Download "Колористика. Цветовая система и теория цвета / Валентина Миллер"

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Блонд с затемнением корней. root melting / плавные переходы у корней. Наталья Чернушенко kapous.

Блонд с затемнением корней. root melting / плавные переходы у корней. Наталья Чернушенко kapous.

Channel: NATALIA CHERNUSHENKO

Урок для парикмахеров. МУЖСКАЯ СТРИЖКА полная версия мастер-класс. Артем Любимов Барбершоп обучение

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Channel: артем любимов / artemlubimov

ЭТОТ КРАСИТЕЛЬ ТВОРИТ ЧУДЕСА Выход из рыжего в русый Декапирование

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Channel: ZHENYAZHULEVA

Окрашивание волос Шатуш Балаяж Омбре Советы колориста техники окрашивания Shatush Balayage Ombre.

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Channel: ZHENYAZHULEVA

Теория цвета/ Color theory

Теория цвета/ Color theory

Channel: Rascheska TV

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обучение парикмахеров

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00:00:04

friends, hello to everyone, a huge

00:00:10

hello, I’m also glad to see you all,

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friends to all those who don’t know me, my

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name is Valentina Miller, I’ve been a

00:00:19

hairdresser trainer for over 7 years,

00:00:24

February 6 has passed, yes, I’m the host of my

00:00:27

blog, comb tv, I’m the founder of the best

00:00:33

application for hairdressers before the online

00:00:35

academy which we renamed it is

00:00:38

already called beauty wild-wild tire and the

00:00:43

author of the book pride mohair colorista

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ii today's broadcast will be quite

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simple light topics of

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the broadcast initiation into colorism many

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hairdressers are fixated on solving

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coloristic problems, but

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today I will return you to the

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basics to the basics

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I will initiate you into color theory,

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I will tell you about basic colors, I will tell you about

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secondary tertiary colors, I

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will demonstrate, of course, how these colors

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are formed, I will try to keep it in

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time, I will talk about the chromatic

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scale, I will reveal the topic of color characteristics

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and, of course, an important aspect, I

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will tell you why a hairdresser needs to

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use a color system in this

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live broadcast I will create a color system

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based on world color theory, relying

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on knowledge of color theory and, in

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fact, we will make the simplest system of johan

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most tones, we will try to meet the

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time

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to make a brown color wheel, and

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moreover, I will tell you that 99 percent

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of you are unlikely did a similar

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homework similar task

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yes what will I do today

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except for those

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if you are not an artist this is more than half of the

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artists the general color system is

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unlikely to be done what I will do today

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I will repeat that I am based on

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color theory based on the color system and

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Hansen it is necessary the bauhaus theory Well,

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guys, let's go without prelude, who needs a deeper

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dive into color,

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follow my video lessons on my

00:02:52

channel, comb with my Instagram

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and of course study the online course

00:02:58

video course color, which will open up

00:03:01

a lot of insights for you

00:03:02

and you will look absolutely at creating color

00:03:07

in a different way,

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look, I drew here a certain

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color system

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to create the color wheel of Johanson

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and foam and lay the

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foundation of the fundamentals of color theory here, we

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will need the ladies to draw such a

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scale of 10 shades for the gradient scale

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brown color wheel

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rainbow our fault light wave and

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directly the diagram of the light Kaluga

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for theory in order to lay down the

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theory of color based on the theory of bauhaus

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which was created by johansson this is my

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triangle we will divide into 3 parts

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we also need a ruler a simple

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pencil two brushes water and paints

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there are three primary colors that

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cannot be obtained by mixing

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other colors 3 pure colors are yellow,

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red and blue, and before actually

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sketching the entire circle, we will

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fill in the three primary colors with paints.

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The triangle is a basic figure, three

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basic colors, you can do it with

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me if your children have paints,

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try to do this exercise

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with me for what it is necessary for

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a hairdresser to do a similar exercise

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in order for a trainer to train

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his visualization and believe me from the idiot the

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brain is filled in remember nothing

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the camera can distort the color and therefore

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do the exercise in parallel yellow

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is located at the top

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red is located in the right corners of

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autumn is located in the left periodically

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I will display your questions on the screen

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today we will not analyze complex

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coloristic tasks,

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I saw your questions that you have already

00:05:57

written to me in stories, I will answer them

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stories at the end of the broadcast, we will make

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a drawing for the winner among the commentators,

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let the winner receive a ticket to the

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coloristics course which is in our

00:06:15

YouTube application and kesha and blue in the

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left corner, these three colors cannot be

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obtained by mixing

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other colors, this is the basis of the basics,

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thanks to these three colors, you and I

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will create a whole color system, why do

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hairdressers need a

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color system so that a

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hairdresser, based on knowledge of

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color,

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can use a color system

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calculate the color ahead now we will

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draw more

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triangles in order to create

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secondary colors by mixing

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yellow and blue we will create

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green by mixing blue and

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red we will create purple and

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we will have 6 shades

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of basic primary secondary colors for

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in order to make a full-fledged rainbow

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using the palette,

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we will mix the colors red and yellow in

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equal proportions,

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but since red is still the

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leading color, brighter yellow, we

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will add two parts of red, we will add

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one part, I

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will repeat, this exercise

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must be performed at least once a year, and we

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will draw this orange color up in a

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triangle between yellow and red

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hairdresser visualization on the color should

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be I highly recommend that you buy the book

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or subscribe to the pontoon platform

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because pontoon is a platform that

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has founded since 1963 it dictates the trends

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under the light of all fashion designers

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architecture and hairdresser too, and so

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orange, using a scarf,

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we will clean our palette and then

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mix two colors yellow, it is

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very important that

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the colors are as pure as possible if

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suddenly you stained the paint,

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renew it, otherwise the color will be distorted

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and you will end up with gray-brown-crimson in

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equal parts, mix if we talk about

00:09:40

pigment content of dyes, then yellow

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is contained in golden shades of

00:09:46

beige shades of blue is contained in

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ashen and pearly shades of yellow

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and, as a rule, in hair coloring we

00:09:55

focus on the background lightening that we

00:09:57

get in blondes as a result of

00:10:00

hair bleaching, getting

00:10:03

yellow very light yellow and yellow, as a

00:10:09

rule, we focus on the eighth

00:10:11

level of tone depth and if we

00:10:14

take ashy

00:10:17

or pearly shades to neutralize blonde, a

00:10:19

marsh color is obtained, here you go, yes,

00:10:23

yes, creating a single

00:10:25

and so on 2nd secondary color and the third is

00:10:30

red and purple, here it’s very easy

00:10:34

red blue to get purple

00:10:37

red natural color leading and we

00:10:40

put it in less

00:10:43

autumn, we get more in order to

00:10:47

get a color that is not brown into purple,

00:10:49

we mix blue and here, as a

00:10:55

rule, we get twice as much blue, that

00:10:59

is, two parts than red;

00:11:04

purple, by the way, when we use it, yes,

00:11:07

it contains pigmentation in

00:11:09

pearlescent shades,

00:11:10

but remember that using pearlescent

00:11:13

shades to neutralize yellow in

00:11:16

blondie we get a darkening effect and from here

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follows the rule of color any

00:11:25

neutralization leads to visual

00:11:28

darkening remember that the main

00:11:32

rule of color is, of course,

00:11:34

to create a mood and yesterday we

00:11:38

dealt with conflict situations in

00:11:40

beauty salons and often clients who

00:11:43

create a blonde shade are unhappy

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solely because you created the

00:11:48

wrong mood for a person, he can and

00:11:50

cannot even explain why all the ladies

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and gentlemen now, before concluding

00:11:58

these primary up to 6 colors of the first

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primary secondary colors are not enough

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here, in fact, in this rainbow Yes,

00:12:10

it’s purple and tertiary colors,

00:12:13

but what exactly is the color

00:12:15

wheel and what is it eaten with?

00:12:17

It’s a rainbow enclosed in a donut,

00:12:22

how to close it and what color closes

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this circle, of course, purple,

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let’s first analyze the

00:12:30

rainbow and understand why we need it you need to

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know the theory of color waves and so

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each color, each color has its own

00:12:42

wavelength, let me fill in the rainbow and

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draw this diagram, please

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note that it is very similar to a

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trapezoid at the bottom there will be

00:12:53

purple on top red and let’s start with the

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elementary woman and fill it to the

00:13:00

purest colors of

00:13:02

this yellow, you can do the exercise in parallel with me,

00:13:07

who have paints at home, do

00:13:09

the exercise in parallel with me,

00:13:10

train your visualization when you

00:13:13

work with your hands, in addition to watching

00:13:16

videos that you can watch in

00:13:19

my application, and while studying color,

00:13:23

you also train in parallel, the

00:13:26

next one we will have is orange

00:13:32

orange me I’ll take a clean one right away, yes,

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in order not to create it, I’ll definitely take a

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photo and post it later, I’ll

00:13:44

repeat it again, be on the air, I’m unlikely to

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save it, it needs to be mandatory, most

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likely I’ll save it on my

00:13:51

channel, the calculation is red, since the

00:14:01

hairdresser works completely with color, yes

00:14:04

with pigments, of course, you need to

00:14:07

know the color scheme:

00:14:09

red, then yellow-

00:14:13

green, here I have already created yellow-green here on the

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palette, savannah and yellow-green,

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that is, we take one part of yellow,

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yellow-green, but if we

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meet this combination of

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shades of colors, then yellow-green

00:14:31

used in beige yellow and I’ll already

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take ready-made green in the beige

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direction of the color yellow green

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we take two parts yellow one part

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green an intermediate color

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is a must, yes every hunter wants to

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know where the pheasant sits

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and the green color itself

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immediately after the yellow-green comes if

00:15:05

we talk about a hairdresser in art,

00:15:08

we contain green pigments in the

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direction of matte colors and

00:15:15

namely

00:15:19

matte shades that neutralize red, then I

00:15:23

really love cool shades in the color palette, matte

00:15:26

colors, I really like L'Oreal

00:15:28

Professional, we used to be in Schwarz Kopi

00:15:31

matte shout Italian brand who work on them

00:15:34

very beautiful matte

00:15:36

palette of shades and using such

00:15:40

shades of natural is another rule of

00:15:42

coloristics, yes, these colors that are

00:15:45

opposite each other are

00:15:47

complementary

00:15:48

and they neutralize each other until therefore,

00:15:54

working with matte shades, we

00:15:57

understand perfectly well that we can create a

00:16:00

ready-made color solution for clients

00:16:02

using a matte shade so that during the

00:16:05

washing process they do not went into an

00:16:08

unpleasant reddish color, but what

00:16:11

clients avoid is not chocolate

00:16:15

because the chocolate direction of color

00:16:17

contains

00:16:19

just a lot of red,

00:16:22

namely matte, the

00:16:26

next one is blue and the final one is

00:16:32

purple, and now, thanks to

00:16:36

this scale, you and I will understand that

00:16:40

everyone is even like the rainbow turns into a

00:16:44

color wheel and why is the purple color not

00:16:49

measured by the length of the light wave and let's

00:16:51

say so yes

00:16:54

yes it is a connecting such a

00:16:58

connecting shade in the color wheel

00:17:01

and purple now let's

00:17:10

write down that each color is measured before the

00:17:13

color is measured each color has its own

00:17:17

light wave waves and color is measured

00:17:20

in meters,

00:17:22

such a unit of measurement is nanometers for

00:17:26

red color the

00:17:30

longest longest light wave 700

00:17:34

nanometers for orange color 600 for orange 600

00:17:42

for yellow and yellow green 550 I

00:17:46

repeat here plus minus yes there are 20

00:17:48

units because each meter

00:17:50

will give you plus minus 20 units of

00:17:54

green and blue 500 these are

00:17:57

intermediate shades between blue and

00:18:00

yellow-green blue 450h violet has the

00:18:04

shortest wavelength of light

00:18:07

if we look at this ray

00:18:17

and measure then we will see

00:18:21

the following to

00:18:22

from violet from violet to

00:18:33

red vibrations of the light wave will

00:18:41

look like this and they will clear

00:18:50

and increase they will clear and

00:18:58

increase because the light

00:19:01

wavelength of violet is less than that of

00:19:06

red hence the rule follows yes when

00:19:12

we what is essentially a color wheel

00:19:15

this color wheel is up to a rainbow

00:19:18

connecting into a donut and between red and

00:19:22

blue and

00:19:24

between red and violet a

00:19:26

large gap is created: red is 700

00:19:29

nanometers, violet is 400 and

00:19:31

imagine if you connect them between them

00:19:34

as many as 300 units and it is

00:19:37

usually connected in purple and let us

00:19:43

now sketch and, in fact,

00:19:48

what we are trying to tell me I really like

00:19:51

Johan’s color system, that’s it, and you and I

00:19:54

will sketch the color system and the end of

00:19:56

Nathan and analyze the remaining laws of

00:20:00

colorism, laws of colorism in

00:20:02

fact, there are a lot of laws of colorism,

00:20:04

really, a lot and the most

00:20:10

basic ones that are necessary for a hairdresser,

00:20:13

we will still analyze we will conditionally divide

00:20:20

this circle into 2

00:20:27

segments conditionally cold and conditionally

00:20:32

warm conditionally cold and conditionally warm

00:20:43

do a similar exercise, I

00:20:45

assure you a lot of insights will open

00:20:49

just a heap if a hairdresser does

00:20:55

not do such an exercise, it means he is

00:20:57

unlikely to become a high-quality colorist

00:21:04

because in order to create color it is

00:21:07

necessary in addition to theoretical knowledge

00:21:12

practically

00:21:13

and understand why, how

00:21:20

color is calculated and why, in this way,

00:21:25

color theory can influence the career of a

00:21:29

colorist.

00:21:34

Our task with you now is

00:21:37

to create the Johansson color wheel from

00:21:40

Nintendo and fill out the color rule,

00:21:50

look at the top of the triangle

00:21:53

looks up, we fill it with yellow,

00:21:57

yellow will always be on top yellow color

00:22:02

can be both warm and cold,

00:22:05

conditionally warm colors are colors that

00:22:11

contain

00:22:12

yellow or orange to or part of

00:22:16

red, conditionally cold, these are those that

00:22:20

contain blue and purple shades,

00:22:27

because where the tip of the orange

00:22:30

triangle is pointing to the right on the right side

00:22:33

we will have conditionally warm on the left

00:22:36

conditionally cold composition of colors the

00:22:42

hairdresser needs to know from the

00:22:44

color wheel of the color system

00:22:47

another rule of coloristics is, of course,

00:22:49

composition of colors to composition of colors

00:22:53

is used not only by artists but also by photo

00:22:57

artists and designers of dates by color and,

00:23:01

in fact, people design and by video

00:23:04

color and the creators of computer

00:23:08

graphics today because in the 20th century the

00:23:12

active 21st century did not

00:23:15

stop until this

00:23:18

figure, and color is an integral

00:23:25

part of our lives, so yes, with black and

00:23:31

white pictures, we are no one to call us,

00:23:34

as the insanely fascinating world of color

00:23:39

forces us diving deeper and

00:23:41

deeper

00:23:42

now, of course, has become fashionable until the chain

00:23:47

again, we are returning sepia bw.

00:23:50

but even in black and white and all five photographs

00:23:53

there is a monochrome

00:23:57

color composition, to create a monochrome

00:24:00

you also need to know color and of

00:24:03

course study the gradient

00:24:07

so purple, yes, where

00:24:12

the exit looks, it can be a little brighter,

00:24:21

involve your family and friends when

00:24:24

you draw a color system

00:24:28

this very interesting, we still have blue

00:24:33

and we drew pure colors in a circle

00:24:42

yellow red blue is a primary color

00:24:46

for which it is impossible to create by

00:24:48

mixing other shades and secondary

00:24:52

colors, but there are also intermediate

00:24:55

tertiary colors which are formed due to

00:24:59

why tertiary because they are

00:25:01

formed due to creating a primary

00:25:04

date 1 color and a secondary color 1 plus 2

00:25:10

there will be three changing therefore they are called

00:25:12

tertiary colors and we mix with you up to

00:25:16

1 color we create this yellow and we mix

00:25:22

with you green and get a yellow-green

00:25:25

color to get an intermediate

00:25:28

tertiary color yellow-green us

00:25:30

you need to mix 2 yellow and 1 green

00:25:34

and we get it with you, yes,

00:25:45

I’ll repeat it again, yes, as a hairdresser you

00:25:48

need to know that in the yellow-green

00:25:50

segment you can write down here as

00:25:53

soon as your circle dries, there are all

00:25:56

beige shades, beige shades have a very

00:26:00

cool neutralization if put a

00:26:03

yellow-green color on a very pure

00:26:06

lightening background we will get an ashy color

00:26:09

why I often get asked this question

00:26:11

why yellow + green equals beige

00:26:14

because provided that there is a pure

00:26:18

lightening background yes now we will open the book of the

00:26:22

bible hairdresser colorist

00:26:24

and open the

00:26:28

lightening backgrounds the scale of lightening backgrounds

00:26:35

if you have this book is a must before

00:26:39

you open the page with the lightening backgrounds

00:26:42

and the lightening background, it should be as

00:26:46

light as possible, very very light,

00:26:55

why yes, and in this way we create a

00:26:58

beige color on a very light yellow

00:27:01

lightening background, we put a beige shade,

00:27:04

I repeat, and a very light yellow background

00:27:06

lightening, all the yellow is spent on the

00:27:08

pigmentation of autumn is to create an

00:27:12

ashen shade,

00:27:14

therefore it turns out yellow + green

00:27:16

equals ashy, so we

00:27:18

calculate the color but on the condition that I

00:27:20

repeat that a very light yellow background of

00:27:23

lightening should now be to

00:27:26

create a tertiary color

00:27:29

yellow-orange we take yellow and we

00:27:33

take orange

00:27:36

and get a yellow-orange tint what

00:27:43

shades of dyes can we write down here

00:27:47

in this in this color sector

00:27:51

golden-copper

00:27:56

solidly golden yes if someone works in

00:27:59

letters and this is hunger cutter who works in

00:28:03

numbers this is 30 the fourth direction of

00:28:06

color the background lightening is not is equal to

00:28:14

the levels of the guys, the lightening background is equal to the

00:28:19

lightening backgrounds, it is not

00:28:22

equal to the levels, remember once and for all, it is the

00:28:25

deepest mistake to equate the

00:28:28

lightening background with levels and now the following

00:28:32

means in the orange sector we write the

00:28:34

copper direction of the colors in

00:28:40

red-orange we write the copper and

00:28:44

copper-red direction of the colors

00:28:49

44 ultra copper always stands on the border of

00:28:56

red-orange

00:28:57

and orange, right here in the center of

00:29:04

red-orange and orange,

00:29:12

and in fact, we still have up to

00:29:16

green blue to make green

00:29:21

blue, we mix one part green, one part green,

00:29:26

one part blue and

00:29:37

we get this green blue

00:29:41

emerald color before color or sea green color

00:29:45

as I already said in the green sector we

00:29:49

can write down shades of colors

00:29:51

matte green blue matte matte ash

00:30:00

brown ash on

00:30:02

write down for example like in Luanda 71 to

00:30:08

brown ash 7 first

00:30:10

direction of color

00:30:12

further blue blue-

00:30:16

violet blue-violet for

00:30:18

blonde my favorite segment is one part

00:30:23

blue and one part purple, this is the

00:30:28

ideal sector for creating blonde

00:30:34

here, as a rule, we see pearly mother-

00:30:38

of-pearl children such as there I don’t

00:30:41

know, let’s say in the style yes there is

00:30:45

1066 Loreal 1021 in or in my 86

00:30:58

direction further you and I remain

00:31:07

non-existent a color that is not in

00:31:10

the rainbow

00:31:11

is purple, you and I see that we

00:31:16

have combined the rainbow into a donut, here it is the length of

00:31:19

light from red to violet from

00:31:22

red purple donuts have been created

00:31:24

and our rainbow consists of pure

00:31:27

primary colors red yellow and

00:31:29

blue secondary colors orange

00:31:32

green violet and tertiary colors

00:31:36

red-orange yellow-orange

00:31:38

yellow-green green

00:31:39

blue green violet and

00:31:42

we connect and this donut is impossible

00:31:45

to connect the light wavelength of 700

00:31:48

nanometers with up to 400 well, look,

00:31:53

judge for yourself, but such a run-up it

00:31:56

simply will not connect logically because before the

00:31:58

artists connect it with the purple

00:32:02

color it it is called indicated in the

00:32:04

color palette as fuchsia among

00:32:09

hairdressers many color

00:32:12

lines, especially permanent dyes,

00:32:14

have a very beautiful mixton like the Schwarz

00:32:17

Kopi was zero 89 it is fuchsia that

00:32:20

is in London, there is a similar mixton 56

00:32:25

I generally like to work with such

00:32:30

dyes that have purple

00:32:33

colors because purple the color

00:32:35

helps them out perfectly by creating copper shades of

00:32:38

their favorite redheads to prolong the life of the color

00:32:41

and it also helps out in the blondie of the

00:32:44

Incas in brown shades, this is my

00:32:47

favorite color, I’ll bring it out for the sector in

00:32:50

my own way, I really like to

00:32:53

bring out the purple color to make it

00:32:57

clear to you that

00:32:58

this is also a connecting link,

00:33:03

so now now we will write down

00:33:16

magenta here, we will write down our

00:33:19

long to holy waves, first of all,

00:33:21

we will separate the words as if the warm shades of

00:33:24

color around it are conditionally cold and

00:33:27

we will write down to conditionally

00:33:29

cold conditionally and conditionally

00:33:35

warm and now we will write down the length of the light

00:33:41

wave y violet 400 for red 700 for

00:33:53

blue blue-green 500 with conditionally

00:33:57

guys for yellow-green 550 for yellow

00:34:06

yellow-orange 600 and red 700 and

00:34:12

now look at the colors we are saturated

00:34:16

and clockwise

00:34:19

they lose their saturation

00:34:23

counterclockwise if you look at the length

00:34:25

light waves from 550 to 400 from 700

00:34:30

to 600 lose their saturation

00:34:34

counterclockwise the saturation on which one we

00:34:38

will see more which one will catch our

00:34:41

eye brighter of course the red one the

00:34:43

light wavelength is much longer which one is

00:34:45

smaller we will pay attention of course

00:34:47

violet it is always less bright to ours

00:34:52

eye and therefore write down the following

00:34:55

rule for yourself colorist that colors become saturated

00:34:59

clockwise of our color system

00:35:03

lose their saturation

00:35:05

counterclockwise how we can

00:35:07

use the length of the light wave to

00:35:10

calculate the color nuances of creating color

00:35:14

first, for example, yes, as we have already said,

00:35:17

we have divided the circle into conditionally warm

00:35:20

as if cold, for example, we create

00:35:22

warm shades,

00:35:23

friends, in great detail, I explain in

00:35:27

my video course coloristics, I

00:35:31

highly recommend it

00:35:33

and also demonstrate how it works on

00:35:35

hair, for example, golden shades

00:35:39

837 393 copper shades 747 44 up in

00:35:45

numbers I say red shades 7 ppr red

00:35:49

yes and purple shades there are 7610 a little from

00:35:54

6 for example we want to create an orange

00:35:57

tint as a rule copper shades

00:35:59

lose their brightness very quickly so we are

00:36:02

using the light wavelength yes we are

00:36:05

looking at how copper shades are washed out

00:36:07

for sure we don’t know I know you haven’t

00:36:10

heard that there is such a theory

00:36:12

of coloristics hours, I

00:36:15

explain by coloristic hours, so

00:36:17

you probably noticed that the client

00:36:19

comes with a copper tint,

00:36:21

more if she passes the month, she

00:36:24

comes with a yellow-green tint, this

00:36:27

is due to the fact that she

00:36:29

went through a longer period as

00:36:31

stated by the manufacturer, for example, the

00:36:33

manufacturer stated four weeks

00:36:35

once or twice - three or four so that this color of

00:36:37

the stems is yellow and it lasts for 5 weeks

00:36:40

and now let’s see the shade loses its

00:36:43

saturation

00:36:45

counterclockwise, first on copper and then copper-

00:36:48

golden, then golden, the fifth week

00:36:50

already comes to you with a swampy

00:36:52

tint, all because she went over

00:36:54

more than stated 4 weeks longevity

00:36:57

four weeks and she broke out

00:37:00

quickly and it lasted longer than expected

00:37:04

but she came to us for correction only

00:37:05

after five weeks with a

00:37:06

yellow-green color if there is such a

00:37:10

client when she walks for a long time with

00:37:12

shades, we will outwit the

00:37:15

color clock, we will create a copper

00:37:17

shade with the addition fuchsia I like to

00:37:20

add fuchsia to copper shades, another

00:37:22

question is how much in Ilkum for the

00:37:24

coloristics course we add foxy, thereby

00:37:27

deceiving the color clock by moving

00:37:29

the arrow here into the red zone and here we

00:37:32

consider the sector, it comes to you for a week 2 3 4 in

00:37:36

week 5 a golden

00:37:39

hue arrives here you have a color

00:37:42

system, you can similar to the

00:37:44

Johanson color system and this is to use

00:37:47

them to create a blonde, for example, how to create an ash color

00:37:49

using a beige yellow-green shade,

00:37:52

I already told you before

00:37:54

for this you need a clean lightening background,

00:37:57

very light yellow and the yellow color goes

00:38:00

into pigmentation and part of the blue

00:38:02

pigment

00:38:03

you use to create an ashen

00:38:06

shade, now we turn to blondes

00:38:08

who love ashen color, and if we

00:38:13

create lightening tampons at a very dacha,

00:38:16

about creating ashy shades, we

00:38:19

need exactly a very light yellow

00:38:22

lightening background, and if we put a blue to

00:38:25

ashen shade namely this pigment

00:38:27

and some people their dyes

00:38:29

for example lakme contain a yellow green

00:38:31

pigment they are very cold we will get a

00:38:34

green color what should we do we will mix we

00:38:37

will see counterclockwise we will see

00:38:40

closer to the purple segment we will add to the

00:38:42

ash purple thereby we will get the

00:38:45

color washed out a little longer yes yes

00:38:48

pure background lightening

00:38:50

1 week 2 3 4 with an ashen tint and it

00:38:54

will come to the channel takes longer will have to be a

00:38:56

swamp color, especially if it is

00:38:58

not cared for correctly, for example,

00:39:01

rust in the water will naturally quickly

00:39:04

lead to a visual zilli to

00:39:05

our shade, friends, but each color

00:39:10

has its own characteristic and to

00:39:13

do this I’m working on a similar color system in

00:39:16

more detail in my video

00:39:19

course on just such a color

00:39:21

system. We need to know

00:39:26

something else that I’ll point out in order to do before we

00:39:30

understand the characteristics of color, we

00:39:33

need to understand the chromatic

00:39:36

scale and for this we will sketch with you we will

00:39:40

need before chrome,

00:39:42

this color and chrome, yes, this is a disaster, then we

00:39:45

will need a scale like this while you

00:39:48

sketch and the scale consists of 10

00:39:50

people, well, about 10-15 centimeters,

00:39:54

sketch, I’ll say I’ll change the water and so on, and the

00:40:01

chromatic scale, alas, but without a

00:40:03

black and white world, we too I’m nowhere with you,

00:40:05

so let’s sketch out the

00:40:08

chromatic scale and after we

00:40:11

draw it, we’ll talk about why

00:40:14

the hairdresser and colorist needs it,

00:40:19

so look, chromatic scale

00:40:23

1 reveals to us the characteristics of color,

00:40:31

so let’s sketch, yes, the

00:40:34

chromatic scale consists of white

00:40:39

colors

00:40:41

to from a gradient from white to black,

00:40:46

we will fill the first cell with white

00:40:49

color, we will fill the final cell with

00:40:54

black color, be sure to do

00:40:59

this kind of homework guys,

00:41:02

design it beautifully, I will repeat visual inspection, the

00:41:04

hairdresser must definitely

00:41:07

train without training, nothing

00:41:09

will work out and now we are from white

00:41:16

to 50 let's make shades of gray remember

00:41:21

like a movie like this 50 shades of gray

00:41:25

we'll make a gray color in the center

00:41:37

and little by little adding a white tint

00:41:42

we'll first approach

00:41:47

white I'll make gray like this and

00:41:52

then with the addition of white I'll

00:41:55

dilute it like this

00:42:01

make a gradient and like this

00:42:10

I will little by little make a gradient

00:42:12

I think that many of you already

00:42:14

guess that thanks to the chromatic

00:42:18

scale we have the opportunity

00:42:21

to create depth for color and by placing the

00:42:25

chromatic scale in our

00:42:29

example on the chromatic scale our

00:42:32

tips will now show this on ours, when

00:42:34

typing, we will thus

00:42:38

add depth and saturation

00:42:43

of color, and one way or another, when we create

00:42:48

the shade, I messed up here, I added

00:42:51

white and closer to black we already

00:42:55

add to black before blurring it to black

00:42:58

and adding white to any color

00:43:04

we the color loses its saturation and

00:43:08

by adding black to the color

00:43:11

it acquires deeper outlines

00:43:14

and from here another rule

00:43:17

of color follows and this is the visible

00:43:24

depth of tone

00:43:25

even in hair, naturally we

00:43:29

determine the level of tone depth the

00:43:32

darker the holes the greater the depth and this is

00:43:37

such a

00:43:38

single scale the hairdressers and artists

00:43:42

agreed that the

00:43:45

tone depth scale is divided into 10

00:43:48

units, where one is black hair color,

00:43:53

two is dark chestnut, the

00:43:59

third level of depth is 4 5 6 this is already

00:44:04

light brown 7 medium brown 8

00:44:08

light brown

00:44:10

9 very light brown 10 this is blond

00:44:14

you can break it down from 6 to tenth to

00:44:17

blondes

00:44:18

from 6 to one already to brown-haired and even

00:44:24

you know, I’ll tell you this here like this, I deceived us

00:44:27

a little, although I deceived us from 6 I apologize

00:44:32

to the third shot in and and 3 2 and 1

00:44:41

these are black

00:44:44

so from 6 to 10 blondes brown-haired and now

00:44:56

let me show you how it works on

00:45:00

color on color I’m sure you have a

00:45:05

simulator like this, if you don’t have it

00:45:08

somewhere, order a Russian one and a simulator

00:45:11

because if you order on

00:45:13

Aliexpress

00:45:14

it will be in English if you

00:45:18

know English well you see, the

00:45:20

saturation scale is called the chromatic

00:45:23

scale and one way or another, when adding a

00:45:26

chromatic school to a color, we form

00:45:28

the characteristics of the color, then this is the name of the

00:45:32

shades, and thus, when we

00:45:34

add a chromatic scale to any

00:45:37

colors, the secondary primary cyclic and

00:45:40

tertiary ones are already formed before the name of the

00:45:43

shades, that is, yellow yellow orange

00:45:45

yellow-green and so on saturation

00:45:49

saturation on the scales of romance can

00:45:53

show brightness dullness of color yes not

00:45:56

good do not confuse it with lightness

00:46:00

saturation that is, let’s say if you

00:46:03

add white color then you

00:46:05

color saturation loses if you add

00:46:08

gray color yes it

00:46:10

becomes deeper saturated

00:46:12

from the satchel and I apologize, you see, I

00:46:15

confused the brightness of the color

00:46:17

very bright red pale bright red

00:46:20

lightness the degree of addition to the color of

00:46:23

white or black the more

00:46:25

black we add the less lightness

00:46:28

because the color is black it absorbs

00:46:32

any shade and temperature of course

00:46:36

what am I talking about and she said yes, let’s turn

00:46:38

the camera around a little, conditionally warm and

00:46:41

conditionally cold colors, it forms

00:46:44

the temperature of adding blue to conditionally

00:46:47

cold, adding

00:46:48

cores of red, conditionally warm, and let’s

00:46:51

talk about the

00:46:54

chromatic scale on the simulator, it’s shown here in this

00:46:56

simulator

00:46:57

and here I really like to see and

00:46:59

any color + white

00:47:02

any color + gray and any color + black,

00:47:06

but let’s use blue as an example to understand my

00:47:11

favorite color, blue, for some reason, the color of

00:47:14

my childhood, in the addition of

00:47:17

blue-blue,

00:47:18

in addition to the blue color of white, we

00:47:21

get blue here in the window

00:47:24

color because mucus and not diluted with

00:47:26

white we get blue if blue

00:47:29

is diluted with gray, we also have lightness to

00:47:35

color, it is lost and

00:47:37

saturation is lost because when

00:47:39

adding gray the color becomes so

00:47:42

gray as a dove and when adding

00:47:46

black, alas, our light becomes

00:47:49

so dark that we ate we can

00:47:52

make out the shade the same with any

00:47:55

other color, let's use the example of pure

00:47:57

colors red

00:47:58

when adding white to red we

00:48:01

get pink when adding red

00:48:03

gray we get already such a terracotta

00:48:06

color and by adding black to red

00:48:09

we already get such a dark burgundy

00:48:11

deep color and the color forms its

00:48:15

depth when adding black, why do we

00:48:19

need to know this, yes, here on the

00:48:23

other on the other side, yes, we can

00:48:29

look when adding

00:48:33

gray, you see, we can already look at

00:48:36

red when adding white with the

00:48:38

addition of gray and with the addition of

00:48:40

black In this way, we form a

00:48:43

gradient for Granada client, a characteristic color

00:48:47

that forms its depth, let us

00:48:51

analyze the gradient here on one of the

00:48:55

scales, exactly here, why, in order to

00:49:00

understand that for each level of

00:49:04

tone depth of natural hair color, we

00:49:07

somehow correspond to its own shade so that the

00:49:10

entire palette colors, we could

00:49:13

choose our desired shade, especially this

00:49:17

information will be useful for a novice

00:49:20

hairdresser, write what color we

00:49:22

will break it down into a gradient adding a

00:49:26

chromatic color scale

00:49:29

guys, don’t worry about where to

00:49:31

order one, don’t worry about it at all,

00:49:34

because as a rule, for hairdressers, it’s a

00:49:36

dead weight, sketch these for yourself scales

00:49:39

and will give you my word of honor for free

00:49:41

because they order all sorts of crap,

00:49:45

they will spend money, they will waste time and

00:49:48

this circle is not used by makeup artists and more often

00:49:51

they use which green is red, well, let

00:49:55

’s suggest we look at the

00:49:58

really green color, yes, because

00:50:01

we have a lot of red here, so we’ll

00:50:05

take it with you white color white

00:50:10

here green

00:50:18

here and guys black as you will

00:50:25

create just like me and black everything

00:50:31

exactly the same as I create

00:50:40

and now we transfer this chromatic

00:50:45

scale here here

00:50:55

intermittently here we add gray-green already black

00:51:02

well this is how we

00:51:10

created to the level of tone depth and we will

00:51:19

now write down with a simple pencil yes

00:51:22

from here 10 well, let’s assume yes we

00:51:26

can have something up to let’s say there is a flag we are

00:51:31

10 191 because in the varnish we are green color

00:51:36

this is ashen to one 817 1617

00:51:43

it’s clear why is this relevant 5

00:51:48

141 well, and at the 11th level of tone depth,

00:51:59

stretching the color gradient, that is, knowing

00:52:03

this gradation by adding a chromatic

00:52:06

scale,

00:52:07

you can create your own

00:52:09

color system guys that will

00:52:13

look like this, and this is how the color system

00:52:16

will be more useful to you and you can fill in

00:52:18

the color system,

00:52:20

for example, with shades 10 393 837 3635 343

00:52:29

3313 well, there are no such shades, as a

00:52:32

rule, golden colors go up to level 53,

00:52:34

that is, adding a chromatic

00:52:37

scale

00:52:38

to any color leads to the level of

00:52:41

tone depth in accordance with the level of tone depth of the

00:52:43

hair color, that is, let's say 60

00:52:47

natural color we can put

00:52:49

shade 61 and make it colder

00:52:53

yes it’s really very interesting I

00:52:56

turn the camera towards you guys

00:53:03

color theory is endlessly

00:53:05

interesting and in general immersion in a thing

00:53:09

not everyone can explain it I’m

00:53:13

very proud of myself

00:53:15

as a teacher in this regard because I adore

00:53:19

color theory and tell it

00:53:21

to the hairdresser I really love this

00:53:24

color theory I will definitely take a photo and

00:53:26

post it on Instagram you can

00:53:28

take a screenshot now and tag my work

00:53:32

account you have time

00:53:34

let’s do it again

00:53:39

I’m always very worried thinks it

00:53:43

excites me no I really like it I really

00:53:46

like it yes explain I really like

00:53:51

to see the eyes of my students

00:53:58

who understand where Tuvalu is, we now

00:54:02

understand why we need a color

00:54:04

wheel, we really understand

00:54:06

thank you very much for your attention,

00:54:10

you have the opportunity to take part in the

00:54:13

draw, register in mine in

00:54:17

my feed under the picture,

00:54:20

just leave the broadcast schedule any comment on the

00:54:24

video course on coloristics costs 3,990 rubles

00:54:28

and when you purchase a video course on coloristics you

00:54:32

receive a gift, write to me in direct message

00:54:35

and I will tell you what gift and how to

00:54:37

do it. The video course on coloristics has a

00:54:41

detailed explanation of color theory and

00:54:43

practice, a very comprehensive course on coloristics

00:54:46

for only 3,990 rubles writes direct,

00:54:50

I’ll tell you how get it

00:54:52

thank you for your attention I was with you I’m

00:54:54

your color coach Valentina

00:54:57

Miller feedback in the course of course

00:55:01

there is a forum for course participants bye

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Друзья, теперь наша онлайн академия находится на платформе GetCourse 🍀 Мы переписали наши онлайн курсы и добавили актуальную информацию 🥰 Все курсы теперь на сайте 👇🏻 www.valentinamiller.com Ссылка на мою страницу VK 👇🏻 https://vk.com/valentinamilleracademy Обнимаю вас одинаково 🥰🥰🥰 Ваша Валентина Миллер Прямой эфир с обучением парикмахеров наполнен упражнением для построения цветовой системы. Это поможет сформировать понимание базовой теории цвета Иоганнеса Иттена, что существенно поможет в дальнейшем обучении колористике. Следуй за нами в соц. сетях ⤵️ Ссылки на мои ВИДЕОКУРСЫ #BeautyEducation для ios 🍏 https://apps.apple.com/ru/app/valentina-miller/id1464505899 для android 🤖 https://play.google.com/store/apps/details?id=ru.valentinamiller&hl=ru По вопросам рекламы - [email protected] Instagram https://www.facebook.com/unsupportedbrowser Телеграмм канал https://t.me/ValentinaMiller ВКонтакте «Академия Валентины Миллер» https://vk.com/milleracademy Сайт Валентины Миллер https://taplink.cc/valentinamillerofficial Facebook https://www.facebook.com/unsupportedbrowser

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