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Russian
00:00:03
other friends hello hello hello00:00:06
hello good gifts hope me00:00:08
you can hear it well put it in yellow00:00:11
pluses in the chat, we'll start with you00:00:14
today is the first day of the 8.0 course00:00:18
really great and an event for us00:00:21
you have to spend and together 500:00:23
weeks00:00:26
making out with each other00:00:31
That's why00:00:33
welcome everyone here00:00:37
I’m extremely happy to welcome everyone00:00:39
познакомиться00:00:41
in the process we will get to know each other00:00:43
even better closer and00:00:45
friends today is the first lesson yes I know00:00:48
that she's a little bit watery00:00:52
like almost everything today00:00:54
will00:00:56
general education doesn't know that we00:00:58
We won't cross the cards today00:01:00
We will definitely practice00:01:01
visa but it will not be practice00:01:05
about00:01:07
some point deep specific ones00:01:10
stories and about in general yes you are just like us00:01:14
come up, what kind of pipeline do we have?00:01:16
us stories00:01:18
I'll tell you all about it00:01:20
as you understand, you are completely in trouble00:01:23
a new stream called emotions00:01:27
8.0 is not just the way we really are00:01:30
update the meaning therefore00:01:33
many00:01:35
tools that00:01:37
which I will not give to you before00:01:43
not in general they weren’t there before00:01:48
this is a very interesting thing, not only that00:01:51
the chest is clear there are still some blocks00:01:54
information is not recorded so I will00:01:59
add to00:02:00
lessons both theoretically and practically00:02:03
and that's why I'll post them00:02:06
you information will be updated in00:02:09
in a sense you are even lucky because00:02:11
that all the lessons that you have are you00:02:15
now you can look and00:02:18
look again later00:02:20
updated version or roughly speaking 2 in00:02:23
1 so that's good00:02:25
friends, please write to chat now00:02:30
what time are you on randa kant this is very for00:02:36
statistical data will be useful to me but00:02:38
useful information if 1 then put00:02:41
one 2 3 and so on it will be00:02:44
extremely nice I mean I don't know00:02:47
I mean master classes I mean00:02:48
that's exactly how to form a big one00:02:51
educational program00:02:53
it will be00:02:55
useful to everyone hello 1 2 already with numbers 1100:03:00
11 2200:03:03
22 one or rather all one all ones all00:03:08
units units units only two00:03:11
double housing for those who actually00:03:15
speaking for the majority of those who are first00:03:17
Once again I’ll explain why Konstantin is already the third00:03:21
hello Konstantin00:03:23
For those who are new, I’ll explain why00:03:28
some guys write bad marks or even bad marks00:03:30
C grades are our record for a girl seven times00:03:34
passed render who will explain why because00:03:37
that we take in new information all the time00:03:41
even if you come to 81 it will be00:03:45
means that we will take you new ones00:03:48
the scenes are not the same but new00:03:51
Moreover, I myself am evolving as00:03:53
specialist as a teacher and understandable00:03:57
it's a matter of fact the information is always updated00:03:59
that's why some guys are here 200:04:02
3 and so on 1 thousand is each course it00:04:05
absolutely unique ok just to get this00:04:09
doesn't surprise you00:04:11
well I have it00:04:13
some notes from what I have to00:04:17
tell you right away friends all the classes00:04:21
I teach absolutely all classes at yours00:04:24
scenes well except for today00:04:25
because I didn't ask any of you00:04:27
I took my prepared price and00:04:31
I will show it on it but it’s more about00:04:34
theory00:04:36
that is, this means that I am as before00:04:41
each lesson per day for 2300:04:44
I will or maybe one day I will ask00:04:47
some of you send your scene as00:04:50
the rule is in advance00:04:51
I will send I'm sorry send yours00:04:53
stage in order to perform on it00:04:55
classes I immediately tell scenes with development00:05:00
courses will change and become more complex00:05:03
from the very beginning we work with quite00:05:07
a simple cut-off situation is00:05:10
ambient light ambient light is when that00:05:13
boy once upon a time a boy of shadows00:05:16
In fact, I’ll say right away that this is the coolest00:05:19
commercial visualization yes that is not00:05:22
it is better to separate artistic and00:05:24
commercial art is when you00:05:28
make a picture for the sake of the picture so that it00:05:29
was wow but she has no task to sell00:05:32
some kind of specific interior00:05:34
for example, a piece of furniture or something00:05:38
no kitchen set or anything else00:05:42
the task is simply we show beautiful00:05:45
picture in your head you should00:05:47
also understand that there are two different types00:05:49
the first is artistic, 2 is commercial00:05:51
commercially this is for someone00:05:53
sold something artistic and for this00:05:56
for you to sell your skill00:05:58
visualizer and this is not the same thing and you00:06:01
must teach them to distinguish from each other00:06:04
accordingly I00:06:07
I can say that even in our studio00:06:10
there are jobs that are conditional for00:06:13
portfolio for everyone's skill growth00:06:16
artist for someone00:06:19
has evolved as a specialist and is00:06:23
commercial work yes that is work00:06:26
which is designed to sell something00:06:29
does not mean that we show one thing but00:06:32
do something else no, you rather know how00:06:35
you've probably seen car concepts00:06:38
to the end of the car that is being done00:06:41
designers to ask00:06:44
some direction of development for00:06:50
automaker and then they take in00:06:54
to varying degrees before I do it so that it00:06:57
could have been put on the conveyor like this00:07:00
creating creative work you certainly00:07:04
create something for00:07:08
for your own development later00:07:11
it is desirable that creative work be00:07:13
such00:07:14
what can you bring to your00:07:18
real projects what we mean00:07:21
for example, you are in a creative job00:07:23
which you really want to be able to do00:07:25
do did for example there is this00:07:28
sky like this trees like this00:07:30
there from tested this all and then00:07:33
take it and00:07:34
use all these tools possible00:07:39
even assets for us are still possible00:07:43
material settings trees and so on00:07:45
your real stands but the most important00:07:47
task what00:07:49
from testing it on concept I think00:07:54
I understand about the same task before00:07:56
we should set this course, that is, we00:07:59
take the photo as an example of a finished product00:08:03
design, that is, someone developed the design00:08:07
which we like and all this in general00:08:09
we like the picture it resonates with00:08:12
ours00:08:13
the feeling should definitely be you00:08:16
a picture that resonates with you00:08:19
roughly speaking, you take this picture00:08:21
and damn this is what I would like00:08:23
create and learn to do00:08:26
this type of 3d image and this kind of light00:08:31
you know where they get it from, why that is00:08:34
roughly speaking, you are making out this picture00:08:36
into its component parts00:08:40
what kind of light should be used to illuminate the ice here?00:08:44
gardena typology which I like00:08:46
what materials how to create those00:08:49
materials that00:08:52
create the picture I like00:08:54
and how to put the composition on that00:08:58
the picture I like is all00:09:01
very important because it's all different00:09:03
components of what it is made of00:09:06
picture00:09:07
look at one more very important thing00:09:10
the picture simultaneously consists of00:09:12
on two00:09:14
levels of groups, roughly speaking, emotional00:09:18
1 emotional level at which one stands00:09:21
the picture is00:09:25
idea then00:09:28
what do you want to show and what is it really?00:09:31
act as a stumbling block because00:09:33
a huge number of guys00:09:36
visualizations ah no no don't think about it00:09:40
about what needs to be shown to frequent00:09:44
the question is what space is next to the room00:09:48
Well, that is, there is nothing specific00:09:53
all your works that you have chosen00:09:58
you can analyze00:10:00
not only our own but also other guys on the course00:10:03
analyze and see what exactly00:10:06
shows each of these pictures roughly00:10:09
saying there is such a word as dominant00:10:12
this is what is dominant in this or that00:10:16
of another picture, most often it will be either00:10:19
object or group of objects, it doesn’t matter00:10:21
house house with pool00:10:23
chaise lounge with a side table next to it00:10:28
chair anything but something will happen00:10:31
the basis of absolutely any frame is00:10:35
the picture above which we will be in00:10:37
work today I'm doing a broadcast00:10:41
screen00:10:42
look at this picture and what's here00:10:46
dominant on definitely dominant here00:10:49
this table, chairs and00:10:52
lamps on them, that is, roughly speaking, this00:10:55
I'll be an island group, let's call it00:10:58
so is any frame that we will00:11:01
he creates something like this00:11:06
has in00:11:08
we will talk about this in more detail00:11:13
speak on the composition I'm cooking00:11:16
a separate lesson on composition altogether00:11:18
soon soon it will be available to you but00:11:20
I'm just saying now pay attention to this00:11:23
attention00:11:24
ok00:11:26
let's move on let's do it this way00:11:29
I've already dipped my toe into graphics a little, I'll be back00:11:32
a little bit back about the organization00:11:35
organizational issues friends00:11:37
Please00:11:39
watch absolutely all videos00:11:41
which are available to you in00:11:43
in your personal account we are not just like that00:11:48
written down and this is really important, I would like to draw your attention00:11:52
pay attention to things like00:11:56
preparation and basic light I don't know00:11:59
why but a very big wheel guys them00:12:01
skips setting the scene00:12:03
arrange all scenes into layers00:12:06
make the scene look straight00:12:09
good look at this basic lesson00:12:12
light huge wheel guys forgets00:12:14
for some reason adjust the base light00:12:16
the base color is just plain outside the window when00:12:18
you are still sending modeling but00:12:22
with some base color when00:12:24
half a second is set to00:12:27
it was possible to see if there were any problems on those00:12:32
objects that you00:12:34
send it as geometry it’s very and00:12:37
very important story and everything else everything00:12:40
look at the rest of the lessons too00:12:41
Please00:12:43
who needs pipeline formation00:12:46
the file system is all very, very00:12:47
important other lessons please00:12:49
look at the interface hotkeys00:12:53
utilities in general all all all all00:12:56
lessons view all webinar recordings and00:13:00
comments will be in the webinar block and00:13:02
comments reviews what are reviews00:13:05
analysis is a video that I record00:13:08
separately from the webinar you comments00:13:12
Let's say something doesn't work out for you00:13:17
I asked you a question in the chat and they told you00:13:21
do this and you don't have this00:13:23
it turned out you asked me questions in00:13:27
I answered you it didn’t work out you00:13:31
tried a hundred and five hundred times you didn't get it00:13:33
it turned out I say listen well you already00:13:35
you are struggling with this there for the second third time00:13:37
just send 4 5 the same one00:13:41
error, let me write down the analysis, that is00:13:44
analysis is a separate video which00:13:47
I'll sign up I'll sign up as a matchmaker free from00:13:49
webinar time00:13:51
I show you how to resolve this or that00:13:54
problem doesn't mean I need it00:13:56
send questions and locked for deprive me00:13:59
analysis of where the render start button is00:14:02
I hope this is clear, yes here you are00:14:05
it doesn't work globally for example00:14:06
building whether you are mixing with the light and you00:14:09
it doesn’t work, but the point of the analysis is that00:14:12
you've already tried it yourself several times and00:14:14
objectively ran into some difficulty00:14:17
They00:14:19
just decided it was interesting00:14:22
see how I do it no the best00:14:24
the main point is for you to try it yourself00:14:27
In general, the main task of this course is00:14:29
so that you try it right away, I’ll tell you who doesn’t00:14:32
will work independently00:14:35
efficiency will be extremely low because00:14:38
what's the point of not hearing what I say00:14:42
there will be no magical novas00:14:45
the point is to go through it under my leadership00:14:49
all stages of work when you go through your00:14:52
the market will take place00:14:54
all the thoughts that I want and can give you00:14:59
then of course you00:15:01
remember them and they will become part00:15:05
your real work so let's move on00:15:09
so at the end at the end of the course in six00:15:16
weeks from now we will00:15:19
give diplomas to friends and diplomas00:15:22
Not everyone will receive diplomas at once, I say00:15:27
only those guys who will get00:15:31
we finished work and now I’ll even say00:15:34
what date exactly so 25 times two00:15:38
three00:15:39
4 5 six 2900:15:43
November, that is, our course will end00:15:47
it turns out 26 to one two three 4 5 course00:15:52
cavalry 26 let's 3 5 6 December00:15:58
December 6 December December will be yes everything00:16:04
that's right, it's October and the course is running all the way here00:16:07
November all December 600:16:10
deadline for work completion00:16:14
It's not the person who gets the diploma00:16:18
a diploma is awarded for work completed according to00:16:22
to all our subjective00:16:25
parameters00:16:26
diploma is 300:16:30
levels diploma for interior diploma for00:16:34
architecture and interior diploma +00:16:36
architecture accordingly if you00:16:38
completed one job, you will receive a diploma in00:16:43
in general it’s clear if only the interior00:16:45
interior only architecture architecture00:16:48
interior for architecture interior if00:16:51
someone will be late with the delivery of work at least00:16:55
there for an hour the one who will not receive a diploma00:17:00
will send work with his own opinion00:17:04
I finished it but at the same time I didn’t finish it00:17:07
commented and all my edits were not00:17:09
completed, this person will not receive a diploma00:17:12
that person who, well, in general00:17:15
in fact, everything must be done in00:17:18
time to complete all my00:17:20
subjective edits comments I00:17:22
I write down every day for tomorrow00:17:26
tomorrow in00:17:28
12:00 to 12 00 every day Kyiv time00:17:32
of course every day until 12:00 Kyiv time00:17:35
please upload your work if you don't00:17:38
he was late, I’ll comment in00:17:40
the next day00:17:41
All00:17:43
comments on homework will be00:17:46
uploaded here with the signature which one is this00:17:49
day it means that if there is tomorrow00:17:52
a comment will appear for example 26 what is there00:17:57
now the act of October until00:17:59
October goes until October 20 at 1200 2000:18:05
October from the village recorded comments to00:18:06
all works that were uploaded to00:18:09
for now it will be a video00:18:11
a comment00:18:13
video format I sit down and record alone00:18:16
friends, I highly recommend it00:18:20
podcast format00:18:22
view all guys' comments00:18:25
it's understandable to sit and look at00:18:29
I understand that there is free time00:18:32
not so much but still00:18:35
work, put it in the background, let it go00:18:38
you00:18:40
my head is washed with that information00:18:43
which I say why because00:18:46
very large quantity 1 and absolutely00:18:52
identical situations00:18:54
a huge number of guys think that00:18:56
their situation is unique, that’s the problem00:19:00
I visit them so much and no one else more often00:19:03
in just 99 percent of cases it is00:19:05
delusion00:19:07
I'll be honest00:19:09
education00:19:11
teaching this story00:19:12
I've been studying 3d graphics for 8 years now.00:19:16
dandy national problem absolutely00:19:19
Why are they absolutely the same for everyone?00:19:22
because every artist goes through00:19:24
certain stages of evolution are00:19:27
absolutely normal so look00:19:30
watch and listen to others' comments00:19:32
guys also chat and friends on discord00:19:36
I highly recommend viewing everything00:19:38
the rest of the chat and except dc and00:19:41
check out the references Valko mindless00:19:44
there are rules and so on00:19:48
the schedule is described in the schedule block00:19:52
stop and announcements the main thing is the block00:19:56
there are answers here00:19:58
extremely common questions00:20:01
respectively00:20:02
what is it and00:20:08
accordingly, the answer to it is00:20:12
reference is it possible to replace one00:20:15
another model, of course you can, but you00:20:18
have to make a decision but this00:20:21
artistic00:20:22
is this model the same no but00:20:26
how does a stain perform one task?00:20:30
rights and chair00:20:32
task of the reference on the left yes definitely00:20:35
performs these are different materials but00:20:38
regardless of this two different00:20:42
object solves the same problem00:20:46
woks00:20:50
So00:20:52
yes friends, each of ours, each of ours, with you00:20:55
classes that's how today I will try00:20:59
It’s not always possible to fit in two hours00:21:03
I’ll say it’s tight but I’ll try to be like00:21:07
can be more capacious so that you don’t00:21:08
took too long00:21:10
spend but after every two hours00:21:15
maybe even less, maybe more00:21:17
but plus or minus00:21:19
during the lesson we will conduct an after-school00:21:22
afterschool is the time where you and I just00:21:25
Let's talk and I'll answer all your questions00:21:28
so please write down your questions and00:21:32
we will either create it or have already created it00:21:36
I don’t remember the questions for the extension here00:21:40
there is a chat that comes to your mind00:21:42
some question that interests you00:21:44
for me to voice this happens very often00:21:47
that these questions come over there00:21:49
Tuesday at 1200 not in the middle of the night00:21:52
then you forget, write in the chat and I’ll be there00:21:56
at the beginning of the extension, open this chat and00:21:58
answer these questions00:22:01
scenes that I have your prices for00:22:05
which I also teach you00:22:07
Absolutely everything will be available at the click of a button00:22:12
scenes for classes that is, if you00:22:16
or rather, if I conducted some kind of lesson on00:22:19
some scene you like him00:22:21
missed you and the day after tomorrow you will see me00:22:24
a project comes with the same light from00:22:27
with approximately the same scene you can do this00:22:29
download scene repeat after me00:22:32
lesson learned and thus00:22:35
take it all into your hands all this knowledge00:22:39
skills skills nuances and so on00:22:41
repeat and with this knowledge go to your00:22:44
project but in any case to you00:22:49
repeat after me it's 10 percent00:22:53
efficiency maximum most effective00:22:55
then if you will00:22:58
mind to conclude based on what I tell you00:23:02
I say00:23:03
and making decisions about your scene00:23:07
go the whole way on your own00:23:10
which you will go through on your own00:23:13
the experience you will gain will be for00:23:15
the whole experience is priceless for you, it is printed for you00:23:19
in my head forever00:23:21
all you repeat after me is00:23:25
such surface spraying from00:23:27
information if you repeat this and00:23:30
it is very likely that this is printed but if00:23:33
you won't work00:23:36
nothing and it won’t be effective00:23:40
the eternal question of how exactly should I00:23:43
be a grid my friends partly this one00:23:45
here is the picture that answers00:23:48
this question could be of course00:23:51
another situation it will be maybe00:23:54
different model but globally mesh00:23:57
For example00:23:59
room or architecture composition00:24:02
of course it must match, that is, if00:24:04
our building takes up this much space00:24:06
in the frame and we have this one00:24:09
perspective then it should be like this00:24:12
another important nuance, friends00:24:15
count especially on the prospects of the match I00:24:18
I saw in the chat that everyone was asking why00:24:21
perspective match is perfect for me00:24:23
works perspective mother is a tool00:24:26
you have to fill this in any tool00:24:28
doesn't have to work perfectly what is it00:24:32
this means that the buyout is conditional00:24:35
ransom went to a hardware store and00:24:37
bought a hammer what you bought a hammer00:24:39
and even at a high price does not guarantee you that00:24:41
you can build a house after all yours00:24:44
hands this tool somehow works and00:24:47
there may be 2 versions here or you00:24:50
somehow the tool is not working properly00:24:53
or this tool is not suitable for00:24:56
this situation has prospects to match when working00:25:00
from the perspective the mother may be both00:25:02
another thing you have to understand is00:25:04
try perspective mother ask in00:25:06
chat question am I stupid or a tool00:25:08
fig and both can and00:25:11
the guys from technical support or I will answer you00:25:16
answer this question as quickly as possible00:25:19
so we're working on the schedule00:25:22
Monday-Wednesday-Friday start 1900 two00:25:26
an hour of classes after two hours of extension00:25:29
not limited in time and whenever00:25:32
happens in half an hour and I will answer everything00:25:34
questions sometimes we sit and talk00:25:38
share information00:25:40
It was a great experience if you want to repeat it00:25:44
one lesson instead of one lesson we00:25:48
We held a zoom session, either slime or something else00:25:50
something that is the trick we can do with you00:25:53
communicate live, that is, you will be in it00:25:56
chat you can comment00:25:58
you can talk, I can give you00:26:00
the word means that you can00:26:05
not only ask questions listen to my00:26:08
answers a and give a counter-argument and or00:26:12
clarifying questions quickly in the mode00:26:15
in real time, of course it is00:26:17
interactive communication is extremely useful00:26:20
again friends please watch everything00:26:22
what is here is very very useful00:26:25
yes, friends, by the way, I must say that this00:26:29
the course is called professional00:26:31
visualization means that you00:26:32
you all know how to move god seki you know00:26:34
what is what free shaders mats and so on00:26:38
further basic information I00:26:41
I won't tell you I'm coming to you00:26:43
a huge request, I say right away if you00:26:46
suddenly you feel that you are not pulling00:26:48
this course on00:26:51
level of knowledge if you accept you will understand00:26:55
in the first week we will be able to help you00:26:57
transfer to beginner's if someone00:26:59
suddenly it's about00:27:01
about being stupid until the end of the course and telling me00:27:04
it was hard sorry please these are yours00:27:06
I tell the problems right away honestly sincerely00:27:08
Friends00:27:10
as it is, if it’s hard for someone to accept00:27:13
the solution is better to go to beginner's00:27:14
then you will pass p.v. we will do it for you00:27:17
transfer is not a problem, that's the point00:27:20
that you don’t have to sit there and pull it out00:27:22
myself00:27:23
what kind of juices are we squeezing out?00:27:25
here I’ll be honest, we’re not [ __ ]00:27:27
we're doing we're doing here00:27:29
professional history and from myself I can00:27:32
to say that it is not much more useful00:27:35
technical skills and nuances that I00:27:38
I can give it to you unconditionally therefore00:27:41
prepare as many questions as possible00:27:43
the more questions you ask the better00:27:45
will you00:27:48
question00:27:49
at what stage should I upload what to the site?00:27:53
all your homework00:27:56
upload homework to an album00:27:58
my friends, upload your works to the album00:28:02
don’t upload works there like yours00:28:07
some daily reports, no reports for me00:28:11
needed in which case to upload work00:28:14
case two you want to ask some00:28:17
question00:28:18
2 you did some work that00:28:21
you need to evaluate it, just send it like, well00:28:24
there's like no need for a gap because00:28:28
well, I’ll comment like that and I’ll say it00:28:30
gap so there is no here this here00:28:32
this is this this is this let's move on00:28:34
work, that is, we understand something00:28:37
question or are you already finished00:28:38
a certain stage for example modeling and00:28:42
you need to check it00:28:45
something like this00:28:48
you doo doo doo doo doo00:28:51
well, in general, everyone is friends00:28:55
I urge you to look at this00:28:58
video about the stage of work, let me launch it00:29:03
this video and I’ll comment on the meaning00:29:05
that our00:29:07
the course is not only very strong on this00:29:09
what is being built is that it is only for them and ours00:29:14
studios are working and I will be there for you00:29:16
recommend working for you, that is00:29:18
first we make the whole modeling table00:29:22
percent without this [ __ ] like00:29:24
put00:29:25
made the walls made the floor and ceiling00:29:28
we're starting to render, we're starting to do something00:29:30
render expose the sun light it00:29:32
complete nonsense of course why because00:29:35
our picture is black and white00:29:37
composition00:29:40
You00:29:44
in our in our eye this is the place00:29:48
which generally perceives the visual00:29:51
the world has rods and cones, you probably00:29:54
school biology course you heard this00:29:56
I don’t remember what is responsible for what00:30:00
But00:30:01
one is responsible for color, the other is for perception00:30:05
colors are different for contrast so that's it00:30:09
what a contrast, something there in my opinion at 1600:30:13
times more I could be wrong but I can00:30:15
make mistakes in the numbers, but the gist is this:00:30:19
a person perceives contrast first00:30:23
then color is an evolutionary issue00:30:27
solely to00:30:31
In short, this is a security issue for00:30:34
so that you can quickly identify00:30:36
enemy movement familiar image and if00:30:40
why did they run away that the bass didn’t catch the crocodile00:30:43
Roughly speaking, evolutionarily it was like this00:30:45
now it works for us both00:30:50
artists it works exactly like this00:30:52
here is the level we first read the light00:30:56
shadow composition then we see the colors00:31:00
absolutely normal situation00:31:02
that's how it works, besides any00:31:05
picture looking at any picture there00:31:08
for example, on Instagram you are scrolling00:31:10
Instagram you can pay attention to it yourself00:31:13
flipping through flipping through but seeing00:31:16
the interior is so cool00:31:18
this is where the decision about cool has come00:31:21
to you still at the stage00:31:24
scanning with eyes cut-off00:31:26
compositions00:31:28
if you liked it at first00:31:32
the human brain is designed in such a way that what if00:31:35
you liked it initially rather00:31:37
all you see is to adjust further00:31:40
their conclusions under00:31:43
the decision has already been made and in advance00:31:47
that is, both of you and these are the colors too00:31:50
how I love it and here’s the decor just like me00:31:52
love if00:31:55
give an example tons for example if you00:31:58
your friend will recommend something sooner00:32:02
Total00:32:03
you will be favorable to this in advance00:32:07
if you see something there for example00:32:13
bright advertising, then most likely not even00:32:17
after reading that on this bright advertisement you00:32:20
scroll through because you already have00:32:22
the pattern is definite and may turn out to be00:32:24
so friend is wrong00:32:26
advertising offered you what you need00:32:29
really, really00:32:31
you don't analyze all the information00:32:35
which comes to you you already have00:32:37
loaded pattern and00:32:38
you need to know this, there is no way to use this00:32:41
impossible you just have to understand what it is00:32:44
so you need to create something like this00:32:46
black and white pattern which was originally00:32:49
here, flipping through the feed, oh, this is cool00:32:53
a pattern can only be created when00:32:55
you have full cut-off00:32:58
composition if you only have walls00:33:02
the floor and windows of the cut-off composition be00:33:06
can’t what colors you assign to00:33:09
your walls, ceiling, windows, etc.00:33:12
doesn't matter at all at first00:33:14
geometry basic light then everything00:33:16
the rest after you have it00:33:20
base color00:33:21
we make a light shadow composition I will give you00:33:25
I say00:33:26
move on to the light and shadow composition00:33:29
if you don't have a ready model00:33:31
I won't let you into the block light and00:33:34
accordingly you will and will say that00:33:36
redo it is very important first light00:33:40
this is practically the main ambient light00:33:44
this will always be the case for interiors00:33:47
ambient light that's what it is here00:33:48
ambient, roughly speaking, is light without the sun00:33:51
there is this, let's imagine that this00:33:53
foggy day or north side of the house00:33:55
yes, that is, there is light but there are no direct lines00:33:59
sun rays if you have a situation with00:34:04
the sun, then we first build ambient00:34:08
light and then add the sun in no way00:34:11
case it's not the other way around because if we00:34:14
let's do the opposite, the sun will break before it breaks00:34:17
all the detail in the shadows00:34:22
I'll tell you more about this later00:34:26
after being00:34:32
after you've done the main one too00:34:36
actually become00:34:39
after you have made the light shadow00:34:41
composition00:34:43
interior color00:34:45
making interior artificial light00:34:48
after that we immediately divide it into00:34:51
large masses of materials dark and00:34:53
light light lighter and lighter and lighter00:34:55
but as a rule there are 12 materials here00:34:59
how dark it is here00:35:01
darker Sarmat and lighter firm00:35:06
further detail it and add color00:35:10
that is, color appeared on the sofas00:35:12
color appeared on the interior light00:35:14
light00:35:16
this picture has already been detailed00:35:18
looks 90 percent like the final one00:35:21
option but there are no details in the materials yet00:35:23
accordingly, the next stage is work00:35:26
c in this case it was a clarification on00:35:29
coloristics, that is, light shadows00:35:31
color solution00:35:35
adding details to color a00:35:38
the next stage is already the first stage00:35:41
materials actually I will you00:35:43
say make this material here00:35:46
this one and this one as a rule it will be00:35:48
the largest materials, that is, simply00:35:51
which physically take up a lot of space in00:35:53
frame at this stage we will discard one00:35:57
very important thing00:35:59
he a large number of guys start00:36:04
detailing of those objects that00:36:08
the most interesting thing for them is to do this00:36:12
maybe some kind of drapery on00:36:14
chair it could be there from the sofa it00:36:18
it could be anything and everything00:36:20
misconception is wrong 1 checkmate00:36:23
which will appear on your stage should be00:36:26
the one that is the largest because00:36:28
exactly this mat00:36:30
will catch your eye00:36:32
to the viewer00:36:34
your picture, by the way, you are friends00:36:36
you must understand that you are making a picture00:36:39
for no matter for yourself or for00:36:43
the designer who ordered this for you00:36:46
picture or architect if designer00:36:48
or you yourself are not an architect00:36:51
for yourself and for those who should00:36:55
look at this picture and give it for00:36:58
her money00:36:59
that is, if you do interior design00:37:02
then the end for the end customer and you00:37:05
should think first of all looked00:37:07
in this picture the end customer00:37:09
whether I fall in love or not this picture I don't00:37:13
I'm talking about design, I'm not talking about what00:37:15
pictured I'm talking about00:37:19
emotional component because well00:37:22
for example this design can be00:37:24
guarantee that the customer does not fall in love00:37:26
I know one will fall in love, the other will not fall in love00:37:28
But00:37:30
this picture is exactly right here00:37:32
definitely nice to watch00:37:35
I would like to make myself something like this00:37:37
interior of the house no, I didn’t want to but00:37:40
this interior is nice, is it good?00:37:43
compiled yes definitely I would come to00:37:47
this hotel is a rest I would say so but00:37:49
at home and would not have made this story00:37:52
we detail it even further and even further00:37:55
detail the invoice detail00:37:58
let's go through the second group level00:38:00
materials and third level material00:38:02
but there’s already post-processing here, that’s all00:38:05
such is the stage-by-stage approach, that is, not fermat, but00:38:09
then mats and there is an intermediate stage00:38:12
two intermediate stages are00:38:14
varnish00:38:16
basic light maybe even three00:38:20
intermediate stages base light00:38:24
artificial light local mats here00:38:28
this is a very important three steps, let's move on00:38:31
please watch it it's all here00:38:33
there is just I go this information duplicates00:38:36
rub yu so friends let's00:38:40
I'll take a look at00:38:42
I will answer any questions in the chat quickly and we will00:38:45
Let's go with you to a more practical one00:38:47
work00:38:49
So is it possible to do two jobs on00:38:52
interior for the course and then how much00:38:53
diplomas00:38:54
look00:38:56
maybe, but one by one I assure you that00:39:02
I'm such a meticulous person00:39:06
[music]00:39:08
that you should have time for one not because I00:39:11
like I don’t believe you or there’s work there00:39:14
complicated but the point is that I will00:39:17
try to get the best out of you00:39:21
you will be very busy with work00:39:24
I assure you there are even guys who00:39:26
advise00:39:27
take a vacation while this happens00:39:31
course this is not a joke I really got into00:39:34
a very hard meat grinder where00:39:37
the only one00:39:41
the way to make it cool is to work hard00:39:44
work no hackwork no00:39:47
nothing like this will work out there00:39:49
there is no magic, my task is to do this00:39:52
so that you emerge as a super fighting unit00:39:55
after this course at least strongly00:39:58
higher than you need now for this00:40:01
work impossible to grow big00:40:03
muscles00:40:05
looking at how someone else walks in00:40:07
you need the gym yourself00:40:10
work00:40:11
2 6 12 what time is final00:40:15
let the deadline be there00:40:18
12000 painful work not all angles00:40:21
loaded render grid without grid00:40:23
reboot00:40:25
so good de azul good you up to do it00:40:29
We do the interior first, then the exterior.00:40:31
yes, friends, we spend three weeks00:40:34
interior two weeks exterior not only that00:40:36
1 week exterior00:40:39
ambient light 2 week oh interior00:40:43
ambient light 2 week sun third00:40:46
difficult week00:40:49
different lighting options for basements00:40:52
small windows tugriks that's all00:40:55
story00:40:56
shared in architecture is the same00:40:59
the first week is00:41:01
diagram of light sun grass summer happiness00:41:05
squirrels jumping second week winter night00:41:08
fog00:41:10
that is, we have the most saturated00:41:13
program00:41:19
Webinar recordings will be saved until00:41:23
look carefully what I tell you00:41:25
today I told you I answered this00:41:27
question I haven’t chosen the exterior yet, can I?00:41:30
until tomorrow is possible if I never did00:41:33
exteriors strongly00:41:35
stumbled no you didn’t backtrack much00:41:38
you are in the right place to do 1 like00:41:42
make a house this is explained00:41:44
this is too broad a question00:41:48
ask already00:41:50
lighting only within the selected00:41:53
interior has been studied I have already answered this00:41:57
question friends please00:41:58
be careful if you connected late00:42:01
look first they are from the moment where00:42:03
you are connected we are00:42:06
we have 15 activities 15 different situations we00:42:09
consider and00:42:11
just answered the question what00:42:13
exactly how everything will be worked out00:42:16
scenarios that have just been announced00:42:19
watch the course come to class everyone00:42:21
find out friends you understand what00:42:23
I won’t answer questions for the first one lesson.00:42:27
if we have interior work during the day we will00:42:31
or do the same interior at night00:42:32
no we won't the same we won't look at00:42:36
real projects in the same way if you00:42:37
do you task make the day take00:42:40
reference day angle if you have00:42:42
the task is to make the night take reference00:42:44
night angle, don’t experiment either00:42:47
and day makes night, well, as a rule it is00:42:50
different situations not because it00:42:53
impossible but look what00:42:56
gizmo00:42:59
if he could, he would give you the start00:43:02
third party example imagine for example00:43:04
man yes he is dressed in a tracksuit00:43:10
guarantee and we take a photo of him00:43:13
it turns out great please tell me00:43:16
photographed man in sportswear00:43:18
a suit that turned out well on00:43:21
Is the photo guaranteed? Is it a good photo?00:43:25
what is this man in00:43:27
would look just as cool in a tuxedo00:43:30
no there is absolutely nothing guaranteed00:43:33
maybe a complexion, I don’t know what it is00:43:36
someday there will be a wrestler or a sumo wrestler00:43:38
look bad in00:43:40
in a tuxedo it's obviously the same00:43:44
interior that is what we know00:43:47
technology how to make00:43:51
night rendering absolutely does not mean that00:43:55
any rendering can be done at night00:43:58
the same technology and he is obliged00:44:00
look beautiful the day you need to choose00:44:03
most likely it will be a different light00:44:05
different angle, some special lighting00:44:08
that is, it will be a different scene others00:44:10
camera other settings and everything else00:44:13
so please don't confuse me00:44:15
So00:44:27
so if we have interior work during the day00:44:30
shall we do yes we will do all kinds at once00:44:33
renderer I don’t understand what to use00:44:35
means types of renderings different renderings by00:44:38
queue we are working crowns by ray of00:44:40
storm crown and faith towards crown and00:44:42
faith I'm aside like this00:44:43
Monday Wednesday Friday00:44:44
accepted for before Friday to friends and but this00:44:47
doesn't mean that if you work there00:44:48
only in the crown know Tuesday is Wednesday00:44:50
lessons are not for you no everywhere light and everywhere00:44:53
direction everywhere texture everywhere everything is the same00:44:56
and the same you need to go to all classes00:45:00
absolutely not only for all classes00:45:03
you will know what situation you are in00:45:06
what rendering system has its own00:45:10
turbo chips I have never made them00:45:14
I'm interested in it will be described in the video00:45:18
how to do00:45:21
I don’t really understand what you have00:45:25
in view of doing the exterior, that is00:45:27
the wall of the interior is truly an exterior nothing00:45:31
the column is no different, the window is no different either00:45:33
outside and inside are no different either00:45:35
please clarify what you mean00:45:38
landscape if you mean landscape00:45:41
let's talk on the eve of what00:45:43
specifically landscape, that is, if you have a mountain00:45:46
for example, there is a house responsible for00:45:49
in the summer this is one landscape, but what if you have there00:45:51
the difference is a meter there and the lawn is different00:45:55
landscape in general, come on, come on00:45:58
ask questions so that I can answer them00:45:59
answer so I know what to talk about00:46:02
if you need your advice on the scene where can I go?00:46:05
write anywhere, for example questions for00:46:09
after-school look we have questions00:46:12
For extensions, ask a question here00:46:15
be sure to attach a picture00:46:18
theoretical questions on how to make a curtain00:46:20
I'm like friends to a question like how00:46:24
make a curtain I won't give any answer00:46:26
I'll explain why because you can how00:46:28
simulate a curtain and there are different curtains00:46:32
billion maybe how to do it00:46:34
curtain material and there are different materials00:46:37
it could also be a billion00:46:40
exclude her from the sun, well, in short00:46:42
ask a question so that I can't00:46:46
answer so that mine doesn’t suit you00:46:49
answer ask the question as much as possible00:46:52
specific00:46:55
we choose the render engine ourselves or in00:46:59
we do all three, I highly recommend00:47:01
do in all three access the course site00:47:05
render camp forever let's do this00:47:07
We’re talking about a year, but in fact, in a year00:47:11
we don't delete anything but we say something00:47:13
yes, let's do this, I guarantee that in a year00:47:16
year you will have access to everything else00:47:19
I don't know yet00:47:21
why am I saying this, not because we00:47:23
we delete it because, well, you never know00:47:26
may happen00:47:27
for example we want to update the program00:47:29
or something else00:47:31
If I can make it on time, I can00:47:33
will work on additional angles00:47:35
first the main one if you have time then00:47:37
additional if webinar or00:47:39
there will be a master class on night light00:47:42
we will take part in this course00:47:46
night light for both interior and00:47:48
architecture mean landscape trees00:47:52
lawn your task is to simulate the building and00:47:55
what is made by human hands can00:47:57
there should be a fence there, a path, not a path, but in00:48:02
I mean, there’s some kind of asphalt there00:48:06
sidewalk fence this curb this is greenery00:48:11
you don't have to model the mountain landscape00:48:15
I will take scenes without all this and on00:48:18
webinars show how to do it00:48:21
for example, if the house is in a mountainous area00:48:23
the important task is to model00:48:26
geometry made by human hands motion00:48:29
will make a video no we will study00:48:32
there is no animation, well, that is, we have it there00:48:36
a couple of animation lessons but it's not00:48:38
deep animation00:48:40
I'm from one of the scenes and from one scene00:48:43
work in different systems as in the same place00:48:45
material in one system00:48:47
renders constantly convert them00:48:50
no, it means that you will have three00:48:53
different scenes and, accordingly, three different00:48:57
progress that is, you make one scene00:49:00
did modeling and that's it and saved three00:49:03
option karon jews storm and work00:49:05
in turn with each they made a light on faith00:49:08
and sent in color in the form from00:49:09
the right light then the crown can00:49:11
send all three at the same time00:49:14
I didn’t quite understand how one scene00:49:16
work on 3 rendering engines, three copies00:49:18
scene has never encountered this before00:49:20
3 copies, again of course in real ones00:49:23
projects you have never encountered00:49:25
like this but in00:49:27
This is unrealistic and the training is for the project00:49:29
there we are this is training yes here we are00:49:31
we do a lot of things that you don't do in00:49:35
real life and00:49:38
water00:49:43
so all friends for questions00:49:46
I will answer the following questions00:49:48
further00:49:50
the first thing I recommend to you is that I00:49:55
I already said I was counting on this00:49:57
course00:49:58
professionals and00:50:00
the basis is so primitive I00:50:03
I won't tell you so I will00:50:06
recommend you exercises that00:50:09
designed for00:50:10
current specialists at00:50:13
interesting stories, take any reference00:50:17
which I approved and will now show that I00:50:20
I recommend it to you00:50:23
it’s not interesting to do this with anything00:50:26
do some work00:50:28
let's do something like this00:50:32
let's take this one for example00:50:35
store00:50:37
open original00:50:41
save the picture to your desktop00:50:46
I save it like this00:50:49
to learn a little00:50:53
artistry00:50:55
I recommend it to you, I won’t check it00:50:59
I just recommend that you do these00:51:01
sketch and00:51:03
at least just once a day for00:51:06
throughout the course this is done in 1000:51:08
15 minutes00:51:10
what does it give it gives an understanding of color00:51:13
understanding the scale of proportions and everything00:51:17
what's the point of the rest, but this thing00:51:21
needs to be done without using a pipette00:51:23
that is, selecting light by eye is very00:51:30
powerful tool to work like this00:51:32
happens technically an hour I'll show you take it00:51:38
I saved this to my desktop00:51:41
I'll show you the architecture now00:51:45
in the interior we take for example like this00:51:47
we duplicate the lesson on this topic, there is no00:51:51
there will be this thing I spied on00:51:57
literally this Saturday at the conference00:52:01
render of the mitzvah of Nazariy Derkach and I understood00:52:04
that this is an awesome topic and00:52:07
it’s necessary, but without it it’s absolutely necessary00:52:10
show and so there is this one00:52:14
picture00:52:20
Well, for example, I’ll provide it just for00:52:23
so that I have approximately to you00:52:25
let's finish it, I'll take a clean one00:52:28
pure lore and now I’ll work00:52:33
rough masses without any00:52:37
It’s not our job to hit them exactly00:52:40
exactly hit and teach you teach yourself00:52:46
determine colors correctly take color00:52:50
if it's difficult, the only thing you can do is00:52:52
do it like this, bring it up and here00:52:55
so choose00:52:56
this light should be like this00:53:00
yes, just like you, along with00:53:02
reflecta together with difuse together with00:53:04
nuances you need to determine some00:53:07
one common average color per00:53:10
eye it is very difficult if you have never00:53:13
they didn’t do this, something like this00:53:16
for example yes darker yes like this00:53:20
This gives us, for example, we understand what00:53:22
what is the tone position of this color?00:53:28
this is from white to black that is light00:53:30
dark00:53:31
saturation is by00:53:34
horizontals from gray to the most colorful00:53:38
yes, that is, we understand that00:53:42
somewhere we have a 3D max, for example here00:53:46
material, well, for example, a crown, yes, that is,00:53:50
there are tons of us separately00:53:53
here from black to white and00:53:56
saturation from00:53:59
gray to00:54:01
100 percent colored we understand that00:54:04
somewhere here we have somewhere in color00:54:07
here in tone, well, the color itself is necessary00:54:10
choose what kind of guy he is00:54:14
important thing please00:54:16
experiment and that’s how we understand00:54:19
that the tone is somewhere in the middle and under the light00:54:22
less than the middle yes okay and we’ll take it00:54:27
just like that for ricoh as a result00:54:30
we should get stylization00:54:32
it doesn't look like anything it doesn't look like piri-piri00:54:35
perry we change00:54:38
obviously darker and00:54:41
I think it's a little redder, that is00:54:44
right here here00:54:47
so yes00:54:48
now it’s better even darker redder and00:54:52
redder00:54:56
probably not, that's it, probably yes, that's all00:55:01
still redder00:55:04
now that's good00:55:10
Well, let's fill out the picture like this00:55:14
as we go there is no task there00:55:17
it fits perfectly, don't worry about it00:55:20
it's just like that00:55:22
skill training00:55:26
look something like this00:55:35
no lighter00:55:40
Yes00:55:42
let's move on, for example00:55:45
This is nonsense and has quarreled me several times00:55:49
I was scolded for using the word00:55:51
nonsense and strange people00:55:55
I don't like the words00:55:57
you put in people for whom words are not00:56:00
like00:56:02
so black we understand that black is not00:56:05
not 0 until this is it00:56:17
take where the drawing is here then00:56:21
We understand that it’s definitely darker here00:56:26
I'll take it00:56:27
darker00:56:33
I'll take it00:56:48
So00:57:05
brazenly choose00:57:12
look, you see we have this one and00:57:16
this one I don’t change the color anymore, this is the same00:57:20
same color just different00:57:22
I'm drowning00:57:24
so or00:57:27
loved ones let's say a little redder and00:57:31
probably darker00:57:39
still colored means here00:57:46
I'll straighten the curve a little00:57:57
Amazing00:58:03
Here00:58:04
hand00:58:25
it is absolutely obvious that she is darker than00:58:28
background00:58:37
no darker00:58:48
Yes00:58:53
so now let's get the floor00:58:56
the very same00:58:58
massive thing I don’t really need it there00:59:02
highlight00:59:50
Here01:00:10
well maybe dissociate a little bit yes01:00:16
yes so01:00:22
Well, in general, I think that I won’t continue01:00:25
make the essence clear the essence of what we01:00:29
done accordingly, this is possible01:00:31
hide it and fill it with some kind of01:00:33
there is an average medium gray color01:00:38
in order to understand which one01:00:41
the work we do in this case is we01:00:45
learning how this is not a necessity01:00:49
visualization is a necessity01:00:52
pump our brain from the other side01:00:55
teach him to perceive correctly01:00:58
colors because there are so many01:01:02
allow01:01:03
a huge number of errors the more01:01:07
details you will add to topics01:01:10
better for example you can take break01:01:13
this is the whole piece but they have this01:01:15
wall on something like this01:01:18
small rectangles do something01:01:21
like there are 8 prominent images before01:01:24
then it will be good01:01:26
again I won't check this with you01:01:30
this is what I strongly advise you to do01:01:33
in order to independently01:01:34
upgrade your skills01:01:38
fine arts in your01:01:42
artist so let's see a few01:01:45
questions01:01:47
it turns out that according to the exterior it is not necessary01:01:49
do while trees grass landscape01:01:51
just for example a house swimming pool street01:01:53
furniture and it’s better to try to make it and you01:01:55
please tell me01:01:56
errors01:01:58
before01:02:00
only what is made by man01:02:01
absolutely true landscape with its nose to the ground01:02:03
grass trees no need to choose a color01:02:06
just practice to understand the nuances01:02:11
So01:02:14
so so because choosing a color is easy01:02:18
practice to understand the nuances and01:02:21
training or something01:02:22
no practical use in the future01:02:24
there is practically no it is exclusively01:02:26
pumping up your own01:02:28
sensations of the color of light what is light what01:02:32
dark what color and saturation01:02:35
both lines are used because01:02:37
artists are more accurate than people01:02:40
professionals tell me what it is01:02:42
very bright in color and then we take it there01:02:46
select with a pipette, look and understand01:02:48
that the saturation there is less than a third for example01:02:52
Yes, and we don’t use it, but it looks bright01:02:56
only due to the fact that everyone else01:02:58
the interior is so monochrome and this01:03:01
very important understanding01:03:03
but I see friends01:03:06
a huge number of people commit one01:03:09
and they light the same mistake01:03:11
they compensate him tons and this is wrong01:03:14
because 80 percent of the effect is01:03:17
will be done will be done at the stage01:03:20
tones and01:03:22
20 at the light stage I'll show you the day now01:03:26
me when another senior manager01:03:29
please use the polite form of the offer01:03:33
proposal by downloading that you are not in01:03:35
Soviet 100 grams so I don’t really understand01:03:38
what are we talking about01:03:41
it was very useful, by the way, Kostya01:03:44
this is it01:03:46
[music]01:03:48
more than anyone else I would like you01:03:51
worked on this story why you01:03:55
recommend a pro go to 3 engines01:03:57
but just imagine that you, for example01:04:00
are you doing01:04:02
arm wrestling for example what is it needed for01:04:05
arm wrestling01:04:06
so that01:04:08
the right arm was pumped up in general everything01:04:10
the rest no yes so work in01:04:13
one render system is the same as01:04:15
swing one hand new type like very01:04:17
strange funny man who01:04:20
who has a very big hand in everything01:04:23
otherwise he is not harmoniously developed so01:04:26
here to make cool things01:04:28
You don't need a rendering system for pictures01:04:29
study you need to study image01:04:32
fine arts laws01:04:34
composition laws of color, that is01:04:36
do this and then01:04:40
choose a tool there is one01:04:44
I have a diagram, I’ll draw it now01:04:49
I even know where I can download it01:04:52
now one second01:05:02
so so so so so so01:05:05
here I am her01:05:09
already used it and so this is from one01:05:14
vlog but we have the same thing with you01:05:16
story a01:05:18
people very often01:05:21
When01:05:24
create graphics01:05:26
they think a lot about, well, for example, we’ll replace01:05:30
this is the render system01:05:33
think about01:05:35
some technical elements and01:05:39
all these technical elements come on01:05:42
so there is a composition for example01:05:46
frame before render settings01:05:52
I don't know any furniture yes01:05:56
ladies decor items and all these01:06:01
gizmos in general everything that well everything that01:06:03
whatever01:06:05
collects the main thing in the frame, the main thing is01:06:10
well here the story as a whole is for us too01:06:14
good but this is a story about video content01:06:17
it’s about the plot, but that’s what it’s like01:06:21
you want to show here we change from the word01:06:25
story in words and what we tell01:06:29
what emotion what feeling do we need01:06:32
make the viewer feel like we are weathering him01:06:35
in our case, for example, here in01:06:37
this frame is what we are showing him01:06:40
we show him a certain group well01:06:43
this is so technical and commercial01:06:46
angle but nevertheless we can say that01:06:48
it's a union of two01:06:50
important zones to compositionally this is this01:06:54
here's the kitchen island and here's this01:06:58
living room breathing history yes this is it01:07:02
we are showing here okay this is not the best01:07:04
perfect example actually where01:07:06
more01:07:07
a good example is this, what's that?01:07:11
this frame here are the words history you can thread01:07:14
what is this shot about? So this shot is about01:07:18
kitchen island all . there01:07:21
let's go to01:07:24
others somewhere what this angle is about here01:07:28
this console is definitely here01:07:30
dominates her as directed as possible01:07:33
attention in every possible way here01:07:36
they added contrast, yes, that is, for example01:07:39
these are the stripes color color this01:07:41
contrast light dark is contrast01:07:45
the human eye is automatically a detective01:07:48
contrasts and looks where there is more contrast01:07:51
only if we have more contrast01:07:54
We do everything in a convenient place so that01:07:56
the contrast was physically the most01:07:59
and we also do it so that01:08:01
some physical lines01:08:05
helped us focus our attention on01:08:09
the main thing is that I have these lines01:08:13
video shadows to us decree perspective to us01:08:16
even indicates some here01:08:18
here the twigs here could be a plane there01:08:21
some kind of fly in this direction absolutely01:08:24
it's wrong if the plane was flying there01:08:26
it was a small frame, not much, but it broke01:08:30
even these are some twigs like this01:08:32
should grow here, that's all in the frame01:08:35
should point to where the main thing is01:08:40
it’s important we’ll talk about this again01:08:42
compositions, it’s clear that not everything is with01:08:44
the first time but nevertheless every time01:08:47
the frame should be dominated by the house01:08:50
definitely a dominant, that is, everything01:08:53
here for the sake of wanting this01:08:56
house the same thing here any angle01:09:00
almost any one we take01:09:03
about something, for example, this angle about01:09:05
than he's talking about how someone can sit on01:09:08
this sofa and look at the awesome view01:09:11
this is what this angle is about and you are creating yours01:09:14
pictures should think about it like this01:09:18
reference so you can01:09:20
scan what can you talk about01:09:24
[music]01:09:25
tell the story of my interior no no01:09:31
a sofa like a sofa, they're sitting on it right there01:09:35
no couch01:09:38
scenario which person will be which01:09:41
a person will enjoy in this place01:09:43
the path along which he will go I do not01:09:46
I know anything there01:09:48
the door in which he will enter01:09:51
this is very, very important01:09:56
Let's probably go to this project and so01:10:00
let's get closer to01:10:03
Let's get closer to the matter today, let's work on crowns01:10:07
that's why I have a stage open in corona01:10:11
render01:10:12
before the crown here, in my opinion this scene was01:10:17
in the original Beria, well, I’m vira to them01:10:19
I won't use it today01:10:21
crown01:10:22
[music]01:10:23
I'll delete this01:10:26
crown corolla corona01:10:31
legacy01:10:34
I have 7 corona but I also use legacy01:10:38
it's still inconvenient to work01:10:43
new material like he physics until I01:10:47
I've tried it this way and that so far01:10:50
Serm doesn't come in from what color?01:10:52
we are exhibiting Sarmatian01:10:54
ranging from01:10:58
in short, the basic sire March is01:11:01
9001:11:05
90 90 9001:11:09
be sure to reflect01:11:11
be sure to reflect not white but medium01:11:14
grey01:11:15
be sure to have an eye 06 remember this01:11:19
every render system will have the same thing01:11:22
same 90 serm from01:11:25
average reflect this exact numbers are not 201:11:28
about 120 and01:11:30
our eyes 0600 59 this is unimportant01:11:33
but that's all01:11:36
this is a mat that should be on everyone01:11:39
objects, without exception, we do not work with01:11:44
some other story like01:11:48
don't know any other story we don't01:11:50
I use01:11:53
120 is not sirman it is white the whitest01:11:56
material we use 18001:11:59
so good camera we have in our render01:12:05
the system has01:12:06
your own01:12:09
cameras take the camera when we clicked on01:12:14
arranged from a photograph created their own01:12:16
camera we just pressed control css until01:12:19
a standard one was created like this from01:12:21
physicists camera we change it to a camera01:12:25
some kind of rendering system is a crown by faith01:12:28
appstore accordingly go to gray01:12:30
ivy rachel crown here is crown com create01:12:34
select this camera and press alt01:12:37
and this is the function line and01:12:40
click here on all three axes center01:12:45
the center was leveled01:12:48
center center aligned now let's go into01:12:51
camera into the physics that was originally01:12:55
and copy the viewing angle from there01:12:59
look at it in degrees or millimeters01:13:01
degrees it's degrees millimeters it's like01:13:05
in cameras01:13:10
Now let's go into the corona chamber01:13:13
set here degrees controller everything01:13:16
one on one well the only thing01:13:18
vertical alignment can be set01:13:21
compare press c on the keyboard01:13:24
corona camera physics only vertical01:13:28
there were not aligned, we select everything01:13:30
physicists camera and remove the world camera01:13:33
only one left click price01:13:35
quadrature01:13:36
we come to the camera. brands in the crown then01:13:43
were there 5 or 601:13:46
abolished01:13:49
portals, that is, they are no longer portals01:13:52
we use they are not needed in general portals01:13:54
only needed in the appstore me for now this01:13:58
I think that it is01:14:00
it will pass in time01:14:03
By default we use hdr lighting01:14:08
and the map why and the old map because01:14:11
what do you need the richest light it will be01:14:14
rich in color, in details, but not always01:14:19
but of course there is one difficulty01:14:22
the star of the paintings should not be the sun or01:14:25
this sun must be on the other side01:14:28
overall it's ok let's open it01:14:32
material editor I will open the crown and create01:14:35
or rather crown bitmap and01:14:37
I'll load it into it, rip it off, it's beautiful01:14:41
a site called heaven from diarrhea01:14:43
there you can take hd er ikke let's01:14:46
I'll just go over it a little01:14:49
to01:15:05
this is the site01:15:07
I draw your attention to the fact that it is extremely01:15:09
I recommend finding and waiting for paradise01:15:14
Without direct sun, how do you even know how?01:15:17
what light will be the easiest option01:15:19
these are these balls these balls will be01:15:22
give you some hints01:15:25
I recommend doing this so that there is a shadow01:15:27
there was from them but it was blurred for01:15:31
this sun shouldn't be clear it01:15:33
should be so awakened as much as possible01:15:35
overall this is not bad but this one is green01:15:39
bottom01:15:40
since this is still an HD heaven map and it01:15:43
the whole lower part will shine01:15:47
green on the ceiling is not always the case01:15:49
ok so I recommend these01:15:51
avoid situations01:15:54
this is not bad yellow bottom blue01:15:58
up is not bad, you can take it right away01:16:01
download and use01:16:02
be sure to download hd or any and exr01:16:06
this is important for the interior, 2k is enough01:16:09
because, well, that is, if we don’t need it01:16:12
so that the same map is visible on01:16:14
background 2 to us headlong, well, that is, we don’t01:16:17
why do I need a higher one01:16:19
permission, rip off the card if we don't see it01:16:22
with a direct look01:16:23
to the gods01:16:27
let's go to the desktop01:16:30
I'll choose this one if the frame opens01:16:33
I’ll add it here very quickly general01:16:38
color correction01:16:43
I open this thing01:16:47
let's single map01:16:50
tram tram good01:16:53
launch interactive rand01:17:02
there are two ways01:17:05
how to adjust exposure exposure01:17:08
this is lightness yes that is from dark to01:17:11
light first is to add a crown01:17:13
color correction here and01:17:16
adjust the brightness parameters but it01:17:18
there is also limited but in fact01:17:21
which I use the most combative is this01:17:23
the exposition is here, that is, I just01:17:26
I'll put three four five whatever it takes01:17:28
and that's all01:17:30
note01:17:32
There is01:17:34
scoundrels who advise immediately01:17:37
put highlight compress there I01:17:40
I saw one guy, give me some advice01:17:42
immediately 99 so that there is no overexposure01:17:45
bad advice this thing kills01:17:47
dynamic contrast is about the same01:17:50
the best thing to say is that he doesn’t want to go to01:17:53
I'm cutting off my legs and have no time to go to school01:17:56
there will be no need to go to school, you will have to travel01:17:58
in a wheelchair yeah, damn it's bad01:18:02
advice you can't do this you need to01:18:05
how to avoid overexposure, but this01:18:09
doesn't mean you need to understand the exposition01:18:11
gave such a state and here it is01:18:13
twist kyle lambert because we01:18:14
rid ourselves of the contrast in this crap01:18:17
this is totally bad advice01:18:20
we just set the total01:18:24
exposure to the parameter that is well01:18:27
that's how it would be01:18:28
maximum and a little bit less and that's it01:18:32
let's leave this light now, well01:18:35
definitely necessary, not even necessary, but possible01:18:38
twist both the fat and the card in order to01:18:40
find more interesting01:18:42
light shadow composition and where is it01:18:45
picture of chosik01:18:50
here she is01:18:53
looks in general we have ambient here01:18:55
light is pretty similar to what it is01:19:06
not bad the only thing is the picture below01:19:09
illuminated by white light01:19:12
he’s not here, well, as it were01:19:15
So we'll deodorize, let's come in okay01:19:21
let's first rotate then under and01:19:22
we center but these 20 30 I'll just look01:19:27
maximum contrast 60 that's the sun for me01:19:30
why don't you need the sun01:19:32
9001:19:34
12001:19:37
15001:19:39
20001:19:43
By the way, it’s not bad, look how01:19:47
which is better 001:19:50
or 200 is the same actually but01:19:53
goes 23001:19:56
by the way, it’s very nice01:20:01
really very nice01:20:06
25001:20:12
23001:20:15
250 001:20:21
no, I’ll leave 0 with him anyway01:20:25
easier to work with01:20:27
Well, two degrees there is almost the same as01:20:30
0 d centered but not in but absolutely01:20:34
yes, that is, let’s leave it a little bit now01:20:37
pay attention look what you need01:20:39
do01:20:40
gray01:20:45
to open with01:20:48
photoshop01:20:51
take01:20:54
fielder blurr and gate and01:20:58
we get some color we can pipette it01:21:01
take01:21:02
in this case there is no color but it01:21:06
almost gray but look at what01:21:09
chip01:21:11
us blue01:21:14
light with warm colors in the interior but01:21:18
this is obviously a date wall this is well that01:21:22
there is everything warm and there is a cold color01:21:25
light together they are compensated01:21:28
That's why01:21:30
our our format is correct immediately01:21:35
paint it a slightly warmer color01:21:49
so live with us and gays01:21:55
blue filling remains01:22:00
a little bit of this then01:22:05
blue filling remains and we don't have01:22:08
this problem with balance01:22:09
coloristic white balance we have01:22:13
this light is the main color01:22:17
Now I01:22:20
I'll go over some basic ones01:22:23
material01:22:25
so let me look where in the comments01:22:28
they were01:22:32
can you create this scene yes you can shahzod01:22:36
I probably commented on you01:22:38
I missed it, I have a huge request01:22:40
look listen carefully01:22:42
don't be distracted, I'm already01:22:44
agree with the fans you work for01:22:47
available to collect commented on it01:22:50
friends please everyone01:22:52
all files, all scenes will be available to you01:22:56
will there be a selection of useful sites01:22:58
I threw my list of resources at us01:23:00
All01:23:02
everyone ignored listen ask01:23:05
question01:23:06
we'll give it but again01:23:10
It's better to ask a specific question like yes01:23:14
I can't please advise where I can get it01:23:16
where is the map of heaven I'll tell you because it01:23:20
as if I can’t give a list, as it were01:23:23
for everything01:23:24
used to make maps where the bottom01:23:27
half was done in black no01:23:29
it's worse not to follow the green and01:23:32
yellow is not the ceiling black that means01:23:35
blocked light and reflected light from01:23:39
land he still has a question what01:23:42
He01:23:45
what about the noise don't make a noise01:23:48
advantage over light circuit01:23:50
no, actually, this is it01:23:53
such an advantage the light is much more01:23:55
you're rich01:23:57
in general you can get something like this01:24:01
from skye but you have to unscrew it like that01:24:04
you'll spend a lot of time on this01:24:06
and rip off the well-chosen one01:24:08
more if you pick one up01:24:11
rail and you will use it many times01:24:15
this can become your style and this01:24:18
much cooler01:24:19
so okay let's move on we have01:24:22
ceiling so we have it here by the way01:24:25
see what else you can do if you01:24:28
there is not enough light on the ceiling, this is eternal01:24:31
disease01:24:34
the interior of the boxes can be taken plain01:24:39
put it outside the windows and01:24:46
apply on it for example01:24:51
just a white mat absolutely white and01:24:57
we will add light to the ceiling like this01:25:01
let me turn it off01:25:08
settling01:25:10
soft01:25:14
Of course you can also use it on the ceiling01:25:17
add light but in this case I01:25:19
It’s not really necessary, but it’s better without it01:25:23
I mean, without this, play on not01:25:26
naturally looks like this01:25:28
glow but in general this happens sometimes01:25:32
so here you see this one here01:25:35
bend as if there is a need for a modifier01:25:38
smooth so that it looks even01:25:41
reset antialiasing01:25:45
now it’s better for something like this01:25:50
we needed the book there01:25:52
I think the light source will let's see01:26:03
so I think that's part of this01:26:08
geometry I need to apply01:26:10
white material01:26:21
not that white of course, just this one01:26:32
you can immediately look at these objects and at01:26:36
these and this one everything seems to be given01:26:41
I use it and now editing it is simple01:26:46
I make it lighter without changing the color01:26:49
I don't change the situation all the time01:26:52
I still need one and now I’m looking01:26:55
on which one of us how much lighter this one is01:26:59
material compared to this01:27:02
this is what we need this one for01:27:05
skill but friends look behind01:27:08
the border has become 100 180 we don’t leave if we01:27:12
180 is not enough then we go to the previous one01:27:17
material and make it darker and01:27:26
higher exposure01:27:29
if we have overexposure somewhere01:27:32
what to do let's ask the million dollar question how01:27:34
do you think friends if we have here01:27:36
there are overexposures what needs to be done01:27:38
live and please chat right away I'll be right in a minute01:27:41
for you to write about this topic01:27:43
please write what needs to be done in01:27:45
chat or at least think like you01:27:48
do you think what needs to be done so as not to01:27:51
there was overexposure01:27:55
I already said that highlight compress01:27:58
bad idea movie highlights also bad01:28:01
idea what needs to be done, I answer, take a checkmate01:28:04
And01:28:10
apply another mat to these objects01:28:12
which will be darker01:28:31
and now I’m reading the questions01:28:37
will reduce the light comp exposure of lunch01:28:42
curz01:28:45
color in the01:28:50
albeto then remove reflect01:28:53
It’s all just a matter of making the color darker01:28:57
it turns out great01:29:02
this is a very important thing, friends01:29:05
I need everything you listed01:29:07
wrong, this means that01:29:10
look01:29:12
all options are bad advice given01:29:17
other people unfortunately please01:29:20
Friends01:29:22
accept this and start your projects tomorrow01:29:25
use should say that this one01:29:29
light, you know, again it’s similar, but in01:29:32
overall it looks like something is missing yeah well01:29:34
for example it gives the color you need01:29:35
edit well, I'll add it, I'll do it01:29:39
for example, a little colored01:29:52
meadows01:29:58
let's move on, what do we need next?01:30:02
for example, we need to paint this and01:30:05
chairs too, we take this01:30:20
in fact, we do the same thing in 3d01:30:24
what we did here on this one here01:30:27
we fill the things with large spots01:30:30
our interior01:30:33
wolf01:30:41
I'm copying this swearing, please note I'm not01:30:44
I’m creating a new mat why so based on01:30:46
of this material colors were applied and01:30:49
all that01:30:50
reflect so as not to add I just do it01:30:53
darker01:30:54
I make it darker how much darker I look01:30:58
the reference one is even darker yes yes01:31:04
see here like it's rounded01:31:07
no depth no need01:31:10
smooth01:31:12
to reset antialiasing01:31:18
so well, now you need color01:31:24
so Dijon01:31:27
reference01:31:34
add situations and01:31:41
change color01:31:52
situations, try not to get close there01:31:56
above 20001:32:03
By the way, you can probably pay close attention01:32:08
works if you move it work on01:32:12
the values there are very small01:32:14
color changes01:32:16
here for example ses01:32:19
5 now it’s just pink and I don’t like it01:32:22
I need pink, I need it like this01:32:24
stayed better in this case01:32:27
use albedo01:32:29
but if we need to not change the color but01:32:32
just within the framework of this color01:32:34
make it darker01:32:36
here it is, albe01:32:40
ok but the chairs suit me but01:32:44
this thing should be a little bit01:32:45
lighter colors so I already have them too01:32:49
Vitya, I gave the general outline and now I01:32:52
I will divide them into two motorcycles and01:32:58
a little01:33:03
lighter and less color01:33:14
somewhere like this01:33:16
approximately01:33:18
the floor is very large mat of course it is01:33:22
I need to copy this same mat01:33:24
I apply01:33:25
I’ll do it and before trouble comes I’ll return one here too01:33:29
I can already work on the colors for value01:33:31
lighter01:33:34
a little bit yellower here 2301:33:37
simultaneously01:33:39
less saturation01:33:42
30 no 30 a lot01:33:49
272601:33:51
2501:33:54
plus minus01:33:56
slightly colored01:33:58
need to compare with reference01:34:02
reflector of course see more01:34:04
what glare and by the way very often guys01:34:07
they confuse shadows and highlights, that is, reflect and01:34:10
in this case, of course, reflect and01:34:14
therefore, we will increase the number of reflections in01:34:19
this material may have been lost on us01:34:22
higher01:34:25
approximately01:34:28
Amazing01:34:30
there still needs to be light on the ceiling so01:34:34
let's add a little bit of it very locally01:34:37
so that we carefully ensure that we do not01:34:41
get rid of those contrasts that01:34:43
we appeared which we created01:34:50
rectangle01:34:53
I'm answering the question: can I use it?01:34:55
fakes are possible, but very wisely and very01:34:59
carefully01:35:05
so let's grid disabled01:35:12
top front left this is how I work and01:35:15
[music]01:35:18
enemies are almost always in the sources01:35:21
light I set a target01:35:26
my shadow is a little at an angle here01:35:29
until you see, that is, it is not parallel01:35:31
therefore I will be the source of light01:35:33
point at us01:35:36
so let's make it clear where he is01:35:39
shines clearly01:35:41
I'll choose intensity a little less01:35:44
of course it’s a darn thing, but I’ll post it01:35:47
unit just to guide01:35:50
him to where he needs to go and not hope that I01:35:52
hit01:35:56
take off I didn't hit, I would have thought I hit01:36:12
I just got here01:36:24
This is where I especially need light, that’s why01:36:27
you can even do it already01:36:45
let it be somewhere so maybe the bill will be01:36:55
conditionally so a little wider and when01:36:59
ok and now of course yes calculated01:37:02
I'll spread it wider01:37:17
let's get away from the lights01:37:23
why is it so clear I wonder01:37:29
light source small yes01:37:36
when you have to do much weaker01:37:49
the larger the light source the less01:37:52
his shadows are always so clear01:38:07
So01:38:11
ceiling ceiling a01:38:14
why is it so yellow? let's go01:38:19
let's get rid of the colors a little01:38:22
you don't need a little bit no a little bit01:38:26
I'll leave him alone anyway, he's disgusting01:38:27
it gets better, I'll leave it a little yellow01:38:30
the light is heading bluish01:38:40
something like this but I’ll move on to the input strokes01:38:44
I poked it here with a pipette and removed the red one01:38:48
from this to make it more blue01:38:50
so I'm a little yellowish01:38:54
light01:38:57
slightly yellowish color of the ceiling and01:38:59
slightly bluish light on it01:39:02
it turns out very funny I even01:39:05
probably a little more and I'll do it01:39:16
this will be understood as much as possible01:39:19
get the white ceiling I made01:39:20
a little yellow01:39:21
and shined a blue light on him01:39:24
it turned out great even01:39:27
funnier than the original01:39:30
because of the contrast01:39:34
go ahead01:39:39
by the way, pay attention here01:39:41
we are also re-re-lighted, that is, overexposed01:39:44
because part of our task01:39:50
ok also you have to understand that01:39:53
vignetting is absolutely01:39:55
natural effect of any photo and I01:39:57
I highly recommend adding01:39:59
also at this stage you can already add01:40:02
blur scarf01:40:09
so that the picture is a little clearer01:40:13
like this01:40:16
that we need one more glass, let's01:40:19
this is it01:40:21
we'll paint the shelves black stu basic01:40:24
glass01:40:26
done corona corona01:40:28
logos01:40:34
diffuse black01:40:42
I use it, look at the highlights01:40:44
disgusting class01:40:47
glare what is it reflect means it is necessary01:40:50
do less what reflect01:40:55
this is normal this is normal01:41:00
that's why pre-configured materials01:41:03
this is complete heresy01:41:05
preconfigured most standard01:41:07
would have more materials01:41:10
half reflect and that’s exactly how much we need01:41:12
don't let it happen01:41:15
so now, let's copy this one01:41:19
And01:41:20
I'll use these on these things01:41:27
I apply and01:41:29
d s a round01:41:36
note that most people01:41:38
did it like this01:41:40
similar and01:41:45
there must be color and01:41:47
darker01:41:51
reflect I think double is needed here01:41:54
do now I'll show you what double is01:41:56
Black is generally a super feature for people like this01:41:59
materials it is visible01:42:02
take this mat and01:42:05
copy it, that is, I have two01:42:08
absolutely identical motorcycles are now his01:42:10
I use the second one and01:42:13
raising publicity01:42:20
like this and01:42:24
let me show you what I'm doing, look01:42:26
there is a clear black video, yes there is one here01:42:30
such a blurry black, so I created two01:42:33
material here this imitates blurry01:42:36
black and this one imitates clear black01:42:39
now we need to connect them like01:42:42
crown cr1t very tlv brand curtains01:42:47
by the author of the mix and01:42:50
connect them like this via bass killer01:42:53
I apply and01:42:56
according to this map, smash to zero is01:43:01
the first material is one hundred percent the second01:43:05
material accordingly 50 is 50/5001:43:08
but in fact we have a reflective motorcycle01:43:12
you need a lot less, probably 20 to01:43:16
30 let's do it like this 30 and01:43:22
I make it more glossy and even now01:43:26
maybe not 30 but-2001:43:30
yes yes so much better let's do it01:43:35
Let's check this is how it was, or rather this is how it became01:43:39
what if there was01:43:41
purely one then this one then like this01:43:44
Now01:43:46
like this01:43:48
small thing but cool01:43:51
Amazing01:43:53
so we can still do it a little01:43:56
edit balance01:43:59
somewhere like this you can raise it a little01:44:03
exposition01:44:05
Fine01:44:09
the crown loves contrast very much, but contrast01:44:13
can be upgraded at the very last moment01:44:16
when everything is not done01:44:21
a little bit of contrast01:44:24
a little bit of shadows01:44:27
in general, further and further swearing01:44:32
How much did we spend for this price?01:44:35
30 minutes then the mats are done in an hour01:44:41
the picture will be ready01:44:43
ogre question how much time01:44:48
would you spend to create this01:44:51
picture from scratch, give it to yourself honestly01:44:54
answer01:44:56
how much for 2301:44:59
well no less01:45:03
one and a half hours the picture can be ready01:45:06
since this is the stage to which we01:45:10
I still need to go with you01:45:13
not all not even a few weeks before01:45:16
it will reach me at this stage for now01:45:19
I'll stop01:45:21
please do this step01:45:25
or rather, send a picture step by step01:45:29
light tonal solution plus local01:45:33
mats01:45:37
Well, let's first go to modeling01:45:40
light there I will give tasks to everyone01:45:42
individually because give general01:45:44
recommendations but also quite stupid01:45:45
the story is like this01:45:51
friends, let's stop here01:45:54
today and01:45:55
[music]01:45:57
So01:46:02
great great questions so friends01:46:06
That's all for the main lesson for today01:46:09
I have absolutely no task so that you do not01:46:13
remember everything we're talking about so01:46:16
everything, that01:46:21
in general we do everything in the main lesson 1001:46:25
minutes break at 2050 2100 10 minutes01:46:30
we meet and talk about the film01:46:34
switch we meet in 10 minutes01:58:16
friends let's go back we know01:58:18
first day extension01:58:20
what I said I will answer all questions01:58:23
which are in the chat then or rather on01:58:26
question that we have in the group in01:58:29
discord here then I answered01:58:33
all the questions that YouTube networks and then01:58:36
we'll talk to you, well actually01:58:38
relying on youtube chat and there we are01:58:40
we will exchange all information01:58:43
every subsequent lesson I will01:58:45
I'll start by answering first01:58:48
questions in this one here01:58:51
under the chat there are questions for extension so01:58:54
Anastasia will there be a lesson on difficult ones?01:58:57
markings where it turns and bends01:58:59
where it doesn't just go in a straight line, if not then01:59:01
you can ask to write down often needed in01:59:04
real projects will have both and01:59:07
we will definitely take it and do something01:59:11
similar in class and I have plans01:59:13
recording of such a lesson so that and that and01:59:15
something else will happen01:59:17
exactly on my reference all the plinth01:59:21
ceiling not ideal as a rule01:59:23
get it right01:59:26
such an effect so well, it depends on what you are01:59:30
you mean not ideal because there01:59:32
there is geometry and01:59:36
Well, let's take a closer look01:59:43
Well, I see from below it is covered with paint01:59:49
I see modeling I don't know but as if in01:59:52
you don't know, but this stucco molding01:59:55
there must be a model there01:59:57
appropriate01:59:59
from above I see some cracks02:00:02
certainly geometry, that is, the baseboard itself02:00:05
korner I think you need it, although you can02:00:08
and the ceiling a little02:00:10
do my deputy although I don't know I'm not sure02:00:14
that I would do it on the ceiling I would on02:00:16
the ceiling was done clearly, but below it is necessary02:00:20
working with masks is very interesting02:00:24
technique we have a lesson on this topic in02:00:28
I'll show you everything on the block02:00:34
I will open the previous 74 there are not all blocks there02:00:38
already open materials02:00:40
well, for example, a combination, well, for example02:00:43
that's the patina02:00:45
but using the example of patina I show how02:00:49
create such a thing really02:00:51
you have a simpler case, you can even02:00:54
will not do the sweep but that's the point02:00:57
what will happen to you02:00:58
black and white mask by which you commit02:01:03
mix 2 materials essentially this02:01:06
wall material and cornice material here02:01:10
there is white and some colored one here02:01:13
so this is what it will look like:02:01:16
when will you load it into 3d max02:01:20
you see how the mask is superimposed on this02:01:22
such geometry is somehow complex02:01:24
way where the white one will be 1 more02:01:27
where the little black one will be there will be another mate02:01:30
I'm here in this lesson telling you how02:01:32
that's exactly what to do02:01:36
there is a more complex version of this here02:01:40
in the lesson about falling plaster02:01:41
look it up there's quite a big lesson there02:01:45
it lasts about forty minutes about combining02:01:48
different materials for 1 geometry02:01:53
how to prepare in general02:01:55
this matter will be done at the stage02:01:58
materials how to prepare geometry for02:02:00
such a wall02:02:04
A02:02:06
Well, let's start with the fact that it's just an arch02:02:09
please watch the tutorial on how to create02:02:14
openings02:02:15
let's do some modeling here02:02:19
somewhere we had arched openings in02:02:24
roundness but it's a round wall but kind of02:02:27
you don't have to make it round, you do02:02:30
make it straight everything for this more02:02:34
do not need anything02:02:35
the only exception there will be02:02:38
scan and there will be a scan and02:02:41
accordingly the arch so let's02:02:46
I don’t remember this topic of a separate video02:02:51
if I have02:02:55
I showed you how to do it02:03:00
literally just recently02:03:03
master class, this is exactly the same situation02:03:05
we had [music]02:03:07
trump bam bam bam bam bam02:03:09
here on this02:03:12
now I'll show you where02:03:15
right there, right there at the very beginning02:03:19
first I cleaned the stage02:03:21
I did this and here somewhere here02:03:24
about 30 minutes02:03:31
that's the first one at 31 minutes here I am02:03:36
creating an arched opening prepared for02:03:40
this is the layout of the deputy castle02:03:43
please look at the stone02:03:47
this video is like that02:03:54
video about promotion tell for02:03:58
diagram based on the example of the customer's teaching02:04:00
designer but02:04:02
because I wanted a course on visualization02:04:06
find out examples of communication phrases everywhere02:04:09
How are these two completely different stories?02:04:12
Allah listen I'm happy02:04:15
ask me questions but there are very02:04:18
important nuance if you want we can02:04:20
talk about this topic02:04:22
about here is the visualizer designer02:04:28
it's quite like that02:04:32
such a sensitive topic02:04:36
here it makes sense to talk personally with02:04:40
you so that you are in the chat so that I don’t02:04:43
just gave the answer02:04:46
you and I just had some kind of dialogue02:04:48
how to choose and wait for the heaven card from it02:04:51
there was no audrey flick there strong02:04:55
I don’t understand the questions, what does reflecta mean?02:04:59
in strong02:05:01
better ask a question02:05:03
picture that you think is a reflector02:05:05
because well, as if when reflect it02:05:08
literal translation is a reflection if you02:05:11
take a mirror and you are reflected in it, well02:05:13
as if02:05:14
two objects need to be placed in the mirror02:05:17
reflected and so that you were02:05:20
Yes, you need a mirror not to reflect you02:05:23
remove either you or the ability's ability02:05:25
mirror reflect less mirror reflect02:05:29
this is a parameter to reflect you but you need02:05:32
to be bitten by Dracula02:05:34
therefore a02:05:38
this is what it means to be strong and so that you02:05:41
reflected but as if translucent, well,02:05:44
in general there can be different interpretations02:05:45
question please clarify something and and02:05:50
best example02:05:53
the first damages what the first home02:05:55
task to simulate both scenes02:05:57
exterior and interior in general, yes, we have02:06:00
first look you are following the same02:06:03
block like ours02:06:08
here, that is, you have a blog block 102:06:13
modeling02:06:15
you won't get further even if you do02:06:18
want02:06:19
further modeling therefore please02:06:22
run model modeling and load02:06:26
right here02:06:27
as soon as you download it I will02:06:29
I will comment and tell you what to do and02:06:33
or I will open access to the next block by02:06:36
to the light or I’ll tell you to fix it in the model here02:06:39
this is this this is this this is this02:06:48
how to make chowder how to make wood on02:06:52
in the foreground if I have exactly the same model02:06:54
did not find02:06:56
what is the optimal method so vladlena02:07:00
Romanova, first of all, there is no such thing as Vladlena02:07:03
foreground there is foreground and02:07:05
let's enjoy the adult02:07:07
terminology foreground middle ground02:07:10
background background is always background02:07:13
Deal02:07:15
there is a tree for a tree02:07:20
three main tools and02:07:23
you will always have to choose between02:07:25
their first option is to do it02:07:29
tree, that is, take a ready-made model02:07:32
understandable and02:07:34
one can hope that02:07:37
or rather this tree may be good02:07:40
scan and good map display with for02:07:43
curry maybe if so then you're in luck02:07:48
option number two02:07:50
go to the quick gascan website and02:07:53
find the barrel model there02:08:03
which you will replace about this I will be on02:08:07
talk more about architecture of course02:08:12
Let's02:08:13
So02:08:17
Well, for example, there’s this one here, yes we02:08:22
I’ll just take the whole model and put it on it02:08:25
and I don’t mean that, that’s what they are02:08:28
different and02:08:30
in general, but I’ll say right away that they are not very good here02:08:33
a lot therefore it seems02:08:36
close all tools and02:08:39
the designer's needs, of course, to02:08:42
unfortunately it's impossible that's why it appeared02:08:46
the third option is magic, that is02:08:49
at the stage02:08:51
work with image retouching replace 3d02:08:57
model on02:08:59
2d02:09:00
picture of a tree02:09:04
I’ll tell you only these three options honestly02:09:07
find such a detailed tree02:09:10
in the 3d model it appears almost02:09:12
impossible so I would if I were you02:09:15
did not install the 3d tree02:09:18
I looked at what can be done from it, well then02:09:21
what are his strengths and weaknesses?02:09:24
sides because 0 is quite02:09:27
a large number of good models02:09:29
for example, it will suit your task02:09:32
collection02:09:33
migos models to max 302:09:38
I'll find it, I don't remember what number02:09:46
Olya himself02:09:57
but there02:10:00
yes, look at these 9 trees in this02:10:04
the collection is pretty good, that is, how02:10:08
basis they can be used02:10:11
try replacing the shader with them02:10:14
trunk on some of the quick landslides02:10:17
something from this or something from the text02:10:23
Russian02:10:28
there are these here02:10:30
you can also combine them through masks02:10:33
we will talk about this too, but the basics02:10:36
you definitely need to be a 3d dream and02:10:38
tree02:10:39
which fulfills 80 percent02:10:44
tasks02:10:52
what you just showed from Alba to02:10:55
when choosing a color, where is it?02:10:57
tighten it up look let's do it02:11:01
is the albedo in the real world in the real02:11:05
in the world this is the coefficient02:11:07
reflective ability to reflect02:11:10
light of some material02:11:14
tor02:11:17
ability to reflect light02:11:21
material, for example, this is wood02:11:24
how much light reflects what color is02:11:29
in this same well, that is, in the physical world02:11:34
the color is02:11:37
reflected light from an object02:11:41
what is texture is the difference between02:11:46
ability to reflect light on different surfaces02:11:49
different areas02:11:51
object surface02:11:54
that is, the molecule is darker02:11:58
reflects less light than a molecule02:12:01
lighter but if Safin is like that02:12:05
primitive yes a02:12:07
that is, for us albe yes this is lordship and02:12:14
dark texture but02:12:18
in the real world this is a separate parameter02:12:23
from02:12:25
reflecta of 3d or rather from diffusion02:12:30
molecular mesh and since in 3d02:12:33
We don't have a molecular mesh in our graphics.02:12:36
there is a texture then albe yes it’s simple02:12:39
mixing textures with black color02:12:43
just a coefficient where one is one hundred02:12:47
percent texture a0 is one hundred percent02:12:49
black color just mixing either02:12:53
mixing here and here light and with black02:12:55
the color that we are in02:12:58
diffusion was set, I mean for example02:13:01
this color with black02:13:05
but only on a mathematical level and not02:13:08
at the level of choosing colors like this02:13:12
doors and alba and indeed in any02:13:15
another render to the system as a whole even here02:13:18
if you put the color black here02:13:21
here is the texture then these parameters02:13:25
you can get the same value02:13:27
which is shorter here02:13:30
albena in 3d graphics it's easy02:13:33
mixing with black02:13:35
accordingly in any render system02:13:38
unreal engine in I won't end anywhere02:13:42
you can just mix the texture with02:13:44
black and get the same02:13:46
albedo effect02:13:52
so let's move on he02:13:56
on my reference there are chairs and wooden ones02:13:59
the beams are all different, this is necessary for each model02:14:03
And02:14:09
A02:14:11
but I see the difference in the backrests in the deflection02:14:14
I don’t see the beams02:14:17
according to the deflection, well, you can copy them and02:14:21
there's definitely some ff girl there02:14:25
modify the same chair of course02:14:28
new models are not needed, but02:14:31
change it a little, yes of course it needs to be done02:14:35
and there is a trick that you are actually asking02:14:38
the right questions, you're super good at02:14:40
in fact, one dinar is right for you02:14:44
good girl, the point is that you turned02:14:46
Please note how the photo differs from diza02:14:49
because in the video we would take one02:14:50
chair and replicated it would look02:14:52
super mathematically the same and these02:14:55
that's the difference, that's what you need here02:14:58
test to see how much02:15:01
big difference between the same thing02:15:04
a chair but also02:15:07
what actions need to be taken in order to02:15:09
so that they look like different peoples02:15:12
with beams I don’t see much to be honest02:15:16
differences and I see the texture there, I see that they are02:15:19
just a little bit but rhythmically are just02:15:21
move them left and right02:15:23
down up manually no need to do this02:15:27
some kind of modifiers, especially 002:15:30
change the handles one higher and lower a little02:15:32
it will take 30 seconds to move02:15:34
but it will be very lively02:15:37
for real02:15:40
I can’t seem to drop the camera perspective02:15:43
perspective camera moved focal02:15:45
distance changed pier timati02:15:47
used something doesn't work02:15:50
[music]02:15:51
I think first of all I have it ready02:15:54
fig recorded analysis on the construction of this02:15:56
scenes if you want I can add it to you02:16:00
but of course I recommend it02:16:02
experiment on your own because02:16:04
Well, the scene as a whole is not quite difficult02:16:06
Here02:16:11
as if here02:16:14
look right away you asked the question like that02:16:17
what do you think02:16:20
it's not a question02:16:22
and the statement that something is not going well, well, as it were02:16:27
let's give I I I can say poor02:16:32
Sherzod how would you like it if you have02:16:36
something doesn't work out, what does that mean?02:16:39
what do you have02:16:40
It doesn't work out yet, no offense, yes I do02:16:45
I have to say it like it is, it means that02:16:47
you don't understand something or ask a question02:16:50
so guys I did this this this this this02:16:53
it turned out like this [ __ ]02:16:55
fix it and this will be correct02:16:58
the question is, in response to what you just wrote, I02:17:01
I can’t answer because well02:17:03
would02:17:05
no, I shouldn’t feel sorry for you, right?02:17:08
you need to give an answer in order to02:17:10
to give you an answer you don't need to understand what you are02:17:13
they did it, but somehow they just don’t work for me02:17:15
well, poor shahzod goes, let me02:17:20
I'll stroke you02:17:23
I remembered a joke a good photographer like02:17:26
vampire in the mirror no shadows are reflected to me02:17:28
rejects yes I subscribe to some02:17:32
photographers and constantly watch how they02:17:34
stories of yourself in mirrors and in02:17:39
different reflective surfaces02:17:41
cover up02:17:42
In general, I would understand this, even I can02:17:45
agree that it is necessary to communicate02:17:48
the phone understands what is needed first02:17:50
describe what I can do then for02:17:53
what amount but what to talk about before that02:17:57
visa need visualization for ready style02:18:00
chosen first thing he looks at the portfolio02:18:02
in theory he likes everything then his02:18:06
if he likes everything then I am in pain02:18:10
I satisfy yes and most often a sambist02:18:14
suggests designer employee02:18:19
whom02:18:21
in this case, how to start communication02:18:28
listen, let me tell you honestly02:18:31
I don’t work with interior designers and so02:18:33
why not because there02:18:36
In short, the point is that02:18:40
us studio02:18:42
visualization visualization studio a02:18:46
on visualization, well, that is, this is ours02:18:49
business and we make money from it and02:18:53
the more money we earn the better02:18:57
for business and there is money where you can do one thing02:19:02
make and sell many times more accurately02:19:06
there is a lot more money where you can02:19:08
do one thing and spend a lot02:19:10
time to do one thing and sell it02:19:13
this is one time it's just mathematically02:19:16
this is why we don’t work with designers02:19:18
interior because02:19:20
they sell one once if this one02:19:24
for example, a person earns money there02:19:27
I don't know02:19:29
two thousand dollars for example02:19:31
design project is how long it is ready02:19:33
give you five hundred for visualization02:19:35
it's not a buck for us02:19:38
not the situation so we like02:19:42
we don't work with this and02:19:46
working with interior visualization we02:19:48
We work, for example, with furniture factories02:19:51
which visualizations can be sold there02:19:53
some kitchen or wardrobe or02:19:57
there's a living room or something else for that amount02:20:01
which suits us because they have02:20:02
this amount physically exists and they themselves02:20:07
this kitchen will make money many times over02:20:10
they can pay us too, so we don’t02:20:15
We work with interior designers therefore02:20:17
I can't answer your question02:20:20
because I don't I don't do this02:20:25
way yes02:20:27
Once again I under no circumstances want02:20:30
you thought that I was trying from you as if02:20:32
do not answer or hide something from me02:20:35
I just have a different way of thinking about it02:20:38
walked long enough and I encountered02:20:40
same problem02:20:42
which you ask and the meaning is that02:20:44
I didn’t find the answer to it, I’m not saying02:20:47
that she is not there, maybe there is, but in02:20:51
In any case, this is not for my business02:20:56
efficient way of doing business02:20:59
you see, yes interior design is possible02:21:02
do it there for a month and earn money02:21:05
I won't have anything for 500 dollars, man02:21:08
for paying wages in this case and02:21:11
if I give it to him for example there02:21:14
I can do the task in the kitchen, then I can do it in every kitchen02:21:17
sell for like thousands of dollars there02:21:19
and he will do it for four days02:21:22
from this I can make it so that02:21:25
I earned everything and this visualizer02:21:29
those people who need to be paid salaries02:21:32
which visa lawyers do not rent02:21:35
offices purchase of computer everything02:21:37
you understand the rest yes02:21:40
that's why once again I don't have an answer to02:21:43
your question is simply because I don't02:21:44
I do this all the time02:21:48
in 2d the panda can be moved02:21:54
camera as a perspective clamped in the sk02:21:56
Roll is not the way to move the camera02:22:01
perspective held down scroll it does not rotate02:22:03
and answered that it is possible when02:22:05
need 2 already02:22:08
then you need it already02:22:10
move the camera show me how to do it like this02:22:14
well let's figure it out02:22:16
if I get you right02:22:33
I hold the wheel and move it where I moved it02:22:40
everything is back02:22:44
2d under zoom scroll am moved closer and clamped02:22:49
wheel middle mouse wheel but02:22:53
moving02:22:58
All02:23:00
I hope I answered so let's stop by02:23:09
so I often use pixel02:23:13
never use quick02:23:15
I saw you using it02:23:18
quiksilver why02:23:20
very simple actually because02:23:23
it still works out02:23:29
like this02:23:31
melting if the texture is very02:23:35
complex but very hidden I didn’t have02:23:39
no task on a large landscape where02:23:42
this could help me, that is, if I02:23:45
something needs to be done02:23:46
small local then I'll do that02:23:50
masks or a combination of two materials02:23:55
I haven't found a single situation where02:23:58
it was, well, that is, it was a quicksinx mixer02:24:02
it would be better than something that can be done simply02:24:05
combination of two materials02:24:08
I think it's stillborn02:24:11
tool02:24:12
I don’t know where it will be useful when I see02:24:16
can you give an example02:24:18
suddenly ready to discuss02:24:22
if you turn out to be right we will02:24:24
use on trees and02:24:26
plants did you use the new fix yes02:24:31
Moreover, we even created our own02:24:33
own02:24:34
collection of Christmas trees in graphics, can you use it?02:24:39
recommend when the task is to do02:24:41
tree vegetation on02:24:43
exactly the foreground so Vova look02:24:47
there seem to be two questions and two02:24:49
misconceptions02:24:50
Well, first of all, yes we used02:24:53
recommend it as a plant creation02:24:55
in general I can, yes it’s quite difficult there but02:25:00
you can do it, but it’s much more profitable faster02:25:04
and it’s cheaper to buy ready-made ones for max 302:25:07
honestly that is02:25:10
but if you need foreground and you02:25:14
you need straight quality quality in the picture02:25:16
then this is matt painting and these are sprites02:25:21
plants, well, in the sense that it’s for the crowd02:25:23
yes, that is, the cat catalog is a photograph02:25:26
plants02:25:28
cut out from some photograph02:25:29
inserted into your frame, that is, only02:25:33
this will give you top02:25:35
visualization02:25:37
top effect02:25:39
detail in the foreground02:25:43
lessons will always be held one at a time02:25:46
angle as if02:25:48
because if you put a second camera in02:25:51
the other corner will be completely different02:25:54
beautiful picture on a large volume of light02:25:56
configure if02:25:58
than from one angle we see large windows02:26:01
she's a cliche it's not true look02:26:05
the point is that02:26:08
this is about the same as if02:26:11
They said look, I'll post it02:26:12
turned on the light02:26:14
here I did my makeup, set the light and02:26:17
I did my makeup in this light, that means02:26:19
that I will change the light and in the photographs I02:26:22
I'll look worse on one side02:26:25
of course if you set it up do it02:26:28
all the maximum effect on under this light02:26:31
then in this situation you will be as02:26:35
looks nice but that doesn't mean02:26:38
what if you change the light there?02:26:41
everything will be much worse for you, no, it’s just02:26:45
it will definitely be a little different02:26:48
but some one more spectacular light on02:26:52
I don’t know that she will be worse than others02:27:04
on the big02:27:07
big02:27:08
Why does the light come out so gorgeous?02:27:12
big windows of course so the light comes out02:27:15
chic and if there are usually windows02:27:17
for example, hands with conventional non-panoramic02:27:20
windows02:27:21
she's also Keisha that's true it's not02:27:25
it’s true that it’s even worse with large windows02:27:29
light I'll explain why because let me02:27:32
even demonstrated02:27:34
when you have02:27:37
small window02:27:39
with a little something it’s much easier for you02:27:42
make a holy shadow composition i02:27:45
I actually encounter this very often02:27:48
And02:27:49
no offense, this only means that you02:27:52
this is not your opinion02:27:56
this opinion came to you from somewhere02:28:06
second material crown02:28:10
legacy intel02:28:15
I made it like this, it's a dacha there02:28:21
here we go02:28:24
blocked and02:28:26
blocked l02:28:30
from below to do something about02:28:32
window sill to02:28:35
for example on02:28:39
Of course there will be less light02:28:47
accordingly we will raise the exposure02:28:52
Here02:29:01
actually everything02:29:03
Well, for example, in this situation we would take02:29:06
and set02:29:08
is there any light in this room02:29:15
just to02:29:19
for example, let's turn on the pro, they'd just turn on02:29:22
floor lamp02:29:28
with some warm light02:29:54
very yellow on02:30:07
everything is02:30:09
us this picture is even more spectacular in02:30:13
in the sense that it is more contrasting on02:30:15
more02:30:17
emotional something that we had02:30:21
this is how you can do I don’t know what to achieve more02:30:25
greater effect02:30:26
now let's compare directly, I won't02:30:31
it takes a long time to render, I think that’s all for everyone02:30:32
I see yes02:30:34
Let's do this print screen and now I02:30:37
just control z02:30:40
ok what control z02:30:47
here I had 4 counts up to 402:30:51
somewhere like this02:30:56
which one is more expressive?02:30:58
picture please tell me02:31:00
of course the one on her right02:31:03
more contrast it has more dynamics02:31:06
so no, well, that is, what you02:31:09
you ask this but it's clichéd and02:31:12
opinion that is02:31:14
it's not true, it's the same as what I'm telling you02:31:19
like right away02:31:22
working with a red light is harder than02:31:26
gray02:31:28
the answer is well, or why did you decide no?02:31:32
not true02:31:33
no, it’s easier to work with small windows02:31:35
than with the big ones why because with02:31:37
large windows provide more light02:31:41
squares, that is, roughly speaking from everyone02:31:44
sides it fills all the shadows and02:31:47
small windows, on the contrary, give a very narrow02:31:51
directional stream of light that gives us02:31:54
gives contrasting shadows that are easier to handle02:31:56
work02:31:57
such a thing and02:32:04
about the other corner, well, let's do it too02:32:07
So I'll try to demonstrate and not02:32:11
just describe it in words, install it02:32:14
we set this angle and do this with02:32:17
a brand, well, well, they shouldn’t be like02:32:20
I wouldn't bet stupid guys02:32:23
I’ll give you beautiful shots and show you an example02:32:26
not a beautiful shot in this light02:32:30
it will be the ugliest light02:32:34
let's not even do that first theory02:32:36
a little theory file new02:32:40
let it be so02:32:54
for example a top view02:33:00
some object02:33:08
oh well02:33:10
the camera is standing02:33:12
here02:33:15
captures this object with the most beautiful light02:33:18
will be at 90 degrees to this object with02:33:22
any side02:33:25
acceptable range plus somewhere 10 2002:33:31
here 10 here 2002:33:35
this is the most classic degree light02:33:39
of course02:33:41
the light from this side is called backlight02:33:46
it will be a more artistic light02:33:49
you will automatically be more02:33:51
artistic perspective from this side02:33:54
this would be the worst idea to create02:33:57
at all02:33:59
light therefore put the window with put02:34:03
the camera from the window side is always02:34:05
loss on and the decision is without options02:34:09
you can get realistic maybe02:34:11
you can get exactly realistic02:34:14
is it beautiful no and now we are here I am this02:34:16
I'll demonstrate02:34:17
Look, our light is just under 9002:34:19
degrees and now what will we do?02:34:22
let's make it look ugly02:34:28
Well, for example, this one from the window02:34:33
now clipping02:34:55
so where02:35:29
not the most suitable angle for Chesnov02:35:32
this02:35:35
let's make the viewing angle wider02:35:43
on the contrary, a pause is given 102:36:04
in general it's something like this02:36:08
this is the most ineffective way to bet02:36:11
camera in relation to light these are laws02:36:15
compazine who doesn't have a composition02:36:17
chiaroscuro composition and if we02:36:20
let's take exactly the same one02:36:23
angle but from the other side02:36:29
it will be much better02:36:37
we didn't prepare this stage for this02:36:40
angle of course but we have it here02:36:42
shadow and chiaroscuro reflect and02:36:48
this angle will always be much better02:36:51
moreover, if not to be at all but like that02:36:53
that's how it would be02:36:55
stubborn sheep don't do it like this02:36:59
there are special angles that are like this02:37:01
will purposefully look bad02:37:04
then no one is stopping us from changing or rather02:37:08
do02:37:10
this scene consisting of the same angles02:37:14
Now I’ll explain what I mean02:37:17
make the main orientation02:37:20
same as main angle02:37:26
like this for example02:37:39
do for example we want to remove the table02:37:43
there with someone02:37:44
any details on the same02:37:47
angle or02:37:49
at the opposite angle02:37:52
like this02:38:03
we will have light at 90 degrees02:38:06
everything looks beautiful in this frame02:38:08
since this stage is not prepared for such02:38:10
angles there are no such models but the point is02:38:13
that you set the angle and02:38:15
in this range02:38:20
in this well here in this respectively02:38:24
here in this and, as a last resort, in this02:38:28
if not, change color02:38:32
Once again we have a task to make great02:38:35
Pictures02:38:36
I assure you that you have a strong02:38:41
it would be faster to make two different ones02:38:44
there are, for example, three angles of light from here02:38:48
this light and two angles with this one02:38:49
light than to look for one general light for everything02:38:53
five angles02:39:01
A02:39:05
photographer whose work you use02:39:07
I don’t have any top studio references02:39:10
photographers pinterest pinterest and02:39:13
probably ardelle that's what I am02:39:17
I use reference of study to search02:39:20
how to understand how02:39:23
I'll put up the light on the stage if we02:39:26
gave a ready-made simulated scene without02:39:28
references say make a beautiful light02:39:30
how to make a beautiful cut-off to02:39:33
create a capital frame Alexander is02:39:35
great question first of all you need02:39:38
find reference02:39:39
well that is me02:39:42
I swear to you here02:39:45
any absolutely artist I have to si02:39:49
ji artist who02:39:51
whose work02:39:54
worthy of at least a little respect right away02:39:57
they will tell you that bizzarro doesn’t exist without a reference02:39:59
start working02:40:01
any artist who works cool02:40:04
will tell you don’t start without a reference02:40:07
works if you haven't found reference this02:40:10
know, that is, searching for a reference is02:40:13
the first stage doesn't don't matter, that's it02:40:17
how would he say so02:40:19
think that before you open02:40:22
3d max you need to find the reference stage02:40:25
this stage is so mandatory02:40:30
further how to understand how to set the light02:40:33
at 90 degrees that's how I just did it02:40:36
answering02:40:38
Anna's question showed02:40:44
simulated scene without simulated02:40:47
please don't have any problems at the stand02:40:49
simulated scene without reference02:40:51
reference is a must if you need it02:40:53
they don't let you find him02:40:55
on one's own02:40:56
no one is saying that you owe it02:40:59
to give you02:41:00
in reference you need them and if you02:41:04
someone gave it to you just02:41:06
made the job easier but before02:41:09
negotiate with anyone about02:41:12
visualization you need I you can02:41:16
approve but when it says that you02:41:18
you will work, but the first stage is you02:41:21
must immediately say that you first02:41:23
agree on references so as not to02:41:25
it turned out that your client is waiting for something02:41:28
it will be somehow and you think like this02:41:31
shows you're wasting a week on work02:41:34
in a week you will give me the results02:41:37
the client wanted something completely different just for02:41:39
this requires reference glazing02:41:41
find confused02:41:50
So02:41:51
light homework 1 make a price02:41:54
which has just been dismantled or02:41:56
skip exactly these knowledge skills02:41:59
nuances through yourself and conduct your work02:42:02
now no, of course, just call yours02:42:05
yours if you want to work with it02:42:08
reference please this is a possibility02:42:11
you will all scenes will be loaded02:42:15
But02:42:17
The task for the course is of course yours02:42:20
own scene based on that02:42:22
references you chose from02:42:23
modeled hope from modeled or02:42:27
your prices according to the approved reference02:42:29
need to look at the models to download02:42:31
I realized this from a similar question above, well02:42:35
I hope not anymore, of course you are friends02:42:39
choose chose defense then02:42:41
model send prince queen02:42:43
modeling and then I give you access to02:42:46
light and you start making color02:42:52
please tell me either the pool or02:42:55
the house stands at an angle also easily02:42:58
maybe well I think that's right02:43:01
answer house in relation to the pool02:43:05
not a parallel but so that someone at an angle but02:43:09
it's like02:43:11
It’s just that these are risks and what’s the difference?02:43:15
get attached prospect02:43:18
get attached if it looks like it's to the house02:43:21
straight verticals won't work02:43:23
say yes no need to say hello you yourself02:43:26
answered your question then the house is not02:43:28
parallel to the pool it could be02:43:30
easily build a pool you have02:43:34
a long terrace building on it02:43:37
house put the soul at a different angle02:43:39
to change the angle and select as in02:43:42
perspective mode only two depots02:43:45
so to change the angle and pick up02:43:49
as in perspective mode02:43:55
202:43:56
I'm creeping mod I meant like work02:43:59
again about 4k monitors zoom mode02:44:01
it would be more convenient to show my perspective02:44:04
The question is clear, no salt, I don’t understand02:44:08
than the question is what do you need to do to02:44:11
change the angle and select02:44:17
How02:44:19
perspective only in 2d mode had02:44:23
rotate and no pan zoom in 2d at the same time02:44:27
Well, of course it’s some kind of thing, if so then no02:44:30
I02:44:31
I generally don’t use 2D pan zoom because02:44:34
What is this02:44:35
is not02:44:37
approaching it is rather an increase02:44:40
render02:44:41
the textures there will be of poor quality02:44:44
displacement will be nicotine and, well, in short02:44:45
I still don’t use this tool02:44:47
I use it especially but02:44:51
as if so02:44:53
why are they legacy crowns ntl because02:44:56
8 my crown no crown mtl crown02:44:59
legacy mtl is the former crown02:45:01
intel02:45:02
why is it better to save png renders o02:45:05
oil no typhus better but just png weighs02:45:08
much less than a02:45:10
it's even better to save Vader renders by02:45:14
secret it weighs a little and the quality02:45:17
much, much better02:45:20
how to make an orthogonal view from the camera02:45:23
wearing a crown02:45:24
orthogonal view from the camera in the crown like this02:45:27
Let's see02:45:31
in Malta02:45:33
We'll see02:45:44
He02:45:58
start schedule02:46:00
project we are and type of art schedule02:46:18
do you show finances to clients?02:46:21
studios where you can see your studio02:46:24
rift to clients yes of course we02:46:26
be sure to confirm reference this02:46:29
straight terms let me I didn't show you02:46:33
I'll probably start the next lesson with this02:46:36
but we have this algorithm02:46:38
work and I already recommend it to you first02:46:43
stage from zero to ten percent is02:46:46
By the way, at this stage we are preparing02:46:48
we carry out02:46:50
reference selection02:46:53
checking drawings and selecting materials02:46:56
that's all you need, let's check what02:46:59
we have everything you need to get started02:47:02
works02:47:03
this is important only after we02:47:07
we understand that everything exists only after this02:47:09
model02:47:11
model model model 30 percent02:47:14
works, that is, together with preparation 4002:47:16
the whole model is like the whole model02:47:20
ready light + materials well here it is02:47:23
light that takes up five of these02:47:26
next 30 and02:47:29
the rest is 25 and tomatoes02:47:34
for rendering we also leave 3002:47:37
percent render time02:47:40
now I wouldn't really call02:47:43
about 20 percent of the render time02:47:47
but in this plate there is no 702:47:51
meaning the meaning is that we are rendering time02:47:53
lay it on02:48:00
in fact, I don’t tell you yet02:48:05
showed but you will have this video02:48:07
I'll show you everything02:48:12
So02:48:26
Well, this is the video she has already recorded from02:48:29
mounted02:48:32
even02:48:35
And02:48:36
even voiced02:48:38
there is absolutely everything here02:48:41
description of what I'm saying now02:48:43
here you see I changed it a little02:48:46
preparation here it's all there is there is02:48:48
I'm sorry, I just didn't have time to do better02:48:51
it will load on you it will02:48:53
here's where it's even described by date, here I am02:48:58
I’ll assume that he’s been there for, like, four days02:49:01
for the project02:49:03
10 percent from 10 a.m. to 3, well, in general I02:49:07
I think it's clear enough here02:49:09
give yourself a princescreen if you want02:49:11
study and at your leisure right by the hour02:49:15
painted some project this is for02:49:18
for example, it doesn’t know that there are three or02:49:21
you need four days, this is a must02:49:23
doing so02:49:24
you can push this diagram into one02:49:28
day and month02:49:30
will be scheduled approximately the same02:49:33
this detail02:49:37
should appear again02:49:43
Then02:49:44
Right02:49:49
so let's go usa02:49:54
where can we see our studio so far02:49:57
nowhere but we will have a website launching soon02:49:59
oh I'll show you02:50:02
and during our course02:50:05
that's what it will be called for now02:50:08
haven't presented it yet, just showed that we02:50:11
We are working on it and will there be lessons like this?02:50:14
by crown 702:50:16
bend we work in the crown of the family everything that02:50:19
we need to touch on something new, let's touch on everything02:50:21
what do you need02:50:24
We are waiting for what we don’t need to touch02:50:26
let's touch on there's a new number02:50:29
material physics listen I actually02:50:32
I tried to work as a material physicist02:50:34
I didn't like the meaning of physics02:50:37
the material is very much tied to presets02:50:40
that is, they make the crown even more for02:50:43
lazy02:50:44
but the trick is that these presets are very02:50:47
We're not very ideal, let's be honest02:50:50
I don't like me anyway02:50:54
I prefer to configure it myself02:50:55
still there02:50:59
it is assumed that02:51:02
that is, I have to choose simply from if02:51:05
this is metal, it should be like this02:51:07
damn, I don’t want to, I want to, how could he do otherwise?02:51:11
looked02:51:15
that's what slayer mtl models did02:51:19
lamp double click this option physics02:51:21
no this is from the first crown is this this02:51:25
everywhere there is02:51:27
just a combination of two materials02:51:30
interest rates and all the basic stuff02:51:34
it is better to use a crown or a standard02:51:37
me standard02:51:45
Mikhail look02:51:48
what are you asking about?02:51:53
about technical nuances02:51:56
A02:51:57
I'm telling you that here02:52:02
how can I give you such an example?02:52:06
just imagine that you02:52:09
for example p02:52:12
write a poem02:52:14
your task is to write a poem02:52:16
you're asking me a question, don't tell me02:52:20
please, here I am writing a poem02:52:22
For example, I want to please a girl02:52:26
please tell me the curl in the letter a02:52:29
do it like this or to the left02:52:33
tuck or left and up02:52:35
tuck and I tell you what you need to do02:52:39
the content of the poem needs to be checked02:52:43
make it so that it is in any font02:52:46
a poem was written that02:52:48
explain your feelings to her02:52:50
you understand what this is not an important question and02:52:54
topic with another color picker, maybe02:52:56
achieve incredible results02:53:00
no matter just put it out of your head02:53:02
don't do this, don't do this02:53:05
use chiaroscuro so that you02:53:07
the contrasting light was all important02:53:11
the rest is [ __ ]02:53:12
Honestly02:53:14
at this stage then masks are important when02:53:19
this is the next powerful checkpoint02:53:22
working with masks02:53:24
as part of the detailing so friends on this02:53:28
in the dice discord chat everyone let me02:53:32
I'll answer your questions02:53:34
which are on YouTube02:53:38
So02:53:43
if the camera looks out the window what to do02:53:46
with perry flowers on the slopes02:53:48
see the same answer as there was02:53:51
on our02:53:52
according to the exposition at the very beginning02:53:55
you don't have to do anything with the slopes02:53:57
lower exposure02:53:59
do well fix it this way02:54:02
but if02:54:06
as if you have already passed this stage and02:54:10
you understand that this is exactly what is needed02:54:12
correct overexposure on slopes02:54:16
lower the exposure and make the frame darker02:54:19
then you will have the logical next02:54:24
question okay then the interior is dark like02:54:26
make the interior dark and light for you02:54:31
need to be saved as two frames with different02:54:33
exposure or02:54:36
cool thing, for example we render02:54:39
here's this frame, give it to me02:54:43
crown one02:54:45
slightly in ranking02:54:47
literally02:54:49
just a minute02:54:51
or half a minute02:54:57
for example, like this and we have it here02:55:00
re-re-light02:55:01
save the image to02:55:04
format called hdr02:55:08
now all volumes of the ulta weigh a little02:55:11
weighs a ton this is another cliche02:55:13
which they really will weigh the same02:55:15
let's call jpeg 12302:55:29
open photoshop here is our picture02:55:32
now let's use photoshop02:55:36
layer exposure02:55:39
lower02:55:42
saw we got rid of this problem and02:55:45
now let's take it02:55:49
brush02:56:13
I02:56:20
so the noise is over the edge and02:56:24
vice versa02:56:47
can you be more clear?02:56:52
everything is fixed02:56:58
xaar we are friends02:57:03
go ahead02:57:12
scientific method02:57:14
survey always reset materials and02:57:16
configure them from scratch if models with02:57:19
good shaders as good02:57:22
look02:57:28
[music]02:57:30
the meaning is not good not or bad02:57:34
the point is whether this shader is right for you02:57:37
or not your scene but for now you don’t have02:57:39
global resolved coloristic02:57:42
situation you won't know in any situation02:57:45
in case, look at this course02:57:49
do02:57:51
coloristic solution like me02:57:53
just showed the color with a reflex here02:57:55
this is how it was today if02:57:58
suddenly you have somewhere material that02:58:01
perfect to replace this02:58:04
color solution02:58:05
please put02:58:08
but in the second stage in the next stage on02:58:11
checkmate stage02:58:14
why are troubles now more important than the moment?02:58:16
chair02:58:18
it’s not more important just if we move in02:58:22
black we will change color that is02:58:26
me and between saturation and02:58:29
if you lower the albedo the light will not02:58:33
it just changes it gets darker it02:58:35
just like this is a nuance of working with02:58:38
computer graphics02:58:41
try to do the same thing as me02:58:44
you'll see, that is, in a high situation02:58:49
you will see approaching zero in tone02:58:52
how does your color begin?02:58:55
change in such jerks02:58:58
so that this doesn't happen for lunch02:59:04
I only work in my pocket if not02:59:08
mastered by faith you can count on happiness02:59:12
and after completing the course, of course you can02:59:15
pass in one render system in02:59:17
two or three to make the interior or02:59:19
architecture anything just like02:59:22
working only in the crown it's like02:59:27
it's the same as a writer02:59:29
poems and02:59:32
only one who has lived can make a rhyme02:59:35
Yes, you can write such a poem, but02:59:38
it limits you greatly the same thing02:59:41
and with render systems that is what you02:59:44
you work in the crown, that is, here you go02:59:45
look you say I'm an artist I say02:59:48
ok I give you a felt-tip pen and you say02:59:51
no, I only draw with a pencil and I’m okay02:59:53
it would be cool but like, well, for example02:59:56
Why can’t you paint a fresco?02:59:59
because it’s like he doesn’t draw03:00:01
pencil frescoes03:00:03
we need paints that is03:00:08
like it's your tool p system it's03:00:11
tools03:00:20
why is the case with 100 leshka albedo and03:00:23
It was impossible to play, but it was still possible03:00:26
then its surface would be well, that is,03:00:29
part that should not be darkened03:00:31
it would become darker, we need it03:00:34
just get rid of this overexposure03:00:37
and in general we don’t need it from overexposure03:00:39
get rid of there on the reef there is a re-re-light03:00:42
there's re-light on the reef, it's like nothing03:00:46
I can't help it03:00:48
this is also something that can be learned in03:00:51
reference overexposure is not bad03:00:53
overexposure is the same tool a little03:00:55
togo and piri-piri03:00:57
but how can I go the other way round? this is also an opinion03:00:59
tool03:01:00
everyone is always tridish very much03:01:03
they're afraid to go black and black03:01:06
absolutely normal03:01:07
you can make absolutely local black03:01:11
color and nothing bad will happen03:01:12
sometimes look at good photos03:01:14
for artistic photographs03:01:17
it’s just that not everyone knows how to do it03:01:19
work and to do03:01:26
I understand that we are talking about corona now, but if03:01:28
quickly what you showed only to sorbet03:01:31
before when choosing colors where is it?03:01:34
just tighten it up03:01:36
mix with color door material intel03:01:41
here you take the black one03:01:45
add any texture you want to any03:01:48
even if you need light you can take it03:01:52
for example crown color is a question no no03:01:55
here, or rather, we don’t take anything, corona03:01:58
corr here we display any color there03:02:00
And03:02:06
here in maps mix for example 50 is03:02:10
will be equivalent03:02:11
albe until 0503:02:14
absolutely mathematically, well, that is, you03:02:16
understand that any rendering system is03:02:18
mathematical algorithm so here it is03:02:20
just mixes everything up for us with light03:02:25
I understand, isn’t a mask necessary for03:02:28
mixing we mix by percentage03:02:33
0 2 percent 0 3 percent that is, roughly03:02:36
speaking this is a mask of one color03:02:40
day exactly mongrel will there be lessons on03:02:45
crown of 7 answered like this03:02:49
I show everyone answered what are the advantages03:02:51
for each engine, for example, is it possible03:02:53
say that the interior is better done by the crown03:02:55
game architecture for example or how I would03:02:59
already taken in the game I better do it03:03:02
ambient light03:03:04
like what we are doing today03:03:07
you were made in the crown better to do03:03:11
sunny day and double sun of faith03:03:13
doesn't support this at all I will03:03:16
show what it is but where is it03:03:17
when two suns are blurred in different ways03:03:20
different power this is such a killer03:03:23
features for crowns and03:03:26
architecture03:03:28
it’s also better to do it in a crown if it’s03:03:32
circus, that is, the choice between worlds and the crown03:03:35
gray and03:03:38
arkhyz this is but this is a fight honestly between faith and arkhyz03:03:42
for me this is torture03:03:49
if you choose between the crown and of storm03:03:53
on for archyz, that is, for visualization03:03:55
architecture is definitely aside03:04:01
between the shapes of the crown there is an undeniable something03:04:05
there is faith for Arkhyz, well, as for me03:04:07
absolutely not03:04:12
corona yes ok03:04:16
fluorine is much better for the interior03:04:20
Viry for ambient light03:04:23
crown for double sun and03:04:27
about solar history03:04:31
storm for any task03:04:33
but there is a video card issue03:04:37
so what were they talking about on render mitz hello03:04:42
Eugene03:04:43
on the render mitz talked about money03:04:47
about systematization03:04:50
ask matiz for systematization of processes03:04:53
about why03:04:57
learn to do more effectively03:05:01
a certain type of light and its03:05:04
replicate to all projects than each03:05:06
time to invent a new one03:05:09
new technology for working with light roughly03:05:12
saying this literally a year ago and in03:05:15
was at the training camp03:05:18
the parsing was approximately the same03:05:21
scarrona aside now the best is03:05:23
not true about the very first release03:05:26
was cooler than03:05:28
all other rendering systems are a different question03:05:31
What03:05:32
how everything develops and03:05:36
in short everything is developing aif storm is written03:05:39
one person and this is his minus03:05:42
guests if the crown is developed by the team03:05:45
huge with huge money then and there03:05:48
side is done by one person well03:05:50
ok two well I mean03:05:53
the guy writes and his wife helps him do it03:05:57
with promotion there and so on sales03:06:01
what has changed in a year03:06:05
I don't agree with the original03:06:09
statement what has changed in a year03:06:11
You can read the progress report03:06:14
working on the site aside, that is03:06:17
a lot a little less a lot of different chips but03:06:19
again the engine has not been rewritten03:06:21
different nuances appear why am I in03:06:25
the better side is in Arkhyz03:06:27
damn you will hear this03:06:31
more beautiful to put it briefly, that is, I can’t03:06:35
definitely answer how it would be from03:06:39
operas03:06:41
It's just that the result is better, that's why03:06:43
Ferrari drives faster than Zaporozhye03:06:46
there are a lot of factors, but it goes03:06:50
everything is faster. gpu in general is much more03:06:55
adapted for03:06:56
work with graphics and even graphic03:07:00
CPU03:07:02
circus is about mathematical calculation03:07:05
it's a circus it's about imitation03:07:11
tracing about ray tracing a storm it03:07:16
much more suitable for rendering light03:07:20
faster it has more active dynamics03:07:26
please look faster with the torus03:07:28
renders on the run than the crown on the circus03:07:30
if the process raison video 3070 approximate03:07:35
rough answer based on yours03:07:37
experience is of course faster, but again it’s necessary03:07:41
understand what to render an interior for example03:07:43
may turn out to be the same and the exterior03:07:46
of course the leg of the OGPU is much faster03:07:51
the interior especially if it's deep03:07:54
any without03:07:56
auxiliary light here03:07:59
look in with tours no given zero03:08:02
no at all, yes there is topaz03:08:04
any given zara for photoshop03:08:07
But03:08:09
in the crown and assuring there is a given for and03:08:13
you can get pretty good03:08:15
picture in there in tights through ladies 5-703:08:19
minutes coach yes she will butts03:08:23
found and the edges of objects will not be very good03:08:26
cool but like 90 percent possible03:08:29
evaluate the effect of frame a03:08:33
there is no form of this in general and you have to wait03:08:35
the finale as it were03:08:39
The question is what stage are we at?03:08:43
Well, for example, if we do03:08:45
I don’t care about the architecture there but because03:08:47
Well, I guess you’re right and it’s so noisy03:08:50
there is a difference and the sky is not noisy because it is there03:08:53
wait for heaven and the facade will quickly render03:08:57
because it is lit by direct sun then03:09:00
there are slightly different algorithms03:09:02
so for interiors I would definitely choose03:09:06
either the crown or faith and for architecture03:09:08
or the animations are accurate to the side like that03:09:11
like this03:09:16
game card for farming or quad is better03:09:19
or whatever listen for now03:09:23
these X's are gaming03:09:25
no one03:09:28
steep03:09:29
the artist or studio do not use03:09:32
quadra well known to me03:09:34
it's very expensive and no better than March you03:09:38
also map x and03:09:42
storm there is no interactive rendering in storm03:09:45
only interactive render I was like this03:09:48
said03:09:52
it doesn’t have a production render or rather03:09:55
there is no built-in production renderer03:09:57
if you need production, then render in03:10:01
standard frame buffer we will reach and03:10:04
I'll show you the form03:10:07
so friends03:10:09
questions are over all questions on03:10:12
currently answered if there are any topics03:10:17
come to your mind please write them down03:10:19
in chat03:10:20
questions for extension and I am happy to03:10:23
I will answer them in the next lesson03:10:25
please be careful about everything03:10:28
what I'm saying is don't skip class03:10:32
listen everything carefully03:10:35
please waste your time on this because03:10:38
well, a lot of very important information03:10:42
that's all for today03:10:45
let's run, thanks for the start everyone03:10:47
load your scene models with the base03:10:51
color immediately and the grid and in oriflame and03:10:55
verge warframe03:10:57
conditional highway online or glue and03:11:01
[music]03:11:02
basic light thank you all so much03:11:06
meetings in03:11:07
Wednesday for class clearly but for nowDescription:
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