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"videoThumbnail Из записок Лопатина. Театр "Современник". По повести Константина Симонова (1975)
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Video tags
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Video tags

гостелерадиофонд
советские актеры
советские кинофильмы
советский театр
советское телевидение
театр
театр ссср
Двадцать дней без войны
Константин Симонов
театр современник
Валентин Гафт
Людмила Иванова
Владимир Земляникин
Марина Неёлова
Андрей Мягков
Олег Табаков
Любовь Добржанская
Константин Райкин
Анастасия Вознесенская
Валентин Никулин
Из записок Лопатина
константинсимонов
литература
экранизация
война
великаяотечественнаявойна
вов
деньпобеды
театрсовременник
Subtitles
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Subtitles

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  • ruRussian
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00:00:46
[music]
00:01:43
July 5,
00:01:46
1943, let’s call it a
00:01:52
few days
00:01:56
without war,
00:02:01
having reached the chair
00:02:06
along the road swept by the December snowstorm,
00:02:11
he appeared before the editor’s eyes
00:02:17
only at three o’clock in the morning
00:02:21
I’m listening
00:02:22
now they’re calling
00:02:33
Hello, hello in the morning, did you see
00:02:37
that anything is changing
00:02:40
Yes, it’s changing, we
00:02:42
just received a message
00:02:45
the Germans launched an offensive on the Kursk Bulge
00:02:47
in the North in the South it’s clear
00:02:50
when Go in the morning The car will be ready I’ll
00:02:54
give you more photos
00:02:59
Well what are you
00:03:01
wasting
00:03:08
Well okay now you have 6 hours
00:03:27
despite the events you
00:03:36
’ll have to go replace
00:03:40
replace Gorsky
00:03:45
just received a message
00:03:48
on the German offensive as immediately
00:03:50
after
00:03:51
from an evil connection with the central front that
00:03:55
at the beginning of German training, the
00:03:58
Red Star correspondent Gursky, while on
00:04:00
duty, received a
00:04:03
direct hit at the regimental command post,
00:04:09
no details, you will find out there
00:04:14
13 Our correspondent for the war
00:04:17
[music]
00:04:52
war,
00:04:56
like the trumpet of the Last Judgment,
00:05:00
makes a person feel like he is
00:05:02
naked and
00:05:05
holding the answer
00:05:07
for everything he has done Before what you great
00:05:16
want to do right was
00:05:18
much more than the sins
00:05:24
the war is really the Last Judgment
00:05:29
what is more terrible than this,
00:05:33
you are responsible for everything
00:05:36
that you managed to do, that you couldn’t, that you
00:05:39
wanted, that you didn’t want, that you
00:05:43
could, you
00:05:46
couldn’t do anything,
00:05:51
and the one who expects that they won’t call him to this
00:05:53
Last Judgment, they’ll
00:05:57
forget
00:06:01
or they won’t have time to call him
00:06:07
here, he’s really a sinner before all the
00:06:10
others
00:06:12
in all fairness.
00:06:19
Although according to some it’s not clear
00:06:22
that they even remotely thought about
00:06:24
this;
00:06:27
rather, on the contrary, they
00:06:31
expect to live in a post-war paradise
00:06:35
and wonder when it will be for them
00:06:40
On someone else’s hump
00:06:44
and the blood will
00:06:47
start,
00:06:55
you want to crack, they would
00:07:01
n’t talk about victory, they wouldn’t
00:07:06
jump up first, remembering the dead,
00:07:13
although they themselves will drink from the head,
00:07:18
indifferent
00:07:26
to everything
00:07:30
except their own desire to remain
00:07:32
alive and whole,
00:07:37
but some women still love
00:07:39
such people,
00:07:41
sleep with them,
00:07:43
listen to their confessions
00:07:46
and approve of their desire to live
00:07:53
instead of others,
00:08:06
in December 41, the editor unexpectedly called
00:08:08
from near the colony,
00:08:10
got to the editorial office by 3 o'clock in the morning,
00:08:12
found the editor there and
00:08:16
[music] let's
00:08:20
write down
00:08:22
[music]
00:08:38
Hello
00:08:42
for your correspondence
00:08:45
and taking Odoev, I praised you at the meeting, I
00:08:49
realized from the text that you are with the first
00:08:51
battalion I entered the city, I appreciated everything.
00:08:54
Well, when
00:08:58
I got a
00:09:07
big gift from you, I wish the Germans would have
00:09:11
printed this
00:09:17
because the Germans will take it and simply
00:09:20
reprint it in their stinking
00:09:24
occupation leaflets.
00:09:28
Don’t be afraid, dear occupied
00:09:31
citizens, to serve with us even if you
00:09:34
end up in prison again later. taking it into the hands of the Soviet government
00:09:36
will not understand anything,
00:09:38
in my opinion, some will and some will not, in
00:09:41
your opinion only in your opinion.
00:09:45
Please tell me that some are to blame,
00:09:47
others are not to blame. Yes, think about it, in fact, it’s
00:09:49
calling for something.
00:09:51
I’m calling for so that everyone is not
00:09:54
cut with the same brush, and all the
00:09:58
children now
00:10:01
served alone with the Germans or did not serve on the one
00:10:04
hand, on the other hand, all this
00:10:07
must be put aside, put aside until the Victory, the
00:10:11
woman should have behaved as an
00:10:14
infant, about whom I am writing, who
00:10:16
remained her card
00:10:45
Are
00:10:47
n’t you ashamed?
00:10:50
What does it mean? Let her sort it out, that people
00:10:54
like her are to blame, except that we
00:10:57
retreated almost
00:10:59
to Moscow,
00:11:02
we retreated; let her sort it out;
00:11:08
again, the
00:11:10
correspondents of the entourage were left
00:11:12
unable to get out, and you want this
00:11:15
woman
00:11:17
with an infant child and her disabled mother
00:11:20
together,
00:11:22
you want her all the borders to Moscow
00:11:25
managed to go east
00:11:29
kilometers a day
00:11:45
and you say it with your own
00:11:48
eyes
00:11:58
that you are breaking the fool in front of me here Please
00:12:10
forgive me
00:12:13
for being a fool I can change you, you
00:12:18
know for your mood,
00:12:21
someone else would be in my place
00:12:24
After all, you are all forgiven you preach,
00:12:28
shorten your tongue, shorten it and have pity. And I know
00:12:31
who I’m talking to, I’m talking to you and not to anyone
00:12:34
else.
00:12:50
If you want to know my opinion, my
00:12:54
personal opinion,
00:12:58
your conversation is out of time,
00:13:02
I saw only five bribes for
00:13:08
them, by the way, we’re not taking Berlin. We’re
00:13:12
still near Moscow. We’re sitting,
00:13:15
If we face the truth, it’s
00:13:19
too early to get in trouble
00:13:22
now, without an iron hand, we wo
00:13:25
n’t return what we gave to what
00:13:27
we returned
00:13:29
between our fingers.
00:13:41
When you get it from me, you all
00:13:44
know very well.
00:13:47
What happens to me there
00:13:50
for you, it’s
00:13:54
only my neck that knows
00:13:59
what
00:14:02
Take to hell with this
00:14:07
and consider that we didn’t have this conversation with
00:14:10
you
00:14:15
[music]
00:14:40
What kind of news from which you called me I
00:14:43
don’t know your
00:14:46
wife came
00:14:49
came and left why he came what he
00:14:52
wanted I didn’t understand ask the cleaning staff she
00:14:54
explained something to him Maybe he understood
00:14:57
[music]
00:15:34
now I’ll finish the paragraph I’ll crush the Third Reich
00:15:38
talk
00:15:51
How are things with Kaluga I think today
00:15:55
tomorrow we’ll take
00:16:05
everything crushed I’m listening to you
00:16:10
It’s me who’s listening to me If you listened to me
00:16:13
Everything would have been different for you a long time ago
00:16:17
okay listen to my report I
00:16:21
had with her two conversations, one long after
00:16:25
arriving here and one short before
00:16:28
leaving on the phone, you know I don’t
00:16:30
like your wife enough so I’ll
00:16:32
try to be verbatim exactly the
00:16:34
first conversation here she doesn’t stutter
00:16:40
why didn’t he answer my three
00:16:43
telegrams I arrived home and he wasn’t there I
00:16:49
because he doesn’t live at home,
00:16:55
besides, because now at the front
00:16:58
she doesn’t stutter, that’s
00:17:01
not the point, I feel like he got
00:17:05
someone here without me, I
00:17:10
stutter, the war, he got a fool here without you, she
00:17:19
doesn’t stutter,
00:17:21
I don’t believe you, but anyway I forgive him
00:17:28
because I probably still love him.
00:17:30
She throws her hands behind her head very beautifully
00:17:34
and
00:17:36
breathes excitedly. I try not to look. Because
00:17:39
even Nam is his friend
00:17:42
and I’m waiting for what I say next.
00:17:47
Only she says that in Tashkent behind the
00:17:50
Fleet Theater that she came here somehow
00:17:52
-Evgeniy Alekseevich or Evgeniy
00:17:54
Aleksandrovich to order you a
00:17:57
front-line service for them,
00:18:01
in short, in my opinion, you in the family are rubbish,
00:18:08
forgive me that I, as you know, are the
00:18:26
worst in all this,
00:18:32
that I want to see her again, I
00:18:36
should not want, but I want, I
00:18:40
should not want
00:18:45
[music]
00:18:53
he was flying to the front
00:18:55
and thinking about his wife. Okay, let’s
00:18:58
skip from December 4142
00:19:02
when he returned from near Kharkov there
00:19:04
was nothing to write, it was a failure,
00:19:06
the mood couldn’t be worse, and here he
00:19:10
ate at the editorial office, still lived in a
00:19:13
barracks position, his
00:19:17
wife fell on his head
00:19:20
now that we are with you together You may
00:19:23
be
00:19:25
now when we are together You may
00:19:28
kiss my hand It was from
00:19:30
some play I don’t remember which one
00:19:36
you would have given the telegram I would have met you I would have
00:19:39
been smarter
00:19:42
Maybe you and I will talk at home not
00:19:44
here in the office I I live here
00:19:49
you don’t guess why I came
00:19:53
No, I don’t guess I didn’t know all my life
00:19:57
what would come into your head every
00:19:59
next minute
00:20:02
I came to ask you to take away
00:20:05
my sin
00:20:06
and let me go
00:20:09
I must get married
00:20:17
Well, if you have to go
00:20:29
[music] a
00:20:39
good person
00:20:42
You can be completely calm
00:20:46
[music]
00:20:50
Well,
00:20:52
we’ll just sit here with you. Well, we
00:20:55
can go to the registry office. If you
00:20:57
want, I’ll write you a divorce petition here right now,
00:21:03
write
00:21:05
[music]
00:21:14
[music]
00:21:18
I now feel guilty before
00:21:21
you
00:21:23
anyway, you’re in everyone is to blame
00:21:26
Well, so be it
00:21:30
and
00:21:33
you don’t even mind me
00:21:37
as I am at
00:21:39
least
00:21:41
[music]
00:21:45
for now
00:21:49
until the war
00:21:54
until
00:21:56
they kill
00:21:57
[music]
00:22:06
for now I
00:22:09
wonder
00:22:11
how long it takes
00:22:15
and how it just sways
00:22:19
You’re not to blame, not
00:22:21
me It’s
00:22:24
also your body’s fault, which I loved for 15 years,
00:22:27
contrary to reason.
00:22:30
You know, in the old days, this
00:22:33
would all end
00:22:35
in bed,
00:22:39
but now
00:22:43
it’s not, it will
00:22:46
never
00:23:02
help you,
00:23:11
I have everything Yes,
00:23:13
please don’t send me
00:23:16
the certificate anymore,
00:23:18
the apartment will be yours, you can spend the night
00:23:20
at home
00:23:25
she left for Tashkent,
00:23:28
but on the same day he was drawn to her like a
00:23:30
stupid log adrift, he wrote
00:23:33
a statement and signed it under the
00:23:36
secretary’s searching gaze, the editor
00:23:37
even found the strength without choking to
00:23:40
wish her happiness, she left for Tashkent,
00:23:43
but he was drawn to her differently stupid
00:23:46
logs with the flow, this craving was like a
00:23:49
return, finding it,
00:23:51
getting rid of it turned out to be much more difficult
00:23:54
than just saying
00:23:57
goodbye
00:23:59
Be happy
00:24:03
[music]
00:24:12
after staying for almost three months,
00:24:30
I passed the set of the wrong line
00:24:32
[music]
00:24:36
you want to drink 100 grams Well, since the
00:24:38
last line on the field means I’m
00:24:40
being bribed Gladky
00:24:42
I love you Matvey, although while you are my
00:24:46
boss Leo it is very difficult to prove it to you, you
00:24:50
will be removed, you will prove it
00:24:54
[music] in
00:24:55
my opinion, you used to be less than vodka And I,
00:24:58
Matveykha, am not young but wiry, I
00:25:00
belong to that healthy part of the rotten
00:25:02
Russian intelligentsia that
00:25:04
you can’t knock down with two glasses
00:25:05
[ music]
00:25:08
well, can I go no wait,
00:25:13
here the
00:25:15
photographs tell me that they have started filming
00:25:18
some kind of movie novella based on one of
00:25:21
your first Stalingrad essays and
00:25:23
that everything there will burn down if I don’t
00:25:25
let you go to them in Tashkent,
00:25:27
at least find it on a chair days
00:25:29
[music]
00:25:49
and in order for it to work out on the road to the front you will go
00:25:51
and fly there as conveniently as possible to Tashkent.
00:25:54
There are five days for all your business
00:25:58
from there through Ashgabat Krasnovodsk to the
00:26:02
Caucasian front
00:26:03
I think that even if you go by train
00:26:06
you will still have time while they have something to croak there -
00:26:08
something big will begin,
00:26:11
and if not through Tashkent Well, the route is
00:26:15
still the Circumferential one through Guryev on the side of the other one that is
00:26:17
shorter. Not yet. In general, if I give you
00:26:19
5 days to Tashkent, then I have the right to give them.
00:26:22
But if you go
00:26:25
tomorrow,
00:26:32
December 26, the
00:26:34
Moscow-Tashkent train
00:26:40
[music] the
00:26:53
windows were soft
00:27:10
[music]
00:27:12
rural steppes on the Don
00:27:15
But these trains with oil, filling the road and thundering
00:27:18
towards them,
00:27:21
reminded me more than any reports of the front
00:27:23
and it was somehow uneasy that you were going in the
00:27:27
wrong direction, tempted by this
00:27:29
unexpected leave from the military
00:27:34
[music]
00:27:39
the woman
00:27:41
[music]
00:27:46
and smoked
00:27:58
Let it Stopped somewhere on the tracks
00:28:06
it was unbelievably cold and
00:28:27
generally bad There is no Coal, even if you steal it You
00:28:31
might still be cold
00:28:34
Warm up
00:28:37
still warm from the porridge A
00:28:50
good thing, these Uzbek robes I have
00:28:55
three of them,
00:28:57
only the name I save myself when there is no Coal
00:29:09
and remember how hot it was in
00:29:13
1934
00:29:19
only with what you see
00:29:25
I can replenish there is some supply you don’t
00:29:29
need to replenish in three days when
00:29:31
you and I will celebrate the New Year
00:29:33
today my bread salt what we have I
00:29:41
still can’t believe my eyes that you are standing
00:29:44
in front of me
00:29:47
but as the Uzbek brothers say hop Miley
00:29:50
So it is
00:29:56
how you are disposed to talk or sleep I’m
00:30:00
still half-awake on the road, I slept
00:30:03
to capacity So for the first time I can
00:30:04
match then we’ll talk until the morning
00:30:08
and then I’ll put you to sleep there
00:30:11
in that room
00:30:13
with my mother on my mother’s bed
00:30:17
died
00:30:19
3 months ago
00:30:22
on the very bed on which
00:30:24
you will sleep today you
00:30:26
immediately died from Old angina pectoris
00:30:31
climate
00:30:33
Although doctors say that
00:30:35
climate change helps you
00:30:39
couldn’t stand the heat the end of it
00:30:42
flies
00:30:44
in September
00:30:47
She died Remembering you
00:30:50
and others
00:30:52
whom she loved
00:30:54
because you know there was always one thing either
00:30:56
she loved or not loved
00:30:58
me I always envied me for this she
00:31:03
scolded you
00:31:05
and others too for not writing me
00:31:08
letters here
00:31:11
and scolded me for not writing to you
00:31:13
from here
00:31:15
I couldn’t explain that in the current
00:31:18
situation I couldn’t write to you first
00:31:24
but I didn’t want to understand anything I said Well,
00:31:27
let him write to you first, such a
00:31:30
difference,
00:31:33
just don’t think that I wanted to receive
00:31:35
letters from you for
00:31:38
some minutes, I wanted
00:31:41
more often, I didn’t want you especially
00:31:46
Why especially from me
00:31:50
Because when I think about you
00:31:55
I don’t even have the excuse
00:31:59
that I resort to moments of weakness
00:32:02
thinking about my students
00:32:05
Sometimes it seems to me that no one at all
00:32:07
learned anything from me,
00:32:09
if they learned
00:32:11
to remember they don’t want to,
00:32:16
you did so much good for them,
00:32:18
anyone who forgets this is a pig. I
00:32:20
recently met your favorite at the front,
00:32:22
he told you so well
00:32:25
and
00:32:27
wrote me two letters both times I
00:32:30
answered both times the same thank you
00:32:32
for remembering
00:32:34
me I had nothing else to write to him
00:32:39
Do you want the truth
00:32:42
yesterday when I found out that you were supposed to arrive at
00:32:44
midnight I was thinking how maybe I shouldn’t even
00:32:48
catch your eye
00:32:55
I can handle it
00:32:59
Well, I
00:33:01
listened to the products in Moscow at my
00:33:05
address
00:33:09
now
00:33:12
I want to tell
00:33:15
myself
00:33:18
I want to explain myself you do
00:33:23
n’t have to believe me
00:33:27
I really got sick when it’s
00:33:32
terribly stupid
00:33:34
Maybe it’s implausible but I got sick
00:33:39
When our rascals were there before Minsk was
00:33:42
blown to pieces
00:33:45
when I crawled out from under the slope
00:33:49
among groans among pieces of human
00:33:52
flesh who had just been people
00:33:56
I realized that I couldn’t get on another
00:34:00
train
00:34:02
again through all this going there,
00:34:08
vomiting over and over again, emptiness, even
00:34:13
I couldn’t overcome myself.
00:34:22
I returned to Moscow
00:34:26
with this damn shaking that
00:34:28
still doesn’t go away
00:34:31
and the doctors said that I I’m sick,
00:34:34
I didn’t ask them, do you hear,
00:34:38
they themselves said it was a
00:34:43
visible condition, they sent me to a
00:34:45
commission, then they demobilized me.
00:34:50
Don’t think so, I understand that with someone it could have been
00:34:53
different,
00:34:56
but with me I
00:35:00
think so correctly,
00:35:06
of course you can say not all is
00:35:08
lost,
00:35:10
I can some army newspaper will ask me to send it,
00:35:12
but I
00:35:14
can’t understand, I can’t,
00:35:20
Not because I’m clinging to life, I’m not
00:35:22
clinging
00:35:25
at all, I don’t want to live, I’m
00:35:30
just afraid of myself,
00:35:33
repeating this for the second time, shame,
00:35:39
I can’t overcome the fear of death, I
00:35:43
can’t overcome the horror of this fear
00:35:47
of myself
00:35:49
for myself,
00:35:54
I'm afraid that everything will happen again again,
00:36:00
you understand
00:36:04
Why the hell are you silent, what
00:36:09
else should I
00:36:12
tell about myself so that you finally start
00:36:14
talking?
00:36:18
Well, you need to remember this as little as possible,
00:36:23
work as much as possible,
00:36:25
there is no other way out,
00:36:28
at least I don’t see it. I’m working,
00:36:32
I’m sitting here
00:36:35
and writing poems about the war. The buffoon is
00:36:37
rubbish,
00:36:40
you know that it’s rubbish because writing about
00:36:43
war is not rubbish,
00:36:55
but he didn’t say that, he said differently, I’m
00:37:00
sitting here writing poems about war,
00:37:04
I’m writing rubbish, I know that rubbish
00:37:08
can sit here, you can’t write about
00:37:10
war, it’s not rubbish, it’s not is being written about the war Write about
00:37:13
something else
00:37:17
I write every night I write a book my
00:37:21
own life
00:37:23
now no one needs to be left
00:37:26
misunderstood And what I said is not
00:37:29
necessary about the book and about my life I write
00:37:33
at night and during the day I work as hard as I can
00:37:36
more than ever I
00:37:40
translate other people’s poems a song for cinema I write for
00:37:44
beginners in the army newspaper
00:37:46
I advise my old wherever I can I
00:37:48
read the old one still remembers I’m not messing around
00:37:51
I didn’t think
00:37:54
Okay tell me about yourself
00:37:58
[music]
00:38:02
recently she
00:38:05
told me when she expressed
00:38:08
that she broke up with you on good terms
00:38:12
Yes, I’m also alone
00:38:15
alone
00:38:20
when a year ago
00:38:22
I got here, my Irina came to
00:38:25
feel sorry for me, I threw her out
00:38:28
if I just came. Maybe not
00:38:30
a shot. It was
00:38:31
painfully clearly written on her
00:38:34
Motherly Face that she had come to perform a
00:38:36
Christian feat, she was
00:38:41
living her life somewhere,
00:38:46
the war was probably doing the right thing by
00:38:48
doing surgery,
00:38:51
even though she passed me by this is in my life
00:38:54
it cut off
00:38:56
about cut off
00:38:58
about what she went through and the truth
00:39:03
who she didn’t pass through
00:39:07
she now in every life
00:39:10
41 hit everyone so hard
00:39:14
that their bones are still cracking
00:39:17
Yes, it’s probably not for me in my position
00:39:20
to judge
00:39:22
other people Irina, including this is not a
00:39:25
conversation
00:39:27
can be judged by everyone,
00:39:30
only a narrow-minded person or something, people can
00:39:32
think that if at least once in their life they
00:39:33
acted bravely and others,
00:39:35
then for the rest of their lives this makes them
00:39:38
judges of other people's actions
00:39:54
walked back and forth in his room
00:39:58
stomp with his slippers
00:40:06
he wrote poems about courage all his life
00:40:11
read in his
00:40:13
poor, courageous voice,
00:40:16
on occasion, he made it clear that he took part in the
00:40:18
civil war,
00:40:22
constantly traveled to the Border Outpost,
00:40:25
was considered an old friend of the border guards
00:40:29
after the Polish campaign. When, in general, they
00:40:31
liberated western Ukraine and
00:40:34
Belarus bloodlessly. He came to Moscow, all in
00:40:36
belts,
00:40:38
looked in uniform,
00:40:40
like self-righteousness
00:40:44
and forced everyone believe
00:40:48
That a big war happened
00:40:52
who is
00:40:54
he first
00:41:00
suddenly
00:41:02
then it happened then it happened
00:41:38
in connection with Vyacheslav out of fear
00:41:43
in 1938
00:41:45
Vyacheslav also walked around the room, all
00:41:48
haggard, tense, as if
00:41:50
he was listening to what could happen to him.
00:41:52
And it could happen, he
00:41:55
was arrested alone one of Vyacheslav’s old acquaintances, a
00:41:57
military man With a big name,
00:42:01
before this happened, Vyacheslav
00:42:03
liked to call his name to the point,
00:42:06
exaggerating his proximity to him,
00:42:09
all this could have ended badly
00:42:13
But this disaster
00:42:15
then turned out to be inevitable,
00:42:20
passed by, something
00:42:25
completely different
00:42:28
unexpectedly
00:42:32
happened Where the least could have
00:42:34
been expected
00:42:36
and where
00:42:41
in the war
00:42:49
on the road
00:42:54
trouble
00:42:57
trouble
00:42:59
the correct word trouble
00:43:04
trouble
00:43:06
What kind of trouble a person can cope with
00:43:08
only with the
00:43:14
remnants of his will
00:43:17
only himself
00:43:22
in the end every person
00:43:25
decides everything
00:43:33
every person decides everything himself
00:43:38
every person decides everything himself December
00:43:43
28 morning
00:43:47
Guber
00:43:50
correspondent of the Red Star in the
00:43:52
Turkestan district we can go
00:43:55
straight to the checkpoint to get it because of your
00:43:57
betrayal, you know I can’t
00:44:00
get everything up to 30 inclusive now I
00:44:03
can only get it on New Year’s Eve
00:44:05
Take me please find me at the studio
00:44:08
I have business there
00:44:13
I know I know the Telegram editor was and the purpose of
00:44:16
your visit
00:44:18
A Well, they didn’t say anything about this to Vyacheslav Viktorovich,
00:44:21
you know, he didn’t have such powers. And yesterday
00:44:25
they refused to come to his house, so they have a
00:44:28
bad relationship with him or something?
00:44:30
No, it’s
00:44:32
just somehow awkward in front of him in
00:44:36
the summer on the anniversary of the war, I ordered him
00:44:39
poetry for the newspaper, sent it to the editor they did
00:44:40
n’t print it in Moscow
00:44:42
without explaining the reasons, I
00:44:45
understood So I was late, sent it a second time and
00:44:49
in response a telegram from the editor, don’t
00:44:51
show excessive initiative.
00:44:53
Take care of your direct responsibilities. He
00:44:56
came to me and asks how to
00:44:58
tell the truth with poetry. It’s awkward to lie, too, as
00:45:01
he doesn’t know how to go after this; a
00:45:09
military patrol works,
00:45:11
fools around. we were here this winter in Tashkent,
00:45:14
winter was expected
00:45:16
over the last week, several robberies,
00:45:18
murders, it’s true that they were pinned down here, checks, they are
00:45:21
caught at the slightest attempt at armed
00:45:23
resistance, the commandant’s order was put down
00:45:25
on the spot,
00:45:27
one gang
00:45:30
killed in different places three officers
00:45:34
who were after hospitals On sick leave, they
00:45:39
killed,
00:45:41
stripped
00:45:43
and left uniforms arrived here
00:45:46
warm regions to act
00:45:50
caught
00:45:53
these caught
00:45:56
more precisely killed during a firefight they
00:45:58
obviously didn’t count on mercy so
00:46:01
the commandant’s office here is tough But what kind of place should it
00:46:04
be
00:46:05
here you know over the last year more than a
00:46:07
million people came to Tashkent in large numbers,
00:46:09
half of them wanted here and in this
00:46:12
sea ​​Why doesn’t everything float?
00:46:15
I was lured here at one time by the
00:46:17
commandant’s office to work.
00:46:19
I made it clear that I agreed. I
00:46:22
decided to
00:46:26
ask the editor for an immediate cross if his
00:46:31
answer was Work where they sent me. I’m afraid that
00:46:36
someone will be wounded and sent here
00:46:39
in your place. It’s
00:46:43
somehow awkward to wait for such a case.
00:46:49
there, after all, on occasion in Moscow,
00:46:54
the editor would have been reminded of me, the
00:47:07
second killed officers will be done well,
00:47:10
where
00:47:12
in the rear,
00:47:16
first the war drove a bullet into their body,
00:47:20
then they were taken from the battlefield
00:47:23
along the road, provided first aid,
00:47:26
then operated on,
00:47:28
stitched up, they
00:47:31
said nothing
00:47:34
then sent to the east,
00:47:38
then they were discharged with vacation tickets
00:47:42
to see their relatives before
00:47:45
going back to war,
00:47:48
and then some bastard
00:47:53
somewhere in a back alley
00:48:00
killed and stripped
00:48:07
and put on what they took from the dead
00:48:12
to kill someone else,
00:48:16
son
00:48:18
and walked from school
00:48:21
and demanded that I change my
00:48:23
surname Guber
00:48:25
changed his surname,
00:48:28
changed his surname, and
00:48:32
there at school someone explained to him that
00:48:35
because of my German surname I was not allowed to go to the front,
00:48:38
they asked who
00:48:43
said everything here. It’s
00:48:45
stupid, of course I understand, but it doesn’t make me happy
00:48:50
you in the family one of the Bruised
00:48:51
Germans
00:48:53
I met one governor Moskvich Commissar of the regiment
00:48:56
and militia Division under the old
00:48:58
Rus' I met
00:48:59
him there later and died this is not your
00:49:02
relative
00:49:09
actually You know I’m used to considering myself a Ukrainian
00:49:13
mother from Selene Kherson former province
00:49:15
father worker Nikolaev plant I am
00:49:18
Petr Chen Fedor Fedorovich Where does such a surname come from? I’m
00:49:22
not used to knowing asking myself such
00:49:25
questions
00:49:27
before, you and I didn’t think about this
00:49:30
in the old days, not I, not you, the
00:49:36
son has to think,
00:49:39
even childish naivety began
00:49:41
to ask me about his pedigree, but I’m further than
00:49:43
grandfather Fedor I don’t remember anyone
00:49:47
until the end of the war not to pass with a medal of 20
00:49:50
years of the Red Army
00:49:52
civilian bullets in this fragment on the chest
00:49:58
3 plus of course
00:50:01
if so until the end of the war
00:50:07
you will explain why
00:50:15
how then
00:50:19
Why
00:50:24
how then you
00:50:26
will explain to the children
00:50:29
Why
00:50:33
the award is given to
00:50:39
the names
00:50:44
and
00:50:46
much more
00:50:55
December 28 is
00:50:58
film studio day
00:51:00
first conversation
00:51:03
skin director such a chiller stands in
00:51:07
Tashkent, the city of grain, you know how we’ll
00:51:09
know each other for the winter
00:51:12
People call me
00:51:15
so that it’s easier for you to remember
00:51:19
Well, what kind of disagreement do you have with your
00:51:21
consultant, disagreements then the
00:51:24
first questions require that in the film every
00:51:26
time they repeat each
00:51:28
order received the order to occupy height 148 is to
00:51:32
occupy it is
00:51:33
possible in life and it happens from this
00:51:36
feature film the picture will be a
00:51:37
whole part longer the second demands that
00:51:40
everyone get new uniforms
00:51:44
and he demands that everyone [ __ ]
00:51:50
wanted to be
00:51:53
until they
00:51:55
took the
00:51:57
person
00:52:02
the farther the less he himself when
00:52:08
on on the Polish front, by the way,
00:52:32
and in art, you can pay dearly for a
00:52:37
script, you want lies, yes,
00:52:40
your scriptwriter, before letting the
00:52:42
heroine die, for some reason forces
00:52:44
her to be captured, give us these
00:52:46
pompous answers during this long
00:52:48
stupid interrogation, then by some
00:52:49
miracle she he runs and throws a grenade at the Germans,
00:52:51
which for some reason those fools didn’t
00:52:53
realize, I understand, you know. Is this
00:52:55
right? Isn’t it possible? Still, it’s
00:52:56
stupid, somehow talented, but you
00:52:58
can’t leave it.
00:53:02
Because I wasn’t a prisoner of war
00:53:08
[music] I
00:53:11
decided to move on with my life.
00:53:24
necessity is trying to make someone
00:53:27
else bake in Moscow now, you and I will
00:53:35
have to All this you know
00:53:44
nothing nothing
00:53:49
Oh
00:53:51
what’s wrong with you
00:53:55
that
00:54:00
I have Sony
00:54:03
in my spine
00:54:06
you know some unnecessary salts for
00:54:10
me, in any case, one professor
00:54:13
who began to treat me in Leningrad before the war
00:54:16
You I was absolutely delighted with these
00:54:19
shawls, he showed me to his students
00:54:20
as an expensive exhibit, now he is the chief
00:54:24
surgeon on the Leningrad front, his clinic.
00:54:26
Ours are here on
00:54:57
December 28, late evening,
00:55:05
and I’ve been waiting for you for two hours already, I’m interfering with Vyacheslav’s
00:55:10
work. I’ll be back soon. No, do
00:55:13
n’t, don’t disappear.
00:55:16
Well, I hope we won’t have to
00:55:18
sort out our relationship with you. I needed to
00:55:21
see you today because
00:55:23
you should definitely have lunch with us tomorrow.
00:55:26
You should meet
00:55:27
Evgeniy Alekseevich and see how we
00:55:30
all live here. No, I can’t have
00:55:32
lunch with you tomorrow. Why am I
00:55:35
busy
00:55:37
at the studio too? there's a lot of work
00:55:40
then please, you'll have dinner, we're
00:55:44
not far from here, you'll come here to spend the night,
00:55:46
you'll come to us before that and have dinner
00:55:47
well. I'll come to dinner like this at 9:30,
00:55:53
write
00:56:13
without seeing me off. I'll see Ksenia off here
00:56:16
not far. I know the passage yards. And you
00:56:18
'll get lost on the way back.
00:56:21
How you feel
00:56:25
you've lost weight you look bad
00:56:34
and you've lost some weight from bad you look
00:56:37
she said in such a tone
00:56:41
as if he had nothing left to do
00:56:43
Without her as soon as he loses weight and looks bad I
00:56:48
wonder if she will invite Vyacheslav or
00:56:51
not before the war it would be strange to come and
00:56:54
invite one to visit
00:56:56
and there is no other
00:56:59
and here you are evacuating Nothing strange
00:57:03
once again
00:57:13
December 29
00:57:29
[music]
00:57:33
I’m probably glad you showed up, you go to the kitchen
00:57:37
then I’ll finish it I’ll just sit and smoke something
00:57:40
there Nika my friend needs to do I
00:57:43
told her that I want to talk to you
00:57:45
she understands such things
00:57:48
okay let's talk about what we'll
00:57:51
talk about
00:57:52
in Moscow until you're going to
00:57:54
return.
00:57:55
You know, I'd really like to, but now it's
00:57:58
unlikely, since you've already started talking to
00:58:02
Moscow. You know, I think that about
00:58:05
our apartment affairs, you and I
00:58:06
shouldn't decide anything until the end
00:58:09
[music ] you
00:58:15
’ll come to Moscow, you have the key to the apartment,
00:58:17
I’ll show up there while the war
00:58:26
[music] is a
00:58:30
very good person
00:58:38
Tell me, did
00:58:43
you think that you too might
00:58:46
have changes in your life
00:58:51
No, I don’t foresee it yet
00:58:54
[music]
00:59:00
You know
00:59:02
me somehow it’s inconvenient to talk about this but
00:59:04
I’m really happy I swear
00:59:09
I’m
00:59:12
just fine now wonderful
00:59:15
[music]
00:59:37
you understood
00:59:39
your favorite words
00:59:45
[music]
00:59:54
and a minute later a woman appeared
00:59:57
whom she described as her friend
01:00:02
[music]
01:00:13
Hello,
01:00:17
I’m Nina Nikolaevna, can you abbreviate Nika
01:00:23
but Ksenia told me to sit with you.
01:00:25
Well, or stand if you don’t
01:00:28
want to sit, I didn’t recognize you right away. Although
01:00:31
on the train he stared at you indecently, and I
01:00:35
recognized you even earlier from photographs
01:00:37
that Ksenia is at least younger there. And in
01:00:40
civilian clothes, I immediately recognized the major with whom
01:00:42
we were staring at each other in the carriage.
01:00:45
It’s clear. But the
01:00:48
reasons were
01:00:53
because I decided to meet you
01:00:56
and brought mine. Now almost everyone walks
01:00:59
like a chicken to each other
01:01:01
[music]
01:01:05
I wanted to get to know you
01:01:18
[music] I
01:01:23
got tired of it. Yes, and I quit, didn’t I? sometimes an
01:01:29
invented word is thrown, am
01:01:32
I a dull color now in Tashkent Yes, and
01:01:35
I read these poems When I was the
01:01:37
same age as you, it’s unlikely,
01:01:41
I’m already 29 and 3 quarters, that is, almost
01:01:44
three
01:01:45
Well, I would have become a few years earlier,
01:01:49
tell me better
01:01:51
You’re not afraid to be called Nika, isn’t that
01:01:55
too majestic the name of the Goddess of
01:01:57
Victory? And even during the war
01:01:58
[music]
01:02:00
if you’re afraid, you can call me
01:02:03
Nina Nikolaevna
01:02:06
okay.
01:02:08
I’ll think about these options.
01:02:14
Now the one on the train was completely
01:02:16
different, you know, I was staring at you
01:02:18
hard there was no staring, so I thought,
01:02:22
something happened to this woman at the next window
01:02:29
[music]
01:02:45
I know,
01:02:47
well, he’s lying in this one where they ca
01:02:50
n’t get out themselves, only sometimes they take them and
01:02:53
sometimes they take him. He has arms and legs,
01:02:55
but he has after the
01:02:57
wounds are complete paralysis and he will never
01:03:01
get up and his wife she decided to take him
01:03:02
and he doesn’t want and it’s some kind of dead end, it’s
01:03:08
so embarrassing that I hated her all these years
01:03:11
and for my mother, now she’s been
01:03:13
living there for a whole year and goes to see him every day
01:03:16
rents a room and that’s when the doctors
01:03:19
said that
01:03:21
now everything is hopeless She decided to
01:03:24
take him and he doesn’t want to
01:03:28
I don’t know if I could, because she’s
01:03:31
afraid that I can’t
01:03:33
[music]
01:03:36
Why couldn’t I
01:03:39
Because I’m always afraid to think about myself it’s
01:03:42
better to be worse
01:03:45
You’re not afraid
01:03:48
no
01:03:49
[music]
01:03:51
I got it from you
01:03:54
Well, it’s good if you understand
01:03:58
and I was on the train and thought about my father as a
01:04:01
girl in the first years after
01:04:03
he left us I wished him
01:04:05
some kind of misfortune because of my mother Well, of course It’s not
01:04:06
like that with him,
01:04:08
just the opposite, everything
01:04:11
in life was good before the war, and when I
01:04:13
saw
01:04:14
you standing with these two
01:04:17
stripes of yours, not with an order, I
01:04:19
thought Why is that Why did my father
01:04:23
seem like a militia at
01:04:25
the front on the very first day I was so terribly wounded by one
01:04:27
shrapnel and that’s it, and nothing
01:04:29
will ever be okay, but there’s a man standing by the window,
01:04:32
probably on his way somewhere to his family, he’s already
01:04:35
been wounded twice, he’s recovered and he’s received a new order,
01:04:38
and his face is so happy and
01:04:41
he looks so healthy, I thought Well
01:04:44
why why
01:04:46
[music]
01:04:49
wanted to say briefly somehow it turned out
01:04:53
stupid as if I was
01:04:55
looking at you wishing you harm, I
01:04:59
really didn’t wish you harm, I just
01:05:02
looked at you
01:05:05
and thought And then
01:05:09
it turned out that it was you and that nothing
01:05:12
particularly good happened to you is waiting
01:05:16
and only now you look as if you’re off a
01:05:19
duck’s back
01:05:24
I forgot the cigarettes in the kitchen You have
01:05:28
[music]
01:05:40
I’ll confess, it’s better to smoke a long time ago they
01:05:42
started
01:05:44
the war, which is noticeably
01:05:46
noticeable Are you
01:05:52
cool or in your hands
01:05:54
[music]
01:06:10
[music] ] I’m
01:07:03
always afraid to think about myself it’s better to
01:07:05
turn out worse are
01:07:08
n’t you afraid no
01:07:13
but I understood you I really
01:07:16
like the way you talk to me I’m
01:07:20
glad
01:07:24
and then there was dinner dinner
01:07:27
in Tashkent
01:07:30
on the walls of fun Watercolors good all
01:07:34
old Central Asia Arma camel horses
01:07:38
riders and on one Watercolor was the
01:07:40
Spring steppe with bright poppies,
01:07:44
holy apricots,
01:07:51
dinner in Tashkent, I’m
01:07:55
very happy,
01:08:00
you know, you can’t imagine how glad I am that
01:08:03
you finally agreed to come to
01:08:06
us, you know, I’m glad too And let’s immediately
01:08:08
agree I’m not the victim And you’re not
01:08:11
the defendant and everything that happened was for the
01:08:13
common good, then we will stand,
01:08:16
sit and drink vodka since you
01:08:18
happened to have it. And now we will get to
01:08:21
know you Vasily Nikolaevich, I
01:08:24
powdered my nose, I think I’m
01:08:26
good enough for a first acquaintance,
01:08:31
I wanted to meet you several times in Moscow
01:08:33
And I didn’t it only came out
01:08:36
Don’t lie please I can’t stand it about
01:08:39
me manually I bite I fight And in general
01:08:41
a witch If you would like to meet me I’m
01:08:46
kind and looking for A nice witch I never
01:08:49
bite those who really like me I
01:08:53
don’t smoke
01:08:55
it came up after your correspondence
01:08:59
it was believed that you are a dashing brunette yourself And you are a
01:09:03
normal intellectual history of
01:09:05
evolutionary student
01:09:07
similar to my husband, he is also opposite
01:09:11
the head of the medical battalion, he lies to me in
01:09:14
his letters that it is not at all dangerous,
01:09:15
he lies,
01:09:17
yes, sometimes he lies.
01:09:20
It’s good that you didn’t lie to your elders, there’s
01:09:23
no need to lie, I’m older than you,
01:09:27
I saw you before in the theater, you know where
01:09:30
else in Magnit
01:09:35
some kind of Theatrical Mystery
01:09:38
here is irresistibly attractive to us
01:09:41
artists for some reason you want to be
01:09:43
remembered until old age by those who in their
01:09:45
youth
01:09:47
the memories of the artist
01:09:51
visible from the gallery somehow resemble a
01:09:54
favorite thing bought once at a
01:09:57
flea market there is no logic But it looks like you
01:10:01
know The thing is that
01:10:03
now our artistic director, but they will soon kick
01:10:07
me back to being an actress because I
01:10:09
insist that the theater is a temple, I don’t allow you
01:10:12
to walk on stage in felt boots. I
01:10:15
heard in Moscow that in the theater all the
01:10:16
artists, even the students,
01:10:18
call these boys and girls everyone on you
01:10:20
by name and patronymic it’s true Of course it’s
01:10:23
true you can call it that way on you a person
01:10:26
who cannot answer you in the same way I can’t
01:10:29
stand it no
01:10:34
one not only me no one lowly
01:10:41
him you can’t be scared of anyone even me I’ve
01:10:44
already told you once and for all
01:10:55
[music]
01:11:00
[music]
01:11:11
Vasily Nikolaevich I want to ask you
01:11:14
one question
01:11:17
Just answer me the truth,
01:11:22
you yourself killed the Germans with your own hands,
01:11:32
maybe I don’t
01:11:36
think
01:11:38
how to understand this, I don’t think
01:11:42
at the beginning of the war I shot together with other
01:11:44
Germans with a rifle But these are very
01:11:48
machine guns, but I don’t think that it was I who
01:11:50
hit
01:11:53
Well tell me, you wanted
01:11:55
someone else to kill them. And you yourself
01:12:00
somehow didn’t think about this in relation to
01:12:03
yourself [music]
01:12:14
[music] the
01:12:25
fascists must be killed, otherwise you won’t
01:12:29
win and it’s good when they are killed But we are
01:12:31
alive and it’s bad if it’s the other way around, in short
01:12:34
then this is war.
01:12:37
Well, answer,
01:12:39
would you experience satisfaction or even
01:12:42
pleasure? If you knew for sure that
01:12:45
no one else? Namely, you killed one
01:12:48
or several fascists;
01:12:54
perhaps satisfaction is about pleasure? No, this again is not at all
01:12:58
suitable for war, and also
01:13:02
[music]
01:13:05
I don’t know what to do With these words, however,
01:13:07
as with many others written on this
01:13:09
topic, I did not re-read my
01:13:10
correspondence, but I think that
01:13:12
the fall in them, no, did
01:13:16
not occur to me.
01:13:24
I am just a man who has been
01:13:27
in war for a long time.
01:13:33
What does it mean to have the
01:13:36
determination to die for the Motherland?
01:13:39
How do you feel? You
01:13:46
decided to die,
01:13:49
you decided to die
01:13:53
This not exactly the right words,
01:13:56
even not at all the same What does
01:13:59
the determination to die mean?
01:14:02
The determination to die is from the area of
01:14:04
suicide
01:14:06
in war. More precisely, to speak about the determination
01:14:08
to do everything possible in conditions
01:14:12
when it threatens death, then
01:14:16
this is probably the extreme of the inevitable;
01:14:19
such a feeling behind this is
01:14:23
probably the desire to live
01:14:26
even in front of the face of inevitability
01:14:39
means the feeling is still there,
01:14:42
I’m not talking about myself,
01:14:53
you made angry eyes.
01:14:57
It’s because I made you think about
01:15:00
what you don’t want or are tired of thinking,
01:15:03
don’t be angry with me,
01:15:06
I’m not torturing you first because here
01:15:10
in Tashkent I’m putting a play about the war without
01:15:14
having their own idea
01:15:17
I am already an old woman, I know well how people suffer,
01:15:20
how people die, how they learn about the death of
01:15:23
other people, how they fear for their lives, but
01:15:27
all this is not enough to stage a
01:15:30
play about the war,
01:15:32
I need to know
01:15:34
what else do you want me to
01:15:37
know?
01:15:40
I like it, in
01:15:43
my opinion, she’s honest, I’m sure of the
01:15:47
author’s feelings, but I’m not sure of the
01:15:49
words spoken on stage. Yes, you
01:15:53
know, so we checked on you.
01:16:00
Well, they forced me, so to speak,
01:16:03
to work for our theater,
01:16:06
you know, we have a secret here for you,
01:16:10
one young actress, the
01:16:13
main performer role was
01:16:16
three months in the birth team,
01:16:20
just returned
01:16:23
and behaves very actively at the rehearsal, you
01:16:27
know everything, the main thing is that everyone explains the
01:16:35
opinion, you
01:16:37
know perfectly well how I shut you up with
01:16:40
honored people when they start
01:16:43
listening only to themselves during the rehearsal, but
01:16:47
I love shocked people,
01:16:54
I listen to her shock for
01:16:57
me is the sound of war, as always,
01:17:01
you get carried away. And I warned you
01:17:17
[music]
01:17:21
Yes, about the pleasure of killing Germans, this is
01:17:25
just the actress returning from the front,
01:17:28
don’t dare laugh, hear, don’t laugh
01:17:32
laugh at her, even if she lied a little,
01:17:35
she still came back
01:17:37
shocked and everyone It was important for us to
01:17:40
hear her words and not even her lies,
01:17:43
if there were any, but her shock
01:17:48
at me
01:17:50
probably thinks that I’m an easily loyal fool.
01:17:55
I love gullible people, if I have to choose
01:17:58
from two, I love them much more than those
01:18:01
who have such difficulty believing others that even
01:18:04
stops believing in himself
01:18:09
don't smile It's not me this Pushkin's
01:18:13
journey
01:18:15
I know in general you know a lot
01:18:32
I love Him loved love
01:18:37
love
01:18:39
and I stopped loving
01:18:42
He deceived me I
01:18:44
can't stand feeling like a
01:18:46
man in front of him I feel
01:18:55
God bless you if
01:19:08
it was very good
01:19:16
[music]
01:19:18
and we I’ll probably see you again
01:19:23
[music]
01:19:33
we’ll meet you,
01:19:36
she said,
01:19:38
shaking his hand, the
01:19:44
second missed conversation,
01:19:49
waited in years, deaf students remember
01:19:53
their own
01:19:55
We ate the terrible years of Russia, we
01:20:00
can’t forget anything, the
01:20:05
sizzling years of
01:20:08
madness in them,
01:20:10
hopes, the news is only wars, only Freedoms
01:20:16
Bloody, of
01:20:24
course And now we Peep,
01:20:30
then we were starving a lot more Yes, and you
01:20:35
know, at the age of 17 you want to eat 17 times more
01:20:37
than now
01:20:42
on an empty stomach
01:20:45
in the morning I studied at courses to water the lumen in
01:20:48
the evenings I mastered the culture of Proletarskaya
01:20:51
not Proletarianskaya
01:20:53
Kolontai heard the
01:20:55
freedom of love of
01:21:00
Mayakovsky many times,
01:21:03
but Blok only once I could have done two,
01:21:09
but I walked with my friend the young lady,
01:21:11
I thought that I might not have time for the block to still
01:21:15
have time.
01:21:17
He took it and died,
01:21:21
but how he read
01:21:25
Regardless, it’s as if he’s
01:21:27
standing and reading to himself,
01:21:31
reading,
01:21:33
I kept waiting for him to read 12, he
01:21:37
just didn’t read 12 To be honest,
01:21:40
he didn’t make much of an impression on me then,
01:21:53
one night
01:21:57
between two battles,
01:21:59
a senior political instructor
01:22:02
read his poems to me by heart all night long,
01:22:08
I thought
01:22:11
if he were alive,
01:22:15
what kind of poems did he write
01:22:19
about his Russia? These are the
01:22:27
fatal days for her. would have
01:22:32
gone to the front they would have let them not let
01:22:36
him in he still went
01:22:39
or was it 41 was a little
01:22:44
just 46 did
01:22:48
n’t think about it
01:22:52
recently
01:22:55
when I took the block’s notebooks from one evacuated
01:22:59
Leningrader you know
01:23:02
I was struck by one nonsense
01:23:06
How is it that the
01:23:09
first poet of Russia
01:23:13
is sitting somewhere in the swamps
01:23:17
he pulls this burden as a timekeeper for a
01:23:21
military construction team in a war about
01:23:24
which we all say that it is alien to
01:23:26
the interests of the people
01:23:29
who needed it, he is
01:23:36
also
01:23:40
alien aliens
01:23:44
from 3 million people
01:23:48
died on it, how to deal
01:23:52
with this
01:23:55
Well, okay, let's continue, tell Comrade
01:23:58
Lopatin But
01:23:59
on the front line,
01:24:04
when you go on the attack,
01:24:24
work was in full swing when
01:24:27
Guber appeared at the film studio, it’s
01:24:31
his fault, but he was ordered to tear you away from
01:24:35
work and urgently take you to the plant,
01:24:39
there will be a rally, a
01:24:46
rally at the plant
01:24:50
[music]
01:24:55
after everything you saw there at the rally at the
01:24:58
plant, you feel a man on
01:25:01
whose shoulders a war fell for the second time,
01:25:03
another second war in which everything is
01:25:07
different, but still a war with his
01:25:11
41 with his 42
01:25:13
[music]
01:25:15
mustachioed cheerful face of the
01:25:18
performing fighter Turdyev who
01:25:21
talked about the war with such a
01:25:23
force of cheerfulness picking out the word from him
01:25:26
could get used to the fact that he was alive, although in
01:25:29
essence he had already been killed
01:25:31
and this same face was suddenly left with
01:25:34
tears when he remembered how he carried
01:25:37
him for several kilometers,
01:25:39
dragged a wounded partner on his back
01:25:42
and dragged him, laid him in a snowdrift on the snow,
01:25:47
turned him upside down with his eyes,
01:25:50
he was dead
01:25:51
[music]
01:25:54
women
01:25:56
listening this is standing at the machine from the frame of
01:26:00
which they spoke, a face distorted with
01:26:02
horror, as if she had been shown a funeral
01:26:05
for her husband
01:26:07
and other faces,
01:26:09
Russians, not Russians, thin, dirty, [ __ ],
01:26:15
suddenly flashed Memories of
01:26:18
the ranks built there in Stalingrad under the
01:26:20
Volga slope
01:26:22
[music]
01:26:23
from the remnants of the regiment receiving guards
01:26:26
knowledge
01:26:27
There were also Russians are not Russian faces, and
01:26:32
although there were only male ones,
01:26:34
here they were female,
01:26:36
they flashed by the external similarity and the
01:26:40
deeper internal similarity
01:26:42
between both,
01:26:47
and at the end of the meeting, the
01:26:49
plant director, a tall young general,
01:26:52
grabbed the armpits of two very small
01:26:55
teenagers,
01:26:56
picked him up, lifted him up
01:27:01
[music]
01:27:06
was a man who wanted to say something else
01:27:09
but was afraid of his own
01:27:11
voice [music]
01:27:15
from a tarpaulin and a car ramp on the
01:27:17
legs of women in
01:27:19
Khurgana was walking when the roof of the foundry
01:27:22
was frozen and mountains of shavings in the yard at the
01:27:24
exit from the workshop
01:27:25
[music]
01:27:27
and before that there was a whisper in the ear an elderly
01:27:30
man is selling,
01:27:32
although it’s cold. Throw it off, please, let
01:27:35
them see
01:27:38
and after a second of bewilderment, you understand
01:27:42
that these people here
01:27:44
don’t need to talk about the fact that you are a
01:27:46
correspondent or a writer,
01:27:49
that you were in
01:27:52
Stalingrad
01:27:54
and that you have an order and stripes,
01:27:59
that for these people
01:28:02
this is the most important,
01:28:05
more important than everything
01:28:09
that has happened
01:28:13
in your life so far
01:28:23
[applause]
01:28:28
[music]
01:28:35
no date no need Vasily Nikolaevich
01:28:39
stop
01:28:46
Vasily Nikolaevich
01:28:48
Yes, you stop Finally I can’t catch
01:28:51
up with you are
01:28:53
you
01:28:55
glad to see me
01:29:02
I’m very glad
01:29:05
No it’s me putting my hands in my pocket like that I’m holding it for
01:29:07
Independence,
01:29:09
and in general I like to put my hands in my pocket, but in
01:29:11
fact, I’m very glad to see you and I’ve been
01:29:15
waiting for you here for a very long time, you’ve been waiting for me for a long time.
01:29:17
They froze where from and where from where did I
01:29:21
wait for you here? And where are you,
01:29:23
where did I come on the tram? these are not
01:29:26
very good I’m almost there but it’s not
01:29:29
enough for a tram you have enough gunpowder on foot
01:29:32
you’re not frozen
01:29:36
they asked anyone about me these days
01:29:44
Vyacheslav Viktorovich asked
01:29:46
but I’m lucky he’s a good person Well,
01:29:50
what else did he tell you about me besides
01:29:52
I’m a dressmaker with a higher
01:29:54
education Well, he said that your
01:29:57
mother and son live with you, that you support them yourself,
01:30:01
and said that he doesn’t know who your husband was,
01:30:06
that’s all
01:30:09
No, not all
01:30:15
Well, I won’t be at your friend’s house in the New Year, that’s why
01:30:20
I came in order to
01:30:23
tell you about this Because all these
01:30:25
days I have been thinking about you and for some reason I believed that you
01:30:28
also want to see me and I need to
01:30:30
warn you that I will not be there so I will
01:30:32
now see off Vyacheslav Viktorovich and
01:30:34
go about my business with my various partners
01:30:37
We won’t see you again this year,
01:30:41
but only
01:30:43
in the future If you want,
01:30:48
only the day after tomorrow I’m leaving
01:31:01
Well, the day after tomorrow The day after tomorrow And I
01:31:06
thought that you would stay here until the third
01:31:08
You weren’t frozen I’m on two highways
01:31:13
My husband also wore 2 woolen socks,
01:31:16
he left at the beginning of the forties, from here
01:31:19
he is a military engineer, it was assumed that he
01:31:22
would settle down there and then call his family, but he did
01:31:24
n’t call, he gave us his freedom, we gave him his freedom, so here
01:31:30
he is there on his own. And we
01:31:33
got married here or something. Yes, in the end he got
01:31:37
married, like the war— then she smoothed it out then,
01:31:39
you know, she was terribly angry So there are
01:31:43
different ones. Wait for
01:31:50
me, there are such things. Tell me better. How is it at
01:31:53
the front with one hand Letters home and with the other,
01:31:57
no,
01:32:02
of course, but I very rarely saw
01:32:06
someone at the front or nearby on the front line -
01:32:09
would you ever have such happiness that you consider it
01:32:11
happiness I consider it happiness you know in the
01:32:15
fulfillment of desires if they are mutual there is
01:32:18
always a share of happiness
01:32:21
No, I didn’t ask for myself, for me
01:32:24
this whole story played out before the war
01:32:25
quickly like a movie and I’m glad that before war
01:32:29
because during the war it would have been more difficult, but the day before yesterday I
01:32:30
sat next to you and of course
01:32:33
watched you. It seemed to me that you
01:32:37
should have been angry with yourself and Ksenia
01:32:39
because, well, because you agree,
01:32:42
your position was stupid.
01:32:44
In general, you agreed, you should have been
01:32:47
angry. don’t be angry that they
01:32:52
completely stopped loving her
01:32:54
[music]
01:32:59
apparently so when you realized this
01:33:02
[music]
01:33:05
and here you were still sitting next to me and listening
01:33:08
[music]
01:33:18
nothing worked for me,
01:33:23
this New Year you are in Tashkent and
01:33:27
last New Year where you were
01:33:30
at front and how it was
01:33:37
I don’t remember
01:33:40
last New Year
01:34:17
[music]
01:34:28
[applause]
01:34:34
Tell me,
01:34:36
how
01:34:39
long do you think this war will go on for
01:34:47
probably three years at least
01:34:52
[music]
01:34:54
well,
01:34:56
you started to fight
01:34:59
better than the Germans, it’s
01:35:07
not better yet
01:35:09
[music]
01:35:13
when it goes away yours in Krasnovodsk at 11
01:35:16
[music]
01:35:28
If
01:35:30
we don’t see you again before
01:35:33
[music]
01:35:44
how can we see you again?
01:35:52
It’s probably
01:35:54
ridiculous. Well, for some reason
01:35:57
it seems to me that we won’t see each other again; we
01:36:05
won’t talk
01:36:07
about letters
01:36:10
[ music]
01:36:13
It seems to me that you and I
01:36:15
will see each other again
01:36:24
last day
01:36:29
last conversation
01:36:32
with Vyacheslav
01:36:37
read
01:36:39
read
01:36:46
No I’m not drunk
01:36:49
read
01:36:58
not connected
01:37:00
I remember this one year of life then another I’ll
01:37:05
read
01:37:13
undone by blades
01:37:16
and typhus not touched up to the
01:37:19
neck in the water didn’t go through the sivashami of
01:37:23
everything and managed that to touch with the soul,
01:37:27
but you have to be the body, not only the soul, the
01:37:32
soul,
01:37:35
I loved this tender word,
01:37:38
having forgotten why it stays in the body,
01:37:41
ready with it if you have to part with it in the
01:37:45
last battle, the
01:37:47
infirmary soul,
01:38:02
I loved this tender word, a
01:38:07
book
01:38:09
about my life
01:38:13
that no one needs,
01:38:23
what does it mean that no one needs a person’s life is needed
01:38:28
And that means no one needs a book
01:38:31
if it is written in a person’s life,
01:38:35
even if he himself thinks that it is not
01:38:38
needed
01:38:40
And in general, what is needed
01:38:44
and what is not needed, are
01:38:50
n’t we answering this question too simply for
01:38:53
ourselves and others?
01:39:04
Yes, maybe now it is it
01:39:07
may not be necessary often and I typed
01:39:11
everything like that,
01:39:15
but when a person
01:39:18
finds in himself the amazing strength to
01:39:23
still write it would be
01:39:27
strange if
01:39:30
no one needed it
01:39:33
strange
01:39:36
if the moral
01:39:40
forces forcing a person to write at such
01:39:42
moments still
01:39:47
disappeared in a blow
01:39:54
no
01:39:55
probably such forces
01:40:01
should not be lost for
01:40:07
this would be too
01:40:09
unfair
01:40:15
probably this should have been thought about earlier
01:40:17
in Moscow
01:40:19
I couldn’t think about it without seeing you
01:40:24
and still tell me
01:40:27
If I could now outfit you and
01:40:30
give you documents
01:40:33
and to go with you to the Caucasian
01:40:36
front,
01:40:37
as if you had decided for yourself for
01:40:41
yourself, it may seem strange to you, but I
01:40:45
thought about it,
01:40:46
thought about it and kept silent
01:40:49
because I know it’s not up to you, I did
01:40:52
n’t start shaking the air in vain, I want to go
01:40:55
to the front, I
01:40:57
feel ashamed, I haven’t lost it yet
01:41:00
a lot of things they say about me The truth is
01:41:03
slander, in short, your
01:41:08
tea is not yet cold
01:41:13
Tell me please,
01:41:16
I wanted to ask others many times
01:41:19
I held back And I’ll ask you
01:41:24
who is published in your Zvezda writes
01:41:27
essays from the front line Is this the
01:41:30
same one
01:41:34
who was beaten by everyone for 30 years laziness
01:41:37
behind the pacifism pseudo-humanism
01:41:40
God knows why and just for
01:41:43
some oddities of his letter Was
01:41:45
it really him who
01:41:55
started the militia,
01:41:58
listened to the infantry captain and when
01:42:02
no one knew or thought where he was and what he
01:42:04
sent his first essay
01:42:06
and no way my sinner sometimes from the headquarters
01:42:08
front With the mark valid
01:42:11
but really from the front line
01:42:13
and without a mark
01:42:16
they printed the first one sent the second one
01:42:20
Since then he has been traveling from us and writing.
01:42:24
She loves him,
01:42:27
they are trying to figure it out so that they can go together with him
01:42:31
likes they
01:42:34
call it among themselves Tushin he saw it No
01:42:39
at the front it was not necessary how- then in the
01:42:40
editorial office they came together from different fronts, drank
01:42:42
three pots of tea with sausage,
01:42:44
exchanged boots. Why It turned out that
01:42:47
his great ones are pressing on me, now
01:42:49
I’m in
01:42:51
his boots
01:42:59
a lot of unexpectedly
01:43:03
a lot of unexpectedly
01:43:07
a lot of unexpected
01:43:16
It’s true
01:43:18
that often and a lot over the years we say
01:43:20
that they expected what didn’t expect
01:43:22
anything different after
01:43:24
all Why is there so much unexpected?
01:43:28
Maybe we should be less surprised,
01:43:32
take at least this is
01:43:35
so much unexpected with him
01:43:39
and what if a person was mistaken
01:43:43
but don’t treat him
01:43:47
Although he held on
01:43:50
loved people somehow in his own way
01:43:55
but he loved people
01:43:59
and he himself remained a man
01:44:04
Why couldn’t we expect from him that
01:44:07
the hour would strike and
01:44:14
someone else would become who
01:44:18
we are talking about today that we didn’t
01:44:19
expect,
01:44:23
maybe because we ourselves did
01:44:26
n’t think very deeply
01:44:29
about who and what to expect,
01:44:35
be alive
01:44:38
to the end, the
01:44:41
main thing is
01:44:45
I’m alive today I dozed off during the day I saw my mother in a dream
01:44:47
that she fed us dumplings with you,
01:44:49
this is good luck
01:44:51
for you
01:44:58
when you return to Moscow and find out that
01:45:01
there is an opportunity to take me with you to
01:45:03
the front
01:45:05
before making a final agreement
01:45:08
Send me
01:45:11
some kind of conditional telegram so as not to put
01:45:13
me in an awkward position
01:45:16
Well How are you doing
01:45:22
and if I decide,
01:45:27
let’s go, I’ll
01:45:28
answer, I
01:45:30
want to see you, well,
01:45:34
we’ve agreed,
01:45:38
no. Come on, if you
01:45:45
want to go, write unconditional telegrams.
01:45:51
I won’t remind you of my country.
01:46:00
Well, maybe you’re right,
01:46:04
yes,
01:46:09
in this case, I’m right,
01:46:14
you’ve become different from what I knew
01:46:18
I know worse or better than
01:46:22
others
01:46:26
[music]
01:46:30
in this case
01:46:32
[music]
01:46:47
January 2
01:46:50
Tashkent
01:46:52
station
01:46:54
[music] the
01:46:56
train twitched and slowly crawled along
01:46:59
the platform
01:47:01
Vyacheslav walked next to the train holding the
01:47:04
handrail,
01:47:06
walked drying, accelerated the step, finally tore off
01:47:10
his hand, stopped
01:47:12
forest pocket
01:47:25
same old
01:47:44
[ music]
01:48:00
will smoke
01:48:11
[music]
01:48:18
[music]
01:48:26
and the New Year has passed, I slept through the story,
01:48:30
uninteresting but slept very well
01:48:34
[music]
01:48:40
New Year
01:48:43
[music]
01:49:03
[music]
01:49:08
Yes, these three were men
01:49:12
hanging women. I saw it too,
01:49:16
but in other places
01:49:28
it was in Kerch
01:49:32
I was in Kerch I
01:49:35
saw on the outskirts of the city Rob
01:49:39
That is, even rough,
01:49:42
that is, exactly with an anti-tank
01:49:47
and the Germans shot several thousand people there,
01:49:52
barely sprinkled the Earth
01:49:55
and in some places they didn’t sprinkle it,
01:50:02
so I stood and thought
01:50:08
that it’s not scary
01:50:12
How it doesn’t require Vengeance
01:50:17
but in your consciousness that for such and such you
01:50:19
can never
01:50:21
and will not take revenge to the fullest extent,
01:50:26
there is a feeling of your
01:50:28
own superiority
01:50:31
and a power
01:50:34
that you will never use as
01:50:37
they did,
01:50:39
victory over them, yes,
01:50:44
but not Revenge, drinking
01:50:50
and pleasure, admiration, these are all
01:50:53
not the same words about war It’s
01:50:58
not easy for me to get to you,
01:51:02
and there are four steps to death,
01:51:08
these are really the words of war,
01:51:12
they came from the war to the war, they returned in a
01:51:15
song
01:51:16
about which, by themselves,
01:51:18
not with the help of the radio,
01:51:22
some sage on the radio was afraid to broadcast them,
01:51:28
lest the soldier there at the front be
01:51:31
afraid when he
01:51:34
heard that four steps to his death
01:51:48
outside the window stretched the outskirts of Tashkent
01:51:51
in the distance the low buildings of some factory
01:51:54
from here you can’t understand maybe that one is
01:51:57
closer the pancake houses are walking the shafts
01:52:02
and even closer the descending diverging crossing
01:52:06
each other the rails were running
01:52:10
all
01:52:18
and then by the clock
01:52:21
[music]
01:52:37
put an ellipsis
01:52:47
[ music]
01:53:03
[music] [
01:53:31
music] [music]
01:54:00
[
01:54:16
music] [
01:54:50
music] [
01:54:57
music]
01:55:19
[music]

Description:

Из записок Лопатина. Этот спектакль по повести К.Симонова «Двадцать дней без войны» цикла «Из записок Лопатина» был поставлен к 30-летию Победы в Великой Отечественной войне, режиссером Иосифом Райхельгаузом в Московском театре "Современник" и рассказывает о жизни военного корреспондента Лопатина и о том, что пришлось увидеть ему на дорогах войны. Итак, военный корреспондент Василий Лопатин приезжает на несколько дней в Ташкент, где на киностудии снимается фильм по его фронтовым очеркам. В городе он навещает семью погибшего однополчанина, встречается со своей бывшей женой, которая живет в Ташкенте в эвакуации, переживает внезапно нахлынувшую на него яркую любовь и расставание... #фильмспектакль Гл. ред. литературно-драматических программ 1975 Режиссер - Иосиф Райхельгауз Оператор - Александр Шапорин Оператор - Александр Божко Художник - Давид Боровский Актер - Валентин Гафт (Лопатин) Актер - Людмила Иванова (Машинистка) Актер - Владимир Земляникин (Редактор) Актер - Марина Неелова (Ника) Актер - Андрей Мягков (Вячеслав) Актер - Олег Табаков (Режиссер) Актер - Любовь Добржанская (Актриса) Актер - Константин Райкин (Гурский) Актер - Анастасия Вознесенская (Ксения) Актер - Виктор Тульчинский (Губер) Актер - Валентин Никулин (Веденеев) Мы в соцсетях: Яндекс. Дзен - https://dzen.ru/fond Telegram - https://t.me/gosteleradiofond VK - https://vk.com/teleradiofond OK - https://ok.ru/gosteleradiofond ▶️Подписаться на канал "Советские фильмы, спектакли и телепередачи": https://www.youtube.com/@gtrffilms?sub_confirmation=1

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