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Table of contents
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Table of contents

0:00
Начало.
0:39
Великий Аркан №14 "Умеренность" в историческом контексте и древних колодах.
3:06
Великий Аркан "Умеренность" в колодах Сфорца.
4:44
Статуя "Свободы". Ипостаси богини охоты Дианы.
6:07
Богиня тьмы Геката.
7:06
Особенности древнего образа Богини Дианы.
8:01
Представление об "Умеренности" в древности.
8:39
Аллегорические образы "Умеренности" в миниатюрах Тарокки (псевдо) Мантенья.
9:39
Ношение оружия в средневековой Европе.
11:02
"Умеренность" глазами Персиваля
13:18
Марселькое Таро. Марсилио Фичино.
15:08
Артур Эдвард Уэйт. Великий Аркан "Умеренность" Уайта.
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Умеренность
Таро
Тарокки
Висконти Сфорца
Оккультный
Символизм
Олег Насобин
Насобин
Nasobin
Oleg Nasobin
Великий Аркан
Аркан
Джотто
Геката
Диана
oleg_nasobin,
nasobin,
насобин,
таро
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00:00:08
[music]
00:00:15
[music]
00:00:39
hello dear friends today we
00:00:42
will deal with a very interesting lasso
00:00:43
which has only a conventional name
00:00:47
this is the great trump card number 14
00:00:50
known as moderation the Russian
00:00:54
translation of the word temperance does not convey the
00:00:58
fullness of its meaning camper in European
00:01:01
languages ​​means anger and rage
00:01:04
although temperance is yes, this is also
00:01:07
moderation in the sense that is familiar to us,
00:01:09
that is, reasonable,
00:01:10
restrained consumption, here in front of us on
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the screen are three cards of the
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15th century, on the left there is a miniature from the
00:01:19
Pierpont Morgan deck in the center
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there is a card from the deck
00:01:24
known as the King Charles deck for 6
00:01:27
and on the right we see very an interesting
00:01:30
version of the arcana
00:01:31
miniature from the deck of Alessandro Sforza
00:01:34
the cards are not signed as you see here in
00:01:39
accordance with the accepted interpretation of
00:01:40
taxes and the plot depicted on the cards
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on the right in the center
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we are seeing a traditional allegory of moderation
00:01:50
in its traditional
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execution, according to the unanimous opinion of
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ancient philosophical authorities,
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moderation is one of four
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main virtues, along with wisdom
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and courage and justice
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in Christianity, moderation is necessary for
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the believer to preserve the purity of his
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soul and heart; moderation
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is a necessary rule of life for all
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people who strive for the kingdom
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of God in accordance with the Christian
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canons. It is believed that in the allegorical image of
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moderation it is represented at home by diluting cabbage soup
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and wine with water
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therefore at home pours something
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inconspicuous vessels vessel diluting
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table wines with water and today
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is practiced in the European tradition, at
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least from personal experience I
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have encountered such a habit many times in
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France and Vitaly
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probably diluting wine
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can really be called a manifestation of restraint
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in the sense of consuming a valuable product
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such in the sense of obtaining
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restraint in receiving pleasure, in
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this case there is abstinence from
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pleasant intoxication kik analogies of
00:02:59
miniatures Pierpont Morgan and Charles for 6 on
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which houses with ships are presented, we
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will return later and now I suggest
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paying attention to the card from the deck of
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Alessandro Sforza the plot is presented on
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this card in no way
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This cannot be called common in any case; it is
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very rare; however, this plot is so
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curious
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that it will be interesting for us to
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get acquainted with it; we see that a
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naked woman
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rider is sitting on the back of a deer; she is depicted in a cheeky pose;
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she is turned with her face opposite the movement of the
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animal;
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there is a small vessel from
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which she waters her genitals
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the plot is easy to read naked
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deer at home riding on it
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immediately allows us to identify the
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heroine in miniature as the goddess Diana here
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she is in front of us
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the goddess of the hunt Diana is often depicted
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together with a deer Diana this is
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rems the Roman name of the goddess and the ancient Greeks
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called her Artemis of the universe, the moon, and
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in a later period, the goddess became
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Hecate Diana, but it
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would be a mistake
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to consider this not a sweet and kind naive girl as the patroness of the hunt,
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partly for the mistress of darkness and death, from the
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midnight lifestyle and activities of
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Diana, such names and names as Selena come from
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the moon and the moon itself
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from here, from this point, from the functionality of the
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goddess of night and darkness, there is only one step to the
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functionality of the gloomy goddess Hecate,
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and here it would be appropriate to recall that the
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statue of liberty was installed in the view of the city of
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New York, in fact, it is not the same statue, it is a
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statue of the goddess Hecate, that is the nocturnal
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and gloomy incarnation of the huntress Diana, the statue of
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liberty holds a torch in her hands and her crown
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emits
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spiky rays, then I quote
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one occult appeal from the disciples of
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Hecate, recorded in the third century by Saint
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Hippolytus, a Roman philosopher, the ability to come,
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hellish earthly and heavenly Hecate, the goddess of
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wide roads, intersections, you who
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travel there and here at night with a torch in your hand, the
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enemy of the day,
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friend and beloved of darkness, you who
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rejoice when the [ __ ] howl and warm
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blood flows, you who
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wander among ghosts and graves, you
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who satisfy the thirst for blood, you
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who cause a fine in the mortal souls of the
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children of the gorg marmo moon of a thousand species,
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throw your a merciful look at our
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sacrifice this translation was made by
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Ivantsova to you Platonov and is in the
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book of heresies and schisms in the first three
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centuries of Christianity
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the book was published in 1871 the end of the quote from
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Hecate understood as and put Diana the
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lunar goddess is quite logical because it is the
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huntress who sows death
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she is the horror of the night she kills the location of the
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hecate in the sea in front of the gates to New York is
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also very logical because here
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I am quoting the figures from then you go with
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torches and swords in ancient times
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they were placed in front of ladies to keep
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evil spirits at bay hecates are associated with
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pagan spells and rituals in
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ancient times, people tried to
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appease and leaving the hearts of chickens and
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honey cakes in front of their doors on the
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last day of the month at the crossroads
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they brought gifts of
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honey onions fish eggs with victims in the
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form of dolls girls babies and
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female lambs end of quote you and
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I, friends,
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got a little distracted by the horrors and now
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let's return to the card from the deck of
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Alessandro Sforza,
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one of the main characteristics of the goddess
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Diana is her virginity;
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moreover, Diana's virginity is sacred;
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this is a great secret
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protected by the entire pantheon of gods; it is precisely
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this feature of his heroine that the
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ancient artist plays up, allowing
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himself a piquant joke; his heroine
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cools down her bodily passion in the field
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their genitals presumably with
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water and this is what is depicted on the card in
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this particular case
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on the great Marconi from the deck of Alessandro
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Sforza the idea of ​​moderation
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is expressed through sexual abstinence in
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contrast to the ritual of diluting the wine
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shown on other cards although we
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have numerous examples
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known in the history of art
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when moderation was represented namely,
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by transfusing liquids from vessels, a vessel is a
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more economic approach, here in
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confirmation of my words about the antiquity of
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the symbol, in front of us
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from left to right is a 13th century picture from the
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Venetian Basilica of St. Mark, a
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fourteenth century statue of temperance
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from Milan and a 15th century picture by
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1 Pollaiolo, which is kept today in the
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Uffizi Gallery and in a set of miniatures of the so
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-called the rocky Mantegna pseudo the
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rocky Mantegna, more correctly,
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there is also an allegorical image of
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moderation, as you can see, the allegory of
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moderation in the pseudo Montagna version is
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almost the same and to the taxes and the
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above cards the artist added
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only the image of an animal at the feet of moderation,
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probably this is an ermine that looks
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at its reflection in a saucer, the plot with an
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ermine here in this particular
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case is read as advice to noble people to
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look at themselves more often as if from the
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outside; however, moderation in general could
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be expressed by other gestures and the
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iconography is not limited to just
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transfusion and vessels,
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for example, in Giotto’s In the
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Scrovegni Chapel we find an allegory of
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moderation represented in the person of a
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stern lady
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clutching a bandaged sword. I will explain
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what we are talking about here. As
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many of my listeners and
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spectators probably know, in medieval Europe the
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constant carrying of bladed weapons was
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a privilege even an obligation of
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representatives of the male ruling classes,
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however in some cities such
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as in Florence, the carrying of weapons
00:10:02
was limited by certain rules,
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such restrictive measures included, in
00:10:07
particular, the obligation to bandage the sword
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or later to bandage the sword, a
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baldric, this is the tying of the handle of a
00:10:17
weapon to the scabbard, a strong rope or
00:10:19
belt, such a baldric prevented the
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immediate and spontaneous drawing of
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the sword, stated in this way
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Giotto's baldric demonstrates to us the need
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restrain the impulse of flaring anger
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Giotto sees virtue in moderation in
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restraint of emotions and stopping
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impulses to immediate action, and so the
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quite canonical explicit model of this
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card to any layman who lived in Europe
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during the Renaissance and the parade and the Renaissance is
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clear at first glance,
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the layman understands moderation is good and
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immoderation is bad, this is banal,
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well, what will our Percival see in this?
00:11:04
What secret will
00:11:06
his wise mentors initiate the young grail knight into? Will
00:11:09
they really tell Percival
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banalities like that one should
00:11:15
restrain one’s anger, especially when drunk, by
00:11:17
pouring wine and beer down one’s throat? No, here
00:11:23
Percival
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will be told about metempsychosis. the principles of
00:11:28
the transmigration of souls and the rules that
00:11:30
will help the soul to do this as easily as possible
00:11:32
from the point of view of a person who is a
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bearer of the usual Russian
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mentality, a woman with two jugs
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rather evokes associations
00:11:41
with the proverb pouring from empty to
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empty, pouring from empty to
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empty in the sense that for us this means
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engaging in empty nonsense business as an
00:11:56
option to chat about nothing, but unlike
00:11:59
us Russian-speaking people of
00:12:01
Western European mentality, he
00:12:03
will not see the taxes of this plot for centuries, he
00:12:07
will not see the illustration of the proverb from empty to empty, he simply because
00:12:11
only proverbs in the main European
00:12:13
languages ​​do not exist in their cultures, Europeans
00:12:19
say otherwise,
00:12:20
for example, carry water to the river or to beat the
00:12:24
water and so on for Percival, who
00:12:28
has the key to the secrets of immortality, the
00:12:31
ladies are presented in miniature, this is an
00:12:34
allegory of fate, and two jugs mean
00:12:37
his old and new bodies are poured, and the
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liquid respectively symbolizes the
00:12:45
immortal soul of the knight, which perry
00:12:47
passes from one incarnation to another for the
00:12:51
knight they will explain that the soul will not take an
00:12:54
old vessel with it on a journey and
00:12:56
therefore there is no point in accumulating and
00:12:58
taking care of material things; it is much better
00:13:02
to give all these clay gold shards of
00:13:05
your wealth
00:13:06
to the order and live on it easily while remaining
00:13:09
in poverty, after all, the Order of the Templars is
00:13:13
called the Order of Poor
00:13:15
Knights Christ and the Temple of Solomon, if my
00:13:19
statement seems like a stretch to someone,
00:13:21
look at the next card on the card
00:13:23
moderation punctures the so-called
00:13:25
Marseille tarot
00:13:28
Marsilio Ficino, who lived at the end of the 15th century,
00:13:32
already more openly reveals to
00:13:34
us the meaning of this miniature of the house the
00:13:38
iridescent duis of the vessels sucking from
00:13:40
Ficino
00:13:41
acquires wings and also in the lady’s forehead a
00:13:44
six-pointed star appears slightly behind it,
00:13:48
camouflaged as a piece of jewelry in
00:13:49
the form of a
00:13:50
6 saw 6 petal flower,
00:13:54
please note that the star in the forehead
00:13:56
is also found in the painting by Sandro
00:13:58
Botticelli, a young centaur look in the
00:14:04
forehead fell, I give the so-called pallas, we are
00:14:07
seeing a large sapphire one of the
00:14:09
properties of natural properties of sapphire
00:14:11
is the so-called asterism
00:14:13
asterism is when, due to the play of light, a
00:14:16
regular six-rayed
00:14:18
star 6-rayed appears on the stone and in the painting by Botticelli
00:14:25
who, as we know, was among
00:14:28
Basilio Ficino’s closest partners in his
00:14:30
Platonic Academy in college and on the
00:14:34
map of Marsilio Ficino moderation at home
00:14:39
is allegory of the goddess Isis,
00:14:41
aka Ishtar, aka wit, in the hands and
00:14:46
types are both the past and future
00:14:48
incarnations of the knight Percival, the priestess of Isis,
00:14:51
and therefore her incarnation as the knights of the temple
00:14:54
was believed to be Mary Magdalene in the course of past
00:14:56
lectures, we have already quoted the charter of
00:14:58
the order in the part where Mary is the
00:15:02
templars elevate to our lady
00:15:04
here it will be superfluous to repeat as
00:15:08
for later semiotic systems
00:15:10
such as the Rider-Waite tarot and other
00:15:14
derivatives from the original idea,
00:15:17
as always maintaining the overall vector
00:15:19
understanding Wade overloads his card with
00:15:21
all sorts of accessories, this is what he himself
00:15:26
tells about it beginning of the quote a
00:15:30
winged angel with the sign of the sun of the beginning
00:15:33
and a triangle enclosed in a square on the
00:15:35
chest with the sign of 7 persons and I am talking about him as
00:15:38
masculine, although the figure itself
00:15:41
is neither masculine nor feminine, it is believed
00:15:45
that the angel pours the
00:15:48
substances of life from one bowl to another, one of his legs
00:15:50
stands on earth, the other is immersed in
00:15:53
water, clearly indicating the nature of these
00:15:56
substances, a
00:15:58
direct path leads to distant hills at the
00:16:01
edge of the horizon where a bright light shines in
00:16:04
which the vague
00:16:05
outlines of a crown are visible; this contains a certain
00:16:11
part of the secret of eternal life,
00:16:12
as far as it is accessible to man in
00:16:14
his current incarnation, well This
00:16:18
refutes all other generally accepted
00:16:21
symbols; there are also other generally accepted
00:16:25
meanings associated with the change of seasons, the
00:16:29
eternal rotation of life, and even the
00:16:33
combination of both of these ideas; moreover, it is
00:16:37
incorrect to assert that this figure
00:16:40
symbolizes the genius of the sun, although it
00:16:42
is an analogy of sunlight,
00:16:44
realized in the 3rd component of our
00:16:47
human triplicity the name
00:16:53
moderation is
00:16:55
very apt
00:16:57
because everything completely takes over our
00:17:00
consciousness, this symbol is touched by reads and
00:17:02
harmonizes the spiritual material
00:17:04
nature of man, being under its
00:17:07
dominion, the rational part of our
00:17:11
essence is to some extent aware of where
00:17:14
we came from and where we are going end of quote
00:17:19
well, that’s probably all about this card the main
00:17:22
thing is thank you for your attention, dear
00:17:26
friends, do not forget to subscribe to my
00:17:30
channel and turn on notifications by clicking on
00:17:32
the bell so you will know about all the
00:17:36
new videos that I am preparing,
00:17:40
thank you again until we meet again
00:17:45
[music]

Description:

16-ая лекция из цикла "Европейский Оккультный Символизм на основе образов Великих Арканов Таро." Мои лекции на Патреон: https://www.patreon.com/olegnasobin Поддержать: https://new.donatepay.ru/@439753 PayPal [email protected] Телеграм: https://t.me/Nasobin Инстаграм: https://www.facebook.com/unsupportedbrowser 0:00 Начало. 0:39 Великий Аркан №14 "Умеренность" в историческом контексте и древних колодах. 3:06 Великий Аркан "Умеренность" в колодах Сфорца. 4:44 Статуя "Свободы". Ипостаси богини охоты Дианы. 6:07 Богиня тьмы Геката. 7:06 Особенности древнего образа Богини Дианы. 8:01 Представление об "Умеренности" в древности. 8:39 Аллегорические образы "Умеренности" в миниатюрах Тарокки (псевдо) Мантенья. 9:39 Ношение оружия в средневековой Европе. 11:02 "Умеренность" глазами Персиваля 13:18 Марселькое Таро. Марсилио Фичино. 15:08 Артур Эдвард Уэйт. Великий Аркан "Умеренность" Уайта.

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mobile menu iconHow can I download an audio track (music) to MP3 "16/22 Великий Аркан 14 "УМЕРЕННОСТЬ" (Европейский Символизм)"?mobile menu icon

  • The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

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  • This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

mobile menu iconWhat's the price of all this stuff?mobile menu icon

  • It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.