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soulburnscripts

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3dsmax

00:00:02

and today we will complete our

00:00:05

hit parade of Sau Buran scripts and in the first

00:00:08

place in Jamaica,

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you may not have heard of this script

00:00:13

and by the fact that I put it in first place I will

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restore justice,

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let more people know about this

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script, you will watch this video to the end

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and write to me in the comments

00:00:28

whether it’s correct that I put it in first place,

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let’s immediately go to custom ice and

00:00:33

throw it in our locker and I’m maker

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Yu.I.

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user interface what does this script do

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let me show you right away

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create several spheres for the experiment

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run the script select the spheres and add

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their list of targets and now as the name suggests

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this is a wire it creates wires between them

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but don’t think that it has such a

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simple function before the function may be

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simple, but it can be used for

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many other things, let's go over

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the settings, we'll give you points, this is the number of

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wires

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we can increase or decrease them, let's

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put three old ones, delete them, click David

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again and play between them, he

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stretches the wires between our

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targets stepps

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this the number of steps like interpolation

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in the sleep I don’t see so they will be

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stepped so the parameters that

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were by default 10-12 are the optimal g

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that is jitter, that is, it will move a little

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away from the targets from ours, by the

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way, see how to do it a little, not

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copy, but simply shift and he

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also extends between these

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already displaced targets

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in this way to create such a web

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when you draw cyber banking scenes of

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this kind, you can cover everything with

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wires, for example from a computer,

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well, you may have different creative desires,

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now my student Maxim and I

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are making such a cyber banking

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scene very cool and you

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will soon see this script in action on one of the

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renders, we haven’t looked at what

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jetta does, let’s

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turn it on and the position will

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deviate by some unit,

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let’s check for a two or a three, you’ll immediately

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see the difference,

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it moves away from the target by some

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distance and so we increase it

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how much chaos needs to be created

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and if we check the g the middle

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target only then it will

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only approach from the intermediate targets from 1 and

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will not move away from the last one they will be

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fixed here

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look I’ll delete this whole thing and I’ll use it

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again, it doesn’t move away from here, but it

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shifts relative to the intermediate targets. By the way, this is the

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position of the objects, this is the sequence

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of how it creates wires between the targets

00:03:52

sphere one sphere 2 sphere 3-sphere

00:03:56

4 like this if we swap them,

00:03:59

for example, shift them like this and let’s

00:04:04

do it now, now it first

00:04:08

goes to one then the other, but you understand the

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sequence of targets, this block

00:04:13

is responsible for how our wires will look, their

00:04:15

minimum and maximum

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thickness, the world will make a large one from one to

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six, they will vary and this is

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the offset of the Bayes variation, that is, either in

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one direction or the other and

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will not be more inclined to be large and so

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small the quantity I will put 0 5 that there

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was an average variation the number of sides

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let's say there will be three sides let me

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remove

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this kind of wire it may be

00:04:56

necessary renderings was answered is

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it visible when rendering one the raid on the

00:05:01

coordinate pin answers whether there will be

00:05:04

texture coordinates on these wires, that is,

00:05:07

the material will normally fall on them and you

00:05:09

can also set the objects that are in the

00:05:11

list of targets to not be rendered, all that is very

00:05:14

convenient, uncheck this box, see the spheres are

00:05:17

not rendered, we have already sorted out almost all

00:05:19

the settings,

00:05:20

all that remains is to look target interpolation

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although I will delete everything and create new targets

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let it be a plane,

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select them in the required sequence

00:05:36

and add a list of targets

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let's return the normal settings site

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12 let's see what will be the default

00:05:46

costs vertex that is,

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stretch our wires will be stretched between the

00:05:52

points we will

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remove the jitter by default costs vertex

00:05:57

that is .

00:05:58

you understand where the points are located on our planes

00:06:00

and when creating wires

00:06:03

the wires will pass through the

00:06:06

points but in a chaotic manner, and if there is a

00:06:10

vertex vertex then the wires will

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pass through points corresponding to each

00:06:16

other, look, one under the

00:06:19

other

00:06:20

we can make jitter just so that they are at

00:06:23

least a little shifted then goes the face

00:06:34

center, that is, the center of the polygons, look

00:06:39

through the center and the polygons,

00:06:42

our bow in box wires will pass through the dimensional

00:06:48

container of that randomly through the

00:06:53

dimensional container of

00:06:54

the object and firing the center through the center

00:06:59

of the object, well, everything is clear here and that’s not

00:07:02

all, we only looked at the most boring

00:07:04

part of this script let's look at another

00:07:07

part ps deform

00:07:09

because a new piece of settings has opened and

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here we can set our own type of

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wire

00:07:17

now we will do this create a box

00:07:23

convert it to a field remove the top and

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bottom poly racer remove the chamfers from the edges of the

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ring can bring chamfer

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create the inner part using

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connect let's select the central polygons,

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make a rub extrud local

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according to the normals, agree and also remove the

00:07:56

chamfer from the element of the central part,

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again the bow and

00:08:01

chamfer, carefully so that there is no

00:08:04

intersection of the geometry itself, this will be our

00:08:07

repeating element, let's move on to

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the movement, turn on the bindings, make sure

00:08:13

that the power binding is set, and so on Holding

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shift, we drag as if the point of the base of the point of the

00:08:23

upper part is compatible. at the base with a

00:08:25

dot of the upper part, we will place them one

00:08:27

on top of the other, hold down shift and drag it, so

00:08:31

it has become on top of each other, release it and

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select the number of copies, let it be 30, this is

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the object we have

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turned off the binding with the hot key

00:08:45

from we will connect according to the list that

00:08:48

list there will be other objects on the stage,

00:08:52

you can, of course, use the

00:08:53

firing modifier, that’s damn, but you can

00:08:57

simply isolate the viola club and now in

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our list of objects there will only be those

00:09:04

objects that are isolated control

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and to select all the objects in the list and

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now we have attached them, but they

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are still isolated elements let's merge the

00:09:18

weld points, I usually reset them to zero immediately and

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press the up arrow through alt, we

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see the minimum value was how much it

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was, that is, the points have already merged one hundred

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percent, these are extremely

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and our entire object is a valuable

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element and this will be our wire

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that will be deformed along We use a

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spline to get out of the isolation

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and now, in addition to the list of targets, we’ll also add a

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list of deformable objects and

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pu ol look what will be put

00:10:04

just without firing the center of the vertex so that it

00:10:10

passes through the points in the form of what’s going on,

00:10:16

let’s delete our objects and make the

00:10:20

deformable object thinner, the

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result is much more interesting what

00:10:30

we have There are also settings here, you can

00:10:34

set up rotations, the minimum and

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maximum twist

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will not rotate randomly, but you can give it

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back, we can increase it, you could do it even

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now, that is, narrowing, and here already friends,

00:11:05

let’s fantasize where you

00:11:10

can apply it,

00:11:20

let’s take another experiment, let’s take spheres and

00:11:23

make them objects in the targets,

00:11:26

we have the same deformable object and we will also

00:11:31

turn on jitter so that there is some

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deviation from the intermediate targets,

00:11:36

this midol is also in its own way so that only the

00:11:39

central ones, this is how we have a predatory cyber

00:11:46

plant, all friends, thank

00:11:50

you for your attention, I hope this script

00:11:52

will be for you Evgeniy Gryadsky was helpful in your creative

00:11:55

things

00:12:02

[music]

Description:

Объявляем победителя хит-парада 3ds max Soulburnscripts Обязательно посмотрите 3d max уроки : Часть 1: https://www.youtube.com/watch?v=1X7NmHRKTWo Часть 2: https://www.youtube.com/watch?v=e60MN6okPf0 3d моделирование станет проще. 10 Место - xFormResetter 9 Место - vertSelectionToObject и splineKnotToObject 8 Место - AssignMaterialToSelection 7 Место - transformRandomizer и selectionRandomizer 6 Место - objectAttacher и objectDetacher 5 Место - nameManager 4 Место - pivotPlacer 3 Место - objectReplacer 2 Место - objectDropper 1 Место - wireMaker Согласны с таким порядком мест? Ссылка на скрипты http://www.neilblevins.com/art_assets/scripts/soulburnscripts_for_3dsmax.htm

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