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Video tags
Subtitles
Russian
00:00:01
of the typical ways: arpeggio, that is,00:00:04
fingerpicking, in the people,00:00:09
this combination of bass and plucking, that is, in00:00:12
the people, un-tsa-tsa,00:00:20
or it chose, in the people, the00:00:28
sound of each of these techniques has its own00:00:30
characteristic things that can be used in different00:00:32
contexts turn out to be both pros and00:00:33
cons, for example, if we sing with a00:00:36
guitar some modern pop music with00:00:38
Arnby elements,00:00:39
in which the original originally had very00:00:41
minimalistic, dry arrangements with00:00:43
short, clear drums, then each00:00:46
of these typical accompaniments00:00:47
has some difficulties with such00:00:49
music, for example arpeggio00:00:54
[music]00:01:00
everything seems to be beautifully melodic, but there is00:01:02
absolutely no rhythmic00:01:03
sharpness and movement in this if we take00:01:05
bite,00:01:06
then it generally pulls, of course, into a campfire00:01:09
song about KSP rnb very different styles you are00:01:13
looking for only I listen to the feeling of00:01:23
possessiveness00:01:28
if we take chose00:01:37
you00:01:39
then it seems to sound quite00:01:41
energetically rhythmic, but in this rhythmicity00:01:43
there is no transparency, it is one continuous00:01:45
sausage, there is absolutely no separation into the bass00:01:48
and upper voices, that is, again, this is a00:01:50
very continuous kind of harmonic00:01:52
flow, in addition, if we play chose00:01:54
very cheerfully,00:01:57
then it becomes aggressive which is not00:01:59
really about this music if we play00:02:01
it00:02:03
but .00:02:05
Yes, due to the fact that the finger flies more and more00:02:07
in turn00:02:09
and extracts sounds from different00:02:11
countries, the rhythmic sharpness disappears, and00:02:13
even apart from a similar situation with pop music,00:02:15
you often want to play something00:02:17
rhythmic that is dry and at the same time00:02:19
clear and not too loud and at the same time00:02:21
you want some kind of melodic elements,00:02:24
and for this case there is, of course,00:02:26
fingerstyle where the guys and girls are00:02:29
tapping, rustling under the soundboards,00:02:31
rebuilding guitars with five sensors stuck in them,00:02:33
dodging in every possible way00:02:35
to immediately play the violin part, tambourines,00:02:37
iron,00:02:38
but this is not for the lazy and besides Moreover, with00:02:40
all this, pay sufficient attention to the00:02:42
actual singing, but it is extremely unlikely that00:02:45
if you can do that, then you have nothing to catch here,00:02:46
but with everyone else, in this00:02:48
case, I want to share my pseudo00:02:51
fingerstyle on youtube00:03:02
milfs00:03:09
[music] there00:03:15
is also clear dry percussion, it is00:03:21
possible to do or quieter without losing00:03:24
specificity it is possible to separate the bases and upper00:03:27
voices00:03:30
[music]00:03:32
it is possible to play readable00:03:34
filling00:03:35
[music]00:03:43
[music]00:03:50
and in general this sounds like neither padvar00:03:55
it is not equally00:03:56
a little more jazzy from children’s and00:04:00
before we look at this technique a little in00:04:02
other genres and applications, let's00:04:04
understand the very mechanics of how this00:04:06
can be done; any rhythmic00:04:07
guitar playing is based on some kind of00:04:09
repeating stroke technique, and also00:04:11
here in our pseudo finger steel, the whole00:04:13
ethnicity is based on a certain00:04:14
ticking of a clock in the right hand on00:04:16
some somewhere in the eighth fret there are no00:04:18
harmonics, we place a chord that is not pressed so00:04:20
that it is so that for now we are dealing00:04:23
only with rhythms without notes, and then00:04:26
we put these three fingers on the first00:04:30
second and third string or the second third00:04:32
fourth string and this is the movement itself00:04:34
when we we put this is our first movement, there00:04:37
should be nothing special in it,00:04:40
its peculiarity is that it should00:04:41
be the most not special movement,00:04:43
just preparation for00:04:45
whispering them further, the only thing that is important is00:04:47
that we put them out of order like oh00:04:49
this is that it should be one00:04:51
movement, immersion of the fingers until the pinch is ready,00:04:54
this is the first movement, 2nd movement,00:04:56
the pinch itself was whispered, yes, right now I00:04:59
’m doing it in an exaggerated way so that the00:05:00
technique itself can be seen in general, how you will00:05:03
pinch with your fingers there from the elbow, these,00:05:06
unfortunately, are not stones on these issues, I’m00:05:08
definitely not a teacher, the00:05:09
main thing is that what technique do you00:05:11
have at the moment so look to go and00:05:13
the main point, as always, is that there should00:05:15
be a minimum of unnecessary movements, there should be extra00:05:17
amplitudes00:05:18
because any movement should be00:05:19
organs than for you this is if you pay00:05:21
attention to how I do the nervous ones I would do00:05:23
how a little there is and from elbow movement,00:05:27
there is a little movement of the hand and a little bit00:05:30
of pinching with your fingers, in general, look here for00:05:32
yourself, the main thing is to bring this alternation00:05:35
to a state where it is done00:05:38
as easily as possible, spontaneously,00:05:40
automatically, once two times two times two times00:05:44
two then when you speed up you can00:05:49
mentally or out loud read one at a time00:05:51
the count is 4 1 2 3 4 1 2 3 4 this is still very00:05:58
far from how we will ultimately00:06:00
sound, but this is very important this is the skeleton00:06:02
this is the00:06:03
skewer itself on which we will string00:06:05
our delicious kebab now until we hold down00:06:07
our accord00:06:08
and get this jump and00:06:10
[music]00:06:15
note that it doesn’t sound00:06:17
wrong,00:06:21
namely with holes, because every time00:06:23
we put our fingers we muffle the00:06:25
previously sounded strings, now we add a00:06:32
noticeable beginning, so we pull the bass into the first00:06:34
beat, this is not it yet, but it’s already00:06:42
possible play hali-gali00:06:45
[music]00:06:50
then a very important element is the snare00:06:52
snare drum clap in short a slap00:06:55
on the weak beat so that our toca toca toca00:06:57
toca turns into00:06:59
taka-taka-taka-taka-ta on a stake for the poor,00:07:01
that is, this is what we are turning into now I00:07:11
’m showing this snare drum in the style of00:07:13
Ilya Muromets on a grand scale, but in00:07:16
the end, naturally, we strive for00:07:17
the movement to be as simple00:07:19
and ergonomic as possible, it’s basically the same00:07:21
as our primary00:07:23
finger placement, just a little more cheerful and00:07:26
you can add the blow of this one00:07:29
partly on the bass strings, that is, more like00:07:32
this from the elbow00:07:34
[music]00:07:38
here again you need to find something that00:07:41
corresponds to the way you00:07:42
play the guitar let's repeat a little at the00:07:44
moment what movements on our skewer are00:07:46
possible dead tow by pressing fingers00:07:50
plucking dead strings without notes plucking with with snare00:07:53
notes,00:07:54
slap a little harder and twitch the00:07:58
bass,00:07:59
now we add another hybrid00:08:01
movement bas plus pluck00:08:04
[music]00:08:05
we simultaneously tug the base and pluck00:08:08
our three strings,00:08:09
this is the maximum sonorous00:08:12
designation of the entire chord, which is00:08:13
usually convenient for the downbeat and00:08:15
these 6 different pieces of meat We are on our00:08:18
skewer in every possible way,00:08:20
modifying the pattern in every possible way in search of something00:08:21
that we like. Ideally, of course, the goal is00:08:24
not so much to learn some cool00:08:26
pattern, to achieve freedom in these variations00:08:28
on the go, adapting to the music and our00:08:30
fleeting desires, leaving these movements as we please.00:08:32
losing rhythm,00:08:42
but of course this task can frighten you at first,00:08:44
so here’s a fishing nickname for you to00:08:47
start with, such a basic one that I often00:08:48
use when there is no fish myself 4 here are all the00:09:09
elements familiar to you, only one thing00:09:11
you can pay attention to is that after the very00:09:13
first movement where bas plus pinch00:09:17
there is a moment without actions in the right hand and00:09:20
when the cord continues to sound clamped in the00:09:23
left00:09:24
[music]00:09:28
this, firstly, simplifies the pattern for the00:09:30
right hand, and secondly, it gives the00:09:32
main chord a strong beat, after all, the00:09:34
hero will sound a little bit00:09:40
[music]00:09:47
[music]00:09:49
fried mate zalki00:09:55
results so far Our song was00:09:59
very American in character and an00:10:01
interesting question: what would happen if we took00:10:03
something more Russian folk00:10:05
and played it this way, omitting the Nautilus00:10:07
Pompilius00:10:19
[music]00:10:23
for my taste there is a serious00:10:26
stylistic conflict here; accompaniment and00:10:28
singing with such a component00:10:30
suggests singing more rhythmic00:10:33
a little other sharper articulations00:10:35
some vocal embellishments let's say00:10:42
sprinkle in00:10:45
shorter for my taste this is again a00:10:48
serious outrage on a song00:10:50
that is not at all about such a00:10:52
presentation and to get out of this conflict00:10:55
I propose a train of the golden mean00:10:58
no compromise between courtyard00:11:01
soulfulness and here this signature00:11:03
rhythmic and timid nuance first of all00:11:05
at the very end of our drawing after the00:11:07
last snow there is syncopation there is00:11:09
no need to remove syncopation here and I get00:11:11
such a drawing00:11:13
[music]00:11:17
now in my left hand I have all these creeps00:11:19
not with push-ups pressing we remove with my00:11:21
right hand all the jamming we minimize00:11:23
so that everyone is as drawn-out as possible, but00:11:25
you get this00:11:27
[music]00:11:35
now it’s better now the very first00:11:36
movement in our drawing bas plus pinched,00:11:39
we replace it with something hour-shaped, or we00:11:41
run our thumb over all of them, or with a00:11:44
fingernail, all of them, or just the bass ones, who knows00:11:47
what much given to make it more00:11:49
chose it more popularly we get this00:11:54
[music]00:11:57
and now there is an option to snare and also00:12:03
replace it with something more loud, for00:12:05
example, I throw it away in addition to00:12:07
putting the hand down with the fingers something like this, it is00:12:12
known not to allow hypertrophied00:12:14
movement to this is more or less natural00:12:16
it turns out that it’s00:12:18
not something that’s a00:12:19
little more vulgar ringing and00:12:24
it turns out we have something like this00:12:30
next, of course you need to get yourself all00:12:33
this to do so00:12:36
that your movement is optimized so00:12:38
that it doesn’t happen like that now00:12:40
I’m throwing out my fingers now I’m putting in sharply00:12:42
now I’m pinching of course this won’t00:12:43
work, that is, the process of adaptation for00:12:46
your brushes for your brain maybe the00:12:48
drawing will somehow change a lot00:12:49
maybe the pinching will disappear altogether as such it will00:12:51
turn into something like that00:12:58
but in any case it’s not like that00:13:03
we still get some kind of hybrid of chos00:13:06
and not fingerstyle and the song sounds00:13:08
something like this I00:13:17
well, as if the house was00:13:23
left there naked,00:13:27
take it wide00:13:30
in 4 threw 8 threw the first let’s apply our00:13:36
not up to the finger stall to slow songs,00:13:38
let’s say sting00:13:42
my many00:13:44
muse00:13:45
industry00:13:46
teeth here it would seem that this is all00:13:51
instead of no, but again from those00:13:53
elements that we have were on a skewer,00:13:56
minimalistic by arranging them, we can00:13:58
still make an accompaniment that00:13:59
will still be lyrical but already so00:14:02
aunties00:14:06
young00:14:09
windows yufu guide with00:14:18
and don’t let go of it was00:14:22
Dubna00:14:24
and in the chorus we’ll carefully move on to00:14:27
that drawing00:14:34
pilsan00:14:36
and there were his years00:14:42
and all this of course not about which technique00:14:46
is better or which company is not or more soulful than others, but that by00:14:49
mastering these techniques and alternating00:14:52
them to taste, you can create interesting00:14:54
event arrangements that00:14:55
emphasize or even create the development of a00:14:58
song even with one guitar in your hands and even without00:15:01
a fool on the water ping00:15:02
[music ]00:15:05
soon spring, soon spring, soon these nights of00:15:09
restless sleep, ashamed, the basis of love00:15:12
again our life plays like its dawn,00:15:15
soon is there no way back, soon there is no scourge,00:15:20
soon the sadness will all pass, it’s a pity00:15:23
I know the answer to the answer00:15:26
to the questions there is and the line00:15:29
I don’t know 100:15:30
know ours like this00:15:32
you are not alone and00:15:35
you will be this night without sleep soon mushrooms00:15:38
soon spring00:15:39
love me love00:15:46
everything00:15:48
yes00:15:50
kill00:15:52
also00:15:59
loved me00:16:03
[music]00:16:10
oh00:16:14
[music] I00:16:18
hope you liked it use it for your00:16:20
health if you have any00:16:21
professional comments additions then you00:16:23
are welcome to the section comments on00:16:25
this channel in the comments, as a rule, there is00:16:27
no less useful information than00:16:29
in the main video from this, thank you so much to00:16:31
all of you, thank you for helping to create00:16:33
some healthy section of our00:16:35
musical community where people00:16:36
understand that when we share, we00:16:39
multiply if you want to support me00:16:42
then you can always like repost00:16:44
send money whisper to a neighbor all00:16:46
this is very welcome and not00:16:48
necessarily the same thing, the main thing is that you watch,00:16:50
appreciate it, I really feel it and also appreciate00:16:53
it in response, see you next video with00:16:56
you was Reverend Alexander00:16:58
love music and girls our world00:17:06
[music]00:17:09
let's immerse median00:17:15
let there be filters00:17:19
[music]00:17:29
[music]Description:
Несложная техника гитарного аккомпанемента, у которой есть преимущества в сравнении с традиционными чёсом и арпеджио. В этом видео, как всегда, баланс механики, музыки и мотивации для тех, кто готов немного попыхтеть над инструментом. ►Поддержать меня и создание видео: BOOSTY - https://boosty.to/neskusound Сбербанк - 2202206894266092 Яндекс - 410015619975528 DonationAlerts - https://www.donationalerts.com/r/neskusound ►Схема всех видео на канале: https://docs.google.com/spreadsheets/d/1tPORjB9Cv1Cb5LfOBwsg-NSi6qsjXc8GeyV2jvyp9O0/edit ►Плейлисты на канале: ТЕОРИЯ МУЗЫКИ по-пацански: https://www.youtube.com/playlist?list=PLuhAz5P0GD3Y1mD_yStetMsT_jEzbSpm1 Не дворовая ГИТАРА: https://www.youtube.com/playlist?list=PLuhAz5P0GD3Zsq21GkdFcJYl-nIJaf1vO МУЗЫКАЛЬНОЕ ВСКРЫТИЕ интересных песен: https://www.youtube.com/playlist?list=PLuhAz5P0GD3Y_QihfCHkdw3GKqaLLgFBa ВОКАЛ уроки и анти-уроки: https://www.youtube.com/playlist?list=PLuhAz5P0GD3a-oJAAL0fROeCyXgSXqn0V АРАНЖИРОВКА: https://www.youtube.com/playlist?list=PLuhAz5P0GD3ZJ75K_AykhgjE3ckQI_Wcs Видео БЛОГ московского музыканта: https://www.youtube.com/playlist?list=PLuhAz5P0GD3ai1y6hsyfFhF665HresyCA Ответы на разные вопросы, стримы, интервью: https://www.youtube.com/playlist?list=PLuhAz5P0GD3axydyJ0jTP0Pa_XRC61qx8 ►Соц: Инфо канал в Telegram - https://t.me/NeSkuSound VK - https://vk.com/neskuchniy_sound FB - https://www.facebook.com/unsupportedbrowser Instagram - @nesku4ny_sound Чат в Telegram - https://t.me/joinchat/BwZmBw5Jr-unbAw8PhYF-w Сервер в Discord - https://discord.com/invite/nJkXmTX Скидка 10% в магазинах https://dynatone.ru/ по промокоду ZILKOVAE
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