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Video tags
Subtitles
Russian
00:00:02
film Ivan Vasilyevich changes profession the00:00:04
screensaver of the Mosfilm film studio begins00:00:07
men or 35 with glasses sleeps with his arm00:00:11
thrown back00:00:12
palm is in front of his eyes a man00:00:15
wakes up scared looks at the finger of a00:00:17
rocket lecture about an experimental00:00:21
creative association shows non-00:00:25
sci-fi, not entirely00:00:27
realistic and not strict historical00:00:29
film based on the play by Mikhail Bulgakova00:00:32
Ivan Vasilievich00:00:34
appears the film title typed in a modern font the00:00:38
font changes to the Old Slavonic00:00:40
style each other is replaced by all three00:00:43
companions scriptwriters Vlad Lentakh00:00:45
us Leonid Gaidai production00:00:47
director Leonid Gaidai00:00:50
composer Alexander Zatsepin00:00:52
sound engineer Raisa Makhacheva conductor00:00:55
Vladimir Vasiliev stunt recording of music00:00:58
and noise and Victor Grandmother text songs are00:01:01
they morons music editor about and00:01:04
became the film director of the picture Alexander00:01:08
Ashkenazi00:01:09
[music]00:01:19
the film was filmed with00:01:22
credits typed in a modern font with the names of the actors floating from00:01:24
bottom to top gradually modern sewing00:01:27
is replaced by an Old Slavic style00:01:30
Yuri supposedly Leonid Kuravlev Alexander00:01:34
Demyanenko00:01:35
Savely Kramarov00:01:37
Natalya Seleznyova Natalya Belogorskogo00:01:41
Krachkovskaya00:01:44
Natalya Kustinskaya00:01:47
Vladimir Etush Mikhail00:01:51
Pugovkin00:01:53
Sergei Filippov end credits Tesla00:01:58
commentary made by the branch of the00:01:59
Scientific Research Cinema Photo00:02:01
Institute of the Nigde Joint Stock Company of the00:02:03
Gorky Film Studio00:02:04
with the support of the Ministry of Culture of00:02:06
Russia00:02:07
the text of the commentary was prepared by00:02:09
project specialists you film a man00:02:12
with glasses vacuums the carpet00:02:14
mechanical movement and an absent-minded look00:02:16
turned to the screen TV on it is a00:02:19
historical film with white stone00:02:20
churches, boyars, clergy and00:02:23
peasant people in a man with a handsome00:02:25
face,00:02:26
thick, slightly gray dark00:02:28
hair, knitted eyebrows, the walls of the room00:02:30
are hung with photographs of a beautiful girl in00:02:32
different images, a princess, a European00:02:34
fashionista, a diligent student, but also on the wall00:02:38
there is also a reproduction of a painting by Repin,00:02:40
Ivan the Terrible a man with glasses kills his son,00:02:42
looks thoughtfully at a00:02:44
real unit in the corner of the room, a complex00:02:47
intricacy of wires, Rita tubes and00:02:49
past technical elements, start and00:02:52
padre, a pack of cigarettes, one after another,00:02:54
cigarettes are sent into the bowels of the vacuum cleaner,00:02:56
a man looking at the banks, they do00:02:58
n’t notice the back from his shoes, the vacuum cleaner00:03:01
swallows the laces,00:03:03
throwing the vacuum cleaner a man runs up to the00:03:05
engine,00:03:06
puts on a white robe on the windowsill, a00:03:09
black cat walks along the window sill,00:03:13
knocks out his tail, sucks up the vacuum cleaner,00:03:15
a man turns off the TV,00:03:18
seeing the cat, opens it wide, turns00:03:20
off the vacuum cleaner, freed, how00:03:23
to hide it behind a curtain, climbs out onto the ledge and falls into the00:03:27
aquarium, the man takes it out, they took him by the00:03:29
car, by the scruff of the neck after passing the bathroom,00:03:32
wraps it up a white towel sticking out from the00:03:35
resulting gurgling wriggling00:03:38
like a snake, a black tail, puzzled by00:03:41
looking at it, the man unwraps the00:03:43
towel, there is no cat inside, but00:03:45
small00:03:46
images of the ready appeared on the white towel, the man looks around, the00:03:51
dry cat sits near the aquarium, the man00:03:54
behind the panel of the unit moves the handles,00:03:56
it is necessary to rotate the grig there, labor and strips of00:03:58
mirrors bubbling liquid flows through the tubes00:04:00
the unit freezes,00:04:03
the man who conducted the experiment is near the00:04:06
elevator,00:04:07
you listen, runs down the stairs, let's use00:04:16
the card, he wants to change the traffic jams00:04:18
now I'm finishing, I'm asking when00:04:20
your be that we're walls and00:04:21
experience will end, as a result of which00:04:23
our entire building is ensured, understand,00:04:24
please lights up light if you passed00:04:28
it to wear over what is the most useful00:04:30
invented hour of work what kind of experiments I00:04:32
do he wouldn’t say so experience with00:04:34
electricity dear comrade should be00:04:35
installed at work and at home electrical00:04:38
energy should be used for00:04:39
exclusively peaceful domestic purposes and00:04:41
how many times have I said I’m on vacation and00:04:44
therefore Don works and in general my experiments00:04:46
absolutely without an account representatives of00:04:49
the public I declare to stop00:04:51
today you survived the traffic jams you understand and00:04:53
tomorrow to cross the entire house on00:04:55
Timofeev Street runs away on the wall I00:04:57
will go it says fool but you saw it00:05:01
please the mind of Timofeev in the apartment00:05:04
well you will have to increase the voltage00:05:07
dangerous of course dangerous but the risk, as00:05:11
they say, turns to the cat00:05:14
presses the button the unit lights up00:05:17
part of it does not move00:05:29
the man turns the handle on the panel00:05:32
from the unit go crazy look for the00:05:34
cat jumps on the lung of childhood I'll00:05:37
try runs the TV, it turns on the00:05:40
sparkling spiral hits the phone from00:05:42
then the Timofeev's receiver falls to the00:05:44
floor lies without moving00:05:48
the image becomes all the00:05:50
girl photographs will sing in front of the camera00:05:53
standing on the seashore00:05:54
love meet problem difficult00:05:58
planet spinning round round the00:06:06
planet flies into the distance here he is easy easy to00:06:14
fall in love00:06:16
[music]00:06:44
somewhere there is also my love heartfelt00:06:50
unique eternal eternal goes about but is00:06:58
still ready easy easy to meet00:07:07
[music]00:07:19
in front of the jury00:07:24
[music]00:07:35
me [music]00:07:38
and a00:07:45
man with a mustache is watching the filming, blowing a kiss to the00:07:48
girl, a00:07:50
pigtail on a blonde voluptuously00:07:52
bites her lip, a00:07:54
girl from the filming enters00:07:56
Timofeev’s apartment, looks in the mirror, I love that00:08:00
now there will only be a scandal and00:08:05
These scandals are so tiring,00:08:07
I got divorced three times, well, I00:08:13
don’t count three lives when it’s like I wasn’t worried,00:08:20
Shurik Shurik enters the room, your couple00:08:25
will ruin you, but you can’t turn it00:08:27
around like that. Shurik Timofeev’s soldering iron, a rubber band, will glorify me and you, too,00:08:31
in Shurik Timofeev’s hand, the00:08:34
rubber band twirls the troops, you’re sorry that I’m00:08:36
bothering you, but I have to tell you00:08:39
terrible news by interrupting the repairs, Shurik00:08:42
looks at Zinochka, I00:08:45
got gloves today and I fell in love with someone else, you00:08:49
understand me, Shurik, superchat that the budget is00:08:52
up not gloves,00:08:53
but I fell in love with someone else, well, it’s happened,00:08:57
just don’t object to me and there’s no need for scenes00:09:00
Shurik slowly walks around the room00:09:02
that you ask who he is and of course00:09:05
you think that it’s Mollanovsky’s00:09:07
nerds who didn’t guess, super, we didn’t guess again, he00:09:11
takes off his robe,00:09:12
okay, let’s not play hide and seek this is00:09:15
the film director Yakin so so so so so00:09:19
so00:09:22
however it’s strange this is the first time in my00:09:26
life they tell him that his wife00:09:29
is leaving him and take that this doctor is00:09:31
somehow even sitting on the same I’m politely00:09:36
blond stick it out we’ve already got this disgrace to00:09:40
such an extent not to be interested in his wife,00:09:42
blond Molchanovsky, but remember this is already00:09:45
Molchanovsky, and Yakin, I’m Tim talented,00:09:50
why are you asking where we will live,00:09:53
leaning on his elbow and Shurik’s shoulder, today00:09:55
we are already in Gagra with him to choose a place00:09:58
for shooting, and then later they should give him00:10:01
an apartment, unless of course he doesn’t Shurik is lying,00:10:03
moves her elbow away, probably harm is00:10:05
rising, how stupid it is to insult a person out of jealousy,00:10:11
well, he can’t lie every minute,00:10:14
Zinochka takes down his photographs from the wall,00:10:17
I thought about it for a long time during sleepless00:10:19
nights and came to the conclusion that we don’t00:10:24
suit each other, understand Alexander,00:10:27
I’m all in the cinema in art moving sluggishly,00:10:31
Shurik helps to take photographs,00:10:33
however, I am amazed at your calmness and00:10:37
for and Shurik, how he’s trying00:10:40
to make a scandal, you think you’re sure, near00:10:47
the elevator, Zinochka pulls her lips towards the ball, well, goodbye,00:10:49
Shurik is moving away, just do00:10:55
n’t write me out yet after all what could00:10:58
happen to a00:11:02
plump lady with a cigarette and they00:11:10
offer to hand over a sheepskin coat00:11:11
so they confiscated nothing I can’t pass on to00:11:13
Zinaida Mikhailovna she went00:11:15
where she went with her lover to the Caucasus as a00:11:17
lover and you talk about it so calmly00:11:21
original you are a person excuse Ulyana00:11:23
Andreevna00:11:24
Ulyana Andreevna is holding back however00:11:26
you have the character of a confidant, if I were your00:11:29
wife, I would also leave if you were00:11:33
my wife, I would hang myself a00:11:37
boor in a telephone booth, dental00:11:41
clinic of the OJSC additional with 6200:11:45
men in large dark glasses00:11:47
changes his voice if you call please00:11:50
Anton Semyonovich Shpak,00:11:52
please, puts it in his pocket the piece of paper00:11:55
stealthily looks around from him 7 you who00:11:59
asks some woman not to close00:12:03
your mouth I’m listening Anton Semyonovich00:12:08
hello this is the one you often don’t00:12:11
work says one artist or00:12:15
not no stranger but I really want to00:12:17
meet you then you’ll be there before four and00:12:25
I’ll call you again I’m very persistent I’m00:12:29
waiting shpak Caucasian appearance nurse00:12:33
grins knife let's continue pick up the fence00:12:37
black forest leans over the man in the00:12:39
chair00:12:44
[applause] the00:12:46
man's hands are pounding on the armrests of00:12:51
the door with a sign and with shpak a00:12:53
man in large dark glasses approaches her,00:12:55
men thick hair partially00:12:59
hiding ears brown hair thin00:13:01
drooping mustache dressed light windbreaker on00:13:04
hands black leather gloves opens the00:13:07
door with a master key enters this one I successfully entered a00:13:14
well-furnished room with terracotta00:13:16
wallpaper of its color with tata you and paintings00:13:18
walnut furniture TV magnets on the00:13:21
table video cameras master key open the00:13:25
door contract for turns out the00:13:28
contents of the drawers on the floor lifts the00:13:36
pen on which it appears00:13:37
image during a revolution he doesn’t take out00:13:40
a lighter takes out00:13:43
pale blue and 20 ruble bonds into the firebox00:13:45
a few almost where00:13:46
citizens keep the money in a savings00:13:50
bank00:13:51
unless of course you have an apartment well why do00:13:54
you care what00:13:56
happened to me my wife and I are getting a divorce we withdrew we are not getting a00:13:58
divorce it our personal business00:14:01
you are mistaken dear this is a00:14:03
public matter you with your divorces00:14:05
are sharply reducing our indicators their what do you00:14:07
want from me on behalf of the public I00:14:09
ask you to wait with the divorce until00:14:11
the end of the quarter it is clear and then divorce00:14:13
as much as your heart desires when you00:14:16
say Ivan Vasilyevich the00:14:17
impression is that you are delusional in what00:14:20
sense and again about your00:14:24
suspicious macrina I am being reproduced by00:14:26
the prince I ask you for the [ __ ]00:14:27
to report otherwise we ourselves are for I lem wait00:14:31
revival there is nothing suspicious in this device00:14:34
I just invented a time machine with a00:14:37
word I can pierce space and00:14:40
go into the past go into the past,00:14:44
such experiments, dear Sergeevich, must be00:14:47
done with the permission only of the00:14:48
relevant authorities,00:14:50
wait for the devaluation, this device00:14:52
will bring unheard-of benefits,00:14:54
I will now explain everything to you in00:14:57
Shpak’s apartment, well, everything is at half past one00:14:59
in the hands of a man, a tape recorder on his shoulder, a00:15:02
film camera case dressed in a sand-colored suede jacket00:15:05
notices a keyhole on the wall,00:15:12
alternately inserts master keys and00:15:14
keys of various shapes into it, a00:15:20
nervous expression on his face, Lazar00:15:22
takes off the film camera case with it from his shoulder,00:15:31
puts the packs in his jacket pocket00:15:34
[music],00:15:40
looking around angrily,00:15:42
pulls off his leather gloves00:15:44
[music]00:15:49
behind the world, he takes a deep breath00:15:51
[music]00:15:57
hits the wall with his head00:16:00
[music]00:16:09
sweat appears on his face,00:16:11
breathing heavily, he leans on the catcher and his00:16:14
elbow hits the wall to change the image00:16:17
with the image of a naked female body and the00:16:19
keyhole door swings open00:16:21
behind them the mini-bar00:16:23
and now we will test my time machine00:16:27
in action you are present at the00:16:30
historical event, let's try first00:16:33
at a close distance, look now we00:16:38
will go through space Ivan00:16:43
Vasilyevich00:16:44
with an open mouth looks at the living00:16:46
unit00:16:52
Shurik presses the control panel with a00:16:54
long handle Ivan Vasilyevich pushed his00:16:58
hat to the back of his head00:16:59
hand is applied to the kg retort Ivan00:17:01
Vasilyevich00:17:02
tall, explored mustache,00:17:04
pointed gait and deep-00:17:06
set eyes00:17:07
Shurik looks at one of the walls of the room00:17:10
smiles on the wall a00:17:11
spot of bright light appears the wall00:17:14
disappears behind it the room in the apartment shpak00:17:17
burglar sits in a chair with a magazine in his hands,00:17:20
a wine glass, deduce that Sergeevich was sitting there00:17:29
where they are killing you the whole matter of the court golf vi00:17:34
little sister there was an archive of gays to the wall00:17:36
answer according to the law burton coco his00:17:39
own this is the frailty of the devil from yours to the00:17:41
roll half of the apartment has disappeared00:17:44
nothing has been chipped in sheng pulls the handle00:17:49
towards himself the wall appears again00:17:57
in the hands of the burglar a tape recorder and light00:18:00
winds to saw the wonders of technology but this is the00:18:05
picture shrugs his shoulders excuse me00:18:09
who are you who are you you will00:18:11
say yes, I am a friend Anton Semyonovich Shpak00:18:14
and what are you doing in his apartment what am I00:18:16
doing in his briefcase00:18:17
waiting for my friend and what were you thinking and00:18:19
also ended up in his apartment if he was at00:18:22
work to hell with what kind of vulgar questions00:18:25
the ball lights a cigarette throws a match in the wilds of00:18:27
the unit, it’s old, don’t pay00:18:29
attention, you understand, I pierced time, I00:18:33
achieved my goal, tell me, therefore,00:18:35
any wall can be removed like this, there00:18:37
is no price for your invention, congratulations, they00:18:41
thank you, they shake hands,00:18:43
and why are you looking at me like that,00:18:46
dear father, we have no patterns and no flowers I'm00:18:48
growing,00:18:49
I'm tormented by vague doubts about you,00:18:51
exactly the same imported suede jacket00:18:53
as the state's, what are you saying, a00:18:56
suede jacket, but in all of Moscow there is only 1 shpak with00:19:00
them and a suede jacket,00:19:01
and your last name is like I'm an artist of large and00:19:06
small academic theaters, and my last name, my00:19:09
last name, my too famous so00:19:12
I could call it, maybe you want to00:19:14
go back to the shpak’s room, I’ll open00:19:16
the wall for you no no, I’d rather look at your00:19:18
car I really liked it, I’m very00:19:20
glad you’re the first one to see you, so to speak, the00:19:23
first witness I’ve never seen before,00:19:25
I had to be here, you’re not looking at us00:19:30
wipe the hole, can00:19:31
you imagine what you would have seen and00:19:36
tell the burglar takes Shurik aside00:19:39
and tell me in the store you can also00:19:41
raise the wall and how useful and00:19:44
sounds00:19:45
and you from the tape recorder before to the groin of00:19:47
memory the wall has nothing to do with it, the point is that00:19:50
bypassing all these walls I can00:19:52
hit space and I can penetrate00:19:54
time I can move 200 to 30000:19:58
years ago00:19:59
you ignored my question regarding00:20:02
magnets she is fun hp. and what kind of machine is this00:20:07
really a new word in science and00:20:09
technology ugh at you again I can’t stand it we will00:20:12
now penetrate into the past we will see00:20:15
ancient Moscow00:20:18
come to your senses the atoms this to like them away we pepper you00:20:20
understand see the ancient Moscow00:20:22
python too God their organs a fork00:20:24
someone we will fight if you once again interfered00:20:27
with the academician’s experience and stand in the way of00:20:29
technical progress00:20:30
I wanted to go and then act and00:20:35
the burglar made a goat with his fingers I’m worried00:20:37
I’m here promising squeezes the handle the00:20:48
unit envelops a strangely distorting00:20:50
optical perception with a melon00:20:52
[music]00:21:04
the unit slowly turns in place00:21:07
she on which the reproduction hangs00:21:09
disappears the reproductions remain hanging in00:21:11
the air behind them a patterned00:21:14
forged gate appears behind the gate spacious chambers the00:21:17
vaulted ceiling rests on one00:21:19
column in the center of the room00:21:21
next to the column there is a throne on it a painting of a00:21:23
recognizable Tsar Ivan the Terrible at a00:21:25
small table I am sitting with extreme weight to the00:21:28
vision of the monk and gum, well, take it,00:21:33
take it, the00:21:35
king and the Grand Duke in this tier of Russia00:21:40
hits with his forehead00:21:45
[laughter]00:21:49
efi then look, it’s this00:21:56
sad and burglar who opens the gate00:22:03
diets blinks one eye with the00:22:06
mothers, the clerk of the tapes has one eye, a00:22:09
stupid face stretches out,00:22:17
runs away into the ward, runs in Shurik’s code00:22:21
with the game escape about more00:22:24
Shurik runs after him the street and well, you are an00:22:27
eternal woe to me damned fig calling00:22:31
evil spirits static gray where are you00:22:35
wait scrub they are just a loss00:22:37
bumping from side to side salsa00:22:39
runs to Shurik’s apartment the burglar00:22:42
inspects the clerk’s table00:22:44
remove the columns icon with a gold frame00:22:47
Ivan Vasilyevich00:22:48
bending over to the bedside table dials the number on00:22:50
the phone where are you going to call he's going to00:22:53
the police he'll00:22:54
get the phone damn put it timidly you are00:22:58
the ballad timidly didn't put it down00:23:01
timidly why did00:23:03
I forget to pick up the ward00:23:10
guards in red caftans and00:23:12
fur-trimmed hats in their hands are00:23:14
chasing the burglar and he is driven into the pool00:23:16
from Google, one guard00:23:20
throws a reed, a domestic rabbit throws it by the00:23:22
shaft, flies dangerously, takes it00:23:26
away, the sword hits Grig, the guards00:23:29
run away, the wall appears again in its00:23:31
place, Ivan Vasilyevich and the burglar00:23:34
remain in the royal chambers,00:23:35
Tsar Ivan the Terrible runs up the00:23:38
stairs of the entrance in Shurik's house,00:23:40
wait for the Tsar, a long gold-embroidered00:23:44
ermine00:23:45
fur coat, a red fur hat, Shurik's boot, a00:23:48
white robe and sneakers, the Tsar runs after him, the Tsar00:23:51
runs out to the last 12th floor and, without00:23:54
leaning on the brushes, throws it - the one who00:23:56
climbs the stairs touches the wall with his00:23:58
elbow on the elevator button and its doors00:24:00
open they themselves run into the elevator onto the00:24:04
landing, Shurik runs out at the expense and looks in his hands00:24:06
at the alternately illuminated00:24:08
floor numbers, give up all this stuff, it’s00:24:10
not a bug, he runs down,00:24:12
stopping at one of the platforms,00:24:14
looks at the illuminated00:24:16
floor numbers, the elevator goes up, having overcome00:24:19
several flights, Shurik began to sit00:24:21
on the steps, looks at the floor numbers are just00:24:24
randomly moving up and down,00:24:26
the king in the elevator cabin is frightened, groping the00:24:30
walls and ceiling,00:24:32
walled up, walled up demons and crosses the00:24:37
elevator door opens, that's what the00:24:42
life-giving cross does,00:24:45
runs out onto the landing of the 1st floor near the00:24:47
stairs, baby strollers and bicycles00:24:50
spin around in confusion, runs00:24:53
under the stairs, entrance Shpak enters,00:24:56
waves the key on the rope,00:24:58
heads for the stairs,00:24:59
Shurik looks at the floor numbers, the elevator00:25:02
arrived at 7, having risen, Shurik gets up and through the00:25:04
Kalina doors, the producer Shpak comes out,00:25:07
Shurik runs into the elevator, Shpak enters his00:25:10
muted apartment, Shurik is on the00:25:13
ground floor landings, the king hid behind a children's00:25:15
pedal car, his hand on class Sonin00:25:17
[music]00:25:20
removing his hand from the horn, wiping it and his fur coat,00:25:24
white stone walls,00:25:27
aliens in the person of Ivan Vasilyevich and the00:25:29
burglar are running out, hiding behind the doors, the guards are running past, the00:25:32
aliens are running to the royal chambers,00:25:35
slamming the door,00:25:36
the guards notice them, running to the entrance, the burglar has bolted00:25:39
the door, then the00:25:41
guards are dragging the wards long eyelashes00:25:44
Ivan Vasilyevich at the haystack need on the back00:25:46
of the salon the last tent how they scream00:25:48
they can’t turn them on a long time ago00:25:50
fans from the column pierce00:25:52
several arrows00:25:53
one of them nailed his hat he00:25:55
goes down arrows pierce seen under the00:25:58
hat as dead men shoot open the00:26:01
dog00:26:03
Ivan Vasilyevich on the floor or falls on his00:26:06
head walked next to the wall, a00:26:10
detachment of mounted guardsmen in black00:26:12
caftans and hats in their hands, long lances in their hands,00:26:16
guards put ladders against the walls,00:26:18
climbs on them, aliens are running around the00:26:21
chambers on their faces, an expression of confusion00:26:23
and fear behind the curtains, a small door,00:26:27
Ivan Vasilyevich pulls rejecting00:26:30
it, the burglar unlocks her master keys, the00:26:32
guards who escaped into the chambers run out,00:26:35
running after them, elbows in the apartment, they say once again00:26:39
you are not a demon, I explained to you a hundred times00:26:41
who this is not a demon, petty, petty, to the king,00:26:45
you lie not by human will, but by God's00:26:48
permission, Antalya very well, I00:26:51
understand perfectly well that you are Tsar Ivan00:26:53
Vasilkov, there was a short circuit,00:27:08
all the transistors burned out and until I00:27:11
buy, but I can’t direct you to both00:27:14
stores, you drink vodka, they are seams, so they are00:27:31
theirs, unfortunately, no, the kitchen,00:27:33
Shurik took out a bottle of kefir, removing or00:27:36
layering, I’m talking about carrying and unfortunately00:27:38
no, the capital on the table is a jar of Kiril and00:27:41
saucers of sliced sausages, after all, victory and00:27:45
you are yours around, why00:27:47
the answer is yes, and you think that I want to00:27:52
poison you, dear Ivan Vasilich, this is00:27:55
not customary with us, and in our age it is00:27:57
much easier to get poisoned with pickaxes and, rather than vodka,00:27:59
fight boldly in the refrigerator, the00:28:02
quad is crushed while walking, Lin, be00:28:05
for drinking, the king frowns strongly, Shurik00:28:08
puts the sprat on the plate, the sinner, let the housekeeper have a bite of the00:28:13
snack with a dagger, pries up a piece of black00:28:15
bread, lowers it onto the sprat, turning00:28:18
the plate over, takes the resulting sandwich,00:28:23
you made such a machine, I also had00:28:27
one like that, I made wings what the hell, well, I00:28:32
put him on a keg of gunpowder, get00:28:34
palit, why is it so cool, no, no, I don’t00:28:39
drink, I don’t drink, thank you, yes, you’re making00:28:42
coffee for me, something happened in front of the king, he00:28:45
pours a little half-time hub,00:28:48
well, bless00:28:51
you, he drinks a full shurik in one gulp it’s00:28:55
not useful to put the stack aside,00:28:57
how do you live here until the aroma is cramped,00:29:02
of course, not the royal chambers, like a00:29:06
separate apartment, but your noblewoman, where are the00:29:09
churches history, but I’m not mine with my00:29:12
lover, Yakin, their power didn’t run away to the Caucasus,00:29:15
you’re lying, lolit, how will they catch me, the movie,00:29:20
impaling this is the first thing it’s too00:29:23
extreme, why do we need him, why do they love00:29:25
each other,00:29:26
well, let them be happy, resolutely00:29:30
taking the mortar without drinking, puts it back00:29:32
up, you are a good man,00:29:38
my God, what am I here00:29:40
and there are the Swedes who took the boyar,00:29:44
boyar, send me back,00:29:46
run, buy these transistors,00:29:55
I'm busy00:29:57
calling, be afraid, I'll walk with you along00:30:01
Ivan's street search, this is out of the question, wait for00:30:04
me here,00:30:06
just go, you're a boyar, hurry up, I'm in a hurry, I'm in a hurry to00:30:09
return those two, too, it's necessary to return something with00:30:12
them, then the nose will touch his head and00:30:15
all his business, the dog 9 waving his hand00:30:19
the ball swallows the aliens run down a00:30:22
wide stone staircase, they freeze in confusion00:30:24
on the platform in front of the entrance, seeing00:30:25
guards running out of the chambers, they run away from the00:30:28
housing, they run along a narrow passage between the00:30:33
white stone walls, with their berdysh out in front, the00:30:37
guards run after them, the aliens00:30:42
run up by turning the shape of forged bars00:30:44
on the other side of the gate, the00:30:46
alien's guards appear, they climb00:30:51
turning upwards, the guards are not far behind, the aliens are running away00:30:54
along a narrow area above the00:30:56
fortress wall, the guards are00:30:57
running on their heels, a00:31:01
few seconds later the aliens are running back00:31:03
along the same wall, the pursuers are00:31:04
getting bigger,00:31:06
some of them are running along the wall, Ivan00:31:09
Vasilyevich stops at a fork, fans himself00:31:10
with a hat, the burglar waved his hand at them00:31:15
Ivan Vasilyevich runs further, runs into a turret with00:31:17
statues of saints,00:31:18
one of the guards quickly examines00:31:20
the turret, rushes after everyone, Ivan00:31:23
Vasilyevich sits in the most00:31:25
visible place, leaning in the00:31:26
peaceful pose of a saint00:31:28
[music]00:31:29
guards rush along the passage through the00:31:31
arch, not noticing the burglar standing behind it,00:31:34
letting their family through, runs00:31:36
Ivan Vasilyevich joins him back the00:31:39
aliens are trapped on the ridge of the roof00:31:41
guards on the right and left having repainted the00:31:44
burglar waves his hands Musa is00:31:46
about to jump the guards whip the00:31:48
overburden Ivan Vasilyevich begins to00:31:51
go down the slope the burglar grabs him by the collar of his00:31:53
shirt they get out onto the platform bell00:31:56
tower Ivan Vasilyevich gets tangled00:31:58
in the ropes00:31:59
[music]00:32:18
the burglar he is being tortured, puzzled, pulls the00:32:21
ropes00:32:22
[music]00:32:29
the aliens run along the passage00:32:31
lined with shields, next to a large00:32:33
chest there are knight's armor, the00:32:38
burglar unlocks the chest with a master key,00:32:40
pushing the burglar away, the chest is collected,00:32:42
Ivan Vasilyevich is approaching the platform, the00:32:45
guards, having trampled around the chest,00:32:48
run further,00:32:49
the last of them turns around,00:32:52
Ivan Vasilyevich looks out from under the lid00:32:55
the guard approaches the chests, the armor hits00:32:58
him on the head with an iron glove over the00:33:01
body of the guard, another00:33:03
pursuer bends over, having received it on the back of the head,00:33:04
approach the third guard, looking around at those00:33:08
lying on the ground, manages to dodge the00:33:10
iron glove, raises his visor, the00:33:13
burglar makes faces,00:33:15
the guard falls without feeling, the burglar00:33:18
has taken off his armor, one of the guards00:33:20
raises his head00:33:22
Ivan Vasilyevich falls into a steel helmet, gets out00:33:24
of the chest, chests, women's clothes are gone,00:33:29
the burglar is jammed, put on Ivan00:33:32
Vasilyevich's clothes for the Tsar, you will have fur hats00:33:35
[music]00:33:38
shoves clothes into his hands, takes a00:33:41
silver caftan from the chest, runs away down the aisle,00:33:44
guards run away into the aisle00:33:46
[music] [applause]00:33:48
apartment the king thoughtfully examines00:33:51
the unit walks around the room00:33:54
near a reproduction of Repin's painting00:33:56
stops sarcastic00:33:58
raises his eyebrows moves on takes hold00:34:01
of the rope switch of the lamp,00:34:03
pulling, puzzled looks at the lighted00:34:06
lamp looks under the lampshade carefully00:34:13
enters the restroom picking up the flaps of his fur coat00:34:21
runs out enters the kitchen with a gloomy face00:34:25
leans on the table fills the stack in the00:34:30
refrigerator shakes00:34:35
behind the shot glass in his hand the king backs towards the window00:34:38
from behind the refrigerator code c comes out00:34:41
looks at photos of Zina in a00:34:42
swimsuit sits down on the ottoman00:34:44
accidentally sits on the tape recorder looks around00:34:52
[music]00:34:54
looks at the tape recorder she sits down on the00:35:09
ottoman the00:35:10
expression of fear disappears and many more are00:35:14
not stitched in the open field of cornflowers road00:35:22
the heart is torn from melancholy eyes but to us00:35:36
and once again and even a lot00:35:42
covers his face with his hand well, how in the royal00:35:45
chambers you are wrong seams of hackwork00:35:47
you at least see the soup or something is not my happiness the00:35:53
guards are carrying logs to the doors00:35:55
you understand this face to me recharge I00:35:57
ask you not to touch ramming the doors and the clerk's00:36:18
guards burst into the chambers,00:36:21
freezes, so you say the king and the Grand00:36:23
Duke wrote, where did our secretary00:36:30
go? the00:36:48
feather is the00:36:58
number of veins he drinks;00:37:02
Ivan Vasilyevich is visibly trembling, I'm waiting for an00:37:05
answer to the question posed,00:37:07
the burglar turns to the escapees, they fall00:37:27
to their knees and leak, Ivan Vasilyevich runs away, and where should he be, and the burglar, the Tsar, always has his right of this, the demons grabbed you, according to all the fans from the alibi, they were chasing to grab and diet moves on their00:37:29
knees he is a demon to authority, there were demons,00:37:32
we don’t deny this, but they00:37:34
liquidated themselves, so I ask you to00:37:36
stop this stupid bonika, who are you00:37:38
diets of the ambassadorial order,00:37:43
sitting well, stay here, the rest, I00:37:47
ask you to clear the royal office, in short, in00:37:50
short, Ivan hits the00:37:58
burglar’s leg with his staff, diets remains, the courts00:38:11
hold their palms on the street approach00:38:15
happened you don’t be silent the facts and I00:38:20
can’t help but work my teeth hurt and00:38:24
periostitis he has an ace and serve the king because00:38:30
you stop bowing and the date until the evening00:38:32
you will be under the rise of the clerk the00:38:33
burglars shakes him off we will know he00:38:36
extends his hand nowhere on high the boyar I00:38:39
admit I bow perhaps the prince .00:38:56
culture,00:39:00
Nadezhda, the Tsar says that I am Prince00:39:02
Miloslavsky, it suits you, the clerk00:39:04
to back away, that again, not thank God, he00:39:08
did everything in front of each of you the other day,00:39:10
this is the news, give you a ride to your00:39:14
own gate, you are an aunt,00:39:16
on the orders of the Tsar, the burglar Miloslavsky00:39:20
nods at Ivan Vasilyevich, do this, oh00:39:25
thank you, hanged By your order, help me out, we will stand up for00:39:28
this nonsense, you are silent,00:39:32
the bastard remembered me, he will hang the00:39:38
hanged man, what was his name00:39:40
. robber Alina a couple of Josh that bandit is00:39:45
just my namesake titanite again00:39:57
I listen to the people in the square throwing up their00:39:59
hats this one has no time to vent then we will00:40:22
send them immediately somewhere it00:40:24
is clear that Fedenka has never been00:40:33
proven no the breadwinner is directly eating the00:40:37
Crimean Khan the00:40:43
clerk plumps at the feet of Miloslavsky became00:40:48
Fedor00:40:50
I don’t blame you write the00:40:55
royal decree orders to send troops to00:41:00
knock out the Crimean Khan Izyum where the yak00:41:08
sprinkles written with fine sand from a jar00:41:12
shakes it on the floor sign the00:41:14
great sovereign I don’t have the right00:41:17
to sign such historical documents00:41:20
[applause]00:41:22
Miloslavsky put the decree in the hands of Ivan00:41:24
Vasilyevich I don’t I have given him the fountain pen he took,00:41:30
Ivan Vasilyevich signs the decree where I am, he00:41:34
looks in surprise at the pen in his00:41:36
hands, the text of the signature and from the king and more,00:41:41
yes, tell them not to rush back,00:41:45
let them take it on the way back to the hall, well,00:41:47
why not eat twice, the priest will say so00:41:50
after all, you took Kazan ours a long time ago, you00:41:53
hurried, you took it so it won’t be00:42:00
back, winter is to be given away, they shift their gaze00:42:05
to the stupidly laughing Ivan Vasilyevich00:42:07
so that there is another view, quite a lot after00:42:13
5 minutes,00:42:14
Miloslavsky listens00:42:18
[music]00:42:21
approaches as but the00:42:25
square stands a horse-drawn row of guardsmen00:42:28
on rock waves their hats00:42:31
[music]00:43:10
[music]00:43:11
behind the guardsmen route guards00:43:14
behind them drying00:43:21
[music]00:43:30
[music]00:43:50
[music]00:43:56
Ivan Vasilyevich also went to the window00:43:59
Miloslavsky blocks the view Ivan00:44:01
Vasilyevich kicks him with his knee in the process00:44:04
leaving the white stone fortress00:44:06
[music]00:44:14
[applause ]00:44:21
let's go bunk00:44:23
what is this inventor of his00:44:25
time machine back not blood what a scandal00:44:28
awaits me at home I didn't say the day00:44:32
ancient where I went00:44:33
she of course when in front of the door of the apartment00:44:39
Ulyana Andreevna but still firmly in the00:44:58
hands of the Tsar the tape recorder presses the button on it00:45:00
Shurik runs along the shop windows and with00:45:03
the text radio components runs up to the door on00:45:06
it there is an accounting sign and the task having seen enough00:45:10
looks at the clock runs along the street runs up to a00:45:14
store with a sign for radio products a00:45:16
glass display case is smeared with something00:45:17
from the inside on it there is a crooked inscription repair00:45:21
Shurik in front of the counter with a sign00:45:23
radios radios a00:45:24
woman salesman is making a fool of00:45:27
a man in a cap and with a mustache nods to Shurik with his hands, Shurik00:45:29
approaches him, a man opens the hem of his00:45:31
jacket, various radio components are attached to the inside of them,00:45:33
various radio components are attached to them, a00:45:35
policeman passes by, a man00:45:38
closes his jacket,00:45:39
after waiting, he opens it again, Shurik selects00:45:42
a few details, the apartment the king sleeps in his00:45:45
clothes on the tact on his face,00:45:48
knowledge-power magazine sixth issue for 1972 the cover00:45:51
rises and falls in such breath in the00:45:55
hallway the king enters Zinochka sits down on the00:45:57
ottoman00:45:59
such a lamb and why did I open up to this00:46:05
holy man Shurik are you at home the king00:46:12
gets up grabs the staff looks around Shurik00:46:15
on tiptoe approaches the window headquarters with his00:46:18
back to draw the curtains00:46:21
the staff remains stand leaning against the00:46:23
aquarium the king grabs the staff with his hand00:46:26
Zinochka in the room puts a00:46:30
red suitcase on the table approaches the window00:46:34
draws the curtains00:46:36
the king hides behind 1 piece art00:46:40
rubber band open the suitcase with surprise00:46:43
pulls out a tie suspenders here it is00:46:47
hidden in the suitcase so her suitcase the00:46:51
scoundrel is00:46:53
bright pointed at the garden ring leaves00:46:55
black convertible mow 11000:46:57
softness movie shooting voltage this00:47:00
hysterical woman caused a scandal at the studio a00:47:02
man with a mustache and a blonde in the back00:47:04
seat she also mixed up your suitcases00:47:06
this is an hour before the plane the blonde00:47:10
I just don’t believe bites her lip calls out00:47:15
I movie spits to the side again00:47:18
takes a dreamy pose with your00:47:20
chin raised, wait for me and I'll be back,00:47:26
the driver opens the door in front of the yaki00:47:28
in our hand, I'm in the movie, the same as Zinka's00:47:30
suitcase,00:47:33
the blonde runs to the phone booth, they're00:47:38
I'm now flying to Gagra,00:47:41
Yakin himself, and in the apartment, I think I was flying,00:47:44
but you understand perfectly well after that00:47:47
you did it at the studio00:47:49
between us, it’s all over corps, but you’re a00:47:52
scoundrel, I’ll ask you to return my suitcase, but00:47:55
yours, I hope all my things are prices in00:48:00
physics, he takes the suitcase from the table, its00:48:02
contents fall out on the shelf, the scoundrel has a00:48:04
Caesarian, he cheats on the objects, for which I’m00:48:07
leaving the husband of this holy man with With00:48:10
all the comforts of a brilliant00:48:13
inventor, I’m going to this scoundrel, oh00:48:17
my god, what text,00:48:18
what words, you don’t know the real00:48:21
words yet, and two hours before leaving, I find00:48:26
some kind of kikimora in his place,00:48:28
which he grabs by the hands and generally00:48:33
behaves like I went through the scene with her,00:48:38
hysterical this is my professional00:48:40
duty,00:48:42
professional Defoe, that's enough for me, I'm00:48:47
leaving you for the director,00:48:50
we'll put the world to shame on his production Boris00:48:53
Godonov, Havka, a slanting hack, Zinochka, you're a00:48:57
mediocrity, light a cigarette from him, I'll00:48:59
play the queen, whoever doesn't have the role of John00:49:03
the Terrible, I've already rehearsed with him00:49:10
here this one here and who plays Boris the00:49:16
Tsar who is which Boris the Tsar at risk00:49:24
Boriska for the kingdom how are you really00:49:27
rehearsing the evil one with the evil one paid for00:49:31
three the kindest one himself wanted to reign and00:49:35
all possession is00:49:37
guilty of death God what type of00:49:42
failure Yaten sits on the table please00:49:46
continue why the noblewoman was offended by00:49:50
death wonderfully amazing00:49:54
brilliant listen I don’t recognize you in the makeup00:49:58
who you are Sergei Bondarchuk00:50:01
no Yuri Nikulin00:50:07
taps himself on the forehead00:50:09
we can Innokenty Smoktunovsky00:50:15
becoming suitable for the Tsar Kesh buries his head00:50:19
in his chest pats his neck how did you00:50:22
hide the mortal target hits him with a staff00:50:30
this It’s not strange at the entrance to call over the00:51:07
years a lot on the movie I’m here I’m here00:51:11
naturally as you play and the king what a00:51:14
typical shpak peers into the face of the00:51:17
king until ours you’ll look like me00:51:22
Zinaida Mikhailovna00:51:27
canines you’ll excuse me.00:51:32
whose cover from I’m asking, excuse me, but I do00:51:36
n’t understand you, more expensive,00:51:46
abusive, please don’t00:51:49
use it on me, my God, but we also have a00:51:52
courtyard house, they call them names, and we’re also fighting for00:51:55
honor with you at home, a high culture00:51:57
of life, even a nightmare, a nightmare, shpak goes away, Lyuba,00:52:01
passionate, stomach acne and asked for death to the00:52:04
noblewoman,00:52:11
Zinochka on her knees00:52:14
kisses the hand of the king, well, he00:52:17
majestically walks around the room,00:52:21
listen to me cards, I00:52:23
just beg you calmly, this is a00:52:27
real formidable Yakin, looking00:52:31
at the king stupidly, remember I told you about the00:52:33
time machine, so Shurik00:52:36
succeeded, this king in the kitchen, trying00:52:39
on an oar, chops off with a dagger, a00:52:41
ten-centimeter piece of boiled00:52:42
sausage00:52:43
falls on the table, he stabbed me in the forehead00:52:46
and, by the way, edit without walls is00:52:50
nonsense and Yakin looks at the picture of which00:52:53
John the Terrible died a long time ago, who died, I’m00:52:59
not saying this about you, it’s the other one who00:53:02
died, who lit up, Yakin00:53:09
moves up a chair he00:53:10
sits majestically in front of the noblewoman,00:53:13
I got sick, Yakin knelt down, and for00:53:18
my life,00:53:20
what kind of life does the stinking dog give you,00:53:24
look at you, you know better, Zinaida,00:53:27
tell me a chance in Slavic package00:53:31
package like cherubs, have mercy,00:53:37
by the way, you misunderstood me, you don’t speak00:53:43
your languages in the city you love00:53:48
the noblewoman I love madly00:53:51
San rises their noblewoman beauty00:53:55
sculpted with00:53:56
scarlet lips the rights of the union on the00:54:00
devil you still need a dog nothing just00:54:04
not the whole horonyaka the prince lets her go00:54:06
I ask for your hands Zinaida Hill Zinochka,00:54:10
movie cheek.00:54:12
you're about to die, shocked, dropped your00:54:17
topic, and persuaded me, well, the beard00:54:22
is a sinner and iron, you're so thin, but I'll check on you, I00:54:25
swear I'm not interrupting the king, I00:54:28
obey, I pity you, the fur coat from the king's00:54:31
shoulder, the film, I'm very00:54:37
grateful to you, with the king's shuvai in his hands, Yakin00:54:40
makes a curtsy, and the great sovereign,00:54:42
you can't Goldie stay in this form,00:54:47
what might the00:54:49
Lord Almighty think, because I forgot00:54:52
the gel, Lord for the little bow00:54:58
and one hands over the clothes, demonic clothes,00:55:05
my thoughts are confused,00:55:07
fur coat, Tsar John the Terrible,00:55:12
stop being nervous and he’s threatening,00:55:15
well, what’s so special about it,00:55:16
better go, help the Tsar change his clothes, are you00:55:19
listening? in-in and now you will fall asleep and the00:55:28
king in a blue training suit with the00:55:30
letter D on the chest behind the royal belt, a00:55:32
dagger in his hand, a staff is00:55:33
not alien to our mistakes, looks in the00:55:36
mirror so00:55:37
that the driver of the king of the ax00:55:42
or godfathers really00:55:43
suits us, the plane is late Yakin in a fur coat00:55:47
with suitcases tablecloth road let me00:55:50
thank you for everything00:55:57
the king is leaning towards Zinochki on the fly I00:56:07
squint my eyes angrily smiling00:56:12
the king moves away imagine Yakin00:56:20
fell in love with me as a boy proposed to me00:56:23
and we are now flying away with him00:56:25
honeymoon kissing another00:56:31
big black convertible00:56:33
taking me away to the cinema rubber band the king goes out onto00:56:35
the balcony their beauty, what a beauty00:56:41
[music]00:56:43
from the window there is a view of and by chance the00:56:45
Moscow River hotel Ukraine and the bridge00:56:48
connecting the new Arbat00:56:49
Kutuzovsky Prospekt am work in the00:56:53
royal chambers Miloslavsky smokes figures00:56:56
standing up dispels the smoke with his palm enters yax with a00:57:01
leaf in his hands the Swedish ambassador Swedish00:57:10
treyarch millet aliens look at each other a00:57:13
spacious hall with a throne decorated with gold00:57:15
in 2 walls sitting boyars high00:57:18
fur hats00:57:19
handed over brings Ivan Vasilyevich with jubilant00:57:22
gold for a fee and monomachos' caps in his hands00:57:24
the scepter and the orb fearfully moves00:57:26
back Miloslavsky pushes him to the00:57:29
throne Ivan Vasilyevich claps his hands walks along00:57:32
the hall, grabbing him by the paid Miloslavsky00:57:34
diameter to the throne, Ivan Vasilyevich00:57:37
sits down on the throne, the scepter in his left hand, the00:57:39
orb in the right, looking at the fresco,00:57:41
Miloslavsky changes the scepter and the orbs00:57:43
in places, enter the citizen ambassador00:57:46
[music]00:57:50
knit his eyebrows created, the ambassador runs in, a00:57:55
man in black clothes with a fluffy white00:57:57
collar with Nim Smith, raising his blood,00:58:00
looks at Ivan Vasilyevich in surprise,00:58:01
unnaturally raised his eyebrows,00:58:03
narrowed his eye, moved and strongly curled his00:58:06
lips, the ambassador and his retinue simultaneously made00:58:09
intricate bows, Ivan Vasilyevich00:58:11
runs away from the throne, shakes the hand of the Ambassador00:58:13
of the Miloslavskys, wounding him back on the throne, the00:58:15
ambassador’s bows are combined with00:58:17
dancing in the pit Miloslavsky00:58:19
is held on the shoulder of the opening to become00:58:20
Ivan Vasilyevich, the ambassador unfolds00:58:27
the paper big as she breathe chemist breakdown for00:58:34
loved ones we share goals a couple of goat names Ivan00:58:45
Vasilyevich the00:58:49
device00:58:51
Intourist speaks well and what he says00:58:54
specifically what and the dog knows him we should00:58:59
have an interpreter as a translator for him than to00:59:02
translate for him and the bast doesn’t knit, we00:59:05
welded the loops, you can’t00:59:07
treat translators like that, and even Aragorn00:59:11
Ashworth answer something, you see a00:59:13
person is straining himself, Hitler kaput,00:59:17
continue Messire Ambassador, you and I00:59:20
completely agree correctly,00:59:26
Miloslavsky’s eyes are completely rounded, the ambassador’s chest is a00:59:28
sparkling stone in a pit, a00:59:31
massive order, listen, comrade,00:59:33
too00:59:36
I would like to tell my horror to my granddaughter in general terms00:59:38
to understand that he needs to understand it is not00:59:42
holding on, is it not surprising that the Kem volost00:59:44
demands to fight, they say so come here00:59:47
that what was hiding by whom and I know what is01:00:01
doing to the state, it will become impoverished, take it away,01:00:04
Miloslavsky falls at the feet of the01:00:10
tsar’s rubbish, for a fee,01:00:12
hides the sandals of the date that son of a01:00:15
[ __ ], an impostor, you're squandering state-owned land01:00:17
so you can't get enough of any volosts fax jump01:00:20
cartoon role looking at the Order01:00:23
Miloslavsky put on black gloves01:00:25
advanced king my ardent greetings01:00:28
hair coloring01:00:30
such questions expensive dishes from the kondachka are01:00:33
not resolved that you need to consult with01:00:35
your comrades tell me this week, by the way,01:00:39
from you for me personally, a small souvenir01:00:41
takes out a fountain pen, turns it up and01:00:44
down about the exchange, hugging it, falls towards the ambassador, moves away01:00:52
on the ambassador’s chest, there is no order,01:00:55
well, aufiderzein goodbye,01:00:58
in short, Miloslavsky took off his gloves,01:01:02
bowing, the ambassador and his01:01:04
retinue moves backwards to the door, the01:01:06
village comes out free, Miloslavsky hits his01:01:09
forehead, bowing, the boyars come out yes the convoy is01:01:12
already free the convoy is free from the hall you01:01:17
grab four guards in white01:01:19
clothes with high hats and stickers on their01:01:21
shoulders two stood behind the throne two near the01:01:23
entrance to the hall avoiding the dioxide it is01:01:27
inspecting the hall the01:01:30
passenger port from the chest lost01:01:33
you can’t be so absent-minded look01:01:36
you have to bequeath when into the room you come in,01:01:41
Fyodor is staring at me, do01:01:42
n’t you think that I took something01:01:45
that you took Ivan Vasilyevich to deny on shakes his01:01:49
head will help the lock01:01:51
rolled up Miloslavsky examines the throne01:01:54
no, no, no, that’s grief, and01:02:01
throwing himself flat, the clerk looks under the01:02:04
massive carved bench standing along01:02:06
the wall, I am again tormented by vague01:02:08
doubts Shpak has a tape recorder01:02:12
at the ambassador's medallion what are you hinting at I'm01:02:16
asking you Yana what are you hinting at the royal face01:02:18
Tatar prince food I01:02:25
think to the sovereign Miloslavsky looks at his wristwatch the01:02:29
reception is over lunch break diets01:02:32
approaches the door01:02:35
they wish the royal chambers covered with white the01:02:38
tablecloths have become mortal and they are lined with01:02:41
cups and jugs, the steward brings in01:02:43
fried sturgeon, baked pig01:02:45
next to the table, musicians in red01:02:47
caftans, Miloslavsky reaches for a large01:02:50
bluetooth, red to01:02:51
this bag, a minute at whose expense the banquet01:02:56
in this case, we don’t see chic and there what is the01:03:00
kidneys of the hare’s tops pike heads and01:03:05
garlic01:03:06
caviar black red to overseas caviar01:03:12
black and red caviar in large dishes01:03:15
eggplants were01:03:16
eggplant caviar not large spoons01:03:18
beauty was the king trembled shuddered01:03:23
[music]01:03:25
Ivan Vasilyevich forward and closing the01:03:28
gold cup the cup in the hands of Miloslavsky01:03:30
glitters with silver01:03:33
snapping his fingers Ivan Vasilyevich stretches01:03:36
for a snack at this time in the kitchen of the apartment,01:03:38
Tsar Ivan the Terrible takes out sprat by the tail01:03:41
from a tin can with the label01:03:43
Caspian sprat, spiced salted, putting it01:03:46
on a piece of black bread eating on the balcony01:03:49
admiring the new Arbat photo01:03:52
hello please look also01:04:02
still everything that was acquired by back-breaking labor01:04:04
everything was lost import jacket where are you in01:04:22
the room with the unit I'm an old lady I'm in01:04:28
sadness01:04:30
the old lady I'm pulling the king for five years come on let's01:04:36
go cash for the jacket running01:04:41
out of leave Ulyana does she bump into01:04:43
something01:04:45
the king is running after her way to confess in the01:04:53
hallway of the apartment and you what do you need,01:04:55
dear Ivan Vasilyevich,01:04:57
I ask you to testify, here is a list of01:04:59
stolen things, two tape recorders were stolen,01:05:02
2 movie cameras, 2nd batch, serve01:05:11
the tsar, he throws yours so far, this is a bathroom01:05:15
paper, dates, I see a slave, you won’t calm down,01:05:21
the tsar throws up a dagger, all right, my husband has01:05:28
delirium tremens throwing himself at people on the01:05:33
site Shurik pushes the Tsar into01:05:36
the apartment, look, look at our01:05:38
activist, and also an armed bow,01:05:41
death from death, I hear01:05:44
now, take it, figure out which of us is a01:05:46
slave, wait, this is not the way, how is this not01:05:53
a punch, she crosses the real drowsiness,01:05:58
turning her eyes, the shpak lowers himself into a chair,01:06:01
smiles stupidly, puts his hand to his mouth01:06:05
apartment01:06:09
I'm busy call later oh my god ha01:06:13
it's done I don't have you are a decent01:06:16
person well beg them promise boys that01:06:19
they'll give out the people's hour thank you thank you01:06:31
police you see this is what today is saying01:06:34
both stolen shpak and I'm not talking about theft01:06:37
we have a worse case here than a01:06:40
mafia engineer in her apartment01:06:42
I summoned the living king, who does not drink with a dagger,01:06:47
cold steel, I01:06:49
give my honorable, noble word, I am01:06:52
waiting in the royal chambers for01:06:57
stewards in dark golden caftans, my eyes are01:07:00
humbly lowered, imagining what kind of01:07:02
dragon the Izyum path is coming now, you come with01:07:12
you to the Brudershaft, yes, I am a clerk, an iron01:07:14
cup, listen, puts you in a jewelry01:07:17
store you accept the jewel by01:07:19
looking around,01:07:21
let's make the other side, this is where01:07:29
Ivan Vasilyevich's scale of haste comes, 1 the white01:07:32
bandage was taken off in vain, the feeder, the peak of the kidneys was taken off in vain,01:07:35
not the royal one, your face is a bunch,01:07:37
but but, well, I'll ask01:07:39
who you are talking about, the forehead of the queen enters and 5901:07:43
Ivan Vasilyevich runs to the girls,01:07:44
Miloslavsky pushes his to the king and01:07:47
queen of the lakes01:07:49
very glad to meet you very glad yes it’s01:07:53
very nice very nice very01:07:55
nice hello it’s not very nice01:07:57
very nice to grow back this is very nonsense01:08:00
Ivan Vasilyevich kissed the queen’s hand and01:08:02
shook the hands of the girls I ask you I ask you to01:08:05
ours the01:08:06
queen is leading him like that In01:08:12
my opinion, you and I met somewhere01:08:13
that you've been weaving for a year, but per01:08:16
person the waiter kidneys are01:08:20
worth sitting on the throne once, ask me for01:08:22
a minute next to the queen, forgive01:08:25
your name and patronymic Marfa Vasily01:08:28
miracles charm but the oil is very well01:08:33
charming but the Russian Federation hotel. when it’s01:08:35
fashionable, well, you won’t refuse, you’ll suddenly01:08:41
drink from a cup, the king and the king look like,01:08:48
and you think the mallow is strong for us kings,01:08:51
it’s easy, nothing like that would be logical01:08:53
conversations01:08:54
among all workers for a week, we work seven01:08:58
days a week,01:08:59
workers, we’re rationed for whom,01:09:04
bite hard, I’ll pay for everything if you want to know01:09:09
us for being harmful, the kings should be01:09:11
given milk for free, the health magazine so01:09:14
directly indicates that the01:09:15
nerve cells are not restored, and01:09:19
yet you are in labor, everything is in labor, the great01:09:21
sovereign is like a bee, not a person who01:09:26
understands me. counting the votes you01:09:39
don’t have separately Clinton will be and your01:09:42
honor was cut up impaling mine in01:09:45
silence01:09:46
but like a gourd for us something is01:09:48
easier for the musicians with new faces01:09:51
[music]01:09:59
it’s better Ivan Vasilyevich01:10:01
why repent with the toritsa the01:10:07
clerk looks in surprise as Ivan01:10:09
Vasilyevich01:10:11
[music]01:10:24
hitting with his fist on the table, Ivan Vasilyevich01:10:26
rises, after all, without me there is a01:10:39
hummock of oil and after all, a modern01:10:45
trawled-vali01:10:47
or or and issued on me tili-tili01:10:51
this was not trawled-vali calmly, the bath will be01:10:53
done by the queen stroking his01:10:56
friends hand behind how you know what’s on Phobos01:10:59
on at home01:11:01
their margin should we be in sadness, just01:11:06
tell me what and change their Miloslavsky01:11:10
sings happiness suddenly in the silence there was a knock01:11:16
[music]01:11:18
on the door no longer and I don’t believe it myself and the snow didn’t fall it01:11:30
was dawn autumn was drizzling wait01:11:38
wait on01:11:44
picks up a pack of marlboro creaked01:11:50
I trust everything01:11:52
Death has become clear to me for so many years I have been01:11:57
arguing with love for the sake of this meeting from the01:12:00
parties01:12:01
it was Ivan Vasilyevich and the queen01:12:11
to dance the prisoners came from it was he and01:12:15
don’t wait for an answer01:12:17
how life was without you more than once because it is the one01:12:24
who waits and will01:12:25
bear everything as if life were not a problem only If01:12:30
only everything weren’t in vain dancing hands solidol01:12:42
201:12:43
[music]01:12:49
dancing joins the one who consists of them up to the walls01:12:52
the girl01:12:53
lined up in rows repeats the movement of01:12:55
Miloslavsky chastely throwing out her01:12:57
legs in front of her with a wide smile I01:13:04
move my shoulders to the beat of the music begins to dance01:13:06
dashingly clapping my hands on my01:13:08
knees and others France joins01:13:13
become01:13:19
[music]01:13:25
Ivan Vasilyevich plays pats with the queen01:13:28
on his knees Miloslavsky shakes01:13:30
his hands turning his heads girls twirls their01:13:33
long braids01:13:34
Ivan Vasilyevich drinks another cup01:13:37
several policemen sit down in the yellow Volga01:13:40
she quickly leaves01:13:45
behind her a policeman on a motorcycle with a01:13:47
sidecar rides doctors orderlies in dressing gowns01:13:50
sit down into a white van with the numbers 03, the01:13:53
guardsmen crossing the field01:13:55
turns around and gallops in the opposite01:13:57
direction,01:13:59
heeling heavily at the turn, a police01:14:02
Volga drives out onto the new Arbat, the same01:14:07
turn passes an ambulance, the01:14:10
guardsmen approach from the white stone01:14:12
walls, a boyar runs into the hall.01:14:16
rebelled making chewing01:14:23
movements Ivan Vasilyevich dozes with his head bowed01:14:27
Miloslavsky closes the door and fixes01:14:29
them with the handle of the jug dear autocrat you are01:14:33
missing and they demand the rules burning in the01:14:37
form Ivan Vasilyevich raises his head about01:14:41
Bali01:14:46
[music] of the01:14:57
barricaded door01:14:59
the guardsmen are shaking driving into the gates of the fortress01:15:02
galloping along the narrow passage between the walls the01:15:05
guardsmen are joined by guards in01:15:07
red caftans on the landing of the seventh01:15:10
floor, the spout is pouring out, then policemen in01:15:12
white caps are running out along the stairs, a guy is walking with an01:15:15
eastern and a European glass in a glass, here01:15:17
Shura carefully pour the liquid into one01:15:20
of the vessels of the units, quickly and quickly,01:15:24
Prince, bring me back, brother, in three01:15:27
minutes everything will be ready the tsar looks through the01:15:33
peephole on the landing, no one01:15:38
looks out from behind the slightly open door,01:15:41
two policemen are standing behind the door, having grabbed the01:15:44
tsar, they twist his hands behind his back in01:15:48
Shurik’s hands the soldering iron is now now Ivan01:15:51
Vasilich, while you’ve changed into your01:15:53
tsar’s clothes, he’s blowing out the flames that arose in the01:15:57
unit’s diagrams apartment shpaka say01:16:00
windbreakers Miloslavsky's hands behind01:16:02
his head are searched by a policeman examining the01:16:05
Tsar's dagger, testing the blade with his finger01:16:07
respectfully curling his lips on the table, laying out the01:16:11
dagger, stacks of banknotes,01:16:12
stack of bonds, comb and button, coming to the01:16:15
house soon, I'm smoking and01:16:17
the policeman is holding a cigarette case, the Tsar01:16:19
turns away, it's01:16:20
the right thing to do, me too, but still, who can01:16:25
weigh this? Tsarev Klitschko and me01:16:31
Rurikovich we are forever and he is Vasilyevich01:16:39
year of birth01:16:42
1533 before the birth of Christ Fokin is also01:16:48
outside the tarapunka and the plug was found them and I01:16:51
live in ballads in01:16:54
such chambers the address is your address yes you01:16:59
tell me what fault it is not for us the boyar01:17:00
Tambov wolf you will go to the apartment01:17:04
Shpak chose the twine Kazan took01:17:08
Astrakhan he took rhubarb he didn't01:17:13
take it yet so he waited for the trustee darling01:17:16
the drunkard how are you doing citizens you so let's get some01:17:18
gin to this alcoholic you're01:17:20
lying what kind of wife you are to me an old woman he's drunk himself01:17:25
to hell his wife doesn't get tired01:17:31
oh that's it that someone I look like he's01:17:34
what - the Kazan is talking nonsense, took fear01:17:37
and took the king to call himself Ivan01:17:39
the Terrible South Africa fever typical case but01:17:42
what is the real name of this patient I01:17:47
can’t see him the unit01:17:52
comes into motion attention01:17:54
prepared Ivanovich01:17:57
[music]01:18:01
in the floors the guard breaks out the bars on the01:18:04
window housing Miloslavsky throwing frequencies01:18:11
falls on the guard's head together with01:18:14
Ivan Vasilyevich01:18:15
swing a long dish then citron throw the01:18:18
guards and beauty flies the guard's face01:18:23
[music] an01:18:28
eggplant on the screen easily hits the face of01:18:31
one of the attackers01:18:33
they throw apples I hit the guards exactly01:18:38
a black eye appears under their eyes and Miloslavsky takes off his caftan under01:18:41
him on his neck hangs an order sent by legends, he01:18:43
rounds his eyes, throws a caftan in it,01:18:47
two guards use it and untwist it, throws goodbye, throws01:18:50
the order, having sent a tass,01:18:52
our idea01:18:53
[music] hangs, taking off01:18:55
Ivan Vasilyevich and throws the monomach's hat,01:18:58
then lands on the clerk's head,01:19:00
he proudly sticks out his chest01:19:03
Ivan Vasilyevich in the royal pay is01:19:05
taken by the priests the tablecloths hang down to01:19:07
whom the loaf climbs in the guards01:19:10
Ivan Vasilyevich crawls out from under the table in01:19:11
his usual clothes01:19:13
Miloslavsky flicks his lighter and we get01:19:15
to it opens with a small bomb victory01:19:21
on01:19:23
disappears goodbye Miloslavsky run into01:19:28
the apartment and throws the pursuer chance the01:19:31
wall materializes in the faces of the01:19:34
confused guards01:19:36
Miloslavsky swung his hand puts01:19:38
him on the floor with a chair alive alive tell no one01:19:42
will go to the police they will believe01:19:44
you will still answer then your sociable experience01:19:47
and how it can Ivan Vasilyevich leave the01:19:50
apartments the sovereign takes one glass Miloslavsky01:19:56
looks through the peephole of01:19:57
Ivan Vasilyevich whether they are leading us behind01:19:59
his back with his hands locks the door interesting01:20:03
movie that these are your scientists on the street,01:20:06
others were running01:20:07
and this is your friend shpak today,01:20:16
another meaningful thing for me we will not detain you did not01:20:19
detain you did not detain you we did01:20:21
not restrain you01:20:32
Ivan Vasilyevich, the01:20:35
Tsar bowed his head like that, so you are claiming that you01:20:37
supposedly Ivan Vasilyevich01:20:39
left your documents at home overnight and who can01:20:44
confirm your identity, anyone, but who01:20:49
died Katya Bazhenova ask you01:20:56
wanted to sincerely admit something, I confess01:21:00
that at least not of my own free will and under01:21:01
the duress of Prince Miloslavsky, he was temporarily01:21:03
acting as the king of01:21:05
which king, what are you, the king’s goal, well, it’s01:21:09
worn in an even seam by the dog, and01:21:13
Chashchin’s gift rushes at Ivan Vasilyevich01:21:18
everything that he acquired through back-breaking labor, all01:21:23
three tape recorders, 3 foreign movie cameras,01:21:26
three cigarette cases of the fatherland, a platform, a01:21:30
suede jacket 3 talking to a shepherd dog01:21:32
jacket01:21:33
I’m not yet fighting for the honorary title of a01:21:37
house of high culture of everyday life apartment01:21:41
shpak say again01:21:43
who this is they are taking the king out of a01:21:46
straitjacket gas01:21:47
yes I told you that I’m with01:21:50
my husband Ivan Vasilyevich bunsha now you01:21:53
will be cured alcoholic wonderful who is he01:21:55
they take away Ivan Vasilyevich in a01:21:58
straitjacket, an impostor for hearing this and you, so why do01:22:14
you two husband01:22:20
yoba01:22:26
become more Ulyana Andreevna pats the01:22:29
Tsar on the chest then her husband and you will be cured and01:22:33
you will be cured too Ivan Vasilyevich kisses01:22:37
her lessons Ulyana Andriano takes off her wig01:22:39
and will cure me her short dark01:22:42
hair what you told01:22:44
grandiosely to you as eyewitnesses of your wife I’m in01:22:48
your place for my doctoral dissertation01:22:50
immediately there’s no need to rush 6 I’ll01:22:53
always have time Miloslavsky looks through the peephole on the01:22:55
landing three orderlies in01:22:57
dressing gowns01:22:59
Shurik hangs his dressing gown on the back of the chair01:23:01
Miloslavsky’s face brightens the snow was falling,01:23:09
district 3 reigned in the new I will betray the01:23:11
queen from both made me but did not01:23:14
succumb, I swear the orderlies are taking out01:23:17
Ulyana Andreevna Ivan Vasilyevich and the Tsar one of the orderlies01:23:19
Miloslavsky is in the hands of a policeman a certificate01:23:22
of release from us to detain01:23:37
Miloslavsky is running away from the house01:23:39
the policemen the doctors the orderlies are running in a minute,01:23:42
the king is left alone, runs back to the house,01:23:44
hands are fixed behind his back with a01:23:48
red sock, the dog opens the entrance door,01:23:52
starting to climb the stairs, quickly01:23:54
goes down, hides around the corner, runs down the stairs,01:23:56
the policemen wait, runs01:24:01
into the elevator, presses the floor button with his nose in the01:24:07
apartment, I was absolutely sure that01:24:11
I sent you Abramovich drink prince don't01:24:15
turn your car here you were all this01:24:18
time the police opened a case the king01:24:22
scratches his chin with an everyday gesture the unit01:24:24
turns the king with a white answer on his01:24:26
shirt01:24:27
chase pursuit creaking-creaking 2 voice of01:24:31
America vanished Vich see their wall01:24:35
disappears opens the royal chambers you01:24:37
sang faster his nose and run throws his01:24:44
hat in Cypher's boiler room goodbye prince01:24:48
happy01:24:49
don't remember the dashing don't fight Vasily01:24:52
Shurik lies on the floor motionless next to01:24:55
him the passage black cat Shurik raises01:24:58
his head sit on his forehead big bump01:25:06
shakes his head01:25:09
the image turns black and white01:25:12
holding his head01:25:14
goes into looks in the mirror in the hallway,01:25:18
opens the door, let01:25:27
Ivan Vasilyevich out01:25:47
and Ulyana Andreevna swears in front of the door,01:25:49
Shurik in front of the unit, it seemed to me that he was01:25:52
scratching his head and it really was Ivan the Terrible,01:25:57
you are taking caresses from you, winter, leaving,01:26:05
looking around all the photos of Zinochka in01:26:08
their places,01:26:10
harm to health01:26:13
hit, what if it’s not delirium Lord, what's01:26:21
going on with you? I smoked01:26:24
and of course I haven't had dinner yet. Zinochka01:26:28
Kanon's glasses, her hairstyle and dresses are noticeably01:26:31
more modest, what's going on with her colored double01:26:34
is putting food on the table, you're not01:26:37
off to the games, what mountains are01:26:39
you going completely crazy with your car, a01:26:42
long pack of pasta loaf white bread a01:26:44
jar of canned food01:26:46
puts out a bottle of kefir where did you01:26:50
plant such a lump looking sternly at Zinochka01:26:52
Shurik stops her hand01:26:54
Zina tell me honestly where were you just now at01:27:00
the rehearsal okay I’ll ask straight away you01:27:06
like cinema what kind of cinema01:27:10
what’s wrong with you Sudek don’t pretend he’s01:27:13
your film director01:27:16
of no kind I'll throw it to the director, we don't01:27:20
really have my word of honor, hugging Zinochka01:27:26
kisses her neck,01:27:27
face stretches out near the wall, lies the01:27:31
colored hat of the monomach, closing his eyes tightly,01:27:32
Shurik shakes his head, opens01:27:34
his eyes in the place of the hat, black01:27:37
cat scratching his head, Shurik exhales in relief,01:27:40
gives in to each other, freezes,01:27:42
looking sternly at the viewer,01:27:44
green-eyed kisses the back door swings its paws01:27:46
and opens its mouth caption01:27:49
thank you for your attention the end of the filmDescription:
Данная версия фильма сопровождается тифлокомментированием - описанием предмета, пространства или действия, которые непонятны слепому (слабовидящему) без специальных словесных пояснений. Ссылка на официальный Youtube канал Мосфильма: https://www.youtube.com/c/MosfilmRuOfficial Кинокомедия Леонида Гайдая "Иван Васильевич меняет профессию" Эксцентрическая комедия по мотивам пьесы М.Булгакова «Иван Васильевич» о машине времени, сооруженной московским инженером Шуриком Тимофеевым, с помощью которой Иван Грозный попадает в ХХ век, а управдом Бунша, как две капли воды похожий на царя, – в Древнюю Русь. Режиссёр: Гайдай Леонид Сценаристы: Гайдай Леонид, Бахнов Владлен Композитор: Зацепин Александр Операторы: Полуянов Сергей, Абрамов Виталий Художник-постановщик: Куманьков Евгений В ролях: Куравлев Леонид, Яковлев Юрий, Демьяненко Александр, Селезнева Наталья, Крачковская Наталья, Крамаров Савелий - Главный приз на XXIV МКФ трудящихся Чехословакии, Прага (1974) Смотрите наши фильмы - на сайте http://кино-мосфильм.рф Подпишитесь на наш канал и страницы в социальных сетях! ВКонтакте: https://vk.com/club20286388
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