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Download "Цветокоррекция в DaVinci Resolve 17. Занятие №1. Дмитрий Ларионов"

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Table of contents
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Table of contents

0:00
Вводная часть
17:53
Работа с проектом
34:59
Импорт материала
45:41
Настройка автосохранения
52:15
Терминология. Создание структуры проекта
1:12:16
Relink
1:19:41
Рабочее пространство. Вкладка Color
1:25:44
Режимы отображения
1:31:20
Первичная цветокоррекция
2:00:02
Подиапазонная коррекция
2:05:43
Инструменты контроля
3:01:52
YRGB коррекция
3:09:54
PArade
3:14:21
Особенности отмены в Давинчи
3:18:00
ДЗ
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00:00:01
[music]
00:00:21
hello and welcome everyone
00:00:23
on first for
00:00:24
these are at the rate of Da Vinci Riss
00:00:25
color correction da vinci resort because
00:00:28
this is the first lesson I suggest that
00:00:30
level acquaintance with davinci
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0 so I'll start from afar with a story about
00:00:36
what versions are available how can you
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install da vinci especially
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here will be in this badass savannah magician
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user because for mac
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users have access to as many as 4 versions of one
00:00:50
and the same program the same thing da Vinci
00:00:51
17 versions and then I’ll tell you about it for half an hour
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more details but I’ll start with the topic of today’s lesson
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how there will be an introductory part with versions
00:01:04
yes Vinci and the differences between the versions will be in
00:01:06
mainly talk about working with the project
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let's create a project
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Let's see how it can be transferred
00:01:11
to another car because it will
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your homework and
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Let's look at the primary correction, but we'll find out
00:01:17
what is it and what is the benefit for
00:01:19
national economy and so they drove
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introductory part as told the differences
00:01:24
versions and talk about the difference between the keys on
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mac and windows because
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da vinci program how
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cross-platform I'm on a Mac now and I
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I will tell us the coloring of our tongue
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this sport will you have to
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transfer some key names from Makovsky
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in windows language, well, just when I'm there
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to speak commands you just substitute
00:01:43
control and so on now about this too
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I’ll tell you in more detail on the first version of how
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maybe you already know da vinci
00:01:51
is available in two versions and it would seem
00:01:54
everything is just lite version, it doesn't turn it around
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what's in quotes why is it in quotes
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because officially she is no longer
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it's called light once upon a time
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was really called lite dome
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tormented flight then for some reason
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they dropped this ending and now there are two
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studio versions and just da Vinci, well, I'm in
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in what follows, for convenience, I will call
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his studio and light studio are also paid
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lite free studio you can
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get together with back medzhik Russians
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cameras are acceptable if you receive
00:02:26
buy some kind of pocket camera
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then included in the Da Vinci style on a flash drive
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standing version you can get if
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for example, you buy a block for fishing
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camera or something else
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quite seriously blood magic of ska and
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devices, for example, if you buy
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box there 150 dollars then with it
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Yes Vinci doesn't work, it's just a promotional one
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prospectus booklet in which it says:
00:02:46
there is da vinci
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which you could get with
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this device but itself
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I don't suggest cheap devices Da Vinci
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studio and you understand that you shouldn't
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be significant enough to be with him
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a paid version of da Vinci was offered
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free version it really is
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free, that is, not from any torrents
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and you don’t need to download, just go to the website
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black magic and or if in on magic
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download from the appstore and here
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the differences begin as you know
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perhaps if you are a magician user the
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apple released new cars on the new
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own processor and because of this
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number of versions currently available
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available for mac users
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has doubled, which is exactly how I
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Now I will show this on version 17
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Version 17 is still in beta
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there is this is temporary this is temporary this is
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test version which is unofficial
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official, everything works out too
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confusion because the official release
00:03:44
the version has not yet been released but I hope to
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this moment when you look
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this recording will already be released
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and you will already be working full-time
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final release version beta version
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differs from the release theme from the final theme
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what else could there be some glitches
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there may be some progress in
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interface, for example the first beta
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the version came out even with the old one
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icon and then they changed the icon
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now on the square we saw on
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splash screen on the first slide like this
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minor cosmetic sight still
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maybe, well, roughly speaking, they might still be there
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change the color of some buttons
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or they can change the shape of the buttons in
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release version but these changes will be
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or maybe they don't necessarily exist at all
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will they be cosmetic and
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insignificant because already now
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beta version 6 has been released so judging by
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intensity of new beta releases
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we are moving towards the final release so
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here, but speaking about where to get it from
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yes Vinci if you are a magician user then
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the easiest way is the appstore where you are
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you can just type it in
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resort if we extend it correctly
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print the world there crush irises and behold
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I already have it here right away
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free version and I have a key
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for the paid version I will show on
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studio version, that's what I downloaded, but I haven't yet
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it doesn't look like such a key, that's the key
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so just like a regular usb
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keychain
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so this protein just sticks into
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usb port and this keychain has its own
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pros and cons for the version you
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download
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for the lite version it is not needed for the version
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which you can download from the appstore and he too
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no need because you buy it in
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appstore
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you need the keychain for those versions of which
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will download from and will download from
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black magic website from the official website
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not from the appstore but what is the use of a heating pad
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began to explain that he
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supports any version, that is, if in
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with this keychain with this house you glam
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come to which studio where it costs 15
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version 12 version 11 version then you just
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you plug in the keychain and it works for me
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this keychain
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if memory serves, here are version 9 and
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8 years old and it still works, I no longer
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I know how old he is
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people sometimes complain about squirrels
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is it a physical device or is it just
00:06:14
stupidly it might break so I dropped it
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let's say failures and that's it, the way is in my mouth
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So far there haven't been any problems
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for a long time
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almost 10 years using maybe a little
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less and the flight is normal
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that's why this option is for me personally
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seems most preferable because
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that my hands are not tied to the paid one
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the versions you have from the appstore
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for example you
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limited only to poppies if suddenly
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you somewhere windows machine or containex
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car this key fob will work and
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The Mac version won't work that way
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alternative version ok
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alternative alternative license
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which comes with black cameras for example
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magic with remote controls from m if you buy
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this is also suggested looks like this
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booklet
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and this card on the back
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which I won’t show you
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so here is the serial number which
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you beat it long five groups 25
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symbol number and you have two
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installations on two machines with this
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card you can beat on two different
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computers da vinci itself is included
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also on a flash drive but usually everything is here
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they usually say it becomes outdated, that is
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it’s not a fact to even say anything
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missing nails
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this is the card here, a regular sd card
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but most often no one gets anything from her
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installer and because by that time
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when someone buys something it already comes out
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new version and that's why it's already there
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old so it’s more convenient to download the site
00:07:51
black magic and how I showed it
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but it seems to me that it’s still flexibility
00:07:54
more with a glitch you can still buy them
00:07:57
For some reason people started seeing them on ebay
00:08:00
hastily reset regularly with exit
00:08:03
every new version
00:08:04
a story arises and you are lazy that that’s all
00:08:08
now now in version 17 keychains
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will not be supported yet
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supported
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this myth this story goes almost out of 10
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versions and each version threatens that everything
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support will be discontinued until this
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no it was promised in the notebook that
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key fobs will work for life
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the end of the key fob's lifespan while it
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it won't physically break so for now
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normal flight
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further as I said you have two
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versions da Vinci and the light light & studios
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paid free studio paid lite
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free but no so like that not like that
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was that is in about history you see
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only two versions however
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if you try to download them then this
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there will be version 16 of both studio and light
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I will show 17 where I got it 17
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version of the answer due to and the site is magica like this
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so you need to go to the blackmagic website
00:09:06
design dot com pay attention not to
00:09:08
black magic because it's a notebook
00:09:09
some kind of beer company or something
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coffee shop component namely on blackmagic
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design dot com and there are water ones here
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video there is an announcement of version 17 but the main one
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page you don't need, strange as it may seem to you
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you need a bookmark or support item at the top
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you can somehow immediately drive in black magic
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design dot com slash support immediately
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get to the page and here you need
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scroll
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this site in the left column is also possible
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the moment you watch this
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the entry has already appeared which ones are newer
00:09:43
versions newer updates of existing ones
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products therefore perhaps you
00:09:48
you'll need to scroll through this one too
00:09:50
the column is also now in the yard
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January 2021
00:09:55
and so far the updates for da Vinci 17 are the most
00:09:58
first on the list and as you see here
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it seems that Da Vinci drew two versions
00:10:04
17 beta and da vinci riss studio 17 beta
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well, on public beta because there is
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closed beta is open beta for
00:10:12
wide sections of the population but if
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scroll it turns out there's more here
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there is 17.1 beta and 17.1 studio experience then
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there actually turns out to be versions
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touch 4
00:10:26
which one do you need, well it’s clear what
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Each version also has a version for
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mac and for Windows except 17.1 it is available
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only for mac so that's why the answer is in
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in this box in the new fm1 processors
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version 17.1 is only for mac and it
00:10:47
optimized for these new processors
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that is, if suddenly you are
00:10:53
happy owner of either a macbook and
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macbook pro macbook air or
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mac mini with m1 processor
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maybe in your future they have already come out
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new macbook pro or mac pro on
00:11:06
processor madinat you are interested in
00:11:08
namely the flight optimized version
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the processor in my time is 17.1 they are 17
00:11:16
simply therefore, to summarize, oddly enough
00:11:19
even if you are a magic user then you
00:11:21
It's better to use not appstore am
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familiar and familiar and
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use the blood magic website
00:11:28
because you can download the most
00:11:30
optimized for your specific
00:11:32
processor version if you have new intel
00:11:35
processors in a foreign car then you
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you can safely download
00:11:39
not version 17.1
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normal because your processors are anyway
00:11:46
supported until
00:11:47
before the release of Siemens. versions like this
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here is the confusion and again if you are windows
00:11:56
user, everything is simple with you
00:11:58
there is version 16, again studio and lite
00:12:02
There is a release version at the moment
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version 17 it is in beta the same
00:12:07
studio and lite version and all the problems
00:12:09
finish if you are a magic user then
00:12:12
in addition to the essence of existing versions
00:12:14
which have already been announced for windows machines
00:12:16
there is also version 17.1 of the same studio
00:12:19
and in lite versions which are optimized
00:12:22
for a Mac processor for a new one
00:12:24
Makov processors so it turns out
00:12:26
that there are 6 versions in total, how in
00:12:30
figure it all out and how to choose
00:12:33
what version what version do you need if
00:12:36
you have either a key or an old one
00:12:39
software license, that is, serial number
00:12:41
you can use any studio
00:12:44
versions
00:12:45
and it makes sense to download the studio version then
00:12:47
versions simply because you will have
00:12:48
access to some effects
00:12:50
additional features
00:12:52
such as correcting curvature
00:12:54
and optics
00:12:56
I think this is how the stabilizer works
00:12:58
Noise reduction will be available in the full version
00:13:01
it is not available in beta
00:13:03
but to take this course if you
00:13:06
not ready let's say purchased yet yes
00:13:07
Vinci then a foot will be enough for you
00:13:10
studio and lite version and so what is it
00:13:13
concerned the differences between versions
00:13:15
studio from light but let me remind you that the current
00:13:18
version
00:13:19
at the moment it's 17b then I just do it
00:13:22
this is this entry with a reserve I hope that
00:13:24
when will you watch this lesson
00:13:27
release version 17 will be released but suddenly you
00:13:30
will you watch this lesson on
00:13:32
distant future and at the moment already
00:13:34
version 18 will be available ok
00:13:37
pass on the current version if on
00:13:39
this moment current version 18 or 19 please
00:13:42
So this version will suit I hope
00:13:44
there won't be too much time then
00:13:47
differences in the interface I though
00:13:49
shows the practice of da vinci develops
00:13:51
of course intense but not gigantic
00:13:54
leaps and bounds therefore the interface
00:13:56
changes but not dramatically, which is good
00:13:58
which is a plus after studying the 17th version in principle as
00:14:02
and I can predict you can easily change seats later on 18
00:14:05
at 19 the same as there were people who
00:14:08
studied the interface there 16 version 15
00:14:10
versions easy to master 17 but important
00:14:14
moment all questions in homework will be on
00:14:18
new version that is
00:14:19
if at the moment it is already 18
00:14:21
version means questions will appear there
00:14:22
GKO homework
00:14:23
Version 18 is an important point, that is, not
00:14:26
it works out so you take this course
00:14:29
on let's say version 15 and I can't talk about
00:14:32
I know how to do this because I'm 15
00:14:34
version assumes that you are passing
00:14:36
course and study the most current version
00:14:38
so at the moment there will be a question about
00:14:42
Version 17 will be released 18 there will be questions on 18
00:14:45
and here you need to be very careful and
00:14:47
so let's move on to the name of the keys with
00:14:50
the name of the keys is basically everything
00:14:52
there are just two small differences, first
00:14:56
the difference is what the key is called
00:14:58
backspace
00:14:59
and david i use windows keyboard
00:15:03
I want me on the keyboard to minus
00:15:06
so if you look at these
00:15:07
the keys are named in the Windows manner
00:15:10
that’s exactly what our symbols give
00:15:12
to the left of the cursor is called backspace
00:15:16
ravich which removes the character and to the right of
00:15:17
the cursor is called david not at all
00:15:20
Mac laptops, or rather more than one
00:15:22
magicians scam laptop no keys
00:15:23
David Short gives his functions
00:15:26
performs backspace keys with button
00:15:28
function to hold down function and backspace
00:15:30
where do you go with these symbols and can you give him
00:15:32
to the right of the cursor why is it important if
00:15:35
we will disassemble some kind of assembly
00:15:37
Da Vinci functions are there
00:15:38
it matters which key you press
00:15:41
backspace or david because it will
00:15:43
lead to different installation operations
00:15:45
removal with collapse or removal
00:15:47
without slam holes, basically it's
00:15:50
the only useful difference is therefore
00:15:54
in the future I will still call
00:15:56
key is suppressed by the symbol to the left of
00:15:58
cursor backspace that is, by sight itself
00:16:00
keys to overcome it to the right of the cursor
00:16:02
david but the official name on the mac
00:16:04
this long key is called david
00:16:07
or of course the forwards disappear but
00:16:09
it seems to me that this only contributes
00:16:11
confusion so I think it's necessary
00:16:13
stick to one thing
00:16:14
standard I as a standard for
00:16:16
I chose windows for this course
00:16:18
the names of the keys were further discussed
00:16:21
deletion keys modifier keys
00:16:24
that is, those keys that modify
00:16:26
pressing the main keys, for example
00:16:28
keys and this is just a key and let's say
00:16:30
takes the arrow tool and here is the command
00:16:33
this command select all therefore
00:16:35
room key modifies pressing
00:16:37
usually the keys are therefore called
00:16:38
modifier keys like this on the Mac
00:16:41
one more modifier keys it
00:16:44
visible from cars, namely in the video we
00:16:46
we know that there are control shift and keys
00:16:48
alt on a Mac adds one more to them
00:16:50
there is also a command key and control keys
00:16:53
but she does other secondary
00:16:54
functions that is teka hotkeys
00:16:58
the personnel will call the Makarov dialect
00:17:00
with commands just translate and replace them
00:17:03
words con on commands on control if you
00:17:05
in sight of the car and
00:17:06
and you will understand everything we mean
00:17:08
we usually talk ahead of time
00:17:11
they talk about you can turn on the hot shows
00:17:12
There are no keys on the screen or you can do this
00:17:15
fundamentally they do why well in the first place
00:17:17
because I will be the same every time
00:17:18
pronounce what hotkey I am
00:17:20
pressed and
00:17:22
firstly secondly it pisses me off
00:17:24
tooltip below therefore
00:17:26
I'm not in labor so I'm in
00:17:29
for personal purposes I prefer once again
00:17:31
just show where these commands are in the menu
00:17:33
some hotkey tell
00:17:35
words than just relying on
00:17:37
pop-up
00:17:38
letters at the bottom of the interface that's why
00:17:42
worry you won't miss any others
00:17:44
hotkeys are generally a fan of hotkeys
00:17:45
I will give them the keys
00:17:48
special attention here but I just won't
00:17:51
display them on the screen
00:17:59
topic work on the right
00:18:00
hockey to finish me off already
00:18:03
installed so I can safely install it
00:18:06
I really couldn’t bear to launch or take another breath
00:18:11
Yes, by the way, there is one nuance
00:18:14
since this is a beta version and maybe I
00:18:18
I don’t know, maybe in a week or two
00:18:20
in a month there will be another one like them
00:18:22
the next beta is often already 6 beta in a row
00:18:24
that is, there were already six beta versions
00:18:26
each with his own
00:18:28
fixes, improvements, additions
00:18:30
new glitches old glitches about the rule
00:18:32
removed, added new glitches so for
00:18:34
so that each new version does not
00:18:37
I re-recorded the old one, I recommend it
00:18:39
just rename the program itself and
00:18:42
the folder in which it is installed, namely
00:18:44
here I have 2
00:18:46
already yes vinci are standing here this is da vinci
00:18:49
downloaded by me from the appstore and this is 16 yes
00:18:52
Vinci so that's because I want her
00:18:54
updated and not changed every time
00:18:59
I left the name of the program and just
00:19:00
yes Vinci resource I will continue on my own
00:19:03
update if suddenly someone appears there
00:19:04
something new but this is beta
00:19:06
I just renamed the folder on purpose
00:19:09
added version number
00:19:10
and interrogated by the beta 6 and renamed
00:19:13
the program itself for what in order to
00:19:15
if 7 beta suddenly comes out I can
00:19:18
calmly put it, I will have it 6
00:19:20
and 7 why you never know I 7 will be buggy
00:19:23
beta then no problems with pom 7 just
00:19:26
throw it in the trash and I still have
00:19:28
there will be 6 left about this and that's for sure
00:19:31
I recommend the same mode of operation for
00:19:33
no longer beta but final release versions
00:19:36
versions, that is, you never know in
00:19:39
your time when you watch this
00:19:40
the recording has already been released version 17 regularly
00:19:44
updates coming out may go out there 17 . 1.2.3.
00:19:48
as much as you want and every time you
00:19:50
install a new update if you downloaded from
00:19:52
you site black magic
00:19:53
I highly recommend doing this
00:19:55
this is how to rename the folder with
00:19:57
program to transfer the program itself as
00:20:00
at least on a Mac it doesn't cause any problems
00:20:02
problems, on the contrary, insures you against that
00:20:04
so that when updating programs and new
00:20:07
version did not overwrite the old one
00:20:09
there will be two versions of you again now
00:20:11
I will repeat
00:20:12
whatever you want, why do you need it?
00:20:14
then what if suddenly there is a new version
00:20:16
turns out to be buggy then you are always without
00:20:19
problems you can throw in the trash
00:20:20
literally throw it in the trash right in
00:20:22
trash and continue to work on the old one
00:20:24
versions and it happens that the program could
00:20:27
it will just be placed crookedly and and
00:20:29
throw it in the trash, put a new one in and
00:20:31
forward on the windows machine as far as I am
00:20:33
I understand the installation process a little more
00:20:35
confused
00:20:36
and the uninstallation process is a little more
00:20:38
I'm confused, that's why I can't help you here
00:20:41
suggest as a minus to users
00:20:42
it is correct to put the program therefore
00:20:45
when will we see each other in class you and
00:20:48
you can share this information yourself
00:20:49
but what if
00:20:50
Savinians with cars also the same the same
00:20:53
trouble-free installation is possible or not
00:20:56
for which of course you don’t need to stick it
00:20:57
flash drive otherwise it will work like this in the Donetsk region
00:21:01
at the first and every time you start da Vinci you
00:21:05
you will run into the project manager window
00:21:07
but here she will always be
00:21:10
one empty project is created which
00:21:12
the project will be 25 years old, this is neither good nor
00:21:16
bad but that's just how it works yeah
00:21:17
Vinci she's made that way
00:21:19
why is this happening it's simple
00:21:22
an echo of those times when da Vinci
00:21:24
you worked with the database in principle
00:21:27
now you can switch the pressure to
00:21:28
working with postgres kvl database is
00:21:31
database server that allows
00:21:33
ensure the work of several
00:21:35
users on one project
00:21:36
at the same time, for example, if installation is in progress
00:21:39
because Da Vinci is not only flowers
00:21:41
proofreader or even editing from you
00:21:43
two three four five one hundred fifty
00:21:45
people can work on one
00:21:46
someone edit the project part 1
00:21:48
sequences part another 3 4 so on then
00:21:51
there is parallel work of this for you
00:21:53
you need this very postgres ql server
00:21:55
if you're on your own they're not quite alone
00:21:59
then you don't need a database server, but we
00:22:03
you still encounter this
00:22:04
a vestigial relic of antiquity then you
00:22:07
this mechanism for working with databases
00:22:10
so one will always be created
00:22:12
empty database account
00:22:15
frames we call a project
00:22:17
every time you bet something
00:22:20
Let's say there's a new version already installed
00:22:23
old version you want to download the new one
00:22:25
keeping the old one, pay attention for good reason
00:22:28
I'm talking about these databases here in
00:22:31
in the left corner to the left of the project inscription there is
00:22:33
to access these same databases for
00:22:35
Yes Vinci all projects are stored inside
00:22:38
some kind of database it could be either
00:22:41
relational databases postgresql or
00:22:43
disk database in any case
00:22:46
do you have access to this database and why is it
00:22:49
In general, I’m telling everything to the fact that when
00:22:51
updating new version new version
00:22:54
can describe overwrite this base
00:22:55
data and then the old version will not be able to
00:22:57
gain access to this database, that is
00:22:59
you will not be able to get from the old version
00:23:01
da Vinci access to those projects in which
00:23:04
you worked because the new version is theirs
00:23:05
will update it in principle at 50 percent
00:23:09
cases a safe move but from sin
00:23:11
away from what I recommend everyone do
00:23:14
time when you update yes nothing
00:23:15
create a new database first of all
00:23:18
In general, the reinforced concrete rule is
00:23:19
do not update the program until it is sung
00:23:21
some kind of project in the works, that is
00:23:23
wait until all your projects are completed
00:23:24
finished and then update because
00:23:27
that but too many tears were shed
00:23:30
people who suddenly lost everything
00:23:32
projects because they suddenly wanted
00:23:34
will update in the middle of work therefore
00:23:35
It's better to wait until you finish the project
00:23:38
but if you don't have any project everything
00:23:40
it's better to make a new database
00:23:42
for example, switch crate mode
00:23:44
I will select that this is a disk database
00:23:46
because post shine will databases
00:23:49
we will watch this on a separate page
00:23:51
classes are possible even and maybe even
00:23:54
will show online video lessons somewhere
00:23:56
lessons so I'm leaving what is this acceptable yes
00:24:02
vinci 17 beta draw it is not what she is not
00:24:06
allows you to use spaces and instead
00:24:08
spaces if you need to cut spent then
00:24:11
Then using underscore I'm not fooled
00:24:13
on the tractor and save it in the documents folder
00:24:21
by the way, pay attention now
00:24:24
funny but not the most pleasant glitch for me
00:24:27
I'm just lucky that this one opened
00:24:29
the window that I have now is here
00:24:32
peered out of the window
00:24:34
It often happens to a project manager that
00:24:36
this window disappears behind the window
00:24:38
project manager and get to him
00:24:40
it is forbidden and you find yourself in such a vicious circle
00:24:43
when in the window to create new new ones
00:24:46
database some other window is open
00:24:48
he can't be seen, he's gone through this window
00:24:51
so in this case it is better to click
00:24:53
end button and re-open so on
00:24:57
so that she is in the foreground at all
00:24:58
out of harm's way, I'll let the rivers hold him up
00:25:00
always a little bit wider so that it doesn’t
00:25:03
completely hidden by the window
00:25:05
project manager so further into the folder
00:25:08
documents
00:25:09
I'll do it here, that's exactly what I'll have
00:25:12
lie new databases and just
00:25:14
help for simply Belgium databases
00:25:18
worth the bass everyone here will lie for me
00:25:22
special databases that is what
00:25:24
this is again the database this is the current where in
00:25:26
what are stored before the low project and why
00:25:28
This is so important to us again
00:25:30
I repeat, I risk being inside you because
00:25:31
what when will you install the new version
00:25:34
and once again a new version once again on the obverse
00:25:35
there is a danger that the new version
00:25:37
tampers with an old database or
00:25:39
will update and and and then the old version will not
00:25:42
will be able to access the new one if with
00:25:44
on the other hand you are willing to take risks
00:25:46
then you can skip this step but
00:25:48
Believe me, it happened very often
00:25:50
people skip this step and then
00:25:52
says where is everyone, my project and what?
00:25:54
Why are all the projects no longer available on
00:25:57
people are forced to work for a new one
00:25:59
be a less stable version so this
00:26:01
Just God takes care ok created a new one
00:26:04
he'll think about it now
00:26:09
here she is and now I will be her
00:26:12
automatically connecting everything to you now
00:26:13
my projects will be created in this
00:26:15
new disk database on if
00:26:16
something will go wrong and I can always
00:26:18
for example, before doing this update
00:26:20
a copy of it and in this mode of operation I
00:26:24
I can always be reinforced concrete calmly
00:26:26
I'm sure that even if I update yes
00:26:28
Vinci I always have somewhere to roll back
00:26:30
Mrs. backup
00:26:31
instead of eating on backup databases
00:26:33
Fine
00:26:35
rolled up the window with the design and made sure
00:26:37
since I'm working in the right database
00:26:39
the data she allocated to me further speaking
00:26:42
I have already mentioned the creation of a new project
00:26:45
say that in each launch there is one
00:26:48
tell bed da vinci you have
00:26:49
there will always be one empty project but even
00:26:53
if there is already some kind of project
00:26:55
for clarity, I will open it
00:26:56
except by clicking, I will immediately save first
00:27:00
case safe project I'll call him son want and
00:27:05
I’ll just open it for the purity of the experiment
00:27:09
once again the project manager window it can be
00:27:11
open either through the file menu
00:27:13
Product Manager
00:27:14
please note not to be confused with media
00:27:16
media manager we are interested in
00:27:18
project manager or canvas via
00:27:23
lower right corner icon with a house is
00:27:25
the same thing opens the project window
00:27:28
manager so now I just want
00:27:30
demonstrate
00:27:31
and now I’ll leave da Vinci and re-enter
00:27:34
her and you will see what will appear to me besides
00:27:36
forest project in the bank another new one
00:27:38
content years project and it will be
00:27:40
always happen every time that's why it
00:27:42
neither good nor bad it's just da Vinci
00:27:44
that's how it works, so now you can't
00:27:46
close domenech just wait
00:27:47
when will I demonstrate this to everyone
00:27:50
they wanted some garlic
00:27:56
that this is 17.1 even if it is beta
00:28:00
but boot on new m1 processors
00:28:03
very quickly I'm surprised ok here I am
00:28:07
there is a request for a project in sn1 which is only
00:28:10
what did you do five minutes ago
00:28:11
and here is the new one on that it project and
00:28:14
pay attention to their differences in some way
00:28:17
they differ in that they differ in that on
00:28:19
the this is also kind of strange
00:28:20
check mark in the upper right corner
00:28:23
a tick means that at the moment
00:28:24
this project is open and loaded into memory
00:28:27
that is when you first download yes
00:28:29
Vinci even if you don't have this project
00:28:32
Yes Vinci opened it for you
00:28:34
asked her about this film no no
00:28:36
whether asked or not asked, she doesn't care for
00:28:37
the new memory opens you and loads
00:28:39
empty project
00:28:40
Well, since it’s basically empty
00:28:42
there’s nothing special in my memory
00:28:45
takes but just the fact itself why should we
00:28:48
this is important to know because when working
00:28:50
already on a real project this is a daw
00:28:53
will be from not on an empty project she is legging
00:28:55
van if now double click it
00:28:57
let's open it and by default da vinci can
00:29:00
work with only one project you
00:29:02
can you convince her to start another project?
00:29:05
I’ll show you at the same time as the first one now
00:29:08
how to do it but by default when
00:29:10
opening for example 2 project 1 will be
00:29:12
automatically loaded from memory this
00:29:15
the situation is familiar to Premiere users
00:29:17
old prime minister who also behaves like this
00:29:18
led then and the prime minister is Vinci they already
00:29:22
learned to work with two three
00:29:24
four projects at the same time another
00:29:26
keep in mind that the more
00:29:27
the more projects are open at the same time
00:29:29
eats up Da Vinci's resources the more
00:29:32
eats up RAM therefore
00:29:33
you need to think about whether you want to keep
00:29:36
several open projects
00:29:37
at the same time most often in most
00:29:40
there are no cases, so it's good that
00:29:42
Da Vinci automatically unloads old ones
00:29:44
unused projects from memory and
00:29:46
project workload indicator
00:29:48
memory I repeat once again there will be this tick
00:29:51
then let me demonstrate how it is
00:29:54
works, that is, I will make two projects and
00:29:56
I will show that when closing one but when
00:29:58
opening 1 2 is actually unloaded for
00:30:01
don't rush this button, I'll call it
00:30:03
his hp
00:30:05
one and I'll call you c conder just in memory
00:30:09
that this is the second project
00:30:10
first lesson and in the first lesson two
00:30:12
project just lesson 11 seconds now
00:30:15
jackdaw at the forest project 1 seconde aladdin
00:30:19
just a load of memory I want it too
00:30:21
show with an example of imported
00:30:23
files that these are not just some
00:30:24
abstract checkmarks are really different
00:30:28
the set of files in each project will be
00:30:30
so now I have a second project open
00:30:33
seconds and let's import it into it
00:30:35
I'll have some file in five minutes
00:30:38
I'll quickly go through all of this
00:30:39
bookmark each of them
00:30:41
I’ll explain what almost every tour does but
00:30:44
now, looking ahead for now, let's
00:30:46
let's go to the media tab and just
00:30:50
import the material that is attached
00:30:52
there is one nuance to the lesson here
00:30:54
Regarding the import of material, the quantity is here
00:30:58
here are the available disks depends on
00:31:00
what version do you have
00:31:02
namely, if you and this only concerns
00:31:05
magician users that is, if you are a magician
00:31:07
user downloaded the da vinci version
00:31:09
from the appstore otherwise you will have it here
00:31:11
access only to your home folder well
00:31:14
or the folder where you installed it
00:31:16
yes Vinci not the program itself for the first time
00:31:20
at the first start I pressed and asked
00:31:21
what to make a working folder when you
00:31:24
distinguished that here is a working folder here
00:31:26
this folder and only this folder for you
00:31:28
will have access to the version you
00:31:31
download from the black magic website and this is
00:31:33
the restriction does not apply
00:31:35
now I have a makita disc of cones and
00:31:37
yes Vinci sees him, moreover, I am now
00:31:40
I’ll plug in a flash drive and yes Vinci goes this one
00:31:42
the version will also see so I’ll stick it
00:31:45
flash drive and as you can see I don't care
00:31:47
I didn’t even touch the wind
00:31:49
the disk is called kachanchik because
00:31:51
flash drive which move between
00:31:53
computers
00:31:54
so this opportunity is there
00:31:57
the versions that you download from the site are here
00:31:58
magica and it is missing from the version
00:32:00
which you download from the appstore about
00:32:03
because of the so-called sandboxie nga it
00:32:06
such a mode of paranoid defense
00:32:09
which distinguishes both pilaf and applications
00:32:11
therefore any extraneous disks
00:32:13
default
00:32:14
there is no program to access them
00:32:16
you only have access to your own sandbox
00:32:19
not a problem but it just means that
00:32:22
if you downloaded the version from the appstore
00:32:24
you these disks with which you want
00:32:25
work will have to just add
00:32:27
manually, namely through the menu item yes
00:32:30
vinci resource process you can come in and
00:32:33
here in the media storage section
00:32:36
button and then you will need to add
00:32:38
that drive is acceptable as an external drive on
00:32:42
which from the project or some
00:32:43
another disk you have, let's say mac pro and you
00:32:46
you will need several disks inside
00:32:48
add again this only applies to
00:32:52
versions downloaded and west from appstore
00:32:55
version that you download from the black website
00:32:57
magic and she already sees everyone else
00:32:58
disks, that is, toilet and boxing, but no
00:33:00
this protected mode
00:33:02
so I can reach this step
00:33:04
skip
00:33:05
but there is one more nuance if you have yes
00:33:09
Vinci Pro installed
00:33:11
or you are working on a stationary machine
00:33:13
not on a laptop not cumin macbook pro either
00:33:18
on faith and you have an external nimble
00:33:20
disk or somewhere else
00:33:22
Well, let's say vasculitis of Packard cars or
00:33:25
you twisted it yourself and you have several
00:33:27
disks Please note that the first disc in this
00:33:30
list will be used to store
00:33:31
temporary files
00:33:33
so make sure that the disks that
00:33:35
here in this list is the top one
00:33:37
sufficient free space
00:33:39
in what situations can this happen?
00:33:42
problem for example you have
00:33:44
macbook air and macbook pro are not the best
00:33:48
fresh and there is a system disk from
00:33:50
here let's say 256 gigabytes
00:33:52
which is not so much when working in yes
00:33:55
Vinci you will be surprised how it was
00:33:58
100 gigabytes of free space left
00:34:00
now suddenly 80 now suddenly 70 now
00:34:03
50 where does the place go here she is
00:34:05
Blame it all on Da Vinci
00:34:07
she will eat your place so
00:34:09
perhaps if you work on a computer
00:34:14
The system disk is not very big though
00:34:17
now all the disks are already there with
00:34:18
terabytes all cameras are old
00:34:20
bytes by system disks even if you
00:34:23
ssd anyway, it's better to be sure
00:34:26
that firstly the disk that is here
00:34:28
selected it contains they of course
00:34:30
empty space free space
00:34:32
available for work secondly what is it
00:34:35
after all, an ssd disk because if you
00:34:36
connect some old one
00:34:37
a da vinci rotary disc will work
00:34:39
slower because we will always have to
00:34:41
write temporary files not to this disk but
00:34:43
if the disk is slow
00:34:44
copes with its tasks then everything
00:34:46
the program will also slow down ok
00:34:50
let's move on, that is, here I will click though
00:34:55
I haven’t changed anything in principle, so I’ll press it
00:34:56
after all
00:35:05
since we are on the layout of the same thing
00:35:07
option to import material is
00:35:09
just drag it from the file
00:35:11
systems and, in principle, will guide the machines
00:35:15
the opportunity also appeared a little
00:35:17
before foreign cars somewhere around 11 or
00:35:19
10 version but to 12 or twelve s
00:35:22
half of the versions are already windows versions
00:35:25
imac versions were able to do this therefore
00:35:27
let's just import it with the worker
00:35:31
tables, by the way, depending on
00:35:32
in what mode you open up to
00:35:34
you may not have an evening
00:35:36
window title behind which you could
00:35:38
they can move it, these buttons will disappear
00:35:41
collapsing the interface but it's in
00:35:43
basically you don't have to do it always
00:35:45
you can on a Mac via the tap command key
00:35:47
on a windows machine via
00:35:48
alt-tab switch back to finder and
00:35:51
I have mine here on my desktop
00:35:53
folder with classes but if suddenly
00:35:57
for some reason you still want
00:35:58
to have minimize buttons
00:36:02
interfaces but young then make sure that
00:36:05
you are not in full screen mode
00:36:07
on the other hand I prefer to work
00:36:09
in this mode
00:36:10
especially in 2 3 coins early configuration
00:36:14
it's just convenient, but again, if
00:36:16
for some reason you feel
00:36:18
discomfort that
00:36:19
where do we keep the minimize buttons?
00:36:22
just exit full screen mode
00:36:24
turning off this button command back
00:36:27
return to windows machine in my opinion
00:36:29
the situation is almost exactly the same
00:36:32
so we just import the material
00:36:35
dragging and dropping this file and let's for
00:36:37
visibility since I am now
00:36:38
in my second project I import there
00:36:40
file with batman just by dragging it
00:36:43
here in the media floor window at the bottom
00:36:46
parts
00:36:47
make sure you are on the tab
00:36:49
media and see what they say yes
00:36:55
Vinci because by default yes Vinci
00:36:58
configured to work with projects with
00:37:00
frame rate 24 frames per second
00:37:02
this file which I drag
00:37:04
it's different then da Vinci tell me about it
00:37:06
asks it's on fire, would you like it?
00:37:08
another user so I am for you
00:37:09
changed the frame rate of the project to nowhere
00:37:12
please let's change why this is
00:37:15
important it is desirable that the main frame rate
00:37:17
project corresponded to the greatest
00:37:19
number of files used
00:37:21
you in the footage, well, that is, roughly
00:37:24
saying you have 50 files with frequency
00:37:27
frames for example 20 frames 25 frames in
00:37:29
second and two files with a frame rate of 30
00:37:32
frames per second
00:37:33
it makes sense to give preference to those
00:37:35
the file in which is larger in that case
00:37:38
this example
00:37:39
25 frame rate but the reverse is acceptable
00:37:44
situation if for example I have 50
00:37:46
files shot on iPhone at 30 frames
00:37:48
a second and two files taken to a stranger
00:37:51
Sony camera there at 25 frames per second
00:37:55
then it is better to give preference to 30
00:37:58
frame rate because such
00:38:00
more files will be the exception
00:38:03
when do you hand over
00:38:04
for example on a TV channel with them
00:38:06
they usually don’t have a short conversation with us
00:38:09
if we do according to requirements then they
00:38:11
they just don’t accept this kind of material
00:38:12
so you need to clearly pass the
00:38:14
requirements of a specific TV channel if
00:38:16
you work for a TV channel if you
00:38:17
make videos for social networks for YouTube then
00:38:20
youtube and instagram they will tolerate everything there
00:38:23
frame rate is not important therefore
00:38:25
we initially and the rule fits as
00:38:28
couldn't be better so for cleanliness
00:38:31
experiment let me remind you I import into my
00:38:33
the project passes in seconds this is my second
00:38:35
project file 2 fatman
00:38:37
then I switch to the first project
00:38:39
Muslims press to ask save
00:38:42
change this project why this experience
00:38:45
you ask and you are going to
00:38:46
close the game then of course
00:38:47
save my first project opened
00:38:50
where there is nothing yet here and import but
00:38:53
file 01 cosmologist here is the same question
00:39:00
because in this project the frame rate is
00:39:02
was still 24 fps game yes
00:39:04
yes yes the same thing please change and then
00:39:07
please note if i need
00:39:08
gain access to the second project in that
00:39:11
the moment when you open the first project then at
00:39:14
project manager window I need
00:39:16
enable the Dynamix project checkbox with candles
00:39:18
that is, dynamic switching
00:39:20
projects thanks to this daw
00:39:23
you will still have projects
00:39:25
loaded into memory in what situations
00:39:27
this may be useful, for example you
00:39:30
you are working on a multi-part series and
00:39:33
you need a job and crucian carp there episode 15
00:39:36
you need to take some painted ones
00:39:39
parts from the second series to have
00:39:42
the ability to simply copy and paste and before
00:39:43
Syria to another you can like this
00:39:45
do actually there is more
00:39:47
options like not including this moment
00:39:49
projects achieve this
00:39:51
access the previous episode but
00:39:53
this is one of the simplest and most intuitive
00:39:55
and visual, so why not them
00:39:57
use but in this case please note
00:39:59
pay attention what will happen when I open it
00:40:02
the project in a shroud of seconds is now in my
00:40:05
memory loaded 2 projects at the same time
00:40:07
and on the name of the project right here at the top, more precisely
00:40:11
appeared to the right of the project name
00:40:13
small triangle pointing down
00:40:14
he wasn't in this triangle before
00:40:17
now I have the opportunity
00:40:18
switch between projects
00:40:20
Now I'm in the project la saladin
00:40:22
seconds now just back to the project
00:40:24
was on one and pay attention to them
00:40:26
different files different clips imported
00:40:28
and if I go back to the window
00:40:30
product manager and now it’s one project
00:40:33
the one I'm currently in
00:40:35
will have orange hand out
00:40:38
checkbox is the one that is inactive
00:40:43
so cute and yet ticklish
00:40:48
there is both there and there both say something
00:40:50
the project is loaded into memory
00:40:51
now each of these projects
00:40:52
contains only one clip but imagine
00:40:54
what if it was someone
00:40:55
multi-part series and you have 1 2 3
00:40:58
15-20 episode 8 and they are all uploaded to
00:41:01
memory here you need to be careful
00:41:03
so as not to run out of available
00:41:05
There just isn't enough RAM
00:41:07
it is the date that is now stored that is already yours
00:41:09
That's how much RAM you have there
00:41:11
and 8 gigabytes 16 gigabytes 32 gigabytes
00:41:14
Of course the service project is quite large
00:41:17
to fill up all the RAM but
00:41:19
on serious projects this is quite
00:41:22
it is possible to do therefore not
00:41:24
abuse this function that's what I'm getting at
00:41:26
I'm getting closer ok let's say I worked with these
00:41:29
projects now I'll switch projects
00:41:30
class deception and we think I would like
00:41:32
unload all other projects in this
00:41:35
case there are 2 options if I'm not ready
00:41:38
disable data functions produces ching
00:41:40
I just want to close other projects then
00:41:42
there is a team Klaus projects in memory
00:41:44
this command will close the remaining projects but
00:41:47
dynamic function ching products will be
00:41:49
continue working if I'm ready
00:41:53
return to 1 project mode then I
00:41:55
It's just easier to turn off the command for
00:41:58
micro jig suchong and then the rest
00:41:59
projects will close automatically
00:42:01
that is, I won't need to do this
00:42:02
I can command with just one movement
00:42:04
kill two birds with one stone
00:42:06
boom this whole project has been unloaded from memory
00:42:09
I won't forget anymore will be saved will be forgotten
00:42:13
save the project los van van and in
00:42:15
I will continue to work with
00:42:16
him but looking ahead how to convey
00:42:19
project for another car why do we need this
00:42:21
it’s important, you might wonder
00:42:24
Dima wait for ours to decorate then let's start
00:42:26
I specifically want to run in
00:42:28
go ahead and tell me how to transfer
00:42:29
project another car because it
00:42:31
your homework is still due
00:42:33
have to do this so when you
00:42:36
import the material and paint it as
00:42:39
please send it to me for checking
00:42:41
just by going to the project manager window
00:42:44
click on the project you are interested in
00:42:47
do you want to send it to me with the right key?
00:42:49
let's say I want to send it to a project
00:42:50
based second and command export export
00:42:54
project I mean Da Vinci will ask
00:42:57
where to put it and what to call it well
00:43:00
let's say I'm on the desktop
00:43:01
but for a hair 1 second it is in your case
00:43:04
you need to give your first and last name
00:43:05
your first and last name and strictly
00:43:08
according to the requirements which will
00:43:09
written in homework and simple
00:43:11
button safe and here I am at work
00:43:17
table
00:43:24
this is elk yang van
00:43:26
be patient be patient expansion wean da vinci
00:43:30
resort project and I can do the same
00:43:33
import this project that is, here I am
00:43:36
I will do this in an online lesson
00:43:39
lessons when I open yours
00:43:41
homework about homework when you
00:43:42
sent and
00:43:43
pull them closer to you in da vinci more
00:43:47
comrades, I specifically want to delete this
00:43:48
project to show that everything that was in
00:43:52
it was made, she saved it in this
00:43:54
derpy file so now I'm deleting
00:43:56
project let's ask exactly plays
00:43:58
exactly and then just double click
00:44:08
soup so you 2 da Vinci me so
00:44:16
starts 6 16 well then you did this
00:44:20
I’ll just drag it here with a dragon drop
00:44:22
because he started to put pressure and is trying
00:44:24
the old version tries to open the project from
00:44:26
new and it’s just not only that he
00:44:29
opened it was imported here the most
00:44:31
the important point is that now this
00:44:34
I no longer have a project on my desktop
00:44:36
needed why because da Vinci will be
00:44:39
work not with this file which
00:44:41
lies on the desktop and I can even
00:44:43
Now I just throw it in the trash
00:44:48
yes Vinci will work with this
00:44:51
projects that she imported to
00:44:53
in your project window, that is, somewhere on
00:44:55
disk but actually on the Mac this folder
00:44:57
library
00:44:59
applications with support the long way
00:45:01
that's where it lies or the place where you are
00:45:03
indicated where the databases are stored remember
00:45:05
what we haven’t started yet lies there
00:45:07
now this project is why it is important
00:45:10
da Vinci moment when opening a third party
00:45:12
the submitted project will always be
00:45:14
open will make a copy of it
00:45:15
pull him into yourself that's why that project
00:45:18
which is on your desktop
00:45:20
who received by email or this
00:45:22
from anywhere you can painlessly
00:45:24
throw it away or just don’t use it
00:45:26
because
00:45:27
after importing this project in the house
00:45:29
the monster will work in the chain
00:45:31
imported copies like this
00:45:34
peculiarities
00:45:35
so let's move on talking about the important ones
00:45:38
settings there is one more nuance
00:45:48
setting up autosave in da vinci
00:45:52
I don’t remember from the beginning what version it is
00:45:55
so-called live so if mode
00:45:57
users of the 10th cat file are familiar with it
00:46:00
there is da vinci saves every sneeze
00:46:02
basically anything anything you do
00:46:04
and in principle this is good, but there are situations
00:46:08
when it's bad deadly bad
00:46:10
critically bad, namely when you
00:46:13
want to open someone else's project or when you want to open
00:46:15
another project just to see
00:46:18
doesn't change anything, so here's the live save mode
00:46:21
will he doesn't know about it he doesn't know
00:46:23
that you opened the project just to look
00:46:25
so it will make changes even
00:46:28
in the case when you would not like
00:46:29
make some changes there he
00:46:32
change the modification date therefore as
00:46:36
It may be possible to open the project only in
00:46:39
reading mode if you just need
00:46:41
look without making changes like this
00:46:43
It would be safer to open a project in Rome
00:46:46
le mode
00:46:47
in this case you change nothing and
00:46:48
can you, I can’t even do this now though
00:46:55
for some reason you need to delete
00:46:57
ok because he won't save it on
00:47:02
although at 90 this clip allows me
00:47:05
remove weirdness I hope it will be
00:47:09
corrected later in the release version but in
00:47:12
anyway since this is a project
00:47:13
will not be stored then I can here on
00:47:15
sausage anything and it won't happen
00:47:17
saved but I'll close it now
00:47:20
out of harm's way an important point that
00:47:23
Da Vinci is killing me throughout
00:47:25
here are all the latest versions, oddly enough
00:47:28
you can't close the project via the file menu
00:47:31
Yes, you can save a new project there
00:47:33
you can do it, but close the commands
00:47:35
claus project no team claus project
00:47:38
eat when you are open
00:47:39
more than one project at a time but
00:47:41
if only one project is open for the team
00:47:43
there is no club why the mystery is shrouded in darkness
00:47:46
anyway, now I'll open the project in
00:47:51
one second someone twitch projects
00:47:53
closed automatically and didn't even
00:47:55
suggested that they be saved because
00:47:56
the world thought and returning to this
00:47:58
light safe settings where is it located
00:48:02
because maybe you don't know which one
00:48:05
situation you will want to turn it off
00:48:07
it's just important to find out where she is
00:48:09
turns on turns on in settings on
00:48:12
tab user project safe lot jackdaw
00:48:15
lives and by the way it’s good that you came see
00:48:17
I was not turned on I strongly
00:48:20
I recommend turning it on why because
00:48:23
Well, either on the one hand you need
00:48:25
develop a reflex and regularly
00:48:27
reflexive press commands with or
00:48:30
control from a windows machine, although sometimes
00:48:32
It happens that in the heat of battle you get carried away
00:48:34
painting and don’t think about it at all
00:48:36
saving regularly and then something
00:48:38
went wrong light blinked electricity
00:48:40
blinked, let's say you're on a landline
00:48:43
in the car they are laptops
00:48:44
everything collapsed well if you have it there
00:48:47
there is an uninterruptible power supply
00:48:48
if not therefore life save repeatedly
00:48:52
already saved me
00:48:54
Let's just say it's a big deal, so I'm very
00:48:57
I love this feature but as I already said
00:49:00
she needs a special approach
00:49:02
and and on if you turn on the daw catchers
00:49:05
lives of the and you will save
00:49:08
your every action, every sneeze
00:49:10
it's that he's there at certain intervals
00:49:12
during the saving time everything will be saved
00:49:14
but if you open other people's projects she
00:49:17
just look then know what in
00:49:20
in other people's projects these changes will be
00:49:21
save, so open them in mode
00:49:22
readonly so that there is nothing there
00:49:24
mess up
00:49:25
but sometimes I would still like to have
00:49:28
some kind of backups, that is, yes he does it every time
00:49:31
everything saves through certain each
00:49:34
your action but I would like to have
00:49:37
some version history and for this
00:49:40
there is a daw project backups that it will be
00:49:43
what will she do he will be through
00:49:46
do a certain time interval
00:49:48
backup of your project in which you
00:49:50
why do you work, but it happened often
00:49:52
such that deduction work work
00:49:55
work because we need these damn things
00:49:57
half an hour ago it was better or are you sure
00:50:01
or you can sit there until you're blue in the face
00:50:03
make money commanded or just
00:50:05
roll back to the version that was made
00:50:07
there half an hour ago
00:50:08
20 minutes ago whenever
00:50:11
that this version is simple that it
00:50:12
preserved therefore please note
00:50:16
that these backups will be created
00:50:17
every ten minutes a clock is kept
00:50:21
the cops will be there for two
00:50:24
hours and daily backups will be stored
00:50:27
for two days
00:50:28
that is, roughly the maxim where you can
00:50:30
how deep can you jump into the past
00:50:32
this is for two days if you need more but
00:50:34
put the more I usually like the prices for
00:50:37
car safe I hope you don’t make a mistake yourself
00:50:38
so this is what I have
00:50:41
safety parachute but not my main one
00:50:43
operating mode basic operating mode I
00:50:45
every time before saving the main one
00:50:47
project file, namely, let's give the lyre itself
00:50:50
now let's say I work in this
00:50:55
project and today it’s 17 in my yard
00:50:58
January, so that’s what I’ll call the project
00:51:00
my project will be called jen sam and
00:51:04
then in 18 I usually do not add a year
00:51:07
because but I don't work for let's
00:51:09
there are jeongin projects of the year
00:51:12
full-length films that can do this
00:51:13
takes a long time to install but not to paint
00:51:16
painting does not work code
00:51:18
so today is January 17th, let’s say
00:51:20
if I come to this project I will
00:51:22
work tomorrow to make some contributions
00:51:23
changes edits from the client then I will open
00:51:25
project and first of all I will save it under
00:51:27
I will have a new name on January 18th
00:51:32
that is, this is my main mode
00:51:35
creating backups why because in
00:51:37
in this case I'm guaranteed
00:51:39
I'm absolutely sure that it's nothing
00:51:42
I didn’t forget, I didn’t miss anything so that I backup
00:51:44
and even if da Vinci lets me down
00:51:46
backup they will be made somehow
00:51:48
reasons no matter what I have
00:51:51
a copy of which I create every new day
00:51:53
if work on this project and such
00:51:57
the way it works has saved me many times
00:51:59
that's why I prefer to use
00:52:02
they are the ones who need a tick
00:52:04
I also create backups there
00:52:05
included for every fire vod-ok
00:52:09
this was about manipulating files with
00:52:12
projects with settings
00:52:22
let's go to the important board
00:52:28
terminology
00:52:29
which I definitely want to focus on
00:52:31
attention is the concept of file and clip
00:52:33
what is it and why is it so important file
00:52:37
we call the file on disk that is in
00:52:39
fantare in the window these are the files there they are
00:52:43
lie either on external drives or on
00:52:44
internally they are now in my work
00:52:46
on the table it doesn’t matter, that is, a file is a file
00:52:48
when we import the file da vinci what
00:52:51
happens da vinci creates a link to
00:52:54
this original media file and this link
00:52:56
we call it a clip, that is, this is a clip
00:52:59
this is not a file why because it is a clip
00:53:02
link to file why this is so important
00:53:04
because I can do the clip painlessly
00:53:06
delete but deleting the clip does not result in
00:53:10
delete the file the file is still here
00:53:11
yes, but deleting a file from disk
00:53:15
would lead to the fact that the link
00:53:17
would start pointing into nowhere into the void
00:53:20
That's why it's so important to clearly understand the file
00:53:24
distinguish a file from a clip
00:53:26
clip, well, what's so scary?
00:53:29
will happen if the module clip well it
00:53:30
will be removed from the installation with them the installation will be
00:53:33
offline but as soon as we return
00:53:34
back this creaking installation again
00:53:36
pick up unlike file if you
00:53:38
delete the file if you don’t have backups then
00:53:40
everyone came about the gemacht and that’s why it’s like this
00:53:46
it is important to understand that we can delete what
00:53:48
no module files we cannot only if you
00:53:52
absolutely absolutely absolutely absolutely
00:53:53
I'm sure you have backups where
00:53:56
that file still has a clip and we can
00:53:58
it's enough to treat them freely
00:53:59
because these are just links
00:54:01
on the file ok let me get to it first
00:54:06
mind and open the van plate project
00:54:10
I have the rest and by the way what am I doing with
00:54:12
other projects are usually kept
00:54:14
these versions accumulate or their
00:54:15
put the projects themselves in a folder
00:54:17
centuries why seconds because then she
00:54:21
will navigate
00:54:24
sort ships alphabetically by the way
00:54:26
saying change the sorting method because
00:54:29
what's the default
00:54:30
folders are shuffled and fall
00:54:31
modifications and and folders
00:54:34
and and the project in the project window and basically
00:54:36
it's convenient but even then it doesn't seem right to me
00:54:41
Very
00:54:43
there is a feeling that the project is somehow
00:54:45
randomly shuffled they are not a maternity hospital
00:54:47
shuffled not shuffled by creation date
00:54:49
or for these modifications but every time
00:54:52
newer projects are jumping into
00:54:56
the beginning is somehow more familiar to me
00:54:58
when they are sorted by name like this
00:55:01
it’s somehow calmer so I switch
00:55:03
then the folder diold why on the letters but
00:55:06
starting so that it is the very last
00:55:07
100 points tail at the beginning no matter
00:55:10
you open with a list or with icons a
00:55:12
at first there will be an active project in that
00:55:14
where we work work
00:55:17
the latter and imported imported
00:55:22
files and before I move on
00:55:23
it is very important that we stop at
00:55:25
the topic of creating a project structure is
00:55:30
such an important topic that I will reduce it
00:55:32
points in homework if you don't
00:55:34
create a project structure
00:55:36
why is this so important because how
00:55:38
practice shows the project has
00:55:40
the tendency to grow will be added
00:55:42
new files
00:55:43
this is the graphic of the logo what it will be
00:55:45
be added and as a result if you immediately
00:55:47
from the first minutes of creating the project
00:55:50
get the structure right
00:55:51
then it will just be absolute hell
00:55:53
it will be very difficult to figure this out
00:55:54
so I immediately recommend creating
00:55:58
folder for example media or sources that
00:56:01
I don't find fault anymore
00:56:02
right key command you've been me
00:56:06
I call it sources
00:56:07
sources and all imported clips
00:56:10
I'll put it there in this bin in this folder
00:56:12
sources to term bin and folder i will
00:56:15
I will sometimes use it interchangeably
00:56:16
warm ben sometimes the folder is the same thing
00:56:19
but then there is one nuance I have to
00:56:24
be able to color these clips I
00:56:26
I have to put them on the timeline I have to
00:56:28
you can create a time line
00:56:31
in several ways but a nuance
00:56:33
is where these timelines are
00:56:35
will be stored by default if I
00:56:38
I’m making new taimen bones as it’s not waiting
00:56:40
being on the media tab is the easiest
00:56:42
way to right click on any clip
00:56:43
key command create new timeline
00:56:47
using selected clips one or
00:56:49
several I'm now using the example of one
00:56:51
I'll show this clip because I will
00:56:52
redo it repeatedly and as soon as I
00:56:55
I'll execute this command, let me ask you
00:56:57
first what to call this time line well
00:57:00
let's call it test1 fantasy but 0 and
00:57:03
I won't change any other settings for now
00:57:06
the main goal of this action now
00:57:09
show where this new taimen will be created
00:57:12
precisely to be created on
00:57:13
next to the clips here it is test 1
00:57:17
and if you go this way then you
00:57:20
you need to make a new bin and
00:57:22
name him
00:57:24
edit start you underlining why
00:57:26
with underlining so that it is in alphabetical order
00:57:28
for this you need to make sure that you
00:57:30
sorting goes to dads grade buy no date
00:57:36
created a name otherwise you will be in trouble
00:57:39
sorted by creation date
00:57:41
and the presence of an underline does not help you
00:57:44
will help because she will be after
00:57:46
source of so I right click
00:57:48
key and sort buy no i'm a and that's it
00:57:52
now my ben is on his way because
00:57:53
begins with an underscore will always be
00:57:55
above other beans why is this important
00:57:57
because as I already said the project has
00:57:59
tendency to grow, new ones are added
00:58:01
types added graphics added all
00:58:03
that the sound of music is added and with
00:58:06
time there may be a bunch of you here
00:58:07
additional bins starting bin rides with
00:58:11
underscore you can be sure that
00:58:12
he will always be the top one
00:58:14
that they will have to scroll who to
00:58:16
get to it and you have all the installations
00:58:18
will lie here
00:58:20
for this you need from the source of folder i
00:58:22
created a line there, drag it to bin
00:58:25
goes so this is one of the possible
00:58:28
ways of working when you decide for yourself
00:58:31
where the time lines lie and then they should
00:58:33
you already have it centralized in the menu
00:58:35
edit
00:58:36
the second way of working is also possible when you
00:58:40
shift this task to where it belongs
00:58:42
name on the shoulders of da vinci
00:58:43
she will always separate the flies herself
00:58:45
Separate cutlets Separate time lines
00:58:47
separately clips separately for me more
00:58:50
I like this second mode of operation
00:58:52
now I'll show you how to turn it on but in
00:58:54
than nuance
00:58:55
the nuance is that if you have already created although
00:58:57
you wouldn't be able to do just that one line
00:59:00
switch this mode, namely where it is
00:59:02
switches
00:59:03
here in the gears in the lower right
00:59:06
corner by the way they say the same thing as if
00:59:08
would you go to the project settings file menu
00:59:10
the same thing or gear me somehow
00:59:13
will change what I love hotkeys
00:59:15
For some reason I like to press grow
00:59:18
capacious I don’t know why that’s why most often
00:59:20
in other places the interface I will be
00:59:24
using hotkeys but here I
00:59:26
I really like the gear so I’ll click on it
00:59:29
wall, maybe it’s a habit, so
00:59:33
here in settings
00:59:34
in the project settings in the general item
00:59:37
actions available if you scroll
00:59:39
there is a jackdaw use timeline knocked down right now
00:59:42
it is not active and I can’t access it
00:59:44
include why because I already did
00:59:46
time line another way and da vinci
00:59:48
said oh so then he was offended by you
00:59:51
actually no of course but the question is necessary
00:59:53
because she said that if you study
00:59:55
management manager something less
00:59:57
management there Denis then I was already
01:00:00
I won’t get in your way and that’s basically it
01:00:02
correct approach but what if I
01:00:04
I want to use this checkbox
01:00:05
I want to demonstrate at least how
01:00:07
it works in this case I will delete this
01:00:10
time line remember sad temporary
01:00:12
cancel blockages test 1 da vinci ask
01:00:15
she definitely plays exactly and now
01:00:18
before I create at least one secret
01:00:20
I will also turn on the line through the gear
01:00:23
advance daw iwc timeline ben see
01:00:26
now she lets me do it
01:00:28
saif
01:00:30
and now, when creating a new dam, it is not
01:00:33
exactly the same means through
01:00:35
right key screams timeline name
01:00:38
timeline one trade
01:00:39
now da Vinci automatically throws i've
01:00:42
been timeline in this case if you
01:00:44
you don’t go this second way
01:00:46
need to create ben goes because
01:00:48
you all time lines
01:00:49
and so they will automatically get shot down
01:00:52
timeline that's why Ben is going, I don't need him anymore
01:00:54
I can easily remove it with the command and
01:00:57
Rima in ben or just regular backspace
01:00:59
you so that's how I already told me closer
01:01:03
this is the mode of operation
01:01:05
when da vinci lays it out herself
01:01:08
less and removes ex benth online
01:01:11
why because I think it is
01:01:13
that's right, flies separately, cutlets separately
01:01:15
source codes separately timelines all the same
01:01:18
collected in one place
01:01:19
and no one is stopping me from creating
01:01:21
additional bins in wine timeline
01:01:25
for example if I want to split here
01:01:27
timelines by today's dates antosha
01:01:31
circulation not installation I can create a business
01:01:33
here also as usual ben and that is
01:01:36
they're the same, well I don't care yet
01:01:38
necessary but there is such an opportunity
01:01:41
that's why I will continue to work
01:01:44
it's in this mode that I can't
01:01:46
I limit you what you can do
01:01:48
which mode is convenient for you but again
01:01:50
Let me remind you if you go the first way then
01:01:52
there is no using the timeline knocked down then you
01:01:55
must create ben etit because
01:01:59
that I thus hope that we
01:02:02
together let's get used to structuring
01:02:05
material structuring of source codes
01:02:07
structuring the project so here you are
01:02:10
if you use timeline bin you won't
01:02:12
need to create ben rides because yes
01:02:13
Vinci created it
01:02:14
for you I called it timeline by the way
01:02:18
please note that if you go now
01:02:19
in the settings, now this checkbox is not allowed
01:02:21
turn it off it will always be on
01:02:23
topic strain reasons da vinci decided that
01:02:25
and since you trust me, the government has no name
01:02:27
no, now you have to stay out of the way for good reason
01:02:30
ok let's move on
01:02:33
I would still like this
01:02:35
timelines you choose how to view
01:02:37
how many clips are here just double
01:02:39
click click into it and da Vinci
01:02:41
will automatically come to the edit tab and
01:02:42
I only have one here
01:02:44
I'll release a slightly smaller clip, but for me
01:02:48
I would like all the clips to be there
01:02:50
less that I have in
01:02:53
in the source code there are about 7 of them
01:02:57
Of course I can highlight the rest of the clips
01:03:00
1
01:03:01
with the pole last food throw them in
01:03:03
tail note that da vinci
01:03:05
allows you to be magnetized by linden but
01:03:09
this is because I have already made one clip in
01:03:12
in principle, in a real project it would be
01:03:15
It’s more convenient for me not to make one clip step by step
01:03:18
then fluorides of the second third to form
01:03:20
and select all the clips and immediately time line
01:03:22
create from all the clips but what's done
01:03:27
then done just in case again
01:03:29
Let me remind you that I have the opportunity
01:03:31
make a time line from all clips at once
01:03:33
but there is one important nuance here
01:03:35
it is important in what order the clips are arranged
01:03:39
here in wine
01:03:40
in the media because they are in the same order
01:03:43
will be located on domini
01:03:44
what are we talking about and special to you
01:03:46
I'll turn on the display mode as a list
01:03:49
and now you can see that the sorting is carried out by
01:03:52
clip name 1 2 3
01:03:54
moreover, as I see it, first of all, this
01:03:56
the column is highlighted the author of their actions
01:03:58
Allochka indicates that there is this one
01:04:00
sort in ascending order i.e. 1 2 3
01:04:03
4 5 I can switch sorting
01:04:06
in descending sort in this case
01:04:09
will go 199 98 97 and so on here z
01:04:15
yes, but I can do it in the opposite direction
01:04:19
sort by time code or other
01:04:20
parameters but why am I paying attention to this
01:04:23
your attention if suddenly you are first up to
01:04:26
how to create a menu there changed the order
01:04:28
sorting then da Vinci will remember this
01:04:30
sort order and now if I
01:04:32
I'll make a new line there too, right
01:04:34
the button create new timeline of the clip will be
01:04:37
be arranged in the order in which
01:04:38
they are sorted in wine
01:04:41
left calling timeline 2 fantasy
01:04:44
again 0 and
01:04:45
switching to the fold goes here to me
01:04:47
timeline 2
01:04:48
where the clips go backwards so
01:04:51
be careful at this moment if you
01:04:54
Do you want to post the clips in the order they are?
01:04:55
were filmed then make sure
01:04:57
make sure you have sorting in in the window
01:05:01
Medib has the one you need to try on
01:05:03
from the beginning from the first clip yes there are 100
01:05:06
clip and no from 100 to the first clip of this
01:05:10
very often people get caught especially in
01:05:12
in older versions because I'm the default
01:05:13
sorting was done according to mine
01:05:15
rifle name packed Kirill name or pro
01:05:17
columns starting time code that sometimes
01:05:20
led to confusion
01:05:22
further, well, the 2nd half, I don’t need it anyway
01:05:26
like so many bookmarks below
01:05:28
da Vinci interface so let's
01:05:30
Let's quickly go through those bookmarks
01:05:32
which I will need in my work and maybe
01:05:35
be you and what bookmarks I recommend
01:05:38
seems to be disabled in latest versions
01:05:42
starting from 16
01:05:43
if my memory serves me right plus
01:05:45
bookmark the code and here it turns out
01:05:47
duplication seems like this bookmark is going
01:05:49
mounting bookmark and bookmark as from too
01:05:51
installation bookmark block magic active
01:05:54
positions the bookmark as like new
01:05:57
editing tool for vloggers
01:06:00
for YouTubers, that is, for people who
01:06:03
they are not going to be professional
01:06:05
edit films but they need something
01:06:09
fast and just like a block
01:06:11
I just took the second picture with my phone
01:06:14
I cut it with my phone and go ahead, that is
01:06:17
something lightning fast and according to blood
01:06:21
magic of bookmark as intended as
01:06:23
just for such tasks in principle
01:06:25
I agree the statement is not empty not
01:06:28
unfounded but since this course is on
01:06:31
where you see some private
01:06:32
color correction then
01:06:34
I'll turn off the editing tab now
01:06:36
just so as not to interfere
01:06:38
for the same reasons I'll turn it off
01:06:41
fusion bookmark fusion bookmark this
01:06:43
module for working with graphics when you
01:06:45
there used to be a separate program and it
01:06:47
powerful she is cool but in this case in
01:06:51
given in this course it will be
01:06:53
shooting sparrows from a cannon
01:06:54
if you are interested in working with this
01:06:57
bookmark us there is a separate life class
01:06:58
you can have this introductory introduction to fusion
01:07:01
maybe contact him when
01:07:03
the moment when you watch this recording
01:07:05
we already have a separate class for
01:07:08
We still have a full course on fusion
01:07:10
this is not the case in January 17 in January 21
01:07:16
maybe later he will appear so in
01:07:18
As part of this course, I am using fusion vision
01:07:21
I won’t contact you, that’s why I’m bookmarking this
01:07:23
I’ll also turn off the next bookmark now
01:07:25
fairlight
01:07:26
contact her now I'm missing them coming
01:07:28
not for all bookmarks wait now
01:07:29
beginning first means
01:07:30
indicate bookmarks that we will not
01:07:33
use fairlight bookmark is a powerful sound
01:07:36
the editor is as powerful as fusion
01:07:39
for graphics or as color for
01:07:41
color correction
01:07:42
but we also have this course not in sound
01:07:46
absolutely wonderful and wonderful
01:07:47
Arthur Orlov who recorded several
01:07:49
life classes by fairlight so if
01:07:51
are you interested in
01:07:52
find these love classes and he
01:07:54
looks at powerful tools
01:07:57
available on the fairlight tab we are about
01:07:59
we won't talk about them so this
01:08:01
the riddle was not an eyesore, I did it too
01:08:03
turned off well, not so much that she didn’t
01:08:06
an eyesore so she just sometimes
01:08:08
sometimes you miss with your mouse
01:08:10
bookmarks you end up on the wrong bookmark and in
01:08:12
case with Eugene on weak machines
01:08:14
wait like this until it loads bye
01:08:17
the entire window will open for us, she’s still like that and
01:08:20
not super mega fast so to
01:08:23
avoid unnecessary clicks in the wrong place I just
01:08:26
they prefer to hide it right away like this
01:08:28
do this in the workspace menu at the top
01:08:31
there is a show page command, I’ll turn it off right away
01:08:34
bookmark cat before please note that
01:08:37
You can't turn off this bookmark on which
01:08:39
you are, that is, for example, if suddenly
01:08:41
for some reason I would like to turn it off
01:08:43
tab edit if at the moment
01:08:45
I'm on the bookmark rides I can't get it
01:08:47
Of course I can turn off Russia very much
01:08:49
will happen
01:08:50
I still bookmarked
01:08:51
because I'm currently on
01:08:53
this bookmark is therefore not allowed in da vinci
01:08:57
you can't cut off the branch you're sitting on
01:09:00
she seems to allow you to do this but
01:09:01
then it's jackdaw auto again
01:09:03
will turn on so it's pointless
01:09:06
action well, I still want to bookmark it
01:09:08
the fact that I need it for work will be
01:09:10
I don’t need the fusion bookmark so let’s turn it on
01:09:13
fairlight bookmark i need to switch
01:09:18
layout
01:09:19
carpet analysts will get better over the version
01:09:21
like the Turks I went to bookmarks and goes to the roof
01:09:24
released it means I'll return it back here
01:09:27
I have four bookmarks with which I will be
01:09:29
work in this abbreviated form is very
01:09:33
conveniently I want to draw your attention
01:09:36
why these bookmarks go specifically to
01:09:38
in this order because we are starting
01:09:41
work on the media tab
01:09:43
organize the material on a timeline on
01:09:45
tab edit then color it all on
01:09:48
color tab and then export
01:09:51
the final file on the deliver fold is here
01:09:53
this is the technical process
01:09:54
that's why they go in this order in
01:09:57
what direction do they go next if suddenly for some reason
01:09:59
reasons you work for
01:10:02
not on 4k displays but on a MacBook and that too
01:10:08
rivers on a MacBook with more than 100 markets
01:10:10
MacBooks of some kind to save money
01:10:13
I also recommend screen space
01:10:15
turn off captions under these buttons
01:10:17
because well, it is said to the world one by one
01:10:19
naked shirt saved here
01:10:21
a few pixels by us inter here there
01:10:23
as a result the work became more comfortable
01:10:25
so I recommend in the right keys
01:10:29
turn off and switch mode from show
01:10:32
akon and lay was just in show mode i
01:10:34
can only seem to have saved everything a little
01:10:38
benefit again since I am now
01:10:41
no problem with free space on
01:10:42
screen I will turn this mode back on but
01:10:45
just that you know it's possible
01:10:47
switch
01:10:48
for the same reason usually well
01:10:51
for example, now I have
01:10:53
annoying is the light stripe that
01:10:54
side view I have the boost switched on
01:10:56
contrast so the strip starts
01:10:59
be noticeable along the contour the screen goes no
01:11:03
annoying so I'll turn it on
01:11:05
full screen mode just for that
01:11:07
for these stripes to go away
01:11:08
Moreover, if it were a monitor with
01:11:11
small resolution then this is also unnecessary
01:11:13
pixels that would help me
01:11:17
save screen space especially on
01:11:19
windows machines that's why these two
01:11:21
I'll definitely do the settings
01:11:23
full screen monitor and
01:11:26
show you can only usually do on
01:11:30
small monitors
01:11:31
next let's bookmark the perk
01:11:34
reddit and delete the unnecessary menu
01:11:37
you need timeline because there is a clip
01:11:39
they go but he takes it I just can
01:11:42
delete so all timeline one is mine
01:11:47
the main one is the less with whom I will be
01:11:48
work and
01:11:49
it's time to move on to laying the carpet and
01:11:51
figure out what's here
01:11:54
what is responsible for what and which panels do I need?
01:11:58
on this fold you will need what you can
01:12:00
disable
01:12:01
but before I'm done
01:12:05
I'll go deeper into the analysis of the carpet bookmarks for me
01:12:08
I would like to discuss one more topic for now
01:12:10
we are not far from working with clips and
01:12:13
files this topic disappears railing
01:12:24
what if in import
01:12:27
Are the files from the disk in da Vinci used?
01:12:31
clips then with it became links to the file
01:12:33
and then you suddenly needed
01:12:35
move these source files somewhere
01:12:38
well, for example, you were in a hurry
01:12:41
imported the material directly from the flash drive into
01:12:43
or a flash drive into a card reader
01:12:45
they downloaded files from it and of course
01:12:48
copied files from the flash drive somewhere on
01:12:50
disk but in da vinci you imported
01:12:52
the material is not from a disk from a flash drive and then to you
01:12:55
we need to remove this flash drive, we need a flash drive
01:12:56
extracted
01:12:57
bestow says so just a minute and the file is
01:13:00
Where or you posted it first copy
01:13:04
desktop material
01:13:05
and then you realized it, think something like that
01:13:08
unprofessional to store files on
01:13:09
desktop and you moved them
01:13:10
somewhere on the working disk of auto vinci
01:13:14
you imported the material still with
01:13:15
desktop
01:13:16
originally it was da Vinci and such a shame
01:13:19
like like this like Travolta in this in
01:13:22
memes of this type
01:13:23
where is the apk file where are you so this is how
01:13:26
be if you are from some place first x
01:13:30
imported the material and then from this
01:13:32
places x instead of y moved files as
01:13:35
Yes Vinci tell me that there is no need to look
01:13:37
here below no need to search in folder x yet
01:13:39
and and in folder y about this theme ring
01:13:42
let's have a quick run
01:13:44
so I'm doing something terrible right now
01:13:49
I'll take this folder too a lesson 1 here I'll take it
01:13:56
I'll move it, it's on our desktop
01:13:59
I just move the copper folders to the working one
01:14:01
table Sun van as soon as I don't come back da Vinci
01:14:04
watch interesting moment icons already 9
01:14:10
you must have blushed hiv is still working
01:14:13
behind the masked image but how
01:14:15
I'll just try to lose it, but
01:14:18
some frames are still visible, some are already visible
01:14:20
writes midi offline burn for
01:14:23
cliched da vinci
01:14:24
I remembered to speed up the process
01:14:27
some pieces of files so some
01:14:30
I completely remembered the files during this process too
01:14:34
or else you need to get them, well, let's see
01:14:37
no they are all media flyme so that's what you need
01:14:40
indicate where they are and how to do it
01:14:42
very simply, I select all these clips and
01:14:45
the right key is actually a command
01:14:47
there are two commands source of older and
01:14:50
railing what is the difference one of them
01:14:53
intellectual
01:14:54
that is, we ourselves understand how where
01:14:58
find the files and all you need to do is ask
01:14:59
starting moment you are such a bloodhound
01:15:02
insert and greta to the starting position
01:15:03
food and she will find manual mode than
01:15:07
hours folder he won't look for anything for you
01:15:09
you will need to manually enter as in
01:15:11
that joke how much to weigh in grams
01:15:13
so first we'll just use
01:15:15
diapers, that is, intellectual
01:15:17
with the command I set the starting point
01:15:21
searching the desktop and saying food duck yeah
01:15:26
Vinci found and yes Vinci is enough
01:15:28
smart come on I'm a restless dimasik no
01:15:32
just does a desktop test approach
01:15:35
in this test folder I will make folder 1356
01:15:39
in this folder I will make a folder of some kind
01:15:42
there is already a super test in this folder I will do
01:15:46
folder
01:15:47
well, what to call her and the conversation again
01:15:52
fancy yo that is what I'm trying
01:15:53
I'm trying to bury the sources like
01:15:57
you can go deeper and that’s where I’ll take it, I got caught
01:15:59
to one from the desktop
01:16:01
Let me remind you that Da Vinci is about to lose
01:16:03
source codes because they were lying there and
01:16:05
suddenly disappeared somewhere, I’ll remind you again Lena
01:16:08
caches some files
01:16:10
well, that is, some, that is, for example
01:16:13
there's a fisherman there too, he's not there now
01:16:15
opens but then I highlight these
01:16:19
source codes say railing and indicate
01:16:22
last location or root folder where
01:16:26
I saw these sources or I assume that
01:16:28
they were there last time I won't
01:16:30
I go deep into the folders and say that here it is
01:16:32
there's a stack of tests on the desktop and here it is
01:16:34
she's out there somewhere
01:16:35
why was the hour limited to the creation
01:16:37
for just one folder I could
01:16:39
more additional subfolders to follow
01:16:41
next to these folders folders so that
01:16:43
complicate the task yes Vinci [ __ ] him
01:16:44
will find and clicking experience
01:16:48
moreover, if
01:16:51
nesting dad is deep enough yes
01:16:53
Vinci can ask, I looked in
01:16:56
top level of folders would you like
01:16:59
perform a deeper search
01:17:01
that is, it will not immediately look there in
01:17:05
38 subfolders of each other first
01:17:08
will warn you but there are folders here anyway
01:17:10
packed close therefore not so far
01:17:12
packed one inside the other so davichi
01:17:15
I found them easily ok that's about 1
01:17:20
intellectual way when da vinci
01:17:22
finds the sources itself if you don’t specify
01:17:25
let me remind you the starting point of the second method
01:17:27
this is chinche sourcefire
01:17:29
and let's go again 5 I'll ruin everything means
01:17:33
I put the lesson 1 folder back in club
01:17:34
comedy
01:17:38
I’ll even smash the dough folder with Da Vinci again
01:17:41
I was upset again by the restless Leonov
01:17:43
everything stopped somewhere again everyone is red
01:17:45
this time I will use the chinche command
01:17:49
source folder and what is the convenience
01:17:51
because I know that I have it in me
01:17:54
media folder on the desktop there
01:17:56
It's not enough just to use the brows button
01:17:58
scroll through and indicate it or just
01:18:00
here change the path instead of test and bessie
01:18:03
and this is all I can just point out
01:18:05
media is important to
01:18:08
the register was respected by the carrier on
01:18:10
probably with a capital letter
01:18:11
you need to write a lot of stupidity typed
01:18:13
small letters all small letters
01:18:15
it’s important to call it what it was called
01:18:17
here on the desktop is called a folder
01:18:19
media
01:18:20
then press the change button and click everything
01:18:24
came back when it's convenient when
01:18:26
you have a certain amount of these
01:18:30
branched territories folder in not yet
01:18:32
in it, then next to it, the same one, the same one
01:18:34
same still the same and sometimes yes Vinci I'm in
01:18:37
intelligent mode in railing mode
01:18:40
not completely tanned from contact
01:18:43
sometimes she gets confused in a big weave
01:18:45
folders so you can go more like this
01:18:48
in a straightforward way and say this
01:18:50
was here became here an elastic band and that's it
01:18:53
Berlin is forged without any problems
01:18:54
especially games when you have a lot
01:18:55
same type of sources, for example shooting
01:18:58
shooting day 1 there next card
01:19:01
one card 2 card 3 and more
01:19:03
shooting day 2
01:19:04
there is a card 4 5 6 7 3 7 day 8 9 10
01:19:09
It’s very convenient in this mode
01:19:10
only the number changes 3 days 123 very much
01:19:14
love is convenient to change their names along the way
01:19:18
to the files just me here here is the number
01:19:21
shooting day 1234 then that's why
01:19:24
Here are two ways of railing, you choose
01:19:27
which one do you like better easily and more
01:19:29
suits you in your situation and we're going
01:19:32
further
01:19:42
it's time to go into more detail
01:19:44
for stories the remains of the interface on
01:19:48
color tab
01:19:49
and let's talk about this in general
01:19:53
Da Vinci's first discovery
01:19:55
and even this was version 7, I remember that
01:19:58
I just grabbed my head because
01:19:59
oh my god this is so hard to figure out
01:20:02
in fact the interface is designed very
01:20:04
just look at the logic
01:20:07
I will dance from the middle of the interface to
01:20:10
in the center you have time lines
01:20:12
please note plural
01:20:14
I named them because there are 2 timelines
01:20:16
there is a timeline clip here it is where everyone is
01:20:20
the clip is represented by an icon regardless
01:20:23
from its length just an icon and everything is timeline
01:20:27
timeline that is the time by nina
01:20:29
which is the length of the clips approximately
01:20:30
they are not approximately proportional
01:20:33
in proportion to their timing
01:20:35
some clips in length and some
01:20:37
in short there is a very last clip
01:20:38
long, that is, this is the real one
01:20:41
in the temporary remainder the location of these
01:20:44
clips are just icons, that is, they are all
01:20:48
same width, this is convenient, for example
01:20:50
when can I rewind to what
01:20:52
parts of the clip on before I can't
01:20:54
look but went I can drag it
01:20:56
floating in the middle of this clip
01:20:58
move the cursor over this clip they
01:21:01
lead when posting images
01:21:03
the small preview wastes so much
01:21:05
and here the image itself scrolls through
01:21:07
pretty really moving through that opinion
01:21:09
if you have limited space on
01:21:12
monitor then one or both of these taimen
01:21:15
you can turn it off, for example, to work
01:21:17
On a MacBook you have a very small screen
01:21:19
finally in version 17 there are these two
01:21:22
buttons collected in one place because
01:21:24
in previous versions the timeline button was
01:21:26
on the left the clips button was on the right or
01:21:29
on the contrary, do not remember left and right
01:21:32
I was now wildly displaying both of these buttons
01:21:34
collected in one place on the right
01:21:36
well, she could have been on the left of the tadpoles
01:21:39
we were together because it was complementary
01:21:41
buttons to each other, so it’s possible at all
01:21:43
turn everything off but I prefer to leave it on
01:21:46
timeline mode because I most often
01:21:49
I use
01:21:50
and if you work with 2 monitors
01:21:53
mode then you have a clip and these will be here
01:21:56
occupy not a strip but the entire right
01:21:57
Well, almost all of the monitor was still there
01:21:59
the device opens up to the instruments too
01:22:01
we'll find it like this if in principle
01:22:05
monitor resolution allows you to leave
01:22:07
these clips clip timeline included then
01:22:10
better
01:22:11
by the way because it is a convenient element
01:22:14
interface but back to where I started this
01:22:16
just timelines
01:22:18
2nd half neither one above the other further on top
01:22:21
at the top there is a zone
01:22:23
monitoring that is, here you have cloth
01:22:25
the viewer itself that you use to navigate
01:22:28
when to paint and have you outline not
01:22:32
I know masks, anything you want is here
01:22:34
always look at the application area
01:22:38
changes by nodes but you're talking about them now
01:22:40
let's say it
01:22:41
I'll say this: effects modules
01:22:43
color correction may not be the nth thing
01:22:45
we'll talk about the number of pronichevs here
01:22:46
this is Da Vinci's heart here it's like
01:22:49
layers in photoshop this one in another panel
01:22:51
layers in photoshop when this is where you are
01:22:54
indicate how layers or nodes are with each other
01:22:57
friend interact in da vinci but
01:22:59
come on, it differentiates the interface from puff
01:23:01
but the concept of logic is that this is exactly what
01:23:03
the main part that sets
01:23:05
relationships between effects
01:23:07
the same thing, that's why here are the notes in photoshop
01:23:09
in its essence, but in essence it’s not special
01:23:11
changes to the left in the panel Henry which I
01:23:14
I’ll close now why we’re being crushed by bones
01:23:17
combined panels it can be
01:23:18
talk mode can be in media mode
01:23:20
pool and
01:23:21
We usually don’t touch the inside yet if you
01:23:24
you need something like the so-called
01:23:27
external mask to load due to
01:23:29
you can use the sources
01:23:32
greedy deapool but usually, well, for example, you can't
01:23:34
change the installation or you will not be able to take
01:23:36
and add another clip to the timeline
01:23:38
so the media pool is here for other purposes
01:23:40
not to make changes to
01:23:43
installation for making changing installation is
01:23:45
edit bookmark
01:23:47
further therefore means the media floor usually
01:23:51
we don't use it here
01:23:52
G-lorry's bookmark I'll skip it for now too
01:23:54
because the main task of bookmarking
01:23:56
Mr. Lorry
01:23:57
save so-called presets and stings
01:24:00
color correction presets now see what
01:24:03
didn't allow for no well because we haven't yet
01:24:05
we haven’t created anything so I’ll just say it bye
01:24:06
also turned off just giving more space
01:24:09
for monitor
01:24:10
and this is where it becomes clear
01:24:13
this is the case with my monitor resolution
01:24:15
why do I sometimes disable icons with
01:24:18
clips because then there are
01:24:20
the ability to make the picture larger like this
01:24:24
so I had to leave these
01:24:26
icons because I’ll talk about them later
01:24:28
tell but again if you have
01:24:31
the screen size allows it to be simple
01:24:34
turn it off, tell me why you're here
01:24:36
there is nothing but leave these on
01:24:37
creep icons so that's what it is
01:24:40
touched the top above the time lines
01:24:42
under the time they are located directly
01:24:45
tools with which we influence
01:24:47
image for example primary correction
01:24:49
we actually see
01:24:50
most often and most of the time we will
01:24:52
make additional corrections and
01:24:55
animation mode or devices like this
01:24:58
so-called ospreys with staples are also now
01:25:00
let's talk to the cops, these are like this
01:25:02
colorful things they they don't always
01:25:04
will be colorful and will not always be
01:25:07
be in this mode
01:25:09
there are different modes here but just for
01:25:13
small monitors it's so compact
01:25:15
image rating mode if you have 2
01:25:18
monitoring three graces the scope of
01:25:19
there will be more of you there will be more of them
01:25:21
occupy most of the monitor 2
01:25:23
monitor is not the main one ok let's do it
01:25:27
Let's look at the stages in more detail
01:25:31
corrections and
01:25:42
yes before
01:25:46
I would like to make one more point
01:25:47
we are the ones who can change modes
01:25:50
displaying a picture on the screen what it is and
01:25:53
why is this needed look now I'm not ready to sacrifice
01:25:58
I need them with these clip icons
01:26:00
because it’s more convenient for them
01:26:02
be guided in principle by the size of these
01:26:04
Here's how you can make fewer thumbnails
01:26:06
is now in auto mode
01:26:08
point there timeline thumbnail
01:26:10
info about nonsense and there is a small mode
01:26:15
medium large I can make it fujimi
01:26:17
tar, not very tar, but at least a little
01:26:20
more but generally if you don’t want to
01:26:22
bother with these inclusions
01:26:24
turning off clips just to do
01:26:26
bigger picture
01:26:27
there are some awesome hot life
01:26:29
keys and there are some awesome ones
01:26:31
awesome display modes namely
01:26:34
all or almost all of them revolve around
01:26:36
f keys f command hotkey
01:26:39
switches to full screen mode
01:26:42
Well, for example, to get acquainted
01:26:44
with installation
01:26:46
the larger the image size the more
01:26:50
receptive to colors, that is, the picture
01:26:52
on a larger monitor it seems to us more
01:26:55
visit rich or more detail
01:26:58
you can see what she would be like here
01:27:00
something so small is not a point in a small one
01:27:02
just Roma cats so if there are
01:27:04
possibility to connect 2 views
01:27:06
monitor on which you can output
01:27:07
picture in full screen
01:27:09
resolution it will be very good if
01:27:10
no then please hotkey commands
01:27:13
RF to help you
01:27:14
then shift f it's almost full screen
01:27:18
mode please note that remain
01:27:20
the controls on I see like this
01:27:24
now I can do the clip
01:27:25
manually you rewind something or something
01:27:28
there was almost nothing in almost full screen
01:27:30
mode, for example, there are buttons
01:27:32
repetition, apparently they themselves will be politics because
01:27:36
the order is shift f almost full
01:27:39
screen in f mode is completely
01:27:41
full screen shift of almost
01:27:43
and there is alt f this is the so called
01:27:46
improved or and nance
01:27:49
All these modes are collected and here in the menu
01:27:54
workspace viewer mode cinema viewer and
01:27:57
swear i [ __ ] your as they call it in
01:28:01
what's interesting is that recently
01:28:03
cinema viewer hotkeys and you don't
01:28:06
I know why, that is, come on TV
01:28:07
still works but also the pick keys
01:28:10
it works too so see how you like it
01:28:11
I like it more especially since
01:28:13
Russian is even easier to remember
01:28:15
pi English and it's full screen mode and
01:28:18
go and that's why I'm still
01:28:22
I prefer to remember using the f key
01:28:24
because it is convenient for f alt ff3 commands
01:28:27
display modes so I don’t know
01:28:29
Why did they suddenly change from there?
01:28:31
hotkey and not so much
01:28:34
often you need to turn it on and off and not
01:28:36
so that your finger doesn’t fall off, press
01:28:39
teams of the Russian Federation in this case, but no matter
01:28:40
less
01:28:41
why am I bringing this to your attention?
01:28:44
this mode
01:28:45
panels with nodes disappear but at least
01:28:47
the picture is getting bigger than this
01:28:49
filled with hot
01:28:50
alt f so let's improve in you're
01:28:53
in answer my new work work space viewer
01:28:56
mode finance twitter next when I
01:29:02
you will need these different modes
01:29:04
display when I want to rate
01:29:06
remind the picture than the larger picture
01:29:08
The more space it takes up, the more convenient it is
01:29:10
it would be easier to evaluate the image but I
01:29:13
right now my heart is bleeding
01:29:15
pours himself over
01:29:16
I move the mouse across the screen in my
01:29:18
hand dangerous dangerous tool
01:29:20
pipette we'll talk about it a little later
01:29:23
talk but in general the pipette is here
01:29:26
it is advisable that when you work with how
01:29:29
for the image if you don't know for sure
01:29:31
what do you also want is for pipettes
01:29:34
you weren't in my hand because it might
01:29:35
lead to unwanted color grading
01:29:38
I don't know where it came from
01:29:40
so stay out of harm's way here in
01:29:44
button with the eyedropper, select the off mode
01:29:47
and then you can fearlessly
01:29:50
painless click on the picture nothing
01:29:51
will not happen
01:29:52
what could happen but if you have
01:29:55
hand there pipette jim purifier you
01:29:57
could highlight part of the image and
01:29:59
then the collections would apply to this
01:30:00
selected part of the image, that is
01:30:02
you probably don't want this to happen
01:30:04
randomly by chance therefore better from sin
01:30:06
don't do that further, but instead
01:30:09
to climb with the mouse every time and
01:30:10
select modes just remember
01:30:13
one awesome shift hotkey
01:30:15
tilde shift tilde turns off that is
01:30:17
it turns on the have mode automatically
01:30:19
shift tilde but it turns it on and off
01:30:22
back where is the tilde tilde
01:30:25
such a wavy line is located either
01:30:27
on American keyboard layout
01:30:30
top row where the numbers are, here I have it
01:30:33
is just there if you have
01:30:34
European keyboard then tilde
01:30:36
will be stored here next to the key
01:30:37
sender between shift and ask therefore
01:30:40
look either here or here you will find
01:30:42
to me it’s in the top row further down so here it is
01:30:46
shift tilde is that hotkey
01:30:48
which you would like to press
01:30:50
I constantly recommend developing one
01:30:53
habit because it will save you from
01:30:56
a lot of frustration and
01:30:58
disappointments when working with da Vinci because
01:31:00
that very often people accidentally do something
01:31:02
pipette highlights paint something wrong
01:31:05
what is happening or what is happening is not what is happening
01:31:07
That's why I'd like to shift the ice
01:31:10
further
01:31:20
let's get to such an important topic
01:31:23
Actually, let's finally go to the correction
01:31:25
and talk about
01:31:26
sewing primary color correction is like that
01:31:29
what kind of animal is this, so is the entire collection
01:31:32
can be divided into two categories this
01:31:35
primary and secondary said Dima
01:31:38
captain obvious
01:31:39
but what is it, what is primary correction?
01:31:42
primary collection this is so and the rector
01:31:44
affects the entire image
01:31:46
that is, if I come back now da Vinci and
01:31:50
Now, being on the plan, I’ll grab it with airplanes
01:31:53
and I’ll paint everything I didn’t do here
01:31:56
ugly, well, primary color correction here
01:31:58
this is the primary correction why is it scary
01:32:00
affects the entire picture if
01:32:03
for example I would add a mask
01:32:05
this would be a secondary collection
01:32:07
why because it affects
01:32:09
part of the image
01:32:10
limited by mask theme secondary c
01:32:13
the second lesson is devoted to correction
01:32:15
so 2 video lessons or third lesson
01:32:19
according to the account, so I’ll go into now
01:32:21
I won't just turn off this mask and
01:32:23
back to primary correction today
01:32:25
we'll sort it out
01:32:26
basic primary correction tools
01:32:29
to be honest the name is primary
01:32:31
secondary correction
01:32:32
quite strange because it's not
01:32:36
means what you will always do
01:32:38
primary correction 1 in a row is simple
01:32:41
usually we really do first
01:32:43
we adjust
01:32:44
the whole image and then add it
01:32:46
changes to individual elements
01:32:48
images are therefore most often
01:32:50
really yes first usa picture
01:32:52
then we place individual accents but
01:32:56
it won't always be like this
01:32:59
so you might think
01:33:03
some more precise terms but with
01:33:06
on the other hand, this is how it happened historically
01:33:07
so that's what it is that is why it's simple
01:33:10
we must remember that
01:33:12
primary correction is correction
01:33:14
which affects the entire image
01:33:16
secondary correction we have more to do with this
01:33:17
let's go back to the candles to hire this one
01:33:19
corrections that affect
01:33:20
part of the image highlighted by topic or
01:33:23
otherwise a mask or something else 100
01:33:25
I made it with a pipette when I can highlight it
01:33:28
man in a blue t-shirt stands out
01:33:30
only T-shirt only
01:33:32
this highlighted what color as in
01:33:34
photoshop magic wand or almost here
01:33:38
it is more customizable but everything is primary
01:33:42
collection by the way, speaking this term to us
01:33:44
it will get in the way later because
01:33:47
us in addition to the primary correction and
01:33:50
secondary correction will also be primary
01:33:52
colors and secondary colors are also cancer
01:33:54
brain here but what to do some
01:33:57
terms many terms came to us by
01:33:59
inheritance therefore simply has to
01:34:01
deal with them but as I already managed
01:34:04
say the heart of da vinci is the module
01:34:07
working with nodes nodes everything is built around
01:34:11
not so it would be nice to spend an hour with them
01:34:13
figure out what it is, what they eat and what
01:34:16
benefits for the national economy let's start with
01:34:19
topic such as anatomy or device
01:34:21
nodes
01:34:22
we will work overwhelmingly
01:34:25
most of the time with the so-called
01:34:27
serial nodes or sirial laptop and
01:34:31
default when you have any
01:34:33
creed for example to keep by planes
01:34:36
I'm on it this is already 1
01:34:38
sequential or serial but yes then
01:34:41
there is da Vinci and automatically creates any
01:34:45
the clip you have of this mini one
01:34:47
serial serial node more
01:34:50
besides, it is so important that corrections
01:34:53
it won’t happen if you delete this node
01:34:54
tense up and it's really happening why me
01:34:57
removed the commander correction module such
01:35:02
not there can be a certain amount 2 3 4
01:35:05
150 million about 150 million is unlikely
01:35:07
li but the usual number of notes will be well
01:35:10
about there 56
01:35:13
if there are already 10 of you not 15 that means you
01:35:16
played too much
01:35:17
this is an important point that needs to be addressed
01:35:19
pay attention that is initially
01:35:21
when you realize all the power not suddenly
01:35:24
you realize it
01:35:25
then you begin to sculpt the first wish, but
01:35:28
up to 1 2 3 4 5
01:35:30
no, that is, as the man’s uncle said
01:35:33
With great power comes great spider
01:35:35
responsibility therefore it won't be better
01:35:36
do not abuse da vinci it will allow
01:35:39
you create 15 20 30 40 not
01:35:42
it’s another thing to then get into them yourself
01:35:44
you will get confused so here you need one
01:35:47
here are zenbook disks color correction mode
01:35:49
that is, try
01:35:50
on the one hand, do not abuse
01:35:53
creating unnecessary not
01:35:54
but also try to minimize the amount
01:35:57
but on the other hand, still divide
01:35:59
stages from correction and for each stage
01:36:01
create a separate node so you can
01:36:03
was on off therefore now
01:36:05
Let's talk about this separately, but how am I
01:36:08
already said the main worker but the board
01:36:10
will be 90 percent of the time we will
01:36:14
contacting her is consistent but
01:36:16
why is it called sequentially
01:36:18
because all the notes stick
01:36:19
in series in a circuit
01:36:20
one after another, just like in an electrical circuit and
01:36:25
this is an important point, the chain itself must
01:36:28
be closed, which is exactly what I'm talking about
01:36:31
there is even a separate slide on this topic here
01:36:34
if suddenly this is this lace
01:36:37
let's move it apart now let's move it apart
01:36:39
I'll make 2 water, you can add a new note
01:36:41
or the alt hotkey with generally almost
01:36:43
everything is added hot
01:36:45
alt keys or in the menu cover on this one
01:36:49
series but pay attention
01:36:51
Well, at least on a Mac almost everything
01:36:53
nodes includes such a strange
01:36:55
the wheels icon and the option key or
01:36:57
alt and almost all nodes are added via
01:37:00
alt so alt from the first conditions sirial
01:37:03
consistent but yes this command
01:37:06
which allows you to add
01:37:07
you won't believe a sequential node like this
01:37:09
now there are two notes of me right here
01:37:14
I really want them right away
01:37:16
rename but for now I'll concentrate
01:37:19
on the topic when I started discussing a
01:37:20
precisely if I suddenly for some reason
01:37:23
reasons the chain will be broken correction
01:37:26
no and I can do whatever I want
01:37:28
I can, but now I'll connect them here
01:37:30
Build your legs, I'm like a bully contrast
01:37:35
please note that if you are watching
01:37:38
this course is on version 16 of Da Vinci then here it is
01:37:42
these parameters which are located in 17
01:37:45
versions above they are in version 16
01:37:47
decompose from below here and into the hole
01:37:50
there are two bookmarks 12 there are against crayfish 12
01:37:54
and there you can switch between here
01:37:56
with these two lines in version 17 they
01:37:58
we moved this line 2 to the top, which is convenient
01:38:01
because they reduced the amount of jumping
01:38:03
between bookmarks so even though I need it now
01:38:07
you just have to retrain yourself
01:38:09
motor memory in women is a contrast
01:38:11
is located below so I reflexively
01:38:12
still see him from below then I remember that he
01:38:15
now he moved upstairs and here he is
01:38:16
so here I sat, some kind of nightmare
01:38:20
corrections but why did I do it?
01:38:22
demonstrate that if the chain is
01:38:24
hell the signal doesn't work very well
01:38:27
doesn't go to a break in the line somewhere so
01:38:29
this is important and
01:38:31
reinforced concrete important chain rule from
01:38:33
must always be closed
01:38:35
the second rule no longer applies
01:38:41
starting from version 15 it should not be earlier
01:38:46
was not connected not that is
01:38:48
if suddenly I could, for example, some node
01:38:51
I'd like to pull it out By the way, it’s enough to pull it out
01:38:53
pull I'm protected hotkey e
01:38:56
1 uk based extract well English and
01:38:59
gas and I so Latin layout so
01:39:02
this is the action in all versions before
01:39:06
Version 15 led to the fact that corrections
01:39:08
also turned off starting from version 15
01:39:10
you may not be connected but yes it is
01:39:13
uncritical why am I telling you this
01:39:15
because in many studios it is still
01:39:18
cost the previous version people are not chasing
01:39:21
for the latest version of da Vinci
01:39:23
so you may encounter situations
01:39:25
if you come to which studio to work
01:39:27
face what is still there
01:39:29
twelve and a half 14 version therefore
01:39:33
to the earlier ones in one of the studios
01:39:35
it's still version 12, well, because it is
01:39:38
there is no asking, it’s worth it, it’s worth it, it works
01:39:40
work what more could you want
01:39:42
so not everyone is chasing the latter
01:39:44
updates, so speaking about corrections
01:39:49
once again the nodes may not be connected
01:39:54
the circuit is still closed
01:39:55
important rule
01:39:56
further how each of the notes is arranged is like this
01:40:00
schematic diagram
01:40:02
each leg has two entrances and 2 exits
01:40:05
inputs this is rgb input what wait input is this
01:40:09
picture image is transmitted from 0 to
01:40:11
Canada each picture each of
01:40:13
the lady we know consists of three
01:40:14
channels red blue green jubei so
01:40:16
here is the rgb input, this is the input and output and test for
01:40:20
through which the node comes and goes
01:40:22
the picture itself but it owes me something
01:40:24
processes depending on what
01:40:27
you screwed up the alpha input and alpha output
01:40:29
at the bottom of each note is the input and output
01:40:33
through which information about
01:40:35
transparency of which part of the image
01:40:37
transparent which is not what does it mean
01:40:40
transparent when we get to
01:40:41
working with masks for each note can
01:40:45
be part of the image highlighted by man's
01:40:47
sky but that is the simplest option
01:40:48
enable round mask but round mask
01:40:51
it's not just someone there now
01:40:55
blue circle
01:40:56
the round mask indicates that for this
01:40:59
notes these parts of the image don't exist
01:41:02
but before affects only what
01:41:04
inside the mask and this is for this image
01:41:08
for this note it is transparent it is here
01:41:10
no, that's why this color is blue
01:41:13
is located only inside this circle
01:41:14
but not outside and so to convey this
01:41:17
mask for example on the next node
01:41:19
for example, I want to further add
01:41:22
tornado so that there is an image here
01:41:25
a little more contrast is acceptable
01:41:28
let's bully it won't necessarily be like that
01:41:30
gideona you know the contrast changes on everything
01:41:34
image and I would like him too
01:41:35
I would only change inside, maybe this
01:41:37
and but you so I can convey this
01:41:40
mask or this info this information
01:41:43
transparency from one thing to another
01:41:44
simply by connecting their drying oil inputs
01:41:47
and alpha outputs mind pay attention
01:41:50
the contrast to you only changes inside
01:41:52
masks why because the first ones are needed
01:41:54
share information about what
01:41:57
transparent that is not that is what is she on
01:41:58
affects what is not from the second but
01:42:00
let me know how it is divided through the alpha input
01:42:03
and alpha output if suddenly you already need
01:42:06
so that the contrast map is in this leg
01:42:08
affected the entire image simply
01:42:10
break the alpha input reagent outputs and
01:42:11
now the whole picture
01:42:13
contrast and only part
01:42:15
the images began to be recolored because
01:42:17
that the mask remains only in the first node
01:42:19
they're in the second one, it's so fast
01:42:24
review but these Moscow will put the key
01:42:26
movie I'm getting ahead of myself wearing a mask this topic
01:42:28
next conversation what lesson is this for
01:42:31
a quick overview of how it's designed
01:42:34
most often we will only use
01:42:37
rgb inputs and rzd outputs to alpha
01:42:40
We'll come to the entrance and exit a little later
01:42:42
and this will be a separate type of node for you
01:42:47
ok mixer where we will manipulate
01:42:48
alpha channel me so basically
01:42:50
configuration will not be like this for everyone
01:42:52
stuck in the top set of inputs and
01:42:54
outputs further methods of switching on and
01:43:00
There are several corrections to turn off
01:43:03
ways and they are the same as display modes
01:43:06
full screen image rotates
01:43:08
around key 1 there are also keys on this one
01:43:10
once the d key is the first letter in the word
01:43:12
disable and I couldn't turn it on
01:43:15
switch off
01:43:16
let's start with the command key hotkey
01:43:20
commands turns on and off one note that
01:43:24
which is now allocated to me by Vadim on
01:43:26
the first thing you need is that everything fits with the color
01:43:29
so I press commander and turn it on
01:43:31
I turn off only color correction
01:43:33
then I can select the second node
01:43:35
press the commands then it turns on
01:43:38
only the contrast correction is different
01:43:40
I can basically point out
01:43:42
turn both nodes of the clip on and off then
01:43:44
both nodes turn off
01:43:45
but for turning on and off two or more
01:43:48
notes at the same time is more convenient
01:43:51
key combinations, namely the alt hint
01:43:53
d turns on turns off all nodes therefore
01:43:56
doesn’t even necessarily always stand out to me
01:43:58
only one can be selected
01:43:59
hotkey alt d turns off immediately
01:44:02
it didn’t matter, she was singled out and not
01:44:04
highlighted it's very convenient when needed
01:44:06
see before and after correction
01:44:09
corrections here the alt hotkeys have one
01:44:12
nuance what if let's say I would like to here I am
01:44:17
here I turn off contrast correction
01:44:19
second node
01:44:21
but at the same time does not want to add another one
01:44:23
note and here I'll say a little bit
01:44:27
bully
01:44:29
gamut that is, also about it go magic too
01:44:31
acutely is a separate song for the process
01:44:33
I want to close the gamma slider
01:44:35
hood with a slider and I’ll highlight it here
01:44:37
the picture is highlighted
01:44:39
she's a nightmare blue highlighted but I
01:44:42
I make such exaggerated ones on purpose
01:44:43
corrections just for the sake of it
01:44:46
it’s clearly visible, so look at me
01:44:48
there is 1 but before which it is repainted
01:44:50
all in blue 2 years which highlights
01:44:53
picture, but this is even stronger and
01:44:54
made for clarity please note
01:44:57
note that it is highlighted but the contrast
01:45:00
does not increase by becoming
01:45:01
lighter and contrast and I'm here in
01:45:03
thirds of the leg by the way note on
01:45:06
fields it's very difficult to remember now because
01:45:08
must not be signed and it’s difficult to remember what
01:45:11
in which legs it happens and not only that
01:45:13
three notes and if there were 10 so we
01:45:17
a little later getting up to signing but so
01:45:19
it is very important that everyone cares
01:45:20
signed renamed so if I
01:45:24
I want to enable all nodes
01:45:26
turn on turn off volume I already know what from
01:45:29
hotkey alt d but I wanted to
01:45:32
would be when I press the alt keys now
01:45:34
everything will turn off ok this is the original
01:45:37
image and when I press ld again. I have
01:45:40
all nodes are turned on including contrast
01:45:42
oops this is not what I wanted why
01:45:45
because either I need then I need s
01:45:48
turn off the contrast and let it lie to itself
01:45:50
separately and then
01:45:51
Altede turns everything on and off but it is necessary
01:45:54
the contrast no longer has an effect, but what are you doing?
01:45:56
when will I do this and pull it out?
01:45:58
it’s inconvenient to pull back because
01:46:01
Here's what you can do in this situation:
01:46:04
team bypass all enters the arena
01:46:06
great or hotkey shift d it
01:46:09
temporarily disables all corrections
01:46:13
changing activities or
01:46:16
inclusion turn off specific nasty
01:46:17
see nodes but up to 3 with contrast
01:46:20
I'm still turned off but now
01:46:22
I press shift d and I turn it on
01:46:25
I turn it off
01:46:26
only active nodes are actually even
01:46:28
but I didn’t touch it, I turn it on and off
01:46:29
In general, you can see the entire correction from above
01:46:32
buttons or
01:46:33
duck inscription bypass missed that is
01:46:36
the whole tree does not turn off automatically
01:46:39
without turning off individual individual
01:46:42
not that's why I'm more often at work
01:46:45
I use either command d
01:46:46
where do I turn on and off a separate
01:46:48
played note or shift d which
01:46:51
turns on everything at once without need
01:46:54
this needs to be specifically stated
01:46:56
you need to turn this on shift d
01:46:58
turn off everything behind the bypass everything is very
01:47:00
convenient mode or whenever you are allowed
01:47:03
wants to start maybe a clean slate
01:47:05
here are some mods included
01:47:06
off you can turn it off and on
01:47:08
everything at once and already see what corrections
01:47:11
you will need to do talking about start
01:47:16
from scratch
01:47:17
I don't really like this right now
01:47:21
this intensity is basil
01:47:22
and I would like to start from scratch
01:47:27
some more or less meaningful
01:47:28
corrections of course I can kill but
01:47:31
water but how can you risk everything as much as possible
01:47:35
reset everything
01:47:36
to start working again in the menu
01:47:39
color there are reset commands, but there are already three
01:47:42
what kind of reset do we really need?
01:47:48
three rice are really useful and they
01:47:50
differ by the following top command
01:47:52
fox cubs select of will reset
01:47:55
or decide these only one chosen
01:47:57
node, for example, there is 1 node where I am
01:47:59
highlighted commands color reset extinguish select
01:48:03
you and I lost this is my blue one
01:48:06
the backlight was canceled commander and
01:48:09
if, for example, two notes were selected
01:48:11
here are the second and third commands color gray
01:48:14
set aside selector bаm not reset news
01:48:20
did not come back contrast took a risk
01:48:23
brightness but contrast remains this is important
01:48:27
moment although I haven’t had time to smoke yet, but
01:48:33
little blue one is also not a treasure of risk for me
01:48:35
cinnamon and returned what I want to draw on
01:48:37
attention if you have several selected
01:48:40
note that command recipe is still selected
01:48:44
here everything hangs over which one was chosen
01:48:46
Let's knock first, for some reason I was chosen
01:48:49
1 we need to select several colors again
01:48:53
shakes the reset selector for you like this
01:48:56
early 2 was originally allocated before
01:48:58
how I added highlights other mods here
01:49:00
analysis of these commands z z z if I would like
01:49:06
risk a few notes then you need
01:49:09
reset all great command
01:49:11
but that is, the option is reset great and
01:49:15
keep the laptop means that all corrections are in all three
01:49:18
notes will be reset to zero but the number of notes
01:49:20
will remain unchanged three notes will be
01:49:21
there will simply be three empty but before either
01:49:24
reset a great and now this means that
01:49:27
everything needs to be removed except one and that is
01:49:29
one note D will be erased
01:49:30
let's demonstrate on 4 set great
01:49:32
and keep the laptop all nodes are reset to zero but their
01:49:35
quantity remained unchanged concept and
01:49:42
reset all great
01:49:43
I actually never remember everything
01:49:46
these long names I just call them
01:49:49
reset select from reset all great and rs et
01:49:53
que nous that's all that is the bottom is
01:49:55
delete all nodes except one bomb and and
01:49:58
cut off of course get into the menu and
01:50:02
each time select the reset command through
01:50:04
the menu is wildly inconvenient so I point it out
01:50:07
your attention to the hotkeys and here you go
01:50:10
there will be several magic users
01:50:13
strange situation because what is this
01:50:16
behind the hook so strange incomprehensible
01:50:18
It seems that without half a liter you won’t guess what
01:50:21
this is windows user in this
01:50:23
in a more comfortable situation
01:50:26
because it says right there on the screw
01:50:27
home with a smile this is the arrow
01:50:30
up and stubborn home key turns out
01:50:32
but on a Mac I'm lucky I have it
01:50:38
home key you are not here jacket
01:50:40
jacket and they press home keys at the same time
01:50:42
and works if you have a laptop
01:50:45
keyboard or if you have a small
01:50:48
short makovskaya neutered
01:50:49
keyboard how to be there is a key somewhere
01:50:51
home find
01:50:53
to activate the key
01:50:57
home on short Mac keyboards
01:50:59
you need to press the function fine key
01:51:02
in the lower left corner and a left arrow and
01:51:04
they will work like
01:51:06
home is like home keys but you need the same things
01:51:11
shift and rooms press therefore for example
01:51:12
team
01:51:13
reset select from turns on mac into
01:51:17
function shift command
01:51:20
left arrow hell is pitch black so you
01:51:23
mage users
01:51:24
if you have a short keyboard then this
01:51:28
functions for you with hotkeys will be
01:51:30
pine is inconvenient or you will have to
01:51:32
remember this is all that's why I'm 100
01:51:34
years and still highly recommend
01:51:35
have a full-size keyboard for
01:51:36
corrections, or at least where there are
01:51:38
shift keys shift and because not
01:51:40
I use it quite often
01:51:42
let's demonstrate now I
01:51:45
here I’ll add one more note like
01:51:47
usually in the first logia I’ll twist it, let’s say
01:51:50
I'll paint the contrast on the second leg at least
01:51:53
all this is in blue but how was it that I
01:51:55
reset and then I thought that she
01:51:57
but I don’t need the blue one, shift boor that’s it
01:52:04
the truth on my culture returned to me
01:52:06
you have to press the function key
01:52:08
so they sin, it’s better for it to be
01:52:09
full-size keyboard, although I don’t have it
01:52:12
you need to press the arrows, I call minced meat
01:52:15
presses his with the boor further I have already managed
01:52:20
in passing it says that
01:52:22
it is advisable to rename or
01:52:25
sign nodes because well now
01:52:27
were less I still remember
01:52:29
what each note is responsible for, but let’s say
01:52:33
if I make a collection today it won't be there
01:52:36
I know I can paint it in half an hour
01:52:39
It’s a lot of space, of course, so I’ll paint it there
01:52:41
20 I’ll come back tomorrow with material about this and
01:52:44
I want to go through it with fresh eyes if you
01:52:47
me but not signed or not yet
01:52:49
the fact that I remember why each but before
01:52:52
answers therefore ideally well for me
01:52:56
this is a real situation every time I myself
01:52:59
already trained for something that I don’t have
01:53:02
maybe unsigned not me
01:53:04
urgently
01:53:06
I recommend you get one too
01:53:07
habit, namely this is what it’s against
01:53:10
creatures of the leaf, there is only one of me
01:53:11
note I usually start
01:53:13
collection change contrast or
01:53:16
brightness, for example here
01:53:18
obviously the picture is too faded
01:53:22
it could be made a little tighter
01:53:25
darker for this, let me try
01:53:27
pull out the contrast here the shadows become
01:53:30
more dense
01:53:31
the truth is that the light is leaving the plane
01:53:33
we are too overexposed for this now
01:53:35
let's approach the main thing is that there is a contrast
01:53:37
I compare the one I have and here is the second one
01:53:40
the contrast suits me it suits me
01:53:42
like since I like him I wish I
01:53:47
only later did I remember that I remembered without
01:53:49
the problem is that my first notes are
01:53:50
contrast this I right key
01:53:52
variable command repair label
01:53:56
or rather, it’s not called here now
01:53:58
laptop and write that this is an outline
01:54:02
contrast does not have to be written words
01:54:05
contrast entirely contour or sea and they
01:54:09
or canter
01:54:10
that's enough to just be
01:54:12
it is clear that this is a contrast, that is, not
01:54:14
be sure to write the whole word
01:54:15
the next one is what will do well
01:54:17
let's say it doesn't seem like this picture
01:54:18
yellowish to become would not like to do it
01:54:20
less blue and as vibrant blue as
01:54:22
before that it's just a matter of being careful
01:54:24
offset parameters
01:54:25
or I can make it a little temperature
01:54:28
more in cold and pain neutral too
01:54:32
without fanaticism, this is quite overkill
01:54:34
just a little bit closer, this is what I have
01:54:38
balance is also a good laptop
01:54:43
there will be no balance points before
01:54:45
full balance just ball enough
01:54:48
the first three letters and this is the practice
01:54:52
what the hell I use this all the time
01:54:55
once you accustom yourself to it then
01:54:57
every time you want to feel bad bad
01:55:00
pat on the shoulder look for Dima you
01:55:02
well done that sometimes when it's dark there 15
01:55:05
don't even eat even those five notes
01:55:07
but a lot of clips are very difficult to understand
01:55:09
and remember
01:55:10
what is everyone responsible for? well, when are they
01:55:12
everything is signed well, moreover this
01:55:16
so often used by me
01:55:18
features that I recommend even hang
01:55:21
her to the hotkey
01:55:23
how to do this, well first you need to find
01:55:26
in which menu in which command outside
01:55:28
there is a key because hang on
01:55:30
hotkeys are only possible for those commands
01:55:32
which converge in the main menu
01:55:34
Accordingly, somewhere in the color menu there is
01:55:37
team responsible for renaming but you
01:55:40
I can probably guess that she
01:55:42
located in the new menu and in the nose submenu
01:55:45
its really team label selected
01:55:47
not strangely enough for some reason the commands
01:55:51
different there is a command in the main menu
01:55:53
the label is called light that not of
01:55:55
the right key is called laptop label
01:55:57
how the left hand warms itself, it doesn’t know what
01:56:00
makes you right but alas anyway I
01:56:03
I remembered that the team that didn’t
01:56:04
interested is called
01:56:05
the label is selected but further down in the menu yes
01:56:07
vinci woods keyboard customization i
01:56:11
I'll make a copy because it's smaller than the standard one
01:56:13
which I will make a copy of this culture
01:56:15
through
01:56:16
context menu on the right command safe execution
01:56:18
squat call this is acceptable profile
01:56:22
profiles
01:56:23
and here I will search in the search item
01:56:29
team label just blood label by the way
01:56:33
saying pay attention at that moment
01:56:35
what if you have version 16 of da vinci
01:56:37
then if you entered the words label while on
01:56:40
16 version there is nothing in you here
01:56:42
appeared here I have an item
01:56:43
color laptop here is the command or someone you
01:56:46
nothing to tell why according to unknown
01:56:49
medical reasons in the 16th version of da vinci
01:56:52
by default the command file is selected and yes
01:56:54
Vinci is the default shield in the file menu
01:56:55
team label because the crown is why he's on
01:56:59
You definitely need version 16 of Vinci
01:57:00
manually select the command or all item
01:57:03
comments
01:57:04
key into it with the mouse in version 17 on
01:57:07
when I show it's already fixed and yes
01:57:09
Vinci searches in all menu items and not just in
01:57:12
when are highlighted here by default
01:57:13
as in version 16
01:57:15
so good, I found this item further
01:57:17
what next is very simple, I click here
01:57:20
you are such a barely noticeable square here
01:57:21
there is an empty space on the right and presses that
01:57:24
hotkey I would like
01:57:26
assign f1 and f2 keys to this command
01:57:30
f3 in 4 free other what's on the mac
01:57:31
usually on the f1 f2 key if they exist
01:57:35
what can I have you can anyone
01:57:36
touch bar where these keys are not present at all
01:57:39
f1 f2 key power buttons hang
01:57:42
turning off the brightness therefore it may be
01:57:44
there you will want to assign some
01:57:46
another key combination
01:57:47
Well, for example, I know that the control keys
01:57:50
one free here I am and the more I have
01:57:52
here too function keys and would have to
01:57:54
pressing the keys is funky and awkward
01:57:56
so I'll just hang it on control
01:57:59
one all or if you want why
01:58:03
regarding controll one because it’s convenient
01:58:04
pressing the keys with one hand is located
01:58:06
on the right and codra 1
01:58:08
so it’s somehow so easy and
01:58:09
this can be done easily if
01:58:13
If you want, you can hang it on something else
01:58:14
key combination for example there on
01:58:16
control-l really pay attention if
01:58:18
you are on a windows machine take control or
01:58:20
you're already busy so it seems to me
01:58:23
the optimal control option is one for
01:58:27
I need to double check if you have poppy seeds
01:58:29
conflict on a windows machine like this
01:58:32
you can double check but
01:58:35
pen by pressing the control key and looking
01:58:37
hang or something on this combination here
01:58:39
I only have all the technology keys here
01:58:41
one bright why about what yes here
01:58:43
the team label selected laptop is running and I am
01:58:46
I'll check there are no larvae amantadine she commands
01:58:49
one is there to load memory ok possible
01:58:54
it will conflict but it means she
01:58:56
in sight of the car you can hang it on
01:58:58
anyone there commands controll one very
01:59:01
find free keyboard shortcuts here
01:59:02
like there should be freedom on the river
01:59:04
control alt shift 1 although this is not possible
01:59:06
name a simple keyboard shortcut
01:59:09
ok by hook or by crook I
01:59:11
I achieved what I have here now
01:59:13
control hotkey one will be
01:59:15
calling the label team is very convenient
01:59:17
save, closes the window, check the muses
01:59:19
I'm deceiving you, I'm adding another note to
01:59:21
end
01:59:22
quadral one has entered re-re-me-na mode
01:59:25
Vanya, come on, rename it great
01:59:29
I need this I need it again I'm taking a risk
01:59:33
be boring
01:59:35
emphasized that in this case
01:59:39
it would seem to spend an extra five there
01:59:42
seconds to rename a node
01:59:43
but it's very, very, very, then he
01:59:45
it comes in handy therefore urgently
01:59:47
I recommend using this
01:59:49
let's move on with functionality
02:00:01
next topic of the subrange I am correction
02:00:04
before that I painted and changed the color
02:00:09
Somehow, out of the blue, the time has come
02:00:12
put an end to this and move on
02:00:15
for collections it’s more structured what
02:00:18
let's start with such a thing as
02:00:20
subrange and color correction why
02:00:21
called the subrange and the entire collection
02:00:23
because we highlight 3 shadow ranges
02:00:27
midtones and highlights and the important point is that
02:00:31
depending on used
02:00:34
tool in the first 18 versions of these
02:00:37
there may be more ranges
02:00:38
but we'll look at it later
02:00:41
what about classes while we assume that
02:00:42
we have 3 ranges but depending
02:00:46
depending on the correction tool used
02:00:48
these ranges can overlap either
02:00:51
clearly delineate we will work with
02:00:54
mode where the ranges intersect is
02:00:57
so-called elevator gamma game mode
02:00:59
when you first open a bookmark
02:01:02
color you immediately repent of it
02:01:04
this panel with wheels is here now
02:01:07
is in elevator mode gamma game well by
02:01:11
I will be the captain of the obvious wheel
02:01:12
signed elevator gamma day
02:01:15
why and so focusing on what’s in it
02:01:19
mode, the ranges intersect and
02:01:22
what does it mean to intersect let's start with
02:01:25
that they intersect here
02:01:26
configures the range of shadows that
02:01:29
controls the elevator handle you set
02:01:32
not just the darkest parts of the image
02:01:34
we also use midtones and
02:01:38
a little
02:01:39
influence highlights on the lightest
02:01:41
parts of the image how many times
02:01:44
the impact of the elevator handle spreads
02:01:47
approximately 70 percent, that is, even 70
02:01:51
percentage brightness will be
02:01:52
it will be controlled a little but it will be
02:01:54
crop handle lift the same
02:01:56
true in the opposite direction
02:01:58
game handle controls the lightest
02:02:01
parts of the image so-called
02:02:02
highlights
02:02:03
but it also affects the middle ones
02:02:06
tones among gray and slightly
02:02:08
affects shadows on dark tones
02:02:12
Well, as follows from this diagram, the handle
02:02:15
gamma most powerful
02:02:18
affects mid tones
02:02:21
tailored to work with them but her
02:02:23
the impact extends almost all the way
02:02:26
in the shadows almost all the way into colors
02:02:29
attention to tattoo clarification almost to
02:02:31
the gamma knob stop does not affect
02:02:34
pure black tones and pure white here
02:02:38
I can’t reach you on purpose, you see this one
02:02:40
triangle pen gamma because
02:02:42
this is how things work in practice gammas
02:02:46
really doesn't affect anything purely
02:02:48
white and pure black but if black
02:02:52
not pure black a little bit like that
02:02:54
grayish but damn dark gray the gamma
02:02:56
will have a much greater impact on him
02:02:58
less of course than the average gray tone
02:03:00
but there will be why it is important to remember because
02:03:03
that when making corrections with the elevator handle we
02:03:06
influences and legs and gamma for example
02:03:09
in winter we use a lift to tighten the shadows and the gamma
02:03:12
medium above will also be compacted into
02:03:14
to a lesser extent than dark tones but also
02:03:17
will let's try to do it on
02:03:20
practice since I'm standing on this plane with
02:03:22
I'll torment him with airplanes
02:03:25
unity is what I want now
02:03:27
risk all the corrections and make them already
02:03:30
in a more meaningful way therefore
02:03:32
I will use the color reset great command
02:03:35
and he knows why hypnosis but also want and again
02:03:37
rename revenge 2 but it's up to me
02:03:39
collections don't suit me
02:03:41
I wish she was more
02:03:42
meaningful but quantity but from me
02:03:44
quite satisfied therefore if from the borders
02:03:46
can keep laptop please note that this
02:03:49
the team doesn't update the label labels
02:03:51
left it’s convenient I’ll start from the first note
02:03:54
first of all I change the contrast and how I
02:03:59
I will change
02:04:00
before that I turned the contrast knob but about
02:04:01
we will cook the contrast separately
02:04:03
a separate tool called
02:04:05
contrast and these two handles actually
02:04:07
actually work together contrast and drinks it
02:04:09
a single tool, let's talk about it but
02:04:11
now I will work on the clip
02:04:15
precisely with the help of three ranges
02:04:18
another thing is that I would like here I am
02:04:22
Now I’ll drag the handle not the handle but the wheel
02:04:24
elevator but pay attention to the wheel itself
02:04:27
lift it affects light in this range
02:04:29
for example, if I move the elevator then
02:04:32
she is repainted to a greater extent
02:04:34
dark tones to a lesser extent light
02:04:36
tones same with gay we will have more
02:04:38
act less on light colors
02:04:40
dark tones I don't need color correction
02:04:44
between on light correction between on
02:04:46
brightness and there is a correction for this here
02:04:48
this wheel is called under the elevator under
02:04:51
gamut and under gay to us she is like that
02:04:54
called himself was, that is, as under
02:04:55
thumb
02:04:56
these were on old radios
02:04:58
such a wheel that could be used either
02:04:59
old cassette players were like this
02:05:03
nickname could be adjusted
02:05:04
volume with your thumb in the morning
02:05:06
there is only volume here in the war
02:05:08
adjust and adjust the frame
02:05:10
components in this case brightness in
02:05:12
shadows in midtones and colors and
02:05:16
overall brightness in three ranges at once
02:05:18
at the same time but in order to clearly
02:05:22
change the brightness and components for me
02:05:25
I would like to approach the so-called
02:05:27
devices and about devices and talk about
02:05:33
control tools
02:05:42
there are several of us and
02:05:45
main
02:05:47
basically the workhorse will be the tidy
02:05:49
called wave forms in order to
02:05:53
you need to turn it on here in the spears
02:05:56
enable the devices themselves by default
02:05:58
keyframe is shown it will turn into
02:06:00
grin ps and scope mode cannot be selected
02:06:03
parade mode who is standing behind me now?
02:06:05
mode in and default forms in RF in i
02:06:09
forms of marriage view decorated colored
02:06:12
those are not very interesting
02:06:14
it shows more information than
02:06:17
need to get more comfortable from yours
02:06:20
form in being in work mode only
02:06:23
with brightness in principle many some
02:06:27
the correct and will be taken away by many
02:06:28
some prefer directory
02:06:30
you and the form are guided by this, but
02:06:32
here we need to remember why
02:06:35
so decorated because we are on
02:06:37
In this form we see three channels
02:06:38
the image is red at the same time
02:06:40
blue-green they just stand alone
02:06:42
to others and therefore in some places there
02:06:45
colors mixed in some no for
02:06:47
blue or red or green channel
02:06:48
more dominate will be displaced he will be
02:06:51
show more or show less
02:06:54
but in my opinion here
02:06:56
excessive amount of information I don't
02:06:59
ready to evaluate the color of your shape for me you
02:07:02
and for can only evaluate brightness
02:07:03
so here in the settings in 3
02:07:06
sticks I'll switch it to non-rgb display
02:07:10
signal
02:07:11
but only the brightness signal is wine
02:07:15
it's called crazy, I don't want to
02:07:19
color this device in this corner
02:07:21
once I turn it off he became like this
02:07:23
the unsightly little gray one suits me perfectly
02:07:24
satisfied then just closes the window
02:07:29
by clicking on an empty space and how to read in and
02:07:32
forms more than just a new form
02:07:35
displays the brightness available in this
02:07:38
image, namely along the vertical axis
02:07:41
displays pixel brightness the brighter
02:07:44
pixels of the image, the higher they are
02:07:46
the darker the pixel this means they are lower and lower
02:07:49
horizontal scale across width
02:07:50
the image itself is postponed, that is
02:07:53
this picture corresponds to this one
02:07:57
the picture is the same image
02:07:59
Just
02:08:01
and save in different aggregates
02:08:02
states this and this this is one and the same
02:08:04
what about the width they colorize
02:08:07
correlate with each other, that is
02:08:09
for example on the right I have bright white
02:08:13
the fuselage of the plane is bright white
02:08:15
physically it is also in the center here
02:08:20
all day image two planes one
02:08:22
under another here they are on top of two white fuselages
02:08:25
planes further away, each plane has
02:08:30
such dark shadows from the wings, here they are
02:08:33
dark shadows from the wings on the left this one
02:08:35
the dark block is some kind of shadow
02:08:37
here is this shadow, these are the shadows on the right
02:08:41
there are them too, here they are to the left of the plane
02:08:43
here they are the shadows from the planes right
02:08:46
plane, note that to the right of
02:08:49
there are no shadows on the plane, so there aren't any here
02:08:52
this is horizontal from the floors
02:08:53
ends here that is, you form if
02:08:57
kv well or let's say let's see
02:08:59
you're looking at a girl here, here's the girl's face
02:09:04
the girl's face is the dark side of her
02:09:08
here are the heads of the dark side and here are the heads
02:09:12
on the right is a white T-shirt, here is a white T-shirt
02:09:15
here's the right side and hairstyles here on the right
02:09:19
sides and hairstyles here is the gomar mesh in
02:09:23
which lies under the brand name mesh in
02:09:25
where it lies, that is, I don’t know where
02:09:30
height is located on T-shirts with it
02:09:32
enderman I can't know you form
02:09:35
does not show on the vertical axis and
02:09:37
pixel on the screen shows brightness
02:09:39
if you were some kind of three-dimensional
02:09:41
you form these so that it’s right in 3d
02:09:44
space there would be a picture for example me
02:09:47
I will use it on this card
02:09:48
show imagine that image
02:09:50
now if you turn and look at him
02:09:54
god then each pixel forming this
02:09:57
image it will be presented
02:10:00
column and the brighter the pixel, the higher
02:10:03
this column is actually new
02:10:05
the form you are looking at
02:10:06
and the film image you see it in
02:10:09
width what is there with what corresponds like this
02:10:11
vertically you see it will allow a circle
02:10:13
some kind of drawing, there are monitors there
02:10:16
but you don't see how high the man is
02:10:19
located in the frame why because
02:10:20
you are looking at the end of this image
02:10:22
there is a second metaphor metaphor to work
02:10:26
I also really like their shapes
02:10:28
how to remember which pixels are which?
02:10:30
are very easy to find on this device
02:10:34
imagine that you have every pixel and
02:10:37
each pixel of each range consists
02:10:40
or from dark black pixels it is
02:10:43
lead steel balls light
02:10:47
pixels are gray foam balls
02:10:51
pixels are wooden balls and you took
02:10:54
and poured this set of balls into the liquid
02:10:56
lead dark black pixels sunk
02:11:00
foam stoves floated on
02:11:02
surface
02:11:03
wooden balls hung in the thickness
02:11:05
liquids, the same thing happens with
02:11:08
pixels on in and form dark pixels
02:11:11
going down light pixel going up
02:11:13
middle series pixel clamped in
02:11:15
middle that's why the T-shirt is this
02:11:18
this is the one in the image
02:11:20
from below on in the form is on top why
02:11:26
because once again a new forum on
02:11:27
vertical axis does not show location
02:11:30
shows the brightness of these pixels by
02:11:33
the horizontal axis shows the location
02:11:35
so I can be sure that this is it
02:11:37
this is some object on the right
02:11:38
they are on the left, same thing about this one in
02:11:41
schools I can be sure that it is
02:11:43
some object located to the left
02:11:45
frame and comparing the instrument readings with
02:11:49
in the picture I see yeah well that's hair
02:11:51
moreover, since a girl with such
02:11:55
wavy hair
02:11:56
any curly hair they usually have
02:12:00
contains such differences in brightness for each
02:12:02
hide and seek there is a light part and a dark part
02:12:04
the light part the dark part about these
02:12:06
curls and these light changes
02:12:08
dark light dark so it will be
02:12:10
look like
02:12:11
you are in shape and will not look like
02:12:12
there will be differences in color and parts of dark
02:12:15
part of the light part of the dark part
02:12:16
That's why
02:12:18
any such uneven image
02:12:20
she will be very shaggy in uniform
02:12:22
compare this, for example, this with a grid
02:12:24
in a hammock for a more relaxed and more
02:12:27
dense there are no such strong changes but
02:12:30
it takes up most of the image
02:12:32
that's why it's so dense white, well
02:12:38
the girl's face is here too
02:12:39
she's not black she's not white but gray
02:12:42
so the device is located in the middle
02:12:44
let's try again for variety
02:12:47
secure
02:12:48
here's a guy sitting against the backdrop of the ocean, right here
02:12:52
Of course the horizon is littered, you're still standing
02:12:54
will try to fix it, but of course it won’t
02:12:56
progress is not about the horizon but about brightness
02:12:58
abstract from color if you want
02:13:02
just help yourself
02:13:03
where to sit the Saturn runner see this
02:13:07
its at 0 please note that 0
02:13:10
elders has no effect on the new
02:13:12
form here my oldest was 50 units
02:13:16
and you and now 0 well there’s a little bit
02:13:18
small changes although it seems to me
02:13:21
just a rounding error the picture became
02:13:23
black and white or monochrome you form like
02:13:26
showed it and shows why
02:13:28
I clear the forms, the hour shows the brightness
02:13:29
component
02:13:30
he doesn't know anything about color so
02:13:34
just for clarity so that the color doesn't bother you
02:13:36
shot down usually we don't try to kill
02:13:38
every time we decide the saturation but
02:13:41
just so that the color doesn't distract us
02:13:43
here we see we see a dark spot of a man
02:13:46
these are those sitting here on the bench
02:13:49
our seeds on this chair are dark
02:13:53
part of a man
02:13:54
and note that the man is in
02:13:57
plaid shirt and the chair in which he
02:14:00
it sits like this, it also consists of some
02:14:01
such checkered patterns for this
02:14:04
of course there are some belts on this chair
02:14:06
that will withstand any checkered and chase
02:14:10
you're such a checkerboarder and the structure if you were
02:14:12
I wish I had a checkered shirt like this
02:14:15
it will also be chess on the instruments
02:14:18
look like drops up down up
02:14:19
down up down
02:14:20
get light dark and light dark
02:14:22
and light as checkers
02:14:23
he has a checkered or checkered shirt
02:14:25
we see it on the devices up and down
02:14:28
up down up down up down
02:14:29
then there is some white water foam
02:14:34
here she is making a water movie from above
02:14:35
and white water foam in brightness
02:14:38
about the same as the light part
02:14:40
clouds so here somewhere
02:14:42
clouds and foam further there is a dark sea
02:14:46
the shore is not dead dark
02:14:47
dark water here it is dark water and
02:14:51
here the sand is darker than the water, that's it
02:14:56
these drops below are sand and
02:14:58
Please note that the sand is like this
02:14:59
worn out he is very disheveled there
02:15:03
like the girl had dark hair
02:15:06
parts of light parts of dark parts of light
02:15:07
parts of the sand here are dug up and
02:15:10
that’s why its hairiness on devices is
02:15:12
juicy big it takes big
02:15:14
range
02:15:15
further, also as an example, here is a guy who
02:15:18
fixes the car
02:15:20
if you look here there is some
02:15:25
devices some object that
02:15:26
represented like this flat
02:15:29
indicator of what you are doing?
02:15:31
such a part is the sky above it why me
02:15:34
I'm sure that this is the sky under the set
02:15:36
cause the sky is quite uniform, but
02:15:38
does not contain differences in brightness and
02:15:41
objects filled with a uniform color will be
02:15:45
presented in the following form
02:15:49
spindles in the form of flat objects that
02:15:51
the area tends to flatten the more
02:15:54
a flat object in shape transforms what
02:15:57
more evenly filled area on
02:15:59
comparison image here is this frame
02:16:02
with a guy, look how uniform it is
02:16:04
it has a dark background and this is visible on the device
02:16:07
im almost almost merged into stripes that
02:16:11
here what here this part is left
02:16:14
the background above him is really a guy sitting in
02:16:17
jacket, that’s why there are such differences
02:16:19
on the left above the background is a jacket
02:16:21
guy what's here what's here this one
02:16:24
jacket to his right here face hand
02:16:28
shirt, here they are, with this on top
02:16:32
most likely these spots are a shirt
02:16:34
here they are in the center a little to the left and the container
02:16:37
here is the faded part of the hand
02:16:40
and on the right there are also some differences
02:16:45
dark, it’s probably these differences
02:16:48
on her face
02:16:49
that is, over time, training in
02:16:56
form Over time you will get used to it and you will begin to see
02:16:59
this is this correlation this is this
02:17:01
the fact that we are in the picture coincides with that
02:17:04
what does it look like in another unit
02:17:06
condition but how can I roughly highlight it?
02:17:08
the new form has the intersection of the voltaic
02:17:10
this will be your homework
02:17:11
try to see something on the attached
02:17:14
pictures for homework a little later
02:17:17
about this in the wording of home for this
02:17:19
will be described further
02:17:22
returning to airplanes why am I even
02:17:25
touched on the topic of devices in order to
02:17:28
work with color and son contrast is not on
02:17:33
the eyes are not crazy
02:17:34
precisely dosed, for example, looking at this
02:17:39
plan with the plane I see that as such
02:17:43
I have no shadows in this image
02:17:44
so the bottom part
02:17:47
empty but there are some separate ones
02:17:49
flashes below
02:17:50
but in fact it’s in the image
02:17:53
urgently such a big brightness and hole
02:17:55
and yes indeed
02:17:58
my shadows are not that dense but they are
02:18:01
are the darkest objects but they
02:18:04
not black they are dense not dark gray but
02:18:07
not black
02:18:08
that's why I'm offering it on the exchange now
02:18:11
abstract from color and think in
02:18:13
in terms of brightness they are not very black
02:18:15
no matter what color they are they are not they
02:18:17
dark gray in brightness so this is it
02:18:20
means that she is, by the way, on the top
02:18:25
parts of the image crumble and the top
02:18:29
brightness range would be nice
02:18:30
maybe try to get it out at least
02:18:32
some details from light parts
02:18:34
fuselage too now you see something
02:18:35
everything is smeared on the ceiling because
02:18:38
the images are all raised to the top
02:18:41
and how can I do this, what are the ways
02:18:44
I have an impact on this image
02:18:47
first make sure you are on
02:18:49
bookmarks bookmarks on the node contrast it
02:18:52
should be highlighted and I'll try
02:18:54
carefully using the lift parameter
02:18:56
ref of the horizontal wheel
02:18:58
look down with one eye looking at
02:19:03
and look at the forms with a different eye
02:19:04
picture and first I'll do a search
02:19:08
I'll try to bring these numbers up to
02:19:12
zero
02:19:13
the picture became too contrasty
02:19:15
Perry contrast, this is an important point
02:19:17
not every image will take up
02:19:21
the entire dynamic range the entire frame
02:19:22
but not every image has a range
02:19:25
pure black and pure white object here
02:19:28
as such pure black color pure
02:19:31
black often there are no black objects
02:19:34
so for this particular
02:19:36
images will be normal
02:19:38
leave a small gap between zero and
02:19:43
the most gentle indicators on instruments
02:19:48
in this one I'll raise this a little bit
02:19:52
then add salt and pepper to taste
02:19:56
exactly what brightness was there?
02:19:58
say and that the person who was in
02:20:00
the moment of taking this shot I can do
02:20:03
only reverse engineering
02:20:04
that is, I can defend that, but here I am
02:20:06
I like it that way but the customer can tell
02:20:08
no they were more contrasting or not
02:20:10
they were less contrasting, that's why here
02:20:12
we can vary I stayed for now
02:20:14
on this on this truth point further
02:20:18
feats level black elevator I want
02:20:22
move the level of white game because
02:20:25
I don’t lose hope that something is possible
02:20:27
it will be possible to pull it out, nothing will be possible
02:20:28
pull out very often if a picture of words
02:20:30
before the light then all she left in the feast light in
02:20:33
in some cases some part
02:20:36
information is saved so we'll see
02:20:37
what can be done
02:20:38
parameters day I'll try
02:20:40
carefully go down the answer
02:20:42
I get a little something like you
02:20:44
than here
02:20:45
top top limit how are you even
02:20:48
peeled off, that is, there is something there
02:20:50
I’m returning the aircraft fuselage a little bit
02:20:53
you can check the texture for yourself it was
02:20:55
This part has become more voluminous and
02:20:58
it became this, but of course it’s not a miracle
02:21:01
will occur if part of the fuselage is absolutely
02:21:03
white then all the detail is gone there
02:21:05
just pixels that would describe
02:21:07
there’s no more volume left, so that’s what it is
02:21:11
I'll try to be insolent and also gay for us
02:21:14
when go down
02:21:15
pay attention now clearly
02:21:16
I jerk the mouse sharply, look I
02:21:18
It would seem that I only cool the brightest ones
02:21:20
part of the image
02:21:21
and on devices that look like everything moves
02:21:24
picture well, except for the most maybe
02:21:26
black parts
02:21:28
these parts move less than this one
02:21:31
these are a normal phenomenon we remember
02:21:33
that the range and intersect is important
02:21:35
remember well it seems like when I lowered it
02:21:39
gay but he even stopped crumbling about
02:21:41
ceiling but it seems to me that it would be possible
02:21:44
add
02:21:45
overall brightness make a picture well
02:21:47
don't touch it a little bit
02:21:49
black don't touch white enters the arena
02:21:51
gamma gamma can be raised
02:21:54
open the picture a little so that it is well
02:21:56
a little bit sad
02:21:59
notice the scale was pulled
02:22:01
the elevator is creeping away again, the elevator is crawling away again game
02:22:04
unfortunately this is a normal phenomenon
02:22:06
this Figaro mode here game there here
02:22:08
pulled here crawled here adjusted here
02:22:11
crawled therefore accounted for shadows and medium
02:22:15
tones and lights regularly power if
02:22:17
corrected one thing will need to be compensated
02:22:19
for others that's why it's convenient when you
02:22:22
don't paint with a mouse because you are the only mouse
02:22:24
on the remote control you have three wheels and
02:22:27
you can add one wheel to another
02:22:29
on the contrary, tidy up at the same time but with
02:22:32
this city in the picture I can on one
02:22:34
from classes demonstrate how to do it
02:22:36
happens how work happens on
02:22:38
the remote control is just another remote control
02:22:40
are different, that's why there are more and
02:22:43
less cheaper more expensive
02:22:45
here, but even the most inexpensive remote control
02:22:48
tangent ripple made from 3 balls
02:22:50
small like this
02:22:51
the size of a little bean it will greatly speed you up
02:22:56
work process if you are going
02:22:58
closely engage in corrections strongly
02:23:00
I recommend taking a closer look at the remote controls
02:23:02
greatly simplifies and speeds up the work process
02:23:05
but that means here there is not how to be but here
02:23:09
unfortunately I have to
02:23:10
lower the elevator again because it is
02:23:12
crawled away and
02:23:14
Gain would have been lowered on the bars and he was knocked out
02:23:17
that's how I don't forget when
02:23:19
it was like it started to compare
02:23:21
let's get more interesting for consolidation
02:23:23
balance and I won’t touch it for now
02:23:25
fastening we will do exactly the same on
02:23:28
first node on the first clip with a man
02:23:31
let's analyze it
02:23:32
the guy has a lively face to squander the guy
02:23:35
There are clearly not enough colors and clearly no shadows
02:23:38
enough maybe he will win
02:23:41
pass its variable immediately first
02:23:43
a matter of contrast, maybe he will benefit from
02:23:46
so that I disperse the contrast like
02:23:48
dispersed the same thing, I lower the elevator down
02:23:52
here, in principle, because about the most
02:23:55
the black part of the image is here
02:23:57
here on the engine it’s not scary
02:23:59
taking into account the engine, some kind of engine there
02:24:01
pieces of iron are not scary if there is one
02:24:02
touch 0 but be straight saturated
02:24:05
black
02:24:06
because it's a grinding sound since he has a car
02:24:08
the engine didn't boil there either
02:24:10
in the best condition because it will
02:24:12
do not read black-smoked
02:24:14
scary and I'll try the next game, watch
02:24:18
there is nothing pure white here I would like it
02:24:20
neither the white sky is bright
02:24:22
but his shirt may not be white
02:24:26
white but look, he bent over
02:24:29
the shirt is in the shade so she won't
02:24:31
pure white it will be light gray
02:24:33
to the hobbit we still forget about the color
02:24:36
we navigate by brightness beyond the cloud
02:24:39
we say white clouds are floating but they
02:24:41
not white they are light on light on
02:24:42
light gray
02:24:43
so there is nothing pure white here
02:24:46
unlike planes where they were clean
02:24:47
white fusulage the brightest parts
02:24:50
and what am I getting at because this is it
02:24:53
image in contrast to armor
02:24:54
there won't be flowers on planes, that's why there
02:24:56
you can leave a gap in the colors and of course
02:24:58
I'll try to get us up to speed, but these are here
02:25:01
this is too much this is some kind of desert
02:25:05
sugar turns out he got stuck there that's why
02:25:07
after all there will be a small gap on top of me so
02:25:11
so that the picture is not burned out
02:25:13
there is about zero I can reach because
02:25:17
what the hell are the engine parts on this
02:25:19
black glasses hanging there shadow here shadow from
02:25:22
bushes but there is nothing white as such here
02:25:25
so this is a normal opinion for this
02:25:26
images this will be normal
02:25:28
phenomenon and look, I’ll give you an example
02:25:32
you paint
02:25:36
a film about how blacks steal at night
02:25:39
coal there you will have everything at zero if
02:25:43
not wearing sunglasses yet
02:25:44
if they smile at the same time you will
02:25:46
white flashes are simply not all Bella
02:25:48
teeth if it's hungry bad bad
02:25:52
living blacks
02:25:53
they are toothless then even when they smile
02:25:55
and they will just have gums, no gums
02:25:57
gray so there will be all black and
02:25:59
gray
02:26:00
if these are, for example, polar bears on
02:26:04
North Pole eating ice cream closing
02:26:06
us and their paws, then everything will be white
02:26:09
there are ice bears all white everything will be
02:26:11
there won't be anything black at the top
02:26:13
if the bears stop covering us and
02:26:15
with their paws we will become black failures
02:26:17
new uniform if it's dirty bears
02:26:21
they're like that in the zoo, they won't be white
02:26:24
the snow will be white, they will be
02:26:25
light gray or maybe even
02:26:27
medium gray depending on how big they are
02:26:29
dirty if it's penguins
02:26:31
eat ice cream, there will be black and
02:26:34
white
02:26:35
there won't be gray if it's dirty
02:26:38
penguins eat ice cream then their carcasses
02:26:41
the bellies will be gray and the ice will be white
02:26:45
the men themselves will be black
02:26:47
or if it's pure penguins but in Moscow
02:26:50
eating ice cream in the snow too
02:26:52
history the snow will be gray behind the lawn
02:26:54
penguins white and black what am I getting at
02:26:56
to the fact that the nature of the images will be
02:26:59
influence how it will be displayed
02:27:01
on in and form in the image completely
02:27:04
it's normal that there may not be some
02:27:06
some part of the range may not be
02:27:09
pure black can be pure white
02:27:12
let's do it again for reinforcement
02:27:14
here on this guys so I by the way come on
02:27:17
in Czech I will switch to display
02:27:18
file names so you can roughly retreat
02:27:20
where who is so on this in this
02:27:23
they will try there is no contrast either
02:27:28
immediately first of all named by them
02:27:31
I see a new note here, you also have a gap
02:27:35
in above and below Well, I'm trying with the original image
02:27:38
carefully lower the black level
02:27:41
the elevator is basically what it concerns why
02:27:45
here it can concern yes although now
02:27:48
I was crumbled 70 he doesn't need to crumble
02:27:50
it must touch 0 because
02:27:53
the men here have a black jacket on them
02:27:55
collar or rather the shadow part of the collar
02:27:56
these black stripes on the frames are also
02:28:00
may be black they are impure black
02:28:02
they could be here they can be seen by the way
02:28:04
what do they touch 0 more here yushka
02:28:07
there's one under his jacket, they're black
02:28:11
yes they are dense dark let's try further
02:28:14
day to twist the calf why so that's all
02:28:19
I'm kind of excited about new forms
02:28:22
hit the upper limit
02:28:24
what are these flashes, this is this, this is this
02:28:27
this is this this is this
02:28:28
yes, it’s some kind of glare outside the window
02:28:31
lanterns are just some kind of thing
02:28:34
I don't know the reflection on the glass
02:28:36
outside the window but there is an important question here
02:28:41
do i need or can i
02:28:44
limit myself to these glares or I
02:28:46
I can get impudent and try to do these
02:28:48
knock out the highlights beyond the upper border
02:28:50
brightness range in which why
02:28:53
why do they need to be driven in at the top?
02:28:54
range limit
02:28:56
I’ll answer the question with a question: what is the threat?
02:28:59
me that I will knock them over the upper limit
02:29:02
Iraq again range only so
02:29:04
that they lose detail and so
02:29:07
they didn’t have any details, they did anyway
02:29:08
were foggy spots on this, in principle,
02:29:11
in this particular case
02:29:12
because there are these white highlights and so
02:29:15
initially did not contain any details I
02:29:17
I can knock them out even brighter
02:29:19
why well then what since this
02:29:23
range rubber top bottom
02:29:25
tied up like time like an elastic band
02:29:27
stretching her stretched and mean
02:29:29
range thus perhaps I will be able to
02:29:31
highlight a man's face without resorting to
02:29:34
some other instrument therefore
02:29:36
I'll try to get insolent and drag us gay
02:29:39
higher oh the man's face lights up what I lost
02:29:44
I lost detail in these highlights
02:29:46
but and in principle there was no such thing but
02:29:48
they convince them of this by pressing the teams
02:29:50
well, the glare has become more blurry
02:29:54
spots
02:29:55
before that there is at least some detail
02:29:57
it was possible the client was either the director or
02:30:01
you yourself decided that no, you would like it
02:30:04
the glare remained, I didn’t want to lose it
02:30:06
problem then when I lower game yes I see
02:30:10
that the glare on the instruments is pulled out
02:30:12
back I see what to tear off in the image
02:30:14
are pulled out but what will I do?
02:30:18
I want to make the guy brighter if you
02:30:21
the man's face is a little brighter
02:30:24
is in shades of gray here it is
02:30:26
somewhere and accordingly I can calmly
02:30:29
grab the scale and start highlighting
02:30:32
gamma please note that not only
02:30:34
the face is highlighted, everything is highlighted and
02:30:36
shadows become lighter and light
02:30:38
lighter
02:30:39
therefore it is still sacred within the framework
02:30:43
decency, but shadows are still possible
02:30:45
compact so again grabs the elevator
02:30:47
and I carefully lower the leaf with the elevator
02:30:50
compacting vod-ok
02:30:54
I'm not touching this color yet
02:30:55
I'm still interested in the brightness component
02:30:57
then let's do the same thing here
02:31:00
with this and Ryan that's the story
02:31:02
contrast
02:31:04
here it is very obvious that the background could be
02:31:08
denser but there is a nuance here because
02:31:13
the details of the face are these dark parts
02:31:17
fairly close to the background in brightness then
02:31:19
there may be a danger that when compacting
02:31:23
darkening the background
02:31:25
the face will also be put too
02:31:26
contrasting so I'll try
02:31:29
because it will work out but here it is necessary
02:31:32
neat, here are the dates
02:31:38
the background and face thicken what is it more
02:31:40
I'll try to stretch out the scales with contrast
02:31:43
these parts of the face are basically gain here
02:31:46
there is no such thing, although a day could also
02:31:49
help because there are no flowers
02:31:50
I'll try to add but pulling out the game
02:31:56
the gamma stretches worse so this
02:32:00
the shadow dent on the face becomes more
02:32:03
accented this was now this
02:32:08
here the color difference is more pronounced
02:32:10
maybe it's just stylistic
02:32:12
operator's decision when shooting on camera
02:32:13
I'll try it a little anyway
02:32:15
align by raising and gamma where
02:32:17
there are these shadow spots on the face
02:32:21
book stains as soon as I pulled the gamma
02:32:24
the elevator crawled and the background also became lighter
02:32:28
it means you need to comment on the elevator by lowering it
02:32:30
its back I raise the scale the elevator creeps in
02:32:35
I lower the elevator, I have to do this
02:32:39
game here games there what tried it
02:32:42
reach so that my face does not become a dark spot
02:32:45
despite the fact that the background still goes almost into
02:32:48
By the way, we can fail the fund completely
02:32:49
fail almost like that there's some kind of
02:32:52
stylization remains a piece of chair
02:32:54
still visible but without fanaticism again
02:32:57
there were victims, it seemed like there was more contrast, but
02:33:00
the face didn't go too far
02:33:03
Well, let's just reinforce it and
02:33:06
let's make the rest of the plans so it's a contrast
02:33:11
here the girls hardly need black ones
02:33:16
dips in my hair so I take the elevator
02:33:19
carefully when I lower myself like this but
02:33:24
maybe only those parts that
02:33:25
They can be right at the base of the neck
02:33:28
very very very dark but not black
02:33:30
that's why I have flashes downstairs
02:33:34
form do not touch 0 does not approach zero
02:33:36
but doesn't touch on the white T-shirt
02:33:39
How straight should a white tear be?
02:33:41
although they may be wearing a dress
02:33:43
T-shirt I don't know it shouldn't be
02:33:45
pure white so the game is not for me here
02:33:48
help, I want to open up a little bit
02:33:50
scales and why because here it is
02:33:53
her face is in range but in medium tones
02:33:54
so gamma will probably give me the best one
02:33:58
the result is why I am against gamma and with
02:34:00
when opening, the gamma pushes out and
02:34:02
T-shirt but it also pulls dark
02:34:06
tone so I'm also lowering the elevator back
02:34:09
I was comparing it, but somehow
02:34:13
the hair immediately came forward
02:34:16
more so dense somehow more
02:34:20
I wonder whether to frame the face right away
02:34:22
next is a man sitting on
02:34:25
Yes, by the way, I need his garden earlier
02:34:28
his rice and . they are too named
02:34:31
I don’t think there’s much to change here
02:34:35
contrast is not much needed here
02:34:37
change the cauldron just why because
02:34:39
there are no pure blacks here as such
02:34:43
parts or pure white therefore can
02:34:47
be well, just micro thousand on the game
02:34:49
I'll raise the elevator when I lower it judging because
02:34:55
that there are still some clouds here
02:34:56
cloudy cloudy maybe not
02:34:59
cloudy but cloudy so this is in
02:35:03
basically enough even I could
02:35:04
I don’t know, I don’t like the contrast, rhinitis
02:35:07
maybe I would even like to weaken it
02:35:10
the robot is too strong I lowered the elevator and
02:35:13
too strong and [ __ ] up gay maybe
02:35:17
slightly less
02:35:19
you're literally right in the tracks
02:35:21
quantities they say and the latest plan
02:35:23
stayed with the car here too
02:35:26
deal with the contrast here is the contrast
02:35:30
on the contrary, in contrast to this, fishermen
02:35:34
the car can be stronger in Perry contrast
02:35:37
why because any chrome plated
02:35:39
details seem cleaner to us if
02:35:42
they will be more contrasting if there
02:35:45
the differences between black and white are these
02:35:47
the reflection will be sharper for some reason
02:35:50
this is how our perception works, therefore
02:35:52
so stop fisherman but I forgot
02:35:53
passing on the contrast here further
02:36:00
the contrast here will immediately come out
02:36:04
corrections you just forget you forget like that
02:36:06
girl this change the pass is
02:36:07
renamed everything except this one
02:36:12
so here I am also in the first foot
02:36:14
there is still room for contrast here
02:36:17
there is a small gap if I usually
02:36:19
I recommend leaving this gap in this
02:36:21
case since we are dealing with
02:36:23
chrome parts I just him
02:36:25
I'll drop it on the floor why because chrome
02:36:28
it will look cleaner if it
02:36:31
will be more contrasting and the same in
02:36:34
top part
02:36:35
there are already some highlights, they rest on
02:36:38
ceiling but I think more can be done
02:36:40
brighter if the gain is reversed
02:36:43
raise it too without fanaticism, but for what?
02:36:46
I want to draw your attention deliberately
02:36:48
I intentionally lose image detail
02:36:51
in colors and in shades for glitter
02:36:54
chrome objects are on in
02:36:55
where you are of no use therefore it became
02:36:59
it's already sparkling though
02:37:01
I look like this
02:37:04
a golden car may be needed
02:37:07
do something with color and balance
02:37:11
has 100 more, we'll get there but at least
02:37:13
at least with contrast everything was corrected saying
02:37:17
about contrast and moving on to the topic of work
02:37:20
already with color from what they want to work with
02:37:22
brightness there is one nuance here
02:37:27
first of all yes I forgot to say what
02:37:29
such a contrast is by definition a contrast and
02:37:32
this is how dark the parts are
02:37:33
images will differ from actual
02:37:36
light parts if the dark part is not
02:37:40
so dark and light not so light
02:37:41
that is, they were close to each other
02:37:44
the contrast is small if the dark part
02:37:46
very dark light parts very light
02:37:48
that is, they are far from the new form
02:37:49
you can clearly see ngk standing apart from each other
02:37:51
then the contrast is great high contrast
02:37:54
I described the brightness contrast but we
02:37:58
We also deal with color contrast
02:38:00
We'll talk about this a little later
02:38:02
color contrast from how colors are from
02:38:05
are located far apart from each other
02:38:06
color wheel
02:38:08
for example, yellow and blue are contrasting
02:38:12
each other's colors they are located on
02:38:14
maximum distance from each other there
02:38:16
green and magenta contrasting to each other
02:38:18
colors are easy to see
02:38:20
looking at these color circles, well
02:38:23
or to another instrument that is currently
02:38:25
we'll get there
02:38:26
so that's what I wanted to say for this
02:38:31
to help us work with color
02:38:37
it will be convenient to turn on the tool
02:38:40
vectorscope
02:38:41
and just like you, the forms are geared to work
02:38:46
with brightness vectorscope
02:38:48
tailored to work with color and in our
02:38:52
settings in and form does not show
02:38:54
brightness does not show chroma
02:38:56
the vectorscope does not show the brightness of the ass
02:38:59
only shows what colors
02:39:00
present in the image let's
02:39:02
let's switch and put our shape into a microscope
02:39:06
and here, by the way, now we were walking
02:39:09
several layers, that is, we first
02:39:10
We corrected the contrast of all clips later
02:39:13
Now let's correct the balance of all clips
02:39:16
reality we don't we can't take
02:39:19
fix contrast everywhere and then everywhere
02:39:22
balance we go by clip its one clip
02:39:25
prime immediately contrast balance later
02:39:27
the next clip contrast was after which
02:39:29
clip contrast balance can be even
02:39:30
we make a second correction right away like this
02:39:33
Why am I saying this because it’s more convenient
02:39:36
it will be if you can display two
02:39:39
devices, preferably three at the same time
02:39:41
unfortunately do it here in this
02:39:44
the window is not allowed, but what can I do?
02:39:47
I highly recommend you try it
02:39:48
this is by right-clicking on the window in the Jura
02:39:52
select the show scopes team and then they
02:39:55
open in separate dangling
02:39:57
floating window
02:39:58
and here you can choose how much
02:40:00
devices is displayed simultaneously and as
02:40:02
at the very least I recommend turning it on
02:40:03
display of two instruments
02:40:05
well two you form is not needed but one of them
02:40:07
and just switched in the display
02:40:08
microscope you can make a turn and
02:40:11
smaller sometimes it's hard to grasp
02:40:14
around the corner but you can believe in yourself
02:40:19
feel it although reports hour it is not
02:40:21
succeeds but it’s definitely not minimal
02:40:25
size I don’t know why they don’t change maybe
02:40:27
some kind of glitch in this version is very good
02:40:31
Vova ours quite . this is the end minimum
02:40:33
the size doesn't want to decrease any further, well
02:40:35
okay in version 16 it was possible to do it
02:40:38
staples and less here you see this
02:40:40
limitation
02:40:41
less don't do more please ok
02:40:43
no matter that will be enough too
02:40:47
By the way, it’s convenient to have 2 monitors
02:40:51
configurations when with 2 monitors
02:40:52
convenient because there are two manicure stations
02:40:56
will be played on the second monitor
02:40:57
already displayed soon there are actually 4 of them
02:40:59
you don’t need that much stuff either, but at least
02:41:03
at least two main devices 20 kopecks and there
02:41:05
there is and it greatly simplifies the work so here it is
02:41:08
what would I like to see on the staples?
02:41:12
saving space after all nick although I
02:41:13
I install 2 monitors
02:41:15
but maybe you can take more topics
02:41:17
more that this part of the damage is not that simple
02:41:19
for clarity
02:41:20
what I see on the device is the same one
02:41:24
color circle like here in the elevator of the Heine scale
02:41:27
it displays the same primary
02:41:29
the colors of which I soon agreed
02:41:32
I remember how well we said not a word
02:41:34
primary collection us still us more
02:41:36
will come back to haunt you because in addition to the primary
02:41:39
we still have the so-called corrections
02:41:40
primary colors they are not related
02:41:43
It’s just a coincidence of unfortunate terminology but
02:41:45
there is no other, what we have is what we have therefore
02:41:48
what are primary colors are these colors
02:41:51
combinations of which educated generally
02:41:53
all visible other colors there to the Serbian
02:41:56
speckled raspberry purple
02:41:58
mediocre alloy with broken legs here
02:42:02
all these colors are formed only by combinations
02:42:04
three colors red and green and blue
02:42:06
and here red green blue is displayed to me
02:42:11
if you look at the small letters there
02:42:12
signed but what is clear are these three
02:42:17
colors good 30 available
02:42:19
red green blue white what is this and this is it
02:42:22
called secondary colors or secondary
02:42:25
color os what are secondary colors secondary
02:42:28
colors of the formed combination of primary
02:42:30
in equal proportions, for example the same
02:42:33
the amount of red and green gives us
02:42:35
yellow equal amount of green and
02:42:38
blue duet cyan or sea color
02:42:41
wave or blue same amount
02:42:44
red and blue duet magenta or
02:42:47
purple well I will in the future
02:42:52
call them cyan and magenta because
02:42:54
Well, that’s what it says on the devices, it’s more convenient
02:42:55
remember that's why I need these names
02:42:58
somehow closer
02:42:59
but what do I want to bring us to next?
02:43:02
actually sacred knowledge why this
02:43:05
the device before then what it shows
02:43:07
firstly what colors are present in
02:43:10
image and secondly for balancing
02:43:13
images or not and unbalanced
02:43:16
is there some kind of imbalance and if so
02:43:18
where in which direction for example on a plan with
02:43:20
airplanes are obviously skewed to the side
02:43:22
yellow why because picture
02:43:25
shifted towards yellow only
02:43:27
what I would like
02:43:28
also set up in these 3 sticks
02:43:30
I'll first turn off the color checkbox in
02:43:34
in principle you can leave it but I’ll leave these
02:43:36
for nasty things on normal I'm also turned off
02:43:38
agalakova rice because it’s more convenient for me
02:43:39
just retreat to the location in
02:43:41
flashes but on the other hand HIV them
02:43:44
will tint too, also not superfluous
02:43:47
These extra colors usually distract me
02:43:49
Next, I’ll make sure that I have a mode
02:43:53
all that is, showing all the colors of all the grandfathers
02:43:55
all sorry ranges
02:43:57
or I can show only those not only
02:44:00
medium then only light and I
02:44:03
I’ll include two more jackdaws here first of the show
02:44:06
2x zoom
02:44:07
just to make these flashes
02:44:09
have become larger now I’ll also explain why
02:44:11
we need to show the show and then
02:44:14
it is an indicator if it turns on the corner
02:44:16
a line will appear that you are not
02:44:18
believe me is a reflection
02:44:20
reference skin colors
02:44:22
What does reference skin colors mean?
02:44:24
a person is in a normal state when he
02:44:26
It’s not like he’s some kind of comedian
02:44:29
it was coming out of the bathhouse red muzzle no
02:44:31
the check is in good condition when it is missing
02:44:33
nauseating, not motion sickness
02:44:34
not a red face when he's live in the stables
02:44:38
the world that is, normal reference color
02:44:40
skin even though I said it was like that
02:44:43
reference skin color is still possible
02:44:46
some hesitation maybe some
02:44:48
shades
02:44:49
even there are two people there they don't know two
02:44:51
brothers by skin color can one than
02:44:53
drier another a little more like this
02:44:55
plump skin colors may vary
02:44:57
that's why we don't level
02:45:01
One size fits all so not
02:45:03
expect all skin colors to be
02:45:05
along and 3 are not strictly aligned but they are
02:45:08
plus or minus will still equalize
02:45:10
Moreover, skin color does not depend on race
02:45:14
both white Chinese and blacks, whoever they are
02:45:18
everyone will be
02:45:19
same color why because in fact
02:45:23
what does this device show? it shows
02:45:25
the color of blood and everyone's blood is usually red
02:45:27
it just shows how this blood
02:45:29
refracted through blood vessels deep in the skin
02:45:32
and Satan and what gives coloring there on
02:45:35
our skin besides any other
02:45:38
pigmentation there are pigment spots
02:45:39
growing up we don't take it into account we take it
02:45:41
just smooth, clean skin without any
02:45:44
additional elements on it like this
02:45:47
this skin color is provided by penetrating
02:45:50
capillary vessels in which
02:45:51
gap and that's why we see this
02:45:53
color and this particular indicator
02:45:55
shows actual blood color
02:45:57
which, this skin so by the way if
02:46:04
Have you watched the movie? One of these is not enough
02:46:06
famous American director
02:46:07
James Cameron's name was filmed for no reason
02:46:10
what kind of film about some ship and there
02:46:11
he was making a film about some robot
02:46:14
I was filming a film about another planet
02:46:16
everyone there is blue, not just drunk
02:46:19
because they are all blue and not
02:46:20
believe me if you just
02:46:22
experiment about
02:46:23
experiment take a frame from this
02:46:25
I think it's called Avatar
02:46:27
throw it in da vinci and see how the faces
02:46:30
these blue men and aunts
02:46:32
will look like on the devices
02:46:34
surprised they are exactly the opposite
02:46:37
in our colors they will be here
02:46:40
here that is, if this is a line visually
02:46:41
extend the skin color of these people navi
02:46:44
will be here will be rolling
02:46:46
here it is like that but it's just a note
02:46:49
in the fields so that's what we benefit from
02:46:53
national economy from this entire partner
02:46:55
3 mundi is the biggest I first see
02:46:59
that the image here is not balanced
02:47:01
and she saw it in yellow, but it was like
02:47:05
you can see it in the picture but how can I be sure
02:47:07
what is he what is it maybe my monitor is turning yellow
02:47:10
on the other side it has veins
02:47:11
can't this prize should have been
02:47:13
very faulty monitor

Description:

Пройти онлайн-курс – https://www.profileschool.ru/category/video/course_davinci_resolve_color_correct Содержание: 00:00:00 - Вводная часть 00:17:53 - Работа с проектом 00:34:59 - Импорт материала 00:45:41 - Настройка автосохранения 00:52:15 - Терминология. Создание структуры проекта 01:12:16 - Relink 01:19:41 - Рабочее пространство. Вкладка Color 01:25:44 - Режимы отображения 01:31:20 - Первичная цветокоррекция 02:00:02 - Подиапазонная коррекция 02:05:43 - Инструменты контроля 03:01:52 - YRGB коррекция 03:09:54 - PArade 03:14:21 - Особенности отмены в Давинчи 03:18:00 - ДЗ Информация о преподавателе и его онлайн курсах: https://www.profileschool.ru/teacher/dmitry-larionov Так же вы можете следить за новостями школы в соцсетях: Группа Вконтакте: https://vk.com/profileschool Facebook: https://www.facebook.com/unsupportedbrowser Вступайте в наши сообщества студентов и преподавателей в Telegram: Чат дизайнеров: https://t.me/joinchat/H7VBUwRfpu7y_9cG Чат фотографов: https://t.me/joinchat/Giyc2frFo4oiJupV Чат видеографов: https://t.me/joinchat/IzdTGzip7PVp7KAS Чат звукорежиссеров: https://t.me/joinchat/IS8J3T6t-y-YeebZ Чат моушн-дизайнеров: https://t.me/joinchat/H75VnuaLe_yzvKD8 Чат искусствоведов: https://t.me/joinchat/HdPUTWXf0L3jl4XZ

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