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3d

3д

макс

max

autodesk

автодеск

уроки

для начинающих

обучение

графика

дизайн

graphical

design

material editor

редактор материалов

vray

mtl

compact

slate

refract

glossines

subdivs

exit color

приломление

fog color

00:00:07

good day,

00:00:08

we continue to look at the

00:00:10

material editor and today we will look at the

00:00:13

refract

00:00:14

refract block, in turn, this is refraction,

00:00:16

some call it transparency, but I don’t

00:00:18

think that’s true because an object

00:00:21

that has refraction, in addition to

00:00:24

having transparency, plus it also distorts

00:00:26

what is behind By placing it

00:00:30

again in a gradation from white to

00:00:33

black, we can adjust this refraction

00:00:36

by placing pure white, the refraction will be

00:00:39

maximum, that is, the object will

00:00:41

seem to

00:00:42

consist only of liquid, for example, as

00:00:45

now it seems that it consists only of

00:00:46

water

00:00:47

because it refracts everything that is

00:00:49

located behind it and in the end we can

00:00:51

see in it even a wall that

00:00:53

is higher lower or a ceiling because the

00:00:56

refraction occurs in this way at

00:00:58

this angle, if we set the average

00:01:01

value,

00:01:02

then it will retain its color, plus, on top of

00:01:05

everything else, it will refract what is ultimately obtained

00:01:07

in that percentage shade that we

00:01:10

put, if we put some color

00:01:13

other than white and black, for example green,

00:01:17

then besides that it will produce

00:01:20

the result that it should have been

00:01:23

if it were just a light color,

00:01:25

green refracts quite strongly,

00:01:27

plus it adds an

00:01:30

admixture of green and green to the dark areas to those areas

00:01:33

that reflect the blackness around our

00:01:36

scene, it is made more saturated

00:01:39

and we now have blue shades,

00:01:42

let's return it to the pure white garden Dix, as in the

00:01:47

last lesson, I said that it is responsible

00:01:49

only for the quality of the glass, similar to the

00:01:53

irgl of the axis of us of the previous block, he

00:01:55

adds intensity in reflection, that is,

00:01:58

by setting the values 0 5 and from redriff, in addition to the fact

00:02:05

that our object will refract everything

00:02:08

that is around it and it will also

00:02:10

add turbidity to this refraction,

00:02:13

accordingly, we can achieve noisy

00:02:15

glass of glass that is located between

00:02:18

rooms, but it is worth considering that when

00:02:22

lowering this parameter increases the rendering time,

00:02:26

let's return it by one and it is the refraction of

00:02:29

our material, that is, glasses or

00:02:32

liquids of different materials have different

00:02:35

refractions, for example, glass

00:02:37

refracts less, crystal refracts more,

00:02:39

water also refracts quite strongly

00:02:42

now it looks like this, that is,

00:02:44

just something kind of like water if we

00:02:47

make the values lower and the trends in Rome

00:02:51

will be visible that the angle of refraction

00:02:54

has been distorted and we already see objects that

00:02:58

are on different sides and when

00:02:59

mixing we get very sharp

00:03:01

transitions by increasing the values we make this

00:03:05

material more dense put somewhere 5

00:03:10

material more dense and the refraction

00:03:13

also becomes more circular by setting

00:03:18

the values

00:03:19

to exactly one we achieve the

00:03:25

results of air as pure and

00:03:27

refraction as possible and thus

00:03:29

by distorting you can make the refraction more

00:03:32

dense or less dense in order to

00:03:35

see the result;

00:03:36

as an option, you can create several

00:03:38

teapots, but here is an example of five pieces,

00:03:41

put 5 maps very m bodies put

00:03:44

different ones for them and apply it to these

00:03:46

five teapots and you can clearly

00:03:48

see the difference between these refractions

00:03:50

mi max dips this is the maximum number of

00:03:53

refractions in the object, again

00:03:56

the parameter is similar to the reflection block exit color

00:04:00

this is the outgoing color, that is, what

00:04:03

there will be a color when the light does not fall on the object

00:04:05

and the ice cream is what shades should be

00:04:09

added in refraction,

00:04:11

when this parameter is turned on,

00:04:13

distorted shades such as

00:04:15

red and green blue will be added and added in

00:04:18

refraction, which will add an effect,

00:04:20

maybe bunnies or some kind of colorful

00:04:22

transitions

00:04:23

and fat chance all the same, what channels should be

00:04:27

used and of our shadows

00:04:30

will there be interaction with the shadows will

00:04:32

it perceive during refraction the shadow of the fok

00:04:35

color is the color of the impurity of our material

00:04:38

if we change the refract to a darker one

00:04:42

we seem to have a color appearing but it’s not

00:04:45

quite like a liquid

00:04:47

let's return some separate shade to pure white

00:04:51

and fog color will help us with this by putting,

00:04:55

for example, green color bright bright slade

00:04:59

output and and trends reef it is clear that it is

00:05:03

still a liquid but now stevie with

00:05:06

admixtures with those shades that I

00:05:08

indicated in this way you can do any

00:05:10

drinks or dense and glass that

00:05:14

has a certain shade

00:05:16

fok multiple oh this is the power of our fogg

00:05:20

allora increasing the value the color will be more

00:05:23

saturated lowering

00:05:25

less saturated if you set it to

00:05:27

minimum you can see that we even have

00:05:29

such yellowish shades because the

00:05:32

saturation is taken from the color and then

00:05:34

transferred here We will return such shades

00:05:37

to one

00:05:38

focal point without this deviation of our color, that

00:05:41

is, the angle of incidence of the rays passing

00:05:44

through the glass will change a little, that is, it

00:05:46

will be possible to adapt to our

00:05:47

scene, on this, perhaps, in the next

00:05:50

lesson we will see how to attach some

00:05:51

images to these points, thank you for your

00:05:54

attention all the best

Description:

Этот урок посвящен продолжению рассмотрения редактора материалов. В нем мы рассмотрим все параметры относящиеся к Refract'у. ссылка на группу - https://vk.com/graphicaldesignua https://www.patreon.com/graphicaldesignua - мой патреон для поддержки)

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