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Тайна двух океанов. 1955 г. Классный советский фильм про шпионов.

Тайна двух океанов. 1955 г. Классный советский фильм про шпионов.

Channel: Фантастика

Я хочу сказать (из к/ф "Курьер") #shorts #мосфильм

Я хочу сказать (из к/ф "Курьер") #shorts #мосфильм

Channel: Киноконцерн "Мосфильм"

Степь 2 серия (драма, реж. Сергей Бондарчук, 1977 г.)

Степь 2 серия (драма, реж. Сергей Бондарчук, 1977 г.)

Channel: Киноконцерн "Мосфильм"

ВСТРЕЧА В УЩЕЛЬЕ СМЕРТИ . Советский фильм 1979 год.

ВСТРЕЧА В УЩЕЛЬЕ СМЕРТИ . Советский фильм 1979 год.

Channel: СОВЕТСКИЙ КИНОТЕАТР

Прощание, 1 серия (драма, реж. Элем Климов, Лариса Шепитько, 1981 г.)

Прощание, 1 серия (драма, реж. Элем Климов, Лариса Шепитько, 1981 г.)

Channel: Киноконцерн "Мосфильм"

Подросток 5 серия (драма, реж. Евгений Ташков, 1983 г.)

Подросток 5 серия (драма, реж. Евгений Ташков, 1983 г.)

Channel: Киноконцерн "Мосфильм"

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00:00:04

and vomited on your good

00:00:17

look,

00:00:20

the hut is already for

00:00:24

bread only salads on the porch, I’m out of

00:00:29

fear then press your finger in the attic I

00:00:33

got a lot hidden, it must be a girl

00:00:38

of marriageable age from him, how can you not fall in love with the nursery,

00:00:48

the priest threatened that he will re-link the table to the

00:00:50

misunderstandings of the score

00:00:54

as a

00:00:58

nidra replacement Well, what’s next, that there is

00:01:13

no vitamin, I’m leaving to tell you that I’m leaving

00:01:16

you, don’t cut it off at all, I’ll hit you

00:01:25

as you leave that village, go to my brother

00:01:30

there, I’m breathing on one hand,

00:01:35

wait, wait, how can I

00:01:39

give the blood of my business on Friday, the manuscript again?

00:01:41

so in the hut a speech came out about before

00:01:43

me there about one hand, and then I pressed it,

00:01:46

no twists, falls, no heat the stove, but

00:01:50

come on, brother, with pleasure, and the

00:01:53

writers’ union has arranged kindness in the actors in

00:01:57

one hand, no cows, I’ll come to Boris

00:01:59

arena there, but what about the blue ones without yours

00:02:02

borscht 2 thousand years old for me I have tickets

00:02:05

Zhilin

00:02:06

Niko Coreno Rodion please Pushkin you are my

00:02:19

makeup and tires

00:02:27

[music]

00:02:53

[music]

00:02:58

to sleep you were coming

00:03:03

from 5

00:03:07

[music]

00:03:36

it’s not childish to get together with the bride,

00:03:45

so to speak, from time immemorial, but the betrothed how

00:03:49

you got married, or disk arrival will be

00:03:52

citizen spencer queue 1 min.

00:03:55

but to look at how they approached on horseback

00:03:58

or on foot,

00:03:59

the parent, what the icon says and

00:04:01

blessed I came to you, look, yes, I’m talking to you

00:04:08

now, isn’t it time for you to expand your tongue,

00:04:12

ask what is being done 3 and the

00:04:20

living Zhenya regime is already a

00:04:26

comrade sergeant, I now have

00:04:29

very little creative material, I’m here

00:04:31

I observe the life of the village, plunging into the thick of it, as

00:04:33

they say, with a creative crisis, you

00:04:36

have to sit at home, but here you have

00:04:39

little prospects to drink, maybe the shadows will help you

00:04:45

talk to the janitor, space and

00:04:47

says, well, that they don’t know anything except their

00:04:50

cybernetics, there’s also an elevator operator,

00:04:53

oh, I can listen to maybe some guy

00:05:01

untouched not frightened we will shoot there are no

00:05:03

such families left

00:05:07

before you will be dismantled by your youth you

00:05:13

copy there be as you say as

00:05:21

you speak as I want and say you

00:05:23

listened to the intro you are feasting payback

00:05:27

semi-finished that semi-finished products

00:05:31

well okay well you listen to the words of Yarmol

00:05:38

look not everything is as round as an egg king pin

00:05:44

buy action movie signs I don’t want you with

00:05:51

your girlfriend

00:06:02

[music]

00:06:28

please cross

00:06:32

[music] Dushen’s

00:06:37

very forgotten

00:06:42

hiding place, but I’ve been here before so we’ve been wooing,

00:06:50

let’s do it now, I say, the dragger approaches from

00:06:55

without water

00:07:02

[music]

00:07:31

[music]

00:07:40

play the earth

00:08:06

[applause]

00:08:28

[ laughter]

00:08:41

[music]

00:08:52

nothing, nothing,

00:08:56

my God, what a yes and what a distance

00:09:00

lepota

00:09:07

[music]

00:09:42

[music]

00:09:49

[music]

00:10:06

we broadcast the concert at the request of

00:10:09

agricultural veterans

00:10:32

and now why are you

00:10:37

looking for a date and a hundred years old good

00:10:41

morninging and you don’t know where

00:10:47

Polenovo lives on the hold and the rudder

00:10:50

from which I dropped the anchor here,

00:10:54

why does the log mow down not 15 here and three

00:10:58

cables, yes, before I was

00:11:13

like they were matchmaking until 1 now so I was

00:11:19

part of driving up to the matchmaker’s hut,

00:11:22

but what about everything according to custom,

00:11:26

the area

00:11:27

about

00:11:32

passed in these here Before entering, the curly-haired matchmaker

00:11:39

smears his face with red juice and then,

00:11:42

because of this berry, it’s like there’s none

00:11:46

of this, but he forgot forgot and puts on the inverted

00:11:53

skin of his feet and they

00:11:59

hide the bride the bride much higher yes yes on a

00:12:04

palm tree as on a palm tree as there is naked

00:12:12

so a teaser here are palm trees

00:12:15

why in Polynesia we have

00:12:24

someone to call here, here here

00:12:27

everything is not in the mowing, but in large

00:12:31

communities there is when a specialist

00:12:37

saleswoman asks me about a wedding,

00:12:42

yes,

00:12:49

I’ll tell you straight out, a decisive person,

00:12:52

everything is on fire for me by Friday and you’ll start filing a wedding and

00:12:57

matchmaking

00:12:58

climb the noose let's

00:13:01

start with matchmakers and what should we look at

00:13:05

20th century and lies and

00:13:11

p

00:13:15

[laughter]

00:13:26

[music]

00:13:27

all your

00:13:30

house well-established cages mistress I'm a

00:13:36

grizzly bear and there is no owner and the crying will

00:13:45

look like we're sorry for you from your girlhood we

00:13:48

don't cut off hugging as if it's a

00:13:52

trial which you

00:13:53

wavy tell him comrade can be

00:14:25

given is going to a conversation skoda to

00:14:28

a wedding to play possible bright as I go

00:14:40

because here I am, come to

00:14:51

the country a bright walker tea priest on the

00:14:59

rainbow

00:15:00

[music]

00:15:09

Marat who came as you know I’m in the

00:15:20

bay of the state-owned well, as it were,

00:16:20

stradic experienced I see I'm behaving like an ambassador

00:16:33

something reserved without you I need to

00:17:10

speed up

00:17:19

this reserved victory this is how the prophetic Oleg is now

00:17:33

going to take revenge on the unreasonable

00:17:37

although there are no later ones is it absurd for us to

00:17:45

live married and

00:17:56

it’s better to dance a sideshow after all you’re from

00:18:14

the city

00:18:30

and I’m from the institute ethnography

00:18:38

epic sector

00:18:41

[music]

00:18:46

means on the dissertation, open the cells of the material,

00:18:50

but I can’t get her tea

00:19:03

from which I can’t

00:19:08

live in any way Sam

00:19:14

man, I passed you, listen to you from the cinema

00:19:17

salt no tax man, I can’t

00:19:19

tear him away from work now,

00:19:21

understand, come in a month and even though it

00:19:24

takes the whole village in general, I’ll go myself, most

00:19:27

often everyone has a table with you, please listen,

00:19:29

what kind of old people they are,

00:19:30

that is, I heard the proverb, the old clone with

00:19:33

horns, in short, he said, I can’t wait, so

00:19:39

that the

00:19:54

culprits come to mind if our

00:20:19

granddaughter comes out, that and definitely while

00:20:23

quickly,

00:20:25

here I am I beg you, don’t break away from

00:20:36

what you’re doing, sing me something, and we’ve always kept

00:21:13

our city bones, look, we haven’t let you down,

00:21:24

here you can’t sing loudly, the bees are working

00:21:27

and nothing is possible, please

00:21:35

[laughter]

00:21:47

ilya gave gives

00:21:51

[music]

00:21:54

and

00:22:12

[music]

00:22:24

[music]

00:22:26

from

00:22:38

[ music]

00:22:45

andthe house

00:22:54

[music]

00:23:07

[music]

00:23:12

stop stop yes all the best my dears

00:23:16

but this is not quite what we need

00:23:19

at the beginning of the song we are missing

00:23:22

people I know what we are missing what do

00:23:28

you mean for a good song

00:23:33

you need to understand we are already covered invite I

00:23:47

apologize perhaps for a minute

00:23:52

dear and artist

00:23:56

but there I am a very wonderful

00:24:00

duet which by pure chance turned out to be

00:24:03

beyond your keener vision of the spirit

00:24:07

having moved fame very good

00:24:09

production more I will become this is not a

00:24:14

cave HIV it’s too late I can’t

00:24:17

do anything to you I’ll tell you a secret for him, the

00:24:22

whole village, petition, he has five

00:24:24

such sons, they are in prison,

00:24:26

15 such grandchildren will answer with more than

00:24:29

great-grandchildren, they tortured me alone, I can tell

00:24:32

us how old is he until he’s 72, you see,

00:24:36

nothing will work out too much hammer

00:24:40

can moment that there is a concept of an arc

00:24:48

quartet in our country we subsidize and ban, well,

00:24:59

my dears began to be quoted, I

00:25:02

continued to believe because and then the

00:25:04

[ __ ]

00:25:23

[applause]

00:25:37

the voice is not quite appropriate, we dress in

00:25:45

this case, I ask you to generously

00:25:48

forgive me for my nose, you will need me,

00:25:52

I am always at your service Kozlovsky

00:25:56

police and danced to the limit of the plan, well

00:26:15

ok, get ready to denounce the Khanovich for a second,

00:26:19

but you can expose the necessary path,

00:26:23

maybe that’s why I put it on, that’s when the

00:26:30

first second voice, the muscles connect, it’s

00:26:49

necessary, but with us

00:27:56

[music]

00:27:59

he’s

00:28:01

[music]

00:28:10

[music] you can still

00:28:18

hear it, it’s time for him to

00:28:28

wear the 5th night in your pocket when it’s over this is the

00:28:39

opera grandpa tomorrow I have control on

00:28:42

calm him down, but enough is enough this

00:28:47

place is also not suitable also all the struggle

00:29:06

[applause] that’s

00:29:08

what they don’t give in their own home this

00:29:17

body

00:29:34

yes

00:29:54

[applause] [applause

00:30:04

]

00:30:38

heals anyone Pavel try

00:30:54

[music]

00:31:10

[applause ]

00:31:23

[music]

00:31:28

aa

00:31:31

[music]

00:31:35

[applause]

00:31:37

a

00:31:39

[music]

00:31:46

it to

00:31:48

the authors

00:31:49

[music]

00:32:00

what is happening here from the simulation of

00:32:04

strangers of

00:32:05

ignorance you choirs ask

00:32:09

the water-carriers to leave, we have agreed on everything,

00:32:13

what we agreed to

00:32:14

lose both by some purba lilies will not

00:32:16

take root in whose opinion is

00:32:18

not the same, friends are right and then,

00:32:25

well, screw it, no

00:32:26

one will ever be able to buy art,

00:32:31

friends, I ask strangers to leave,

00:32:43

whatever you say,

00:32:46

you did the right thing, that we are all

00:32:51

completely sevda disport,

00:32:54

and the dream is ok, the myth is that people’s eyes

00:32:57

looked at it, although

00:33:01

Varlama could have been taken from Orlan, since

00:33:06

everyone gave us pensions,

00:33:09

gave us politicians, and it’s hard to promise anything,

00:33:16

can I say anything, can I be big, but he said that he

00:33:33

said Sam said anything can happen, and 20

00:33:46

people and

00:33:49

30 people are worthy people,

00:33:58

and she generally has a motor on the baht cascade of

00:34:17

almost 20 in sight he still doesn’t consider you like you,

00:34:28

but he stayed with me, he’ll

00:34:32

survive and say new

00:34:40

and

00:34:42

[music]

00:34:52

[music]

00:35:01

[music]

00:35:20

this is

00:35:24

[music]

00:35:31

[applause]

00:35:33

what happened I’m not that, of course

00:35:44

excuse me, but I can’t go, like the lights

00:35:49

you can on this earth and born here I am a

00:35:54

Winx here everyone knows me here

00:35:59

everyone knows me ask anyone to show you the

00:36:02

house where d2u

00:36:06

Osman lives call 51

00:36:14

[laughter]

00:36:20

[music]

00:36:28

[laughter]

00:36:35

[music]

00:36:46

[music]

00:36:54

[music]

00:37:01

other

00:37:05

[music]

00:37:16

[ applause]

00:37:22

stay with your friend, we consulted and

00:37:26

decided that there is no point for us

00:37:43

[applause]

00:37:47

[laughter]

00:37:51

[music]

00:38:20

kicking the battalion of the year

00:38:23

[music]

00:38:30

[music]

00:39:05

[music]

00:39:15

glad

00:39:17

[music]

00:39:21

and [music]

00:39:48

well

00:39:51

[music] [

00:40:01

music]

00:40:08

[music] ]

00:40:12

this is

00:40:25

our

00:40:29

[music]

00:40:45

[music]

00:41:03

[applause]

00:41:05

[music]

00:41:24

dad with courage

00:41:43

[music]

00:41:54

[applause]

00:42:05

where is he

00:42:06

where is the

00:42:26

ball in the palace again

00:42:31

[applause]

00:42:34

why jump metallic red rose spring

00:42:52

[music]

00:42:56

but even on stage that I couldn’t play there anymore

00:43:09

I won’t play

00:43:17

[music]

00:43:27

[music]

00:43:37

is delayed for there will be a

00:43:46

ball in the palace again she

00:43:52

promised to give her salary to her wife in a friendly court

00:43:54

you never know what she promised today how she received

00:43:56

her salary there this damn dance in the

00:44:01

evening we will dance on the body video

00:44:03

puzzles

00:44:06

Andrey Stepanovich, as the chairman of the bowl,

00:44:08

we must apply the most drastic measures,

00:44:13

then it’s still impossible, but maybe

00:44:15

he has a good reason for the ban and my

00:44:18

reason

00:44:36

[applause]

00:44:38

[music]

00:44:48

1 month

00:44:51

[music] it

00:44:55

will pass on you will be tightened in general something new about

00:45:12

what that is, I would say

00:45:14

hypnotic, please dance, you won’t say anything, I’m

00:45:21

watching and my nerves

00:45:25

calm down, well, you didn’t want to go to the theater, I’m

00:45:33

ready at the exit

00:45:36

[music] I’m

00:45:44

ready to nod, I’ll give him life

00:45:47

[music]

00:45:53

[music]

00:45:56

at

00:45:58

[music]

00:46:13

[applause]

00:46:27

[ music]

00:46:52

your risk

00:46:55

writes your cartilage

00:47:04

songs

00:47:06

arrived peach placed

00:47:14

[music]

00:47:19

and

00:47:21

[music]

00:47:22

I'm not

00:47:23

[music]

00:47:27

and

00:47:28

[laughter]

00:47:31

[music]

00:47:35

but

00:47:39

[music]

00:47:42

and not running

00:47:46

[music]

00:47:50

our notebooks are

00:48:02

no longer busy will leave and drink it all

00:48:05

salary to the penny or

00:48:15

[music]

00:48:25

she

00:48:29

wait a minute my dear forgive me you you my

00:48:37

dear

00:48:39

she come here yes no I’d better go with

00:48:46

your permission strictly hand him over to

00:48:52

pioneering where the spy is for you once again the

00:49:03

Duke’s exit come on

00:49:16

[music]

00:49:30

[music]

00:49:38

but at I see

00:49:39

[music]

00:49:59

she cut herself again

00:50:01

and I made

00:50:06

bold decisions, don’t be nervous, Your

00:50:10

Majesty, if only I could

00:50:14

hear from someone like that, what’s the matter, and

00:50:19

you’re asleep, otherwise I’ll apologize to the

00:50:24

countess right now, it’s decided,

00:50:28

I’m sorry

00:50:32

[music]

00:50:35

we’ve agreed, after all, the muscles that is, give your

00:50:37

wife’s salary to your righteous one, take it, and

00:50:39

then take everything up to the capillaries, call

00:50:49

people here underwear, have mercy on your face, does the

00:51:01

sacred fact really deserve

00:51:11

men now, you and I could

00:51:15

sort everything out, comrade, we’ve already sorted it out in a

00:51:19

comradely, manly way

00:51:36

[music]

00:51:46

again

00:51:52

[music ]

00:51:54

and dad

00:51:56

and babava baba without

00:52:22

shallows how difficult it must be to live with such a person

00:52:29

very well let’s try everything together

00:52:36

[music]

00:52:39

but true to the authors

00:52:48

[music]

00:52:50

statics of avant-garde

00:52:57

[music]

00:53:05

opaque

00:53:08

he was the same goose in our office

00:53:11

re-educated but once and for all solve the

00:53:15

problem Gennady don’t

00:53:16

worry about anything don’t worry about getting into character

00:53:20

forget the azalea scene is an example of you, it’s not

00:53:23

in vain that you’ve been working here for so many years, they

00:53:25

built it, I can of course of course you

00:53:28

can handle it come on oh well yes no well

00:53:33

yes

00:53:35

[music]

00:53:55

[music]

00:54:05

also I’m a

00:54:07

ballerina

00:54:09

[music] and

00:54:26

become my child,

00:54:29

tell me secrets and lovely Lyudmila, did your

00:54:34

husband give you the money he received today in the

00:54:37

treasury, the sir modal

00:54:38

cops, who would have received it

00:54:40

today in the cash register, the treasury, in the treasury, didn’t

00:54:43

give it away, the dear sir just arrived,

00:54:48

I don’t have the strength to endure

00:54:52

all this anymore, I’m completely exhausted I think to myself, priest, think about

00:54:57

it, be merciful to

00:55:01

Lyudmila, cheerful, so that for the sake of God, stand up,

00:55:05

what are you doing,

00:55:16

give the money now to your wife

00:55:20

[music]

00:55:24

righteous Lyudmila, give yourself up to the charger,

00:55:29

why, because people would be ashamed of

00:55:34

one thing, not people, they came and went, and I

00:55:39

don’t care, so this I don’t care how he gives you

00:55:44

look, well, what have you brought him to

00:55:46

because of people like you, how much people smoke,

00:55:49

he puts up with me again, it’s urgent now that I

00:55:52

need it most of all, there was a scandal in the supermarket

00:55:55

about the house, let’s talk about the house, give me your word

00:56:18

that you’re asking for a drink, how can it happen right away, that’s just the way it is

00:56:36

principle, since you can’t drink normally, I

00:56:39

give my word that I won’t drink at

00:56:56

work at work from 5 way

00:57:06

[applause]

00:57:15

[applause]

00:57:24

[music] the

00:57:28

release took

00:57:30

root and on the couch with this my

00:57:34

word of honor that to complete

00:57:36

[music] the

00:57:45

original interpretation of the hall is included in the

00:57:49

test

00:57:50

[music]

00:57:58

and the actor Jacob on stage with the things that

00:58:18

our life is like giant and you play the truth you

00:58:25

tell the truth to the honest words

00:58:32

I am tying up today's

00:58:47

life play Tardis and from Berlin

00:58:58

we are playing the finale of the play

00:59:01

[applause] [music]

00:59:09

let's

00:59:10

talk about spies about spies

00:59:14

[music]

00:59:15

[applause]

00:59:19

a

00:59:22

a

00:59:24

[music]

00:59:26

there

00:59:28

a a

00:59:32

a

00:59:37

[music]

00:59:49

a

00:59:50

[music]

00:59:52

a

00:59:53

[applause]

00:59:56

ok

00:59:57

[music]

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