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Download "Early Nirvana Interview About the Growth of Rock Popularity | Interview | TMF"

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00:00:10
thank you
00:00:16
first of all guys I want to thank you
00:00:18
for bringing rock and roll back into the
00:00:21
world I mean
00:00:23
or at least into the charts
00:00:26
because I think that's a great Mission
00:00:28
actually
00:00:30
it is huh well we we reveal more of our
00:00:34
mission but we had to uh eat the tape
00:00:36
that the mission was given to us on it
00:00:39
or it was either eat it you know this
00:00:41
Mission will this recording will
00:00:42
self-destruct in 10 seconds yeah
00:00:47
no but actually oh look at that people
00:00:50
are swimming here with their clothes on
00:00:53
idiots crazy
00:00:56
but what you have done is is uh no less
00:01:00
I think than throwing a bomb into the
00:01:02
whole music business don't you think so
00:01:04
yeah I wish we would have thrown a bomb
00:01:06
in a music business and they all would
00:01:08
have been at least dismembered but I
00:01:11
don't know it was more like a
00:01:12
firecracker ladyfinger yeah pop you know
00:01:16
that's about it a small snap of the
00:01:18
finger that's right right exactly is
00:01:20
that you mean from your point of view
00:01:22
yes yeah yes if you just look at it I
00:01:26
mean we just kind of came into this
00:01:27
thing with really high ideals but now it
00:01:30
seems like a lot of the
00:01:32
garbage is proliferating and so it got
00:01:34
more of a jaded perspective on things
00:01:38
[Music]
00:01:39
[Applause]
00:01:41
[Music]
00:01:48
[Music]
00:01:55
[Music]
00:01:57
foreign
00:02:00
[Music]
00:02:11
[Applause]
00:02:15
[Music] [Applause]
00:02:18
[Music]
00:02:23
[Applause]
00:02:32
[Applause]
00:02:41
what we're doing is nothing new it's
00:02:43
just that our band happened to penetrate
00:02:47
into the mainstream yeah so mainstream
00:02:50
kids now are are realizing the fact that
00:02:52
they can start bands yeah I think that's
00:02:55
very good it's very nice and flattering
00:02:57
that we've we helped Aid something like
00:02:59
that
00:03:00
but um I don't know that ideal has
00:03:03
always been around in in the underground
00:03:05
and
00:03:07
to me it seems kind of um too it seems
00:03:11
really sad that
00:03:12
so many people
00:03:14
have a hard time finding small record
00:03:17
shops or underground or independent type
00:03:19
of music where in every city there's at
00:03:22
least two or three of those kind of
00:03:23
shops and it doesn't seem to me to be
00:03:27
that hard of a thing to find you know
00:03:30
but some people are so I don't know
00:03:34
narrow-minded or just unaware to where
00:03:37
they need to be they need something like
00:03:40
someone as accessible as us to be thrown
00:03:43
into their faces to where they realize
00:03:45
that there are small record shops and
00:03:48
independent labels of people doing
00:03:49
things on their own
00:04:00
[Music]
00:04:06
[Applause]
00:04:07
[Music]
00:04:10
thank you
00:04:23
[Music]
00:04:24
[Applause]
00:04:26
[Music]
00:04:41
so maybe that's the most important thing
00:04:43
then with with the whole Nirvana thing
00:04:46
as it is called that you actually give
00:04:49
people the chance to find other other
00:04:52
bands you know finding those record
00:04:53
shops and stuff
00:04:55
well yeah just
00:04:58
in like interviews just naming names of
00:05:02
bands so maybe somebody could be
00:05:04
watching them so I never heard of that
00:05:05
band maybe I'll go check them online
00:05:06
yeah like bringing a teenage fans club
00:05:09
on tour with you now exactly yeah
00:05:11
exactly
00:05:13
been on tour with like shown a knife
00:05:15
it's as simple as this go to your
00:05:18
telephone directory
00:05:19
look into the pages where it says record
00:05:22
shops
00:05:23
call up all the record shops and ask do
00:05:26
you sell independent music do you sell
00:05:28
Independent Records
00:05:30
and then find the address if they say
00:05:33
yes go to the shop find fanzines and
00:05:35
there are all kinds of little
00:05:36
distribution I mean there are
00:05:38
distributions of little fanzines and
00:05:40
magazines that are homemade by kids who
00:05:43
are fans by which is why they're called
00:05:45
fanzines and then they can find out
00:05:47
about all this kind of music it's really
00:05:49
simple they really shouldn't need
00:05:52
fans like us to tell them about things
00:05:54
like that it's a it's a really simple
00:05:56
thing to do
00:05:59
[Music]
00:06:01
[Applause]
00:06:05
[Music]
00:06:11
[Applause]
00:06:13
[Music]
00:06:28
[Music]
00:06:32
foreign
00:06:34
[Music]
00:06:41
[Music]
00:06:58
hysteria uh we got a lot of attention
00:07:01
you know what I mean
00:07:03
a lot of Like Teen Spirit was kind of
00:07:06
played into the ground kind of made me
00:07:08
feel a little self-conscious you know
00:07:12
um
00:07:14
what do you guys think of Hysteria
00:07:16
oh it's a load of [ __ ]
00:07:18
apparently I think there are
00:07:21
at least 10 to 15 other bands who are
00:07:24
just as good of if not better than us
00:07:26
and they deserve just as much attention
00:07:28
as we do if they choose to take that
00:07:31
attention if they want it you know
00:07:33
but um I think the reason that we've
00:07:36
become so popular is because we're on a
00:07:38
major label and we were exposed we had
00:07:40
we had the tools and the access to the
00:07:43
mainstream in order to to expose
00:07:46
ourselves to the mainstream
00:07:49
[Music]
00:07:52
[Applause]
00:07:54
[Music]
00:08:00
always
00:08:02
[Music]
00:08:10
[Music]
00:08:25
yeah because I mean if you've been
00:08:27
following American Independent or
00:08:30
alternative music for a while I mean
00:08:32
that's from the mid-80s there's been
00:08:33
loads of really really really good bands
00:08:36
like Sonic Youth better bands bottle
00:08:38
Surfers and pixies and all of these guys
00:08:41
and and there's always been really good
00:08:43
substantial stuff underneath the surface
00:08:45
ever since the 60s you know yeah just
00:08:49
for some reason I don't know if it was
00:08:51
some conspiracy or it might be just that
00:08:53
labels invest money and some crap and
00:08:56
they just want their money back and so
00:08:58
they just shove this down to throw to
00:09:00
the mainstream or they've like read some
00:09:03
demographic survey says that you know
00:09:06
people want more
00:09:09
disco or whatever say give more disco
00:09:12
and then people are given disco or
00:09:14
whatever and then they say in a survey
00:09:17
that they want disco it's like it's just
00:09:18
like a vicious circle it's the same
00:09:20
thing with the hippies it's like
00:09:22
the hippie started out in San Francisco
00:09:24
with a small group of people and by 1967
00:09:27
the people who started the hippie
00:09:29
movement denounced the hippie movement
00:09:32
by the time before it became
00:09:34
commercialized because
00:09:36
I I and I feel the same way with
00:09:38
Underground Music once it gets
00:09:40
commercialized it it really doesn't
00:09:42
matter because they're by the time that
00:09:45
all the hippies
00:09:46
that's for sure yeah but by the time the
00:09:49
hippies the hippie movement was so huge
00:09:51
and the mainstream is aware of it The
00:09:55
Fringe people you know the people in the
00:09:57
suburbs who weren't aware of the hippie
00:09:59
movement at the beginning finally turned
00:10:01
into hippies but they were fake hippies
00:10:03
you know what I mean they weren't really
00:10:04
hippies they were just throwing their
00:10:06
hair long and smoking pot every once in
00:10:08
a while and talking about peace and love
00:10:09
but they really didn't understand it and
00:10:11
that's what's happening with the um
00:10:13
supposedly alternative Underground Music
00:10:16
Scene right now and it happened in the
00:10:18
early 80s with New Wave you know it's
00:10:20
just a cycle that's inevitable isn't it
00:10:23
oh sure yeah but I don't know I just I
00:10:26
I I may sound really negative about it
00:10:28
but I I sincerely think that the
00:10:31
generation underneath my Our Generation
00:10:33
the kids who are around like 15 or even
00:10:37
at 9 to 12 to to 20 years old are a bit
00:10:42
more aware and a bit more intelligent I
00:10:44
think education is a little bit better
00:10:46
right now and the reason that kids are
00:10:49
more educated is because they they
00:10:51
choose to be more educated I don't know
00:10:53
why that is I can't explain it but I
00:10:55
just feel like kids right now in their
00:10:58
in their teenage years are a lot more
00:11:00
aware of things and they're and they're
00:11:02
a bit more passionate about things
00:11:03
they're not as cynical as we were when
00:11:05
we were teenagers
00:11:10
foreign
00:11:11
[Music]
00:11:12
[Applause]
00:11:48
seven in your
00:11:52
name
00:11:55
[Applause]
00:12:01
everybody's trying to sign you know the
00:12:04
next to Nirvana it's become sort of a
00:12:08
ghost in the record industry who will
00:12:09
find the next Nirvana well the same
00:12:12
thing happened in the park movement when
00:12:13
it when it happened in the late 70s it's
00:12:15
like
00:12:16
major record labels are signing punk
00:12:18
bands by just shortly after like most
00:12:22
Punk band's first gigs you know a punk
00:12:24
back when start play their first gig you
00:12:26
know and they'd be signed to a major
00:12:28
label right away you know just because
00:12:30
it's a trend right now and that just
00:12:32
proves that there are a lot of old
00:12:34
school dinosaurs in the record industry
00:12:36
still who need to be weeded out and
00:12:39
one one positive thing about that is
00:12:42
that there are a lot of people our age
00:12:43
in our mid-20s to the 30s who um who
00:12:48
have pretty much the same ideals as we
00:12:50
do who are starting to infiltrate the
00:12:52
major label record companies you know
00:12:55
they're they're starting to get jobs
00:12:57
there they're getting jobs at MTV
00:12:59
they're getting jobs and all those
00:13:01
companies and and that labels so
00:13:04
eventually the old people will die you
00:13:07
know
00:13:10
[Music]
00:13:38
foreign
00:13:57
[Applause]
00:14:00
kids
00:14:03
who want to have their thing
00:14:06
they can relate to as just as much as
00:14:08
the black kids could do hip-hop and the
00:14:10
black music yeah I know it just seems
00:14:12
like especially like popular culture
00:14:15
things are just like so hazy anymore
00:14:17
between the generations like rock and
00:14:19
roll is even have you even have your own
00:14:22
allotted Rock Band for your generation
00:14:24
like if you're between 40 and 50 years
00:14:26
old you have like Mark Knopfler and
00:14:29
Genesis and Elton John and you know and
00:14:32
the young kids have like a Sonic Youth
00:14:35
throughout
00:14:37
there are a lot of kids
00:14:40
like in high school who
00:14:43
we're listening to the same music as
00:14:45
their parents you know it's really gross
00:14:47
it's not as bad as it as it was just a
00:14:50
few years ago I remember
00:14:51
um you know
00:14:52
the same kids in high school listening
00:14:55
to Bruce Springsteen and so are their
00:14:57
parents you know there's like no
00:14:58
generation gap at all and I think that
00:15:01
there's just starting to get become a
00:15:03
generation gap again I thought that
00:15:05
depends on your circumstances too and
00:15:06
how much information you get where you
00:15:09
live right in the city you're more
00:15:11
inclined to be able to do more hip stuff
00:15:14
throughout the rural places forget it
00:15:16
you know
00:15:17
but I hope you agree with me when I
00:15:20
think that the future is kind of you
00:15:22
know looks bright for you for good music
00:15:24
for good rock
00:15:26
yeah
00:15:27
I think I think the future looks good
00:15:29
for um
00:15:31
good bands with Integrity to be exposed
00:15:34
to at least have the opportunity to be
00:15:37
exposed but I I've always felt that like
00:15:39
every 10 years there's always a handful
00:15:43
of really really good bands you know
00:15:45
there always has been if I if I would
00:15:46
have grown up in the 60s the late 60s I
00:15:50
would have only liked a handful of bands
00:15:52
I think most of it's [ __ ] you know
00:15:54
like Strawberry Alarm Clock and Vanilla
00:15:56
Fudge and all that stuff it's just crap
00:15:58
you know but but most of that stuff is
00:16:00
looked upon now as being really cool you
00:16:04
know but I only would have liked blue
00:16:06
cheer and and the Stooges you know and
00:16:10
Black Sabbath I can only think of like
00:16:12
maybe five bands I would have liked if
00:16:14
it would have grown up in those days you
00:16:15
know and that's the same way it is now I
00:16:17
I can think of about 10 bands I really
00:16:19
really like because there's so much
00:16:21
opportunity for exploitation I mean you
00:16:24
can look at you were saying how thank
00:16:25
you for bringing rock music back in a
00:16:27
few years back it was like you know rap
00:16:29
music and and there's a point when rap
00:16:31
was underground and it just it took
00:16:33
about 10 12 years for it to become
00:16:35
mainstream and now there's like you know
00:16:37
Vanilla Ice and New Kids on the Block
00:16:40
and just total exploitation and it can
00:16:41
happen independent you know yeah and
00:16:43
those people are the ones who always
00:16:45
reap the benefits too you know like
00:16:48
what's that guy's name um
00:16:51
why is Fab by Freddie what's he doing in
00:16:53
Vanilla Ice is doing a millionaire yeah
00:16:55
right right
00:16:56
the guy that was I can't remember the
00:16:58
name the guy that um
00:17:01
I was totally missing my mind I can't
00:17:03
remember her
00:17:08
he's the general he's the uh New Kids on
00:17:11
the blocks manager and he went to his
00:17:12
head so much that he started wearing
00:17:14
this like flashy Liberace type General
00:17:16
suit around well I'm the general
00:17:19
he's a rock he's a generalissimo what is
00:17:21
he going to do is he's going to take
00:17:22
over some third world country with some
00:17:25
Punta and a bcia funded
00:17:29
and you know what and you know who's
00:17:30
gonna be president you know Donnie from
00:17:32
New Kids on the Block he's going to be a
00:17:34
puppet for the CIA and and United Fruit
00:17:38
and then they're always going to commit
00:17:40
suicide right that's right in Jonestown
00:17:42
type Kool-Aid they're gonna drink
00:17:44
[Music]
00:17:48
foreign
00:17:52
[Music]
00:18:13
[Music]
00:18:16
foreign
00:18:19
[Applause]
00:18:27
[Music]
00:18:43
[Applause]
00:18:46
[Music]
00:18:56
never take me home
00:19:03
let's talk about you for a while
00:19:05
um is it is it fun to be famous
00:19:07
[Music]
00:19:08
uh not if you're walking down the street
00:19:11
I want people recognize you not when you
00:19:14
can't have them owners
00:19:15
you can't the people are waiting in the
00:19:17
lobby your hotel and
00:19:19
constantly asking you for your signature
00:19:21
which still baffles me I don't
00:19:22
understand the autograph concept at all
00:19:25
but I figure
00:19:26
it's almost a waste of bread to explain
00:19:28
people why you don't want to do it
00:19:31
but uh it's stupid I mean I'm just
00:19:35
famous [Music]
00:19:37
you can be a burden you know
00:19:40
to be want to be wanting to be famous
00:19:42
kind of vain really if you think about
00:19:45
it everybody look at me you know it's
00:19:48
like that you know most people who are
00:19:51
really famous
00:19:53
end up staying in their hotel rooms all
00:19:55
the time
00:19:56
total reclusives and then they don't do
00:19:59
anything
00:20:01
that sucks that's a scaring perspective
00:20:03
isn't it I don't want to turn into that
00:20:06
kind of a person but I can understand
00:20:07
why Prince
00:20:09
is such a freak you know because people
00:20:13
people you know paw him all the time you
00:20:17
know and I try to walk around in every
00:20:19
town and go to record stores and stuff
00:20:21
and I really don't get hassled that much
00:20:23
but it's enough to make me really think
00:20:27
about well should I go into this record
00:20:29
store you know and I shouldn't have to
00:20:30
even think about stuff like that but I
00:20:33
guess that's Fame you know and until
00:20:35
people's attitudes change about Fame and
00:20:38
guitar solos and all that kind of stuff
00:20:41
I just have to put up with it
00:20:45
I'm so happy cause today from my friends
00:20:52
[Music]
00:21:17
[Applause]
00:21:19
[Music]
00:21:26
baby
00:21:33
yeah yeah
00:21:35
yeah
00:21:38
lots of people think that you're really
00:21:40
wild people you know taking ship loads
00:21:42
of drugs every day and you know wrecking
00:21:44
hotel rooms and stuff I suppose you
00:21:47
you've met that kind of attitude
00:21:50
I think a lot of people have the basic
00:21:51
misconceptions just
00:21:53
whatever
00:21:55
Hotel trashing drug doing
00:21:58
cliche yeah and you're just stupid I
00:22:00
mean hey we're Rockets
00:22:02
it's all every true's fault you know who
00:22:04
he is he's the biggest rock star
00:22:06
journalist there is in the whole world
00:22:09
right now yeah it's all his fault he
00:22:12
just he lies about us all the time
00:22:15
dick I hate his guts
00:22:17
no I'm just kidding that's another
00:22:19
chapter the The Rock press
00:22:23
over there
00:22:25
is he here yeah he's here he's here oh
00:22:28
yeah no he's a good friend of ours he's
00:22:31
fine but
00:22:33
I've heard
00:22:38
yeah that's what I've heard you lied to
00:22:40
journalists constantly well journalists
00:22:42
lie about us why can't we land yeah
00:22:43
right it depends what's going on never
00:22:46
let the trees get in the way of a good
00:22:47
story it's a shame when the media does
00:22:49
that though they have such a
00:22:50
responsibility to just proliferate such
00:22:53
garbage like that
00:22:55
shame
00:22:57
I'm so lonely that's okay
00:23:00
[Music]
00:23:20
I'm so horny that's okay my will is good
00:23:28
[Music]
00:23:29
[Applause]
00:23:35
yeah yeah
00:23:38
yeah yeah yeah
00:24:20
come back
00:24:22
[Music]
00:24:25
when it comes to your future there's all
00:24:28
sorts of rumors going on about how your
00:24:31
next album will sound some people say
00:24:33
it's going to be really wild raw and
00:24:35
confusing some say it's going to be
00:24:37
really quiet and acoustic and pretty how
00:24:40
does anyone know do we yeah where did
00:24:43
they get to the input information we're
00:24:44
recording our record next month did you
00:24:46
know that are we are we gonna do it are
00:24:48
we going to do it in my basement yeah
00:24:53
reciprocal and with Steve Albini and
00:24:57
Jack and Dino not at the same time but I
00:24:59
was thinking maybe we should record like
00:25:00
all the songs with Jack and Dino and all
00:25:03
the songs of Steve out beanie and then
00:25:04
somewhere and then yeah and then um and
00:25:09
then like pick the best of all so we're
00:25:10
gonna do it next month I'd love to we
00:25:12
have to it has to be right it has to be
00:25:14
depressed by November see that's the
00:25:16
whole thing it has to be like on the
00:25:17
shelves by November yeah it's not in
00:25:20
your contract no that's just sorry
00:25:21
that's right now yeah we'll just send
00:25:23
them this tape you'll only have
00:25:25
contracts with one more record is that
00:25:26
right oh no
00:25:30
are you pleased with that company that's
00:25:33
the way they work yeah they're nice
00:25:35
people yeah
00:25:36
that's a major label yeah I know
00:25:39
however even you know
00:25:41
it's just all business type rock and
00:25:43
roll business ties my head in knots you
00:25:46
know
00:25:47
it's better to keep your mind off of the
00:25:50
business
00:25:51
aspect of the whole deal
00:25:55
but you have to be aware of it or people
00:25:58
start taking advantage of you
00:26:03
check in every once in a while
00:26:05
[Applause]
00:26:09
[Music]
00:26:15
what else should I be
00:26:18
apologize
00:26:20
[Music]
00:26:38
[Applause] [Music]
00:26:42
should I be
00:26:46
I'll apologies
00:26:56
[Music]
00:27:08
I can see an attitude with newer bands
00:27:11
like in the last well like here's a band
00:27:13
like three or four years here's a band
00:27:15
like extreme some total schlock rock
00:27:17
bands right and we played with them at
00:27:20
some Festival I don't know why but they
00:27:22
are an alternate reality than ours they
00:27:24
are in that rock and roll rock reality
00:27:27
and it's just it's a different reality
00:27:30
they surround themselves with these
00:27:32
professional [ __ ] commercial rock
00:27:35
and roll guys who like when they show up
00:27:38
at an airport their their manager runs
00:27:41
in ahead of them and tells the people
00:27:42
who are greeting them at their labels no
00:27:44
video no videos
00:27:46
got straight to the to the van here's
00:27:49
what we need we want to pass straight to
00:27:50
the van we don't want any pictures taken
00:27:52
you know it's like
00:27:54
so what
00:27:56
and I'm not even really sure if they're
00:27:58
aware of that things can actually
00:28:01
operate on a different level I don't
00:28:04
think they're aware of how much they
00:28:05
suck yeah yeah that's true but that's
00:28:09
not the type of bands that I was talking
00:28:11
about no no you said the new bands it
00:28:14
wasn't always like that because in the
00:28:16
past it was dinosaur rock Zeppelin you
00:28:19
know limousines and and caviar and
00:28:21
cocaine yeah and the kids who were
00:28:23
starting new bands were you know blinded
00:28:24
by that in a way and so they fell for
00:28:27
the traps and I don't think they do that
00:28:28
anymore no because it's just so it's
00:28:30
ridiculous you think about I think even
00:28:32
the people who participated in that who
00:28:34
they're all in their 50s now they look
00:28:35
back at all the excess of the 70s and it
00:28:38
was just gross I think they probably
00:28:41
even shudder when they think of it it's
00:28:43
just I just couldn't seem to see myself
00:28:45
doing anything like that
00:28:48
it's not realistic you know I realized I
00:28:51
forgot a question how this is very
00:28:53
embarrassing but you were talking about
00:28:54
how are you going how and when you were
00:28:56
going to record the new album but not
00:28:58
how it would sound
00:29:02
will it be there's a raw wild and
00:29:04
confusing thing or will it be acoustic
00:29:07
and pretty confusing that's a good album
00:29:09
cover or a name or next now if our
00:29:12
record's that name you're gonna go [ __ ]
00:29:15
you're gonna go those guys yeah they're
00:29:18
all wild and confusing we're gonna be on
00:29:20
the cover going no one of us is going to
00:29:22
look Raw it's gonna be naked one of us
00:29:24
is gonna look wild with loincloth and
00:29:25
like some wild man what was it gonna
00:29:27
look really confused
00:29:29
Rockwell's confusing yeah
00:29:31
now both mixture of both yeah
00:29:37
it won't be as clean as the last album
00:29:39
that's for sure maybe a few songs will
00:29:42
but um
00:29:43
really don't want to go into a 24 track
00:29:46
studio and have a professional producer
00:29:49
and a professional mixologist
00:29:51
at the wheels I think we we'd like to do
00:29:54
it ourselves this time
00:29:56
and you're not going to work with Butch
00:29:58
wig
00:29:59
I don't know I don't know the next one
00:30:02
is going to be kind of a litmus test
00:30:03
towards an audience and see what they're
00:30:06
capable of they want to hear all the
00:30:07
pretty songs or if they want to hear
00:30:09
something
00:30:13
each class [Music]
00:30:18
y
00:30:20
[Music]
00:30:40
[Music]
00:30:43
hurry up
00:30:46
don't be late
00:30:56
[Applause]
00:30:58
[Music]
00:31:00
[Applause]
00:31:02
[Music]
00:31:12
I have one too Alex now that he's okay
00:31:17
[Music]
00:31:20
you don't smoke spices
00:31:26
I know that you've been I mean the
00:31:28
amount of touring and gigs that you've
00:31:30
done now I suppose have you know
00:31:34
been more than anything that you could
00:31:36
ever have anticipated like
00:31:38
two years ago
00:31:40
actually we've scaled our touring back
00:31:43
it's not the amount of touring it's just
00:31:46
that the the scale of the shows that we're
00:31:49
playing I mean we're playing everything
00:31:50
on such a
00:31:52
Grand scale it's it's something that
00:31:55
we've never done before especially like
00:31:57
five festivals in a row
00:31:59
we've done the reading Festival before
00:32:01
but
00:32:03
it just gets pretty insane after a while
00:32:05
do you guys like it I don't think I
00:32:07
really like it that much I don't mind it
00:32:09
I don't mind I like I kind of enjoy
00:32:11
playing outside but it's just
00:32:14
it's about as un I definitely I don't
00:32:17
want to do this ever again and if we do
00:32:19
I'd only like to do maybe a couple of
00:32:22
outdoor festivals you know I don't want
00:32:25
to do like a whole bunch in a row it's
00:32:26
just it's just so impersonal and
00:32:29
well if it's not Outdoors it's indoor
00:32:31
giant yeah I don't know I just I just
00:32:33
kind of like that better but
00:32:37
I have a feeling with the next record
00:32:38
we're gonna lose a lot of our audience
00:32:43
[Music]
00:32:49
[Music]
00:33:00
[Music]
00:33:05
[Applause] [Music]
00:33:13
[Music]
00:33:18
when I swear
00:33:20
[Music]
00:33:33
[Music]
00:33:39
[Music]
00:33:56
foreign
00:33:58
[Music]
00:34:07
[Music]
00:34:12
[Music]
00:34:13
[Applause]
00:34:19
[Music]
00:34:21
[Applause] [Music]
00:34:22
memories
00:34:25
[Music]
00:34:30
[Music]
00:34:59
foreign
00:35:00
[Music]
00:35:10
[Applause]
00:35:16
[Music]

Description:

Nirvana interview @ Sjöhistoriska Museet Sweden June 1992, broadcasted on TMF in the Nirvana Special. Nirvana was an American rock band formed in Aberdeen, Washington, in 1987. Founded by lead singer and guitarist Kurt Cobain and bassist Krist Novoselic, the band went through a succession of drummers, most notably Chad Channing, before recruiting Dave Grohl in 1990. Nirvana's success popularized alternative rock, and they were often referenced as the figurehead band of Generation X. Their music maintains a popular following and continues to influence modern rock culture. Watch more TMF videos ► https://www.youtube.com/channel/UClLbx1yzF8NE4K4T1tkYnQw/videos Join us. Subscribe now! ► https://www.youtube.com/channel/UClLbx1yzF8NE4K4T1tkYnQw?sub_confirmation=1 Thanks for all your support! Rating the video and leaving a comment is always appreciated! Please: respect each other in the comments. Welcome to the official channel of TMF - The Music Factory. © 2020 Viacom International, Inc. All Rights Reserved. TMF, The Music Factory and all related titles, logos and characters are registered trademarks of Viacom International Inc.

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