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00:00:05
connect and join our
00:00:07
conversation
00:00:08
accordingly
00:00:10
because we know you or not, in
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principle, we had meetings, they blame
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it seems that no,
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but this is not yes, well, I understood, yes, that is,
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look, my difficulty is that yes,
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we did not have meetings,
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respectively, at the same time,
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today’s meeting is dedicated to
00:00:33
unusual serious texts and
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I imagine a lot of thoughts around it, given
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that it is limited in time and
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you and I will have to simultaneously get
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acquainted and somehow establish
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a dialogue and at the same time try to
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make out at least some points in
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this text, I even I don’t dare, but the fact that we
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were able to sort it out completely, no, there are
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some main points,
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accordingly, well, in general, just in
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case, I’ll introduce myself Valery
00:01:04
Aleksandrovich, my name is bazaars, on
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my schedule it turns out that
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you and I will have at least one more
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meeting, that is
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in a different way the text before, respectively,
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today
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we have a meeting dedicated to the text of
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Sigmund Freud, one
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childhood memory of Leonardo da Vinci, and
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moreover, such a rarity of the day, in any
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case, which has recently become, to
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my regret and
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today’s joy,
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that for today’s webinar
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there is something who prepared the question and the
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question is really almost before the
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very meeting and literally an hour and a half
00:02:01
before but nevertheless they have these questions
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questions that you should follow and what you
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read you think
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these you know are very cool
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respectively questions this is what can
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serve as material for our
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discussion in any case before that is,
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look at due to time constraints
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as I assume everything to stand on one
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side of the question does not naturally concern
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the text and individual places in this text
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which we, as I assume, will
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touch upon in this case, came to relate to
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places very significant ones that we are
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unlikely to bypass in principle, but nevertheless, if
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such a moment arises that we are
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faced with some kind of silence or
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pause, I
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will address this question, I will
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read it out and try to somehow
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comment with you, yes, that is, and the
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last thing I I will say this is what I have
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I will say in the introduction in this yes
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this is that you and I are meeting here
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in a format
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close to the seminar hare
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webinar,
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this means that you and I are meeting to
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actually talk about what we
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have read and the thoughts that
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came to us during reading time or after it,
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but this does not mean that we come here
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to serve,
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I warn you about this right away that this is not a
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lecture meeting, but this is precisely a
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seminar meeting where I am perhaps
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more acting as a
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moderator
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and not as a lecturer about what then
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he reports
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everything to someone, yes, that is, this introductory part was
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prefaced in some way until,
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accordingly, we can begin with you
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at the same time a dialogue and an
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acquaintance and the most important thing, that
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is, in general, a discussion of an extremely
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important text that Freud
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literally invents at the junction at the junction psychoanalysis
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and
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here and here we are faced with the
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birth of a new genre, yes, that is, this is a
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new genre that Freud invents and he
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even gives it to us, he talks about
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photography, yes, that is, photography, what is
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it in that column in general, yes, that is, what is this
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new genre this is not a history book,
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this is not a
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biographical essay about Leonardo da
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Vinci,
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this is something else,
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take here perhaps the space to say
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that very often when discussing this book,
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and generally speaking about it, often the
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grossest mistake is one of the most
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common when this text of Freud’s
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begins perceived not as a
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psychoanalytic text, but as a text on
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art history, or as a text on
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history, or as an attempt to make a
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biography that is no good,
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friends, that is, about all
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these possible moves, that is,
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widespread ones due to the fact that
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this is so it’s easier to act, ready to read
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something as something is already well known and
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add it, explains it to yourself
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through something already similar, and don’t delve into
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what the text should be read as exactly
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psychoanalytic, but this
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psychoanalytic salt from it is often
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simply removed, omitted from in sight of
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attention it is not at all I want to say the
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leaves are contained because
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the name itself
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if we just carefully read the
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title of this text literally before if
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you translate from German one childhood
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memory of Leonardo da Vinci in general
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Freud calls this text exactly
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this phrase that it is in First of all,
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about the central element of
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this entire text, this is a memory, that is,
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all this here can already be completed
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setting up in the community for reading, this is what we
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read, so the text is called 1 childhood
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memory, or fall all, that is, this
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means that the entire text is structured
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around this, these are purely memories
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psychoanalytic dimension before
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psychoanalysis is aimed at what to measure the
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subject on fantasies on desire on
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memories and so on, that is, you
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can forget everything about the biography about history about
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those sciences that are involved in this
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text Anna Freud is not a historian and a geographer,
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he is a psychoanalyst and that’s the point, yes
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there is no need to leave these rails this is a
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psychoanalytic text Freud
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offers us a psychoanalytic way of
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thinking
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okay an hour I take a short pause such an
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introduction to
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someone who maybe she has something to say
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maybe someone wants to share something with their
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impressions or some intriguing
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questions all of these texts and at the same time
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how we will already talk and
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get to know each other in pairs
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or regarding what I said I
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will recognize you before in fact I read this text for the
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first time ten years ago when I was
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studying at the university and it is curious that
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now I was re-reading with someone with fresh
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impressions a
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very interesting text he is like that, I must
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say that really when you
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read, if you read him as a
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biographical book, then he seems absurd;
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if you try to read a
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psychoanalytic text today, then he
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builds a completely clear
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logical scheme, and this is
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probably why he is valuable; this is such an
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attempt, it seems to me like
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Freud to touch sublimation in a
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certain sense. there’s no way
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to try it somehow,
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well, like here’s a specific case to
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try to illustrate this phenomenon,
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perhaps on the other
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side, what hooked me here is very
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cool, it clearly says
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that we no longer divide people into healthy
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and neurotic people, it’s just a scam and then
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yes, I thought in place, but very
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cool in fact, and
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there are also these interesting reflections, it’s
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time for different ways of neuroticization,
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he also describes in great detail and it’s very
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cool by the way how he approaches these
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notes about
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this, how much money went where
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for the actual obsessional neurosis,
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that is, on in fact, it will give quite a
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subtle impression on people and it is precisely in the light of
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just this memory that they
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center it and
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this picture is built around it,
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that is, how
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realistic it is, but I think even here there is no
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point in asking such a question, but
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realistically within the framework
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within the framework of this memory
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because if we take it inside, these
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materials that have reached him will pass through and in these
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materials this memory appears
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as almost the only one, in my opinion he
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writes and naturally for him it may
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not be significant to me, it’s like remnants of
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memories, just remnants of a dream until
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conditionally, that is, we cling to what the
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subject articulates in this case,
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in fact,
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he uses this memory as such a
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starting point and even how the
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overall impression is structured, vivid, yes now
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maybe I didn’t remember everything that caught my attention, but
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Sanda would be curious to hear other
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opinions, yours because your opinion
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because that the text, I would say, made me
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think and I’m still
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digesting thank you
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and thank you so much for you fattening up
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the comment from which we
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can take 10 or 12 already and just these in
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any direction just key moments
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women consistently so
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hit the full program to the point
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great capacious, I don’t even know, I don’t have time to
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just grab it, yes I’ve already given up
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grasping for how it’s going to go now, there were already three
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thoughts and your dear q&a is very
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cool,
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accordingly, really, yes, what
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you mean, I
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really have one more time about and
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emphasizes at the moment there
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is a question about a normal, not a
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normal, healthy patient, so
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within the framework of this position, yes, that very
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medical former psychiatric one
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refers to psychiatric
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research, which is usually
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guided by such clear
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coordinates,
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thus Freud really draws a
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distinction between psychoanalysis and those
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same medical former monks that
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this thought lies in a different field, that
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is, a different logic with different
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coordinates, that we are trying
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to look on the other side, yes, you are literally
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turning to his statements,
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we are trying to identify those laws that
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prevail on the other side of the normal,
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the abnormal, to prepare Freud
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really ceases to be a
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quality thinker and thoughts
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really quantitatively, yes, that is,
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quantitatively and in completely different
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categories, that is, normal,
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abnormal,
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brilliant, crazy, sick, no, it’s important,
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something else is important, what’s important is
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how the fates of the attraction of a
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particular subject develop, which become the
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main spring and restoration of his
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singular history, and what is this text about, but what is it
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about? this is about the formation of the subject, on the
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one hand, on the other hand,
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this text is indeed
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psychoanalytic, that is, to look here for
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some kind of
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objective logic of scientific discourse, there is some kind of
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factology that there is no factory, that
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is, we find ourselves in a different field, and that
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is, the polis of the subject and it’s
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clear that this is not a described
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clinical case in any way,
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but this is an attempt, that is, a Freudian
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psychoanalyst
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to try with a certain degree
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of probability, we remember
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the thinkers who pointed out already in the
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twentieth century that psychoanalysis is a
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probabilistic discipline, and if it is a
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science, then it is probable on a basis and
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probabilistic in what way sense that we are
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really faced here with the fact
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that we will never be
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able to ask anything from Leonardo da Vinci, just like
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many of his descendants witnesses, yes, that’s all
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that we can find, yes, here are
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some
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records, and so on, yes, that is, with this, your
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own comes call matter, and in this
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light, it is very important here,
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perhaps, to use one purely
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psychoanalytic concept with which Freud
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bordered more seriously and even write
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and devote an entire work to this very important
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concept of the concept and a very important
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clinical one to understand and make the
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constructions understand, that is, something that is so
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impossible in force the
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absence of this or that material
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to get to
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must be
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constructed or the river,
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that is, roughly speaking, why Freud
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pointed out that psychoanalysis is very
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close to archeology; moreover, he himself
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wanted to call psychoanalysis set
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archeology because this name is
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already taken that such a discipline already exists,
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but he has analogies with archeology from
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time to time in one
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text in another, and it’s clear that
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every analogy at some point
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reaches a dead end beyond the differences and so
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on, but
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there is a certain similarity in this
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text, perhaps, and you when taxes are very
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appropriate because Freud is like an
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archaeologist, yes, that is, who suddenly, with the
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help of brushes and other tools,
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digs up the remains, literally fragments, and
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points out nothing else has been preserved, there is
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nothing else and there is no writing about that yes
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no those who were present and would say that there
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was something to compare there is only this
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this is an assumption, since all that
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remains for us to do is to
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construct something from this, and then
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this probabilistic
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move appears before the invention of the design of logic,
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most likely relying on this, this
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thing was like this, but this should not be
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given
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as if yes this
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shade of scientific thought that they say here is a
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reference to the facts of the bereke check
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accordingly confirmation no more than
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that yes yes we are talking about the
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subject when we are in
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psychoanalytic pain we understand that the
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true subject it is revealed in
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fantasy and fiction yes this is exactly the
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thesis that in free generally invented everyone
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it exists in
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1897, I am already 13 years ago, he
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constitutes it and
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introduces the concept of psychic reality to
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which disciplines psychoanalysis is engaged in the
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question of what the 200 channels of the
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psychic reality of the subject are. the question
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of which subject is always singular,
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yes, in this case, Leonardo da Vinci,
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there is no second Leonardo, there
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will never be such a subject again,
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we will never find such a person who wants, we will never
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find similar mental life, yes, that
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is, here is all the material,
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accordingly, please tell me what
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Freud wants in this work, what is his
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desire, what doesn’t he write and why did he write this
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book this text one
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children’s studio for beginners as an idea
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by the way I heard about this it seems to me
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just like that from sitting thinking why he started
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writing the work
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of course on the one hand I think that
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this his great passion, in principle, for
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art and he can’t hold on to his
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great interest and curiosity
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on the other hand, what he does is
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essentially and constantly more than once
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apologizes and makes excuses more than usual,
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he takes well, that
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is, a conditionally dead person
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dead in quotes as as and drive zero
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into nova and he will try to make a living person out of him,
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make a subject out of him,
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and as if to
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illustrate with this
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example
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that well, that is, that geniuses are not just a
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mystery, but that is, that there are some
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logical grounds that all this is
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happening it’s not just that, for example,
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where did the research
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interest of Leonardo da Vinci come from, that is, he
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says that it is conditional there and from
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childhood when repression occurs and
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so on, intellectual activity is
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very cool, it is necessary to link artists
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with art, yes, that is, first
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research activity is
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art art for that is, they fade
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into the background and a
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picture of the subject is really built up;
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another question is that here,
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how to say
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Leonardo da Vinci, you will no longer help, but
00:19:21
this may be interesting from the point of view,
00:19:26
well, that is, it may be interesting for
00:19:28
us because we can see in
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art, for example firstly,
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something else because you and I by chance,
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psychoanalysis penetrates which
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art and
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his way of looking at approximately these
00:19:40
paintings is exactly the same way that he
00:19:43
looks at the bottom of a dream, that is, he
00:19:45
takes the elements of the picture and he looks not
00:19:48
so much by themselves,
00:19:50
well as if symbolism in itself, how much
00:19:54
symbolism is the
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arrangement, the relative arrangement of
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the elements in the picture, plus not just the
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relative arrangement of the elements in the
00:20:02
picture, but why did this person depict
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them in the picture, what does this have in his
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history is that I can say where
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this bird, this tail, and that come from
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yes, he refers us to this
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memory, all of this is conditional, as if
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speculative, it was not in a certain
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sense, it’s all
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taken from sources, he’s just
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building a logical picture of this,
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this is very interesting and but it seems to me that this is
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also a method, like for example the case of 5
00:20:35
famous cases, this is also a way
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to look at how
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psychoanalysis works in general and
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well, plus it’s interesting, of course, read
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sublimation because sublimation
00:20:48
still has a lot of questions and it seems to me that
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Freud has a lot of questions about this
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phenomenon and here it seems to
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fully
00:20:58
unfold and thoughts on this
00:21:00
matter are the same It seems to me that this is his
00:21:04
attempt to enter this area through
00:21:07
Leonardo da Vinci,
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Anastasia, thank you again,
00:21:13
accordingly, I really liked
00:21:15
your statement about the fact that
00:21:17
here we see or can see how
00:21:21
psychoanalysis works, just as
00:21:24
we can touch it when analyzing
00:21:27
clinical cases and in this light,
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really, how psychoanalysis works,
00:21:33
how the apparatus of psychoanalytic
00:21:36
thought is structured, yes, that is, literally like this, and
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indeed Freud, of course, does not
00:21:43
want to get excited either, and that is,
00:21:46
accordingly, Freud is not not
00:21:49
an art critic, he gave this important point, and
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that is, it is
00:21:53
clear that he is addressing to
00:21:56
works of art but like those
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works that were left by Leonardo
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da Vinci and in what context
00:22:05
the context of repetitions which Freud's friend
00:22:09
repetition is generally a psychoanalytic
00:22:12
concept with what we deal with as a
00:22:15
clinician as psychoanalysts with
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repetition yes, that is, something is suddenly
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repeated on a thing
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who is in one yes
00:22:25
in one system of ideas about in
00:22:28
another top 3 take away any repetition
00:22:32
yes but also some other
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structure some kind of logic to
00:22:38
some kind of organization
00:22:39
accordingly then how to pay
00:22:41
attention to a smile that is, a smile
00:22:44
is imprinted I obsessively capture before
00:22:47
Leonardo completely different characters in the
00:22:51
picture, that is, literally a certain feature,
00:22:54
literally a thread, a partial object,
00:22:56
literally a certain partial element
00:22:59
that suddenly repeats from picture to
00:23:01
picture and it is clear that for Freud this is a
00:23:04
question of what this smile means for us
00:23:09
for Leonard's plan to repeat why
00:23:12
a smile suddenly meets the subject from where,
00:23:15
that is, he meets his
00:23:17
own seemingly picture, that is, that
00:23:20
suddenly the subject is haunted by
00:23:23
why nothing comes back, that is, something
00:23:26
that we don’t remember remembers us, here
00:23:29
she is, psychoanalytic logic until a smile
00:23:32
consciously forgotten honor yes yes does not
00:23:35
prevent this smile from Leonardo remembering and
00:23:38
remember the logic of obsessive repetition,
00:23:43
but this moment is kind, tied to the
00:23:47
concepts of construction to that essence, if
00:23:50
only if you
00:23:55
tell me what this text is about in one layer, it was not
00:23:58
looking for this textual construction, that is,
00:24:00
Freud here is really engaged in
00:24:02
constructing the
00:24:04
construction of the history of the subject
00:24:06
based on a minimal set of that which
00:24:10
can be used
00:24:12
accordingly,
00:24:15
what else did I want to say about
00:24:18
what this text is also an article about,
00:24:22
referring to your commentary, what
00:24:25
this text is really about, that is, on the one
00:24:27
hand,
00:24:28
Freud doesn’t just take
00:24:31
Leonardovich,
00:24:34
that is, from a huge number of quite
00:24:37
bright people, very from such but extraordinary,
00:24:42
to put it mildly, about whom much more could have been
00:24:44
known, he takes precisely Leonardo,
00:24:47
it is clear that it is not without reason and here it is impossible
00:24:51
to give one single comment
00:24:54
what is the desire of fredag ​​than he writes the text
00:24:57
he immediately has many
00:24:59
goals that he pursues and moreover
00:25:05
moreover and then it is clear that
00:25:08
identification from Leonardo da Vinci takes
00:25:10
place, so I would like to say that in
00:25:13
some sense Freud is interested in himself
00:25:16
through Leonardo, it is clear that an
00:25:20
art connoisseur has arrived, a
00:25:22
collector of various objects of art, a
00:25:26
lover of antiquities and, accordingly,
00:25:28
Leonardo da Vinci is
00:25:29
really
00:25:31
very revered by their characters in history and
00:25:36
accordingly, regarding Leonardo,
00:25:41
what is the trait or maybe more than one, even
00:25:45
what ideas do you have about what traits can we be
00:25:48
talking about when we talk about the possible
00:25:52
identification of freedos Leonardovich himself,
00:25:54
his interest in understanding this figure, I
00:25:58
ask you,
00:26:00
hello, it jumped out at me quite strongly
00:26:04
in the text, well and in general, in
00:26:06
principle, Leonardo da Vinci is an extremely
00:26:08
extraordinary figure and Freud himself is an extremely
00:26:11
extraordinary figure, that is, this
00:26:14
passion for research was far
00:26:17
ahead of his time, this is the refusal of
00:26:20
some practical
00:26:23
applications of
00:26:24
his works, well, that is, Freud also
00:26:28
had a period when he, as it were, refused
00:26:32
some kind of clinical
00:26:36
therapy directly there from studies of
00:26:40
nervous activity in
00:26:42
order to go into the sphere, so to speak, of
00:26:45
the study of terra incognita, which,
00:26:48
in general, no one had done before, and it
00:26:51
seems to me that
00:26:53
through this global figure of
00:26:56
Leonardo da Vinci, through this here his
00:26:59
flight of thought, which was very much
00:27:01
ahead of its time, the project tried
00:27:04
to explain some, including its own
00:27:06
internal processes, because he,
00:27:09
in general, also
00:27:14
had, so to speak, some difficulties in
00:27:18
understanding his father initially, and
00:27:23
he also had
00:27:25
some great identification with his
00:27:28
mother, it seems to me that there are attempts
00:27:31
to explain how Leonardo da Vinci came to
00:27:35
his unbridled flight
00:27:40
of research, Freud
00:27:43
also did it for himself, too,
00:27:45
thank you very much, thank you for the comment,
00:27:49
too, that is, there really isn’t a single feature, but there
00:27:52
may be some way we are talking
00:27:55
about codification of Leonardo
00:27:57
Freud’s admiration with one On the other hand, there is indeed an
00:28:00
attraction to the knowledge of shooting before
00:28:04
this concept, which also occupies one
00:28:07
of the central places in this text, Frith
00:28:10
devotes it to understanding its development,
00:28:13
but a significant fragment to the brother is an
00:28:16
attraction to identification; moreover, yes, this is a
00:28:20
continuation of what question and where does the
00:28:23
cape come from? there is the whole
00:28:27
psychoanalysis of the essence of the date of persons and the theory of the
00:28:29
formation of the subject, but this is also
00:28:33
the discipline of
00:28:35
thought about the thought itself, what
00:28:39
organizes, that is, thinking itself, the thought itself,
00:28:43
where the thought comes to us from,
00:28:46
this is a question that worried Freud even
00:28:48
before the invention of psychoanalysis,
00:28:50
respectively, for a couple everything
00:28:52
was invented with patients and
00:28:57
it’s clear that, by the way, in
00:29:00
the questions that were sent to me, yes,
00:29:03
there are tails from different
00:29:07
people, and that is, a question about
00:29:10
these points with a request to clarify
00:29:14
these three possible fates of connection with
00:29:18
thinking and sexuality of connection with the
00:29:22
intellectual and sexual, and despite the fact
00:29:24
that a
00:29:25
very important point, psychoanalysis removes
00:29:29
many positions, just as the norm is
00:29:32
pathology, then the positions are removed; the
00:29:36
opposition between the external and the internal
00:29:38
is removed,
00:29:41
respectively; in the same way, the
00:29:43
opposition between the intellectual and
00:29:45
sexual is removed, literally 1 is at
00:29:48
some point a continuation of the other and
00:29:50
on the contrary, yes, that is, it is
00:29:53
very difficult to separate one from the other, and in this case,
00:29:58
yes, we are faced with such another
00:30:01
dialectical bit, and when Freud
00:30:04
tries to comprehend
00:30:07
in general, yes, that is, the logic or structure of the
00:30:11
intellectual formation of the
00:30:15
subject through the fate of his sexual
00:30:20
drives, and the fact that drive is one thing from the
00:30:23
fundamental
00:30:24
concepts quietly us through which in general
00:30:28
everything actually lined up what
00:30:30
is the formation of the subjects of the organization
00:30:32
judging by the reason everything yes that is how
00:30:34
differently cleaning what Freud is doing in this
00:30:37
text is trying to comprehend the fate of
00:30:40
Leonardovich’s passion and comprehend
00:30:43
based on what the alloy is based on
00:30:46
that relying on
00:30:49
fantasies, memories of some
00:30:53
repetitions, and that is, at this point, Freud has an
00:30:56
absolutely psychoanalytic position,
00:30:59
pay attention to repetition, pay
00:31:02
attention to some breakdowns and in speech,
00:31:06
pay attention to what breakdowns and
00:31:08
junctions of inhibition of
00:31:12
repetition and
00:31:14
one single
00:31:16
fantasy of memories as he her calls
00:31:19
by the way there are memories Fred
00:31:21
calls with a hyphen fantasy
00:31:23
memory a super important moment
00:31:26
is being prepared what are we talking about yes when
00:31:29
we approach the price of this work is it
00:31:32
a memory or is it a fantasy of this
00:31:33
both
00:31:35
respectively this is a question of memory and
00:31:38
accordingly
00:31:41
returning to Freud and the figure of Leonardo
00:31:43
really there is a moment of
00:31:46
identification, it is clear that in
00:31:49
the treatment of knowledge,
00:31:51
Freud himself was haunted by the United States from very
00:31:55
early years before in terms of the fact that
00:31:57
he himself, of course, discovered it
00:32:01
a long time ago and then the opportunity presented itself
00:32:05
to try to comprehend
00:32:07
such a subject as Leonardo da
00:32:10
Vinci
00:32:11
and who also had a
00:32:14
very developed beginners' lack of knowledge;
00:32:17
moreover, Freud's attempt to at least somehow
00:32:22
try to begin to conceptualize
00:32:25
sublimation, despite the fact that we really
00:32:29
want to repeat ourselves after our
00:32:32
colleagues from the belt, many for an octave;
00:32:35
this moment reveals that harm does not have a
00:32:38
developed theory of sublimation
00:32:39
of any kind - or here is a clear full-fledged from and
00:32:43
yes no yes that is, this field remains and
00:32:47
vision as he will speak in the twenty-
00:32:49
sixth year that is what is left for
00:32:52
as an open system until for a possible
00:32:55
return to this point of
00:32:58
reflection rethinking the
00:33:01
development of
00:33:02
animation as a possible way of thinking yes but at the
00:33:05
same time, there is something about sublimation
00:33:10
as it is
00:33:13
about another or one of the possible
00:33:17
destinies,
00:33:19
or as I would like to clarify, it is not easy to
00:33:22
judge the
00:33:25
trajectory in the lich to one of the possible
00:33:29
trajectories that are completely special, as if
00:33:32
speaking about sublimation,
00:33:34
Freud
00:33:36
emphasizes that
00:33:39
this is a different trajectory according to in which
00:33:42
attraction can begin
00:33:44
to function in general and
00:33:46
the trajectory seems to be not entirely comparable
00:33:49
with two other possible
00:33:52
trajectories in two possible paths
00:33:56
I pause some comments now
00:33:59
I ask for comments questions
00:34:01
can you allow me for this small addition
00:34:04
you said that if they
00:34:08
asked you what this text was about and said they
00:34:10
answered quickly about the design, including
00:34:14
I would like to come on, what are you for me,
00:34:16
for example, it was on the sperm bottoms
00:34:18
because Freud shows how he, in exactly the same way
00:34:22
as the Zant channel, using
00:34:25
representation, rewrites his
00:34:29
present and future, and in the same way,
00:34:32
Freud uses representation,
00:34:36
literally rewrites the understanding of
00:34:39
Leonardo himself yes Vinci and future understanding, we are
00:34:42
sitting now discussing a
00:34:44
completely different context if everyone else,
00:34:48
well, how are we, not that the context is completely
00:34:51
different,
00:34:53
using in hindsight these
00:34:55
ideas we get the real one
00:34:58
just like the picture and this is the
00:34:59
question above the ground zman very clearly
00:35:01
reveal the work and there, even by the way, if
00:35:03
not Leonardo da Vinci himself, the fantasy
00:35:05
says that after this moment I can
00:35:07
always consider there that I have to paint a
00:35:10
picture and it hurts, after recognizing
00:35:13
his own, he reads himself here, can these
00:35:17
moments be very important for the
00:35:20
design itself and
00:35:22
determinism, this is the work
00:35:25
day and thank you thank you very much
00:35:28
the comment is of course that is and then
00:35:31
you can generally say this it is also
00:35:33
a text
00:35:34
about the measurement of memory in psychoanalysis
00:35:38
including before since you have already said its
00:35:40
mechanism after the action through which
00:35:44
we comprehend the structure of the memory of the
00:35:48
human subject and the
00:35:50
position of the square determination or about the
00:35:53
holy Perm, Vova did not dare to multiple
00:35:55
causation like Freud and calls uber
00:35:58
determined this word to overthrow
00:36:01
termination and multiple causation,
00:36:04
but it’s clear that we are
00:36:08
constantly
00:36:10
confronted, constantly speaking in general about the
00:36:13
fabric of mental reality, that is, the
00:36:17
spheres of determinism as a way of constructing the
00:36:21
mental, that is, neither one mental
00:36:24
phenomenon does not have
00:36:26
one single linear cause, there are
00:36:29
always many reasons and they seem to have a
00:36:34
non-linear
00:36:37
nature of organization,
00:36:39
perhaps so, that is, it is also
00:36:41
tonally timed,
00:36:44
which is remarkably hidden
00:36:47
when we carefully read how agility
00:36:49
approaches just the same to the central
00:36:51
element, that is, to that very one
00:36:55
memory, despite the fact that here is one
00:36:59
childhood memory you probably already
00:37:01
know that
00:37:03
this can offend the
00:37:06
psychoanalytic ear when it comes to a
00:37:08
childhood memory, this is literally
00:37:11
the wording that sounds like we don’t have
00:37:13
childhood memories but we have
00:37:15
memories about yes, about
00:37:19
what we consider to be our childhood
00:37:21
memories, but we remember mine as if in
00:37:25
hindsight and
00:37:27
it is true that what we remember
00:37:31
was not at all thick in reality,
00:37:34
and
00:37:35
yes, Freud thought about this in great detail, the
00:37:37
psychopathology of everyday life
00:37:39
to what memory is a
00:37:42
dynamic thing,
00:37:45
that is, it is not something static in the spirit of
00:37:48
perception and memorization of accumulations, no,
00:37:51
that the formation of the subject goes
00:37:55
in parallel with the
00:37:56
rewriting after the actions of his entire
00:38:00
past, and any new random
00:38:02
event that meets the subject with the
00:38:05
present from the future is capable of
00:38:08
rewriting,
00:38:11
rethinking, reorganizing his
00:38:14
past memories whether his memories
00:38:16
about the past will be the most
00:38:19
strict sounds like memories about
00:38:21
childhood about the past, yes, that is, like this,
00:38:24
accordingly, let us also address the question of
00:38:28
what psychoanalysis deals only with
00:38:29
the past, no, we cannot say that
00:38:32
psychoanalysis deals only with the past
00:38:34
because we have deal with one
00:38:37
psychic surface in which all
00:38:41
possible times are suddenly organized into a
00:38:43
very complex formation and in this
00:38:47
light, and by the way, speaking of what did Freud
00:38:50
even pay attention to and at this point
00:38:52
clearly a psychoanalyst why did he even pay
00:38:55
attention to this fantasy you are
00:38:57
not there Leonardo what
00:39:02
what attracted his attention and
00:39:05
why suddenly this is exactly what he says about the
00:39:08
first ones, that it stands out from the
00:39:11
general narrative, but it’s cool for me
00:39:14
secondly, but the memory itself,
00:39:18
its structure suggests that most
00:39:20
likely these are covering memories and in
00:39:23
fact you can find symbolism
00:39:29
I wanted to add a little
00:39:32
if turn to the full quote and
00:39:36
look at all the memories that
00:39:38
Leonardo da Vinci describes,
00:39:41
he writes that Porsche is my destiny and only
00:39:45
after that does the quote
00:39:47
that Freud gives go further,
00:39:49
that is, more significantly than this is
00:39:51
said,
00:39:54
thank you very much Natalya for the addition, that
00:39:58
is, on the one hand, and here, by the
00:40:00
way, a very important point and how
00:40:03
meticulous Freud is and how
00:40:06
attentive and strict he is to himself, he does not
00:40:09
allow excesses, that is, he
00:40:11
tries to maintain strictness in general,
00:40:14
if that is, the support goes on what to call the
00:40:16
subject, that is, their analysis in general,
00:40:20
what are the support points of HIV the subject is what the
00:40:22
subject says, not what he thinks, or
00:40:24
the psychoanalyst can speculate, of course,
00:40:27
that one can speculate, but also based
00:40:31
on some strict grounds, and in this
00:40:33
light, Freud here also shows me, it seems to me, a
00:40:36
very striking example of
00:40:38
analytical work, and that is, as if we are
00:40:41
talking attempts to operate
00:40:43
consistently on
00:40:45
what was said by the subject on the fact that his
00:40:48
friend was dropped somewhere, but
00:40:50
accordingly, he really could not help but
00:40:52
pay attention to what Leonardo himself
00:40:54
says about
00:40:56
doing korzh and, moreover, in what
00:40:58
context it happens in his personal diary
00:41:01
where Leonardo da and this It was noted by many that
00:41:05
if you needed anything, you still didn’t write enough for yourself, and he
00:41:08
wasn’t the kind of person who would be there to
00:41:11
smear
00:41:14
many pages of the pub, I’ll be of my feelings
00:41:17
to the impression of nothing and other things before what
00:41:20
Islam wrote, then
00:41:23
his notes were very limited,
00:41:26
laconic, concerned some business
00:41:29
issues with which he was busy and
00:41:32
this is even more for Freud to
00:41:36
enhance the effect of what he could
00:41:39
n’t resist here, what suddenly broke through to
00:41:42
what suddenly
00:41:45
invaded the entrance of conscious thinking
00:41:48
subconsciously, that is, from some other
00:41:52
scene, a friend at that moment
00:41:55
literally explodes from what Leonardo da Vinci
00:41:58
cannot refuse and is forced to
00:42:00
write it down that yes, really
00:42:03
thinking, yes, that is, they were not taught
00:42:05
to think about the flight of kites, it is known
00:42:08
that Leonardo was the inventor of sketches of
00:42:11
flying machines, it is clear that
00:42:13
this was a strictly scientific attempt at
00:42:16
scientific work in general, and suddenly yes he is interrupted
00:42:19
and write there, probably fate itself was
00:42:22
destined to engage in the flight of a kite
00:42:25
dos and systems that gives me no rest
00:42:29
until the memory of that and then there is a
00:42:33
literal description of how, as if I
00:42:37
was still in the cradle, I
00:42:41
saw how a kite flew in and many
00:42:47
times its tail collided with my lips and
00:42:51
moreover, the second moment on which
00:42:55
to draw a small moment 1 the very
00:42:58
suddenness of the surprise, yes, that is, for
00:43:01
Leonardo Rst himself, suddenly he
00:43:04
wrote it down nothing like this anywhere in the
00:43:07
notes for me, fifty something important,
00:43:09
probably something that is knocked out in general, that
00:43:12
is, it breaks the homogeneous fabric and
00:43:16
narrative up to, respectively, the second
00:43:18
moment that worries Freud and what
00:43:22
kind of countries are these memories,
00:43:25
that is, in general, writing the very character of
00:43:28
this scene itself, yes, it makes you think, and the
00:43:32
third moment, why does he remember this at all, that
00:43:34
is, what makes him
00:43:38
remember in the first place is this very thing and
00:43:41
express to others before interrupting from the
00:43:45
main thoughts and
00:43:47
what this might even be like,
00:43:49
we remember and as if
00:43:51
the scene is of a fantastic
00:43:55
nature, I
00:43:57
pause, someone asks for words in this
00:44:01
vein, we probably can’t say that
00:44:03
these are covering memories, and therefore that the
00:44:05
covering memories usually
00:44:07
seem insignificant, yes, it seems
00:44:09
like an unimportant armor on this
00:44:11
employee, this sculpture is a significant,
00:44:14
very important subject. It’s not for nothing that da Vinci
00:44:16
writes in such bright colors, in this
00:44:20
regard, it seems to me that this is some kind of
00:44:21
structure that
00:44:24
allows him to recognize himself like
00:44:26
some artist for some genius
00:44:28
plebiscite his destiny through the
00:44:33
education of
00:44:35
fantasy, it seems to me that this is very important
00:44:37
because in the same way of analysis,
00:44:41
in analysis he builds a structure
00:44:44
through which he then thinks to himself through an
00:44:46
ax he me from himself and through
00:44:50
which allows him
00:44:53
to resolve his problems here, this
00:44:55
sculpture,
00:44:56
some signs
00:45:01
of a shadow, thank you very much for this valuable
00:45:03
comment, indeed, we are not
00:45:06
just talking about some fragment of a covering
00:45:10
memory that
00:45:12
dropped out so discretely, we are really talking about something
00:45:14
more fundamental, moreover, yes, that is,
00:45:16
what we discovered on date and it became
00:45:19
that Leonardo himself talks about this, that
00:45:22
when he was literally in
00:45:25
infancy, that is, for Freud, the immediate
00:45:28
question is whether a baby can
00:45:31
remember in principle, so that later
00:45:34
snow and clarity will be reproduced,
00:45:37
and so the question of his memory before which he
00:45:40
discussed in quite some detail
00:45:42
the psychopathology of everyday life that
00:45:44
remember we start only from a certain
00:45:46
moment, and the fact that yes, what happened before the
00:45:51
moment when we began to remember ourselves does not
00:45:55
mean that nothing happened, another
00:45:57
thing is that all this experience will be
00:46:00
retrospectively Perry organized rewritten
00:46:03
in accordance with other impressions
00:46:08
in In this light, why does he talk about
00:46:10
fantasy
00:46:11
that something like this could not have happened, but
00:46:14
probably some of this still took
00:46:18
place, it left its mark and was
00:46:22
retroactively
00:46:24
processed into a similar
00:46:27
fantasy of memory, that is, we are
00:46:30
really talking about what Lacan of
00:46:33
scam would be called a phantasm in the dictionary, but
00:46:36
when it comes to no
00:46:38
fundamental matrix and not just about
00:46:42
covering knowledge about something more
00:46:45
fundamental because there is
00:46:49
in this fantasy memories a
00:46:51
minimal set of something important a
00:46:54
minimal set in
00:46:56
general relationships jeunesse than a question
00:47:00
is even a verb do that is, a
00:47:04
certain fundamental structure that
00:47:07
can generally determine the entire
00:47:10
mental reality of the subject, the ways of
00:47:12
his future arrangement of relations with
00:47:15
others, so that we are talking about two places
00:47:16
about activity and passivity,
00:47:20
respectively, a certain and
00:47:22
subsequent element appears that, in general,
00:47:25
bypasses
00:47:27
the tail
00:47:29
here, it is very appropriate before actually
00:47:32
paying attention to what 200 so
00:47:35
questions to the question arose that very
00:47:38
often he reads the text for something he doesn’t pay
00:47:41
attention to this petty read in detail
00:47:43
in the Russian case something like what is
00:47:48
Freud for electing Shchenev on many people say
00:47:50
how is he I could, like,
00:47:53
get stoned like this or go crazy,
00:47:56
imagine the tail of a kite as the
00:48:00
penis of a male sexual organ, yes, that
00:48:03
is, how, how, yes, that is, in shape, which
00:48:07
resembles friends, well, if everything
00:48:10
were like that, then indeed
00:48:12
we ourselves could pose the general
00:48:15
question of
00:48:16
how - so to Freud, yes, that is, a strict
00:48:20
psychoanalytical design of my supports
00:48:22
and the presence of subjects and suddenly such a
00:48:25
generally insane savagery to accept the date by
00:48:31
yes, that is, I am now talking about an
00:48:33
imaginary interpretation, that is, an attempt to
00:48:35
suddenly replace the first element with an
00:48:37
imaginary one, take it from the head literally
00:48:39
to the other a fantasy element without relying on
00:48:42
any logic and lyrical constipation,
00:48:44
but what is the subtlety here that I’m
00:48:47
talking about now, who noticed it,
00:48:49
please tell me why this interpretation is
00:48:51
strict, I ask Anastasia who holds out
00:48:55
her hand
00:48:56
in Italian and in general these are synonyms
00:48:59
and that is, the tail and the
00:49:01
genitals sound the same, as we
00:49:05
remember Leonardo da Vinci, the dance is
00:49:08
his native language,
00:49:09
and so the most key point, thank
00:49:12
you very much, what is in parentheses
00:49:14
if the text is in a normal translation, I saw it
00:49:18
once, the translation is
00:49:22
absolutely terrifying, the author is not even indicated
00:49:24
just to some kind of machine, apparently it is
00:49:27
published in paper form, do ours, I
00:49:29
was horrified, I’m writing there, these words
00:49:32
in Italian are not indicated at all, not a single footnote is missing,
00:49:36
a nightmare, friends, even on the Internet there is a
00:49:38
good translation, I just got it for myself
00:49:41
[music]
00:49:43
I found them, respectively,
00:49:46
really Nastasya we are talking about about
00:49:49
one single word that
00:49:54
Leonardo writes down not by Freud, if you
00:49:57
suddenly light something like this is a long tail,
00:50:01
probably in shape, it reminds of
00:50:03
nothing between the tail and the tribes, she has
00:50:06
nothing in common at all, but no more
00:50:10
than between and I don’t know the leg and the sofa
00:50:12
there where and because of something, it is clear
00:50:16
that there is no and we are really talking about the
00:50:19
word tail, yes, this is the
00:50:23
Italian word for code, and those who
00:50:26
have studied or become acquainted with musical
00:50:28
literacy, even at the most basic level,
00:50:31
know that the word for code, yes, this means
00:50:34
the end of
00:50:35
the work for example code korzh it is
00:50:39
literally the end in this case and Freud
00:50:43
clarifies everything for us, what do you know in
00:50:46
Italian the word end the word code
00:50:50
it actually has a
00:50:53
type of slang meaning before, as in
00:50:57
many other languages,
00:50:59
Freud's report in Italian including
00:51:02
code has
00:51:04
an end then
00:51:06
in this language dermo tekke the meaning of the
00:51:10
male genital organ
00:51:12
friends in Russian this also takes
00:51:15
place before the word end this is also
00:51:19
slang often ladies then
00:51:21
we also encounter that the end is
00:51:26
really a word to designate the
00:51:29
male genital organ
00:51:32
accordingly again everything in the dimension of the
00:51:34
word occurs the
00:51:36
interpretation of pride starts from the word
00:51:41
or how said fibers from the signifier, yes,
00:51:43
that is, literally, formally, that
00:51:45
is, from the fact that we see, not just that the
00:51:47
ladies with them themselves, from the fact that they
00:51:50
appear,
00:51:51
that the code is what code is this, what is this
00:51:55
tail by tail,
00:51:56
this and the tail is one this and the end once the
00:51:59
sea I ask you to I just really
00:52:02
want to emphasize that it’s not only the
00:52:03
word itself, it’s just this word,
00:52:05
although it already indicates such a connection, but
00:52:08
about this it very well reconstructs
00:52:11
the context of the
00:52:12
meaning of the kite itself, and what does
00:52:16
the kite mean in specific yoga in a
00:52:18
specific area and he points out
00:52:20
here in different ways, now I do
00:52:22
n’t remember just some specific
00:52:25
references, but he directly shows something, for
00:52:29
sure Leonardovich should have
00:52:31
known these connotations in the body and
00:52:33
these are the features, and
00:52:35
in this sense we, as we understand, that
00:52:37
you are not a kite it’s just a kite that it’s
00:52:40
just, well, it’s like that in any case it
00:52:41
involves a whole chain,
00:52:44
that is, it is connected with other meanings and
00:52:48
in this sense you can’t ignore them, and it
00:52:50
seems to me that the colors in this are the essence of the
00:52:54
psychoanalytic method, so it does
00:52:56
n’t take on its own this tail, even
00:52:59
conditionally, he takes its
00:53:01
connections, connections, words, connections of these
00:53:04
elements and builds them up as if from the
00:53:07
side of this Sanka, like a ship, here it is, the
00:53:10
absence of any depth in psychoanalysis,
00:53:13
everything on the surface
00:53:15
they fit together like a puzzle, and it seems to me
00:53:19
that,
00:53:20
well, just tear out purely words from
00:53:23
it refers to different meanings, but
00:53:25
again, where as when referring to the drill
00:53:27
of the body, there
00:53:30
are always several connections, several
00:53:33
reasons
00:53:36
before the ifrit in this sense conducts an
00:53:39
investigation,
00:53:41
which seems just likely we are talking about
00:53:45
some really important fantasy
00:53:47
that seems to take the place of a
00:53:50
memory as if something was trying to be
00:53:54
remembered at the feast, it was signed up, it was
00:53:56
returned, but the form had already been rewritten,
00:54:00
having received its place in the past, Leonard of the
00:54:05
other side, that is, he is trying to
00:54:08
understand what the basis may
00:54:10
lie in general, also with a certain
00:54:12
degree of probability, if we are talking about the
00:54:15
infancy period from you
00:54:16
therefore, both oral zones about
00:54:20
which in this case Leonardo speaks of
00:54:22
calculations to the mother that he collided many times,
00:54:25
that is, a passive position of the baby in
00:54:29
the cradle, an
00:54:30
active figure, most likely it should
00:54:33
have been the mother who could
00:54:38
kiss the child many times but at the same time
00:54:41
she had what
00:54:43
she had was what she
00:54:48
actively influenced the baby like
00:54:52
any mother in relation to the baby,
00:54:55
I even said that it was before the
00:54:57
baby that’s who in relation to x
00:55:01
with the breast before, that is, accordingly, the
00:55:07
breast
00:55:09
was somehow overwritten on the move by the
00:55:13
mother replaced by a bird that is like a
00:55:18
kite, but here Anastasia would like to
00:55:22
make one note about Freud, but the
00:55:24
critics attacked the delivery in
00:55:27
this text, yes, they instilled in him the arguments
00:55:30
that he in general, well, so that everything is a complete failure,
00:55:34
he told us that you were mistaken there, no cake
00:55:38
than yours there was an incorrect translation and you
00:55:40
made a mistake there is not a vulture vulture and
00:55:43
therefore all your interpretations
00:55:45
went to hell Freud flexed his hands
00:55:48
but did not complain much, he really liked
00:55:51
the text which was rare cases before Freud
00:55:54
liked what he himself and this was
00:55:57
one of those rare ones he liked
00:55:59
despite the critics,
00:56:00
but it’s important to us that it’s not what we like, we don’t
00:56:04
like,
00:56:05
even if the cake is replaced with a vulture, there
00:56:09
still remains the code of what was from
00:56:13
Leonardo, and those probabilistic
00:56:16
interpretations through Egypt of the goddess Mut the
00:56:20
figure of the kite can really
00:56:22
move aside and not have the
00:56:25
importance that could have been the case
00:56:28
if not for ours, but the key
00:56:30
minimal element is preserved until the
00:56:33
code as it was, it does not
00:56:36
disappear anywhere, accordingly, the central one
00:56:38
through interpretation is preserved
00:56:41
regarding that very fantasy of appeal
00:56:45
further develops this idea, the
00:56:48
basis of which lies absolutely
00:56:51
innocent, as he writes, to an innocent
00:56:54
impression that is familiar to any
00:56:56
infant, then in these relations with an
00:57:00
active political figure, the only
00:57:04
meaning of the stripe in this period is played by the
00:57:06
mother’s breast as that protrusion that the
00:57:09
mother’s other has, and in this
00:57:12
case, yes, there is another line here, that
00:57:16
is, Freud and that the fate of attraction is Freud
00:57:18
and that memory, moreover, and is very concerned about the
00:57:23
topic of homosexuality in psychoanalysis, he is
00:57:26
trying to conceptualize it who
00:57:28
is a homosexual subject who in
00:57:31
psychoanalysis we can call
00:57:33
homosexual subjects and it
00:57:35
coincides with this and, as it turns out,
00:57:38
absolutely does not coincide with those who are
00:57:41
called homosexuals, let’s say with from an
00:57:44
external point of view that everything to the
00:57:46
analytical point of view of
00:57:48
this coincidence is not found, and that
00:57:51
is,
00:57:53
in this light, you want food to also point out
00:57:56
that Freud is also concerned about my own
00:57:59
sexuality, which
00:58:01
he undertakes to rethink in connection with a
00:58:03
very significant character for him
00:58:06
who was his life but the breakup began a
00:58:09
long time ago, this is Wilhelm, please,
00:58:12
because we are talking about ideal
00:58:14
homosexuality, which goes
00:58:17
beyond the limits, that is, technical categories like the
00:58:20
sexual act of sexual intercourse,
00:58:23
this is exactly what
00:58:25
brings together freebies Leonardo, that he could not
00:58:28
literally enter into a kite with those or
00:58:31
other
00:58:33
people, but this
00:58:36
nevertheless and still
00:58:40
leaves a reliable basis for
00:58:43
considering Leonardo a homosexual
00:58:45
subject from a
00:58:47
psychoanalytic point of view, although the
00:58:49
greedy project refers to
00:58:52
sources, that is, those who assumed
00:58:55
that Leonardo da Vinci was a
00:58:57
homosexual, and despite the fact that this is not the
00:59:00
case oh well,
00:59:04
yes, I already said that, I pause until I make
00:59:07
some comments, I ask
00:59:19
Freud, there is a wonderful connection
00:59:22
homosexual libido
00:59:24
narcissism sublimation in this triad
00:59:28
before in this in this
00:59:30
triple system of his thinking
00:59:33
lies in 1910 because he is literally about to
00:59:37
write a
00:59:40
work dedicated to the case schreiber and
00:59:43
where he continues to be concerned about
00:59:45
sexuality and,
00:59:47
accordingly, in
00:59:49
1914, literally, this will be
00:59:52
one of his fundamental
00:59:54
metrological works for an introduction to
00:59:56
narcissism, and that is, he will come to this
01:00:00
topic, we, according to Leonardo,
01:00:03
can say this is the preliminary stage
01:00:05
when his worries about all these topics, of
01:00:08
course, that the connection with one’s own
01:00:11
treatment to knowledge, the connection with introspection, the
01:00:14
connection with the understanding of one’s relationships with
01:00:16
others, including one’s own
01:00:19
homosexuality, homosexuality is a
01:00:22
relationship with oneself, in the first place, the
01:00:26
narcissistic logic of the structure,
01:00:28
respectively, in this regard, from the
01:00:31
psychoanalytic point of view of the United States you don’t
01:00:33
have to sleep with someone, give it away and
01:00:36
get caught in order to be
01:00:39
homosexual, and in the clinic, by the way, this is
01:00:42
manifested only in this way,
01:00:44
for example, a man comes and
01:00:46
tells something about his relationship with his
01:00:49
wife or girlfriend, and suddenly
01:00:52
it turns out that yes, exactly what in
01:00:55
the story It is precisely in those inconsistencies
01:00:57
that led him that his friend
01:00:59
gets along that in that female position
01:01:02
he finds himself in that position, the entire male
01:01:05
position is outlined by shadows to
01:01:08
symbolic marks that are inherent in a
01:01:10
man but
01:01:12
they are performed by his wife, that is, her
01:01:16
in this regard, yes or or wait before
01:01:19
the subjects talks about how the
01:01:21
females fell in love females
01:01:24
met when he encountered the
01:01:27
loving eyes of a woman, that is,
01:01:31
what is here and that is, from an external point
01:01:33
of view, I don’t know how I would say that but
01:01:35
this is a heterosexual couple, friends
01:01:37
from the inside, in a completely different way the subject
01:01:40
talks about homosexual choice
01:01:42
that as soon as he meets with
01:01:44
loving eyes, then these loving
01:01:48
eyes
01:01:49
ask who he falls in love with,
01:01:53
whether he meets himself with the loving gaze of
01:01:55
another, that only this trait pursues
01:01:59
from relationship to relationship dan is
01:02:01
their anticipatory mark of their anticipatory
01:02:04
beginnings, that the subject needs the
01:02:07
subject to love oneself through the eyes of
01:02:11
another, the other is needed insofar as
01:02:12
yes, but the fact that it will be precisely
01:02:15
homosexual, the logic of the organization and
01:02:19
involvement, among other things,
01:02:21
this becomes clear only in speech
01:02:25
and in such subtle details,
01:02:28
respectively, and also has something to do with
01:02:30
Leonardo, he that I don’t know the date and it’s all
01:02:34
clear that Leonardo da Vinci is
01:02:35
not at all Daniel half-schreiber, it’s
01:02:38
not Freud who knows very well about this and
01:02:41
that one would never understand about him to think
01:02:44
that he had some kind of feminine or
01:02:46
feminine traits, but that is, on the contrary, he
01:02:49
was physically tall, courageous and
01:02:53
from an external point of view, this is just the same,
01:02:56
well, in general,
01:02:58
absolutely, that is, in a male guise, the
01:03:02
subject is at the same time we are talking about
01:03:04
homosexuality to some special
01:03:07
order, also connected with sublimation,
01:03:10
please pause,
01:03:16
rather, not even just traces yes Vinci
01:03:19
connections with divorce to another
01:03:22
sexuality and about psychosis
01:03:26
I thought that is it even
01:03:29
possible or is it justified? Are you speaking
01:03:33
in a psychotic structure
01:03:36
in principle only possible for someone who has a
01:03:39
sexual relationship as such in the
01:03:42
sense of
01:03:43
going beyond the
01:03:45
brand’s imaginary limit, that is, is
01:03:48
it possible? Here’s how the
01:03:51
mirror relationships affected essentially, but this is
01:03:54
imitation
01:03:55
and isn’t this the only thing that is available
01:03:57
to a psychotic or or this is too rude,
01:04:00
well, I’m just trying to understand and how else
01:04:02
could this be essentially a
01:04:04
psychotic subject in a certain sense
01:04:08
and you can’t decide, he even in principle
01:04:10
rejects the question of gender and
01:04:13
there there are no men and women in the psychic
01:04:17
sense and it is always a relationship with
01:04:20
oneself in the final analysis,
01:04:23
a thought came to Anastasia’s head, they
01:04:27
touched on a complex topic that
01:04:29
suggests a digression on the topic of
01:04:32
psychosis and rather to the case of schreiber
01:04:34
and
01:04:35
Leonardo’s conversation
01:04:38
indirectly
01:04:40
another conversation complex duty now
01:04:43
the conversation will already be about psychosis, yes, that
01:04:48
same mirror logic,
01:04:50
after all, in the case of Leonardo, we are talking about a
01:04:54
different kind of structure.
01:04:56
Soon, of course, simple logic is not if
01:05:01
someone was told homosexuality, then psychosis,
01:05:03
but rather the other way around, if psychosis, then
01:05:05
inevitably
01:05:06
homosexuality in the sense in which it is
01:05:09
now voiced, yes,
01:05:12
that is, in general the concept of narcissism and
01:05:16
homosexuality, this is the whole
01:05:17
complexity of psychoanalysis and what we are talking
01:05:21
about homosexuality in the river of narcissism,
01:05:25
every subject is gamma sexual at its
01:05:27
core, all sorts of us, well, for example,
01:05:31
goes through the mirror stage, this is the phase
01:05:35
in which we
01:05:36
meet and appropriate our own
01:05:39
image which we load with swan flax yes
01:05:41
he artisy rowan otherwise
01:05:44
becoming will not happen my seduced by
01:05:48
ourselves before in our own image before
01:05:52
and it is in this that appropriation and in this
01:05:56
alienation
01:05:59
we can come and about homosexuality we are
01:06:04
talking of course in this
01:06:07
including that is not necessarily a
01:06:11
handsome man of choice object to take away oblige
01:06:16
not that is look at homosexuality
01:06:18
and the team are not identical because
01:06:21
sexual orientation in scientific
01:06:24
discourse is simply sexopathologists, sociologists
01:06:28
and so on until time in scientific discourse does not
01:06:30
coincide with many discrepancies, that is,
01:06:33
mental sex, symbol,
01:06:36
symbolic position and
01:06:39
body,
01:06:41
three different dimensions through which we are
01:06:43
conceptualized in psychoanalysis, that is,
01:06:46
biological sex which will also
01:06:48
somehow follow,
01:06:50
accordingly, the image of oneself, imagination,
01:06:52
gender and, accordingly, the position in
01:06:55
relation to this position in the culture of
01:06:58
men and women, that is,
01:07:01
gender, including yes, that is, three times
01:07:05
Kashin dimensions that can go in
01:07:07
parallel do not coincide enter into
01:07:09
conflict do not coincide and not to enter into
01:07:11
conflict, why do we see, but in
01:07:14
today’s culture, an extraordinary
01:07:15
development of diversity that did not exist, for
01:07:19
example, forty years ago, and now it is
01:07:22
already becoming almost mainstream, at
01:07:25
least in European culture. I’m
01:07:28
not the majority of the conservative ones,
01:07:30
although they also understood it restlessly,
01:07:39
if I understood correctly, it turns out that
01:07:42
homosexuality up to
01:07:44
2 speaks is built in the likeness of oneself,
01:07:48
then
01:07:51
it turns out that Freud
01:07:53
chooses Leonardo, among other reasons, because they are
01:07:57
similar to themselves, and if I understood correctly,
01:07:59
and in such pincers it turns out that
01:08:03
this is evil my nodal signifier to the
01:08:06
phallus of you alone it turns out as a
01:08:10
crossing signifier of the Freudian structures
01:08:13
that build and Leonardo da Vinci,
01:08:15
well, like a
01:08:17
representation from the ra of the structure to its own, it
01:08:21
connects with the structure of Leonardo da
01:08:23
Vinci which also thinks in a
01:08:25
certain way, but with them both
01:08:27
have this meaning of chaos and are able to
01:08:31
pass through even the structure itself, one
01:08:34
describes on oneself and 2 to prescribe to a friend a
01:08:37
very interesting moment,
01:08:39
it will become very complex, we produced it, I did
01:08:44
n’t even do it for everyone, but that is, I digested it very
01:08:48
complex, they said something to me in childhood, what the
01:08:51
speech wants to tell me here we are talking about you
01:08:53
again about another very important
01:08:57
psychoanalytic concept and
01:08:59
detailing the subject to what we are talking about the
01:09:03
fate of drives and also about the formation of
01:09:06
subjects about this case leonardo da
01:09:09
by how these destinies will turn out and
01:09:14
what place the subject will take at the end of the
01:09:18
logical ending of the Oedipal
01:09:21
complex in this case, yes, this
01:09:24
fantasy of memories for everything, this
01:09:26
global fundamental character, it
01:09:29
seems to convey something to the shoes of the
01:09:31
details of Leonardo da Vinci himself.
01:09:41
the way he
01:09:45
became and that is, with
01:09:48
those very features and so on yes yes
01:09:52
we are talking about an attempt to identify the very position of the
01:09:54
subject, he relies on what was
01:09:56
known that he chose for himself young,
01:09:59
beautiful young men, boys before whom he
01:10:02
surrounded himself as students with
01:10:04
whom he had patronage and to whom
01:10:08
I provided quite such tender
01:10:11
care, which in general knew no barriers, and that
01:10:15
is, in this light, that is, Freud
01:10:18
points to this order of places,
01:10:21
that through this fantasy, through the logic of
01:10:26
passage and like yes, we are talking about the
01:10:29
fact that most likely Leonardo
01:10:32
identified with the
01:10:34
place of that figure who once
01:10:38
provided care and love for himself,
01:10:43
then here we are faced with
01:10:46
just the same, one can say from fantasy,
01:10:50
including yes, that is, we are talking about the places
01:10:52
that the subject is able to occupy in
01:10:54
relationships and a
01:10:57
very important point Leonardo does not
01:11:01
become his mother and he does not
01:11:04
identify with her, but he
01:11:06
identifies with the place that
01:11:08
the mother occupied in relation to him,
01:11:12
you understand this is a subtle difference
01:11:14
when it comes to
01:11:16
identification, he is identification from place
01:11:19
to that is, identification with the image,
01:11:22
identification with place is 2 different
01:11:24
identifications
01:11:26
then there are, roughly speaking,
01:11:28
identifications, but by the way, we passed the
01:11:31
ram again, I remember we are talking about what
01:11:33
when a schreiber literally harms and
01:11:35
dreams that his body is becoming
01:11:37
female, that he literally feels his
01:11:40
female breasts, female genitals,
01:11:44
female pleasure,
01:11:46
we are talking about a completely
01:11:49
different order acacias, yes, there is
01:11:52
already such a psychotic character, the
01:11:55
body itself is already turning into a female Leonardo
01:11:59
that he dressed like a woman, that is, an
01:12:01
imaginary defect, we see a woman from the
01:12:04
mother, too, we cannot say, but it was
01:12:08
precisely the place of the maternal other that he
01:12:12
took to prepare the identification occurred
01:12:15
precisely with the place from which Leonardo
01:12:19
began to direct his libido to those
01:12:22
objects that were chosen by him in the
01:12:26
homosexual register, that is, in the
01:12:29
image and likeness of
01:12:31
himself as his mother loved him,
01:12:33
you understand, yes, this complex
01:12:36
organization, and that is, that the model
01:12:39
remained the same, and the place of the subject in this
01:12:43
model can be occupied by dependencies from the
01:12:46
history of dependence on destinies, treatment by
01:12:48
different
01:12:51
yes yes yes Anastasi of course,
01:12:55
regarding this particular identification scheme,
01:13:01
little Hans periodically pops up,
01:13:05
you can say that he was
01:13:07
identified also from the place of his mother,
01:13:10
because he says that
01:13:13
he will be first, that he will
01:13:16
have children. when he wants and
01:13:19
plus there were a few more moments
01:13:22
when he says
01:13:24
that you take care of children like a mother
01:13:27
takes care of him, well, after all,
01:13:29
this certain intensification is connected
01:13:32
with the mother, well, we can say that this is an
01:13:34
indication of the place,
01:13:37
rather in this case, you are
01:13:39
talking about the articles we are talking about the god of fiction by line,
01:13:43
yes, I remember the work of mass
01:13:47
psychology, analysis of the human self, 21
01:13:49
years old, where Freud talks about three types of
01:13:52
identification, yes, that is, that the face g
01:13:55
defecation of discord cannot be three
01:13:57
types, at least to take it in this
01:14:01
light, yes, what are you now, as an
01:14:03
example about the messengers, just indicate in aber
01:14:05
when little Hans says this when
01:14:07
God is 5 years old and, accordingly, we do not
01:14:12
assume his future fate at
01:14:15
this point, and Freud wrote about these
01:14:18
traits that are borrowed either from his
01:14:21
sister, or from a friend, or from his father, or from his mother
01:14:23
and grandparents and so on, yes, this is
01:14:27
exactly what we are talking about and defecation
01:14:30
relating to the assembly of one’s own self, that is,
01:14:32
the assembly of the subject, and when I borrow from
01:14:35
each one some feature and and defecation
01:14:39
with the place of another is more global in
01:14:42
nature, it is like
01:14:44
fateful drains from the point of view of logic, already the
01:14:47
Oedipus complex of little Hans,
01:14:49
in this case we were talking about a different situation,
01:14:53
they were talking about the fact that first we are talking about the
01:14:57
actual subject you are in the markets, that he is a
01:15:04
rivalry with his father, he still has
01:15:07
the completion of the story,
01:15:09
Lacan will emphasize until later
01:15:12
that this is the key question and which
01:15:15
allowed would allow him to take a place
01:15:18
in general to resolve everything the key question does not
01:15:21
find an answer Afghans yes he does not have his
01:15:24
own father on
01:15:25
his mother and he himself is even ready no his
01:15:29
own mother nothing fateful
01:15:33
happens until it allows the subject to
01:15:35
really enter into the law of castration
01:15:38
so on in this case yes he remains
01:15:41
in such a rival imaginary
01:15:43
relationship with his father, but with his father, yes, that is, there is a
01:15:46
rival there, still no, I can’t
01:15:50
say that they are 4 bowel movements never
01:15:53
there, in this case we are talking about the line
01:15:55
through which the
01:15:58
other side is indicated in
01:16:01
Leonardo we are talking about
01:16:03
more global defecation, yes, that is,
01:16:06
which allows the subject to become subjects in general, to
01:16:09
answer literally the
01:16:12
key questions: who am I, a man or a
01:16:14
woman, who do I love from what place,
01:16:18
yes, that is, how exactly do I love another and
01:16:22
in the light of this construction, until
01:16:26
this mechanism is revealed, which you need to
01:16:28
go through unfolds what an interesting
01:16:30
explanation one of yes, that is, which
01:16:33
cannot be extrapolated to all
01:16:35
subjects, including homosexuals
01:16:39
no this is completely different stories
01:16:41
datawiz but in the case of Leonardo yes Freud
01:16:45
will be this is no more likely than
01:16:47
that Leonardo identified with the
01:16:50
place of the maternal other from which
01:16:53
chose objects similar to my
01:16:56
past self, who I was for
01:16:59
my mother’s other, roughly speaking, I’m
01:17:01
interested in the place that my
01:17:04
mother once occupied for me, from whom I love those
01:17:08
similar to who I was for my
01:17:12
mother, this is the logic that
01:17:14
is called homosexual because
01:17:18
it’s about about
01:17:19
what about why homosexual is
01:17:26
that I love myself through the eyes of another
01:17:30
precisely in psychoanalytic locked and this is
01:17:33
how you love yourself through the eyes of another the formula of a
01:17:37
homosexual subject or the
01:17:39
homosexual position of the subject we are talking
01:17:41
about the position of course and it’s clear
01:17:44
that Freud writes there and the rim of defecation
01:17:46
along the line, which is
01:17:48
understandable it’s a matter of rivalry with
01:17:51
his father, crucian carp, passion for beautiful clothes,
01:17:55
some attribute that I most
01:17:59
likely had with my father and which
01:18:01
I discovered
01:18:03
when I was growing up, in general, in his
01:18:06
family, and so on and so on, it’s not
01:18:08
clear that this also took place but
01:18:13
one does not cancel the other I pause
01:18:17
some comments questions ask
01:18:24
a question I also wanted to clarify this point
01:18:29
the idea that fries were
01:18:33
her signs we are sexy and Leonardo da
01:18:37
Vinci it turns out in this work it is very
01:18:39
interesting that we have two
01:18:41
interpretations but interpretation Freud's
01:18:43
author's interpretation of the eternal reward for oneself
01:18:45
can be conditionally said and they are similar to each other
01:18:48
they are connected as I
01:18:52
said before this meaning stripes you
01:18:55
are talking about the position and these two
01:18:59
interpretations well, somehow it may
01:19:02
be too loud to say that Freud
01:19:05
liked this one structure only
01:19:07
because he recognized his structure in it
01:19:09
and it was not for nothing that he said that he didn’t really like that text
01:19:11
very much, that is, he sees
01:19:14
his position in it, I just assume
01:19:18
this after an interesting thought interesting
01:19:21
thought the similarity of these two interpretations
01:19:24
why this particular interpretation aroused
01:19:26
Freud’s interest and why Freud so much
01:19:30
why did you like your text interesting
01:19:35
gloss I can’t fully answer your
01:19:38
question but I would like to make a reservation that I
01:19:41
don’t see an analogy between Freud and
01:19:45
Leonardo exactly at the point that is now being discussed
01:19:49
3 something that is, any bowel movements from the
01:19:52
place of the maternal other then that
01:19:54
Freud, again, reading his diaries, his
01:19:57
biography in quite detail, a completely
01:19:59
different story awaits us identification with his
01:20:01
father's place in and in this light,
01:20:04
but completely different, yes, the logic of
01:20:07
formation and passage to go somewhere to
01:20:10
lead March in which he was
01:20:13
madly in love chose for himself in his wife,
01:20:18
perhaps, but in a completely different way, he does not
01:20:21
choose the
01:20:22
object of love in the image of himself, yes, that
01:20:26
is, we are talking about a male
01:20:29
position after all, his male place which he
01:20:31
relates to a woman
01:20:33
but not in a dream to correlate, yes, that is, in the case
01:20:37
of Leonardo, he was, in principle, worried the topic is
01:20:40
precisely in a clinical sense, that the code and
01:20:44
sketches and only a postscript, like
01:20:46
the text, when he encounters
01:20:48
homosexual subjects with
01:20:50
homosexual women, that is, at the
01:20:51
same time he is trying to
01:20:53
comprehend this topic until the tourist completely
01:20:57
discarding these arguments in favor of the
01:20:59
innate the nature of homosexuality,
01:21:01
some kind of white, some kind of biological, given a predetermined basis
01:21:03
based on the
01:21:06
psychoanalytic conceptual apparatus on the
01:21:09
psychoanalytic position and the fact
01:21:11
that the subject is born pure from the point of view of
01:21:14
his mental representation of
01:21:17
mental reality, that the very
01:21:21
method of choosing an object of love and the way it
01:21:23
goes through is very difficult organization is a very
01:21:25
complex history and that these histories are not
01:21:28
identical to each other and that the
01:21:29
organization of the organization
01:21:31
can be created in completely their own
01:21:34
ways by the force of various random events of
01:21:37
these circumstances of which the subject
01:21:39
turns out to be perhaps then, that
01:21:42
is, although at the same time
01:21:45
Freud will be busy comprehending his
01:21:48
own ideal homosexuality
01:21:50
is ideal in what sense from the point of view of the
01:21:53
phenomenon of falling in love and the obsession with
01:21:55
narcissism of everything that
01:21:59
connected x Wilhelm fleece when they,
01:22:02
being fascinated by each other, did not
01:22:05
recognize the fact that they were actually fascinated by
01:22:08
themselves through another
01:22:11
for which they did not distinguish themselves from each other
01:22:15
friend and
01:22:17
it is clear that this experience was and
01:22:23
he could not help but comprehend the future as a
01:22:27
psychoanalyst, but the point, of
01:22:29
course, is that he occupies the same
01:22:31
position as Leonardo during the day at this
01:22:33
point they are completely different subjects
01:22:37
in terms of the desire for knowledge, the fire
01:22:41
began that the attraction to knowledge and fate
01:22:45
is the involvement of why one subject,
01:22:48
the reason for knowledge, is written on the face somehow
01:22:51
expressed in another subject, in fact, to
01:22:54
take it in the treatment of knowledge, in principle, it is not
01:22:56
necessary to speak absolutely and
01:22:58
inhibition and blindness and the movement of thought
01:23:02
of curiosity and so on,
01:23:04
accordingly, what is the basis for this to sum
01:23:06
everything up, Freud points out that
01:23:09
every desire for knowledge comes from
01:23:12
some kind of firstly sexual and secondly
01:23:14
infantile interests and sources, that
01:23:18
we are talking about the point and
01:23:20
detail of the subject, that is, the Oedipus
01:23:23
complex in which, well, literally we are
01:23:27
talking about the appearance of a speaking subject
01:23:30
to a young speaking creature who
01:23:32
enters the tongue who enter the tongue
01:23:36
at the same time as discovering himself,
01:23:40
discovering those very key
01:23:43
questions that he brings down on
01:23:45
adults, trying to understand why the sky
01:23:48
is blue, why the trees sway, why
01:23:51
the spoon is sold down, and so on and so forth
01:23:54
free indicates that everything these questions
01:23:57
are derivatives of some
01:24:00
fundamental question that worries the
01:24:02
subject, yes, this is the question of where in the world it
01:24:05
wasn’t before me, and here I
01:24:07
saw the speaker raises the question about his
01:24:09
own origin,
01:24:11
the question about his own origin,
01:24:14
which is connected with the question about the
01:24:16
origin of children in general, and
01:24:20
that and the other has to do with the
01:24:24
sexual, hence the question, what
01:24:26
happens between parents, why
01:24:29
are parents parents, and what does
01:24:31
parenthood mean,
01:24:34
birth, and
01:24:36
it is on this plane that Freud would
01:24:38
place what he would call
01:24:40
infantile sexual theories, yes, that
01:24:43
is,
01:24:45
theories, that is, these are really
01:24:48
speculative constructions that a
01:24:51
smart kid tries
01:24:54
construct as theories
01:24:57
assumptions about the appearance
01:25:00
based on the material that he
01:25:03
has, that is, what material the
01:25:06
young court has, what
01:25:09
adults told him, and, as a rule, the date
01:25:13
that Freud indicates is that
01:25:16
in response to some absurdity of storks
01:25:19
being in cabbage and other nonsense
01:25:22
the child is initially struck by complete
01:25:24
distrust
01:25:26
distrust it is clear that the young subject
01:25:28
feels that the parents or photoelena the
01:25:30
adult that he is being deceived and that something is not
01:25:34
something real suggests that
01:25:36
something is not something that should not have been believed in the
01:25:40
question that the experience of one’s own infantile
01:25:43
sexualization erogenous zone, some
01:25:45
zones of the body before correlation with the body
01:25:48
of an adult, yes, that is, what will be
01:25:52
related to the open space closed to him,
01:25:55
to what will be
01:25:57
related to the construction of the first scene,
01:25:59
including yes, here is the question of what
01:26:02
happens between parents, to why
01:26:05
yours what does the father have to do with his mother,
01:26:09
who is Titz, and so on, everything that,
01:26:11
by the way, worried little Hans, such as the
01:26:13
desire for knowledge,
01:26:16
curiosity, sexual sources,
01:26:19
this is the series
01:26:21
through which Freud tries to comprehend the
01:26:24
fate of attraction and, in particular,
01:26:27
focuses on 1 this is sublimation
01:26:30
and
01:26:31
again, additional questions of your question that
01:26:34
were sent to me in connection with the question of the
01:26:37
fate of drives that faith is trying
01:26:40
to comprehend a
01:26:42
very important point, yes, there was one of
01:26:44
the questions,
01:26:45
what can be said about sublimation in general,
01:26:48
what can be clarified whether
01:26:50
masturbation is sublimation and there was such a
01:26:54
question in the soul and what we are in general we understand by
01:26:57
sublimation, friends, a very important point
01:26:59
that
01:27:01
we should keep in mind when
01:27:04
we talk about sublimation, Freud
01:27:06
contrasts sublimation with embossing,
01:27:09
that is, he writes that in sublimation
01:27:11
no repressive force is required,
01:27:14
sublimation is a way of organizing
01:27:17
sexual desire in which it is not
01:27:20
restrained by no means does it suddenly
01:27:23
reach the
01:27:25
trajectory of satisfaction after
01:27:28
a few pages, and yes, that is, it is as
01:27:30
if it is sexualized or sublimated
01:27:34
in this light, there is
01:27:39
no need to talk about animation masturbation at all, that this is
01:27:41
not at all that is, masturbation
01:27:44
cannot in any way be called
01:27:45
sublimation, just like it is often
01:27:49
psychologists really like to simplify, citing as an
01:27:52
example there I don’t know what film Sofrino
01:27:55
Celentano The Taming of the Shrew share
01:27:57
of the bits is
01:27:58
suffering from the fact that he is holding back and
01:28:03
still won’t have sex runs to
01:28:06
chop wood the type from sublimates
01:28:08
friends has nothing to do with sublimation
01:28:11
for one simple reason
01:28:13
confusion arises between the mechanism of
01:28:16
displacement and the mechanism of sublimation, they are
01:28:19
different, that is, when we talk about
01:28:21
displacement we are not talking about sublimation, not
01:28:24
as we are talking about displacement from one
01:28:26
object to another, we
01:28:27
are talking about an attempt to
01:28:29
discharge such a symptomatic only and
01:28:34
Freud conceptualizes sublimation as a
01:28:38
generally unique move to treat a
01:28:40
unique destiny that allows him
01:28:44
not to untie himself directly, but to
01:28:46
function at some stable
01:28:48
level
01:28:49
while
01:28:51
being shifted from one trajectory to
01:28:54
another, that is, literally a change in the
01:28:57
trajectory of desire itself, that it no
01:28:59
longer requires sensual satisfaction,
01:29:02
that its satisfaction is conditioned by the very
01:29:04
changes of this pretoria this desexualization
01:29:07
and
01:29:08
at the same time this does not remove the fact
01:29:11
that the origin of this attraction is still
01:29:13
due to sexual sources, we are
01:29:16
still talking about perversions and
01:29:19
sexuality, which ends up posing
01:29:22
as infantile sexuality, then
01:29:24
these sources will be the same
01:29:26
and
01:29:29
in this regard, yes in one line of
01:29:33
sublimation, the displacement of different mechanisms,
01:29:37
respectively, how he subtly approaches the
01:29:39
meaning of not these 3 destinies, but
01:29:42
when in the first case he writes that
01:29:45
sexual curiosity in the service of
01:29:48
sexual sources suddenly
01:29:51
undergoes inhibition until, that is,
01:29:54
inhibition of sexuality, inhibition of
01:29:57
intelligence, inhibition of curiosity, yes, that
01:30:00
is, we are faced with a similar
01:30:03
possible fate, attraction is the
01:30:06
second moment, yes, when
01:30:09
it comes to trying to describe the so-
01:30:11
called option of a strong way
01:30:13
of thinking, and when the very process of the
01:30:18
movement of thought takes on a
01:30:22
sexual character, and in
01:30:24
clinical practice, one often
01:30:26
has to face this in court, suddenly one
01:30:29
cannot speak to a seemingly non-existent the
01:30:33
topic has nothing to do with the sexual, has no direct
01:30:37
relationship to the real topic, yes, when it
01:30:40
comes to what symptoms, yes, that is, and
01:30:43
when the thought itself acquires a
01:30:47
certain sexual style on the
01:30:49
corresponding shame, the corresponding
01:30:51
effects, guilt, shame, and fear, yes, that
01:30:55
is, and so on and so on is
01:30:57
intrusively applied masturbation he hey character
01:31:00
when the thought itself becomes something like a
01:31:02
master bam and he its activity yes that is the
01:31:06
same style of thought to
01:31:09
some kind of passive neurotic 300 that is
01:31:12
characteristic of a neurotic in obsession, that
01:31:15
is, obsessive thoughts of which
01:31:18
to blog ki such an environment obsessive
01:31:21
repetition which is characterized by
01:31:23
inhibition, an attempt to cancel the previous one,
01:31:28
as if we are talking about some kind of conflict
01:31:30
struggle 200 and 3 fate, which ultimately
01:31:35
goes to 300, which is
01:31:37
not typical for everyone, which is possible only
01:31:40
with some kind of unique singular
01:31:43
constellation,
01:31:44
which remains impossible to identify and register to the end,
01:31:47
even
01:31:49
psychoanalytically,
01:31:52
what he calls in general, like water, a
01:31:56
rare fate in the treatment of sublimation
01:31:59
when there is no need for inhibition
01:32:02
when it comes to the fact that in treatment one
01:32:04
can be satisfied, but having reached
01:32:07
any trajectory for non-sexual
01:32:09
purposes and friends, what else distinguishes
01:32:11
sublimation is the
01:32:14
same displacement with which it is often confused
01:32:18
before sublimation implies recognition, yes,
01:32:22
that is, sublimation already includes
01:32:24
recognition by others, big news
01:32:27
recognition by others,
01:32:33
time is coming to an end, so crawl out
01:32:37
further talk about
01:32:39
maybe someone will say something else in
01:32:43
literally a few minutes
01:32:47
how much time have we managed to do so much before I don’t flatter
01:32:50
myself with illusions that if only three hours
01:32:53
had time for more, of course
01:32:56
someone can finally say that
01:32:59
I want to thank you, it was interesting
01:33:03
and useful, and I also really want to
01:33:08
thank you, such a rare meeting in recent
01:33:12
times when they say so much, so
01:33:14
interesting, so friends are included for the
01:33:17
atmosphere and the mood is great for you
01:33:19
thank you, I’m very happy about today’s meeting,
01:33:22
that’s what we managed to do, we managed to do it here, don’t
01:33:24
blame the rich and we’re happy,
01:33:27
for example, we’re essentially on the verge of
01:33:29
nothing, I’m an hour and a half for me, it’s
01:33:33
also sadly unusual, I still won’t get used to it,
01:33:36
but nevertheless, it’s good that we
01:33:39
’re meeting at all and we can
01:33:42
talk and hear each other, and in this light, you never know
01:33:45
those who
01:33:47
sent a question or those questions that
01:33:50
remained unclear for someone,
01:33:52
he would like, well, there wasn’t enough time to
01:33:54
discuss me, please just send it
01:33:57
to me directly to my email, I
01:33:59
’ll try to speed it up to answer, but I don’t
01:34:02
promise that it’s just like that, and on the
01:34:05
same day there are even other things to do, but I promise
01:34:08
to support this discussion, yes, it looks like the
01:34:11
continuation of the conversation is already in this
01:34:13
armateh, and
01:34:15
until we meet again,
01:34:18
it seems that next week we will have
01:34:20
more meetings, or well, in my opinion I’m not
01:34:23
mistaken, yes, well, according to three essays,
01:34:27
yes, here I am, too, us the memory of a single will
01:34:31
meet on the decline of the workers, excellent, well
01:34:34
then, see you on 3 and
01:34:37
see you in
01:34:39
correspondence, all the best, all the
01:34:42
best, Astapkovich

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