Download "Гитара для начинающих. Часть 2. Аккомпанемент"

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Александр Суханов - Зеленая карета - Тональность ( Еm ) Как играть на гитаре песню

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ИСПАНСКИЕ ТЕХНИКИ НА ГИТАРЕ №1 - ALEGRIA (HOW TO PLAY ALEGRIAS)

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гитара

для

начинающих

новичков

с нуля

уроки

обучение

простые

аккорды

как

научиться

играть

на

гитаре

аккомпанемент

с чего

начать

петь

боем

простой

бой

00:00:00

Hello everyone, this is the second part of the video, a review

00:00:03

of what you can play on the guitar,

00:00:05

that is, before that you learn what rules to

00:00:09

theory are necessary, in this video we will talk

00:00:12

about accompaniment, come on the

00:00:14

guitar, this is the performance of songs

00:00:16

accompanied by a guitar, which is clear what

00:00:19

will be discussed right away, a small example and

00:00:22

then We will already analyze the drink in detail,

00:00:47

the term

00:00:55

means what kind of

00:00:57

life we have with our radiance,

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and then I’ll fly the song, of course, loops, what it

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all looks like, that is, you have decided

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to learn to play the guitar, you are interested in

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the accompaniment, that is, you want to

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play along with these or on the guitar, and well,

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of course, first of all, you must

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love, be able to, or at least want to sing something

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that without this you can just strum the

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guitar, but singing it is a separate

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conversation; it’s as if I’ve never been a singer myself, and how

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can I help?

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We’ll talk about what concerns

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guitars. Once again, I’ll say right away that this is not a

00:01:49

video. lesson that is, we won’t analyze any

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individual works here,

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it’s just a set of ideas that will

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help you, use it all for

00:01:57

your lessons, two main techniques you need to

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master this game by picking and fighting,

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busting is when the g string is

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separate, I’m mine, when you all drink

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together for starters, what is brute force,

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a few examples, brute force, or what else

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is a rocket called,

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and so on, there are a lot of options, even

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such standard basic ones will help you

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gain three dozen, so you need to take a

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few of the simplest ones first and use their

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example to master this technique for

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brute force when you have the big guy loves the

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bass string, the pointer to the middle and

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nameless strings plays some kind of

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sequence on thin strings, the

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second option is rhythm and love

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meat, there are even more options here

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because everything that can be sort of retreated

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can be designed in the form of some kind of

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guitar speech, these two the main

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methods of sound production that in the

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future you will use when

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playing drink now here is the left hand

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basically here you need to naturally learn

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chords chords in prison we

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will be given these are several simultaneously

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sounding not which on the guitar looks

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like you pinch two or three there 46

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depending on the chord of the strings and are already

00:03:51

playing, depending on the song,

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play these chords by fingerpicking or there are

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quite a lot of chords, also on the guitar, the

00:04:00

teacher won’t have to learn everything right away and

00:04:02

just the basic major minor

00:04:04

triad, this story concerned her, you can

00:04:07

here her house salt blue 14 births in the

00:04:10

hotel at 14 and there are enough Kurds to in a

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simplified form, of course, to play

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almost all the songs in simple

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keys, this will be enough for you, and then gradually, of

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course, you can talk about other chords

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using the example of the a.m. chord.

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First, you need to learn the chords by heart,

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know its fingering, which fingers

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squeeze such strings, such frets, and know its

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name, that in the future the

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letter

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designation of these chords will appear in the text, the chord has been learned,

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then the chord needs to be pressed so that it tormented a

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pure

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elephant, they ran, rattled, or 8 o'clock

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means either weakly clamped or some

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lower strings and in fact further the chord

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needs to be learned even small and not a guard to

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bathe today so 1 2 3 is put immediately

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too the eye and ultimately on the

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smartphone of the constant edius we

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imagine you need to learn how to just

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move from one side on the other hand,

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of course, you need to do all this on the

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example of some month, that is,

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train both the left and the right hand,

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not just separately, but literally

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the phrase looks like this: take about

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ten songs that you like and

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start to analyze them, and along the way I

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analyze this these ten songs

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you are just mastering all the necessary

00:05:36

chords, take into account the basic options for the game of

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sorting out battles now where these songs are

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brothers closely the songs somehow recorded

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can be written down in the form of tablature, I even

00:05:48

saw them, but the simplest and most often they

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look like an

00:05:52

alphanumeric recording, that is, text at

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the top there are symbols and codes,

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so you open the song, you see these

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very coordinates to those sections of the text where

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they sound, you start humming the melody and

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just substitute these chords,

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so now I won’t just want to, for

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example, for the games you hum the youth, I

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recorded it on the guitar so as not drink

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chords already on top of the melody

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players,

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that is, you just don’t connect your

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right hand, let’s go down these chords,

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try not to lose tempra so that the

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melody doesn’t stop, these

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chords just play on the downbeat,

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of course you can learn to choose chords

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by ear, but it’s unlikely that you will

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start learning with this, but with the right hand you will

00:07:27

just have to select all the

00:07:29

rhythmic patterns and everything connected

00:07:31

with this hand by ear because

00:07:34

most often it is not indicated how

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this hand works, simply because there are

00:07:39

no unambiguous options here, who

00:07:42

likes the song better initially it sounds

00:07:44

on a guitar, you can just listen to

00:07:47

hear how this guitar acts on

00:07:49

its own, it’s on the fingerpicking or rhythm and just

00:07:52

remove this rhythm if there is no guitar or the

00:07:55

guitar is filled with other instruments, as is often the

00:07:57

case, you just need to pick something similar

00:08:01

or if the song is generally accepted

00:08:04

as - it’s just to play and see how the

00:08:06

others play;

00:08:07

it’s also to try to naturally pick up

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some first rhythms, it’s better for him to

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show that it’s easy to understand the technique how

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it’s done in the future; you just

00:08:15

need to be able to pick it up by ear or at

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least from a video where you can see how the hand is here

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acts and ultimately comes

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up with some kind of rhythm and, well, for

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example, let’s play for several years

00:08:26

at the tempo of how it actually

00:08:28

sounds, if you got it,

00:08:31

it means you’re doing it, it’s good to

00:08:33

have, if not, then you have to strive for it

00:08:35

and learn it,

00:09:15

well

00:09:18

but the

00:09:23

chords are not important here; the

00:09:25

chord progressions can be anything important;

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this is at least where you can see how the hand

00:09:30

works and hear how it all

00:09:31

happens;

00:09:32

try to choose; check; it means that

00:09:35

in order to master the accompaniment, you need to

00:09:38

put into practice two options for

00:09:41

picking and rhythmic sound production and

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learn about five standard ones

00:09:45

rhythms and its arpeggios know all the

00:09:48

basic chords of

00:09:50

at least 14 chords be able to press them

00:09:55

so that they sound clean and rearrange them in the

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chain learn about ten songs know how to

00:10:02

parse them read according to these diagrams

00:10:05

where the text and chords learn to select

00:10:08

at least use it already there

00:10:10

you know the rhythms, you ultimately just

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play, sing these ten songs, everything

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else according to the same scheme will then simply become

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more complicated,

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how can this be further developed? with

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variations of the rhythm, master the technique of

00:10:32

muting muting

00:10:35

string kusudam as if I understood it gives me

00:10:37

freedom guests

00:10:45

you immediately have several dozen more

00:10:49

different drawings of

00:10:50

using this improvement you

00:10:52

can learn to improve

00:11:00

right away, that is, they will help to

00:11:03

jam it is important to learn

00:11:06

and then it

00:11:09

sounds Lana Jad cottage cheese they are removed it is

00:11:11

not it sounds and

00:11:18

this

00:11:23

and the push-ups when squeezing will also be so

00:11:26

intermittent, some kind of rhythm,

00:11:28

naturally the chords are also here

00:11:31

gradually you need to make do with it at home F G A

00:11:34

B major not but

00:11:35

add at least naturally soft

00:11:38

chords first of all hatches all

00:11:40

other chords with letters

00:11:43

even standard chords try

00:11:46

find them in some unusual

00:11:48

positions, that is, play open chords,

00:12:05

let's build a chord not only at the

00:12:09

beginning of the neck somewhere here, for this, of

00:12:10

course, you will need to learn some theory,

00:12:12

but there are still options

00:12:15

when you can transfer the entire song

00:12:17

to pairs

00:12:42

and

00:12:44

or some non-standard variants of

00:12:47

chords have already begun; there are a

00:13:08

lot of variants on the griffins on the site;

00:13:11

the pick sounds quite beautiful when

00:13:15

played not just with fingers, but also

00:13:18

with a pick; when the elite ones on the market don’t

00:13:20

necessarily use some

00:13:21

standard patterns that are constantly

00:13:25

repeated;

00:13:27

and fills,

00:13:28

fills, insert closely, you can complicate all this

00:13:31

indefinitely and play

00:13:33

something like this, of

00:14:05

course, acceleration

00:14:08

accompaniment and rhythm guitar in this we

00:14:10

will talk about the whole video review

00:14:12

in general, this is all about the

00:14:15

components again, if any

00:14:17

there are questions you can ask in writing

00:14:19

I’ll try to answer

00:14:21

a lot here again, not to tell much

00:14:25

less show it, it’s just to give you

00:14:29

an idea of how it can be used and what you need to

00:14:32

learn for this, as it were, the next

00:14:34

video will talk about solo and whether here and

00:14:38

there and then about instrumental music,

00:14:45

that everyone should still practice the

00:14:48

guitar

Description:

Второй ролик о том что и как можно сыграть на гитаре. Если вы хотите научиться играть, но не знаете с чего начать. http://vk.com/pass2hoff Часть 1 Мелодия https://www.youtube.com/watch?v=T_wWBfellmc Часть 3. Ритм и Соло. https://www.youtube.com/watch?v=P1l4KdtU3tM Часть 4 .Фингерстайл https://www.youtube.com/watch?v=PlgzGSTv90U https://www.pogitare.com// - ДИСТАНЦИОННЫЕ ЗАНЯТИЯ (SKYPE) - РАЗБОРЫ НА ЗАКАЗ - ВИДЕОКУРСЫ - ТАБЫ https://vk.com/pass2hoff https://www.facebook.com/unsupportedbrowser Поддержать https://www.digiseller.market/asp2/pay_options.asp?id_d=2636827&cart_uid=&ai=&unit_cnt=&curr=WMZ&lang=ru-RU&digiuid=5648A49C-75E0-4041-B566-E084E2BEBB54&_ow=&_ids_shop=&failpage=https%3A%2F%2Fwww%2Edigiseller%2Emarket%2Fasp2%2Fpay%5Fwm%2Easp%3Fid%5Fd%3D2636827%26lang%3Dru%2DRU%26digiuid%3D5648A49C%2D75E0%2D4041%2DB566%2DE084E2BEBB54 Не забывай играть на гитаре! Спасибо что смотрите! Вася Пастухов https://www.pogitare.com - ДИСТАНЦИОННЫЕ ЗАНЯТИЯ (SKYPE) - РАЗБОРЫ НА ЗАКАЗ - ВИДЕОКУРСЫ - ТАБЫ https://vk.com/pass2hoff https://www.facebook.com/unsupportedbrowser Поддержать https://www.digiseller.market/asp2/pay_options.asp?id_d=2636827&cart_uid=&ai=&unit_cnt=&curr=WMZ&lang=ru-RU&digiuid=27E1842B-BD26-4AB9-9911-8B9297758F50&_ow=&_ids_shop=&failpage=https%3A%2F%2Fwww%2Edigiseller%2Emarket%2Fasp2%2Fpay%5Fwm%2Easp%3Fid%5Fd%3D2636827%26lang%3Dru%2DRU%26digiuid%3D27E1842B%2DBD26%2D4AB9%2D9911%2D8B9297758F50 Не забывай играть на гитаре! Спасибо что смотрите! Вася Пастухов

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