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Быков и Шендерович о новом учебнике истории Мединского

Быков и Шендерович о новом учебнике истории Мединского

Channel: TV Rain

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00:00:15

I really didn’t want to watch the Balkan

00:00:18

frontier, the thing is that I remember the war about the events of

00:00:20

which is told in the film

00:00:22

much better than both Chechen wars, I really didn’t

00:00:25

want to waste time and energy on

00:00:27

yet another craft from the Ministry of

00:00:29

Laundries that turns real events

00:00:32

into a pile of inarticulate garbage,

00:00:34

but one evening I still I decided to

00:00:37

watch the film, which in the end, the first

00:00:39

thing the main thing was that the film could

00:00:42

not be released at all was enough to announce

00:00:44

its creation and listen to 2 howling choirs

00:00:47

instead of watching directly, the main

00:00:50

move is, of course, Nepal, living witnesses of the

00:00:53

sinless West killing women and

00:00:56

children in the name of the bright temple of democracy,

00:00:59

in their opinion It is impossible to show the Yugoslav

00:01:01

conflicts, in particular the events in Kosovo,

00:01:04

except in the format of propaganda of the 50s for the

00:01:07

valiant forces of NATO and the infernal and the

00:01:09

Serbs,

00:01:11

because heresy against what

00:01:13

the Ministry of Truth says, they still have

00:01:16

any mention of the Balkans causing

00:01:18

salivation and a cry about the passionate

00:01:20

terrible Milosevic the dissatisfaction of all sorts of

00:01:23

hat cheeky individuals with the fact that someone

00:01:26

other than those who are allowed to engage in

00:01:28

propaganda

00:01:29

is always funny, on the other hand one

00:01:32

can hear the no less furious cry of our

00:01:35

dear patriots rejoicing that the

00:01:37

right film has come out where our good

00:01:39

true jubilant cries fade somewhat

00:01:42

against the background of exactly the same triumph any

00:01:45

shnyaga where Russian soldiers fraternize with

00:01:47

sheep, women veterans are called [ __ ]

00:01:51

and the Crimean spring takes place in the bed of

00:01:53

two cardboard cutouts over what do you

00:01:55

want from the patriotism of our days,

00:01:58

besides, this time many are sincerely praising the

00:02:01

food in another for some reason, few people are seriously

00:02:04

considering the film as a film, but because of the

00:02:07

more or less prominent reviewers that

00:02:09

I know, the only person who spoke sensibly was

00:02:12

Daniil from the Taganay channel,

00:02:14

for which I thank him very much. I’ll start by

00:02:16

calling the film political propaganda,

00:02:18

as so many bloggers,

00:02:20

reviewers, film critics do, personally, I ca

00:02:22

n’t bear it because

00:02:24

the film, in my opinion, does not cope with this task

00:02:26

at all, it does not

00:02:28

reveal the conflict in any way, does not indicate our

00:02:31

position on this issue, it does not explain

00:02:33

why the NATOs are bad and the Serbs are good, we

00:02:35

just have to accept this as a fact, they do

00:02:38

not explain to us who is with whom and behind what why and

00:02:41

how long have they been fighting in Kosovo? Some of

00:02:43

these moments are completely missed, some are

00:02:45

indicated by some fleeting

00:02:47

touches that need to be caught and

00:02:49

comprehended. This is not very good.

00:02:57

boasts

00:02:59

harmony, logic and, most importantly,

00:03:01

brevity and at least some hint of

00:03:04

realism, the only thing I don’t agree with is

00:03:07

that the film does not cope with the

00:03:09

role of propaganda and does not indicate our

00:03:12

position, but more on that later, what kind of

00:03:15

Balkan chopping is it if you look at it

00:03:17

as in a work of art

00:03:20

you are normal for the first time in many years they are a

00:03:23

shame to look at the action with the caveat that it is

00:03:25

realistic it is very conventional running

00:03:28

under full-length fire armored

00:03:31

civilian vehicles the sight of imperial

00:03:33

stormtroopers on the villains plot armor on the

00:03:35

heroes jerks with all their might mortar

00:03:38

shelling heading towards positions

00:03:40

shooters cars and this is all the

00:03:42

shootout of half a dozen people at the

00:03:45

Bykov factory puts all the combat of the line on the

00:03:47

shoulder in terms of authenticity, however,

00:03:50

the blood is juicy, the sound and editing are decent,

00:03:53

everything bangs and explodes spectacularly not John

00:03:56

Wick and not Hacksaw Ridge not

00:03:59

Michael Bay but interesting to watch

00:04:01

The piquancy is added by the tendency, unusual for

00:04:04

Russian cinema, to show

00:04:06

severed limbs,

00:04:08

mutilated corpses and severed heads.

00:04:10

In this regard, the film is spoiled by a solid four

00:04:13

except for the five-minute

00:04:15

prologue in Bosnia, where they seem to be trying to

00:04:18

throw us into the thick of things, but it turns out to be

00:04:20

torn, meaningless lines

00:04:23

and editing that irritates instead of

00:04:25

keep in suspense with a word and in the

00:04:28

style of the T-34 twitchy camera the acting of the actors

00:04:31

who are trying to portray the heat of battle

00:04:33

but it doesn’t work out everything is included the

00:04:35

actual acting is also not

00:04:38

disgusting the protagonists the whole team

00:04:40

Olya the heroes of the cannons of the island of Navarone

00:04:43

or if you want the unstoppable main ones these are

00:04:46

the characters of Anton pump already

00:04:48

known as the bear man from the

00:04:50

defenders and Gosha Kutsenko, you are magnificent, it’s

00:04:54

enough for him to walk from side to

00:04:56

side, run, shoot and

00:04:58

look expressively, I don’t want to scold him, the guy has a

00:05:01

textured appearance, others are cast for the role of

00:05:03

Batman with a smaller list of

00:05:04

advantages,

00:05:05

his role does not contribute to the manifestation of

00:05:08

his acting the geniuses Kutsenko is frankly

00:05:11

ordinary, but fortunately the role is busily in a

00:05:14

dry commander whose main

00:05:15

characteristic is less cool than that of the

00:05:18

furry one suits him, at least

00:05:21

he doesn’t look like the clown that was of

00:05:23

ill memory in paragraph 78, the rest of the

00:05:26

characters seem to be an obligatory

00:05:29

outsider who during the final

00:05:31

battle a wise older comrade will sacrifice himself,

00:05:33

representatives of ethnic and

00:05:36

religious minorities, the ensemble of good

00:05:39

guys is standard, but I’ll add a little

00:05:41

subjectivity, forgive Ravshan

00:05:43

Kurkov, she doesn’t look like a stern sniper

00:05:45

at all, it’s just not her type, but the

00:05:48

gold of the film is the

00:05:50

only actor in the supporting role, the

00:05:53

inimitable kitsch acted as a

00:05:56

policeman boss and he’s

00:05:59

so cool that I’d rather watch a movie about this grandfather,

00:06:01

truly the Clint Eastwood of the

00:06:04

Eastern Bloc, Chingachgook essentially

00:06:07

serves as a tool for connecting 3 service

00:06:09

lines and dies in the second act, but before

00:06:12

that he sets the pump’s brains in front of us and

00:06:14

twists the ear of his own subordinates,

00:06:17

symbolizing a magical conflict and

00:06:19

refuses to die on his knees, and

00:06:23

you don’t necessarily want to live in the city,

00:06:26

but you know that I can

00:06:29

do it to you, he knows what you can’t, you can’t, you can’t buy

00:06:32

me,

00:06:35

goddammit, you can’t buy me, salam, but the neighbor is the

00:06:37

only one you can kill me, my husband,

00:06:40

you can

00:06:43

go back kiss

00:06:46

and so it will be with everyone, this is

00:06:49

to resist the legitimate authority,

00:06:52

you are the legitimate authority of a dozen ordinary

00:06:56

hospitals about Kosovo, this is Serbia, the

00:07:08

herbs are

00:07:09

failing,

00:07:20

well, let’s talk about the plot, the

00:07:23

story tells and not only and not

00:07:25

so much about the real rush of Russian

00:07:27

troops on Pryazhkina

00:07:29

and the occupation of the Slatina airfield, but about

00:07:31

fictional ones events against the backdrop of real ones

00:07:34

and this is normal unless the

00:07:36

goal is to vulgarize and deconstruct

00:07:38

reality with fiction, then fiction and

00:07:41

reality seem to be in the same tone and with the same

00:07:44

message, as if the plot begins

00:07:47

several years before the main events in

00:07:49

Bosnia, where after the death of a colleague in an

00:07:51

operation the capture of the militant commander, the

00:07:54

hero of the fur monument kills the target, contrary to the

00:07:57

prohibition of the NATO observer, the entire

00:07:59

detachment as a result walks under the threat of

00:08:01

a tribunal and the fighters hide in the Balkans

00:08:04

in the year ninety-nine, when the

00:08:06

Kosovo conflict is in full swing, the Russian

00:08:09

high command decides to occupy the

00:08:11

Slatina airfield for peacekeeping purposes,

00:08:13

this is all that is told about the most the war

00:08:16

in Yugoslavia before all the fragmentary texts and a

00:08:19

couple of scenes with understatement, we have plus

00:08:21

an epilogue but about it later, in order to

00:08:24

insure the secret, they contact the

00:08:26

oval special forces and offer them a

00:08:28

complete amnesty in exchange for capturing and

00:08:31

holding the airfield until the arrival of

00:08:33

armored vehicles; they do not take fur with you

00:08:36

at the insistence Kutsenko,

00:08:38

but he is already somewhere nearby and is trying

00:08:40

to rescue from captivity at the same airfield his

00:08:42

Serbian copper sister, whom he saved from

00:08:45

Albanian separatists, whose commander not

00:08:47

only sells drugs but is also in the

00:08:50

pay of the cheese, kills

00:08:52

police women and children, setting up a

00:08:54

small caliphate, which parallels

00:08:57

the plot 2 wards of militant Tich, one of

00:09:00

whom is serpo, the other Albanian, at first

00:09:02

tensions grow between them, but then

00:09:04

they make peace and help the special forces

00:09:06

recapture the airfield 3 storylines, each

00:09:09

of which would be suitable for a full-fledged

00:09:11

film if it were sufficiently

00:09:13

developed, but with the elaboration everything is difficult,

00:09:16

alas and oh, the script is the best the weak part

00:09:19

of the film,

00:09:20

the characters are given in rough sketches, the

00:09:22

characteristic touches are shown deliberately and

00:09:24

primitively, like the outsider’s habit of

00:09:27

playing with a lighter and trying to shoot,

00:09:29

everyone has a cigarette, the cool character of a strong

00:09:32

independent sniper, missing his daughter,

00:09:35

indecisiveness, Kutsenko and Morrissey,

00:09:38

we are already the type of furry in an action movie, this would not have

00:09:40

worked in battle before character arcs,

00:09:43

you look like that cool

00:09:45

veteran who sings songs survived, but before that

00:09:47

the film was more than 2 hours long for one and a half

00:09:51

of them, they showed exactly the character and

00:09:53

characters, then no, it’s not enough to insert a

00:09:56

couple of scenes with lines about friends’ house and

00:09:59

personal relationships with sad masks

00:10:01

especially in such timing with such a

00:10:03

transition to action,

00:10:05

there are no successful moments such as

00:10:07

Kutsenko’s delays, what is worth the wounding of a

00:10:10

sniper or the relationship between a good Serb and a

00:10:12

good Albanian, they are there, but there are few of them and

00:10:15

they look like a draft that they did not have time to

00:10:18

finish and went to shoot the

00:10:19

line of the fur memorial and the Serbian nurse

00:10:22

as not sad worse than anyone, but it is

00:10:25

designed to show the horror of this war

00:10:27

through the eyes of the locals; ethnic massacres are

00:10:30

mostly left behind the scenes; the character

00:10:33

frankly has nothing to do;

00:10:34

a clash with the main antagonist; well, it’s

00:10:37

very strained;

00:10:38

your separatist leader personally robs

00:10:40

caravans on the Kosovo border while he has a

00:10:43

kilogram of heroin in his stash;

00:10:45

that’s all in order for there to be a conflict with a

00:10:46

pom-pom to have a sister captured

00:10:48

watch the execution and the civilian

00:10:51

population, a personal conflict is sewn into the

00:10:53

general thread with threads of a suspiciously white

00:10:56

color and if instead of a simple

00:10:58

sequence of scenes we were led

00:11:00

to the climax of the

00:11:01

characters’ story, everything would not look

00:11:04

so tense in Skype fur would be

00:11:06

the only protagonist, he

00:11:09

would be hiding in the Balkans and accidentally save his

00:11:11

sister from robbers, just like in the film,

00:11:14

but only then he met in an outcast

00:11:16

midi and got stuck in a conflict,

00:11:18

and at the same time, they

00:11:20

would have feelings for their sister, and even then the

00:11:22

Albanian leader with whom the protagonists

00:11:25

begins to interfere would have taken her hostage

00:11:27

yes it is strong according to the formula but the formulas it

00:11:30

works if the film was entirely

00:11:33

about this with a lot of scenes of

00:11:35

exposition of dialogue the candy would have come out

00:11:38

Russians as an allegory on Russia helps the

00:11:40

Serb and Albans as an allegory on

00:11:43

adequate of cope with the scumbag as an

00:11:45

allegory and on real scum, but no,

00:11:48

instead we have a crumpled third of

00:11:50

the plot, apparently so that there must be a

00:11:53

romantic line, the only thing that saves it is

00:11:56

that Milena Rodovic is beautiful, the

00:12:00

piece is achievable already in this city, where they won’t

00:12:03

allow you to take you to the hospital, you

00:12:06

can mix it there, you can stay with me at the same

00:12:09

time I still don’t show up I don’t

00:12:13

want to disturb you character won’t interfere

00:12:21

thank you

00:12:25

[music]

00:12:28

Serbian and Albanian police officers are also

00:12:31

worthy of an independent film, the

00:12:33

tension between them after the murder of

00:12:35

Serbs by Albanians and the Vuk walking around the edge

00:12:38

almost turns into the same

00:12:40

embittered nationalist who wants to

00:12:42

kill Albanians, Vogel’s attempt to prove

00:12:45

that he is not like the killers, overcoming

00:12:48

enmity through the power of friendship, brotherly struggle for the

00:12:50

truth, what kind of movie could have been released, but a

00:12:53

couple of scenes from the drafts came out from create it, after

00:12:55

all, you want an Albanian, but

00:13:24

in the end he added sound introduced into the film to become the

00:13:28

severed head of Adil so that the

00:13:31

sniper would lust after him, and this

00:13:33

lust is natural Bondarchuk's guns they

00:13:36

write it on the wall so that the viewer of such a

00:13:40

line of the special forces themselves are the

00:13:43

simplest and most adequate, they are collected together, they

00:13:45

plan an operation, then they fight and

00:13:48

almost everyone dies; the trouble is that

00:13:51

we are led to a protracted battle in the finale by a

00:13:53

very long time interrupting the remaining 2

00:13:56

plots and the character, as I already said,

00:13:59

simply lacks walls and

00:14:01

the characterization

00:14:02

in the end could have started with the scenes right

00:14:04

at the airfield and not a single hero would have

00:14:07

lost anything to some moments like

00:14:09

the request and the sniper at the end to finish her off in the

00:14:12

heart so that in the coffin she would be beautiful,

00:14:14

you believe, but precisely the moment why

00:14:17

an outsider, for example, sacrificed himself by

00:14:19

seizing himself out of

00:14:20

guilt for a comrade who died in the prologue, who

00:14:22

covered my back from

00:14:25

felt for a long time just for the sake of the lulz, not

00:14:28

revealed, not how he is simply thrown in

00:14:30

different directions, then he is a cynic, then he secretly

00:14:33

sends money to the family of the deceased, he himself is

00:14:35

killing himself they wanted make an unexpected

00:14:38

reveal and deceive the expectation, but they didn’t

00:14:40

live up to it because there’s almost nothing to reveal, like

00:14:45

telling us trees

00:14:49

and

00:14:59

[music]

00:15:02

and what you want me to do is

00:15:04

to sell it myself,

00:15:06

this is the price for which I’ll go

00:15:22

[music]

00:15:28

like a finger, oddly

00:15:32

enough, the best story arc in

00:15:35

the film commander of the Albanians, he is angry

00:15:38

with his subordinates for failures, he has

00:15:40

respect for a strong enemy, he rebels

00:15:43

against the curator from Tseru, he has a clear

00:15:45

motivation to rule in his country with

00:15:48

his faith, the motivation is revealed through

00:15:50

monologues and actions much better than those of the

00:15:53

heroes, the only thing that saves the situation is that

00:15:55

the actions are frankly vile vile and

00:15:58

villainous, including the murder of the defenseless,

00:16:01

encouraging rape, killing of

00:16:04

women and children in general, take from the lower

00:16:07

standing the image at the level of the Serbs from

00:16:10

Hollywood propaganda about the same events, I

00:16:12

have nothing against the only complaint is

00:16:15

that the heroes are not as prominent as he

00:16:18

listened to deluxe

00:16:20

and rotten

00:16:21

great Albania in

00:16:23

for communication with the Serbian occupiers,

00:16:29

this Serb sentenced the

00:16:30

language to the death penalty, this is my homeland, for

00:16:39

which he died and his death brings

00:16:43

a strong katharsis,

00:17:05

so we discussed the production of the actors, the plot and

00:17:08

the characters, let's move on to the

00:17:10

main reason for creating my video for

00:17:13

propaganda and this is where I disagree from

00:17:16

that, the point is that the events and

00:17:19

images at the turn are presented exactly as they should be

00:17:21

in the current historical

00:17:23

conditions, you see, you noticed that I

00:17:27

still haven’t said anything about the actual throw at

00:17:30

the front, well, that’s because there’s almost none of it in the film,

00:17:32

there’s 3- 4 scenes with interrupting kai

00:17:35

on the real chronicle of those times, scenes where the

00:17:38

Russian military first prepares,

00:17:41

then they go and at the end they arrive, leaving by the

00:17:44

way is incredibly pathos

00:17:47

because it is executed under the soya and the image is some kind of

00:17:50

Russian from the last only of the Serbs with this

00:17:52

cast but also specific

00:17:55

heroes and women who have already died with a small child,

00:17:57

everything is absolutely correct and correctly presented at the

00:18:00

level of figurative perception, the problems

00:18:03

begin when you turn on the analysis, the

00:18:05

film ends with another chronicle

00:18:08

where human pain is really shown,

00:18:10

already with losses, injustice and next to it the

00:18:13

vanilla trium, the first victory of the new

00:18:16

Russia, that’s all, so that later it’s

00:18:19

briefly mentioned in Russian

00:18:21

then they left anyway and continued to

00:18:24

slaughter the Serbs with impunity

00:18:26

and Yugoslavia did not and Kosovo separated,

00:18:29

the authors seemed to have watched my video

00:18:31

about Ermak at the very end of the claims

00:18:34

I have no

00:18:35

combination of sadness and joy presented well the

00:18:37

question is why and why in a particular

00:18:40

case everything lends itself this is exactly how not so

00:18:43

long ago the hotbed of agents Izbu Canal

00:18:46

Messenger of the Storm and took a good look at the

00:18:48

real context of Russian

00:18:50

intervention in that war, heroic and

00:18:52

successful, it seems only against the backdrop of the

00:18:54

complete humiliation of Russia before I do

00:18:57

not at all want to belittle, without jokes,

00:18:59

the feat of those officers who ignored the

00:19:01

order to stop column and, in fact,

00:19:04

abandoning the Serbs to the mercy of the

00:19:06

murderers, I don’t want to say that the

00:19:07

grateful Serbs are

00:19:10

wrong, the very fact of attacking a previously

00:19:12

bright spot in the recent history of the

00:19:14

post-Soviet space, the

00:19:16

trouble is that this spot does not match the

00:19:19

material of

00:19:21

Ermak’s patriotic agitation, it could have been completed before death

00:19:23

hero because we know Russia

00:19:26

has grown into Siberia anyway,

00:19:28

but to keep silent about the context of the events of

00:19:30

20 years ago is simply stupid because,

00:19:33

unlike Siberia during the time of Ivan

00:19:35

the Terrible, the current geopolitics is right before our

00:19:38

eyes, the occupation of the airfield was a desperate

00:19:42

and ineffective gesture, it did not

00:19:44

stop the further disintegration of the massacre

00:19:47

is not a clownery in gaga,

00:19:49

but the film is not about that, the film should

00:19:51

evoke pride and joy in Russians and

00:19:54

Serbs, so we will bypass the rough edges, we wo

00:19:57

n’t even blame anyone and the towel in the film

00:20:00

will not be called a towel, and the American

00:20:02

drones in reality are

00:20:04

so unscrupulous that they were not shy about

00:20:07

even bombing the Chinese embassy

00:20:09

are depersonalized and shown in one scene as

00:20:11

some kind of black force, you know why,

00:20:14

because at that time there simply weren’t enough

00:20:16

events and actions and clarity on the part of

00:20:19

Russia

00:20:20

to make a patriotic film, that’s

00:20:22

why there are a couple of facts from reality

00:20:25

that are artistically interpreted,

00:20:27

that’s why three stories are needed with

00:20:29

fictional characters

00:20:30

so that instead of a short film and about the departure

00:20:32

of armored vehicles and the order not to rock the boat,

00:20:35

which were scored on, there was heroism and overcoming Russia, no matter how much

00:20:39

our dear

00:20:41

beautiful and impeccable authorities wanted the opposite,

00:20:44

did nothing then to defeat the

00:20:46

great evil, therefore, with the triumphant

00:20:48

return of the Russians to the world stage,

00:20:50

real events 99 year can

00:20:54

only be done in film screenings of how a military man takes a

00:20:56

little girl in his arms and a big

00:20:59

bearded Russian and a thin Serbian woman

00:21:01

love each other and at the end the

00:21:04

protagonist of the film Crimea comes and says his

00:21:06

thing, this is undoubted propaganda but

00:21:09

not cheers patriotic no matter what they

00:21:11

mutter I bury cabbage soup and

00:21:13

little eyes with their husbands and aging hipsters,

00:21:16

this is

00:21:18

propaganda in style adequate to the current system and we bite only with

00:21:21

our gums, the Russians are cool, as it were, and

00:21:24

save everyone, as it were,

00:21:26

but only until the enemy rises above

00:21:28

the level of personal conflict,

00:21:30

where good SS men or

00:21:33

bloodthirsty bandits whose affiliation with the

00:21:35

Albanian separatists are possible somehow, almost

00:21:38

behind the scenes, the Russians save, win, but

00:21:41

sterilely neatly without context in an

00:21:43

artificial setting of fiction

00:21:45

called truth and truth replaced by

00:21:48

fiction, this is precisely the essence of

00:21:51

current patriotism, we need to be proud,

00:21:54

but be proud of some abstraction of some

00:21:57

great Russia, whose history is full of reasons

00:22:00

for pride,

00:22:01

but about You don’t need to think too much about exploits and achievements, otherwise it

00:22:03

will turn out that the latest exploits for the

00:22:07

last hundred years were accomplished mainly

00:22:10

under the damned commies, and under Boris

00:22:12

the Baptist and his successors, Russia

00:22:15

was basically in the role of a cuckold,

00:22:18

and it turns out that such metaphysical

00:22:20

schizophrenia is at the same time creating a

00:22:22

sacred image of heroism and heroes on

00:22:24

whose side is the truth and we don’t show what kind of

00:22:27

truth it is, why it is and what it is

00:22:30

because the truth is a pure simulator and a

00:22:32

simulacrum, this can be turned in any

00:22:34

direction, the system, even the great repentance, even the

00:22:38

great Kurginyan, and patriotism 2.0,

00:22:41

cross-platform and compatible with

00:22:43

world formats of patriotic thought

00:22:46

about which I have already told three times

00:22:48

turns out to be ironically crude storylines

00:22:51

ideally suited to the meager material in the

00:22:54

end the result is an ideal propaganda of the

00:22:57

modern Russian Federation

00:22:59

superficial empty clinging to

00:23:02

images of greatness in the dialogues it’s not for nothing that

00:23:05

signals of virtue are flashing there is

00:23:07

not enough not the Soviet era in

00:23:10

then it’s not all about Soviet times,

00:23:13

you were just young and handsome then, so

00:23:16

start just living peacefully

00:23:18

[music]

00:23:24

the authors of the film really want the viewer

00:23:27

to feel pride and unity, they

00:23:30

do it much better than the

00:23:31

directors and peaks of the damned amorous

00:23:34

bandits and good SS men or all sorts of

00:23:36

scum producers, only now these are precisely

00:23:39

signals and behind them there is emptiness because

00:23:42

being is like that and with it consciousness is

00:23:45

the Balkan frontier a film where for

00:23:47

the technical component I, as a teacher,

00:23:50

gave you a B, but for the meaning of

00:23:53

the idea the plot addition got a maximum of C

00:23:56

at least the picture does not

00:23:58

tell another terrible truth

00:24:00

does not expose Yeltsin’s hero doesn’t reduce

00:24:04

the war to excrement, there are no films, he’s just

00:24:06

empty, ambivalent, timid,

00:24:08

even cowardly, and all because

00:24:11

the Balkan border is honestly fulfilling the

00:24:13

order to create a patriotic film about Russian and Serbian that is

00:24:17

convenient for the current Russian

00:24:19

state, that is, by definition, it

00:24:22

should be empty, exciting only

00:24:24

general images to put them at the

00:24:26

service of creating the desired picture, extremely

00:24:29

blurred but sufficient for recognition

00:24:32

so that people do not think about real events

00:24:35

so that they feel them, but in the sense that

00:24:38

the line copes with this, this is high-

00:24:40

quality work, this is a good film,

00:24:43

another thing is that this quality is used for the

00:24:46

task within the framework of which In principle, nothing better

00:24:48

will come of it, the Serbs and the

00:24:51

Russians and everyone else

00:24:53

deserve better, such are the things

Description:

https://vk.com/unclejoe_neoncherry - ВК Боевик "Балканский рубеж" имел успех как в прокате, так и среди критиков патриотического толка. Наконец-то появился фильм, где Россия не выставляется злом, и наши герои сражаются за правду. Филмьм, по крайней мере, для русских и сербских зрителей, восстанавливает историческую справедливость. Или же это наглая русская пропаганда, созданная кровавым режимом Путина с целью оправдать порабощение соседей, изн@силование городов и разграбление женщин? Какой же из вариантов верен? Чтобы узнать ответ, придется посмотреть и рассмотреть сам фильм.

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