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«МЫШЦЫ ГОЛОВЫ ЧЕЛОВЕКА» Видео-урок по анатомии от Дениса Чернова | Онлайн-школа Akademika

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Channel: akademika

Арт

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Интуитивная

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Маки

Пионы

Лилии

Тюльпаны

Ирисы

Розы

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Ван Гог

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Морской

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Базанова

Дмитрий роза

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буйко

00:00:09

hello friends, many of you who

00:00:14

would like to learn painting are shy

00:00:17

before starting where to start

00:00:22

I'm showing I want to show you this

00:00:26

starter set, so to speak, these wedges

00:00:30

are inserted I'll show you yes they're inserted they're clogged

00:00:35

until they

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widen

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widen this gap increases

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the perimeter the perimeter increases the

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stretcher there is this the concept of how stingy

00:00:55

scorches, but let's say the derivatives of these colors

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are

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cadmium red to red pink wise

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and ocher, for example, yellow ocher

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in company with yellow, it seems like the brushes are

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actually of very poor quality,

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these are all synthetics imitating

00:01:28

bristles, but these are all high-quality brushes

00:01:32

and I said that from these paints you can

00:01:38

mix anything you want, these colors

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could also be in tubes

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that would be some kind of Parisian

00:01:55

green, some cobalt green,

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light,

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some blue-green

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complex gray hay, not just black,

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measured black, but some- then the

00:02:18

rich color is also gray, but there is

00:02:26

more warmth in it sti to

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master these complex shades in order to

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get used to the fact that you can do

00:02:39

anything and understand the sci game

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you have already seen that this is a manifestation of gray a

00:02:48

manifestation of gray a

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manifestation of violet greenness and that

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is, before starting work those shades

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that are involved in the picture,

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throw it on, so as not to be afraid of

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this paint,

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and today we will work in a

00:03:20

visual sense, we will try to

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work with three colors with the image, now we

00:03:27

will take more pink and the place where

00:03:31

we have grapes we will outline here,

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any approximation is permissible, the main thing is that they

00:03:47

slightly obscured each other that it is important in the berries

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there is light there is a shadow light shadow this

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light is a reflex of light from the reflected

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light surfaces the light hit and

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returned to the shadow places but the shadow

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places are not as light

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as the light two shadows you almost

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united with each other having only a

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small sound of

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separation is actually in this in this

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range one recognizes the classical palette of

00:04:38

painting and what we see in the paintings of

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previous masters and all the richness of color

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has occurred

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and tactile communication has already begun

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brown what do you see that we have a lot of

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brown pink white at this

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stage make a mistake in color is almost impossible

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and those who are afraid of color in theory and even

00:05:40

in drawing are afraid of almost

00:05:42

nothing here, the main thing is to find the location of the

00:05:45

main objects, well, close to the text and

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care appears there, like a trifle, it could

00:05:53

be just a wall, but even if it

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wasn’t there it would be worth it do it

00:06:01

again, I wiped the brush and with the same brush I make

00:06:09

air breakthroughs, which I already

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did once and now I’m doing the finishing laying of these

00:06:16

breakthroughs. Here’s the task, I think it’s

00:06:21

noticeably easy, and so if you

00:06:26

find artists or

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similar subjects

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photographic materials on the Internet, try these

00:06:34

simple tasks until learn

00:06:37

to mix well for a while,

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the visitor on simple tasks in order to

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get used to the palette,

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allowed himself to impudently not mix on the

00:07:06

palette but immediately, but here he mixes and

00:07:09

tones

00:07:11

the canvas, wait 10 minutes and start working, but

00:07:19

these pigments are sold in almost every

00:07:21

hardware store for radiators

00:07:24

in each so buy and

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use

00:07:30

save paint save time

00:07:35

it’s all very cheap the same white

00:07:40

only in tubes

00:07:42

acrylic paint for you as for

00:07:44

artists in terms of weight and

00:07:47

consistency it will cost 10 times

00:07:50

more because artists are

00:07:52

under pressure from these factories and based on

00:07:54

your ignorance, you now know and it

00:07:59

will be easier for you and I’m adding an

00:08:06

oil layer, but as for thanks to the

00:08:11

white acrylic and not a thick layer,

00:08:15

there is darkness, but it’s practically

00:08:18

this acrylic layer is equal to the acrylic

00:08:22

canvas, so without acrylic it wouldn’t be worth

00:08:26

doing, even better, but it was even

00:08:28

lighter but still, so that the white gives

00:08:33

this kinship to the ground more than blue

00:08:39

and now with yellow we are still in a

00:08:43

stingy palette, we do not

00:08:46

add just color additional

00:08:51

colors that are on sale, many

00:08:57

random touches turn out to be

00:09:01

accidental, which often even with

00:09:03

palette knife painting play up the picture with their

00:09:07

own accidents and this

00:09:12

slightly mosaic nature of the installation,

00:09:16

and the mosaic with its roughness is beautifully

00:09:28

new, the line of the corner of the house partially looks towards the

00:09:38

center there instead of the intersection of the

00:09:42

diagonals,

00:09:43

but still on whose side I am raking the

00:09:50

paint from one array is obscured by the other

00:09:58

third 2 3 obscured, that is, these

00:10:02

dark depressions of the arrays asked so

00:10:09

look if you are careful to

00:10:13

observe the level of the drawing of the proportionality of

00:10:19

objects in remember that the house is placed above the house,

00:10:24

then in theory there can be no problems with painting this

00:10:27

picture, so

00:10:32

practice at the same time and with a palette knife

00:10:36

you will feel

00:10:59

this landscape, you haven’t even heard of it, take

00:11:02

this box let's remove it, we'll make the

00:11:06

landscape itself, we'll just feel the idea of the

00:11:08

sea squirrel, of course, the blueberry is

00:11:18

seen more times, there were more faces and already

00:11:34

the structure of the water, which is like

00:11:38

this, I

00:11:40

'm starting to build up, grinding one

00:11:46

color into another,

00:11:48

but at the same time there is their unity because

00:11:51

this color is winking jokes in green

00:11:58

and turquoise the sea is such an environment that is

00:12:04

full of all sorts of arbitrariness,

00:12:08

so we can improvise, even

00:12:14

sketching or copying a

00:12:16

painting by another master; that water that

00:12:21

comes into the light, that is, this is a ridge and behind

00:12:24

it the illuminated area we will have with a

00:12:28

light type of lenka, pink and brown,

00:12:33

will give

00:12:34

this type of lenka,

00:12:38

that is, how the color of the light and here the

00:12:42

infection turns brown, spring and blue

00:12:45

create the effect of excited

00:12:52

coals or sand,

00:12:55

whatever you want, here we are, perhaps that’s enough,

00:13:04

get acquainted with the sea St. and the sea, there are a

00:13:08

lot of people and

00:13:10

the sea feels this idea very well and I think that some of

00:13:14

you will agree with me

00:13:33

here they are whitewash here it is red

00:13:38

8 green

00:13:54

acrylic will dry instantly you already know

00:13:57

about this the squirrel will develop a little

00:14:04

yellow rose to know another rose

00:14:15

I remind you that our task is to learn not to be

00:14:18

afraid to depict a rose with 3

00:14:28

on the dark it happened very quickly and

00:14:32

expressively and we are still

00:14:35

with you are stingy in this palette

00:14:38

and no problems arise,

00:14:46

your most important task is to learn, don’t be

00:14:50

afraid if in your feeds, if

00:14:54

some piece doesn’t work out for you, yes, you

00:14:56

saw, I shave, fill it with a different color,

00:14:59

and if it turns out the other way around, I dance around

00:15:02

this place, try and you so

00:15:06

impudent to carefully draw the most complex

00:15:10

rose flowers,

00:15:11

this is the impudent presentation of them, it

00:15:15

helps out, let’s

00:15:32

add a little pink,

00:15:39

fiat spring is already appearing, and even when we get dirty, it’s a little

00:15:43

brown, so I carefully take its

00:15:46

edges, I take pink from the edge and the light has already

00:15:56

gone

00:16:01

dark. the color is still brown,

00:16:24

we will do some improvisation

00:16:27

on the theme, so it’s

00:16:32

still blue and brown,

00:16:37

so I’m not trying to make an exact

00:16:41

copy, and you can try, for

00:16:49

example, here with

00:16:51

the edge, you can try here and

00:16:54

always do this in paintings,

00:16:56

since here we will have plenty of

00:16:58

white, you can do a test

00:17:01

here here practice

00:17:05

throwing paint off the edge of the palette knife

00:17:08

squeeze it squeeze the edges of the palette knife

00:17:14

in a safe place

00:17:24

there are places where the

00:17:26

sliding light there are places where a direct

00:17:30

hit here the sliding palette knife

00:17:36

of course creates arbitrariness and this

00:17:41

arbitrariness suits us the clouds set off with

00:17:44

their smoky sound sets off the

00:17:49

roughness of these rock ribs

00:17:56

such a simple fool but it

00:17:59

seems to me very useful, I

00:18:01

recommend that you do it and they are

00:18:06

afraid to unlearn more, it is clear that the first steps

00:18:11

with a palette knife may not be quite a

00:18:13

harness, but the simplest scheme is light shadow

00:18:36

in order to equalize the idea of \u200b\u200bground and

00:18:41

toning, I will

00:18:44

hide the canvas,

00:18:46

I will rid it of the squirrel,

00:18:49

there is such a magical remedy as

00:18:53

a project that throws an image onto the

00:18:58

canvas,

00:18:59

this is something that artists of all times have dreamed of

00:19:03

doing paddock some methods are close to

00:19:09

modern

00:19:10

but not as effective as all the time you

00:19:15

should not be afraid of this, you will never

00:19:17

learn to draw because of this,

00:19:20

even further development

00:19:23

will force your eye actively investigate and

00:19:28

explore the details, but we

00:19:34

can easily complete even a complex task pink blue

00:19:41

turns out almost black if you don’t

00:19:45

add linen the

00:21:58

first main spot in the picture, of

00:22:00

course, this dark frame again we take

00:22:06

blue and pink

00:22:10

in black and their combination

00:22:13

without linen

00:22:28

wings of the nose being cut off by strong

00:22:33

light, of course, not in any case, not in

00:22:40

any lighting conditions,

00:22:41

well, very often the wings of the nose are cut off,

00:22:44

cut off by strong light, don’t forget about

00:22:48

this because it immediately squeezed the nose out

00:22:52

of the plane of the face, as a result, our task

00:22:58

now is to type the portrait, type its

00:23:01

main milestones and this

00:23:07

clarifying let's continue exactly in the dry,

00:23:11

the similarity will be as close as possible

00:23:17

at the same time, feel the work in the dry on the

00:23:22

dried paint,

00:23:26

this is the organization of the emptiness of touching

00:23:31

one to the other, such a trick of

00:23:37

painting,

00:23:48

just a little bit, let's complement this emptiness of the background with

00:23:54

texture right next to the putty of the paint substance,

00:24:00

creating interesting touches on the edges and an

00:24:07

interesting texture then there is such

00:24:19

an expression, an expression of a mystical

00:24:21

texture, on the one hand it decorates and

00:24:29

infuses, and on the other hand, the

00:24:37

question appears as if he did it, he

00:24:41

did it like this, and thus amused his colleagues in the

00:24:48

shop with his so to speak

00:24:53

ingenuity and,

00:25:00

if possible, of course, this measure

00:25:05

was brought to the viewer sti drawing to a

00:25:09

state close to the original, it is

00:25:15

advisable that we need to learn how to

00:25:19

investigate the drawing to investigate good luck

00:25:27

interesting points that

00:25:30

the author took advantage of

00:25:35

so well, I think that’s enough I wish you

00:25:40

success in studying the topic, it

00:25:44

seems to me an interesting task,

00:25:58

another task to overcome the fear of

00:26:01

paint

00:26:02

in front of me is a beautiful drawing

00:26:06

naked figures and we will now

00:26:10

translate

00:26:13

oil into the language of color it is for the figure this is

00:26:18

one of the academic tasks in institutes

00:26:22

and since you need to learn how to work with the body

00:26:26

including thinking about successful

00:26:30

work quite chaste white

00:26:36

blue pink a little brown

00:26:47

so now we throw the image and begin

00:26:52

to develop

00:26:55

this way pink brown and of course

00:27:03

white tonality we see I’m picking up

00:27:11

the location of the body

00:27:20

I’m creating these blurriness now, that

00:27:24

is, melting melting state of the heads

00:27:43

painting is a drawing and in color and

00:27:48

since this is so, we now take the

00:27:54

idea of the

00:27:57

drawing from the author and carry out

00:28:02

our task in the format of painting not only to gain

00:28:10

color in this work,

00:28:13

but also to comprehend the idea of a pictorial drawing,

00:28:19

and there is such a concept, it implies

00:28:26

somewhere written off sti somewhere beautiful

00:28:30

touches, that’s how here the touches almost

00:28:33

disappeared to the background, and somewhere, on the contrary,

00:28:36

it intensified, this is the so-called light

00:28:41

from under shadow

00:28:44

shadow head from under it there is light that

00:28:50

gives the effect of the space behind the head

00:28:55

I think there is no need to create a

00:28:58

great

00:28:59

picture from this, but in general you see that in

00:29:04

three colors you can work with the body if

00:29:07

we also connected cadmium red

00:29:10

ocher it was food richer but and it’s

00:29:13

completely in color and at the same time it’s not

00:29:16

grisaille, that is, it’s just

00:29:19

brown, but it’s in color and

00:29:23

the blue is blinking and red and even oh the

00:29:27

blades are blinking, this is,

00:29:32

in my opinion, a very useful task

Description:

Курс включает в себя: 1. Знакомство с материалами 2. Основы работы с палитрой 3. Видео-урок «Виноград» 4. Видео-урок "Бежевый пейзаж" 5. Видео-урок "Весна" 6. Видео-урок "Море" 7. Видео-урок "Цветы" 8. Видео-урок "Горы" 9. Видео-урок "Портрет" 10. Видео-урок "Обнаженная фигура" При покупке курса, Вы получаете доступ в закрытую группу в вк, где Игорь Сахаров будет комментировать ваши работы. Для приобретения пишите 8 (985) 663-42-83 WhatsApp Официальные ресурсы художника Игоря Сахарова WhatsApp +7 985 663-42-83 - Дочь Александра. https://vk.com/id359905694 По вопросам приобретения видео-уроков; https://vk.com/saharovigor Личная страница Игоря Сахарова +7 915 331-60-53 Личный номер Игоря Инстаграм: saharov_school https://www.facebook.com/unsupportedbrowser https://vk.com/sakharovigor Публичная страница Игоря Сахарова https://vk.com/sakharovsfamily Saharov Family Наш Телеграм - sakharovigor Youtube каналы https://www.youtube.com/channel/UC1QXVEy4PZrD77fuh9NM.. https://www.youtube.com/c/IgorSaharoffNEW https://www.facebook.com/unsupportedbrowser Facebook, личная страница

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This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

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It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.