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Ефим
Честняков.
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00:00:35
buckle
00:00:42
Moscow
00:00:44
1974 central house of artist
00:00:48
exhibition of an unknown artist
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and a chemical one who became a real
00:00:54
revelation
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paintings painted on matting henna for
00:00:58
clients could have been created two and three
00:01:02
centuries ago
00:01:04
in what time in what village do
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these peasant girls with kind
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childish eyes live in a
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childish way trusting old people and children with a
00:01:17
wise look, the
00:01:19
audience knew almost nothing about the master himself,
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but the artist, it turns out, was
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practically our contemporaries died in the
00:01:28
summer of
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1961,
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Vasilyev Sosnyakov
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lived through three revolutions, two world wars
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and the civil collectivization of the village and
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much more that happened during his
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87 years with our country but there is nothing of this
00:01:49
in his paintings there is only peace
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do not shine
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general prosperity
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my profession the profession of an artist
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restorer and
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the art history part of this profession
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themselves imply
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discovery because restoration my
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restorations are preventive work they are
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necessary but any restoration is a
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path to discovery and I was lucky on
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Chesnokov's discovery, many consider the
00:02:37
primitives the juice itself to be deeply incorrect
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primitives tries to depict
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reality like professional
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artists or like children, for example,
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strive to depict reality like an
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adult, while Garcheskov, like all
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great artists, I read as a great
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artist, have their own worldview,
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worldview, something that a
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primitive artist never has a jacket,
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look how much it is out of town here, but all
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these patches are placed in their
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place
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they continue the life of these things at the same
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time continue the artistic life
00:03:19
of this thing he said so the patches on a
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person’s clothes hide his holiness and
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hide his present often in the
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summer of
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1961 expedition Kostroma
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Art Museum, traveled around the
00:03:46
Golgriffsky district,
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looked for icons in abandoned churches,
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collected icons from ancient huts, you could
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n’t find anything interesting
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and would have left with nothing if we hadn’t
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gone to one of the houses to
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drink water
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when we started drinking water and paid
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attention I looked at the
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cardboard that was covered with the pot and
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looked at the painting. It did
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n’t seem so great, what kind of painting? At
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first it seemed to me that it was an amateur, and
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then when the unit went, still in the closet,
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they pulled it out to me in the basements and attics,
00:04:36
then I realized that something was a difficult artist, they
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started asking local residents
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if there were any more paintings. but the person
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painted them because the artist’s name was not on the canvases, it
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turned out that the author was local Efim
00:04:54
Vasilyevich Sosnyakov and in almost every
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house there was something in watercolors
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clay figures leaves with poems from the
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house where the artist lived by that time there was
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nothing left but rotten logs
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for a gun with burdocks after Volodya
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Makarov
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found Cheskovsky's first work, the
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director of the Kostroma Museum of
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Fine Arts, the wind I key
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Ignatiev actively joined in this
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work and they conducted
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a lot of expeditions, collected everything related
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to their forces, including paintings and drawings,
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some written evidence and
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interviewed people, this was all carried out under
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his leadership, there
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were so many finds that the
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special materials taken for the expedition were not
00:05:49
enough,
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they used the means at hand and
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simply mixed chicken eggs with water
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and covered the canvases with this mixture;
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everyone really wanted to quickly bring them to the
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fire to show them to discover the name of the unusual
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artist, I even at your own peril and risk
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one work to speed
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up pay attention to it
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transactions with the position that is, it was generally
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considered a crime at that time
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and pulled it onto cardboard it
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seemed the best preserved of all the works and was
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small and included in the permanent
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exhibition of this the tool itself is of
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great interest Presnyakov was a wonderful
00:06:37
Kostroma writer, Vyacheslav
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Shaposhnikov, who is now a priest and
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edits the Kostroma diocesan bulletin,
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as a result of a
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thorough study of documents, he
00:06:49
wrote a very interesting book, Efimov’s
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Cordon, what Efim himself called the Cordon,
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words of boots, one of the best philologists and
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literary historians,
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he deciphered a lot of
00:07:02
Efimych’s notebooks from Nikolaev, his approach is sometimes
00:07:06
paradoxical, everything he helped us
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to understand and the vivacity of the snow, the
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team of the Moscow restoration
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center under the leadership of the Honored
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Artist of Russia Galushkin did
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the most difficult work in restoring the
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canvases, and after all, the artist kept the works
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without stretchers, which is why the canvases were torn
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and Garlic used an awl to glue them
00:07:31
on the back with harsh threads the patches and after
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his death the painting was
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somehow stored, covered with dust and soot, I
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called the director of Enakievo, he was on a visa,
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we’ll try the first things in Moscow, and
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when they put it on the floor, someone
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from my artists came, how
00:07:55
crazy are these guys from ours? l'amore
00:07:58
never pull it out in this
00:08:00
condition we had to do what to do
00:08:03
wash it strengthen and these
00:08:06
colors were opened sometimes stunning in their brightness
00:08:11
never with market brightness but the brightness in a
00:08:15
real leading light coming from within we
00:08:19
immediately realized
00:08:20
that we were dealing with an artist of the highest
00:08:24
talent
00:08:26
while the restoration of the workshop was underway Yamshchikov
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visited all of Moscow,
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someone even on a shooter should make a
00:08:34
sign that there was no Pushkin and
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Lermontov, Tolstoy and Dostoevsky, the
00:08:38
rest were all there and everyone said we need
00:08:41
to show this to people 1 small exhibition
00:08:44
was organized in the premises of the All-Russian
00:08:47
Restoration Center in Kadashi,
00:08:49
people just stood in caravans to
00:08:54
get in at this exhibition
00:08:55
the premises are such a miracle, during the rain there were
00:08:58
also roofs leaking somewhere, I will never
00:09:01
forget when you took the mortar to the
00:09:03
fire, a
00:09:04
temperamental man, Boris Rovensky, the
00:09:07
chief director of the garden of the small theater, he
00:09:10
came either with his students,
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the bus, two buses were already leaving and they
00:09:16
fled literally with bricks in your hands,
00:09:19
stop, we didn’t have time to watch it
00:09:21
and of course then we made a super
00:09:25
professional performance, showed my
00:09:27
TVC to the country, then we took you snake, they
00:09:30
didn’t let me go abroad, we showed in
00:09:33
Paris these are the troops in Florence, Milan and
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there it all sounded real
00:09:41
high level, the
00:09:57
first expedition of the Kostroma museum
00:10:01
was followed by a second, then a third, but there was
00:10:04
no information about the artist himself in the archives; there
00:10:07
was still hope for the memories of
00:10:10
his fellow countrymen, here we found many
00:10:12
interesting
00:10:14
fellow countrymen, they remembered him not only as an
00:10:16
artist
00:10:17
but also as an educator, and so we went for a
00:10:20
walk outside the village we have for the trees, damn it was
00:10:24
not an enemy, there was such a stream below, it flows, it flows
00:10:28
into a river, the
00:10:32
speech of who they are called in gives the river
00:10:35
and this is
00:10:37
such beauty, there are flowers all around, greenery and a
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stream is babbling and it stops in
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one place and asks how do you say that’s
00:10:47
what a man is water
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smith and how can you say murmurs rings
00:10:52
well done rumbles here prada
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a little talks in different ways cards
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people I’m sick a disabled boy his
00:11:04
thunderstorm and they were sick that’s how it will become so
00:11:07
these pus again this run it’s all to the
00:11:10
mountain Efim Vasilyevich I say like this is
00:11:12
the world do it, I say look at the godfather, there is a leak
00:11:14
from which I have and he says with soap to
00:11:17
him to enter it more and everything went away and
00:11:20
the eyes did not fall asleep anymore and still do
00:11:24
n’t step in, they don’t hurt
00:11:26
the war in the most difficult time, women
00:11:30
came to Cheskovov with all their troubles,
00:11:32
they believed that the film will cure and
00:11:35
the necessary advice 1 and most importantly they will say whether the one
00:11:39
who went to the front is alive or not, they are close
00:11:43
one time a woman came to whom he told
00:11:47
her straight go go go go quickly money
00:11:50
money she was offended and cried she didn’t
00:11:52
let her in she came out the daughter of strings then
00:11:55
walking at the crossroads I met
00:11:57
such cases, there were a lot of
00:11:59
people living in this world before us now, any
00:12:04
manifestation of
00:12:05
frequency, spiritual frequencies, bodily frequencies
00:12:09
is associated with some amazing
00:12:13
spiritual internal state of a person
00:12:16
called holiness, and if we
00:12:19
proceed from these criteria of holiness, then of
00:12:23
course the Chistyakov regime was a wonderful
00:12:26
Russian saints and
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probably without any stretch he can be
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called for the sake of Christ a blessed
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holy
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fool who left all the red of
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this world and retired solely
00:12:43
to find inner peace
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in
00:13:15
1874 he was born into a peasant
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family in this village a hat is a place
00:13:22
chosen for an
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artist to work it stands
00:13:26
these open spaces are already endless for buckwheat, that is, his
00:13:31
artistic
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purpose was combined with the
00:13:37
environment in which he was in a family that was
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poor, Efim, the only son, carelessly 5
00:13:45
hence the name of his Garlicov, his father, you were
00:13:49
Samoilov, and Garlic in the village was called the
00:13:53
only son in the family with his nose, not
00:13:56
the film Vasilich remained a mystery to
00:13:58
those around him, he rarely shared his thoughts with anyone
00:14:01
and suddenly everything was revealed.
00:14:04
Kostroma museum workers found the
00:14:07
artist’s niece Galina Smirnova,
00:14:10
she saved many of
00:14:12
her uncle’s documents and manuscripts and it became clear to us
00:14:16
that we were dealing with an extraordinary
00:14:20
person, I would say with one of those
00:14:23
who are called day of the century it was not for
00:14:26
the sake of words, but as for the
00:14:31
internal philosophical meaning of his
00:14:34
paintings,
00:14:35
I can say that he is divine
00:14:38
because the highest manifestation
00:14:40
of divinity is not cloudiness and the
00:14:44
ability to be understandable to a child, first
00:14:47
of all, that is what he strived for and
00:14:50
being very
00:14:53
rich in philosophical carrying a
00:14:56
semantic load,
00:14:57
his paintings are simple but not simplified, he
00:15:02
never does anything
00:15:07
from deviating from his recognized principles
00:15:10
in order to be clear, let’s say to a
00:15:12
child or peasants, on the contrary, he
00:15:16
pulls them up to his worldview to
00:15:19
his level of knowledge, raw materials
00:15:23
give us a simple answer, where are you from and who are you I don’t
00:15:26
know myself, but everything is wonderful, still the monastery is from
00:15:29
about the east of the tribe, glory from the
00:15:33
Finns or from the Drevlyans, my folk
00:15:36
class, but further about the views in mine
00:15:39
specifically, I don’t know in the poetic
00:15:42
articles, the port without a private label, I’ll
00:15:45
forgive the sage and the fool king Efim
00:15:49
Vasilyevich was different from his
00:15:51
fellow villagers because he didn’t live like everyone else,
00:15:54
wrote unusual things about himself, called them a
00:15:57
knight of fairy-tale miracles, invisible,
00:16:00
it’s true that Efim Kislyakov was invisible to
00:16:04
the public, and not always this one, these here in a
00:16:07
cafe, written in his youth, something
00:16:10
completely Parisian in both technique and
00:16:12
spirit, a drawing from which - another life,
00:16:15
where did a boy from the northern
00:16:18
wilderness know it, he tried another life at the
00:16:22
age of 25, went to St. Petersburg to study with Ilya
00:16:26
Efimovich Repin,
00:16:28
I learned to draw, write from life,
00:16:30
first in the shadow of the chef’s workshop under
00:16:33
the tying of Repin, then Shcherbinovsky,
00:16:36
after that I was at the Academy of Arts
00:16:39
then in the Kazan art school,
00:16:41
then in Cordovsky’s workshop at the
00:16:44
Academy of Arts,
00:16:45
before the revolution, even in St. Petersburg,
00:16:49
his
00:16:51
children’s fairy tales with his own illustrations were published in magazines and in separate books, and
00:16:54
in the archives of the artist Repin and the writer
00:16:57
Korney Chukovsky,
00:16:58
letters from Cheskovsky are stored in an old
00:17:02
newspaper, there was even mention of a
00:17:04
small exhibition which took place in
00:17:07
1924 in the district town of Kologriv,
00:17:10
Kostroma province, but that’s all until
00:17:15
1968, no one outside his native
00:17:19
village knew anything about him, we now
00:17:23
know that Michelangelo was the richest
00:17:26
man
00:17:27
of the Middle Ages, that’s not the case, but
00:17:29
I don’t know at all from Cheskovsky, he held ice for the money of the lesson
00:17:32
in my opinion, he has lived there all his years in a
00:17:36
natural way, as they say now
00:17:38
on board, he lived there, make a drawing there, they will
00:17:43
bring milk there to work with children, the
00:17:47
parents there will put lunch there, you understand,
00:17:51
he lived at all, not a niece, he lived to
00:17:54
the south, his family lived as outcasts but an
00:17:58
outcast who never left his people,
00:18:01
his children, his village, never a
00:18:04
film, my
00:18:05
parents tried to keep Efim with them,
00:18:07
even to Uncle Frol, they didn’t let me go to the village’s uncle, they didn’t
00:18:10
let me read, study,
00:18:13
against my parents’ will, graduated from the Geffen
00:18:17
Zemstvo school, then the district school and
00:18:20
teacher’s seminary, my
00:18:22
whole life, my
00:18:24
continuous struggle with obstacles on the way
00:18:26
to learning in the conditions in which I lived, I
00:18:30
could only dream of art.
00:18:31
I had a passion for drawing in very
00:18:34
early childhood.
00:18:43
I went
00:18:47
to the parish and inevitably took a
00:18:50
flower of gray smoking paper from the merchant when
00:18:53
they went to the city, with tears he begged to
00:18:55
buy a red pencil and if they brought
00:18:58
her you would make her happy in the world and was ready to
00:19:02
sit all night in front of a splinter behind drawings,
00:19:05
but such jewelry was bought very
00:19:08
rarely, I walked around river to collect colored
00:19:11
pebbles that would be more beautiful
00:19:21
when in 1905, on the terrible day of
00:19:25
Bloody Sunday, classes at the academy
00:19:27
end, the participants will return home
00:19:30
who have not completed their studies, but it seems he has nothing to grieve about.
00:19:33
Rickon believes that there is
00:19:36
no need to study garlic, you are coming from the water and
00:19:39
the road will ruin your ears the debtor has
00:19:42
this fire; we can’t restrain this anymore;
00:20:09
their public,
00:20:12
as it were, they said now that it was raining, we know
00:20:16
that it happened and
00:20:18
it happened in salons in the south of the Prius with Merezhkovsky,
00:20:22
well, whoever looked at it.
00:20:25
we know, for example, that at one outing
00:20:29
some artist was generous philo vance Olya
00:20:32
there who liked his work
00:20:34
advised him how to go to Paris to
00:20:38
bathe in the ranks of the world of satellites and unfastened it
00:20:42
as if now they told him five rubles
00:20:44
for further development
00:20:46
but he will sign as they they understand that
00:20:50
no watering is needed, I want to prove it,
00:20:55
make an exhibition here and go there to
00:20:59
work with the children, but the war of 14
00:21:04
years began, dissatisfaction with 1 dear and
00:21:11
and
00:21:14
when the war began,
00:21:17
he did
00:21:18
n’t just write one line like that,
00:21:23
he wrote a message
00:21:27
to all warring peoples,
00:21:30
stop the war, reconcile, elect
00:21:33
all nations from their representatives so that
00:21:36
they meet in one place and discuss
00:21:39
international needs and desires and that
00:21:42
your discussion daughter and fat are sent by
00:21:45
seal to the telegraph by other means throughout the
00:21:47
whole earth and that from all over the earth the
00:21:50
judgment of your meetings is communicated to an
00:21:53
international institution and so that they are
00:21:56
worked out immediately and
00:21:58
in detail the condition for peaceful relations and
00:22:02
when we
00:22:04
read this message and compared it with the
00:22:08
Charter of the United Nations,
00:22:11
adopted as you know after the
00:22:13
Second World War, there are many
00:22:16
points that coincide with the
00:22:19
participants returning to the good, now I have been
00:22:28
looking for a singer from the country of my native clothes for a long time,
00:22:31
I am poor and I have a homemade staff but
00:22:35
the brothers stand great behind me and the world and
00:22:39
desire is pure and boundless these are the brothers the
00:22:44
children will dedicate the remaining 47 garlic to them
00:22:50
no they
00:22:51
came no more they didn’t let them down and the little
00:22:55
bushes of those here they came into the corridor we go into the
00:22:59
corridor you eat the child then the way body to
00:23:03
you bodies
00:23:05
comes to you here so and
00:23:08
so, this is the cloth jacket of these countries and
00:23:12
under the desks I looked like a fine fellow,
00:23:16
come in there, come in, and there’s a ladder like this and
00:23:20
we climbed up this ladder woven
00:23:23
opened this trap like the lid of the ovary
00:23:27
in this aven and once he walked around the benches
00:23:31
he squandered us on the benches we sat down, he opened the
00:23:36
wedding there for us, his paintings had
00:23:39
a curtain, there were such paintings, a big
00:23:42
wedding, harmonicas, these wedding outfits, all the
00:23:46
outfits, and where there was a curtain, there was one
00:23:50
arrested, all were dolls,
00:23:55
art, comprehending everything,
00:23:58
studying, and now I live in business, I think light up the
00:24:04
torch, I need to start the film From
00:24:08
childhood, it is to build a person that
00:24:12
peasant children
00:24:14
become adults too early, it is necessary to give them a full
00:24:18
childhood so that their soul has time to be filled with the
00:24:21
joy of life,
00:24:23
so that their creative imagination has time to awaken,
00:24:27
to the extent that a child has strengthened a child in an adult,
00:24:31
so much so he and his personality,
00:24:39
although it is not known
00:24:41
whether Garlicov knew Tolstoy’s treatise what
00:24:44
art is, but he just embodied
00:24:48
that ideal of the artist whom Tolstoy streamed
00:24:52
became the stand which he wrote to Tolstoy and
00:24:54
where the most important thing for Tolstoy is
00:24:59
sincerity and sincerity and once again
00:25:03
sincerity for which Tolstoy reproached
00:25:06
modern art that it is
00:25:08
formalized but
00:25:10
false and this sincerity and the
00:25:13
transfer of living feelings to
00:25:15
others was considered his most important thing
00:25:19
is that Kraz embodied the technicians and yet this
00:25:23
anonymity does not stick out his
00:25:25
personality, his individuality, the
00:25:28
anonymity that even Tolstoy wrote
00:25:30
that during his lifetime the artist may not be known at all,
00:25:34
not to mention some kind of
00:25:36
rewards, fame, and so on and so
00:25:38
forth
00:25:39
Garlicov writes fairy tales and they make
00:25:43
illustrations for a book and also genre paintings
00:25:46
about peasant village life, how a
00:25:49
sorcerer comes, how a harp is listened to,
00:25:55
how mummers have fun on a holiday, how a
00:26:01
bride is not to be seen in a hut,
00:26:08
Yefim Vasilich treated Russian
00:26:13
peasants the way he probably treats
00:26:16
saints because he foresaw
00:26:18
that this generation would leave and when
00:26:21
you are in the halls where the paintings
00:26:25
and the film are located, Vasilich you experience some kind of
00:26:27
generally surprising and special excitement
00:26:29
that is akin to what you
00:26:32
experience in the temple, fortunately
00:26:36
Garlic built a house, a workshop and old and
00:26:39
wine log houses, he called his home hut
00:26:42
kai on the first floor of the puppet theater on the
00:26:45
second hall where painted and exhibited paintings; the
00:26:48
paintings hung there on hooks under the very
00:26:50
roof, closer to the sky, and
00:26:54
we called this painting the entrance to the city of general
00:26:56
prosperity, why are the people here different,
00:27:00
represented on a large scale, why do
00:27:03
most people have their backs turned to the
00:27:06
audience, as if it’s not going somewhere, that’s
00:27:09
where it’s going of the Russian peasantry,
00:27:11
maybe this thought about what it
00:27:13
really means is the destruction of the
00:27:15
Russian village, but if you
00:27:17
look closely at his face, these are
00:27:22
the faces of people who will never
00:27:26
be again, this is a certain
00:27:29
machine, people with such faith are
00:27:34
so
00:27:35
sincere,
00:27:36
kind, he loved, he believed in this
00:27:42
kindness is what these companions do
00:27:52
and the
00:28:19
year 1917 came,
00:28:20
at first Efim Vasilyevich, like many
00:28:23
poets and artists, accepted the revolution,
00:28:25
slogans about general prosperity sounded
00:28:28
tempting, let them give material in the room,
00:28:31
I will draw a new Russia,
00:28:34
however, I quickly became disillusioned, somewhere the beggars
00:28:39
are fighting, here is the simplest revolution but to live
00:28:43
it was necessary and after the October
00:28:46
revolution I
00:28:47
hereby certify that the determinant of the
00:28:50
entire citizen of the village sh the benefit or the
00:28:53
patronage volost Efim tinkered Garlicov
00:28:55
has been a teacher in the art
00:28:58
studio of the Proletkult since November 1,
00:29:01
1920, secretary
00:29:04
Tereshchenko
00:29:05
on the central streets in the prince's mansion
00:29:08
to swear opened the palace of proletarian
00:29:11
culture a participant in the island appeared hope
00:29:14
to fulfill his
00:29:16
educational dreams he
00:29:18
taught, he didn’t have to run a household for long,
00:29:21
and it’s hard to go to work
00:29:23
twenty kilometers off-road
00:29:25
with the help of the Chumbarov-Luchinsky
00:29:28
chairman of the Kologriv Proletkult
00:29:30
Garlicov organized a shobla
00:29:34
we were taught in kindergarten then it means the basics, a marker
00:29:39
on it, grease everything else there will be
00:29:42
communism at the end of your life, which means you
00:29:46
will live to see communism, and then he came
00:29:49
to us, and we started a conversation with him on this topic,
00:29:52
I say, here we are in
00:29:55
communism, you will bend him, he was so
00:29:58
indignant at me, it means oak tore on ttk, is it
00:30:02
really difficult for you to understand yours atheism
00:30:07
means they cannot lead to communism
00:30:09
without God the nation is a crowd united by vice
00:30:14
and is deaf or blind and sit down and what is even more
00:30:18
terrible is cruelly let anyone come to the throne in
00:30:21
any high syllable the crowd will remain
00:30:24
a crowd until they turn to God the
00:30:27
kindergarten existed until
00:30:31
1925 the new government did not agree in the gut there was
00:30:35
a teacher telling the children about
00:30:37
God and the kingdom of heaven for
00:30:41
the prosperity promised by the Bolsheviks it was far away
00:30:43
terrible famine reigned devastation
00:30:46
and with the art of Cheskov, at that time he
00:30:50
painted portraits of fellow villagers he wrote a
00:30:53
lot of
00:30:54
teetotal bruises
00:30:57
as a student of the artistic
00:31:00
direction the world of art nevertheless
00:31:03
was very original the image is
00:31:06
beautiful
00:31:07
for him, the theme of female beauty, girlish
00:31:11
beauty, it was like a song, and
00:31:15
especially he fantasized about all the
00:31:18
elements of the decoration of girls, women,
00:31:22
girls, in this room there are a
00:31:24
number of paintings presented that
00:31:27
confirm this thesis, the
00:31:31
most interesting
00:31:32
painting was painted and oil hats, hats
00:31:37
like flowers, like wreaths of flowers
00:31:41
prepared for laying on female
00:31:45
beauty
00:31:47
in March 24, an
00:31:50
exhibition of garlic opened in Kologriv; the
00:31:53
county newspaper Peasant Pravda
00:31:55
praised it, but the Kologriv Proletkult
00:31:59
part of the idea did not understand or approve of anyone, and
00:32:01
certainly did not help in any way;
00:32:06
1,020 rubles per month are required, without which
00:32:10
I cannot have the leisure to at least partially
00:32:13
free myself from I have a
00:32:16
wide variety of work in drayage and modeling and literature
00:32:19
painting and even children's theater Rick,
00:32:22
who, like all of us, art is
00:32:24
completely lacking,
00:32:28
it is clear that the peasants in the village did not understand him, he was middle
00:32:32
-aged, instead of busying himself with his
00:32:35
work, he tinkers with children's fairy tales, composes
00:32:38
pictures, draws them, he
00:32:41
writes, he decided to circle the entire village was surrounded by a
00:32:44
stone wall with gates, doors and
00:32:48
windows, and it
00:32:50
turned out to be an unusually large house, and
00:32:53
inside there were huts and gardens growing; they
00:32:57
built a common large stove and the heat
00:33:00
began to spread through the pipes throughout the whole village.
00:33:10
big stoves and pies, a
00:33:13
huge fathom, if not more, and in the winter it
00:33:17
became summer in the village, and the starlings also
00:33:19
overwinter, the swallows remain
00:33:22
and the swallows sang in the winter, the city of
00:33:26
universal prosperity, that picture is a
00:33:28
mystery for us because you can
00:33:30
stand in front of it for hours, peering at the images,
00:33:34
feel, understand, dream and
00:33:37
figure out why it is dangerous chichas nobody's
00:33:59
favorite undertaking Efim Vasilyevich was the theater
00:34:03
loaded the scenery onto the cart paintings
00:34:06
clay figurines you walked through the surrounding
00:34:08
villages gave a performance yourself was a
00:34:11
songwriter and director and actor
00:34:14
he sang and played the pipe pipes he danced he
00:34:17
took a fee for the performance from a
00:34:21
child a small onion from an adult
00:34:24
a large one and rutabaga, in addition, he
00:34:28
taught the children of private owners to draw, to sculpt, to play
00:34:31
musical instruments and listen to
00:34:33
music,
00:34:34
read his books, it means that here we have
00:34:37
gathered teenagers, gathered a big one,
00:34:42
God Andrei Komarov put
00:34:44
someone on a bench, someone right on the floor
00:34:47
on the
00:34:48
tidy on the village one, which means a
00:34:53
treble clef and a musical line up re
00:34:57
mi fa sol a and he himself sings and they force us to
00:35:01
drink, so I remember the coupons toys
00:35:04
then show shodo exhibit this and that and the
00:35:06
other everything told the figure something
00:35:10
interesting
00:35:12
how much he arranged a holiday and if he gave he
00:35:15
went with the children in mummers how much more of his
00:35:19
creation is not before us it came to how many ditties there were on the
00:35:22
pylon the imp who didn’t
00:35:24
think to write down how many fabulous divs he made from the snow
00:35:35
here she kissed me there time to put on
00:35:39
tires for work you don’t have one and dancing mother by the
00:35:45
Soviet regime Finn Vasilich
00:35:48
never found a common language and didn’t look for it in
00:35:52
the slogan not He believed and taught the children the wrong thing,
00:35:55
that for the authorities it was desirable in the village that the
00:35:58
memory of the ancestors passed especially close in everything,
00:36:00
and the Bolsheviks
00:36:03
forced the life of the seventeenth year to
00:36:05
begin to forget about the past and he could not do this;
00:36:09
he did not have a destructive beginning,
00:36:12
but it seemed to him that something was promised by
00:36:16
these whom he had not yet seen, the
00:36:19
Bolsheviks, so to speak,
00:36:21
transformers of life, that everyone would be
00:36:25
contented, everyone would get what they needed, no
00:36:29
hoarding of any kind, but everyone would
00:36:32
live in harmony and peace, everyone would have
00:36:35
complete prosperity and everyone would be engaged in
00:36:40
artistic work in the twenty-fifth year,
00:36:43
sister Alexandra was exiled to kazakhstan for
00:36:46
connections with the ussr
00:36:48
how he himself gifs vasilchuk celal is unclear and
00:36:51
then he created his own special side and in
00:36:54
the film he went there and took the children with him since
00:36:59
then officially the name of phil vasilich is
00:37:02
not mentioned anywhere there is not even a
00:37:04
death certificate and of course there are no
00:37:07
such exhibitions as his artists
00:37:10
time,
00:37:13
every artist controls his own
00:37:17
destiny if some force majeure circumstances do not interfere with this matter, the
00:37:21
first question was asked why the steps were
00:37:26
taken already when the exhibitions were over, why are
00:37:29
huge monographs coming out at
00:37:33
auctions, these crazy prices, and
00:37:36
why Chichikov is not given the
00:37:41
same wings his belly and if you publish
00:37:43
a monograph in it is possible that we published
00:37:45
a catalog there, our scientific collections, it
00:37:48
will look great,
00:37:50
well, here the conditions of the lenses, Chagall left the
00:37:55
works back, he is an artist of the world,
00:38:03
according to his
00:38:05
physical condition, an artist mer
00:38:09
Garlicov, according to his state of mind,
00:38:16
almost a hundred years ago, and film Vasilich
00:38:19
found a collar near shobla, local
00:38:22
residents call the spring and film key and
00:38:24
consider the source holy and its
00:38:28
healing water, the Russian people come here
00:38:31
not only from the Kostroma region but from
00:38:33
different parts of Russia, they serve prayers,
00:38:36
collect water from the healing spring
00:38:39
shobla, there is even a legend about
00:38:42
healing Efim Vasilyevich of a sick
00:38:44
woman from leprosy it will grab him and the
00:38:48
saint and he, oh well, for three days he did not comprehend anything, it
00:38:57
means the Holy
00:39:00
Blessed Virgin Jesus Christ and here he is a
00:39:04
new Kolovrat, he said so
00:39:07
develop about a dozen of what don’t
00:39:10
take the teletron brought I poured water
00:39:14
and
00:39:15
you find yourself three times At the same time, the phytodess
00:39:18
needed to pray and perform this action
00:39:22
for some days in a row, and so it
00:39:25
happened after seven, I hope she
00:39:29
finished this work and began to get
00:39:33
better
00:39:35
during the persecution of the church,
00:39:37
Efim Vasilyevich preached the gospel,
00:39:40
found a special place in the forest which the
00:39:43
parishioners called the green temple and
00:39:46
hung there were icons on a huge fir tree, he
00:39:49
performed a prayer service,
00:39:52
probably at that time
00:39:59
society showed special interest in collecting Russian folklore, there
00:40:04
was probably no emphasis placed on the study of
00:40:08
his spiritual heritage, it’s unlikely that the
00:40:13
people who
00:40:16
went with him to that same green temple were asking
00:40:19
what prayers they said, what they did
00:40:23
in In this forest, what path of knowledge of God
00:40:27
opened up for his fellow villagers from the
00:40:29
film of Garlic, and to a
00:40:32
certain extent, that time,
00:40:36
this moment when we could learn more about the
00:40:40
spiritual component of his life’s
00:40:43
feat,
00:40:44
how amazingly the thoughts that he
00:40:48
left in his notebooks and the film
00:40:50
Vasilich and his reflections coincided contemporaries of
00:40:53
Vernadsky, Chizhevsky, Tsiolkovsky,
00:40:56
it is necessary to finally realize the cosmic nature of
00:40:59
life, one must get used to this
00:41:02
consciousness in order to understand the foundations of the coming
00:41:05
world,
00:41:06
I heard this from him, these are the
00:41:10
words that are in front of the world and the
00:41:13
same people have hidden it,
00:41:18
which means that
00:41:20
I will not just grieve I know this for
00:41:24
sure, that’s how he could say that, how
00:41:27
could he say that for 4 me, it’s still a riddle,
00:41:36
apparently the
00:41:44
artist died in his eighty-eighth
00:41:47
year, a life of obscurity, or look, he died
00:41:51
at home in the hut in which he was born and
00:41:53
was buried, and having decided to scam a cemetery
00:41:56
nearby from his native shobla,
00:41:58
people took apart his simple belongings in the courtyards,
00:42:01
scattered his canvases and papers,
00:42:05
scattered them, and then they themselves collected them, and
00:42:08
now the works and film of Vasilyich
00:42:11
Chesnokov live in the hearts of his friends, his
00:42:14
talent, especially children, to whom
00:42:17
his heartfelt words were always addressed,
00:42:21
oh dear children, pray to the saint Lord
00:42:25
Christ, won’t he, the savior, heal my
00:42:30
sadness and Marita, he will teach how to cook the holy
00:42:35
service of life’s ships and the resurrection of my
00:42:39
blogs and show the way and in the huts
00:42:43
I am absolutely sure that if we are destined to
00:42:49
live and
00:42:51
if we all really get out of
00:42:54
all these
00:42:55
ours because there are so many mistakes we
00:42:58
have made they will help these experienced
00:43:03
mistakes come out correctly and one of
00:43:07
these beacon torches will be the life and
00:43:12
work of the Efimychs and Snekovs I’m not afraid
00:43:15
to say a Renaissance man
00:43:42
having flown to himself a little this is the
00:43:47
iris of April these
00:43:53
gray ones in
00:43:55
parades

Description:

Документальный фильм, посвящённый художнику Ефиму Честнякову, его судьбе и творчеству.

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