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peter lindbergh

photography

documental

00:00:00

there is always an almost

00:00:02

loving relationship and that is something that

00:00:05

takes away all the Brière

00:00:07

directly and I believe that is the

00:00:10

most important thing you have to love

00:00:11

people to

00:00:18

[Music]

00:00:28

photograph

00:00:30

[Music]

00:01:03

I call Peter

00:01:05

Lindberg I'm a fashion photographer and

00:01:09

I really like taking photos that

00:01:12

look a bit like

00:01:26

staged ah that's good when you're

00:01:29

old that's good when you don't have

00:01:31

no

00:01:33

memory no but for me they haven't

00:01:36

changed I don't see at all this worldly star side

00:01:38

thing like that no it's an

00:01:40

old relationship he's a

00:01:43

wonderful friend and that's what you're going you're

00:01:45

not going the articles in I don't know

00:01:48

in the pressor something like that you're going

00:01:50

you're going to be a person with whom you have a

00:01:51

very close relationship and a real

00:01:58

friendship

00:02:01

with Naomi it's a real friendship even

00:02:04

in this relationship with this friendship

00:02:06

with this tenderness no you have to you know

00:02:08

what you want no so you have to do it

00:02:11

no

00:02:13

and there is always a way to arrive

00:02:16

never mean never dominant

00:02:28

no

00:02:30

you know don't no but I want you to go

00:02:33

and I'm going I would nervous I would

00:02:36

never do that would don't got me I would

00:02:40

never do that to you

00:02:42

never look it's so nice like Jamaica

00:02:45

it's not why I'm sensitive today I

00:02:49

know it might be good

00:02:54

actually don't

00:02:57

be I can't get my tummy

00:03:08

W double P or single P Dou Dou Dou

00:03:12

[Laughs]

00:03:18

Dou fabulous on my

00:03:23

ti can't put my on the ground to

00:03:27

nervous now you see how much I love one

00:03:38

second my hands

00:03:41

go do they

00:03:43

go my hands do they

00:03:46

go you know how that

00:03:50

looksous

00:03:58

automatic

00:04:06

[Laughs ]

00:04:14

finish nextct in the water change it

00:04:17

here I'm not going back out no no ch

00:04:21

it I'm not getting out and getting back

00:04:23

in it's

00:04:24

[Music]

00:04:28

be

00:04:30

[Music]

00:04:53

but I believe a lot of photographers

00:04:55

who think they have to dominate

00:04:58

someone to release something

00:05:00

I find it

00:05:09

[Music]

00:05:27

completely the best thing it's

00:05:29

nothing to ask me I do that in life

00:05:32

as well as in work I

00:05:33

never ask for anything and like that people

00:05:36

it give you what he wants to give he

00:05:38

gives you much more because they have he

00:05:41

is free to distribute what he wants to

00:05:58

give

00:06:00

I can't get out

00:06:02

no the it's war

00:06:06

the

00:06:14

cry so one

00:06:17

more I like with after the

00:06:20

[Laughs ]

00:06:28

holid

00:06:51

[Laughs]

00:06:58

was

00:07:04

[Music]

00:07:05

[Laughs]

00:07:11

so

00:07:12

[Laughs]

00:07:28

sorry you leave a lot of freedom

00:07:30

character that you photograph he gives you

00:07:32

all the

00:07:41

[Music]

00:07:46

end this story that we did in the

00:07:48

desert it was like a storyboard for

00:07:50

a film that

00:07:54

apart from that it's rather I find point of view

00:07:57

image c a tr always fascinated it was

00:08:00

for example a film by Bogdanovic

00:08:02

story completely different but

00:08:04

this black and white image of of

00:08:06

American Middle West it was the last

00:08:08

picture show it was

00:08:10

wonderful images of a small

00:08:12

village with all these all these stories

00:08:15

that they

00:08:17

spent this America that we know

00:08:20

through the film in fact rather than in

00:08:22

real life I also like to tell the

00:08:24

stories that are not clear no you

00:08:26

see the story but you can imagine

00:08:28

many more things and there we were

00:08:30

really very precise no I think

00:08:32

I was rarely that precise

00:08:34

in a story after that you can

00:08:36

really shoot a film somewhere

00:08:39

like I took fashion photos, I

00:08:41

described a little

00:08:43

scenario a bit like for a film and

00:08:47

also I like to mix the

00:08:49

actors with models, it's not

00:08:51

always just

00:08:52

models and it gives a lot of

00:08:55

depth of crazy mod

00:09:00

in the stories each photo supports

00:09:03

the story so you know it's very

00:09:04

easy to find ideas from the images

00:09:06

this context of the story and at the end

00:09:09

it makes a little

00:09:12

F the of this story it was a woman

00:09:14

who a child and leaves his desert a

00:09:20

little rotten thing with motel station of the

00:09:23

senses and small restaurant because I

00:09:26

met a guy who promised to make a

00:09:28

Star and all around this this idea

00:09:31

we built this series

00:09:37

went to Hollywood Los Angeles she

00:09:41

promised to come back every weekend to

00:09:43

see her daughter but in the end she only

00:09:46

came once every

00:09:49

month you see the mother who comes back super

00:09:52

dressed with a driver with a

00:09:53

limousine and all that he

00:09:56

practically lets his family down for

00:09:58

something only a little illusion no

00:10:00

so he can always have a beautiful

00:10:02

dress but behind it may be nothing

00:10:04

that's the problem with fashion in any

00:10:05

case everyone can buy a beautiful dress

00:10:07

and become someone without any reason

00:10:28

okf

00:10:29

[ Music]

00:10:45

afterwards you

00:10:47

see it's the sister-in-law and her brother

00:10:50

who are behind her,

00:10:52

laughing because she didn't come as

00:10:55

[Music]

00:10:58

promised

00:11:03

later you'll be the one taking care of her

00:11:05

daughter carrying gifts of Barbies and

00:11:07

all that good the girl unloading

00:11:09

her presents she is there not taking care of

00:11:11

everything the girl because she is doing her

00:11:27

nails

00:11:30

[Music]

00:11:39

[Music]

00:11:53

[Music]

00:11:55

Eton then you see him F lunch on

00:11:59

restaurant there's a bit of a total void

00:12:02

in this situation no one speaks

00:12:04

everyone looks in our

00:12:05

direction look at their nails you see

00:12:06

all these little things there you can

00:12:08

you can compose it and do it without

00:12:11

any effort because when you have

00:12:12

the story in your head no it happens

00:12:14

all

00:12:17

[Music]

00:12:20

alone and the next photo is it's

00:12:23

you see a close-up of him for a photo

00:12:26

is really very beautiful

00:12:28

very a little depressive if you want you

00:12:31

can really forcing into the

00:12:34

heavy negative thing there is a charm in this

00:12:36

story also I find a charm

00:12:37

in this character she is

00:12:40

somehow nice you can understand it was

00:12:43

not a criticism a person who left

00:12:45

her child with her brother and who

00:12:48

left to try to be

00:12:53

[Music]

00:12:57

happy

00:12:59

the daughter is not with the mother but

00:13:01

with the mother's sister-in-law

00:13:05

I like simple people I

00:13:08

prefer simple people to people

00:13:11

for whom appearance is too

00:13:19

important it's true it's

00:13:22

terrible the stying is wonderful

00:13:27

dec

00:13:29

it's the morning you see her smoking

00:13:32

who looks outside a little in the

00:13:34

desert and her brother who is behind him

00:13:36

not much to say but but they

00:13:39

are both there they are really

00:13:41

there he can be close maybe they

00:13:42

are just fighting or he just said my

00:13:46

brother I still love you and he said

00:13:48

you understand what you are doing no do

00:13:50

n't worry or he has says you're

00:13:52

really a

00:13:53

[ __ ] everything is possible there in C you

00:13:56

can feel everything you want

00:13:59

[Music]

00:14:05

B then does a little 5 minutes with his

00:14:07

daughter who takes roll SK while

00:14:10

others are there observing that

00:14:12

it's is very naughty too like a

00:14:14

little bit you can imagine what she's

00:14:15

thinking the sister-in-law thinks comes over there

00:14:17

with this little cashmere cardigan are

00:14:19

PR shoes and pretends to

00:14:22

cut off her daughter for 10 minutes

00:14:23

while we do that for all the

00:14:25

[Music]

00:14:27

time

00:14:37

and you have this tension in this

00:14:39

photo I

00:14:48

[Music]

00:14:51

find a little moment of reflection on

00:14:55

my own because obviously in a series

00:14:58

also you also need the image a

00:15:00

little bit more positive or prettier if

00:15:03

you want because otherwise it's a

00:15:05

very heavy thing and but I found this

00:15:08

story for example not at all sad

00:15:10

no no no no that's a thing of

00:15:12

life there are a lot of people who talk

00:15:14

a lot about people who r

00:15:15

[Music]

00:15:25

good and you see their house their

00:15:29

story in the middle of nowhere no and

00:15:30

then well you eat a little after you go out

00:15:32

a little you you take your little

00:15:36

Sunday walk as you

00:15:40

said and then you go this is the only

00:15:44

time she laughs in the series because she

00:15:45

called her boyfriend saying it's

00:15:47

still 3 hours the car is coming I'll come back

00:15:49

no so it's the only moment where she

00:15:51

's

00:15:55

happy the sister-in-law she's crying more

00:15:58

or less no obviously listen to all

00:16:00

this all these things that she didn't do

00:16:03

well yeah pretended a little

00:16:06

bit to listen but in the

00:16:08

end think in 5 minutes it's over I

00:16:11

left

00:16:16

[Music]

00:16:20

no after in the more it was the ser of

00:16:22

her daughter she has her little mask and her

00:16:24

little new little new jacket

00:16:27

she is already waiting for the car almost

00:16:32

sunset which

00:16:41

arrives again a little discussion with

00:16:45

with her brother and her sister-in-law and there it

00:16:49

is

00:16:50

[ Music]

00:16:55

ended ceit in Angeles before after 14 years

00:17:00

she had this era more than

00:17:01

now this Russian side no

00:17:04

[Music]

00:17:11

she was with Harry DIN Stenton who

00:17:13

made Paris Tex that's I think

00:17:15

about 90 other

00:17:22

films and after about 2 hours she

00:17:26

told me I said but what are you going to

00:17:27

do and all that I said you're an actress I

00:17:30

'm going to be a

00:17:47

[Music]

00:17:57

star

00:18:39

[Music]

00:18:54

end oh that's too bad and the shadow

00:18:57

doesn't show at all

00:19:11

no this relationship side for a long time

00:19:14

it's magnificent for

00:19:16

example the first time when she

00:19:18

was 13 and now she is 26 or

00:19:21

27 you can go further after

00:19:25

trust early you BES not to regain

00:19:27

trust times

00:19:29

no this trust from the beginning no when

00:19:31

you already know someone already it's

00:19:35

incredible how quickly you can

00:19:37

you can lower this barrier between

00:19:39

two people because otherwise you

00:19:41

don't arrive often you only have 2 hours

00:19:42

to photograph someone you arrive

00:19:44

not to the character no you arrive at

00:19:47

the image that the character wants to give

00:19:50

but you don't arrive at this raw moment

00:19:53

but that's the beauty of a

00:19:55

portrait otherwise it's not

00:19:57

worth it

00:19:59

[Music]

00:20:24

[Music]

00:21:04

[Music ]

00:21:19

what was the Roman movie about vampires

00:21:23

i don't know you know

00:21:26

Shar Rosemary

00:21:36

Minister amer

00:21:39

Minister country

00:21:41

[Laughs]

00:21:47

[Laughs]

00:21:53

singer

00:21:57

C

00:22:13

[Laughs] [

00:22:21

Music]

00:22:31

[Music]

00:22:41

[Applause]

00:22:45

hey you the [ __ ] up in

00:22:48

[Music]

00:22:53

minutes let's go guys wake up wake up oh

00:22:58

my God it's here you guys oh my

00:23:02

god oh my

00:23:03

[Music]

00:23:06

[Applause]

00:23:10

Lord going

00:23:13

m too much too

00:23:16

much

00:23:18

fabulous that's really really

00:23:26

weird oh my

00:23:38

[Music]

00:23:48

[Music]

00:23:51

god ok hey ok

00:23:56

AC

00:24:09

[Music]

00:24:51

[Music]

00:24:56

the actors the actresses are very very

00:24:57

fragile and it is very important to be

00:25:00

aware of that and to be able to

00:25:04

handle that it is a very great capital

00:25:07

for example this fragility it is

00:25:10

so great a look that is not

00:25:12

good a question that is not the right one

00:25:14

you can destroy all this trust

00:25:17

in a second and I think I have a

00:25:20

hand for that and that helps a lot and

00:25:23

it's true there is always an

00:25:24

almost loving relationship and that's what

00:25:28

takes away all the bere

00:25:30

directly and I think that's the

00:25:32

most important thing you have to love

00:25:33

people to

00:25:35

[Music]

00:25:51

[Music]

00:25:56

photograph

00:26:09

[Music]

00:26:26

[Music]

00:26:34

Anastasia kinsk who that's 'is for me

00:26:37

obviously like I'm German and

00:26:38

she's German too

00:26:41

it's like a my and there this

00:26:44

side she doesn't want anything no her career she

00:26:47

has made films for a long time

00:26:50

not made films because

00:26:51

somewhere he doesn't care about all that he has a

00:26:53

real poetry in that in

00:26:56

letting things happen

00:26:58

I love much more characters

00:27:00

who let things happen who

00:27:02

start something out of love no

00:27:06

and who are not this idea of

00:27:17

[ Music]

00:27:26

career

00:27:38

s you quick catching was that

00:27:56

was

00:28:01

[Music]

00:28:16

she has an incredibly beautiful daughter

00:28:19

Sonia and Nastas called me told me

00:28:22

listen I want it's you

00:28:24

who I trust you she is very

00:28:27

very very protective with her children

00:28:51

[Music]

00:28:56

incredible then I think it's it's

00:28:58

interesting for her to be young girl and

00:29:02

discovering different sides of herself

00:29:05

you know and

00:29:07

um but espcially you know working with

00:29:09

people that are really you know loving

00:29:12

and sensitive and creative and

00:29:17

just Sweet People you know you can be a

00:29:20

great photographer and not be a nice

00:29:22

person and no

00:29:24

way yes

00:29:28

it's her you know I recognize her like

00:29:31

when she was a baby you know it's like

00:29:33

this is and then she's a young woman

00:29:36

young incredible person

00:29:39

with a million things inside of her you

00:29:43

know that I know and yet are a mystery

00:29:47

you know you look it's like wow there's

00:29:50

so much I know about her and there so

00:29:53

much I don't know and there's so much I

00:29:55

will discover and and yet she's you know

00:29:58

she's my heart I like I know her from

00:30:01

her first

00:30:02

heartbeat and so I know every inch of

00:30:05

her like the other day she wasn't

00:30:07

telling me the truth and I say you know

00:30:09

and she was looking at me perfectly clear

00:30:12

and I said Sonya i know you you you not

00:30:15

telling me the truth yes I'm telling you

00:30:17

the truth why you don't believe so I

00:30:19

said to because I know every inch of you

00:30:22

every cell you know and it's and it's

00:30:24

exactly what I feel you know when

00:30:47

[Music ]

00:30:52

iders in the desert

00:30:55

in for 2 years 26 years always a bit

00:30:59

in the same region there are lots of

00:31:01

things like a setting you can do all

00:31:03

there

00:31:04

[Music]

00:31:17

inside there is a place in the desert

00:31:19

where we can rent carcasses

00:31:21

planes for

00:31:22

decoration and these planes are a bit like a

00:31:27

bit like a

00:31:28

metaphor it resembles us

00:31:31

[Music]

00:31:36

once we are all times a

00:31:39

little bit times it all falls

00:31:40

apart it's the same thing with fashion

00:31:42

with everything just like that

00:31:45

it's F in

00:31:48

[Music]

00:31:50

that for me I like a lot of things in

00:31:52

the worn state

00:31:56

afterward

00:32:00

we had a huge American stage fright with

00:32:03

a Gru put some things we looked for that

00:32:06

looking for that ch that in the

00:32:13

desert I think I haven't seen the

00:32:16

film at the time Ann 70 de comme ça c'est

00:32:21

le Maren I haven't seen

00:32:26

that C with a silver this and they come

00:32:29

there and they see the explosion in the

00:32:30

back and the smoke they stop get out of

00:32:33

the

00:32:47

[Music]

00:32:56

car

00:33:01

look what it is from the far so they

00:33:03

back in the car the driving there they

00:33:05

out of the car walking no Mar no Mar

00:33:10

just the

00:33:11

um just all TR and the crush

00:33:15

stuff and then from

00:33:19

there so she's walking around because

00:33:22

nobody there looks like something Cr and

00:33:24

nobody so pis up things

00:33:38

[Applause]

00:33:55

Tak

00:34:08

then from there the Mar stormide the

00:34:12

guns and they both middle and do

00:34:19

[Music]

00:34:25

something

00:34:31

[Music]

00:34:48

Mar they get like this ces they get like

00:34:52

how say

00:34:55

hand so they St

00:34:57

ence of

00:35:00

Mar space ch the

00:35:03

[Music]

00:35:18

[Music]

00:35:23

ro

00:35:25

mar and the martians come and touch that

00:35:28

because theyve never touched a human

00:35:31

being

00:35:32

no oh that's great because that's that's

00:35:35

like poetic

00:35:55

no

00:36:11

and then

00:36:15

sunnyly andend the Marans

00:36:20

go and they go to the car and they look

00:36:24

what is in the car open the doors open

00:36:26

the looking inside TR to out what the

00:36:29

car

00:36:55

is and

00:36:57

then get hands you see

00:37:01

like get the out of this

00:37:04

thing grabs the weapon because they

00:37:07

don't have the weapon anymore to grabs

00:37:08

the weapon they put on the floor on a

00:37:10

stone or something goes to the Mar so

00:37:13

all the Mar standing there

00:37:15

[Music]

00:37:25

no

00:37:26

[Music]

00:37:42

end I don't know I don't know and then

00:37:45

probably Fred goes there shakes hand and

00:37:48

then they become friends and then the

00:37:51

happy the kissing each other and and

00:37:53

then

00:37:55

uh 48 pages now and then we

00:38:00

[Music]

00:38:11

stop when you think about something

00:38:14

before you can never really you can only

00:38:17

imagine it and then when you make it and

00:38:19

it really looks like the way imine like

00:38:24

very

00:38:25

beautiful

00:38:29

[Music]

00:38:46

ah it's beautiful it's good

00:38:49

it's great great great great ah it's

00:38:54

beautiful it's photographing someone like that

00:38:56

no ah it it's a real pleasure because

00:38:59

it goes very far very quickly it's beautiful the

00:39:02

most beautiful thing is this

00:39:04

vibration between people and

00:39:07

this poetry poetry it's rare

00:39:10

poetry comes out of a body it's it's

00:39:12

also possible it's more the face

00:39:14

no I find the poetry goes no I

00:39:17

took photos with Booba with the artig

00:39:20

with the charcoal burner with

00:39:23

Renis with Bresson district with kinberg

00:39:27

I think that all who reads them is

00:39:29

it's still an

00:39:31

extraordinary

00:39:33

indulgence in the face of their model so

00:39:37

perhaps the feeling that I

00:39:40

experienced each time is good, it's

00:39:42

that I was sovereign deep down that their

00:39:43

model is sovereign, it's that is to say that

00:39:45

they are looking for something, they

00:39:47

take what is given to them but they do

00:39:48

not try to invent or

00:39:51

transform in a voluntary way

00:39:53

in any case of course it will be

00:39:55

transformed by the

00:39:57

the mystery of their look

00:39:59

but it is not a transformation which

00:40:01

appears as a burden or

00:40:03

as violence there is no

00:40:06

brutality just a little too much

00:40:11

yes makes a huge non-huge scenario

00:40:15

with 40 people of light of stuff of

00:40:18

decor and all that if it's not great

00:40:22

you can throw it all away it's not important

00:40:23

when you look at the camera you have

00:40:24

the impression it's like a child

00:40:26

children they can do that they

00:40:28

watch they have no restrictions

00:40:29

they they don't have images they don't have

00:40:31

ideas about them no they look they are

00:40:33

just open look at the lens the

00:40:35

photos they are both erotic and

00:40:38

they have a raw side like that I have

00:40:40

the impression of being a peasant but

00:40:43

there is something sculpted the body

00:40:45

is I don't know we have the impression that

00:40:47

it's like a sculpture something that I

00:40:49

find incredible it's also how you

00:40:52

can be naked in the face

00:40:55

no I find that it's also

00:40:57

something extraordinary there it's like

00:41:00

a nude for me I maybe come from the

00:41:02

side

00:41:03

of I don't know it's like in Cees

00:41:05

moment you don't want anything to be special or nothing

00:41:08

you want to be present somewhere

00:41:11

no I don't know if that's it but it's

00:41:14

completely naked it's like you took off like

00:41:15

clothes you took off all

00:41:17

the whole face game there's no

00:41:20

break yeah it's a break without a break

00:41:23

he tried to make the body

00:41:26

very present and very lively especially in

00:41:29

giving the body that's it and the actors

00:41:31

like it when we give them the body

00:41:32

they don't necessarily like it when we

00:41:34

invent another body for them the fault is

00:41:36

somewhere like loving someone

00:41:38

no when you love someone you have

00:41:40

another view which is richer no and uh

00:41:45

yes but it's like cinema

00:41:47

by the way and but uh it's seeing

00:41:51

something in the other

00:41:55

that's seeing a little little about the

00:41:58

secret of the other it's true that it's

00:42:00

perhaps even more disturbing

00:42:02

for me I think that the directors

00:42:04

recognize themselves in the actors and

00:42:07

in the actresses it's a projection

00:42:08

Dee itself who then makes the

00:42:12

photographer perhaps also s in the

00:42:15

photo if you don't have a lot of tolerance ah

00:42:18

me I learned a little about myself by seeing

00:42:19

the photos of Lindberg yes the

00:42:22

hardest thing about photography in the cinema

00:42:24

often but finally once again in the

00:42:25

cinema first of all we are used to it then

00:42:28

the body in the cinema it is it is fragmented

00:42:31

and then it is in movement it is

00:42:34

alive then it belongs to another and

00:42:36

then it is it is subject to a process

00:42:40

finally there are lots of little

00:42:42

fiction which intervene so that at the same

00:42:44

time we find his body at the same

00:42:47

time it is not his but it is

00:42:49

disturbing for an actor because an

00:42:50

actor he is it is more he is more

00:42:53

it is more difficult for him to go in

00:42:54

search of himself in the photo than

00:42:57

in a film than through a role

00:43:00

curiously

00:43:03

uh he is much more protected in the

00:43:06

cinema than in the photo because

00:43:08

often the photo goes through

00:43:10

constraints which are very external to him

00:43:13

constraint once again of fashion or

00:43:16

or beauty the actor he is he is

00:43:19

he is very far from himself when he takes

00:43:21

photos

00:43:27

[Applause]

00:43:29

[Music]

00:43:42

[Applause]

00:43:49

l the modov team for me it was very

00:43:51

surprised because I didn't expect that at all

00:43:53

it's like we arrive at the

00:43:55

places to work and the people

00:43:58

are shocked because they think they

00:43:59

have a bunch of primadons arriving uh

00:44:03

everything connected from head to toe and

00:44:07

there is a team of young hits

00:44:09

who are very nice and simple

00:44:11

who do the job well done and that I

00:44:14

felt at home is C this way of

00:44:16

working as a family some

00:44:18

[Applause]

00:44:21

[Music]

00:44:22

[Applause]

00:44:25

part

00:44:29

[Music]

00:44:35

[Music]

00:44:44

the days in Madrid it was like a

00:44:47

dream working withov withadine

00:44:51

with I always wanted to meet and

00:44:53

finally I

00:44:54

met very happy it's really

00:44:58

enriching and that's also it gives you

00:45:01

hope in this world, it's not just

00:45:03

an attitude, it's gotta be

00:45:05

like that, quickly, quickly, no, and all that

00:45:07

is a real hope for me, not

00:45:09

to work really, really hard.

00:45:11

[Music]

00:45:24

enormous

00:45:28

[Music]

00:45:36

I discovered a man who has so many

00:45:38

parallels with what we do there and the

00:45:40

way he does these things is very

00:45:42

simple, the teams are small, everything is

00:45:45

cobbled together and that's it. is the atmosphere where you do

00:45:47

n't lose your focus no because the

00:45:49

focus is always what remains afterwards

00:45:51

no it's what remains it's the film

00:45:55

afterwards and I discovered someone who

00:45:56

works in in the same way he's funny he

00:45:59

's not at all demagogic

00:46:01

everyone adores him everyone who can

00:46:02

have everything they want it's very

00:46:06

[Music]

00:46:24

beautiful

00:46:32

beautiful

00:46:45

[Applause]

00:46:54

OK ja ja fantastic fantastic

00:46:58

fantastic fantastic

00:47:05

[Music ]

00:47:11

[Music]

00:47:18

[Music]

00:47:24

well

00:47:39

when you imagine in Los

00:47:42

Angeles there are only actors in Los

00:47:45

Angeles no everyone comes from from

00:47:47

everywhere in Los Angeles to

00:47:49

realize this dream you see people who

00:47:52

have incredible talent who are who

00:47:54

are a hor who are a feeling who

00:47:57

are very strong characters

00:47:58

because in this machinery if you are not

00:48:00

strong uh you you you don't exist this

00:48:03

machinery is colossal no it's

00:48:04

colossal it's an enormous challenge an

00:48:07

enormous risk who

00:48:09

takes I asked someone to

00:48:12

find me all the actresses very

00:48:15

young very new that's did

00:48:18

interesting things we ended up with 12

00:48:21

12 young actresses he had lots of

00:48:24

Julia St

00:48:26

amism erik Christensen who was in

00:48:28

traffic Kira Chaplin who is

00:48:30

making her first film brittanie Murphy

00:48:33

fantastic so it was a

00:48:35

real adventure for me I don't know anyone

00:48:37

personally and it was fantastic

00:48:39

to see all these hopes and your these

00:48:40

things it was this opening it was

00:48:42

magnificent it's really it's

00:48:44

like you open a book with

00:48:46

blank pages with which you can fill in the

00:48:47

next 10 years that's it it was

00:48:49

really very pretty at C decorations

00:48:52

it was decorations of a tonnage to Los

00:48:53

Angeles to hlyevood if you want and that

00:48:56

's a bit of the optical framework for everything

00:48:58

and each situation really we

00:49:01

let the girls come we didn't

00:49:02

prepare anything no and for each girl we

00:49:04

did a bit of something adapted to her

00:49:09

[ Music]

00:49:15

character it's astonishing and it's it's

00:49:17

it's moving when you see someone

00:49:19

like k Chaplin who is barely 20 years old and

00:49:22

to have like someone 20 years old can

00:49:24

see a pe having a will be like that

00:49:27

it's magnificent to see

00:49:34

[Music]

00:49:45

[Music]

00:49:54

that

00:49:56

[Music]

00:50:02

Britan me girl how alive was this

00:50:05

energy and this hope that they have that

00:50:08

carry no I think that it's more beautiful

00:50:10

than success I find hope it's

00:50:12

more beautiful than success it's

00:50:13

incredible thisg someone who comes

00:50:15

there who starts to

00:50:17

imession pil in suddenly starts

00:50:21

something

00:50:24

incredible

00:50:27

Mama oh

00:50:31

[Music]

00:50:45

this a great unique incredi beautiful

00:50:48

and

00:50:54

talented

00:50:57

oh

00:51:02

my

00:51:05

theug first question first question how

00:51:07

be so

00:51:17

[Music]

00:51:24

incredible this don't l that that'sur

00:51:28

there it's a

00:51:35

sharp oh I would die we

00:51:38

[Music]

00:51:39

can't ween

00:51:43

die look at this can you imagine seen so

00:51:46

much emotion and one square

00:51:50

[Laughs]

00:51:52

feet your first with

00:52:02

[Music]

00:52:14

half of the actresses who were

00:52:17

very shy it was not at all

00:52:18

showbus which arrives ho I'm here no not

00:52:21

at all that Mo I wonder how he

00:52:23

can he can exist in this

00:52:24

machinery

00:52:25

with this shyness and I find the most

00:52:28

beautiful thing is to accept his shyness

00:52:31

I find if we accept his shyness we

00:52:34

can go much much further

00:52:35

because we can keep your these

00:52:37

fine things which in you can keep it you do

00:52:39

n't feel obliged to crush everything just

00:52:42

to exist in a

00:52:45

[Music]

00:52:54

system

00:52:56

beautiful

00:52:57

[Music]

00:53:10

beauful

00:53:15

beau that's great that's great great

00:53:19

[Music]

00:53:24

beauful

00:53:27

[Music]

00:53:32

if you photograph someone he can

00:53:34

no longer cheat and if he tries to cheat

00:53:36

it's very blatant you see it's

00:53:39

much stronger than in

00:53:40

normal life Comand I've done a lot of

00:53:42

Bobin it's not much fun I do

00:53:43

n't want to stop he c it's like

00:53:45

you eat something that you love to

00:53:47

eat you're sad that it's over you

00:53:48

want to eat even more you ordered

00:53:51

another dish in it's a little that no

00:53:52

and you

00:53:54

act like a coward a little no she's

00:53:57

no longer if

00:54:07

[Music]

00:54:24

tense

00:54:28

[Music]

00:55:00

we left for strombolia we said here

00:55:03

we are going to do something else there not

00:55:05

use that place with the

00:55:07

black sand and the sea and things like

00:55:09

that use are

00:55:14

[Music]

00:55:24

story at the beginning we wanted to make a

00:55:25

story we racked our brains what

00:55:27

can we do and then we say we

00:55:28

think absolutely nothing we take Cara and

00:55:30

we go there and the result is quite

00:55:33

impressive on his

00:55:36

part he has a sadness

00:55:39

yes he has a sadness but it's not the

00:55:41

sadness that's interesting it's

00:55:43

his incredible eyes which are piercing

00:55:45

which are enormous you have the impression the

00:55:47

eyes are twice as big when you

00:55:48

look at them it's perhaps to be rather

00:55:50

melancholic a bit like feeling obliged

00:55:54

to make this melancholy parcel in the

00:55:55

look

00:55:56

[Music]

00:56:12

no ah

00:56:15

[Music]

00:56:23

magnificent

00:56:27

you laugh a little bit just not

00:56:33

present tense

00:56:42

well you see a face and you see the

00:56:45

character of seeing the world of people with

00:56:47

this

00:56:48

camera it's incredible how

00:56:51

different it is to look at someone in the

00:56:53

camera instead of just looking like

00:56:54

that no and often people who stupid

00:56:57

venton them suddenly I photograph them and

00:56:59

they become completely different

00:57:01

for me after they are no longer the same

00:57:03

and like I see after someone's

00:57:04

paper that I photograph I have

00:57:06

the impression it's all about him on her

00:57:09

and it's not at all always like that

00:57:12

in normal life in normal life

00:57:14

you can completely cheat on me no but

00:57:17

not with the

00:57:23

cama

00:57:27

[Music]

00:59:01

[Music]

Description:

Кино "CARNET DE ROUTE". Русские субтитры подготовлены группой вконтакте о Питере Линдберге: http://vk.com/club12174220 Не забудьте включить субтитры! :) CARNET DE ROUTE A film by Jean-Michel Vecchiet (France, 2001) With Pedro Almodovar, Naomi Campbell, Geraldine Chaplin, Milla Jovovich, Nastassja Kinski, Chiara Mastroianni, Fred Ward and others.

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