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Download "Tutorial CorelDraw: Como criar ilustração 3d no CORELDRAW do zero"

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Video tags

Tutorial CorelDraw
Como criar ilustração
ilustração 3d
Como criar ilustração 3d no CORELDRAW
criar ilustração 3d
ilustração 3d no CORELDRAW
CORELDRAW do zero
tutorial designer
rplnmonibuvyctxrzeaw007
corelsnake
Como criar cartton no coreldraw
coreldraw cartoon
dicas de vetorizaçao coreldraw
aula de coreldraw
coreldraw na pratica
coreldraw para iniciante
dicas de coreldraw
aprenda coreldraw do zero
coreldraw x7
illustraçao
coreldraw
illustrator
coreldraw
graficarapida
grafica
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  • ruRussian
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00:00:00
Hey guys, cool, this is the first
00:00:04
style of video that I bring here to the
00:00:07
channel, it's a drawing that I made, right? I
00:00:11
hope it turned out well, many
00:00:15
years ago I drew, I really liked
00:00:17
drawing, I spent a long time without
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drawing and now I went back to drawing
00:00:22
And then I made this drawing here I realized
00:00:25
that it wasn't symmetrical at all But we're
00:00:27
going to adjust all of this here in class and
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I'm going to vectorize it and I'm going to try, you know,
00:00:33
using the mesh fill, I
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got a random color palette here
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on the internet and I used the Dobby
00:00:42
color website to get this color palette and then
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I selected colors from some
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palettes and brought it here. I hope
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this palette turned out cool, but if
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not, we'll make some adjustments here,
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okay, so let's get started first
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here this drawing
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first we're going to add an opacity
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here to this drawing I'm going to add an
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opacity here and before playing this
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capacity I want to put this
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square here So let's put it
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1080 by 1080 I confess I'm a
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little nervous because it's my first
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time drawing and vectorizing it's cool, I
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hope it looks good and
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you guys enjoy it. So let's go,
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I'm going to place a transparency here and I
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'm going to pull the transparency forward and
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then we're going to get the ellipse tool here,
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I'm going to use the three-
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point ellipse here and I'm going to put a
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contour thickness of about
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five, I'm going to start here, from
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here here and I'm going to open it
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now, I'm going to take it and I'm going to take it here
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a little bit higher, so
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I can open it up a little bit more, I
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think I needed to open it up a little bit. but
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I'm going to close this one And then I'm going to press
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Ctrl and I'm going to take this here further
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up, I'm going to take it in a straight line with chip
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pressed because the idea is to bring
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symmetry, right, and now I'm going to pull it here
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to the side, doing this
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and here below I'm also going to pull it
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doing this here
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and now I'm going to take the
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smoothing tool and I'm going to smooth it out, it has to
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be evenly how much.
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So yes,
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we are now going to draw a line
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here in the middle, I can do this
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using the
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pen tool, or I can use
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Core's own symmetry, but in this case I will
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use the pen tool here and then
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I will center this line there, you
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see It's way out, right, but that's cool, at
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least we're going to fix it here, so
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now, let's do this ear
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here on the ear, we're going to take the
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Elite three-point tool and we're going to
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do it from here, then I'm going to open it
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here like this, open it a little bit and then I
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can get right there. here in the position I'll
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adjust it and that's it, great here, how am
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I going to make it mirror the
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same size here?
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Oh, another question is that it's
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really cool that we can keep
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this cut limit here.
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smart fill to fill here, then
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fill it you will mirror it and bring it
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here or you can do the following,
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here you will create a small square here
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in the center so every time you
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select the square with ctrl you can
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drag and make a copy, ok so it will
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look like this and then I can delete this
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part here I can put
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the contour again,
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put it here a Let me remove the
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contour here Put it again
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and we will now do this
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lower part, right, this line here are lines that
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I made to be able to make the drawing You
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can understand where the head is going to be
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and so on and here we are going to use the
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Elite three-point tool,
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I'm going to get it right in the middle of this line and
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I'm going to pull it down here and then I'm
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going to open it here slowly and I'm going to leave it
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more or less here in this position or
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I can also take it a little more by opening it up
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more here, making it a little
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thicker, no problem, and then now
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we're going to take the
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ellipse tool, I can do this here with the
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ellipse too, I'm going to take the tool
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and I'm going to take it up here and then I pass it like this,
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okay, I'm going to do the same thing here,
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select it at the top and make a copy
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throwing it to the side and what's cool
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is that this here will stay down
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later so I don't need to cut it now
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that What I need to do is redraw it,
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taking it more or less here and
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redrawing it here,
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we're going to redo it here in pen
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And then I can take it here, it will be more
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rounded or is there an option or to continue
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here and then weld it to do this, right? And
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then it closes and then I I duplicate it here,
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Calm down Let's do it again, ready and what I
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think is also very important in this case is
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you already weld it so you can here
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weld it, do some welding here so
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what I'm going to do I'm going to select these
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three pieces and I'm going to weld it, weld it, that's
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it. If the little arm stays like this, we won't
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weld it, we'll leave it
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exactly as it is and pay attention
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that there are some stubbles left here, right? You'll
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take the smoothing tool and you
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'll just let me know.
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so in this
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part
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of the little mouth we're going to do Come on, then
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we're going to take it inside so I'm going to
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start more or less here, this line, I
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'm going to take it a little higher and then
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I press Ctrl and I'm going to bring this node
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down which is the little nose that I'm already
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used to doing it, so I'm going to bring this
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here to the center here, ready, the same
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with this line, so I'll do the line, okay,
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I can even do it here, this line, I'll
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bring it here, ready, it won't
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change much, isn't it anymore or except
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this right here
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if you have to pull it down then
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you pull the line and this little part here
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you can do with an ellipse if you
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want using the ellipse even normal it does
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n't need to be free of three points and
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then you will measure more or less where it will
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be see, and then you just drag
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this here
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with Shift here and then you make the
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cut, let's say Ah, I want
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the cut to be here, then you come cut, separate this node,
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then you delete it and delete this other one, it
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will look like like this but
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here if you don't want such a
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big mustache you can leave it
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tighter leaving it in this other knot here
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then you just throw it to the side ok it's cool there
00:07:59
's a little arch up here that I made
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but that little arch probably
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won't exist like this but I'm already going
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to use it, I can also make an
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ellipse starting from here and then I have more
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or less this little arc, I do this And then
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I have more or less it, right, it doesn't
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necessarily need to be
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that way too, but let's say it stays
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here exactly this way I can
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use the rectangle tool I mark more
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or less where this cut would be
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more or less here and then I just come and
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back minus front or use
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here delete virtual segment which
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will also look the same way come here I'm just going to
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delete this segment and this
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cool segment what's left here below which is
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this rectangle I can delete And then
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this part of the teddy bear will remain there then I'll
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take the three-point Elite tool again
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and I'll bring it here
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And then yes, now I'll throw it to the side,
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so I take it here and throw it to the side,
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mirroring it, it will fall
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proportionally at the same distance. Okay,
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so you don't need to worry
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that only part of the eye will come out,
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it's very simple, we'll use
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the three-point curve of the eyebrow And
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then eyebrow, right? And then I come here and throw it
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to the side. I'm going to take it and I'm going to
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delete these nodes here. I think we only
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have this, right? So it's very simple and
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I'm going to delete it here.
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here
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I'm going to give it a control and I'm going to delete this little
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part here, this one that's
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up, it's cool that I gave it a control
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my Contour then I'm going to
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go back with ctrl+v and that's it,
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it's ready here there's not much to do, right
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there's the little cheek there that I can
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use later so I'm just going to take this
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here to the side and then we're going to
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work on on top of my doll here I'm
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going to select it to group and I'm going to press
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the P key so it goes even more towards the center
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Ready now we're going to use the
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mesh filling and we're also going
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to use
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some techniques here that I'm
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sure will help a lot, let's go,
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let's go So try to understand here and
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what we are going to do, okay
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Alright, so here we are going to use a
00:10:51
color as a parameter throughout the drawing,
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except for the eyes here, but also for the
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nose, but throughout the drawing we are going to
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use the same base color What will this be, right?
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And then I can remove the contour, but
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I can't, I can't touch the nose here.
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So you have to be careful. I'll
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gradually remove the contour here.
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the
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eyes in black or a darker color
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and the little nose as well Ready Look,
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now we're going
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to put one color here, I'm going to
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start here on the ears,
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this ear over here, I'm going to put it, I'm going to
00:11:52
need a little more color
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dark
00:11:55
cannot be that dark and if it doesn't
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you will have to make this color which is
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how you press the
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f11 key and then you come here and you
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adjust it for example Ah, I want this
00:12:11
color but I want it to be like this
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make it darker and be more like this here
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so you click OK it will come
00:12:18
here And then you will work with it like this
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so now we will press M which is the
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mesh fill ah
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mesh fill is a little confusing so if
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you want save a copy of this
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drawing because if you mess it up later
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you can go back, ok So let's go, I'm going to
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put this color, press the M key, it's already
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changed here for us, so what am I
00:12:41
going to use in these points here, I'm going to
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put a lighter color that will If it's
00:12:45
this color here, I could even use a
00:12:48
lighter one, which would be this one, I don't
00:12:51
know if it's going to work, but let's use it and
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let's see if it works here. I'm
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also going to use a color, I'm going to use it in this node.
00:13:02
dark and here I'm also going to use
00:13:05
this color let me use it here ready
00:13:08
I wanted to take this here a little
00:13:11
higher so I can take these
00:13:13
two points and look and taking them
00:13:16
higher and these points here as you
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work they will bringing the
00:13:21
smoothing, you see So if you
00:13:23
work these points correctly, you will be
00:13:26
able to have a smoothing there and
00:13:29
improving your drawing more and more,
00:13:32
so these points here connect, look at these
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lights, you can
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move everything here through these
00:13:41
points, so I'm going to put
00:13:43
these here colors
00:13:46
come on let me put
00:13:48
this color here I think I can bring it
00:13:52
a little lower
00:13:55
I wanted to add this color here
00:13:57
so let's try to put
00:14:02
this color here Oh here it is getting some we are
00:14:06
seeing some points that we can't so
00:14:09
I'm going to delete it and I'm going to delete it here
00:14:13
so I can start
00:14:15
organizing everything here again
00:14:18
So let's go, I'm going to work through
00:14:20
So this line and if I play around I'm going to
00:14:23
delete it because I'm going to create a new one,
00:14:25
let me see if it will work here, it
00:14:30
has to be this color that the color we
00:14:32
we were working
00:14:35
And then we're doing this, I
00:14:37
personally don't like it
00:14:39
because it's staining a little there, I don't
00:14:43
want it to stain So let's go back to everything
00:14:45
here,
00:14:49
let's go back,
00:14:51
and the idea is to look really cool, so
00:14:54
come back, I'll pick up the stitches again and
00:14:58
then you select them here these ones here I
00:15:01
will also put the lighter color
00:15:03
ready here I will put another type
00:15:06
of color
00:15:07
which will
00:15:09
be this color
00:15:12
or this node here just
00:15:18
this this here we are going to take it a little
00:15:21
higher up
00:15:25
a little bit more here
00:15:28
here I can also put a lighter color,
00:15:31
I'm going to create a node here
00:15:36
and I'm going to make this node
00:15:38
darker,
00:15:42
see these handles, you control the
00:15:45
color input in this direction and then you
00:15:49
can erase it and such and here too,
00:15:52
when you want to delete a node You
00:15:55
can delete and work on
00:15:58
these handles try to put this color here
00:16:04
whenever you need to create it it creates
00:16:07
the point in place and will add it ready
00:16:09
I think it's cool we will now
00:16:12
do the following I will get the
00:16:14
attribute dropper or copy this color and
00:16:17
I'll paste it here
00:16:19
and then I'll put this same color here
00:16:23
on the face
00:16:26
or better yet, let's put this color that
00:16:29
was And then I'll take it here, press
00:16:31
m and you can select this entire part here,
00:16:34
press m again and I'll select
00:16:37
this entire part and here I'm going to put
00:16:39
this nice lighter color here in the
00:16:43
middle I'm going to put this darker color
00:16:45
which was the one we generated here o On this
00:16:49
line I'm going to create a new node And then I'm
00:16:52
going to put a lighter color than It's
00:16:54
this color here, I think I'm going to have to
00:16:58
generate a slightly lighter color, let
00:17:01
me see,
00:17:05
remember I said I wanted
00:17:07
to use it here,
00:17:10
I can lower it a little more, you see,
00:17:14
and work on these tensions
00:17:19
that I can also transform. a node in an
00:17:21
acoustic curve and form
00:17:27
this little curve,
00:17:31
so the more I pass here,
00:17:34
the more transition it has, the smoother
00:17:37
it stays there. And then I can
00:17:40
also darken it and darken this color
00:17:43
here, I have this little window and here I
00:17:46
I can work with
00:17:48
this color,
00:17:51
it's cool, so I'll look at it dark,
00:17:53
I want it and I'll lighten it,
00:17:56
let's basically let it
00:18:00
play
00:18:04
another color here on the handle, let's play it
00:18:10
Let's play this color,
00:18:14
I don't think we're going to go with this one,
00:18:23
it could be this one, it could be this one. here and
00:18:26
then I'm going to take these ones here,
00:18:29
especially these ones
00:18:31
and I'm going to put a darker color
00:18:35
that will look like this and another detail,
00:18:39
look here, with the little arms they're
00:18:41
here I'm going to send them down, it's going to
00:18:44
look like this and I'm going to finish this one
00:18:47
here too I'm going to press m, okay, I'm going to
00:18:49
take Here In this little
00:18:51
body and I'm going to start with this same
00:18:54
color transition,
00:18:57
see? it
00:19:11
could also be this one
00:19:15
but I didn't want it there so much so I
00:19:17
'm going to take these two here I'm going to make them a
00:19:19
little lighter maybe
00:19:24
this one is the original right here in the middle
00:19:29
I can try to lighten it a little
00:19:32
so come here just give it a little push
00:19:36
up cool
00:19:40
and
00:19:42
That's it, I think that here too
00:19:49
I can lighten it a little more
00:19:59
and then I use the attribute dropper
00:20:03
and the car game,
00:20:06
it's cool And then it will look like this, let's go and
00:20:09
moving the eye here I'm going to put a
00:20:11
darker color Black
00:20:21
And then I I'm going to give a control to separate
00:20:25
and we're going to close it a little bit but I
00:20:28
'm going to open it a little bit more and we're going to
00:20:31
put
00:20:32
this color here, then I'm going to play a
00:20:36
transparency, I'm going to give a control C
00:20:38
first, right, and I'm going to play a
00:20:40
transparency from here to here and
00:20:44
then I go give control v and I'm going to put
00:20:46
a lighter color this and I'm going to put it
00:20:49
from here to here And then it will look like this
00:20:55
Alright now let's select
00:20:59
select this part and I'm going to move it
00:21:03
to the side and I'm going to bring it
00:21:06
up here ready
00:21:08
these lines here we go select
00:21:11
let's press f12 Let's put the
00:21:14
rounded corner the rounded top and here
00:21:17
also here we can remove it I think
00:21:20
this looks cooler and I'm going to press
00:21:23
f12 and I'm going to put it here too it will look
00:21:29
nice right And then it's looking nice we
00:21:33
can select up here press
00:21:36
the M key and I'm going to select it and I'm going to
00:21:39
lighten it a little more. So I can take it
00:21:42
there and lighten it a little more. So
00:21:45
look, it'll stay like this, for
00:21:49
now, that's it down here,
00:21:53
I feel
00:21:55
like we can move this arm a little more, I
00:21:57
think the little arm
00:22:04
is I think I can move it a
00:22:06
little more, I'm going to take the
00:22:09
stain tool here, I'm going to open it a little
00:22:11
more
00:22:14
and then I'm going to throw it to the side, I'm going to
00:22:18
invert it and I'm going to take it here,
00:22:20
bringing it to this line, it's going to be So
00:22:24
I'm going to give a story
00:22:48
take it is but this is it here
00:22:52
Let me confirm if I'm going to put
00:22:54
this here, no
00:23:05
Let's put it here
00:23:09
and then here
00:23:13
we will put a darker color
00:23:18
doing this here
00:23:21
which is this color here and then we can
00:23:24
select this part Let's
00:23:27
also put this color here and then we're going to
00:23:30
take this here, oh,
00:23:35
not less here, right, but we're going to take it
00:23:37
here, ok, we
00:23:44
can leave it here, I'm
00:23:47
going to create another point here, let me
00:23:49
add this color to see
00:23:52
this, but then I'm going to press M, I'm going to
00:23:56
try
00:23:57
to soften it Here
00:24:00
we
00:24:03
go, select
00:24:07
here too
00:24:09
and I do that then I'm going to get the
00:24:12
attribute drip tool, select glue
00:24:14
here, that's
00:24:15
basically it, I just don't
00:24:19
like it because here it's not the color
00:24:22
I want, it's still a very strange color.
00:24:24
so I can try to add
00:24:27
another color here but not gray like this
00:24:32
let me see here it's
00:24:36
not getting too
00:24:39
much gray let me try to
00:24:42
adjust here
00:24:55
calm down
00:25:00
and that's it let's go again
00:25:03
color selector
00:25:06
let's get darker here taking it out of the
00:25:09
gray let's take it more towards you
00:25:12
can see this part of the brown and then yes, you can
00:25:16
take this up here, you can
00:25:17
create another line here and put
00:25:21
another line here too, and generate a
00:25:24
contrast, supposing here I want to put
00:25:26
this lighter one here, so you
00:25:28
generate this contrast a light more
00:25:31
contrast like this then it gets better you can
00:25:35
see it getting much better I'm going to
00:25:38
take the three point Elite tool here
00:25:40
I'm going to make an ellipse here which
00:25:43
would be in this case that cheek and we're going to
00:25:46
put a color here that I forgot to
00:25:49
get from the palette But let's
00:25:52
put it
00:25:56
I think more towards the red here and
00:25:59
let's take it like this I'm going to remove the contour
00:26:01
OK
00:26:05
and let's leave it here I'm going to mirror it
00:26:10
or
00:26:12
better
00:26:14
let me get the shape tool here I'm
00:26:19
going to make a smudge here
00:26:22
close to the eye I
00:26:23
'm going to send it under the I look at
00:26:28
this and I'm going to blur it. Then the
00:26:32
blur and blur effect comes, I
00:26:36
'm not going to blur it too clearly, I'm going to
00:26:40
mirror it here, I
00:26:41
'm going to bring it here under the eye
00:26:47
and it's going to look really cool, right? I
00:26:51
thought I was going to do
00:26:54
it much better here, but still I'm starting, okay,
00:26:58
guys, so
00:26:59
that's how it is, I'm going to make a lot of mistakes, I'm going
00:27:03
to do a lot of ugly things until I get to a
00:27:06
more pleasant point, right?
00:27:19
I think this one And then we're going to bring it
00:27:23
here, ok, more or less, okay, let's
00:27:27
leave it here, I think I'm going
00:27:30
to put a gray makeup here like
00:27:36
this color or this color here, then I'm going to
00:27:39
take the ellipse tool, I'm going to make an
00:27:42
ellipse here
00:27:44
very big
00:27:47
I'm going to put it in this lighter tone,
00:27:49
I'm going to send it to the background and then I'm going to come
00:27:53
to
00:27:54
bitmaps, convert to bitmaps
00:27:58
and I'm going to blur effect and blur the
00:28:05
ocean,
00:28:10
basically blur like this.
00:28:15
Let's open it up a little more and then I'm
00:28:18
going to make an intercession, I
00:28:22
think it could take a a little further
00:28:24
up, right, I'm going to take it here,
00:28:28
and let's go, let's see if what
00:28:30
I'm doing here will look good, I
00:28:33
'm going to take it and throw a transparency
00:28:36
from here to here, I think it didn't make
00:28:39
any sense to blur it, I
00:28:41
thought it would give more meaning
00:28:44
to mine. blurring but it didn't make sense
00:28:47
I'll take it here I'll create some small
00:28:50
layers
00:28:52
Let's now add a color like this
00:28:57
Maybe one more like this
00:29:00
I'll send it down
00:29:03
and I'll also be blurring it or
00:29:07
convert it first into bitmaps and then
00:29:09
I'll blur it
00:29:11
because that way I can get more blur
00:29:15
beautiful, not more beautiful
00:29:18
So let's go, I did this, it's going to be like this, it's
00:29:22
not looking good, no, this thing
00:29:25
isn't good, but let's continue, oh,
00:29:31
let's continue,
00:29:34
continuing here, I think this background
00:29:37
really, I think it could be skipped more
00:29:40
like this, I don't know, maybe not that gray
00:29:44
but
00:29:46
something like that and then I'm going to pull it here and I'm going
00:29:50
to do this, I think it looks
00:29:52
cooler this way, right?
00:30:04
make a shadow
00:30:06
that I once saw and let's see if it will
00:30:09
work, which is also the first time I've
00:30:12
done it, I'll come to bitmaps, I'll convert it into
00:30:14
bitmaps or into effect by listening to blur in
00:30:18
blur and Galciano And then I'm going to blur
00:30:21
this here just one a little bit,
00:30:24
I think it's a lot, it's more or less like this,
00:30:27
I'm going to open it up a little bit and then I'm going to
00:30:30
do one against you, now I'm going to make
00:30:32
an intersection in this piece and I'm going to throw it
00:30:36
down here, I do
00:30:41
n't think it was quite like that, so
00:30:45
I'm going to play it like this so now I'm going to go on
00:30:49
a date,
00:30:51
that's not how
00:30:55
I can,
00:31:00
I can open it a little more so I'm
00:31:03
going to blur it more
00:31:10
And then I come, I go to
00:31:12
the intersection,
00:31:15
I play here, the blur or transparency
00:31:18
will be just a little
00:31:20
something like that, then I'll give it a
00:31:24
control v and send it down and then now
00:31:27
I do the intersection
00:31:32
And then I play just
00:31:36
a little bit here, you want to see,
00:31:41
let's take it here I'm going to play just a
00:31:44
little bit here, that's
00:31:49
not right, I'm not
00:31:55
going to go back either
00:31:59
and let me play the transparency that It
00:32:05
wasn't like that, I don't think it gives that first
00:32:07
shape that we did, it was cool,
00:32:30
right?
00:32:35
he's very cute and here we go, I'm just going to
00:32:39
change the color here, I think I
00:32:41
think there's a lot of light because he's
00:32:42
not in that much light,
00:32:45
so let's put him in this color here,
00:32:47
I'm going to get the short story by drop of attribute
00:32:50
I'm going to put it here and it will look
00:32:53
like this.
00:32:57
There are some things here, of course it
00:33:00
still bothered me a little, right? In this
00:33:03
case,
00:33:05
I would darken it here a little
00:33:07
more,
00:33:09
I would make it a little darker,
00:33:13
perhaps pulling it more here,
00:33:17
not so much there, for that region.
00:33:20
darker, right? I would also make it
00:33:24
another stronger color, but that
00:33:27
wouldn't be good either. It's cool
00:33:34
in the end.
00:33:37
I think maybe it's kind of a
00:33:40
little lighter and in some
00:33:43
regions, also
00:33:44
here in the
00:33:47
chest area, here I would leave a darker color
00:33:50
like this, I
00:33:53
would also leave more of this footprint here, you
00:33:59
see, and then I would play around with everything in this
00:34:03
sense, here, I
00:34:04
would take this same idea here
00:34:08
inside,
00:34:09
leaving something more filled and less
00:34:14
and less color, for example, here I would
00:34:17
do a little more of
00:34:20
this light of this shadow below I was going to
00:34:24
lighten it a little more but I was going to
00:34:26
add a little bit, see, you'll
00:34:29
perfect the design, it's a little
00:34:32
complex here for you to maybe
00:34:36
understand, so
00:34:39
there it didn't look good, maybe because of the type of
00:34:43
shape that was already there, but I can
00:34:45
I can duplicate it here
00:34:51
by doing this and sending it down, right by
00:34:55
doing it like this
00:35:00
So you start to notice it
00:35:03
and it starts to improve a little, right here at the
00:35:06
bottom, you can
00:35:08
see here it's more or less playing with this
00:35:12
color that we were
00:35:14
playing with there now
00:35:18
And there you go
00:35:19
darkening in some regions
00:35:22
here in this region maybe
00:35:26
it would be a little darker but
00:35:28
not too much but there would be a little more
00:35:35
shadow, you can
00:35:39
see
00:35:43
here you can work on closing it a
00:35:46
little more so it doesn't look so strange
00:35:49
but look how it already improves a lot
00:35:54
as you You can already see an
00:35:57
improvement here,
00:35:59
this color here can't be
00:36:01
that blatant, but we're going to
00:36:06
lighten it a little here, that's right
00:36:14
here, I think it's cool,
00:36:19
so you can see that it's already a little
00:36:21
more
00:36:22
marked than here in the middle, I might
00:36:25
take a a little more up would bring it
00:36:28
a little more down I
00:36:30
would put this arrow a little more
00:36:34
inclined and here is an arrow
00:36:40
that I will have to pull down more
00:36:42
so as not to make this
00:36:46
color division too much so try to put a
00:36:48
darker color That
00:37:02
's it
00:37:12
That's right And yes, I think it's because I
00:37:16
put this color in this region and maybe I did
00:37:18
n't need it, but now whoever entered it already
00:37:21
feels better, you can see,
00:37:25
so here's our drawing, right? I
00:37:29
really hope you enjoyed it,
00:37:32
okay, I know it's still a Very
00:37:35
simple drawing and I have a lot to learn
00:37:38
but I'm training, I'm practicing
00:37:43
because I really want to get good, I want to
00:37:45
bring more content like this here
00:37:49
to the channel because it's something I
00:37:51
like, right? What can vectorize a drawing even more,
00:37:56
an art? that we
00:37:58
created it ourselves, we did it ourselves, it's very
00:38:01
pleasurable, so I do want to continue
00:38:03
bringing something along these lines here
00:38:06
to the channel and I really hope that
00:38:09
you listen to what you guys continue
00:38:12
to follow the channel and that you continue to
00:38:15
follow my evolution But I will,
00:38:18
I will continue to bring you more drawings like
00:38:20
this, I really hope
00:38:23
you enjoyed it, okay,
00:38:25
thank you very much, I really appreciate your attention
00:38:29
and that's it, let's go,
00:38:32
just one more detail, I think maybe
00:38:35
here
00:38:37
in this part,
00:38:39
let's assume here, oh Let's take, let's
00:38:42
take this color here, I don't know
00:38:45
what color this
00:38:47
color is and maybe throw it here like this,
00:38:52
but just at the bottom, right, that's
00:38:59
where it is, but it's more touching there and
00:39:02
so on and then it will improve the drawing
00:39:05
goes
00:39:06
here we would improve a lot if
00:39:09
we kept
00:39:10
moving you keep changing giving
00:39:14
shape here is the drawing I'm sure it
00:39:16
would improve the drawing a lot, right
00:39:18
I'm just going to take this shape work on this
00:39:22
and I'm going to add a color here let me
00:39:26
add
00:39:27
let me add a color at this point
00:39:30
mainly
00:39:33
Let's just darken it a little more
00:39:35
here I don't think I remember the color
00:39:37
we
00:39:38
used there but I don't remember wouldn't it be
00:39:42
nice to have a color kind of similar to
00:39:44
that one without asking for so much design, right
00:39:48
but I think that here it was ok I'll go
00:39:52
back with my control v and there it is
00:39:54
guys, thank you very much, I'm sorry for
00:39:57
the delay in doing it, but that's it, leave your
00:40:01
comment there Saying that you thought it was
00:40:03
cool, your comment is very important
00:40:04
to me, we're together, big hug and
00:40:07
I'll see you in the next video

Description:

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