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Фотоуроки

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онлайн фотообучение

уроки фотографии

настройки камеры

photowebexpo

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видеоуроки

онлайн фотоуроки

видеоуроки фотографии

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предметная съемка

canon

nikon

sony

leica

foto

photo

мастер класс

объективы

онлайн видео уроки

онлайн обучение фото

урок фото

фотошкола

фото уроки

pentax

panasonic

рекламная съемка

съемка для продажи

раздел 1

00:00:03

[music]

00:00:10

hello gentlemen, do you remember I filmed a

00:00:14

lesson on subject photography at home, we

00:00:16

used whatman paper to

00:00:18

build a special structure

00:00:19

that was illuminated by light from the window,

00:00:22

today I want to do a second lesson on this

00:00:24

topic because I received a practical

00:00:27

order for subject photography for an

00:00:28

online store I needed to shoot

00:00:31

about 50 things, I realized that I didn’t reflect all

00:00:33

the aspects that might be of interest to you

00:00:35

in home subject photography, but

00:00:39

what’s the difference? The difference is that when you

00:00:42

shoot one, two, or three things that need to be

00:00:45

posted on the Internet page, you

00:00:47

can comfortably process them in any

00:00:49

photo editor, but when you shoot 50

00:00:51

things, it

00:00:54

takes disproportionately more time to process each

00:00:56

photo, two or three minutes, as you

00:00:58

understand, this can grow to many

00:01:00

hours, so you need to shoot in such a

00:01:03

way as not to process the photos,

00:01:04

that is, initially set up the camera and

00:01:07

lighting in such a way that the photograph

00:01:09

is immediately ready for posting on

00:01:12

the site, this is what we will try to

00:01:13

do today as props we have almost

00:01:16

the same set of this in one as you

00:01:18

understand in one this is an inexpensive

00:01:20

component of product photography in addition to

00:01:22

this today we will have a stand with a

00:01:24

lamp stand

00:01:27

oddly enough, it’s also quite cheap,

00:01:29

costs a little more than 1000 rubles,

00:01:31

the lamp is an old Soviet halogen 250

00:01:34

watt, there’s nothing surprising about it, I

00:01:37

think that it also costs mere

00:01:39

pennies and of course we need a camera

00:01:41

that will give us the opportunity to manually

00:01:44

set the balance white and manually

00:01:46

set the shutter speed and aperture parameters,

00:01:49

let's try to set it up so that

00:01:51

everything works. We will place whatman paper on the floor

00:01:58

depending on what

00:02:00

objects we are going to shoot.

00:02:01

If we are shooting those objects that

00:02:03

can be placed on a plane and shoot

00:02:05

them from above, then we place whatman paper

00:02:07

horizontally if we need to shoot

00:02:10

some three-dimensional object,

00:02:11

then we put whatman paper on

00:02:14

the wall so that we get a bend when

00:02:17

moving the fleece from the wall to the floor so that there are

00:02:19

no joints behind the object when shooting, so

00:02:25

you build your structure accordingly; my

00:02:27

objects are flat, therefore I have whatman paper

00:02:29

lying around why I use a halogen

00:02:32

lamp, well, probably the light

00:02:35

from the window would be enough for me, but still, most often you

00:02:39

shoot under artificial light

00:02:41

or you have to work at night after

00:02:43

hours, or it’s winter outside or

00:02:46

cloudy, so the lamp will give you some

00:02:49

stability when shooting By the way, I think that it

00:02:52

would be very difficult to shoot if there

00:02:53

was sun outside the window and, for example, clouds were flying

00:02:56

over them and the sun was closed and then opened, it

00:02:58

would be impossible to shoot

00:03:00

because the level of illumination changes all the time

00:03:02

and we need to get exactly the

00:03:05

same lighting in all frames in

00:03:08

this The camera settings will help us, we

00:03:11

must set the white balance to the

00:03:14

white sheet measurement mode,

00:03:17

most often the camera has such a setting, please

00:03:19

note the incandescent

00:03:21

halogen lamp also has a

00:03:24

white sheet setting in different cameras,

00:03:27

they are called differently, I think that you will find you

00:03:29

turn on point this function at the white

00:03:31

sheet on which you are going to shoot,

00:03:33

press the button, a

00:03:35

fragment of the white sheet is stored in memory and the white balance

00:03:37

is set precisely because of the lighting

00:03:40

that you have in the frame at the

00:03:41

moment, also almost all cameras

00:03:43

now have a so-called grid on

00:03:45

the screen you turn on grid so that

00:03:48

your objects that you shoot are

00:03:52

correctly oriented relative to

00:03:54

horizontal and vertical lines;

00:03:56

if you did not turn on the grid when shooting, then there is a

00:03:58

high probability that your

00:04:00

object will quite accidentally

00:04:03

turn slightly relative to the horizontal

00:04:05

axis and then it is not good for you to place it on the site when processing

00:04:11

When processing some such overloaded images, you

00:04:13

will have to tilt all or part of the photo

00:04:15

somehow a little, which

00:04:17

again is not good, so turn on the

00:04:20

white balance, turn on the grid on the screen and also turn on the

00:04:26

manual mode of shutter speed and aperture in a

00:04:30

certain way, setting it up

00:04:32

now I’ll show you how we will adjust the shutter speed

00:04:36

and aperture using the

00:04:38

histogram, pay attention in the frame

00:04:41

we now have a lot of white and this

00:04:43

large vertical white column on the

00:04:46

histogram just means our

00:04:48

Whatman paper, it is not in the extreme right

00:04:51

position where it should

00:04:53

be, you know what is on the histogram

00:04:54

on the right the light tones in the middle are gray and on the

00:04:58

left the darkest tones we need to

00:05:00

make sure that this vertical

00:05:02

white pillar is in the extreme right

00:05:04

position in this frame as you can see

00:05:08

the table has gone beyond the right edge and the entire sheet of

00:05:11

whatman paper is in a state of so-

00:05:13

called volley, it is too it is strongly

00:05:15

overexposed so we need to return it to the

00:05:18

extreme right position, I think that

00:05:20

this is the setting when it is on the right with a small small

00:05:23

small margin,

00:05:25

but still in the extreme right position it

00:05:27

will reflect the tuna foliage in our

00:05:30

photographs

00:05:31

as perfectly white but without

00:05:34

ash pov

00:05:37

let's try with the settings

00:05:39

that we just now set to remove this small

00:05:43

object with a grid on the screen, I have the

00:05:46

white balance set and I have adjusted the shutter speed and

00:05:49

aperture so that on

00:05:51

the histogram the white is on the right but does not

00:05:54

go beyond the edge and this is how I position

00:05:56

the object relative to the grid line,

00:05:59

trying to do this so that I have it

00:06:02

horizontally so that I don’t have to correct anything,

00:06:06

if you are unsure, you can make

00:06:08

several takes

00:06:17

if you have

00:06:20

any complaints about the image,

00:06:22

for example, you want to tighten up the black color a little

00:06:25

since you set the white ones and

00:06:27

for example, you ended up with a little black

00:06:30

you can make this a batch of gray,

00:06:32

select the entire image at once since you have them

00:06:35

all equally exposed and with the

00:06:37

same white balance and

00:06:39

immediately tighten up the blacks in all images and

00:06:41

then save them, it will still be

00:06:44

faster than processing

00:06:45

each image separately

00:06:50

[music]

Description:

Что делать если вдруг понадобилось сделать серию снимков, например, для интернет-магазина? Если такие задачи несистематические, вполне можно обойтись бюджетным комплектом для съемки. Другие уроки и мастер-классы в Фотоклассе PWE: https://photowebexpo.ru/expo/photo_school/lessons В этом уроке мы расскажем как это сделать. Снимать нужно максимально выверено, чтобы избежать или минимизировать постобработку, поскольку, если результатом съёмки станет большое количество фотографий, этот процесс может весьма затянуться. Для съемки понадобится камера с возможностью ручных установок. Выбираем фон для съемки. Почему может быть недостаточно естественного освещения. Проводим замер баланса белого по фону. Выставляем экспозиционную сетку. Выбираем ручной выбор выдержки и диафрагмы. Делаем корректировку по гистограмме. Совет по пост-обработке. Первая часть видеоурока по предметной съемке: https://photowebexpo.ru/expo/photo_school/online/predmetnaya-semka-v-domashnix-usloviyax.-fotourok

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