Download "Любимые бесплатные VST плагины Джона Олина (John Olin)"

"videoThumbnail Любимые бесплатные VST плагины Джона Олина (John Olin)

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Вступление

1:28

Coffee 'The PUn'

7:11

DC1A3

12:52

Tessla SE MKII и Ferric TDS MKII

19:18

ADT

21:50

PSP Piano verb

23:48

Head Crusher

28:12

Slick EQ

33:46

LOUDENER и ReaLimit

ОСНОВЫ FL STUDIO ДЛЯ САМЫХ МАЛЕНЬКИХ

ОСНОВЫ FL STUDIO ДЛЯ САМЫХ МАЛЕНЬКИХ

Channel: АЙТИМЕЙК

СВЕДЕНИЕ ВОКАЛА ПЛАГИНАМИ SLATE И НЕ ТОЛЬКО

СВЕДЕНИЕ ВОКАЛА ПЛАГИНАМИ SLATE И НЕ ТОЛЬКО

Channel: АЙТИМЕЙК

Эквализация ВОКАЛА в FabFilter Pro-Q 3 | Сведение вокала

Эквализация ВОКАЛА в FabFilter Pro-Q 3 | Сведение вокала

Channel: Дориан

КАК ВЫБРАТЬ СТУДИЙНЫЕ НАУШНИКИ + СРАВНЕНИЕ DT770 И DT990

КАК ВЫБРАТЬ СТУДИЙНЫЕ НАУШНИКИ + СРАВНЕНИЕ DT770 И DT990

Channel: АЙТИМЕЙК

ГДЕ УЧИТЬСЯ СВОДИТЬ И ПИСАТЬ МУЗЫКУ? Образование студийного звукорежиссера и музыкального продюсера.

ГДЕ УЧИТЬСЯ СВОДИТЬ И ПИСАТЬ МУЗЫКУ? Образование студийного звукорежиссера и музыкального продюсера.

Channel: Александр Radiotechnica Власов

Бесплатный Кахон VST | Monster Drums

Бесплатный Кахон VST | Monster Drums

Channel: Будни Аранжировщика

ЗАПИСЬ И СВЕДЕНИЕ ВОКАЛА В FL STUDIO

ЗАПИСЬ И СВЕДЕНИЕ ВОКАЛА В FL STUDIO

Channel: АЙТИМЕЙК

Cведение Вокала ТОЛЬКО СТАНДАРТНЫМИ Плагинами в Fl Studio

Cведение Вокала ТОЛЬКО СТАНДАРТНЫМИ Плагинами в Fl Studio

Channel: ПОТЭЙТОС

СВЕДЕНИЕ ВОКАЛА В ФЛ СТУДИО | ОБРАБОТКА ГОЛОСА В FL STUDIO

СВЕДЕНИЕ ВОКАЛА В ФЛ СТУДИО | ОБРАБОТКА ГОЛОСА В FL STUDIO

Channel: Sheiro

Использование контроллера MIDI клавиатуры в REAPER

Использование контроллера MIDI клавиатуры в REAPER

Channel: REAPER DAW

плагины для обработки звука

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смикрофономпожизни

johnolin

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guest on the channel, any meeting,

00:00:05

firstly, it flies by unnoticed, and secondly, you

00:00:07

get a lot of interesting things from it.

00:00:10

Now I’ll show you an excerpt from our

00:00:12

conversation and at the beginning we did this when

00:00:14

we set up the microphone directly from paid

00:00:16

plugins for some reason later we've reached

00:00:18

free plugins and stock ones so

00:00:20

please don't skimp on your

00:00:22

comments, don't skimp on rating

00:00:24

likes and reposts because for you these are

00:00:26

just two lazy movements for the

00:00:29

video and for the channel this is a huge

00:00:31

development and the opportunity for others and

00:00:32

sound engineers to actually touch

00:00:35

Here's some free advice on

00:00:39

how you can mix, how you can use a

00:00:41

plugin that is available and you don't have to

00:00:43

steal, don't download, but take it and

00:00:45

work, so let's get started,

00:00:49

if it's a paid one, then it's probably in first place in

00:00:51

popularity because

00:00:55

I like it everywhere poke in second

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place jackpot or even in first place or they

00:01:00

share I don’t know jackpot audio and okay, they’re

00:01:02

both really great and the

00:01:04

jackpot is more well done and what to do

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because it’s

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more popular or something like that and

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inexpensive

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but you don’t need to buy anything hardcore

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arguments for it to be further south, just because of them, a

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subscription of 10 dollars a month

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is enough for the eyes, well, what’s

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10 dollars then I’ll probably move on to the

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coccyx, exclude break the

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free project exclusively from the free ones, the

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very top that I

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really have in absolutely all in all

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projects this is

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absolutely top-notch and absolutely

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free

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these are bushes of audio coffee, the

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question is always how

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quickly you get the desired result,

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and it is

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on this plugin itself that

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you can demonstrate

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its whole feature, well, you know, it doesn’t matter, because

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what kind of plugin I use is important

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how I use it this is really

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really important, all of his trick is let’s

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say half the remote control and

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half of some kind of improvisation from the

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acoustics of the audio here,

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conditionally again, the bullets so figuratively makes

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down, or rather

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the foundation and mental frequencies

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or just the foundation, all this that requires

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some kind of foundation is better of course

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do it on something like a remote control so as

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not to bother with numbers or something

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else, and

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this part can be similar to

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remote controls if you move it into this little

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thing, it’s like a

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booster, it was a high-frequency booster, but it

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can also do shelf to put

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on the shelves, but the shelf, of course, doesn’t know how to use bullets

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like this, thanks to this

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unique combination, a

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monument should be erected to the person

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who came up with this combination, it

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turns out to be very convenient and the thing,

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for example, we have it

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now, an extra dad, I turn it off

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a little, it

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’s from

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China, let’s

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say it’s a rather squeaky voice then

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there is and clearly there is not enough foundation,

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I would like to add a foundation, what are we

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doing, what are we doing, how does

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the remote control work, that is, I already roughly remember

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what numbers the numbers actually do not

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correspond to the frequencies, communication,

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how can you not pay attention to them,

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just listen, by the way, another

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plus from these frequencies are all so crooked,

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as if there might be some kind of

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correspondence with what was drawn, but it’s unlikely that

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you can safely forget about it right away, it’s

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funny, in any case, it allows you to

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no longer get attached to the frequencies and not

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think about the fact that you need 5

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kilohertz somewhere search and they are not there, there is only

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the sound and the mood, in short, I remember

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that for women it is somewhere here, well,

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somewhere here, probably, that is, what I do

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first is to remove the vocals or any

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other instrument as much as I

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want and

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[music]

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Now I’ll install it in the house,

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if I want to make it brighter, then I

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usually choose somewhere

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and

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please note that I don’t turn it on when

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all these are magical, because I do

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n’t see any sense in them, and secondly,

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sometimes it’s even like- it glitches and crunches

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in general, no, I don’t like the

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usual enough of these shelves, and with

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these two movements I immediately get the vocals

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that I would like, this is how it sounds,

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escape 2

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[music]

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and

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you are very cool and fast, and here’s how it

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works, this one semi-remote control to friends and give it a

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look, that is, to wind up a happy face

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for us, it’s like two fingers on the asphalt with a

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deflection of kilohertz, that is, we’ll

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get it right about here, I take 5

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caps there and boost at the same time, that is, what

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the remote control can do here is 240 here, for

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example, 120 with this movement, we

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just go where we are pushing, that is, you

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need to listen to all this, but how it

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looks in the picture and by the way, turning

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this knob is just, well, no, no, not that just

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this way will give

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you even more upwards, but the fact that we are on a

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magician when we pile on the parameter 40

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kilohertz, yes, that’s where we have it hidden

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hidden, this is precisely this magic,

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and there is a twenty here, because what

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is happening with the frequency, moving here we

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seem to see some kind of emphasis at the top,

00:06:38

well, everything is clear at the bottom let's

00:06:40

take one for the cat, for example, and put it tightly, yes, that

00:06:42

is, we launched it, we made a

00:06:44

happy face from ours, and what that is, this is a

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remote control without a middle, in fact, this is

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exactly how it works, and by

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the way, turning it on works very interestingly

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if the gain is reset in our

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zero and whether it’s to the dates we see and

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let’s raise that turning on the preds

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a little makes this more like a

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vintage signal unfortunately in the

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doctor’s login and couldn’t load what to

00:07:08

look at how to paint, but this is a

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plugin, in principle, coloring the second

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item,

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probably which I

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use very fiercely of those

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that are not stock and not jer plugins

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this is Angel

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Di Si 1 and 3 there is also Odessa

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1 and 2 there is one I don’t remember I’m glad this

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generation radiators are old versions

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this is kind of like the newest

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model Di Si 1 and here it is in in principle,

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you can use any modes, without

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any of these cockroaches with a

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release attack, we still have some

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nonsense on the threshold, there’s nothing like that, the

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input and output, all two handles are very easy and

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simple, which is why

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I use it in this

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configuration more often just because of the

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button from

00:08:13

the sky, the fda delegate most often because should

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n’t I also set up all these

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thresholds, but here everything

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works out very quickly, what do I do if I need to

00:08:24

refresh my voice somehow, I take

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the reacher, again, it’s also free,

00:08:31

I leave the voice exclusively the very

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top or what it lacks, there’s

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some kind of freshness there and here it

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can

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usually be vodka vile commerce commerce

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commerce a gloss of silver or whatever you

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want to call it commerce for

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good words you want to add commerce

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here first here and Murphy

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right away Naturally, of course, it

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comes out, the sibilants are cut out, then

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we turn this on with a negative envelope, the

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sibilants are pushed below the threshold,

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it turns out

00:09:12

gissar,

00:09:17

we compress and give it even more, that is, a

00:09:21

compressed sausage, two more options,

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basically a signal because it

00:09:25

seems to always cost you in parallel and

00:09:27

how much it costs there are parallels, of course, there are also

00:09:29

all sorts of jokes about some kind of

00:09:33

phase gizmos there, but the

00:09:36

main point of the main charm is precisely

00:09:39

this because it doesn’t just seem to

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achieve the hissing level of this one, but is

00:09:46

pressed lower so it remains

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unnoticeable, that is, the sibilants are rushing

00:09:54

out of the

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chambers right away I

00:10:13

often use the

00:10:16

filter

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out of habit, I use this filter

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until

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often I like the fact that it cuts well beautifully

00:10:26

upward, but in fact,

00:10:28

built into the ripper, this one here on the

00:10:31

asphalt Rogers does exactly the same thing,

00:10:34

that is, it pushes exactly the same thing

00:10:37

but you just have to choose,

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says I don’t know what exactly don’t say again,

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I found out that site 008 does exactly the

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same thing, it’s

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just a habit, to be honest, but in

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fact

00:10:51

you turn on the filter and there’s

00:10:53

0 difference in listening, it’s called,

00:10:57

of course, also absolutely

00:10:59

[music]

00:11:05

big here I have right there it’s not from

00:11:09

which package where can I find it split

00:11:11

[music]

00:11:13

but it’s separate where to carry it there’s no everything

00:11:16

goes through

00:11:18

strong these things through

00:11:23

repositories

00:11:25

by the way here’s a manual for these repositories

00:11:28

we’re only on English-language youtube

00:11:30

I watched it all install

00:11:33

installed here and I don’t remember

00:11:36

just pouring it, yes, I’m sorry, I’m not, I’m

00:11:38

just doing this once and I

00:11:43

did it there with water in general, so creatine

00:11:47

seems to be from here

00:11:49

1g I understood everything else, I connected

00:11:53

a lot of them,

00:11:56

ours there just fill up the Amish

00:11:59

Pilyavsky to swim and

00:12:01

rivet scripts like from a machine gun it

00:12:04

seems to me and almost everyone is useful, but there is

00:12:06

a lot of copper in there, in general, I don’t do

00:12:10

arranging, for the most part it’s just

00:12:12

information, so I don’t need

00:12:14

Rio for creatine sonic anomalies, this is a

00:12:18

must and gerant toucan, in

00:12:21

my opinion, somewhere separately I also downloaded it not

00:12:23

through the repositories,

00:12:27

but let's go further with us,

00:12:30

Vanessa was very straightforward,

00:12:32

there are still old people whose years pass

00:12:38

there for decades, you forget them and

00:12:41

then you remember them because you are alive, let's say they

00:12:45

rolled out a 64-bit version or

00:12:48

there is vst3 and it turns out that they are also about

00:12:51

google. for example

00:12:53

excellent absolutely absolutely

00:12:55

wonderful variety of sound test c.e.

00:12:59

March I already recorded a video about the

00:13:03

saturator and by the way I put it there and

00:13:05

then I just discovered it for myself, I

00:13:07

ran it through the

00:13:09

plug-in doctor and by the way this

00:13:11

transformer that turns on turns on and it just makes

00:13:13

everything very, very fat

00:13:16

by adding even harmonics to the signal

00:13:18

there are a lot of odd ones, it’s still a little on

00:13:20

there, it’s just all beautifully cool

00:13:23

plugin, also an odd one, it’s wet, it means a

00:13:25

heating pad doesn’t matter, but here for the most part

00:13:28

it feeds down as it should,

00:13:31

for the most part it seems like a tape, but

00:13:34

nevertheless, if you need to bend it like a dance

00:13:37

to make it big that is,

00:13:38

some equalization,

00:13:41

well, the air is necessary, it is also convenient in that it

00:13:43

also has some kind of equalizer built in,

00:13:45

as if, well, that is, there such a

00:13:47

stick goes 1 time on ten there to

00:13:50

raise it, but it’s also wonderful, I haven’t checked

00:13:52

the meaning of it really very convenient

00:13:55

and this percentage of distortion

00:13:58

marked no more than sixteen is very

00:14:01

useful for people so that they do not

00:14:02

fit the arrow to the right and somewhere like this

00:14:05

in the center, but it automatically

00:14:07

turns out like this and automatically it turns out

00:14:10

that people will not

00:14:12

overload the signal too much input so this is

00:14:15

all generally wonderful, that is, a

00:14:17

small percentage of distortion, it does

00:14:19

exactly what is needed and

00:14:23

I also use it, by the way, not as often

00:14:27

as I would like because I have

00:14:28

many other different saturators and

00:14:33

between paid ones, but among the free ones, I think,

00:14:36

well this is one of the best simple everything

00:14:39

I don’t know for sure there is even cooler

00:14:42

interesting behavior of this Tesla

00:14:44

look when you turn on the transformer the

00:14:47

counter humps immediately appear in the

00:14:50

region of 50 and then if you still pile on the

00:14:52

drive yes look went nova top

00:14:55

the middle sags happy face we

00:14:58

get yes here it beats in convulsions

00:15:00

our graph and if air is added then

00:15:03

that very shelf that is already there it

00:15:06

starts working 500 and from 1000 to well and

00:15:09

we see that in the area how many decibels up to

00:15:12

three decibels the pot adds but if we

00:15:15

go to harmonic distortion

00:15:16

look yes the device is turned off then it is on then

00:15:19

here he behaves exclusively in

00:15:22

odd numbers, yes, that is, we see that

00:15:24

we are left with a two, and when

00:15:27

the transformer is turned on, bang, the picture changes dramatically,

00:15:29

and then we must give credit to the device,

00:15:32

despite the fact that it works, there is no

00:15:34

button to increase

00:15:36

oversampling, but look,

00:15:39

it holds on resists and only

00:15:41

when it appears clear only when

00:15:45

the reflection is about to start but to this

00:15:48

limit it will already be a very strong

00:15:49

pileup the device is very cool twice

00:15:52

we recommend it and Zhenya and I also have its own

00:15:56

character, it is sharply alive, he is also about

00:15:58

to jump this old man I don’t even remember the ancient ones

00:16:02

and in my opinion I was just

00:16:04

starting to do something with my lips and he already

00:16:08

appeared then and I don’t know to see direct x

00:16:11

nevertheless, nevertheless, the old man

00:16:15

can do a lot, especially if you need to add

00:16:19

some kind of retro, that is, this is to retro,

00:16:23

if you want such a thick, slightly

00:16:28

muddy sound,

00:16:30

in general, make something very good

00:16:34

similar to well, apparently yes, Eric, a hint

00:16:38

of a tape, perhaps this is it 0 it won’t be

00:16:41

super, as if the quality is so slightly

00:16:44

shabby, so they’ll make the sound a little

00:16:47

shabby, better no and the very

00:16:50

idea of the

00:16:52

dynamics of the saturator and on top of the limiter is very

00:16:55

convenient for work

00:16:58

people sometimes I would like to

00:17:00

listen now by the way floor lipstick for 64

00:17:03

bit yes all this has been for a long time 64 bit nights I

00:17:07

’ll watch or bypass it’s on my

00:17:10

vocals and

00:17:12

[music]

00:17:15

us if you listen, you need to take one

00:17:19

short phrase to notice,

00:17:34

that is, it is both a compressor and a saturator, I do

00:17:39

n’t even know what else, but

00:17:41

of course I use this and others, I immediately

00:17:44

turn on some dynamics, but there is a big knob,

00:17:46

which means you have to turn it, so you turn the knob

00:17:48

to compress normally you can mark

00:17:52

the restoration quickly, you can do

00:17:57

this as a side chain filter, I

00:18:01

twisted it so that it

00:18:03

can hear the low frequencies worse, react

00:18:07

female vocals female then there are 250 God

00:18:11

forbid if she now falls here here

00:18:12

250

00:18:13

if the foundation is supported there is not 250

00:18:18

so what am I telling you first does not sing

00:18:20

tones of 250 and it’s also very simple, it’s

00:18:26

all just like the interface is so

00:18:28

shabby and the sound is about the same, but

00:18:32

if you resample it seriously, it

00:18:33

will listen and

00:18:35

[music]

00:18:40

even in this mode I don’t hear serious

00:18:43

distortions, so that’s all you need from

00:18:45

situations, that is, the smoothness of the performance from

00:18:48

him is straight up and you threw yourself

00:18:58

into the syllables, immediately started singing

00:19:01

some kind of ace that jumped out, turn on

00:19:05

the stealth, I’ll throw

00:19:08

everything smoothly, in general, this is

00:19:12

one of the teenage mothers and psychos, one

00:19:16

of the small masterpieces, and since this is

00:19:20

also extremely common I use it and

00:19:25

decided to expand it and got an artificial

00:19:29

tracker,

00:19:31

I don’t remember how it is deciphered and not on

00:19:35

a la carte figs, but well, I don’t remember what

00:19:37

it is like a sophisticated double track and what it does is

00:19:41

what it does

00:19:43

2 of the channels in this case it makes the left one

00:19:48

artificial got it with a tracker,

00:19:49

adds some kind of modulation there for

00:19:52

purity, adds flutter and something else

00:19:55

there, in short, and

00:19:57

of course adds delay, ordinary

00:20:00

simple, but it does it as cool

00:20:02

as you vdo was a tracker, which is

00:20:05

naturally a toll road, but in fact,

00:20:08

you and I are generally like I would keep the

00:20:11

dab tracker just because of this,

00:20:14

as soon as this one appeared, I just

00:20:17

threw it away as unnecessary because

00:20:19

I use ultrasound for these

00:20:22

purposes, boulter adab from the

00:20:25

output to the adular doesn’t give, that’s the

00:20:28

thing, there is this one, which is an

00:20:32

analogue of the double track he gave modulation,

00:20:34

his frequency shifted a little,

00:20:38

return the pitch floated, plus the

00:20:42

delay itself floated, well, as if

00:20:44

the head there, the shaft was slightly out of tune,

00:20:47

what is meant by the floatar is it’s like a

00:20:51

beating of the shaft on the tape, that is, this is the

00:20:54

imitation, well, listen, but I I know

00:20:57

what’s the benefit that you leave everything as it

00:21:00

was by default by default

00:21:02

the only thing is that you’re moving things I didn’t

00:21:04

see until the rest suited me what I

00:21:08

’ll experiment with about nothing

00:21:10

more that works quickly so it turns out

00:21:13

that

00:21:19

[applause]

00:21:27

you take one bull and get 2 this this is something that

00:21:31

Sithonia can’t do without, not

00:21:35

a single

00:21:36

thing, that’s

00:21:38

what else I can show you,

00:21:41

of course the office is very proprietary,

00:21:46

but sometimes it rolls out some

00:21:49

gifts for people gsp I’m up, it’s kind of

00:21:54

up, but it’s kind of very bad if

00:21:57

you look at it like this

00:21:58

[music ]

00:22:00

and

00:22:02

that is, something is rattling there, quenched by

00:22:06

lavender,

00:22:07

but the trick is that we need such a sound

00:22:10

as well without such bad sounds

00:22:13

and all the mouse is in a small small fraction

00:22:16

on a small percentage even on vocals from

00:22:18

look you just take it and

00:22:21

it turns out to be a beautiful room just

00:22:24

wild time to zero and that's all by

00:22:28

default and also trance after somewhere 2 well that's

00:22:32

quite a bucket but the

00:22:35

amount of this bucket can be reduced

00:22:41

I remembered a joke with the comedy club a

00:22:44

bucket was found in which opel Viktor Tsoi

00:22:49

asked that time the army of those and only the end

00:22:51

the eighties were exactly like that and

00:22:54

the channel why not if you mix it

00:22:56

a little, look, it turns out

00:23:04

that they put you in a branded

00:23:07

addition, it’s just housing that’s right away, as

00:23:10

if they were already writing a real living person in a

00:23:12

living room and

00:23:20

[music]

00:23:22

I’ll throw in

00:23:25

[music]

00:23:26

well, here’s something else for

00:23:29

me I like it, but now I’m already afraid that I won’t

00:23:34

find it, I don’t remember where I found it again

00:23:38

because I had it often, so it

00:23:41

floated away somewhere, then I found it again, it’s

00:23:44

definitely not

00:23:46

produced at all by this audio sound company, I

00:23:50

found it by the way, and I have friends in the

00:23:54

previous video about the saturator and

00:23:56

this is right there in my

00:23:58

head, well, it’s wonderful there,

00:24:02

based there, I looked at the doctor’s plugin, here’s the

00:24:05

humps of Lech

00:24:08

based tomoya and

00:24:11

and and the top so here’s something one

00:24:14

tone and you now put the tone at 3:00

00:24:16

to the right, so it will change very interestingly,

00:24:19

you will get such a top turk, it

00:24:21

will be a straight commercial sound, well, but

00:24:24

it’s more advertising, such as to pump up,

00:24:26

to make goals like this, a team who

00:24:29

needs what, but I use it just

00:24:32

for the lower hump, so I jumped

00:24:41

[music]

00:24:47

but I usually need the very bottom from it,

00:24:52

that is, if you can’t get it in

00:24:54

any other way, then this one

00:24:57

is free from theft and you don’t even have to move the tone, you do

00:24:59

n’t even have to

00:25:02

turn on the drive, it’s just like an equalizer +

00:25:05

saturator it will give out a lot, a lot

00:25:08

low frequencies, if we need them, then it’s just

00:25:11

the very thing, I don’t even know what he’s

00:25:13

imitating, he seems to be

00:25:16

like he’s talking about himself, he’s

00:25:19

supposed to imitate something like a

00:25:21

preamplifier or something, or

00:25:23

some kind of bass head, he’s got these and you’ve got a

00:25:26

little bit of him here these three handles laugh at

00:25:28

high court and the tone is wild Peter his three

00:25:31

handles, that is, the cut-off breeze and tilt are

00:25:35

actually

00:25:37

like this on minimum wages,

00:25:39

well, maybe I bought a larger version from them

00:25:43

had a crusher, but I don’t really

00:25:46

use something because, well, I don’t I know that there’s

00:25:49

no way, but this one because it’s

00:25:51

free and it’s so easy to

00:25:53

operate,

00:25:54

just go, especially just if you

00:25:57

need it for nothing, a hit crusher does something with the

00:26:00

sound to friends, and especially if you turn the

00:26:03

tone knob, look, I’m not doing anything right now,

00:26:05

here’s the drive on at a minimum, everything here is

00:26:08

zero, this is by default when

00:26:10

you load it, you already have a deflection of 2,400,

00:26:13

that is, it removes the dirt from the voice,

00:26:15

some interesting

00:26:17

games here, and for example, I want to prune

00:26:18

a pot, I recommend that you do this in principle,

00:26:20

feel free to even start about

00:26:23

like this, that is, put this plugin

00:26:25

here so that you have the entire top cut off

00:26:27

just in case, and then look at

00:26:30

what starts, if you want to

00:26:32

do it, lighten it, then it actually

00:26:35

works until you see how much top you want,

00:26:37

add it, but see what kind of slab

00:26:39

now let’s go back to tone up, look

00:26:44

We’re already cutting it off and as soon as we start

00:26:46

turning the tone down, look at how it’s growing exponentially.

00:26:49

Now I’ll

00:26:51

have to lower the overall volume so that you

00:26:53

can see

00:26:54

where the croaker is pointing, that is, it’s not that

00:26:58

simple, it’s just a huge blow up to the

00:27:00

bottom, and look where this one is going,

00:27:02

I don’t know

00:27:04

laugh at that’s what he’s doing, he’s

00:27:07

moving this croaker to the side, here’s

00:27:10

a hundred, remember these positions of

00:27:12

the handles because if you don’t use the bow there,

00:27:14

then we’ll end up with such a

00:27:16

sinful thing, look how you talk

00:27:19

about one of our teachers, first

00:27:21

her chest enters the class, oh look, and then

00:27:25

she appears here are her breasts and here in our

00:27:28

eyes, and that is, imagine how much

00:27:29

difference there is in general, everything flies into the sky

00:27:33

if the tone is turned all the way down,

00:27:37

so with this plugin, look also if the

00:27:39

drive is very inflated, it raises

00:27:42

the volume very much and what is going on there in terms of

00:27:44

frequencies, harmonically literally

00:27:46

we have already seen that right here and this

00:27:48

will already be a major distortion, so with

00:27:50

this plugin, be sure to cut it very carefully

00:27:52

upwards because something like this

00:27:54

will start there, well, I’m not for it,

00:27:56

maybe there will be some kind of file here you

00:27:57

won’t happen by 20 kilohertz but you

00:28:00

always need to do something with the bottom, that is, you don’t

00:28:01

need to cut it in any way, so I

00:28:03

like to leave it like this, for example, and

00:28:06

maybe a little bit of the 1st person, well, like

00:28:08

this, it will probably be

00:28:10

very interesting to try for vocals, especially on

00:28:12

female and As for something like this again,

00:28:16

if he does something like that, I’m telling you, or

00:28:17

makes a very strong advertising voice, you

00:28:21

need to add a pinch of this, well,

00:28:25

without him, I also can’t get around the ville valo of

00:28:28

the previous one in full height, and

00:28:33

he can do everything he needs, especially not necessary, let’s

00:28:38

say so smoothly that - to raise it without

00:28:41

really bothering with the

00:28:43

frequencies again, on the accuracy of these

00:28:48

frequencies, sometimes I don’t want to look

00:28:50

at the rods at all; they called him for the right with a

00:28:53

visualizer with an analyzer; the

00:29:04

meaning of the garbage krishna version is the

00:29:07

analyzer, I’m not mistaken, there is no more

00:29:10

person its fresh on there is no analyzer in

00:29:13

the gentleman of silence there is everything here, in

00:29:17

principle there is everything you need for happiness,

00:29:19

that is, he can even do it a little and as if

00:29:21

not a saturated

00:29:22

garden, he seems to be supervising something there with

00:29:26

and by the way, who didn’t know Kiev Garden, he’s

00:29:29

just not with tury.ru, it starts to

00:29:31

be supervised if we raise something to a

00:29:34

plus and he tries from the saturated

00:29:36

frequency range, I don’t know how well

00:29:39

it works, but the manual says that it

00:29:42

seems like when we work by plus

00:29:44

the level of saturation of this area

00:29:46

increases, but it’s like a standard

00:29:51

standard set of saturator of and this is

00:29:53

also, in principle, quite good,

00:29:56

you can calibrate even plus 18 it won’t

00:30:01

be very noticeable, but under certain

00:30:03

conditions, of course, if there is

00:30:06

a lot at the input, then it will start distort like a

00:30:10

normal inaudible saturator, it’s

00:30:12

much better to use it,

00:30:15

well, let it be approximately and what I

00:30:18

mean is when there is a task to listen to what we

00:30:20

are doing then it’s good,

00:30:22

return listening as opposed to watching, but

00:30:25

who else is not particularly experienced at all, they do

00:30:28

n’t know what auto gain he pretends

00:30:31

that we are not doing anything, so it

00:30:33

may seem to someone that it’s necessary there, I

00:30:35

stuck 12 decibels in, nothing has

00:30:38

changed if you turn this off

00:30:41

[music] to

00:30:44

the top

00:30:50

of the shelves,

00:30:52

well, let it

00:30:54

pump and

00:30:57

[music] there is

00:30:58

also a filter at the bottom

00:31:02

worthy and

00:31:05

[music]

00:31:14

this is what if I

00:31:19

raised 16 decibels on the instrument, in the sense of the equalizer,

00:31:22

my hand wouldn’t rise, so let’s

00:31:25

say, take it and turn it up to 16 squirrels,

00:31:28

I’d be scared, but here it’s not scary,

00:31:31

it’s just not scary, I stuck the knob

00:31:34

to the right and it’s normal plus 15 good plus

00:31:36

20 generally excellent, the main thing is that it sounds

00:31:39

and for these purposes it’s quite cool, but

00:31:43

if you feel sorry for the power, you can switch

00:31:47

to eco and that’s it, and now it has a processor

00:31:52

no more than any other,

00:31:55

well, sometimes it just happens that people

00:31:57

complain that it is somehow tenacious, well, of

00:32:00

course, if before all the PDR plugins, well,

00:32:04

well, just switch to

00:32:05

economical and then the difference is 0 with

00:32:09

something else and

00:32:13

[music]

00:32:14

here I’m not sure of course what

00:32:16

will work, well, let’s say here what a

00:32:19

normal compressor,

00:32:21

this one is free and in normal

00:32:25

mode,

00:32:26

just in normal mode let's see what

00:32:29

it does

00:32:30

[music]

00:32:33

it can safely put the arrow all

00:32:36

clan films as transparent

00:32:38

as possible we should not

00:32:41

seriously hear this compression

00:32:45

[music] that's

00:32:59

when 1 what can be heard when you

00:33:02

understand what you want from a compressor,

00:33:04

they are all somehow magical at once,

00:33:08

I just needed them just so that

00:33:10

they were about the same, so I

00:33:12

listen

00:33:14

[music]

00:33:16

but one note sticks out, I want it not to

00:33:19

stick out

00:33:20

[music]

00:33:27

so he reacts for everything and the loudest one

00:33:30

presses harder, this is what I need and I do

00:33:33

n’t really notice that I turned on the compression at all,

00:33:36

everything turns out fine

00:33:39

[music]

00:33:45

well, in general, and probably the most fun thing

00:33:49

we have now from jazz, I don’t know

00:33:51

how modern it is and who

00:33:55

wrote it I also don’t know, I

00:33:57

think there’s some girl there with

00:34:00

this

00:34:03

information, I’m not kidding, there’s one of the versions of the

00:34:06

inflator and the signatures are a woman’s name, so

00:34:10

this inflator is an exact copy, that is, people

00:34:13

guarantee Oxford, yes, there’s no hair right up to the point,

00:34:17

fact, inflator, yes, he has another

00:34:19

one variant of course

00:34:21

vds I’ll try to find it right now,

00:34:31

not from the start I won’t find it but the point is that

00:34:35

it has a vds version

00:34:38

well, in general, everything is exactly the same

00:34:45

just suddenly

00:34:48

[music]

00:34:50

Percy inflator Oxford Edition

00:34:57

where filling in until the day without any Nicholas

00:35:02

pieces lotus itself and it's in zeros, well, it does the

00:35:06

same thing as Oxford, this just

00:35:09

amused me, this one is just more beautiful, all the

00:35:12

same

00:35:13

number 1 r and s Oxford inflator, it's all the same thing,

00:35:17

there are three versions, even

00:35:20

Rio Kim

00:35:24

Jae, something there, well, in short, all of this and

00:35:28

it makes it really beautiful

00:35:30

[music] I

00:35:38

’ll

00:35:41

just throw in a saturator and clipper and whatever

00:35:44

you want clipper guaranteed everything you

00:35:47

need everything is there everything is great

00:35:55

[music]

00:36:12

well, creepers actually,

00:36:15

but I don’t know about the g-100 whether I should talk about it

00:36:18

or not, and indeed coconut has a limiter

00:36:22

that I could quite easily

00:36:24

use, just why do I

00:36:26

have them inside? I have a limit, for example, new

00:36:28

or old, I don’t know how many years

00:36:30

have passed since I even

00:36:33

looked there, nevertheless, everything is fine here, the

00:36:35

joke is quite honest, it works

00:36:43

for her so he can probably scream with

00:36:46

terrible force there as much as you like in general

00:36:50

and

00:36:51

most likely he will be quite at the level of

00:36:54

some serious

00:36:56

jokes limits raw

00:37:00

[music]

00:37:03

I,

00:37:07

well, of course the sound he seriously limits

00:37:11

distorts you can even say and he is more likely

00:37:15

I think more like is there a limiter for

00:37:19

the reason that yes it has a release here is a

00:37:22

release

00:37:24

like nadi beks decibels per second is

00:37:28

normal

00:37:32

recovery 15 decibels of a second you can

00:37:35

do it faster this means hoba and this

00:37:39

means knowing more about should not be for

00:37:41

that is the other way around

00:37:44

[music]

00:37:48

bright

00:37:50

[music]

00:37:59

well, it’s very oak in control, of course,

00:38:02

you just touch it a little and it’s all gone, but it

00:38:06

would be a smaller value, this is where I should

00:38:08

compress 40 decibels, and are you

00:38:10

kidding me, you

00:38:12

can drive it into the window just eat

00:38:15

until minus 6

00:38:17

minutes, this is our original craftsmen, I’ll doom it, well, in

00:38:22

short, it’s an interesting thing that

00:38:27

can be dissolved here am inflator

00:38:31

immediately installed after it and everything is fine or

00:38:34

before it and I’ve recently been here a lot of this is

00:38:38

not an inflator it’s enough

00:38:42

for if you have a press this is by the way muskets

00:38:44

see what the factory advises in quotes

00:38:47

factory or vitara yes

00:38:50

no he has it for every factor well

00:38:54

perform correctly do it dump

00:38:58

Kharkov forms probably died sampling

00:39:02

got in some time but here it’s much funnier you can

00:39:06

do it

00:39:07

in the referee you can take it and make

00:39:11

it work in any proper

00:39:13

sequence for example fx instance

00:39:16

obverse if you want

00:39:18

everything will work at 192 really need to be done

00:39:22

after it now I can put a

00:39:24

normal clipper of some kind on

00:39:26

192, it will be a plus, well, I have this one so I do

00:39:31

n’t have to worry too much and

00:39:36

[music]

00:39:40

I

00:39:45

can now safely throw away the Oxford

00:39:48

inflator which is still on 64

00:39:51

versions of the broken one, but it’s not

00:39:53

available in LAN DPR use but look

00:39:56

how it affects and more specifically does not affect more

00:39:59

precisely on the points, that is, this actor,

00:40:02

down and up, has no effect on anyone’s

00:40:05

and doesn’t have this, let’s have an effect

00:40:09

well 100 actor will move what is minus

00:40:11

what is plus and yet RF this is how the effect

00:40:15

how will those

00:40:18

very harmonic distortions of the addition be built

00:40:20

because this is a device that

00:40:22

specifically distorts, it is not in the classical

00:40:25

sense a

00:40:27

device that can change very

00:40:30

well, so for mastering this is

00:40:31

a must-have, I will use this device

00:40:34

now in almost every

00:40:36

project until

00:40:38

the final one do you want a creeper dobrik

00:40:41

wave metro or rather wallpaper by the way

00:40:44

I remembered the speeches of free plugins

00:40:46

free compressors a pack of this is a hammer

00:40:49

this hammer and etc. yes this is us jus junior

00:40:55

magic mouse here is the clavel film Kang Hee and

00:41:00

junior jack are very good by the way too

00:41:03

so in principle the compressor in general has

00:41:06

a lot of free good ones very

00:41:08

easy choosing on that’s why I’m young

00:41:11

let’s say I don’t really use it especially the

00:41:13

new one

00:41:15

wait here which hammer hammer

00:41:18

hammer young people this is new

00:41:25

[music]

00:41:26

and they have no no m he is young giji is

00:41:31

different from the speakers it will be a little bit like

00:41:35

this hexagon gain

00:41:38

reduction yes it will be just a matter of

00:41:39

least of all there will be no alpha and beta

00:41:42

there half of all this will not be simple the

00:41:45

bank is basic, four large handles,

00:41:49

well, I can’t really remember why

00:41:52

I don’t use it much, I can’t remember it seems to be

00:41:56

good, but simply for the reason

00:41:59

that there is something cooler and the result is faster,

00:42:02

that’s probably the key thing here, sometimes you turn your

00:42:04

head and it’s all the same would

00:42:07

not be enough and here there are many different countries

00:42:09

to dual you stand here this one if you opened it

00:42:12

here as if I don’t know there will be

00:42:14

control of the plane and by the time you turn it

00:42:18

you already forget why you actually went there

00:42:22

if there are some simple solutions

00:42:26

here this one for example it was much easier to eat

00:42:30

here you can do nothing at all,

00:42:32

just turn one knob and enjoy the

00:42:34

result, it’s like you get lost,

00:42:35

thinks on your own, and all

00:42:39

for the same reason that one knob is

00:42:42

little, I like it all, so I turned one

00:42:46

knob, if the result didn’t

00:42:48

suit you, just changed the plugin to another

00:42:50

and that’s it but most often he just takes it and

00:42:52

arranges it,

00:42:54

why think about it, why waste extra time,

00:42:57

and so in this case, most likely the hammer wo

00:43:00

n’t go there if there are fewer handles,

00:43:03

guys that I don’t mean that I don’t know how to

00:43:06

use it and not because I really

00:43:08

really care about it the tape doesn’t need

00:43:10

time more expensive in the name of course give

00:43:16

us no more 15 to open it like that

00:43:19

spin spin spin spin once you can

00:43:22

then forget it or yes in general we are all on

00:43:26

schedule according to the battle plan it seems yes well that’s the

00:43:30

coolest thing shown next we

00:43:33

’ll just pick around it’s not clear What

Description:

Познакомимся с плагинами, которые Евгений использует в каждом проекте, а многим даже заглянем "под капот" в анализаторах! Своим людям подгон на облако ADT https://www.terabox.com/sharing/link?surl=ya0uUIeSQbujymWnGpKZuA 💲 Поддержать канал ₽: https://boosty.to/alexspirit 💸 Ю-мани кошелёк: 4100116006344419 🏧 Карта Mastercard: 5599 0020 1127 1451 до 03/25 Средства будут потрачены на микрофоны и оборудование для обзоров! Спасибо! ❕ BOOSTY Джона: https://boosty.to/johnolin ❗ Бесплатные VST сатураторы: https://www.youtube.com/watch?v=GD41Y3DLXP0 📑 СОДЕРЖАНИЕ: 00:00 - Вступление 1:28 - Coffee 'The PUn' 7:11 - DC1A3 12:52 - Tessla SE MKII и Ferric TDS MKII 19:18 - ADT 21:50 - PSP Piano verb 23:48 - Head Crusher 28:12 - Slick EQ 33:46 - LOUDENER и ReaLimit

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