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Вспышки и режим TTL: как настроить как использовать

Урок из курса Основы работы со вспышками

Гайдиным

алексей гайдин фотограф

фотоуроки

фотосъемка со вспышкой

уроки фотографии

как снимать со вспышкой

курсы фотографии для начинающих

настройки фотоаппарата

настройка камеры

iso

выдержка

диафрагма

как выжать максимум из любой камеры

внешняя вспышка

ttl вспышка

ttl вспышка что это

amlab

амлаб

амлаб ми

00:00:02

well, I mean, we all love Lesha Gaide,

00:00:05

because he finally explained the

00:00:06

basics of working with flashes in his flash course,

00:00:08

so it became

00:00:10

clear to everyone, and in this lesson we will explain why

00:00:14

this boil was so good This is the principle of measuring the crisis of

00:00:16

light to the subject on a model

00:00:19

named Sasha Sasha

00:00:20

I will find out how this correct

00:00:25

mode of working with flashes works and how to

00:00:27

use it to remove Jedi swords from the frame

00:00:31

and these are these and compare the various

00:00:36

camera tracks in this jam let's go watch it so

00:00:41

let's -let’s figure out why

00:00:44

the TTL mode is so good and analyze it using a practical

00:00:47

example, move the flash closer or

00:00:49

further from the model, use

00:00:52

different settings on the camera,

00:00:54

high to the specified one, with a very low

00:00:56

closed aperture, and see that under

00:00:59

all these conditions the flash gives exactly

00:01:01

as much light as needed to

00:01:03

light up the model’s face

00:01:04

and everything else is at our discretion, there is a

00:01:06

very active background or, on the contrary,

00:01:07

disastrous darkness,

00:01:08

for this we will need a model

00:01:10

named Sasha you Sasha you model will do, I’ll do the

00:01:18

first test frame without flash

00:01:21

now Sasha there is some amount of light on her face

00:01:23

that flies from

00:01:24

our shooting area and it looks like

00:01:27

this: iso 800,

00:01:29

well, for example, 1 50 shutter speed and aperture at

00:01:32

8, look, you can even be seen, but it’s obvious that the

00:01:35

background is much brighter than

00:01:38

Alexander’s face, let’s try to turn on the

00:01:40

vtl flash, so aim at Sasha’s face and take a

00:01:45

frame there is a face the lighting has become more even, but in

00:01:48

my opinion, it’s not dramatic enough and the

00:01:50

background is very bright, so now I’ll lower it by

00:01:53

as much as 100, raise the shutter speed to 1,200

00:01:58

and close the aperture, for example, to 11 so that

00:02:01

without flash it looks

00:02:03

like this, but you understand that in a

00:02:06

dark restaurant hall

00:02:08

it just three Jedi swords, well, let's

00:02:10

move on to the most interesting part,

00:02:12

we turn on the flash in the body, yes, FSB and

00:02:17

the flash is just vtl working, so I aim

00:02:20

at Sasha, pressing the shutter button, and Sasha turns out to be

00:02:24

on a black background with three Jedi swords

00:02:26

sticking out of her shoulders, let's complicate it a little,

00:02:29

but I want to open the aperture what should I

00:02:30

blind Sasha because I have a

00:02:32

feeling the flash will work for an hour

00:02:33

at about half power, if at full power, if

00:02:36

suddenly you weren’t on the other side of the flash

00:02:37

when it hits at full speed, you won’t

00:02:40

like it and you won’t torture the models

00:02:42

yes, yes, yes, well for example, I’ll take and move

00:02:45

the flash a couple of meters further,

00:02:47

it’s obvious that there will be less light, but

00:02:50

since the flash shines vtl, it does

00:02:54

n’t matter at all where it is and

00:02:56

it still illuminates Sasha evenly until she’s

00:02:58

lit in a slightly different way on the background, and even

00:03:00

if Sasha is still walking further from the flash,

00:03:02

here I continue, it’s pointed at me, yes, let’s continue,

00:03:05

let’s continue, then

00:03:09

there will be exactly as much light on it as is

00:03:11

needed to illuminate the model’s face,

00:03:13

here it is, let me show you what it

00:03:15

looks like, the first frame of Sasha

00:03:19

is dedicated to the available color for those tips

00:03:21

that are from the room, let’s say I don’t

00:03:23

like it although it is possible according to it, according to the queen

00:03:25

bees, that we turn on the flash,

00:03:27

the background is still active, we close

00:03:30

the aperture, drop the iso on the table and make the

00:03:34

shutter speed as short as possible for the

00:03:36

sync shutter speed on this camera,

00:03:38

set one to 200 and add a flash to this

00:03:40

composition, actually here

00:03:44

I can show them the aperture settings 11

00:03:47

shutter speed is one two-hundredth iso 100 and

00:03:51

the flash

00:03:52

absolutely doesn’t give a damn about what settings are on your

00:03:55

camera; its task is to give just

00:03:57

enough light so that the model’s face

00:04:00

is evenly illuminated, respectively, Sasha is

00:04:03

sanctified exactly, the top of the head is moved

00:04:04

further, here’s even further, so it’s

00:04:07

an axiom that the flash doesn’t give a damn where it

00:04:11

is and and the main task is to give

00:04:13

just enough light to illuminate the model’s face

00:04:15

has been proven, and now for the next lessons,

00:04:18

let’s see if tl is always good,

00:04:22

and if it’s not always good, then what

00:04:25

can vases spoiler manul courses according to these

00:04:29

instructions for those who use flashes on

00:04:30

you or gentlemen, it will only

00:04:34

tell you how to work with towers 4

00:04:36

modes, I would like that the strobe mode and

00:04:38

high-speed synchronization is if

00:04:40

you need to take pictures on the street in bright colors,

00:04:42

you will learn how to shoot frames

00:04:45

where without flashes it would turn out to be an

00:04:47

outright defect, you will learn not to drain

00:04:49

the battery, which means time and set up

00:04:51

synchronizers so that the flash can be

00:04:52

controlled remotely, with

00:04:54

several flashes at once, so

00:04:56

let’s go watch this course, I

00:04:59

remind you of this like any other course,

00:05:02

although it’s good for young people to watch with a subscription,

00:05:04

simply because there are more of them here,

00:05:06

so far

00:05:11

[music]

Description:

Вспышки и режим TTL: как настроить, как использовать l Урок из курса "Основы работы со вспышками" Смотреть курс целиком ► https://amlab.me/ru/flash-foundation/?amp%3Butm_medium=video&amp%3Butm_campaign=2019_10_31_yb_video_flash-foundation_ttl_infobox Еще больше курсов по подписке ► https://amlab.me/?amp%3Butm_medium=video&amp%3Butm_campaign=2019_10_31_yb_video_flash-foundation_ttl_infobox Практическая пятиминутка с фотографом Лешей Гайдиным. Узнаем, чем хорош TTL, как этот режим работает во вспышками и как с его помощью убрать ненужные детали с фона, а еще - сравним различные настройки камеры в этом режиме. Наш сайт Amlab -- https://amlab.me/ Наша группа ВКонтакте -- https://vk.com/amlab Наш Instagram -- https://www.facebook.com/unsupportedbrowser Наш Facebook -- https://www.facebook.com/unsupportedbrowser Наш Youtube -- https://www.youtube.com/c/amlabme

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