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Download "IL PAESE DEI CAMPANELLI, Teatro Coccia, Domenica 1 Ottobre 2023"

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Video tags

paese
dei
campanelli
teatro
coccia
domenica
ottobre
2023
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season restart this autumn which kicks off
00:00:06
the second part of the
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season with a very particular title
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the country of the Campanelli which is not usual
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within our
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opera season because precisely This is
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an operetta
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And first of all we are particularly
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happy to have such a
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large audience but above all happy because
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you know that the second stage is Rega,
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more particular in large theaters where there
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are 8 or 10 performances in a row the
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second stage is the most complex
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because sometimes there is a drop in tension
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While the last one is the most coveted here it
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coincides with the second and the last one
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so they will give their best and you will surely
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find something there will be something
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more than our first one so the
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Sunday audience In my opinion is the
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luckiest then
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Thanks and
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be careful then And this is because we
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chose the town of campilli because it is
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an important Centenary I
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also see maestro Alessandro Talevi at the bottom of the Sara
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who is the director of the
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production who trusts me for these
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two
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cheres Thanks maestro Good evening So
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the Centenario is an important production
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we wanted to exaggerate because
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operetta is a bit mistreated in
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Italy, it is not considered in the
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right dimension, the right
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place, instead it is an
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important genre but the key is to do it
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well, that is, to have a creative cast, direction,
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costumes of the highest level, an
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artistic cast on the stage
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Dior singers in an orchestra, a large orchestra,
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a large choir is a
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very, so to speak, expensive genre, but which
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in all respects is equivalent to
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opera. In fact, I believe and that
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of I hope this doesn't cause me
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comments of any kind but I believe
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that the revitalization of the opera
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passes through the CH operetta
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still manages to give
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incredible emotions So since time is
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short I have the director close to me I'll just tell you
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two things then we'll leave the floor to the
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director to see what What
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why did this scene come about? the
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town of Campanelli is usually
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set in Holland. You know, there is
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this
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very particular town which sees the
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disembarkation of an English ship due to a
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breakdown which therefore sees the entry into the
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scene of this other one. Of this other one
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world the Anglo-Saxon world Well
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our country of Campanelli instead is
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set in an unidentified country
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with a very exotic taste and
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imagine being either in a
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large Ligurian hotel or even better
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in a private club in the center of which
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we find a small stage where those
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who at the time or as in
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the will of this rush
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perform, the wives of the men who
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frequent this club to
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entertain themselves and therefore it is something very
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let's say reserved, very exclusive and which is
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part of this static life of
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this country of bells where in
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summary everyone gets bored nothing
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ever happens but why because alas there is a
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curse that weighs on the town
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or on the outside of the homes of every
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inhabitant of this town there is a
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bell that rings when
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inside the house a
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betrayal occurs So you think carefully about the
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Damnation but the thing that I find
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extraordinary about this booklet I was
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thinking about it in recent days that you
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think that in
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this work there is the story says that
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once in 25 years the curse
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could be def Vitta if you
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maintain chastity for 24 hours from the
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morning of the next day to the evening 2448
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in short practically a whole day
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without any Let's say affection between
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couples if this happens the town
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is freed from the curse so
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the bell no longer rings but this In
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reality it is a brilliant thing because to all
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intents and purposes adultery is legitimized
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as long as it is not made public
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so it is absolute hypocrisy from a
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certain point of view so having said this I am
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not telling you for those who know the story The
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ending is clear but for those who do not
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knows it, it's not a given now that
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we have master Alessandro T here who
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is a director who
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usually inhabits the
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most important European stages so we are honored to
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have you and to have this production and
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therefore from your mouth a few words about
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your idea of ​​what they will see on
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what you want to share
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Thank you
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[Music]
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this operetta is very close to my
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heart because it was born in a
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very special collaboration with the
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Martina Franca festival
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Valle d'Itria festival where usually their
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aim is the rediscovery of
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unknown works or forget And this year
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it was the turn of the operetta as an idea
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and this
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operetta This perhaps the first time in
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50-60 years that this opera was
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done properly with the
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full orchestra with singers of
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dancers level with a right scene and and
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therefore it is a quite
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important occasion I would say and and I am even happier
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here at Martina Fran it went very well
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but here in this space in this
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marvelous theater you can
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also read so many details that a great
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space open like Marina Franca you
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couldn't see it so here there is
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another area that is even more
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convincing in my opinion Oh yes anyway
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this as Corina said This is
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a kind of parody
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of conventional morality one can say
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therefore c 'it's so much to
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laugh about but also underneath there is a
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quite serious message quite
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serious message I would say but in any case that is in the
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Liber di Sala SP a' of words on this
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this this topic
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and that
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you that that you also like how you
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liked it a
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mezie
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Thank you And yes I advise you for those who
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are interested to read the
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maestro's nightlife because obviously there
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are important levels of in-depth analysis
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in the reading of this of this
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work of this score a
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score that is performed As
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anticipated on master in an
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integral way many times the operetta
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is shredded resized
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broken up recomposed Here we have
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rigorously followed the score with
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an important orchestral staff there are
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more than
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orchestral players in our mystical gulf that
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I welcome
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You marvel with us when there are
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important productions and another thing Yes, I am
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proud to have collected the
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comments of our artists and actors
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who felt after the premiere here at
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our Coccia theater not only
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very excited because because we
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have the great advantage of being
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very close to the stage which
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unfortunately Martina Franca does not it is possible
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because Palazzo Lucale I see a
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much more distant stage and in
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this operetta contact with you is
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essential. So I really ask you to
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let go, try if you can to
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get excited as long as this comes
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naturally to you but really let
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this creative team feel your warmth. to
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these artists because they need
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you the show is done together
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the energy is created together so
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have fun Let us have fun and have a good
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evening
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[Music]
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[Applause]
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[Music]
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everyone
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[Music]
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S
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[Music]
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join the party
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[Music]
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left
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[Music]
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C
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music] [
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Applause]
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T
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[Music]
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P
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[Music]
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without
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[Music]
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spread
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[Music]
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[Applause]
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bit
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[Music]
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[Applause]
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become Rolo del
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[Music]
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[Applause]
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[Music]
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C
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[Music]
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[Music]
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qu
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[Music]
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[Music] [
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Applause]
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[Music]
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[Applause] [Music]
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[Applause]
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senere But it's possible that you don't have to
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be with it's very possible for me Attanasio
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Look at me no Look at me Attanasio Ah yes
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good please I can't look at you there's
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too much light if I look at you I see you and if you see me
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I die all men have nightmares
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at night Then they wake up it's all over
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But not me I say night I have
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beautiful dreams then I wake up I look at you and I have
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Attanasio you are unfair I do
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everything to like you treat me like this
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Pomeranian do you want to stay see no So
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make sure that I never look at you
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listen Athanazi I will find someone else who he
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looks at me and then you won't be able to say
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anything to me anymore so that after
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looking at you he too will have nothing more to
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say to you Finally a bit of peace ate
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We ate we drank we drank and
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now we digest but why don't you stay at
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home Vic come to your wife and because Bon
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is beautiful, ardent young woman
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Exactly and and I would stay
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next to her all day looking too
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but she doesn't want to and because she doesn't want to
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because she says that when she looks at me she
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gets wrinkles wrinkles Yes because
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when she looks at me she has to
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squint like that and her mouth looks like this and she gets
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wrinkles here and here Oh poor Bonbon how do
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I understand her and you are so ugly Come on that
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's what she says too but size up
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size but cool but what's happening Quest
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come here they dance they sing and then they
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forget to bring the milk and you have
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to scream like this for this but I
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want my own milk do you want me to ask
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my wife to go Elo and get it No
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for goodness' sake And if she looks at it it makes me
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sour
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wei Here's the LTE Oh good morning
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Good morning Attanasio good morning Tarino
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good morning Nela, you are an
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ideal wife, yes, yes, a husband can
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look at you without risking death and
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even allows you to look at her, my
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Basilio is certainly not the ideal husband but
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in this country there is little to choose from and
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you also bring the
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[Music]
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milk
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[Music]
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Always sweet
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like
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C the Schena
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like
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[Music]
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C
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[Music]
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[Applause]
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[Music]
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I'm
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[Music]
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or
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the
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one who
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VMA
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his
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[Music]
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Sen sticks
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[Music]
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[Music]
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[Applause]
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on the
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[Music]
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if tut
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[Music]
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here
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[Music]
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sen
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[Music] [
00:20:09
Applause]
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[Music] [Applause]
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[Music]
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Attanasio
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Look at me look at me Attanasio no
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I ask you if we can continue like
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this you can continue like this see
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they say it too But you but you
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find me so ugly eh really ugly I wouldn't
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say ugly But listen No I'm
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asking you if you listen see see he doesn't
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find me ugly he finds you ugly it's that he doesn't
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dare tell you but it's just it that's right
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Vasily Well it's that everyone has their
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own tastes for example maybe he doesn't
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like m m no no no no no I like your
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amle I like Nela I like women
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I like all women except
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her But tell me Maso that you like me no I mean
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no I don't like
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other people's wives Good evening everyone Soro how are you
00:21:30
well one day But one day you
00:21:33
will regret having treated me like this when
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I am dead and will be in heaven Ah you
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recognize it then that yes because in
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hell they are afraid of you only the
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angels and the saints will be able to tolerate you if
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first I find a man but a man as
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I say I leave you I leave you and I go away
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with him unfortunately this man doesn't
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exist I will find him dear I will find him in ATR
00:22:02
always for
00:22:05
Attanasio you are too bad with your
00:22:07
wife little heart Don how beautiful among the v
00:22:12
Ficino cci
00:22:20
[Music]
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something
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[Music]
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br
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[Music]
00:22:45
S
00:22:48
[Music]
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PR if C
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Pio
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[Music]
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[Applause] [
00:23:22
Music]
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the
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[Music]
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[Applause]
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[Music]
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[ Music]
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without
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[Applause]
00:24:03
[Music]
00:24:04
[Applause]
00:24:05
[Music] [
00:24:15
Music]
00:24:16
[Applause]
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[Music]
00:24:20
[Applause]
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a ship has arrived What a ship a
00:24:28
big big big big ship and where did it
00:24:31
arrive but how where did it arrive if it
00:24:35
has arrived in port we are fine but what
00:24:38
ship is it a warship But how do you
00:24:41
know that it is a warship because it is
00:24:43
all shiny bright and that
00:24:46
no one Ah finally men
00:24:50
who will like women
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[Music]
00:24:56
like
00:25:01
[Music ]
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ne
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[Music]
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cimus
00:25:52
[Music]
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vost
00:26:02
[Music]
00:26:17
[Music] [
00:26:21
Applause] [
00:26:22
Music]
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Gi
00:26:28
[Music]
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by Why love
00:27:02
[Music]
00:27:12
[Applause]
00:27:18
[Applause]
00:27:25
[Applause]
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lar
00:27:27
[Music]
00:27:29
[Applause]
00:27:34
[Music]
00:27:56
qu
00:27:57
[Music]
00:28:10
[Music]
00:28:26
S
00:28:30
[Music]
00:28:56
God [Music] [Music] [Music] love [
00:29:27
Applause]
00:29:30
[Music] [
00:29:43
Music] [
00:29:52
Applause]
00:29:56
amor
00:29:59
[Applause]
00:30:02
[Music]
00:30:03
[Applause]
00:30:06
[ Music]
00:30:16
I couldn't even get
00:30:20
one of them who were nice they got
00:30:24
to know each other they got to know
00:30:27
too much
00:30:29
nilia B official lady I see that you
00:30:35
met my wife I didn't have
00:30:38
much trouble a beautiful woman is
00:30:41
always recognisable, you can introduce me sir this is
00:30:46
my husband
00:30:48
Ah now I understand I understand what
00:30:53
I was saying about my life but why did you
00:30:57
stop right here it's an
00:30:59
unexpected machine breakdown and you
00:31:02
'll stop A lot depends but it depends on
00:31:05
what How things are going but the
00:31:08
breakdown will be repaired immediately I hope they
00:31:12
put a lot of effort time to fix
00:31:14
the cars But why do you like our
00:31:16
country Yes, yes, he has very
00:31:19
beautiful eyes, he has a wonderful mouth, it
00:31:23
's a very beautiful country, yours, it's
00:31:29
good that you say it straight away,
00:31:32
you know what, there's nothing here to
00:31:36
be late don't be like this Believe Believe
00:31:39
it is good that I notice it immediately because
00:31:42
officer warned husband saved but
00:31:45
what is it about Here you see You see those
00:31:50
bells Yes yes In short on a lovely
00:31:53
decorative element no no no no no no it
00:31:55
's not just a decorative element
00:31:58
they are functional these
00:32:00
bells work these bells ring
00:32:03
We found them here they have always been there
00:32:07
what are they for Here you see when a
00:32:10
husband is away and the wife wants No no
00:32:15
the wife does the wife does the
00:32:20
bells drin drin drin her bells drin
00:32:25
drin drin the
00:32:28
bells drain a beautiful Sea But who
00:32:32
says that? You've heard the story of the
00:32:35
Bells it's a big problem but are you
00:32:38
really sure that it works Oh
00:32:40
yes unfortunately And there's none of us who want
00:32:46
[Music]
00:32:56
to risk it we
00:33:00
can
00:33:03
[Music]
00:33:22
[Applause ]
00:33:25
do not
00:33:27
[Music]
00:33:39
serve the
00:33:42
[Music]
00:33:44
[Applause] [Music]
00:33:47
[Applause]
00:33:50
night
00:33:52
[Music]
00:33:54
[Applause]
00:33:55
son
00:33:58
[Music] [Applause]
00:34:01
[Music] [Applause]
00:34:04
[Music]
00:34:25
that R are
00:34:34
[Music]
00:34:43
in
00:34:45
honor
00:34:48
[Music]
00:34:55
more
00:34:59
[Music]
00:35:25
for
00:35:34
[Music]
00:35:43
in the
00:35:47
[Music]
00:35:55
Sem
00:35:57
[Music]
00:36:00
[Applause]
00:36:05
[Music]
00:36:25
G
00:36:26
[Music]
00:36:44
[Music]
00:36:45
[Applause]
00:36:46
[Music] [
00:36:50
Applause]
00:36:52
[Music] [Applause]
00:36:55
Bra
00:37:01
But where you guys got into
00:37:04
where did I get into where did I
00:37:06
get into I ask zepa he made me
00:37:09
take certain shortcuts the G G How is
00:37:14
it possible that I never get one a
00:37:16
right one Eh what do you want me to tell you when
00:37:20
ever A brocade one right but guys
00:37:24
you have become familiar eh Sure sure there
00:37:27
are certain Donnini to zito unfortunate for
00:37:31
those who go That kiss as for those who go That
00:37:34
kiss never lucky they stopped
00:37:37
in front of me This delightful country enough
00:37:40
we will leave as soon as possible MMA Daddy haven't
00:37:43
you gone crazy going away with this
00:37:45
magnificent candle with this air and these
00:37:48
women Oh well but here there is nothing to
00:37:51
do because here If you give a kiss to a
00:37:54
woman the bells ring and the whole
00:37:58
town knows it No unfortunately yes better to
00:38:01
leave If only me but the chief engineer
00:38:04
he said that the quas
00:38:06
needs a lot of time to be repaired eh it
00:38:10
means that we will stay on board
00:38:12
playing maybe in spurts But no But no
00:38:16
it's not possible with this air this sky
00:38:19
This wine is these women St giup SC
00:38:23
Unfortunately not there's more to do wait
00:38:27
I found an idea what an idea A little while ago I
00:38:32
received a message from
00:38:34
paonia it's an oriot that brings
00:38:37
Unino ballet to volco io Mancio nessia the
00:38:41
paonia the paonia arrives Download the
00:38:44
complete ballet and we're good to go
00:38:48
well done very good Well done guys, I deserve an
00:38:52
advance, go straight away and send the
00:38:54
telegram to everyone. Wait,
00:38:57
send one to our wishes too, we'll
00:39:00
be late but if our wishes are
00:39:02
still in the house and I'll wait for us, go,
00:39:06
go. Then I'll go straight away to send two
00:39:07
sheets, one and the other. I'll take care of the paony
00:39:12
I'll do everything well I'm going on board
00:39:15
to warn the others you're coming too
00:39:18
Hans No I'm taking a tour around the
00:39:25
town
00:39:34
good morning good morning embroider oh yes I
00:39:39
embroider it's nice to embroider right Yes it's nice
00:39:45
to call back I can look at it
00:39:49
Oh take a look too she Chama no
00:39:53
at the academy they don't teach us Ah too
00:39:57
bad yes Too bad Otherwise now
00:40:01
helping is
00:40:04
true
00:40:06
Nela Yes give me one of yours but don't you see that they
00:40:11
are called back and then if you embroider a
00:40:15
let me work if I embroider a flower I
00:40:18
'll let you work let me in peace of
00:40:21
a flower Oh first the peace and the silence
00:40:25
then the flower
00:40:27
no rhyme the
00:40:31
[Music]
00:40:44
flower because
00:40:51
why and you
00:40:53
sir more consenza
00:40:58
But the first thing hand take
00:41:03
it if it's
00:41:08
with
00:41:10
Pens and a sea violet No it's really
00:41:15
you I'm
00:41:21
thinking then
00:41:25
really our
00:41:29
deaf
00:41:31
God the
00:41:34
joy makes me beautiful you lie you joke
00:41:39
in a hurry but
00:41:42
[Music]
00:41:45
that red
00:41:49
F the
00:41:51
more I
00:41:57
take my
00:42:01
dream
00:42:14
[Music]
00:42:21
[Applause]
00:42:25
the soul is
00:42:27
blessed
00:42:30
[Music]
00:42:33
God
00:42:36
no
00:42:37
[Music] let
00:42:39
my hopes flourish
00:42:48
[Music]
00:42:55
I'm
00:42:56
[Music]
00:43:25
OS
00:43:34
I love Instead
00:43:38
[Music]
00:43:44
[Applause]
00:43:46
Sol and this one that Amma And this little girl of mine
00:43:55
pear
00:43:56
[Music]
00:44:12
all The
00:44:25
heart says so
00:44:27
[Music]
00:44:54
not
00:45:02
[Music]
00:45:05
[Applause] [
00:45:06
Music]
00:45:08
[ Applause]
00:45:10
[Music]
00:45:24
chio
00:45:28
[Applause] [Music]
00:45:54
S
00:45:56
[Music]
00:46:37
[Applause]
00:46:39
[Music]
00:46:43
[Applause] [Applause]
00:46:54
SP [Applause]
00:47:04
[Music]
00:47:06
[Applause]
00:47:09
[Music]
00:47:24
Good morning madam, how
00:47:27
enthusiastic you are to greet me, can I look at you for
00:47:30
a while? little Sure I can look at the eyes Yes
00:47:35
I can look at the neck Yes I can No
00:47:40
not even not Yet life hands hair
00:47:44
and that's it a little little no a little little that
00:47:48
the use what a bad use Ah and for the matter the
00:47:53
bells too But I say but not you
00:47:57
could tie the Bells' clapper
00:47:59
I wonder how you manage to
00:48:01
live in this country Ah I don't live
00:48:05
Ah no I'm
00:48:08
well
00:48:10
but I've traveled
00:48:13
a lot Yes yes and now I'm at rest a
00:48:18
bit young to be laid up But no
00:48:22
who am I I'm disarming I'm
00:48:26
resting for the moment but I'll soon be on a new
00:48:29
trip and where will you go to Japan in
00:48:33
Japan and to do what officially
00:48:37
I'm going to look for the flowers that
00:48:40
only grow there but in confidence in
00:48:46
confidence said between us said between
00:48:49
us I'm going I'm going I'm going I'm looking love
00:48:56
love in Japan how come
00:49:00
love in Japan I only miss
00:49:03
Japan Honduras and
00:49:10
[Applause]
00:49:12
let's see them a bit Nicaragua Yes
00:49:18
bregonza bregonza do but the country I
00:49:21
see it cheerful Ah no I miss that
00:49:26
but rather you with the ship have you ever
00:49:31
been to
00:49:32
Japan bico if I've been to Japan
00:49:36
and what do they say what do they do over there Eh like
00:49:39
what do they say what lovers do in
00:49:42
Japan Ah lovers in Japan I'll
00:49:45
explain it to you
00:49:48
[Music] come close to
00:49:50
me right away
00:49:54
pretty
00:50:02
[Music]
00:50:08
[Applause]
00:50:11
[Music]
00:50:20
[Music]
00:50:24
of
00:50:26
[Music]
00:50:36
rzo can't
00:50:38
[Music]
00:50:40
[Applause]
00:50:42
[Music]
00:50:52
mai
00:50:54
am
00:50:58
[Music]
00:51:24
but am that
00:51:26
[Music]
00:51:29
[Applause]
00:51:31
[Music]
00:51:50
pruma
00:51:52
Bra Brai what do you want she's my husband
00:51:59
Sorry Sorry Oh please please don't
00:52:01
bother Go ahead I'm
00:52:04
happy when my dear sweet Faithful
00:52:06
I say Faithful wife is having a
00:52:09
little fun dear little tart but of course But what harm
00:52:13
is there a little singing a little dancing
00:52:15
can be done but of course But of course but you see we
00:52:18
have a lot of trust in our wives
00:52:21
and me in particular It's not true bon bon
00:52:23
bon goody dear Yes
00:52:26
you must have trust in your wife and I
00:52:29
have it I have it and I do well true Mr
00:52:32
officer very well and then anyway there are
00:52:37
the bells there are the bells Listen
00:52:40
dear I owe you something at the bar if a bit
00:52:42
many you go straight to sleep yes
00:52:45
have fun Marentino dear no the
00:52:48
goodnight bagetto The
00:52:50
goodnight pod Muah and goodnight Goodnight
00:52:54
good Goodnight you too Mr
00:52:55
officer A me no
00:53:01
distracted kiss Good night but always like this every
00:53:06
evening Every evening pania I go to the
00:53:11
bar to have a chat with friends
00:53:13
but you couldn't have these two chats with me at home
00:53:15
No and don't go out
00:53:19
go jealous no no no no I'm scared that
00:53:23
they arrest you you have
00:53:25
So no no no nothing So I'm afraid
00:53:28
that the joy of knowing I'm free from you
00:53:31
will make me die Goodbye Nela I'm going to the bar
00:53:36
Go Basilio and leave me alone Oh yes why
00:53:41
And since we got married I've
00:53:43
left you alone every day evenings what's
00:53:46
different nothing but this evening I would have
00:53:51
preferred you to stay at home but what's the
00:53:53
matter you feel bad
00:53:57
No I'm sad
00:54:00
Oh
00:54:02
nonsense read something that's on your mind
00:54:05
there's that beautiful book I
00:54:07
gave you for our engagement
00:54:10
read that but
00:54:12
Basilio Lu has read it six times It could
00:54:16
be something you've forgotten
00:54:18
anyway if you really want me to stay you
00:54:21
know I'm staying no Basilo
00:54:27
go ahead no I want to tell you about
00:54:30
when I was little you know I called the
00:54:34
scissors the
00:54:35
forceps
00:54:39
forceps as Poor Aunt
00:54:43
Emma laughed Do you want me to tell you about it it will put you in a
00:54:46
good mood No don't worry
00:54:49
Basilio Go go ahead but you want women you
00:54:53
never understand what he wanted you don't want
00:54:55
Esa you don't want him to stay in the house No
00:54:59
you don't worry, I'm going to bed and
00:55:02
everything will pass Here maybe Prepare yourself a
00:55:05
nice hot water bottle Drink some
00:55:07
chamomile so you sleep and don't think about it
00:55:12
Here's the Camilla bag and goodnight
00:55:16
goodnight these wives
00:55:24
go
00:55:32
[Music]
00:55:54
ah
00:55:58
[Music]
00:56:04
Seo
00:56:05
stop the F
00:56:09
rested in
00:56:11
silence
00:56:14
ino but more ince the more
00:56:20
well But to do like
00:56:23
one
00:56:25
[Music]
00:56:40
Gi
00:56:43
F
00:56:48
[Music]
00:56:53
Ness
00:56:55
[Music]
00:57:18
[Applause]
00:57:21
[Music]
00:57:23
the
00:57:25
[Music]
00:57:53
S [
00:57:55
Music]
00:58:23
S
00:58:27
[Music]
00:58:53
S
00:58:58
[Music]
00:59:06
we don't
00:59:09
love him be
00:59:12
the ardent
00:59:16
passion
00:59:20
[Music]
00:59:23
no
00:59:25
[Applause]
00:59:28
[Music]
00:59:35
those
00:59:37
[Music] [Applause]
00:59:40
[Music]
00:59:42
an
00:59:44
[Music]
00:59:53
pr
00:59:57
[Music]
01:00:06
Look what a wonderful
01:00:10
night look in the
01:00:13
sky I see the great Now I see casiopea
01:00:18
I I see my Maia Yes But look
01:00:22
now ET
01:00:26
how many others
01:00:30
do you have slow things I have Pato the book
01:00:34
of travels love through the world
01:00:38
So as a practical theorist D it to me at
01:00:41
home away I'll wait for you
01:00:48
right away It's time to
01:00:51
return Our wives are sleeping
01:00:54
they dream of little angels Cherubs and
01:00:57
whipped cream what does the whipped cream cost
01:01:01
I'm sure that don bonson a
01:01:03
whipped cream is a big deal even my
01:01:06
real wife eh She's so candid that she
01:01:09
always dreams of white steamed chicken except
01:01:13
boiled potato Fula no wine and
01:01:16
nothing
01:01:17
Spezio Oh Damn the houses are all
01:01:21
the same Which will be the house of con must
01:01:24
be this one
01:01:26
here you came Oh what a voice the humidity
01:01:31
of the night But we can't go down no
01:01:34
otherwise they can see us better than they
01:01:37
don't
01:01:38
see us But what a coin it seems that
01:01:42
the humidity of the na
01:01:44
for you were expecting But I know if you were waiting for me
01:01:48
Of course I was waiting for
01:01:51
someone slowly let's not wake up
01:01:55
our poor
01:01:56
[Music]
01:02:06
[Applause]
01:02:09
wives Poor laigo his
01:02:14
[Music]
01:02:17
doorbell
01:02:19
Poo Poor czo the
01:02:23
doorbell
01:02:30
the doorbell of
01:02:32
[Music]
01:02:39
their house of
01:02:42
[Music]
01:02:53
spout also
01:02:57
[Music]
01:03:10
[Music]
01:03:21
[Music]
01:03:23
Pomeranian
01:03:25
[Music]
01:03:33
F
01:03:34
that now no one knows czi brings but
01:03:41
[Music]
01:03:53
we'll see
01:04:01
[Music]
01:04:16
beautiful
01:04:20
mysterious night
01:04:23
without
01:04:25
my V your dream I have
01:04:30
[Music]
01:04:31
[Applause] [Music]
01:04:53
conora
01:04:54
[Music]
01:05:23
to
01:05:26
[Music]
01:05:36
[Music]
01:05:37
[Applause]
01:05:41
[Music]
01:05:53
W
01:05:54
[Music]
01:05:56
[Applause]
01:06:01
[Applause]
01:06:03
[Music] [
01:06:07
Applause] [Music]
01:06:08
[Applause]
01:06:30
[Music]
01:06:53
you're
01:07:22
off
01:07:52
ok
01:08:22
then
01:08:52
V
01:09:22
okay
01:09:34
[Music]
01:09:44
[Music]
01:09:52
n
01:10:22
yes
01:10:26
[Music]
01:10:33
[Music]
01:10:42
So I love this one
01:11:22
and
01:12:22
VII
01:12:26
[Music]
01:13:01
[Music
01:13:16
] [Music]
01:13:22
C
01:13:40
[Music]
01:13:52
and
01:14:22
CH
01:15:22
no
01:15:52
not
01:16:22
not
01:16:24
[Music]
01:16:41
[Music]
01:16:52
Sem
01:17:02
[Music ]
01:17:16
[Music]
01:17:22
Gra
01:17:40
[Music]
01:17:52
S
01:18:21
not
01:18:27
[Music] [
01:18:39
Music]
01:18:51
R [
01:18:55
Music] [
01:19:09
Music]
01:19:21
C [
01:19:27
Music] [
01:19:45
Music]
01:19:51
C [
01:19:53
Music] [
01:20:06
Music] [
01:20:18
Music]
01:20:21
S
01:20:33
[Music] [
01:20:52
Music]
01:21:07
[Music]
01:21:19
[Music]
01:21:21
C
01:21:35
[Music]
01:21:49
[Music]
01:21:51
pr
01:22:21
that
01:22:41
[Music]
01:22:51
S
01:22:53
[Music]
01:22:58
[Music] [
01:23:08
Music]
01:23:14
[Music]
01:23:19
[Music]
01:23:21
AS
01:23:28
[Music]
01:23:51
R
01:24:06
[Music]
01:24:13
[Music]
01:24:21
K
01:24:27
sorry Can I ask you a question that you
01:24:29
know this
01:24:30
recording can be had that is we can
01:24:33
ask Serena like
01:24:36
Serena Ok
01:24:43
[Music]
01:24:51
thanks
01:25:15
[Music]
01:25:21
ST
01:25:51
J
01:25:54
[Music]
01:26:21
SP
01:26:35
[Music]
01:26:51
Wed
01:27:04
[Music] Sun [Music]
01:27:51
F
01:27:52
[Music]
01:28:00
[Music]
01:28:21
Tue
01:28:24
[Music ]
01:28:51
C
01:29:09
[Music]
01:29:20
CH
01:29:26
[Applause]
01:29:37
[Music]
01:29:44
[Applause] [
01:29:47
Music]
01:30:50
CH
01:30:54
[Music] [
01:31:07
Music]
01:31:08
[Applause]
01:31:10
at the
01:31:12
first of
01:31:16
[Music]
01:31:20
Sir
01:31:25
[Music]
01:31:30
[Applause]
01:31:32
[Music]
01:31:37
[Applause]
01:31:39
[Music]
01:32:34
I can
01:32:37
[Music]
01:32:41
mi
01:32:45
[Music]
01:32:50
Gen
01:32:52
[Music]
01:33:20
S
01:33:23
[Music]
01:33:38
Attanasio Attanasio don't do this stop
01:33:42
Attanasio only the Stro I didn't sleep
01:33:45
a wink I stayed all night
01:33:47
looking at you But it's not possible tell me that
01:33:50
nothing happened it happened to
01:33:53
parassio it happened I can't tell you
01:33:57
no but who it is Tell me who it was Who it was
01:33:59
dear who it was I don't know I don't
01:34:08
know you don't know no there was a lot of Buglio but
01:34:13
there was a lot of Eh No I don't want to kill him I
01:34:17
just want to look at him in your face I want you to
01:34:20
tell me how I got to
01:34:22
kiss you I can't tell you again I
01:34:25
can't because it was so dark Ah well but
01:34:30
then yes Spa but he left a book he
01:34:32
left a book And I will find it again I
01:34:36
want to be there too when you give it to him
01:34:40
Here's what I have left of a night
01:34:43
of
01:34:44
madness the night disappears But the book
01:34:50
starts again
01:34:52
Eh sorry ma'am but well for
01:34:55
[Music]
01:34:56
mine then it's you I Rovato we were here
01:35:01
last night and the camparello I broke through
01:35:04
for
01:35:06
you I'm yours all yours it's all a little
01:35:10
too bami then Cro di Batore Yes I
01:35:15
will follow you and you will marry me don't
01:35:19
come near me
01:35:20
alarms I will find myself come
01:35:23
back
01:35:25
Ah
01:35:27
[Music]
01:35:33
Come back how I feel like a little
01:35:38
B listen Tarquino I can't be at peace
01:35:42
knowing that you are angry with me you can
01:35:44
you forgive me No enough I don't want to
01:35:48
spend my life forgiving you I'm fed up
01:35:50
once more and once less but it's
01:35:53
always once more and never once
01:35:55
less Ah mister the k tell me too
01:35:59
what you have to forgive me let's go
01:36:03
away Mr. don't worry, forgive her but I
01:36:05
can't spend my life forgiving my
01:36:08
wife I'm fed up Yes but in short what are you
01:36:12
reproached for What are you
01:36:15
reproached for are you reproached for having
01:36:17
tried with someone else Ah And that's all I do
01:36:21
n't think it's enough In short, so
01:36:23
according to her, she did well, she did everything else
01:36:26
badly, she was wrong, she was the wrong
01:36:30
man. But I'll make amends, that's it. You're
01:36:34
both kidding me, go away
01:36:36
and don't receive any more in front of me, leave me,
01:36:41
abandon me with whoever they posed for mine.
01:36:44
postcards but it was me with you but
01:36:48
look at him carefully he looks like a parrot Oh
01:36:51
I say he's ugly I know but his love was
01:36:56
all my
01:36:58
joy in the morning because he was my first
01:37:02
thought for Arquino and at night for who he
01:37:07
was my last
01:37:09
thought for
01:37:11
Sarino and you You can abandon the
01:37:15
woman so that she cannot be foiled that she
01:37:17
cannot get up without thinking about
01:37:20
arquino you are a
01:37:23
[Applause]
01:37:28
[Music]
01:37:41
b it seems to me that I know how to play my part
01:37:46
you are an artist and you played it
01:37:48
wonderfully even with me no no with
01:37:51
you I was sincere but I'm not surprised it's
01:37:54
my cancellation I attack the most
01:37:56
delicious woman in the country I make a mistake at the
01:37:59
door and I understand with a woman
01:38:02
Certainly the same age as the first Pharaohs an
01:38:07
unfortunate born starting with my
01:38:10
name the G are ideas absurd No no
01:38:14
think about it carefully the C the coffee already so
01:38:21
no one says it so you can imagine
01:38:23
that a woman could say I love the G But
01:38:27
yes it's possible but yes no it seems so to me
01:38:31
try I love you the gffa Oh God on your legs
01:38:37
but I'm
01:38:39
all ancient 'other you have made a
01:38:42
deep impression on me my heart was
01:38:45
sleeping and then you woke it up so that we do
01:38:48
n't put it back to bed it will appear
01:38:51
with the pose that those of my
01:38:53
postcards pose if giving cuno refuses they pose me
01:38:57
and her you will see what pose and what should we
01:39:01
do for the postcards Today we will talk about
01:39:06
Javanese you don't know it and no but
01:39:09
we can try it
01:39:13
[Music]
01:39:20
yes this papi
01:39:26
[Music]
01:39:31
[Music]
01:39:33
like
01:39:35
[Music]
01:39:40
only and cramo
01:39:44
laza village Echo the graceful prose
01:39:51
[Music]
01:39:56
With [Music ]
01:40:06
Mei
01:40:07
[Music]
01:40:10
[Applause]
01:40:11
[Music]
01:40:17
sorii doing ST
01:40:28
dii
01:40:30
C
01:40:31
Smile
01:40:33
Paci
01:40:37
[Music]
01:40:40
qu
01:40:43
[Music]
01:40:49
if
01:40:53
[Music]
01:41:03
understood
01:41:06
[Music] alone
01:41:15
in great
01:41:17
success
01:41:19
myself the Gro
01:41:23
success
01:41:29
salù with
01:41:31
[Music]
01:41:33
dii
01:41:34
C
01:41:37
[ Music]
01:41:39
srii fti piece of
01:41:43
[Music]
01:41:49
riendo
01:41:51
[Music]
01:42:04
dzie
01:42:08
R doing
01:42:19
you know
01:42:26
[Music]
01:42:39
[Music]
01:42:42
[Applause]
01:42:43
[Music]
01:42:48
[Applause]
01:42:49
a
01:42:52
es exists and now I serve all
01:43:03
Who knows gentlemen will you explain to us What
01:43:06
your conduct means to us you will say
01:43:09
What does your look mean
01:43:16
that we speak one at a time And yes
01:43:24
we speak one at a time speak to you
01:43:32
sir I don't know what
01:43:34
[Music]
01:43:35
to say I speak gentlemen you have arrived
01:43:39
in our quiet country to bring
01:43:42
disturbance and dishonor How do you call
01:43:45
everything this Well done
01:43:48
sir Gu was wrong in your cu of the
01:43:53
military in the flower of youth and in
01:43:57
this long time if not a
01:43:59
single word of love had come out of their as
01:44:03
you had called All this Well done
01:44:07
gentlemen what fault are we if
01:44:10
your ship is Prata in our port, who
01:44:12
called you, who called you,
01:44:17
gentlemen, what fault should we see if there
01:44:21
are stupid little villagers in your houses, who
01:44:27
will be the ones who shouldn't
01:44:30
despair, enough gentlemen, the fact is serious,
01:44:33
our flights have deceived us with
01:44:36
you Ah no Ah yes Via Via Mrs
01:44:40
Attanasio G it seems that the young people
01:44:44
of Fior de can be condemned
01:44:46
to chastity others you should have looked for
01:44:50
But what fault are we if we
01:44:52
liked yours
01:44:54
but but if we had done it to
01:45:00
you Mao don't
01:45:09
worry a ship in port do you know who
01:45:13
brings other officers No no some
01:45:17
young ladies from the other company of
01:45:21
Bati customs and pure feelings
01:45:24
pretty tutulets leist songs come
01:45:27
here to entice our children Yes and
01:45:32
we
01:45:35
do you mean it so seriously that we
01:45:39
will also help you conquering them won't
01:45:42
be an easy thing but don't
01:45:44
worry we'll take care of it
01:45:54
Oh look they
01:45:57
hug each other you know what they invented it
01:46:00
must have been a huge thing the
01:46:03
people are practical it's true they know the
01:46:05
world they just go around it how nice they are
01:46:11
nice but clever In fact it
01:46:16
seemed sincere when he said to love me
01:46:19
it seemed
01:46:24
Nela instead Maybe it's the woman Call
01:46:30
[Music]
01:46:39
[Applause]
01:46:41
[Music]
01:46:49
you the
01:46:56
one who
01:46:58
loves away in love and your bodice
01:47:02
chalice of flowers and the white bonnet in
01:47:06
sailing and to your sweet little face
01:47:09
Dore and your old Mulin from the to the
01:47:14
tired I ciono with Their Arcane power the
01:47:19
campanis Saddles in white stone that
01:47:22
look like lace of
01:47:26
curac flower and he doesn't see in you that for
01:47:31
boring love he loves only the delag troop
01:47:35
you speed he loves your languid songs
01:47:41
your blue and good eyes but not what is
01:47:45
in you this
01:47:49
illusion now is not
01:47:54
Ela Ela don't
01:47:59
answer me he was talking to you about
01:48:06
me what did he tell you that
01:48:11
[Music]
01:48:16
chato your
01:48:19
bodice
01:48:28
[Music]
01:48:49
ua
01:48:57
[Music]
01:49:19
har
01:49:22
PR that
01:49:25
[Music]
01:49:31
PR
01:49:36
[Music]
01:49:49
sol
01:49:51
lift up your
01:49:55
eyes
01:49:56
[Applause]
01:49:57
[Music]
01:50:10
lift up this
01:50:12
[Music]
01:50:19
illusion
01:50:27
[Music]
01:50:40
[Music]
01:50:49
I am
01:50:52
[Music]
01:50:59
glorios what
01:51:04
God
01:51:08
in
01:51:10
and
01:51:15
[Music]
01:51:18
your
01:51:21
[Music]
01:51:29
you
01:51:35
have
01:51:48
my [
01:51:50
Music] [Music]
01:52:07
[ Music]
01:52:08
[Applause]
01:52:11
[Music]
01:52:18
S
01:52:22
[Music]
01:52:27
[Applause]
01:52:29
[Music]
01:52:32
Good evening Mr Canis Good evening Oh Ania
01:52:38
of storm what did you say aela
01:52:41
that she is a fool she was about to
01:52:44
fall asleep and I woke her up
01:52:47
what do you know if my love is not
01:52:51
eternal love but when has the love of sailors ever
01:52:55
lasted more than 10 days in any case
01:52:59
not In any case I must not get involved in
01:53:02
things that do not concern me it is not like that I do
01:53:05
not say this but you think it and yet it
01:53:09
is not true there is no more discreet and more
01:53:12
prudent woman than I could have said
01:53:16
many other things about me but I am limited to the
01:53:21
purely
01:53:22
necessary for example I should have said
01:53:27
that a pretty mole waits for her
01:53:32
dog who told you the
01:53:35
gac It couldn't have been that that in
01:53:38
Here I am
01:53:41
ready What does this mask mean and
01:53:45
I have to pose he takes the place of my
01:53:48
husband for the group of my
01:53:50
postcards that postcards bbon and her
01:53:54
husband are two subjects who pose for
01:53:56
all the photographers specializing in
01:54:00
exotic soti We are on all the
01:54:04
cigar boxes on all the
01:54:08
postcards on the bolica jars on the
01:54:11
liquor labels on the Bombs on the
01:54:14
matchboxes
01:54:21
[Music]
01:54:35
CR
01:54:37
for
01:54:39
specialist
01:54:41
[Music]
01:54:48
the
01:54:51
[Music]
01:54:53
SLA
01:54:55
[Music]
01:55:08
S the
01:55:18
t
01:55:28
more
01:55:30
[Music]
01:55:33
[Applause]
01:55:36
[Music ]
01:55:48
cion
01:55:52
[Music]
01:56:18
n
01:56:21
[Music]
01:56:48
V
01:56:51
[Music]
01:57:18
ut
01:57:22
[Music]
01:57:23
son
01:57:25
[Music]
01:57:31
Seo do
01:57:38
n't
01:57:39
[Music] I
01:57:43
don't
01:57:46
like
01:57:48
you
01:57:51
[Music]
01:58:02
don't tr
01:58:08
[Music]
01:58:18
ST G you do
01:58:22
n't me
01:58:25
like this
01:58:26
[Music]
01:58:29
not
01:58:32
for
01:58:41
don't
01:58:43
you
01:58:46
you
01:58:48
can't
01:58:52
maybe
01:58:54
without it you can't anymore
01:58:59
Son
01:59:05
[Music]
01:59:07
S
01:59:09
[Music]
01:59:18
not
01:59:34
[Music]
01:59:35
[Applause]
01:59:36
[Music]
02:00:00
[Applause]
02:00:02
[Music]
02:00:18
W
02:00:30
this is the country there is no Cucchio Here there
02:00:34
are the bells No there's no one
02:00:36
and yet the ship is dead Oh God where
02:00:39
will they have gone Ah I'm excited don't be
02:00:43
silly they will be excited
02:00:47
when they see us my legs are shaking
02:00:50
and maybe the anger we are women in the
02:00:53
range remember that And we won't give in never you're
02:00:57
right courage let's go there We have to
02:01:00
discover them and we will discover them
02:01:04
[Music]
02:01:18
right
02:01:19
[Music]
02:01:30
[Music] [Music]
02:01:48
pr
02:01:55
[Music]
02:01:58
Laura
02:01:59
[Music]
02:02:02
play
02:02:04
[Music]
02:02:17
six
02:02:20
[Music]
02:02:26
St for
02:02:30
FR
02:02:32
here
02:02:36
can with with the
02:02:41
songs
02:02:42
[ Music]
02:02:47
channel
02:02:53
[Music]
02:03:04
Kom coni mto
02:03:08
[Music]
02:03:17
dancing
02:03:19
[Music]
02:03:41
[Applause]
02:03:47
po
02:03:51
[Applause]
02:03:53
[Music]
02:03:56
[Applause]
02:03:57
[Music]
02:04:03
and the G I know him go and get dressed I
02:04:07
know him he doesn't know me I will
02:04:09
talk to him I'm not
02:04:21
Good morning officer Good morning
02:04:26
Maano Vista But sorry you're not from the village
02:04:31
No no no I'm a foreigner I come from
02:04:34
outside They called me Ah you're a
02:04:38
singer Yeh exactly You
02:04:41
called us yes but but there's a but no
02:04:47
And what FR time we fell in love with the
02:04:51
girls of the village Ah yes So soon eh
02:04:55
What do you want I the sensitive heart
02:05:00
flammable Volcanic Ah yes you have
02:05:04
the sensitive heart
02:05:08
flammable
02:05:10
Volcanic Yes I have the sweetest heart like
02:05:15
Maron glasset well done But what kind of stuff is that but
02:05:22
we thought of you too instead of
02:05:25
entertaining us you will entertain the equals of the
02:05:28
country canaga
02:05:33
canaga we will throw rubbish like troles and But
02:05:37
what are you doing here your
02:05:39
outrageous telegram that said
02:05:42
detained here due to faulty ionic machines
02:05:47
cist Shame Shame Shame Shame
02:05:52
I commanded this T gram yes
02:05:54
you turned to us you To find you
02:05:57
I sing the Fist Ah nff nag what have you done
02:06:02
another
02:06:04
Nago But this is big really
02:06:07
warned the addresses so our
02:06:10
husbands have already redone everything Oh yes C
02:06:15
No cheato how to warn them don't warn
02:06:18
anyone kidnaps you am on our
02:06:22
person with it's
02:06:26
also
02:06:27
[Applause]
02:06:29
women but don't you mind no no we
02:06:32
want those women to change for
02:06:34
you but it won't be offensive But no Thank
02:06:38
goodness Here I recommend you
02:06:43
they are nice and ladies what do you want
02:06:49
nothing bad and we are good
02:06:53
honest people and married you were expecting us eh We
02:06:57
were expecting artists you are not
02:07:00
artists Yes yes artists
02:07:03
choreographic
02:07:05
choreographic What does Core sing
02:07:08
in
02:07:12
Cor mean
02:07:14
we offer you hospitality in our homes
02:07:19
there is a ship in port Have you seen some
02:07:22
officers Ah yes But you will be received
02:07:27
with all the regards due to such
02:07:30
delightful artists thank you I have been here for
02:07:33
a long time since we were born But no
02:07:39
I'm talking about the Officers Yes later
02:07:42
you will meet the officers But first
02:07:44
come and quote from us and bimo
02:07:50
exchange
02:07:51
I understand yes
02:07:53
we accept but first we want to see G
02:07:56
officers and then and then and then and then
02:08:05
yes our doors are busy
02:08:08
at the party they won't bring home But what a
02:08:12
beautiful
02:08:14
[Music]
02:08:17
evening
02:08:26
[Music]
02:08:47
fraa
02:08:52
[Music]
02:09:17
all [
02:09:21
Music]
02:09:40
[Applause] [
02:09:43
Music]
02:09:47
na
02:09:54
[Music]
02:10:06
[Applause]
02:10:08
[Music ]
02:10:17
on Here is the right moment I feel like I do
02:10:21
n't know have you seen the goddesses in my back
02:10:26
Yes how beautiful they are they want to
02:10:29
talk to you first now they will come out and
02:10:32
talk to you they are
02:10:34
waiting for you Beto Protti from the shadows you
02:10:37
will answer You will enter the
02:10:47
house
02:10:49
[Music]
02:11:05
[ Music]
02:11:17
stor
02:11:20
[Music]
02:11:25
please
02:11:27
Tieste to come up to us if you
02:11:31
allow us we don't want anything else it's true
02:11:36
go up there what emotion I
02:11:41
feel
02:11:44
[Music] I'm
02:11:47
coming
02:11:50
[Music]
02:12:00
Ah how beautiful this how beautiful
02:12:05
Quest we're going to sleep but where will we stay
02:12:08
chased away by And what do you think how useless
02:12:13
with these damned
02:12:15
little bells Let's hope that tomorrow
02:12:18
the story will be over Let's hope he doesn't want to leave us
02:12:21
alone with a night like this But
02:12:27
our husbands are waiting for us Your
02:12:31
husbands are out
02:12:33
playing it's all a waste of time
02:12:37
Goodnight
02:12:39
goodnight No a single Corolla but
02:12:43
our husbands will then really be
02:12:47
playing
02:12:54
[Music]
02:13:05
my husband my husband our husbands
02:13:09
cagia
02:13:11
rhinone But
02:13:14
bullhead go
02:13:16
go there our
02:13:21
[Music]
02:13:23
[Applause]
02:13:40
[Applause]
02:13:41
[Music]
02:13:42
[Applause]
02:13:46
holes you
02:13:48
will explain to us the because of this and Appo
02:13:51
will explain your outrageous
02:13:53
telegram what V the confused
02:13:57
always addresses them in pieces to
02:14:03
[Music]
02:14:10
[Music]
02:14:16
pieces
02:14:20
[Music]
02:14:21
[Applause]
02:14:26
[Music]
02:14:30
you
02:14:31
[Music]
02:14:35
look for
02:14:37
you bring
02:14:40
in solo the
02:14:46
P
02:14:50
[Music]
02:15:06
[Applause]
02:15:09
[Music]
02:15:16
K
02:15:17
[Music]
02:15:26
Why do you talk like this what do you expect from
02:15:30
yourself I'm I'm
02:15:32
an artist and well but you don't
02:15:37
understand maybe he's a lover I
02:15:41
told you Leano de
02:15:44
capricci Yet I seemed so sincere
02:15:48
when I
02:15:51
[Music]
02:15:58
he said Non
02:16:01
[Music]
02:16:16
sere
02:16:18
[Music]
02:16:29
[Applause]
02:16:31
[Music]
02:16:39
[Applause]
02:16:40
[Music]
02:16:46
FR
02:16:49
[Music]
02:16:52
[Applause] [Music]
02:17:16
di
02:17:19
[Music]
02:17:46
onen
02:17:52
[Music]
02:18:06
[Music]
02:18:16
AS
02:18:31
take life as it comes laugh Ca F the
02:18:37
[ __ ] with the dog
02:18:41
go around Smile
02:18:46
VII
02:18:48
you speak the b shard of
02:18:52
roses that I don't put
02:18:55
up know you
02:19:05
[Music] know
02:19:41
[Applause]
02:19:46
K
02:20:04
[Music] [Applause]
02:20:14
[Applause]
02:20:16
Oh
02:20:20
[Music]
02:20:23
[Applause] [
02:20:29
Music]
02:20:36
[ Applause]
02:20:39
[Music] [ Applause]
02:20:43
[Music] [Applause]
02:20:46
B
02:20:48
[Applause]
02:20:57
[Music]
02:21:16
C
02:21:18
[Music]
02:21:42
[Music]
02:21:46
C
02:21:52
[Music]
02:22:03
[Music]
02:22:14
when
02:22:16
F ia it wasn't you who exchanged
02:22:20
such idiotic ways at the addresses of the
02:22:23
club Yes but the fault is yours to a man
02:22:27
called the gpp they don't entrust
02:22:30
certain commissions here you are right but
02:22:33
we have to put an end to it the problem with the mill has
02:22:37
been resolved and the ship leaves again at sunset we
02:22:41
have to resolve how I should start it is
02:22:46
painful to be deceived and having to
02:22:48
ask for
02:22:52
forgiveness is Roso to be deceived and
02:22:57
ask for forgiveness Who started it it's
02:23:02
true it was us that is it was
02:23:05
them but they didn't perhaps betray us you didn't
02:23:08
perhaps
02:23:12
betray her Yes come here little ones you are here with
02:23:18
you you are here
02:23:21
carriages
02:23:24
no we must agree that the thing it's bad
02:23:26
you didn't
02:23:29
understand it's our
02:23:32
deaths
02:23:36
yours are enough and those others weren't
02:23:41
ours it's not the same thing No it
02:23:44
wouldn't be the same thing if it had happened
02:23:47
today because today because today love is forbidden
02:23:51
Ah it's Mario's game Legend
02:23:55
has it that every 25 years on
02:23:59
October 1st the town is freed from its
02:24:17
no longer not even a single couple,
02:24:23
yes, yes, well, in short, if the precept,
02:24:27
grow and multiply, was not
02:24:30
put into practice during those hours Well,
02:24:32
since that deadline expires today at 6 and
02:24:37
since the solution must be true
02:24:39
because we have verified that everything
02:24:40
else was true and so if by 6
02:24:44
pm
02:24:47
nothing
02:24:49
extraordinary has happened the country will be freed
02:24:52
forever From the terrible threat Then
02:24:56
we could
02:24:57
return
02:25:01
[Music]
02:25:05
I'm here to say goodbye to you in half an hour
02:25:09
we'll leave like this You're
02:25:11
leaving I'm leaving my heart but how many
02:25:14
others have you said CH I will have to say what other
02:25:18
time you Ass will cast your
02:25:24
[Music]
02:25:45
enchantment
02:25:47
[Music]
02:25:56
Ilo who sings
02:25:59
the eternal
02:26:01
romance of the
02:26:03
[Music]
02:26:09
cce
02:26:12
[Music]
02:26:14
your
02:26:17
[Music]
02:26:45
SP
02:26:48
[Applause] [Music]
02:26:58
ioo
02:27:00
[Music ]
02:27:11
ioo my sno
02:27:15
de
02:27:21
ma
02:27:24
[Music]
02:27:32
parts
02:27:34
ilino
02:27:37
that
02:27:39
[Music]
02:27:45
Roman
02:27:47
never
02:27:48
[Music]
02:27:51
more never
02:27:58
[Music]
02:28:13
[Applause]
02:28:15
more
02:28:17
[Music]
02:28:45
F
02:28:50
[Music]
02:29:09
[Music]
02:29:15
Jag
02:29:16
[Music]
02:29:27
Goodbye good Bon Goodbye the house I I'm leaving You're
02:29:35
leaving We're leaving Goodbye Bonbon you won't
02:29:40
forget me I won't give you a Noo at
02:29:44
Foletto you'll write to me sometime Of course
02:29:49
you'll send me the shovel for Christmas
02:29:53
also the column for
02:29:57
[Music]
02:30:02
Easter we
02:30:05
[Music]
02:30:07
[Applause]
02:30:08
[Music]
02:30:11
I'm here
02:30:15
spores
02:30:20
But what
02:30:23
[Music]
02:30:25
is happening courage
02:30:28
[Music]
02:30:31
Congio if you don't get
02:30:36
dirty
02:30:39
God there is no
02:30:41
[Music]
02:30:45
st Etta bcia
02:30:48
[Music]
02:30:52
say
02:30:56
Look at scho
02:30:58
ecia di
02:31:01
[Music]
02:31:15
roses then
02:31:20
look at
02:31:26
brides things to tell us
02:31:33
Lightning
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[Music]
02:31:38
say
02:31:41
look at us like
02:31:42
this Conus di rose
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[Music]
02:31:53
[Applause]
02:31:54
[Music]
02:32:03
conclusion I have to remain
02:32:07
empty-handed the virtue of bonon is linked to the
02:32:10
hands of that damned
02:32:13
clock I have to leave at if on
02:32:17
time Like the Railways and she can't
02:32:21
disappear How to solve the problem It all
02:32:25
depends on him and if they played
02:32:29
at
02:32:30
[Music]
02:32:32
5.30
02:32:35
Hey put the clock back a little
02:32:45
half an hour That's all done so they can come
02:32:49
now B
02:32:56
[Music]
02:33:07
B always from
02:33:10
her yes generous We both have the
02:33:15
wrongs I haven't already told myself I know
02:33:19
so I forgave you do the
02:33:23
same You are my only daca Elena Ela is
02:33:29
a Narcissus that I picked in a beautiful
02:33:33
garden tomorrow will be aasin But why do
02:33:38
you want to lie to me too perhaps so as not to
02:33:41
lose the habit with the others AB I don't
02:33:45
love that you exaggerate now this is
02:33:49
too
02:33:52
potina its just like that and I
02:33:59
[Music]
02:34:06
knew it now sisters waiting 25 years it's about to
02:34:12
pop women in love husbands
02:34:15
wives be patient a few more minutes Don't
02:34:19
say dirty things Look I'm almost 6
02:34:23
but I had in my head that it was 5.30
02:34:26
it means that your head
02:34:29
RTA you want to forgive me that without sin you
02:34:32
throw the first mercy Ah yes yes I
02:34:35
forgive you go go She's nervous and you B want
02:34:39
to forgive me I forgive you well also because
02:34:43
I have understood that nothing resembles a
02:34:45
woman like another woman Well done, it's better that way
02:34:49
are the
02:35:27
6 the clock is almost
02:35:30
But if half an hour F it's fine who touched
02:35:33
the clock I understand Who did it Who's
02:35:40
there it's 6 but it's you but it's
02:35:44
useless now I've happened poor
02:35:50
have you already
02:35:53
[Music]
02:35:59
[Music]
02:36:03
imato quo
02:36:06
[Music] [Applause]
02:36:08
[Music]
02:36:12
that n yours you
02:36:19
[Music]
02:36:38
Banc the old man
02:36:41
[Music]
02:36:44
with
02:36:47
[Music]
02:36:56
[Music]
02:37:04
[Music]
02:37:07
FR
02:37:08
[Music]
02:37:14
in
02:37:24
[Applause]
02:37:28
[Music]
02:37:30
am
02:37:32
[Music]
02:37:36
[Applause ]
02:37:44
well done
02:37:46
[Applause]
02:37:49
come on mine it's late I'm falling asleep F
02:37:54
C
02:37:55
lady such
02:37:58
insistence would you by any
02:38:00
chance have some subversive ideas stupid you know
02:38:05
well that I'm not asking G
02:38:07
impossible
02:38:10
come on
02:38:12
[Music]
02:38:14
go ahead [Music
02:38:16
]
02:38:33
[Applause]
02:38:35
[Music]
02:39:02
[Music]
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02:39:34
Applause]
02:39:44
W [
02:39:52
Music] [
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Bra
02:40:47
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Applause]
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Music]
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Music]
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Music] [
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Music]
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B
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Music]
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