00:49:33
was darker and further than the hair here00:49:36
added translucency from here00:49:39
you work here, a piece of what you don't care00:49:43
everything works using masks if you are now00:49:46
I'll delete it here00:49:49
this piece of hair00:49:52
just simply cut out main about what00:49:55
we have it in the photo, add it here00:49:57
what was the goal I had the goal of that00:50:00
to show some information here00:50:01
hair because everything starts here00:50:03
now you have closed me, there is a feeling that it’s the same00:50:06
I just cut off a piece of the chapter here00:50:09
returns that at least a little for now00:50:11
it was a hint that there was hair and00:50:13
there is a forehead and an eyebrow, that’s what I am00:50:16
I kind of left this detail too, but00:50:19
so that it's not so conspicuous00:50:21
I have face booty portraits the most00:50:25
pay attention to the pizza so that it's on him00:50:28
there was more emphasis on people's eyes00:50:30
more emphasis and, accordingly, all their own00:50:32
actions to make it look brighter00:50:35
not everything can be detailed in lighter contrast00:50:38
in face00:50:39
here circles circles me fetish on the circle you00:50:43
I just have a fetish for something00:50:45
legs ore everyone love round first00:50:48
I think that a woman is such a creature00:50:50
round man moreover angular00:50:52
being a woman is more around me00:50:54
you can see circles everywhere00:50:57
circles circles it's probably mine at all I'm not00:51:00
I know00:51:01
it's called a fetish because00:51:04
everyone knows me everyone knows how much00:51:06
I got my head turned 'bout the clubs in00:51:08
basically, if you look at us always00:51:11
everything is so round in the photo00:51:13
woman shape round breasts ass natalya00:51:17
on the contrary, we are trying to go inside, that is, in00:51:20
In this regard, we have become out of sight of the windows00:51:21
hair is round and that’s why the principle00:51:24
visit us if there is any fabric that00:51:27
very straight and I will plastically00:51:30
push it in so it is more rounded00:51:33
that's why I'm constantly adding different ones00:51:36
there are a lot of unian circles00:51:39
wherever you can look where00:51:41
I'm not afraid of sin at all00:51:47
that's why I don't think so here00:51:52
for me even these details are they00:51:55
all people all all circles hair too if00:51:58
plastic trimmed for artistic purpose00:52:01
always be sure to have all straight curls00:52:04
there is everything I will round, but only00:52:06
the only thing that didn't look like it was00:52:08
you know approached them because sometimes very00:52:13
direct fabric take show was connected00:52:17
everything to be like this00:52:19
now I'll show you how bad it is00:52:22
plastic filter00:52:27
I hope it works out00:52:29
then in the end you see so that you understand00:52:32
that is, people against people against the background are stretched out00:52:36
in further to the edges that is, when we have00:52:39
take00:52:43
it's hard with a computer and just like that you know00:52:46
that is, it’s perfect when00:52:48
someone makes it look like photoshop00:52:52
it’s immediately obvious that00:52:55
intake you don’t have to do that and hair sometimes00:52:58
they also remake it so strong00:53:01
you can immediately see that this one is right here00:53:04
such a golem00:53:06
Well, you don’t have to do that either, but like this00:53:10
I don't know you all the time crescent here00:53:13
spheres and00:53:15
accordingly, wherever you look there00:53:17
ports I always have everything around this00:53:21
circles so I guess this is mine00:53:24
favorite00:53:26
it’s just logical that women are huge00:53:29
there shouldn't be a bland existence00:53:30
corners and that's why I have it everywhere basically00:53:33
semicircles are demigods and in the works that is me00:53:37
I try to do this at least a little bit though00:53:40
just a little bit so that this account seems00:53:42
if it were like this and I would think a lot00:53:44
only when the demigods she adds00:53:46
movement in general is already dynamic even with00:53:48
considering that there are trees there00:53:51
a little bit if they just stick00:53:54
before with them it’s also not so beautiful, but here00:53:56
they are already making a frame of semicircles if only00:53:59
it would just be like this here00:54:01
the fabric would have been stretched too, it would have cut00:54:03
after all, straight lines are more00:54:05
you know suitable for graphics somewhere in00:54:08
city where there are houses where there in00:54:11
case even with houses, I mean00:54:15
some woman would sing on the floor00:54:17
in such long semicircles00:54:20
but there should still be graphics here00:54:22
there is already a full full schedule00:54:24
everywhere where then what not to see and00:54:27
I will always be around this is circles00:54:30
circles00:54:32
circles00:54:34
circles and circles here, that is, completely00:54:37
take the whole circle here, that is00:54:40
compositionally example reception circle I00:54:43
I use it wherever possible00:54:45
Any details if there are flowers00:54:48
and I will post them in a circle if I00:54:51
I will retouch I will use lines00:54:52
some voluminous circles and everything everywhere00:54:56
as soon as possible around, that is, I will00:54:58
lay out in circles because it's00:55:01
compositional device that focuses00:55:03
the framework that focuses precisely pricks00:55:07
and I have a lot and always have it00:55:11
if semicircles I want to add from for00:55:14
me these are the graphic elements that you00:55:17
you see on these circles it's called00:55:20
everywhere, everywhere if in principle even00:55:22
look at other works on the Internet00:55:25
you also see a lot00:55:27
there are very few semicircles and semi-details00:55:29
you'll see deer like this00:55:32
direct because we work after all00:55:35
circles at the tournament those circles you don't even00:55:39
I know and here the finger level will be a cover00:55:43
see the circle00:55:47
day to register these things if we take00:55:50
there is an artistic gift photo00:55:53
artistic years we will even analyze00:55:56
others00:55:59
Pictures00:56:01
Let's see the rating a little bit without distracting00:56:05
star something something something00:56:09
some other ones here too00:56:12
as if artistically not everywhere00:56:14
artistically with us in any case00:56:18
hair circle skirt goes in semicircles all these00:56:22
details no straight branches semicircles very00:56:26
in many of these details we00:56:28
we drive, we see circles even with straight lines00:56:31
here is the common sea, we have a building, we have furniture00:56:34
I don't like to take pictures of wallpaper where00:56:38
straight Vinny there is nothing with them00:56:41
you will do it, but you will lock the buildings in the city00:56:45
there will be photographs, there will be straight lines00:56:46
but with a girl, that is, when we are in00:56:48
the photos will be beautiful00:56:51
look this is even at the moment when we00:56:53
photographing the girl by herself00:56:56
she'll be weird00:56:59
straight joint like a stick, hands at the seams and00:57:03
accordingly, right here00:57:05
a rectangle would be great if00:57:07
it will move its legs west and00:57:09
accordingly, now I have already gone to00:57:11
master class on photography00:57:13
we slow down00:57:15
I think that’s the general concept now00:57:18
It's clear00:57:21
I would even encourage you to do semicircles00:57:24
women will not use it00:57:26
we are all such soft creatures00:57:28
constantly caught by the light that that is straight00:57:31
they even by themselves are always more than that00:57:35
there are straight straight lines trying to00:57:38
tilt them so they show the dynamics in00:57:40
footage they try them how to do it00:57:42
ascending or descending00:57:44
straight line this way more00:57:47
calm, motionless stage, straight graphic00:57:50
so when we wrap things up differently00:57:52
the picture immediately becomes circles00:57:54
dynamic she lives we still try00:57:58
show such 3d even if00:58:00
plain background, that is, we will be there00:58:02
girl does anything even get paid00:58:04
literally neatly little by little00:58:06
at least make some movement on the lines so that00:58:08
they'll just play the pictures then it's00:58:11
will always look better in00:58:13
finally on the photo itself00:58:15
so the break is difficult or let's move on to this00:58:22
small00:58:25
one minute let's study in the oven00:58:28
5 to00:58:31
1 minute we are in 1 minute 1 Moscow01:01:02
return01:01:04
Valentina, can I ask you a question?01:01:07
places loud photo there is a girl in01:01:11
chelmer like this I think I saw before and01:01:14
after this is already in tor for creation01:01:16
non-existent headdress01:01:20
I understand the circle and I’ll show you how to use it01:01:27
So01:01:51
he will be back so who wins us video01:01:56
move here01:01:57
her microphone and video hello01:02:00
valentine01:02:06
2 streams01:02:08
Great01:02:11
Great01:02:14
roll call01:02:21
This is fine01:02:28
[music]01:02:43
paid01:02:48
I will show you later01:03:00
This01:03:01
I always have peace I always keep01:03:08
gradient with01:03:10
I realized that the tour ball and food art are on01:03:13
English photoshop was done take01:03:16
all layers 12001:03:18
120r photo art is not ordinary by the way01:03:21
there are a lot of points in that story when I01:03:23
I didn’t drain I was afraid for some reason I kept it though01:03:27
actually it's great because01:03:28
we can see all the stages now I'm already01:03:30
very often they do everything and leak it01:03:33
20-30 layers in total at some stages01:03:37
I save everything01:03:41
same method, look down from the arch01:03:46
same way to remove contrast01:03:48
this is a regular brush, just lighter01:03:51
translucent everything is the same01:03:56
all actions, that is, remove some01:03:58
contrast somewhere everything is the same ours01:04:01
curves01:04:04
texture01:04:08
here we have detail brightening01:04:12
you and I did remember through curves01:04:17
through the curves that's the volume we're with01:04:20
they wrote you down01:04:22
how many years have passed, everything is the same01:04:25
only we automated it01:04:27
accordingly, so that she herself01:04:30
what happened next we have light spots01:04:33
sweet laziness and again they don’t shoot and we01:04:35
lighten only with the color of statements01:04:37
the basics are mandatory from the regime of us01:04:40
mode we know if we want to go then01:04:42
We brighten bright colored parts only01:04:46
in no case white color01:04:48
we can't do anything with white01:04:50
here we have squirrels lightening the accents01:04:54
Anything can be processed artistically01:04:56
whatever01:04:59
accordingly you can highlight the booker01:05:01
add more here it's 100 years01:05:05
not showing now let's see let's move on to01:05:08
next I just now it's like this01:05:10
Valya pillows source code that I missed01:05:13
here he is01:05:18
here we go no one there01:05:21
face01:05:23
same thing glitter girl music or01:05:27
drew step by step let's see how01:05:30
have a quick run added that01:05:33
let's do it in reverse order then01:05:36
I’ll show you now, we’ll remove it and in reverse01:05:38
ok at least in general terms that you01:05:40
it was added here and corrected01:05:45
here the work is just underway, see already01:05:48
that is, the base is made like the left one01:05:50
the photos here are what mine even did01:05:53
no need01:05:55
specialist to correctly overlap if it is01:05:58
I made it 100% normal and will delete it01:06:02
layer mask and who added the texture01:06:07
same as a regular kidney brush and01:06:10
accordingly you see I just added01:06:12
texture for detail tax on cheeks01:06:15
young man his here soft light 1001:06:19
percent is a shade, that is, color and01:06:22
along the outline more blue is added if01:06:25
air not to be like this become what we have01:06:28
lightening textures again this is usual01:06:31
textures on a black background are being removed now01:06:34
mask one hundred percent usually texture on01:06:37
against a black background some scratches of a fighter I01:06:40
I can say that for artistic01:06:42
photos in general always use01:06:44
different mental textures01:06:46
some kind of pollen01:06:48
detail look how bald it is01:06:51
the photo looks good without it and01:06:53
more often than we even photograph analysis01:06:56
and when some texture is added to01:06:58
in all his arts the principles are the same01:07:00
add texture texture will be01:07:03
the first splice side will clean up01:07:06
Let's just say this is our regime here01:07:12
painting will be blending mode difference01:07:14
very cool thing for me too no and no01:07:18
should have spoken in class01:07:21
spoke01:07:23
simple layer01:07:26
to a simple word in any color with01:07:30
multiplying the difference it divides01:07:32
photo in two shades01:07:34
respectively opposite here we are01:07:37
Can01:07:40
moment zone photos01:07:43
usually I want to show everything small01:07:46
we call control about the color tone we have01:07:50
we can change personalities, that is01:07:52
respectively, when we have here01:07:54
we see less transparency and we01:07:57
We can change the shade through a friend01:07:59
there is nothing more to do with photographs and01:08:02
he loves me very much way there but him01:08:05
do and he just do two colors01:08:07
when we need shadow and light it01:08:10
two colors are separated this is this one01:08:12
you can do anything, that is, red blue blue01:08:15
this is yellow blue if I'm not mistaken01:08:18
next we have01:08:21
color correction added blue01:08:23
yellow is my favorite texture here01:08:26
who told you don't do it to yourself01:08:29
be lazy01:08:30
make yourself some textures like this01:08:33
take regular sheets of paper take01:08:36
any morel paint on the new sound of these01:08:38
there is something I am without a photoshop chain then01:08:41
make yourself these textures they are easy01:08:44
life-saving I don’t know they help a lot01:08:46
there are many everywhere and constantly and there will be war01:08:49
yours, no one will ever say what’s there01:08:53
Is it like we have an overlap here, then the volume01:08:55
it’s immediately clear because it’s black and white01:08:58
photo in overlay blend mode01:09:01
with my usual ones we'll do here she and she01:09:03
it's a little blurry what she's doing01:09:05
makes the effect of spotlights and adds01:09:08
volume on the photo, that is, we merge01:09:11
all layers01:09:13
bleach the color a little without lifting01:09:15
it will be very different and the regime is possible but01:09:17
life overlap foxes soft light and itself01:09:19
there will be something like this or in contrast for01:09:21
less gives this effect these ones01:09:24
layers this is the action next this01:09:29
light color correction, that is, we have01:09:31
again we are everywhere01:09:33
darkened and wiped, no bidding necessary01:09:36
brightness01:09:38
ordinary that is, if you look at this01:09:41
vampire black and white would you like this apartment01:09:43
there genin this is our blending mode01:09:46
it adds brightness to black and white01:09:48
contrast in the photo below we have01:09:52
fabric fabric and I can tell right away it was all01:09:54
blue it is repainted these are my pieces01:09:58
there is no fabric here, where are the usual photos?01:10:02
making blue cloth01:10:04
most often, like everywhere else, everyone wears masks01:10:07
closing what mom needs, I need it here01:10:10
continuation of the circle of me and translucent01:10:13
here we have the shine of these cars01:10:17
even then there was no such brush01:10:19
By the way, here we’ll make glitter and ordinary ones01:10:21
brush translucent this is it01:10:24
little white one01:10:27
without any dots it's not wrong01:10:30
Dick because glare is a must01:10:34
I'll complain in the center, that is, if mine01:10:36
simple tassels to be like this01:10:38
there was a girl like that in our center01:10:40
dad is whiter and we light the lights with you01:10:44
that's why the jar was a brush01:10:47
wrong now that's why I'm taking care of you01:10:49
these are briks to make an accent01:10:52
They01:10:53
color correction01:10:55
with the black point raised and still the same01:10:59
the very brooch we are drawn01:11:03
I drew everything01:11:06
I'm running now, I feel my hands01:11:08
start to burn I want to lose more01:11:10
what to do right away here is focusing then01:11:14
All photos have a light vignette01:11:17
with a good stretch, strong with01:11:20
shade to maximum darken01:11:23
because the darkening continues without change01:11:26
contrast ideal for01:11:27
blackout all photos of Anna what after01:11:31
schools and learn everything you need01:11:33
for your work here with us01:11:39
and this is my decoration01:11:44
my decoration in the photo is very sketchable01:11:47
basically the same thing was done here01:11:51
we have monograms and all these textures next01:11:54
web01:11:56
Putin is, in my opinion, texture mode01:11:59
overlay faucet here it is the web why01:12:03
it is very important for us to know the three main01:12:05
modes what we have is darkened on01:12:07
black background is what we have on01:12:10
white to work and Nasser because01:12:13
we have three modes that give us01:12:16
these are the details nick types compote01:12:18
let's draw it, it will become natural what it is in01:12:21
the right places, that is, to catch the storm01:12:23
place plastic transformation from here01:12:26
and the blending mode must be drawn very01:12:29
a lot of details for us to indicate in the mode01:12:32
Putin is here01:12:36
next we have01:12:38
chiaroscuro on bones01:12:43
here, well, that is, they are accordingly01:12:45
so naked white then just simply01:12:48
black is outlined01:12:51
added manually01:12:53
is darkened and the volume is made on01:12:56
squatting in the same cards here01:12:58
ordinary simple01:13:01
these ones weren't cut out01:13:05
deformed and many, many times multiplied01:13:08
God yes bones yes this is a bone01:13:11
human life and cut out01:13:13
transformed deformed then01:13:16
we are already here in the area is very abundant a little01:13:20
didn't catch her01:13:27
she's still under them here01:13:30
impartial because mom needs it there01:13:33
everything looks different01:13:40
Next we have the necessary textures on01:13:43
fabric help fabric we have no texture01:13:46
also here is the texture if I'm not mistaken01:13:48
this is sugar01:13:50
this is the texture usually photographed01:13:53
sugar and, accordingly, a carefree regime01:13:56
soft light overlay01:14:00
made this texture01:14:05
texture everything take pictures of your place01:14:08
and even even fits absolutely01:14:10
phone phone is at hand you see01:14:13
run for some textures01:14:15
some repeating segment01:14:17
take a photo01:14:18
take pictures they help a lot01:14:21
and the photograph is it somehow a plague01:14:25
call and have mod01:14:28
here she is painted terribly lighter01:14:32
and darker01:14:35
because there is no longer any color here, but it's blue01:14:39
my fabric is scattered on just01:14:41
transformation deformation it is assembled here01:14:43
in such a headdress there are secret machines01:14:47
translucent01:14:49
docked and everything is done01:14:52
repainted another color here with us01:14:54
pebbles01:14:56
instead of01:14:58
you see it all simply01:15:01
sketches because there is no special way to draw01:15:03
I can, I just know there should be a kit01:15:06
where color was needed but in general then it01:15:08
looks like it suits me01:15:11
I'll be interested in the scan at night01:15:14
shows an easy example here01:15:17
we have decoration01:15:20
texture stamp made here crazy01:15:23
man here we have everything and here he is the background01:15:28
usually we had two pictures like these01:15:33
so I chose this seam and01:15:35
accordingly it blurs just in the center01:15:37
quick colors, that is, here it is a picture01:15:40
it was one picture, I reflected it01:15:44
in the middle I took this part and01:15:47
just color corrections for you see here01:15:49
just simply with brushes right on top01:15:52
rice as the left just goes by01:15:55
on the sides these are the details01:15:57
where will all these ideas come from kids?01:16:01
it will be later when you study the photo now01:16:04
your mouth doesn't need a day to just eat here01:16:06
I'm putting together my puzzle01:16:08
I can ask a question, this is work on01:16:10
did I order it or is this just a poke at you01:16:12
was to make sure that you do it yourself01:16:16
I very often make a caliper for myself01:16:18
because for me this is psychotherapy01:16:20
actually I get01:16:22
pleasure picking up someone01:16:25
order clouds photo art here is a partner01:16:27
orders very often most often01:16:30
order later or work01:16:33
These are the parts you order and here01:16:37
girl see nato sand even further01:16:41
a lot when there is a girl to teach01:16:43
they order a lot when but just children01:16:47
at home take pictures of blotting here01:16:49
they are friends and yes, here is also a complete replacement01:16:52
uniform here in full there girls01:16:55
a flower in the pen is added, that is01:16:57
the girl herself was not originally here but01:17:00
here is the bone from which it is made01:17:03
shooter racks whatever you want here it is01:17:05
we cut out the deformed bone in this01:17:07
work01:17:08
so here are all the details01:17:11
here as you see everything is the same01:17:15
done when we have01:17:19
vignetting saturation when01:17:22
sends you do something so she can01:17:25
little ones can watch the same thing01:17:27
the gray word our01:17:29
hero ah here01:17:33
they are all commercial when they send01:17:38
and well, it shows me there most often01:17:41
like what kind of work do you like how they are01:17:43
they want me, she really liked it01:17:47
I did a competition, this is the work I did01:17:50
I said that I definitely won’t repeat the same one01:17:53
I won’t put my face in, I’ll put it differently01:17:55
I'll make the animal accordingly01:17:59
animal things I did just on my shoulder01:18:02
there are already such here01:18:05
this calls for a lot of surrealism01:18:09
add some unusual ones there to01:18:11
look realistic new clean up01:18:14
a lot of anything will also ask this01:18:17
also before like this like this like ours01:18:19
glass well that's it commercial break01:18:22
ended learn a lot01:18:24
yes I'm actually very exiting01:18:27
because someone knows how to draw01:18:30
I could paint with montage brushes01:18:33
on canvas what I don't like first I don't01:18:36
I can draw, unfortunately I understand too01:18:38
that you need to work01:18:39
to draw this you need every day01:18:42
draw like marita sher the same01:18:44
I understand that this is also necessary01:18:47
somewhere because you have to be01:18:48
there albert stand paint everything there01:18:53
and now I already understand that I don’t01:18:55
enough control z when this child01:18:59
draws something somewhere we'll shoot I01:19:01
frantically control z cancel action01:19:04
I just can’t live without it anymore01:19:05
that's why01:19:08
for me photo without knowing how to draw I can01:19:11
simply create whatever I want01:19:13
all the same actions to the system01:19:15
brushes and masks with curve levels01:19:19
everyone, everyone, everyone, I have it right here01:19:22
means the background stage but01:19:27
savior you should know it like we do01:19:32
we do and not green photo01:19:35
how do we do this from this case this01:19:39
let us now let you too01:19:40
do some work01:19:42
so here it is01:19:46
so I had a girl to do if01:19:49
it's winter in winter we're all gray and01:19:53
dusted with snow01:19:55
Here01:19:56
what are we doing with this photo?01:19:59
so that she becomes a question like this, say well01:20:02
the light is sacred and01:20:05
tell me directly in steps to talk and what01:20:08
here it is saturated, change colors01:20:15
well you clean up01:20:18
green channel you remove Celine01:20:22
the green one will encroach, I will remove it, it will be opened01:20:25
before us he cleans up touched by cyril and you lead01:20:28
and muting what is found01:20:32
populated shutters and brightness01:20:39
and both before, not because we have but01:20:42
accuracy is already possible and green01:20:46
came01:20:49
but it's not here01:20:54
remove blue and01:20:56
green so that we can completely remove this01:21:00
because we don't have these colors01:21:09
the authorities are not and I have no reason to be here because01:21:12
I needed gray photos01:21:14
gray photos besides I can here01:21:18
that is, if my green is very dark01:21:20
I can see it and adjust it just right01:21:23
here the brightness is the moment that01:21:25
usually the color saturation seems to be01:21:28
the brightness is not affected at this moment01:21:30
when we touch her we have such a right01:21:33
you know how to hair, you want a little bit of it too01:21:36
highlight so that they are in contrast with01:21:38
I take it in the background to here and everything was gone again01:21:41
there is an aerial perspective01:21:44
the fact that we have everything that is further from us she01:21:48
everything is lighter because between the characters01:21:50
the whole air space is in the background here01:21:53
accordingly, if blackness turns out01:21:55
very flat photography in general in the heart01:21:57
we always try to do more01:21:59
volumetric principle in all arts01:22:02
in photographs the goal is being broken down into plans01:22:05
and creating volume in a photograph in the subway01:22:08
contrast is also the volume of photography in01:22:10
the large layer is also the volume of the photograph01:22:13
and accordingly, if we look from the side01:22:15
here we stand here here we see here01:22:19
here's the grass here's here here's here01:22:22
we have a man and there are trees somewhere01:22:24
there we are we are watching this all here this01:22:27
we will have bigger bigger darker01:22:30
man and there's something going on with us01:22:33
in the background we must01:22:36
separate and01:22:37
we thereby, that is, the everyday button01:22:40
no drawing in captivity for me why us01:22:43
there is green here we are calmly green01:22:46
we can just make it lighter that's all01:22:53
so let's see now01:22:55
you know how they are all workers01:22:59
there are people who01:23:01
suddenly needed01:23:06
standard at the end of a01:23:11
I'm looking for01:23:13
I'll show you the boy, she's very01:23:16
I liked it01:23:17
now it’s just practical to put out yesterday01:23:20
processed01:23:23
I understand that it’s a very cool thing for01:23:26
very fast automation now I tell you01:23:29
I'll show you any photo you need01:23:32
anyone is very inappropriate01:23:35
you can quickly add volumetric face meta01:23:38
it’s also very cool to write on Vishnu01:23:41
adds volume when we make a copy of them01:23:47
decolorize the counter01:23:50
create a mask01:23:52
but of this layer we go image-external01:23:55
channel and here we have rgb respect ok and y01:24:01
you and I get a layer like this01:24:04
And01:24:05
we have a mask like this, we are the same01:24:08
make the blend mode soft light with us01:24:11
ideally we are drawn in this way01:24:14
volume and rise does not become photograph01:24:17
unless it's always 70 percent everything01:24:19
we're lowering the transparent look01:24:22
how soft and natural01:24:23
volume is added to the same work on01:24:26
all faces when we don't have enough volume01:24:28
we don't need anything cool about forests01:24:31
our mask drips with it, all the dark ones01:24:34
places we do not influence them they us01:24:36
do not become darker, that is, our mask01:24:39
according to our photograph, she is completely01:24:42
removes this one here01:24:44
darkness that is, if we don’t have01:24:47
it will be like this, the mask gives us what01:24:49
she is dark does not darken nascar ottoman01:24:52
we get it drop dead beautiful01:24:55
volume see which line immediately01:24:57
started playing and I think it’s very01:25:00
I had to be discharged quickly, I made an appointment yesterday01:25:02
I just climbed in and thought about making it faster01:25:04
I wouldn't want to draw either01:25:08
I realized that I through the soft light on what01:25:09
usually add contrast as you take it01:25:12
usually bleach the layer and01:25:16
add contrast01:25:17
soft light but here we are then light01:25:20
lighten the shadows by darkening accordingly01:25:23
we get a little transparency01:25:25
and in order for me to have only01:25:27
volume I put on a mask mask we have like01:25:30
once through the image-external channel she01:25:33
that heart is created by and multiplying everything01:25:38
has it already been explained before or not no exactly01:25:41
didn't promise because01:25:46
I'm sitting experimenting01:25:49
that is, the mask is exactly the same as Putin, yes yes01:25:54
I just tried us all yesterday01:25:57
there are no photos there01:25:59
I realized how cool it is and it happens01:26:01
that is, there is no need to draw it anywhere01:26:04
there is no need not to be afraid for the shadows because01:26:07
they cut us off the mask here01:26:10
accordingly it turns out very soft01:26:11
the only thing is that it’s not a hundred percent not a hundred01:26:13
percent because then there are bright places01:26:16
very much brightens but at the same time 7001:26:20
great look how big it is01:26:22
becomes look how beautiful he is01:26:24
be drawn and we can’t do that01:26:26
curves01:26:28
again cry time just picks up there01:26:31
black glasses or something we can't01:26:32
because naturally we don’t have01:26:35
so he died just a kilo, you see how much01:26:36
the entire texture is preserved amazingly and01:26:39
the volume is processed literally in one01:26:41
click because the amount of work is all01:26:43
photos so that at least not a brush or anything01:26:47
video01:26:50
I need to look at the composition later01:26:52
more carefully01:26:54
I wish I didn't even record 201:26:58
here in my hands and that's why I was yesterday yesterday01:27:02
space to you at all at all absolutely01:27:05
the photo looks like mine there is voluminous01:27:10
just completely simple how to add to01:27:14
concert we did something else01:27:16
additional volume01:27:18
secured copy01:27:21
necessarily only through the counter01:27:24
a little differently without a candle not through01:27:26
add a gradient mask and01:27:29
image-external channel01:27:31
multiply rtp blend mode soft01:27:34
light and, accordingly, transparency here01:27:37
and the percentage we have everywhere is how much it is01:27:42
the volume is processed and everything that is everywhere01:27:45
light becomes brighter even more01:27:48
if you have dark thirds of the photo01:27:50
everywhere will be immediately added beautiful01:27:52
Beautiful01:27:54
baby for not begging servants with textures01:27:58
it has absolutely no effect whatsoever01:28:01
several she is only the entire foreman at the expense01:28:03
and can this mask plus this mask and01:28:06
I was exposed to the background background should01:28:09
brightness due to the mask, but that’s the point01:28:12
that we have a mask, we can have it with you01:28:14
then paint it with a black brush01:28:17
In general, the slope has no effect in these01:28:20
cases there if you see what you have01:28:21
there the background is lightened too much01:28:23
we can close because we have01:28:26
no mask at all here we go01:28:30
the impact of good01:28:34
the girl is very good01:28:37
so it's real here and01:28:40
1 know01:28:42
way to please because because01:28:45
it's very special like a little bit01:28:49
see how much more voluminous the face is immediately01:28:52
becomes micro contrasts from all of them and01:28:54
it's safe it's a matter of advice it's safe what01:28:58
I always like we did this01:28:59
safe and accordingly we can01:29:01
influence like this here with us. dark01:29:08
light01:29:09
frame slightly brightened area face01:29:13
brightened up but a little bit why should I but01:29:15
with all the accents, as always, on the face and01:29:19
besides, if I see that sometimes01:29:21
light, then I darken the knife if01:29:24
believe that light color balance is for01:29:28
changed I had a couple know something I have01:29:31
I saw myself that I had a phone at home01:29:33
By the way, he’s lying by color, I have an iPhone 7 and01:29:38
my computer monitor is identical at all01:29:40
case 1 and now the new one will die01:29:43
shows everything differently like this01:29:45
saved a cold case yesterday01:29:47
accordingly, if we want warm01:29:49
we always add red and yellow01:29:52
ratio so that 1 person does not blush01:29:56
with you we always add yellow01:29:58
a little more than two red01:30:00
times approximately if we only01:30:03
add red, we will have pinkish01:30:05
it won't be very good01:30:07
the ratio when you and I throws the type01:30:09
Do we even want a photo of ourselves?01:30:12
making your skin warmer is the easiest way01:30:15
color correction method this color01:30:17
balance01:30:18
add red and almost 6 2 times there01:30:21
add stomach and we're good01:30:23
turns out to be in relation to each other not01:30:26
strongly in no case up to 10 always01:30:28
work because when you are already stronger01:30:30
us well, accordingly if you have01:30:32
such a long time creative to do01:30:34
saturated some gene when to do01:30:36
if you don't notice it's just warmer then01:30:39
makes me01:30:41
small values matter01:30:44
empty triangle that I often have01:30:47
sometimes it's noisy when working all photo01:30:52
this is my signature01:30:54
25 percent is possible now here01:30:59
this is noise and accordingly01:31:02
many, many, many different ones too01:31:05
variations of sliding and everything at the end01:31:07
the most important thing is to clear the sharpness at the very end01:31:10
curves contrast and I even shot with01:31:12
some details so as not to be too much01:31:14
manifested itself as rare as if already01:31:18
starts ringing for the mask always01:31:20
I remove it and the mask needs glare for this01:31:23
contrast enhancements all on small01:31:27
see the small values of 2 parts01:31:29
everyone always insists then she01:31:31
looks better later in the end when01:31:33
we work with small transparency01:31:36
we ended up walking normally if we01:31:38
of course we work big transparent01:31:42
make strong contrast and make strong01:31:44
darkening the lightening will then be01:31:46
doesn't look very good in the end01:31:48
as if01:31:49
not what we need here01:31:52
a little bit and I'm actually here01:31:55
decided not quite the right approach in this01:31:59
I decided to do this01:32:01
silvering if you look closely01:32:03
here you can see the noise noise here on01:32:06
these details but mine didn't want to do it01:32:09
manually01:32:10
I only did it through let's say01:32:12
automatic unusual love the details01:32:15
you see these little blue ones are not drawn01:32:18
Veronica dots only foliage01:32:21
you see the clothes are untouched01:32:24
here, that is, I have it naturally here01:32:28
I didn’t want to use textures than to do something like this01:32:30
did this01:32:33
green completely at maximum 10001:32:36
percent firefly, I'm removing them, they're not on01:32:39
one hundred percent maximum what they are01:32:41
steel tits, respectively, not a quotation01:32:44
took it from my face and marmots because I have01:32:47
here like this give like that01:32:49
we usually don't like we it showed on01:32:52
everywhere on the face there is some shade left01:32:54
I see green everywhere about lost01:32:58
so here I removed the mask from my face01:33:01
hands and from the sky so that it is not visible01:33:04
this is where I left this01:33:06
silver plated said yes like that01:33:07
illumination a little for detailing on01:33:10
I liked the photos when01:33:13
in fact anything is possible01:33:15
because the colors are matching01:33:18
matched the general mood01:33:20
the photos here are still more gray01:33:22
there is already one here01:33:25
bluish crimson ashen yes I01:33:28
a little bit01:33:30
shade here lips here there are eyes01:33:32
this silver makeup01:33:34
accordingly decided to leave01:33:37
I liked how she was drawn01:33:39
close too, again because he01:33:41
it closes, that’s not how it’s all expressed, but01:33:44
when I clean mine here she's like this01:33:48
becomes more concrete can be made01:33:51
you don't have to do it here01:33:53
looked like an example I liked it here01:33:57
I'll probably say it's more a matter of taste01:33:59
there is nothing here or am I here01:34:04
on the contrary, I also removed the green01:34:06
we are looking for the saturation of Sega forces at the end01:34:08
if there are any micro-details left I01:34:11
they were also extinguished by the warmer light balance01:34:15
after all, it seems like a cold winter, yes I01:34:18
I love it when the skin is a little bit the same01:34:21
I have a little red again01:34:23
a little yellow added to01:34:25
after all, there is something working there under01:34:28
we make blue skin with water but actually01:34:30
it always wins when we have color01:34:32
skin color is warm peach01:34:35
more like what we're used to01:34:39
the photo was collected here01:34:46
the contrast is increased and here it’s just01:34:50
contrast is increased and maybe even01:34:52
through control and did and reduced01:34:55
the transparency of this layer will sometimes be said01:34:59
So01:35:00
on the machine there are no hotkeys01:35:03
adjustment layer something to do01:35:06
increasing the contrast and sometimes at the very01:35:09
I'm leaking photos01:35:11
and accordingly simply01:35:13
using hot keys to call our01:35:16
I make an adjustment layer on a photograph01:35:18
now the same thing has been done01:35:20
just contrast and accordingly01:35:23
reduce the transparency a little01:35:25
hue-saturation01:35:28
I adjusted my sleeve because he is like that01:35:30
the volume was on red, I reduced it01:35:34
redness added even more blue01:35:37
Here01:35:38
not even that01:35:41
the shade itself and rubbed onto the sleeve01:35:44
here I needed this here01:35:46
a place for it to become colder01:35:48
less warm because by mass it is very01:35:50
much more we even01:35:53
remember this thing that we have warm01:35:56
colors attract more attention than01:35:59
I'm cold here for a reason in my hands01:36:02
made it easier in color because they were warm01:36:04
we always have the yellow sun always with us01:36:08
will attract a lot of attention from01:36:11
us yellow roger pixel on blue background01:36:14
there will always be a very bright accent01:36:17
we'll see if there was no woman there01:36:20
draw dressed in some orange01:36:22
warm clothes for her, that's what it's like01:36:26
psychology of color in01:36:28
red-yellow bright orange we immediately01:36:31
I'll take a look in the morning faster, such an accent01:36:34
Miss warm most often it's cold01:36:37
shapes and a warm foreground specifically for01:36:40
in order to focus again on our01:36:42
character attention and here that is01:36:44
accordingly, it was logical to simply choose01:36:46
to lead the eye away from the sleeves01:36:49
so that he looks like this in one01:36:52
colors but colder it is more01:36:55
cold according to him here01:36:58
he gave us a colder shade01:37:03
search the color we have is the same as we01:37:06
given through01:37:10
he's cold in this Craig Venter I can01:37:14
it's not correct to read it makes ours01:37:16
picture of this cool colors01:37:19
cold cold therefore more often than from I01:37:22
in some kind of blue in the cold, removing it01:37:24
just like me, we have something warm there01:37:27
other first warm ones they are all different01:37:31
here you can just understand what somewhere01:37:34
I need a cold Chris mentor screw01:37:37
and we also shoot only usually very often01:37:39
in one click turn a warm picture into01:37:42
It's cold here, it's dark here01:37:46
to focus again on the girl01:37:49
because the sleeve is very light01:37:50
so flat and I choose accordingly01:37:53
to focus attention on the girl01:37:55
bright spots on the contrary, that is, here01:37:59
you can say it's lighter here01:38:00
first I placed the spots where the head was01:38:03
so that the viewer's attention is what we are01:38:06
originally last lesson attention01:38:08
attract the viewer to a brighter place01:38:10
all this all this all like this01:38:12
let's dispel all such panic and01:38:14
according to the dark floor01:38:17
tidied up where I needed it01:38:19
visually it looked it remains I it01:38:21
not in ink by any means, but at the same time01:38:24
we have vision and I don’t want to go too far01:38:26
look here, I want everyone to look here01:38:29
here right here all all all all all01:38:31
that's why here in this regard again01:38:34
darkening there so that there is no light and01:38:37
brightening the face and head where to where01:38:41
watched01:38:44
I don’t know what it is by the way01:38:49
I'm still a hair away01:38:51
painted on01:38:55
shell01:38:59
I just showed the details of the voice01:39:03
a little bit of you then I added hair here01:39:07
they all01:39:09
such details are quietly carefully in01:39:13
the same way I have hair01:39:15
you take the hair color and then the colors01:39:17
you add these ships worryingly01:39:20
adding hair details is the most important thing01:39:23
subject to the addition of hair so that01:39:26
they looked like work baths [ __ ] were and01:39:28
in the end they already look like this01:39:32
Borisov because some details01:39:34
I also wanted to emphasize the caraway form01:39:38
here it's perfect since summer01:39:43
snow texture perfect snow texture in01:39:47
company that it was immediately divided01:39:51
particles that we had three d as in01:39:54
the lesson was that the particles should be small01:39:57
particles must be large particles01:40:00
there should be different blur sharpness01:40:03
in hall posts we always see very01:40:06
small thing is that everything we have is closer to the floor01:40:08
blurred large and be sure to leave01:40:12
there's something on my face that I can't wash off completely01:40:14
merge collected only like this01:40:16
right who closed their eyes01:40:18
very, very much and but the rest are here01:40:21
details left because very01:40:23
strange, I urge you not to do this01:40:26
so here it is01:40:27
when they do, there is snow everywhere except01:40:30
like the faces as if she doesn’t know01:40:34
do this in some way at least01:40:36
particles, that is, you can, well, not01:40:39
leave everything as it is, it blocks01:40:41
really but some parts01:40:43
leave which I believe it is snowing01:40:47
even he can't avoid hitting my face01:40:49
if there is such a thing there, even what?01:40:52
snow, that is, this moment too01:40:54
don't remove it completely because there01:40:57
when it looks weird put at least01:40:59
something some hint this is absolute01:41:01
Badly01:41:02
texture immediately01:41:04
I kind of added the idea of the first snow01:41:08
it seems like everything is just horrible and he01:41:10
just went naturally if here01:41:12
there would be snow, there would be a lot of snow, I would be busy01:41:15
I would add snow to the girl01:41:18
added on hand but you understand how much and01:41:20
I have to stand so that there is snow on my hands01:41:23
accumulated here for a very long time so01:41:26
in this regard, how lucky you are01:41:29
the first snow started to fall and01:41:30
literally a couple discounted bought this one01:41:33
moment if the snow is so good and01:41:37
here are the sharki there are all the photos on the header and01:41:40
I’ll add the same snow in Photoshop01:41:42
definitely these places that goes away01:41:45
I'm constantly waiting for my hands to accumulate01:41:47
he can wave the snow can accumulate01:41:50
he can walk on his shoulders, he can walk in the mine01:41:52
as if they definitely had to be removed01:41:55
add01:42:03
eyes to light up not much with white but01:42:08
in this white color mode you can not01:42:11
floors01:42:12
a little bit of a vignette again01:42:15
darkening everything in common to make it even more01:42:18
on a girl01:42:20
focus our attention01:42:23
chromatic aberration which I'm talking about01:42:25
I said in the last lesson it's her01:42:28
here this is this split colors for01:42:34
artistic effect and I with eyes and lips01:42:39
because remember when I told you01:42:41
what if a person looks at us I clean up01:42:44
these are the details from the eyes and lips01:42:47
if a person lowers his eyes, then maybe not01:42:50
it is not necessary to clean, we clean according to01:42:52
edges because there are two of us here01:42:54
multi-colored stripes are obtained after01:42:56
chromatic aberrations full of you about01:42:58
which one was talking about channels?01:43:02
where she is01:43:05
will it be available, look for plating01:43:09
tomorrow the day after tomorrow we will send out01:43:12
recording of this broadcast01:43:14
we will add 1 entry there01:43:16
In one place01:43:19
here we have selective color correction and01:43:22
here is what we have selectively done01:43:29
blue01:43:31
blue fabric01:43:33
initially here I turn off the blue fabric01:43:37
we get rid of look I'm here01:43:39
held with two colors gray01:43:41
devalued era of black and white set01:43:43
never take into account colors and01:43:45
accordingly, the lights were turned off here01:43:47
a lot of family photos on my sleeve01:43:50
reflexes from the blue sky and01:43:52
accordingly, here what I did, that is,01:43:54
My goal is to change the blue tint to01:43:58
different and we are respectively in blue01:44:02
blue shades of blue I choose added01:44:05
red added red added a01:44:07
yellow ones made it lighter accordingly01:44:09
so that he wouldn’t be so red or something01:44:12
we shined it a little and we have01:44:14
this sleeve is enough01:44:19
blue with a tint, that is, I was01:44:21
the goal is to remove this blue tint when01:44:24
leave them with euros waving their masks01:44:27
this sometimes happens most often to01:44:29
color correction we need here is selective01:44:31
correct selective color correction itself01:44:34
beneficial when you need to adjust01:44:36
some shades so that we have them in01:44:39
one color01:44:41
so tell me how long it will last01:44:43
mosaic lesson the world is now minutes away01:44:45
fifteen we will finish at 9:00 and01:44:47
stop because we're in the middle01:44:49
week everyone will also need to sleep and01:44:52
in principle, two hours is enough for01:44:54
no more information flow needed01:44:56
so now Abram blue is already here01:45:00
if you see yourself on some01:45:02
try other shades in photos01:45:04
reduce everything to two three colors to from01:45:08
project like this color if you have it01:45:10
this immediately harmonizes the whole picture01:45:14
here the micro contrast is worked out in the usual way01:45:16
even Bern soft light with a white brush01:45:20
percent slightly developed eyes01:45:25
I went through this in these lessons01:45:27
squirrels in the middle are not all races on01:45:30
a little bit on the iris here I even lips01:45:32
dried it out a little because girls01:45:34
they will be like this01:45:36
pumped up pouty then here I am even01:45:39
extinguished it a little to remove this one01:45:41
Here01:45:42
you are her work and called a master01:45:46
here I corrected it the other way around because01:45:49
that she’s already wearing it here, but vice versa01:45:51
hid it by the fact that I took it off a little01:45:54
this broadcast is next with us01:46:01
one hundred percent and if it's the color01:46:05
there are many many different me here01:46:08
different shades that he01:46:14
turned on could add chokes I have here01:46:18
there are a lot of nice colors here01:46:20
there was hair because we were cleaning01:46:22
the green ones weren't here themselves, you see01:46:25
here is different different what I did I01:46:27
merged all layers completely01:46:33
blurred the picture with the colors that are there01:46:36
and switching to chroma blend mode01:46:39
We were only painted with my own colors01:46:42
blurred and showed on the mask where01:46:46
asks me to find it would be possible in01:46:48
basically paint it there but it’s up to01:46:51
tons and here when I'm this way01:46:54
I do here you see such a gradient so that01:46:57
don't draw any gradient that I01:47:00
I did it, I merged all the colors01:47:03
filter gaussian blur colorize01:47:07
if you have several of these01:47:10
accelerator and translated the same overlay01:47:12
color and it tints exactly those01:47:16
which exist due to the fact that we are Gaussian01:47:18
you’ll immediately see all the different things, I’m already local01:47:21
I drew it on my hair because I have01:47:24
these are the green ones that are being removed01:47:27
here's the blue one, but at the same time if I'm just in01:47:30
I’ll take the non-chromatic mode and01:47:32
from here the color will be monochromatic it will be01:47:36
one ton is not natural but because I01:47:38
the picture itself and I tinted this one01:47:41
gradient he he blurry here one01:47:43
the shade is different here and it looks01:47:45
more, let's say, diverse than01:47:48
I’ll just click for this if it’s easy01:47:50
click he one shade of imaginary feeling01:47:53
what do I say yes and when we are with me01:47:55
we'll paint the picture, it's still here01:47:57
varied transitions between shades01:48:00
flowers01:48:02
I don’t even know if anyone understood what I mean01:48:04
I'm talking now01:48:06
I basically understood everything would be fine01:48:10
look after but here with us01:48:14
valentina sorry but blur01:48:17
how are textures saved or is it in01:48:20
color mode01:48:22
exactly as it gives here we have now01:48:26
there is a red stain from your hand, you can01:48:28
see this one if the mode is color01:48:30
I'm translating these red-hot here01:48:32
paint here here the face is red that's all01:48:35
that is, we already have textures here01:48:38
is saved because the blending mode is with01:48:40
left blending mode saves our01:48:43
the texture does not affect it, but at the same time it01:48:45
says u gets this picture none01:48:49
magician insanity or the whole picture01:48:52
cut and and how to blur it out01:48:56
blur less into Gauss and then it will be01:48:59
the effect is also a little different, look01:49:01
if I take the picture I'll change the mode01:49:06
nothing happens to us01:49:08
so we clean up automatically very01:49:11
clean up when we have here here on01:49:12
hands appears to find me will give at01:49:14
photos here we have it like this01:49:17
here's nothing picture to picture in01:49:19
chromaticity then we are not from01:49:21
filter-blur-gaussian blur01:49:24
I'm watching a lot now here01:49:26
chromatic gather I see radius01:49:29
see how much color is fading01:49:32
, And01:49:35
if I show it here it is bright01:49:40
here it is bright orange, I smeared it on01:49:43
Gauss is just a little bit one hundred percent01:49:45
I have a white one, these are repainted01:49:48
is sometimes removed in this way01:49:50
plays chromatic aberration because01:49:52
what place color hands my two fix01:49:56
their chromatic aberration I have01:49:57
discolored ride it I clean it up01:50:01
turns out he's leaving01:50:04
orange and blue are also the same color01:50:07
from but we can blur it to do different things01:50:10
here literally a couple of pixels for01:50:13
in order to remove these two pixels01:50:15
chromatic aberration as it is here and01:50:18
we can regulate with you how much01:50:21
we'll wash it out, I did more here to01:50:23
smoothly the ingredients painted over the voice01:50:26
so that they just01:50:28
did not have any prosits or any such01:50:36
curves01:50:38
the most common ripping is01:50:41
I choose warm colors and add them to the shade01:50:46
even more and the same blue not even01:50:50
road because they need blue shadows and01:50:52
I leave a moment here01:50:54
As a result, the colors are colder and the shadow is warmer01:50:57
all on the same principle as us01:51:00
we take all the photos in principle01:51:02
the color balance here is opposite and cold01:51:05
I removed a little bit of the curves first01:51:08
lightened the white point a little because01:51:12
that the face failed the most01:51:14
light parts of the fighter so here you can01:51:16
calmly without a mask the white point is not01:51:19
I'm touching. black and in the end we have01:51:22
photographs, that is, layer by step, then01:51:26
yes yes yes no Judas he is not here01:51:28
made here in Denmark01:51:32
there's not even any sliding here01:51:35
almost plastic on and rolled01:51:38
another one was picked up a little bit01:51:40
wider and we will do it accordingly01:51:43
frequency decomposition all water menu01:51:44
All that's left is color correction01:51:47
I completely lost it because after that I didn’t01:51:48
I need to eat less and01:51:52
evening no need to finish reached no everything01:51:56
yes, now I’m going, not all the colors and01:51:58
light correction when we01:52:01
we do it here, we figured out how01:52:05
highlight once01:52:06
background picture from above01:52:13
highlight the flan where the hair is, you see it01:52:16
merged01:52:17
gray hair background in general we do it all01:52:21
their accent is more light again01:52:24
I pressed it and did not cover it with white color01:52:26
search for color again another shade which01:52:30
literally there by 20 percent01:52:33
I'm adding noise here to God01:52:40
because I'm here to blur01:52:44
detailing with white oil paint after01:52:47
tamiya added noise during processing and01:52:51
then I like it better because01:52:53
look, it’s not immediately visible if01:52:56
this is how you can see that it is oil painting01:52:57
that's right, what if I add noise and that's it?01:53:01
three at once it’s not clear that we have painting01:53:03
I made it here, I made it first01:53:06
mental pictures of all of us01:53:09
basically here here is the frequency here01:53:11
chastotka everything is done after it a little01:53:14
the numerator on the face is literally a little bit and01:53:16
that I connected all the layers and applied01:53:21
filter oil painting but at the same time I01:53:23
rubbed it across your face, you see the noise on your face01:53:26
left and against the hand because01:53:28
if you don't wipe it I'll delete it now01:53:30
I get a face mask like this01:53:33
very beautiful fashion01:53:35
throughout with small values but with01:53:38
that remained01:53:41
method detailing the leg was beaten and combed01:53:45
everything has become smoother here point blank01:53:47
no, and let’s just say we don’t have anything01:53:50
lost I did the opposite I added01:53:53
here I make noise except my face and hands01:53:57
to remove this oily effect01:54:00
painting because with him it is like that01:54:02
everything is blurry and here it is like this01:54:04
texture noise copes perfectly01:54:07
In general, everything disappears and in the end it’s already01:54:09
nothing is visible just everyone is hatching01:54:11
in the end it was all as if he was there01:54:15
we were not here and you are oil painting01:54:18
at least they did it01:54:20
here's a trick too01:54:25
effect when processing photographs because01:54:27
which is very common01:54:32
smoother transitions here selected here01:54:36
these methods to contact let's say01:54:39
I'll fall under killed01:54:42
if you see these all sorts of things here01:54:46
small hairs they seem to01:54:48
smeared fresh no more cross01:54:53
now they are all and now they are gone01:54:57
there seem to be some details here too01:55:00
all this is smeared with a different texture01:55:02
appears but mostly oily01:55:05
painting is animal fur this is hair01:55:08
people when especially some01:55:10
lots and lots of fluff, and animals have that kind of fluff01:55:13
wool is good01:55:15
one of the effects we have before this01:55:19
artistic again there are few of us there01:55:21
metro detailing is a little under01:55:24
kills but if you leave it like that it's like that01:55:26
no if we add noise noise to the same01:55:29
look at me the noise is made through01:55:34
smart object is good to do yours in general01:55:37
for ourselves if we have to pick it up01:55:41
via smart object because then in01:55:44
in this case we can calmly01:55:45
regulate the work process with you and01:55:48
look at the photographs as far as we are concerned01:55:50
this noise needs to be added or subtracted01:55:52
we can adjust accordingly01:55:55
we worked, the noise remained on our faces01:55:58
it was added to your hair as a result01:56:01
as if we can’t work through a filter here01:56:04
although it seems like stripes01:56:05
signed, see here they are01:56:09
with combed I hear we added with us01:56:12
ok then killed photos here01:56:15
smart object that is01:56:18
how we make swords everyone knows about it01:56:21
smart object yes yes yes01:56:25
well I'm not there01:56:29
do when we recorded a show with you on01:56:33
all photos are already automatically selected by 201:56:35
there is also what if we make a new layer01:56:38
fonts 5 and fill sulfur 50 percent we01:56:41
make the past and make the attachment closer01:56:44
my soft light we take cerebro01:56:47
convert smart object right01:56:49
button01:56:50
smart object and01:56:52
convert before using noise01:56:54
video noise filter add noise and we can01:56:59
press your hands already, we have this noise01:57:02
is written below under our layer01:57:05
because it is a smart object we click on01:57:07
with the left button 2 how can I01:57:09
changing it is very convenient because01:57:11
sometimes we can't judge how much noise there is01:57:15
and it’s very convenient for us when we01:57:17
let's add some details in particular01:57:19
I don’t need it on my face, I just need it there01:57:21
Athos I can watch here in peace01:57:24
evaluate what effect what grain and01:57:27
you are not enough if I feel that he01:57:29
too much or anything I can do there01:57:32
I made this so as not to redo 501:57:35
I'm just going to add the jester decreasing01:57:38
the effect I have are flexible the effect we are the same01:57:42
we can do the blurring with you01:57:44
gauss when they made it here01:57:48
here are the photos, everything was collected by chef 3 we01:57:53
convert to smart object01:57:54
let's go use it01:57:57
filter-blur-gaussian blur we with01:58:02
you did it did it a lot to01:58:06
do not remake our smart object01:58:08
protects our filter we come again01:58:10
Gaussian blur we can with you here01:58:13
because as much as you like it is very convenient and01:58:16
press ok there will be no rest yet01:58:20
so if you need to bend no matter what01:58:23
once01:58:24
done and then redo it translate01:58:28
Immediately the only disadvantage of smart objects01:58:30
who has a very weak computer but01:58:33
you will be eaten by them like this then it’s better01:58:35
do look and redo because01:58:38
that such a smart filter is enough01:58:42
energy-consuming01:58:45
see how the computer compares to you01:58:48
he helps us a lot, you know01:58:51
advice if we did everything ok we are right01:58:54
button to rasterize the layer we need more01:58:56
not needed here01:58:57
smart objects01:58:59
when it will be easier for photoshop itself and01:59:03
file weights that's all01:59:08
filters oil painting who doesn't know01:59:11
this is one of the use cases01:59:13
we have a filter01:59:16
mentally stylized forehead old spice or01:59:20
old spice01:59:23
while how does he speak in English?01:59:25
you english version01:59:30
it is enough to warn the computers01:59:33
old ones do not update and01:59:36
crashes it doesn't work for me01:59:43
but it already writes to me and the video card does not01:59:46
pulls, I'm looking at the map01:59:51
be careful with updating photoshop if01:59:53
it works for you01:59:55
and pray we put the photoshop model so that02:00:00
there was no automatic update02:00:02
cleaning here02:00:06
settings, but this is for those who have a computer02:00:09
Well, for example, they don’t know anymore 6 maybe02:00:12
be years old02:00:15
update because I have them02:00:18
constantly updating every time even mine02:00:21
computer 3 account although I have a computer02:00:25
powerful enough google enough02:00:28
just ate it shaking their update02:00:30
Even I turned them off, everything doesn't work either02:00:33
so tall I don't need these yet02:00:35
updates02:00:36
because everything works somehow02:00:41
this photoshop everything works brushes02:00:44
something works so that if they do something02:00:46
come up with something like this, wow02:00:49
updates then I'll tie it enough already02:00:52
every time there is no update02:00:54
Moscow turns on does not work and then02:00:56
rollback all aquatic I disabled02:00:59
the version is basically normal working there02:01:03
update each we don't know02:01:05
and does not update the fire at least02:01:08
anything02:01:09
what questions should we ask today?02:01:13
now is just the time02:01:14
questions and answers02:01:16
look how convenient it would be for you of course02:01:20
I wanted her not to let the bank eat it02:01:23
take any photo, choose which one02:01:26
like it and make a retouch retouch02:01:28
went to do it there first step by step02:01:31
will leave yes, that is, we will convert everything02:01:33
then we do the framing as needed02:01:37
we do plastic surgery next we do02:01:39
frequency decomposition. and here is the color and light02:01:42
operations happen there whatever we want02:01:45
it's called for next season02:01:47
I don’t want to give one job02:01:50
photograph so that we can sort out one thing and02:01:51
too, and who got what, although he had02:01:54
you will all be different, I would like it to02:01:56
there were different photos, different processing02:01:58
we looked at something in red02:02:00
improve so is it worth something to me02:02:03
it will be possible to send money in large quantities02:02:05
size and accordingly no no02:02:07
delete the psd file well you know this02:02:11
send g rations in your size and02:02:13
send me the link but don’t take it away02:02:16
cloud file storage with a friend there02:02:19
it's interesting to see something much better and02:02:22
long work02:02:25
It’s better that I tell them where where where where02:02:29
came up with an idea to say so as not to lose so02:02:31
we will also think about it now, or someone in them02:02:34
school, that is, you are sending a letter directly to school02:02:36
just come ok we'll collect it there02:02:38
to miss the damn thing or the guys' mail02:02:42
which, when invoicing the mail, I myself am already sure02:02:45
I won't lose all your work, we will do it with02:02:48
we will do evil to you, we will sort it out, it will be02:02:52
cool indicative first of all now02:02:55
try it yourself02:02:56
principle, much, much needs to be done already02:02:59
here and, accordingly, the entire photobank if02:03:03
need some more photos please02:03:06
I can force my sources02:03:08
the main thing is that now the principle is understood02:03:10
because not at all02:03:11
told so much telling here02:03:14
for artistic photographs the same02:03:16
it will seem now that the session is all in this02:03:19
moment center nuances difficult as if for us02:03:22
you need to make sure that you pack it all with02:03:24
as soon as we do at our place02:03:26
your head will have it all in order02:03:27
unfold02:03:31
I have a question, remember we dropped it02:03:34
photos02:03:35
[ __ ] that we can change this way02:03:40
one farmer02:03:42
the broadcast was at home, we managed to make out half of it02:03:47
we definitely had a separate fer there in02:03:49
we're two or three02:03:52
studied02:03:55
who today in three hours we didn’t have time to do everything02:03:59
photos of the economy today was02:04:02
to some extent that we don’t use02:04:04
coal02:04:06
the level is not a miracle that is all I know02:04:09
Same02:04:13
angle no what we have in our heads today too02:04:16
there's no goldie there, there's how they work02:04:20
tools, that is, we don’t have them today02:04:22
as for what I need from you02:04:25
artistically processed using02:04:27
texture texture02:04:28
in terms of meaning suitable for the texture you can02:04:32
by contrast apply by color02:04:34
maybe a thorn add use02:04:37
please use tassels because02:04:39
tassels are our tips not tips02:04:41
we have our helpers after all02:04:45
download it from us very easily02:04:48
brush positions there brushes for02:04:50
photoshop02:04:52
I even fort shope some brushes I02:04:57
I love . on the right are some tassels I02:05:01
I like the textures more, for example there already02:05:03
the same smoke to the brush they come02:05:07
These are the textures that need to be cut out there02:05:10
transform or what if02:05:13
for example, we have sewage ends there in Ufa02:05:16
ourselves this texture and we can02:05:20
calmly translucent brush and themselves02:05:22
smoke was added where but the matter is suspicious02:05:26
I’m standing alone now on any layer, here I am02:05:30
I can add something here and here already02:05:33
this one itself02:05:35
different consistency here it's for me02:05:38
much more convenient because you need texture02:05:40
cut out their quarrel must be translated into02:05:43
mode with brushes we can do it ourselves here already02:05:45
do not adjust the brush accordingly02:05:48
work adds or help him02:05:51
slightly less02:05:52
somehow it can work like how02:05:55
as if he was finishing it with brushes and doing it himself02:05:57
sounds worth mine loaded that is02:06:01
tassels really are our saviors02:06:04
a lot of brushes, maybe some details02:06:08
hair there I have brushes, they too02:06:10
very helpful is there anything needed02:06:13
add a hair or something somewhere not02:06:15
enough, that is, they are all these here02:06:17
top picture that is, I don't02:06:20
Hello, I use the tablet most often02:06:23
Some of these parts are sold, maybe02:06:25
add or something this is most often all02:06:27
I love their brushes and always recommended them to everyone02:06:32
Let's quickly add color correction to the hair02:06:36
whatever you want, that is, if I02:06:38
initially knew about this did not sing colors02:06:41
some I had later others02:06:43
those02:06:45
brushes use brushes help with02:06:48
these details so as not to draw it all02:06:50
quickly literally there in a second02:06:53
sat02:06:58
this will also come and honestly already cleaned02:07:02
here the uselessness of brushes is still02:07:04
there are a lot of these brushes that are useless02:07:07
like this this one is useless02:07:10
tassels here I am, maybe after all02:07:12
here's the team to help because they02:07:17
take up space here's a brush here's this02:07:19
it's useless here and there like this02:07:22
useless brush02:07:24
it's useless, but these ones here02:07:28
army tassels like curls are not enough02:07:31
very helpful and effective and you got me02:07:34
no, like bundles of such hair, here they are02:07:37
Absolutely different sizes here and there02:07:39
they look like cotton wool children02:07:43
works great, no regrets at all02:07:47
learn02:07:48
I dug up some good ones in my time02:07:51
because I have a lot of brushes02:07:55
I still don’t have tassels like a hamster’s02:07:57
I'm deleting from the times of those those those those02:08:01
from a lot of brushes but I just even02:08:08
I won’t show it because it’s there. So02:08:10
what is there Eden and02:08:12
makeup and what 3 supports did she give?02:08:16
they might come in handy for makeup there02:08:20
straight away to a good brush that you can02:08:23
I think in this we can have fun lessons02:08:25
added something that actually works02:08:27
more or less you don’t even pump up the brushes02:08:30
I immediately tell you not to pump up the brushes and02:08:32
keys do not install everything in Photoshop02:08:34
because brushes are like everything else02:08:36
there's a lot of other things to talk about now02:08:38
I say this can also be brushes02:08:40
that is, these are prints of brushes02:08:43
autistic, there are a lot of brushes like this02:08:46
you still need to find different ones there02:08:49
request some brush and02:08:51
accordingly it will be very cool later02:08:54
this is not the texture here, this is it02:08:56
brush this is all brush and02:09:00
different brushes for painting will help02:09:04
tiru tassel sky tassel clouds02:09:06
tassel stars hand here we take into account so that02:09:09
we can more or less do this based on02:09:11
photos02:09:12
that's just who is talking about tassels02:09:15
studying02:09:16
photos we can make brushes like this ourselves02:09:19
do it to yourself and then on all the photos02:09:21
that's why here that's why there02:09:23
draw such smoke and a lot of the best02:09:25
tassels than to look for bin somewhere02:09:27
switching to this mode is enough02:09:31
can be flat and these are the brushes on02:09:34
expression I'll say there mine cartoons if02:09:37
skein of graphics are not like photoshop but02:09:39
again, too many people, but here they are02:09:42
these are the natural ones that are here02:09:45
photograph for the artist to look at02:09:48
cool on females as art of course02:09:52
we have a lot of different brushes and02:09:55
butterfly wings and02:09:58
everything that is possible seems to me02:10:00
tassels we have on which sites and02:10:03
become eat02:10:06
photoshop master remained02:10:09
photoshop master you can say calmly02:10:12
there's a whole department there02:10:16
with tassels but the only thing is simple02:10:18
units, both of his creatives were renamed02:10:21
don't get carried away don't get carried away everyone02:10:24
you can download it here02:10:26
come in and eat here accordingly02:10:29
different different at least before02:10:32
was somewhere02:10:34
where it was necessary to look and should not02:10:37
be an addition possible here02:10:40
Here02:10:41
textures they have an addition here is a brush02:10:46
there are different abstract stars here they are02:10:49
frame texture background you can download everything02:10:53
who needs some textures or something02:10:55
go here to photoshop masks here02:10:58
complete and they are freely available for02:11:00
you can download your creative ones02:11:02
just don't get carried away with it02:11:05
such a thing can be a lot of unnecessary02:11:08
pump yourself up but at the same time if02:11:12
search here you can find for something02:11:15
there are a lot of things to do here02:11:17
time brushes which you can also have everything there02:11:20
and here you can see them as much as you look02:11:23
abstraction water stars space boo02:11:25
manganese at the heart point because people02:11:28
body parts emblems equipment weapons and here02:11:31
here here02:11:33
there’s no need for something like that, I’ll say it right away02:11:37
you will still need to work with him and with him02:11:40
definitely being modified to02:11:44
here look in full some somewhere for you02:11:47
about a disk of trees for the background02:11:53
he remembers who was at my marathons02:11:56
what we have photoshop done myself now02:11:59
trees02:12:01
make trees and02:12:04
respectively02:12:11
you no longer need to make trees02:12:15
say brushes we can choose which one02:12:17
anywhere here is sakura oak, that is, if02:12:20
somewhere in the background some twigs are needed02:12:22
add not to foreground to background02:12:26
because they are more like that02:12:27
drawn here we can calmly02:12:30
by you principle we can direction the light02:12:33
this is actually very cool from left to right02:12:35
illumination we can here quantity02:12:37
add as many leaves as you like02:12:39
We can change the thickness of the branches with you02:12:42
we will have such a big trunk02:12:44
small here very so cool02:12:47
item for creativity branch height size02:12:49
leaves we can change empty and it02:12:52
will be a very rare floor it is still very02:12:54
cool that is so02:12:57
cool really creative strats02:13:00
we all have children cypress services here02:13:03
I want it I want the color of sakura and02:13:07
accordingly we can generally do02:13:09
everything everything everything and if we basically02:13:11
normal attitude02:13:14
Fine02:13:20
where will you get the light from we add from you02:13:23
the tree has already been cut and looks fine02:13:26
I can add that you can work in peace02:13:38
rendering02:13:40
fire02:13:42
[music]02:13:49
here you can also make a cool fire02:13:53
rendering you02:13:59
there is a filter and there is rendering02:14:03
emergency room fire is a cool thing too02:14:07
you can do various things you can tongue02:14:10
bodies with HIV it will be on a black background02:14:12
then that is, it will already be in place where02:14:14
you indicate I made a special way that02:14:18
he goes to show off and eats here02:14:20
we can just change the width with you02:14:23
we can have different wines02:14:28
take into account some02:14:32
I can even come back later and if there is02:14:36
there and somewhere we have patients now02:14:38
what kind of help do we have here?02:14:40
help because mine is also a direction02:14:42
with a pen, that is, we can, as it were, set02:14:44
them02:14:45
change from us maybe02:14:48
filling we can have a corner of me02:14:49
value we can do with you here too02:14:52
Very interesting, change the interval what to do02:14:55
business training02:14:57
Photoshop update training took place02:15:01
[music]02:15:04
too yeah but there are a few whales here02:15:07
news in02:15:10
the letter has been updated02:15:12
A02:15:13
maybe according to the master, let's say02:15:18
Separately, in general, I drew the path02:15:21
Now02:15:25
again why if in the photo02:15:29
there are still some that are not even02:15:33
touched02:15:40
Please02:15:43
previous version available02:15:51
available well02:15:55
I have not02:15:59
All that's left is to delete it in more detail02:16:11
disabled02:16:17
[music]02:16:21
support02:16:23
[music]02:16:27
Selena and he disconnected from them from there he02:16:31
wrote in English02:16:34
translator video02:16:37
read what I wrote02:16:41
communicated with him to copy02:16:45
the issue is being resolved02:16:54
we are not installing the program02:17:01
That's why02:17:03
Do you have a question? I see the pen as a friend02:17:10
Yesterday the topic was so interesting in our02:17:14
telegram girl when in the photo02:17:17
added the sky is so beautiful02:17:19
color correction was done by Olga before02:17:23
the mentor wrote that you need reflexes02:17:26
add and here's how to add reflexes02:17:29
there it turns out to be on the ground and on itself02:17:32
a girl is not like that02:17:34
the robe was so cute sheriff vines02:17:38
add 5 stream 6 empty02:17:43
media and therefore not with us02:17:47
red sky and, accordingly, trading at02:17:50
us02:17:52
what an interesting orange girl02:17:55
black, well, the ground seems to fit02:17:58
a little mouser but they said you need a reflex02:18:00
add well, I think that I should rip it off with Lex02:18:03
it would be interesting but how was it for me02:18:06
guess how it is through soft light02:18:09
add ideas to draw a dash through02:18:11
colors shadow how it's done02:18:16
how do we paint part of the photo tell me02:18:19
with Stas I will answer the question how can we02:18:22
color part of a photo02:18:27
through tons we can some of the photos02:18:30
we can paint it using some mode02:18:33
overlap most likely02:18:40
the eyes are02:18:44
What02:18:48
From the left side02:18:51
the pen after all02:18:58
the hand became dark on its own02:19:02
very dark said so to them02:19:06
it was necessary to go reflexes to this you can02:19:08
first, we add a tint and02:19:11
Here we also need to understand that we have a sunset02:19:14
like sunset and, accordingly, to reflex02:19:18
usually everything is added manually anyway02:19:20
or through some kind of corrective02:19:22
shade we made we color02:19:25
balance something suitable like this02:19:27
red here and draw the details02:19:30
bread is a matter of red-haired Zhenya soft02:19:33
light or on top should02:19:36
.02:19:39
I understand correctly that if in fact02:19:42
in fact, doing this reflex there is extremely02:19:45
completely covers the girl along the edge02:19:47
or02:19:48
they will only be at the warehouse and if you02:19:51
its color correction interfering if you02:19:54
better add more red but you02:19:56
there will be something you want not02:19:59
if you want color correction then what grandfather02:20:00
such a rich red top everything02:20:03
whether you want it or not, everything will happen02:20:05
it’s redder here in a good way, but I see02:20:08
the blue sand remains for you02:20:12
sky02:20:13
Initially, here's everything and essentially02:20:16
things here would be just like this02:20:18
red02:20:20
we'll clean it up and02:20:25
with us like it or not02:20:27
this sand on the lower part can02:20:29
to be even in heaven we need it02:20:32
merging everything according to what I have become02:20:34
red but everything else is gone02:20:37
red02:20:41
because well, the red sky is necessary with02:20:44
blue sky na gives stupid here right here02:20:48
here like it or not02:20:50
how can we draw soft light02:20:53
take the cream from here the color of the hadith so that02:20:56
approximately there in the middle and we are calm02:21:00
translucent brush so that we don't02:21:02
mess up here we are in these places02:21:04
add grams in rivers carefully02:21:07
semi red reflex and will start with02:21:10
shades of ninety they can be02:21:12
hair with background is very good for and02:21:17
characters and foundation thereby we implant02:21:20
This is also a very cool trick for him02:21:23
there are cooler places here02:21:25
poke and she see and she immediately here you are02:21:29
these ones are especially about judges02:21:30
Russia caught fire from the sky red sky02:21:33
all these details and you are immediately the first02:21:36
first earth and things I can't look at02:21:38
the game is this this is this one hundred percent02:21:41
it's even logical why he stayed with me02:21:43
I understand that no vignettes were made here02:21:46
It's entirely possible not to work with light02:21:48
they changed the sky, as I understand it, these are these02:21:51
way when02:21:54
like this but they have a mask they have02:21:58
there is a mask that adds sunset02:22:02
sunset opportunity ok need02:22:06
I don't see anyone02:22:09
not there girl she did it with a friend and02:22:12
I did it a long time ago even before the course02:22:18
the best thing here is the sky there was in02:22:22
sunsets02:22:24
wow, let's roll back again02:22:27
roll it up I think02:22:31
I'll give it to the forest anyway brother maybe it's02:22:34
the texture was substituted not now the numbers I02:22:37
now would be02:22:39
no other way to see this02:22:42
decides green on dumper Olya not02:22:46
it was, that is, in this regard02:22:48
there's enough earth and it's crawling all over me02:22:52
work until the morning butt the girl02:22:54
ok we will work on the ground for 7002:22:57
the earth must be darker than the sky02:22:59
Well, sushi, after all, you yourself told me02:23:02
from above to light02:23:06
and I have a question: why is it light there?02:23:10
the strip is like this, how much has it been collected?02:23:22
we draw all this by hand, that is, special02:23:25
some kind of secret in the wrong place02:23:28
I pressed the actions button and it worked02:23:32
to say that the best thing is heaven but it’s real02:23:35
this is how it is now02:23:38
I don’t know the simplest thing that can be done02:23:42
because he basically but still02:23:45
you need to wear an acrobat mask that is small02:23:48
haven't been to a friend02:23:50
for anyone who still needs to understand that02:23:53
made from bright light photographs02:23:56
dark sky . music, well, that means you need it too02:23:59
work on this plan so that you though02:24:01
I wish I could give it to you for me, well, that is02:24:04
different variations come in which of course02:24:06
will need to be worked out and revived02:24:09
returns the hand to modify it a little02:24:11
beauty there the drain can be removed02:24:13
a little bit of each other's muzzle and even a tan with02:24:15
I add the girl herself, that is02:24:17
change the whole country in a dark photo02:24:20
grow by mask we all work02:24:23
shaving brush everything is spot-on, that is, on02:24:25
task: shade the sand, shade it altogether02:24:28
the best thing is that a girl will have a neckline02:24:30
blessed to work separately be easier02:24:33
everything but the very first to get yourself to the line02:24:36
the horizon of which is very02:24:38
matches the sky they went their separate ways02:24:40
this is exactly right there brother from here02:24:44
the sky and accordingly it is needed here02:24:46
build up with a soft brush because02:24:49
that we have a horizon line here at all02:24:51
I left so as not to suffer like this02:24:53
be sure to send the girls to first02:24:55
new layer and02:24:57
work separately with a girl separately02:25:00
working with the bottom of the ground separately with the background02:25:03
then together and then when we02:25:05
let's forgive all three together then already02:25:07
maybe we can do something there in the end02:25:09
color correction detail down to business02:25:12
otherwise we have because now we have so far02:25:14
what do we have02:25:16
deep juice from the blue sky on like02:25:19
I wish I could add these beauties here02:25:21
they thought they stayed where it was logical02:25:24
not like that with us02:25:27
but you need to understand that she is here now02:25:30
I would also like this with a bottom and not02:25:33
separate each core if necessary02:25:35
must be processed02:25:39
but this question confused me all night yesterday02:25:43
asked02:25:46
Wally why automatic you have nowhere02:25:48
paint your hands where you need them02:25:52
slap-slap with a brush found near02:25:55
drew and added accordingly02:25:57
reflex maybe you have something there02:25:59
additional something can definitely be removed02:26:01
we watch because automatically02:26:02
I don’t understand the programs yet, where do you need them?02:26:04
reflexes add what especially what02:26:07
you can in the dark you need to understand what he has02:26:09
dark on it will be more difficult to reflex02:26:11
does yes there newspapers instead of needing to be02:26:14
maybe lighter, but these assets are a doll02:26:16
then here we are different02:26:18
what works is the horizon and the sky above it02:26:23
this is just something that is not at all02:26:27
correspondence02:26:29
it's all the little things that matter02:26:32
now I know how to add reflexes02:26:35
We usually remove them with a photo, but here02:26:39
need to add come before we remove it02:26:43
accordingly, there will be something inside us02:26:46
you need to understand what to eat for the ad02:26:49
into the new environment we have ours02:26:51
environment where there was no sodium struggle so here02:26:54
she is here she influences if we changed you02:26:56
we need to fix it on the girl too02:26:59
we can as if we don’t add it below02:27:02
here now there are blue reflexes on the face02:27:04
that's right, that is usually possible too02:27:07
we remove not all reflexes, we remove which ones02:27:09
who have what reflexes?02:27:12
which let's say we're not very happy02:27:14
looks nice with our edging for example02:27:16
skin is so normal02:27:19
cyanotic reflex we will remove it02:27:22
Right02:27:24
Yes, and here we must understand that when02:27:27
we have changed the environment we need02:27:28
work with other objects otherwise they02:27:31
it’s as if our non-relatives are not02:27:33
from there02:27:35
so here even here now02:27:37
are we painting or is she struggling?02:27:39
photos than if mine is removed then02:27:42
there you see not quite02:27:45
he's not from here at all02:27:48
we need it all02:27:50
work through there now there is beauty02:27:53
remove stones from work again02:27:55
there is this fund and what are we there02:27:57
earned money on the page, you need it here02:28:00
quickly everything is not enough that I would still be there02:28:02
hazy cheerfully battle finally this02:28:04
place to grow together remove the brain so as not to02:28:07
there were sharp streaks here just like that02:28:09
you can work and do your hand02:28:13
here in general it will be necessary of course02:28:15
bring some colors according to the law02:28:18
reflexes on interaction need to be02:28:20
definitely we are not drawing a new one here02:28:22
some kind of green blue reflex from02:28:24
something that is, thinking correspondence with02:28:27
environmentally intense red02:28:29
the sky it will give certain shades on02:28:32
all the details that are under them02:28:34
we're going to have some intense02:28:37
the character's reflexes are very bright02:28:39
very saturated we have a calm blue02:28:43
muffled it will not give the reflex needed02:28:46
understand that this is not the big deal here02:28:48
softbox and put on the same filter02:28:51
into the light I’m photographing what’s there alone02:28:53
carried the light with the autumn filter, you have everything02:28:55
turned blue, turned red for everything02:28:58
let him or her not want lips02:29:00
break-in02:29:02
well my good time 21 30 days I02:29:07
I think it's time to rest kids02:29:09
the last one is hidden heaters please02:29:11
so we said about sending and02:29:14
accordingly further asking in the background02:29:17
and in general we have some good ones02:29:20
conveniently it was born here02:29:27
photoshop but I'm not up to some usually02:29:30
this is no longer required for retouching02:29:33
it requires sending, it's all there02:29:35
Here02:29:40
such large-scale changes can be seen in02:29:42
they can be considered a party02:29:45
perspective and other essay topics on02:29:47
cutting02:29:52
we finish the technical retouching and here is mine02:29:55
flow and then we will use the phrase Tatars02:29:57
or hands to root I hope you don't02:30:00
will be taking a long break because02:30:02
It’s better to be a little greedy from the arts and move on02:30:05
from retouching and there02:30:07
we will open the throne for something else02:30:10
additionally02:30:13
acquired02:30:16
Yarina I02:30:18
I bought one chairs that I wanted02:30:22
it is the course that will open the material now02:30:25
I will show02:30:27
even for points, sheets of interesting lessons from02:30:30
us02:30:32
who has now reached platinum?02:30:36
you should be the first to open separately02:30:38
be an art photo processing with02:30:42
mane and filming so watch yours02:30:45
should open02:30:47
lesson section02:30:53
here I have this opened this here02:30:57
there are some edits to this, something like this02:31:00
here's the cutting here here we have it02:31:03
artistic treatment02:31:05
for difficult02:31:11
for whom the payment was fully opened for whom02:31:22
there all all all the lessons are here02:31:26
important02:31:28
there a portrait of a man is very important02:31:30
miss big lessons they are more than02:31:33
on these on something here big big02:31:35
borscht here we have artistic here02:31:38
floor age of this fabulous children's room02:31:41
working with effects that is everything all everything02:31:44
we review a lot of tutorials here02:31:46
go into them or your husband doesn’t even have to02:31:49
it is possible and should be done, I definitely need to do it02:31:52
definitely for the next one, that is now02:31:54
I02:31:55
I'll mark the lines so when we02:31:58
let's rent and where we came to work from02:32:01
heads.02:32:03
no these lessons02:32:04
until full payment is received02:32:14
you don’t have time at home and I don’t even know02:32:17
come see more lessons02:32:21
hurry, I understand I want to immediately02:32:24
go blunt at the moment when I02:32:28
didn't know anything02:32:30
didn't know anything couldn't do anything watched02:32:34
on all monsters photoshop photos02:32:37
order02:32:39
I02:32:42
just repeating02:32:46
1 bestowed02:32:49
busy she comes clear that he needs02:32:53
all this is not one month02:32:56
that's normal but if you want to be02:32:59
just doing just doing02:33:01
sound at school but I don't know me02:33:04
It seems like where did I go? I'm good for the course so much02:33:06
everything for work is complete, you can eat it02:33:09
still review and go around new ones for02:33:11
to discover myself, it seems to me that I’m all here02:33:15
so generous and information all-all-all02:33:17
I give you told that explaining something02:33:19
yes even more just that's all02:33:22
there really is02:33:23
defense remember everything gradually02:33:27
gradually look now it’s nothing02:33:30
I didn’t know by heart now from memory last night02:33:33
I don’t even open photoshop I said02:33:35
something somewhere and it was the same thing on02:33:37
your level found such a difference02:33:39
time02:33:41
and how much platinum is02:33:44
access02:33:47
all the package y'all have a marathon or something02:33:51
everything will be accessible02:34:06
No02:34:08
author02:34:11
shows we have platinum02:34:13
artistic processing of photographs02:34:16
us02:34:19
Here02:34:21
been there so mom don't worry02:34:32
here we have you understand we are already here02:34:34
other us02:34:36
starts from the basics you need to go through02:34:39
because it is necessary02:34:43
and color and02:34:44
composition psychology of the impact of this02:34:47
work tools and masks here02:34:49
Photoshop is studied up and down02:34:51
because you need to highlight everything but02:34:53
transform and do everything, everything, everything and02:34:55
respectively after the first02:34:59
works with flamingos, we can study further02:35:03
then what else do I need again?02:35:05
perspective chiaroscuro reflection rex02:35:07
creating your own brushes and how to use them02:35:08
work work with textures there on the face02:35:11
by his hair in the park, that is, here he is like that02:35:17
also an art school and very02:35:20
strong art school those who02:35:22
there is an arts celebration of those lucky02:35:24
Let's face it02:35:26
flamingo of course I did of course I don’t understand02:35:29
done differently flamingos are flowers02:35:32
I did02:35:36
who is going through something with few lessons or02:35:39
little information honestly this is not about this02:35:41
I can learn a lot from the course here02:35:45
it’s calm, that is, there is one and a half water access02:35:48
calmly study because there is no need02:35:51
you just need to surf the Internet on YouTube02:35:53
watch everything in turn and and and just everything02:35:56
this apply because from Esau to whom02:35:59
rocky olga and becoming02:36:02
not far from02:36:05
it's all going very slowly for me02:36:08
successfully and I'm honestly looking forward to02:36:12
but I listen to it, it kind of terrifies me02:36:15
New Year's I'm sorry but New Year's02:36:17
the holidays first interrupted everything, that is02:36:19
I rediscovered ours I don’t remember anything02:36:21
I went to watch it again02:36:23
look, they're not much anymore02:36:25
information, just close your head02:36:28
swollen02:36:30
everything is there and accordingly02:36:34
big02:36:36
from an artistic point of view, what's wrong with me?02:36:39
I'm concerned about photoshop02:36:41
understand well enough when02:36:43
the shadow color begins and02:36:50
photoshop is the 10th art direction02:36:53
because we are already here photoshop itself02:36:55
we know and even on my own there02:36:58
perspectives to understand this as we02:37:01
on canvas we create gifts for the new02:37:03
work as we need on canvas02:37:05
distribute these objects so that they02:37:07
we looked 3d volume at all points02:37:10
we can there using just one02:37:12
apple already show volume we have these02:37:15
all laws like it or not you need it02:37:18
understand how to study in order to02:37:20
already do we want photo art what we02:37:22
we don’t just want to change the uniform there02:37:24
object it's like it's very, very02:37:27
quite simple and there is a lot there02:37:29
nothing again02:37:31
just go and change yours02:37:34
laws on the chiaroscuro reflex throughout a02:37:38
when would you like to do something like this?02:37:42
its when we try too02:37:45
this is a serious creative process02:37:47
get out get ready you want to do it too02:37:50
not just some kind02:37:52
It is possible to change the background02:37:55
It’s better to take pictures right away using them02:37:57
on which you need and when you already want02:37:59
do something of your own for us to take as an example02:38:03
castle02:38:05
did the test according to knowledge02:38:09
perspective which we are also on fat arches02:38:11
we’re studying, I’ve already settled in and collected everything02:38:14
photos and step-by-step instructions can be found here02:38:16
see how we are already from such people02:38:19
details02:38:20
everyone understands everything is not here anymore02:38:23
nothing originally resembling a castle02:38:26
here it’s simple there you know yes go away from the children02:38:29
dry pool these balls are from02:38:32
plasticine detail here star right02:38:35
with plasticine and I didn’t even have sea02:38:37
stars nothing all of them just when you02:38:40
write this how cool it is when02:38:43
you can even make your own02:38:46
this doesn’t happen new, show me02:38:49
please last thesis project02:38:51
how did you just shoot yourself in a box?02:38:53
the capsule will not respond immediately02:38:57
I don’t want to plant with interest02:38:59
look because for me hats02:39:03
he even makes an orgasm there if02:39:07
see what we don't do02:39:16
came down02:39:23
just try it, it's really [ __ ] easy02:39:26
somewhere there is, as if from the source codes02:39:29
completely different thesis too02:39:32
collect everything after they want it here already02:39:36
damn any fantasy Sephardic is02:39:38
it's really very strong02:39:41
technical just a photoshop base when02:39:43
I think after the start you generally02:39:45
nothing with photos is prohibited02:39:52
you can safely remove the realistic ones02:39:55
it is completely without brakes and imagination02:39:59
when with santa for also appears in02:40:01
I once liked this level02:40:03
fantasies there you don’t understand everything plus more02:40:05
watch the lesson on how to develop imagination too02:40:08
I looked here, that's for sure, and02:40:10
I even tell you how to start very first02:40:13
cool, there they are, here they are, all the details and02:40:16
in the end you wonder how different everyone is02:40:18
I don't let him work with me02:40:21
I give it here so that everyone can do it in their own style.02:40:24
and your money the way you want it02:40:28
not erased Svetlana Bastia not only02:40:31
post on futorku always even just for everyone02:40:33
I don't know to stimulate the person who02:40:37
it just came from scratch never02:40:38
I didn’t open photoshop, that’s how I did it02:40:41
I probably knew how it was just by the mask02:40:43
remove something else I learned somewhere02:40:48
I learned a little from photography there02:40:50
you have to immerse yourself in processing02:40:53
at all02:40:59
found a new one02:41:02
diplomas but haven’t shown everything there yet02:41:06
I did it in general, there is also a block02:41:11
analysis of theses my video02:41:13
educational things to watch02:41:15
here we practically have work here02:41:19
you can see some details like02:41:21
is this being created or some details here02:41:24
she did it after work and then again02:41:27
we are finalizing02:41:30
When02:41:33
someone like this I didn’t do this02:41:41
that's why there's a lot of Natasha and02:41:45
this is what she did with her two grandchildren02:41:48
that's why he's a fairy tale02:41:52
winnie the pooh winnie the pooh yeah that's how it is02:41:56
once and for all there were training lessons02:41:58
because there are a lot of trails along them02:42:00
nuances that are practical for him and they02:42:03
there are different ones here, anyone with glow steve02:42:05
in the dark the keys are in agreement with the light02:42:09
alisu who has fantasy who has it himself02:42:13
everyone choose matisse this is of course not02:42:16
I remember you will play with me correctly02:42:17
This02:42:19
at the end of the training at the end of school will be02:42:22
do diplomas at all stages02:42:24
so here and there will be everything that will happen02:42:28
at your place02:42:29
I, too, seemed to be in the same situation02:42:33
absolute heart just like everyone else02:42:35
absolutely, that’s why we’re just learning here and02:42:39
we develop from this I also drew this02:42:42
there was no art school either02:42:44
there were no students told where02:42:47
musically02:42:49
I haven’t learned to play for 4 years, maybe 10002:42:53
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Which format of "2 й созвон с платинум 11 01 2022" video should I choose?
The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.
Why does my computer freeze when loading a "2 й созвон с платинум 11 01 2022" video?
The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.
How can I download "2 й созвон с платинум 11 01 2022" video to my phone?
You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.
How can I download an audio track (music) to MP3 "2 й созвон с платинум 11 01 2022"?
The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.
How can I save a frame from a video "2 й созвон с платинум 11 01 2022"?
This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.
What's the price of all this stuff?
It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.