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photoshop

lightroom

retouch

color correction

color grading

ретушь

цветокоррекция

фотография

Евгений Карташов

уроки фотографии

уроки Photoshop

уроки Lightroom

фотосъемка

частотное разложение

съемка портрета

предметная съемка

фотоарты

ретушь портрета

съемка в фотостудии

фотостудия

фотошоп

лайтрум

профессиональная фотосъемка

00:01:05

I welcome everyone to the live

00:01:09

broadcast page. Today we have a master class on the

00:01:13

new Photoshop products for

00:01:15

2023, that is, we will go through the

00:01:19

new products that appeared during this

00:01:21

period,

00:01:23

to begin with. Let’s go through the

00:01:26

organizational aspects because

00:01:28

this may be the first time for someone on my

00:01:30

broadcast and not very well

00:01:32

oriented

00:01:35

You received a link to the broadcast that

00:01:38

leads to this page but here

00:01:40

I have not disabled comments In order not to

00:01:42

jump back and forth, all comments

00:01:47

will be read on the YouTube

00:01:49

broadcast page, that is, here there is

00:01:51

a link to go to the YouTube broadcast,

00:01:55

go here it is and here it is here you can

00:01:59

write Well, I see that they see me and hear me,

00:02:02

but just in case, I’ll traditionally ask

00:02:06

how you can see the splash screen and how you can hear my

00:02:08

voice, put pluses in the chat

00:02:13

So now I’ll still turn on the screen to

00:02:16

show you the chat, here’s the Youtube channel, here’s

00:02:18

our chat

00:02:20

That’s accordingly broadcast page in the

00:02:24

online school

00:02:26

So now I’ll open the chat in a separate window I forgot to

00:02:29

do this in advance

00:02:31

to

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track it

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so the pluses I see everything is fine This is

00:02:39

great

00:02:41

So well, I’ll also ask

00:02:44

Pyaterochki to install the

00:02:47

Photoshop interface, this is very important for us since

00:02:49

we are talking about Photoshop

00:02:52

so that you have everything it was read so that the letters could be

00:02:57

clearly read

00:03:06

so perfectly Well, let’s sum it all up, that

00:03:10

is, from the broadcast pages we go to

00:03:13

this link, then I just came recently

00:03:18

we get here and here is the chat I have

00:03:21

now in a separate window, here you can

00:03:23

write comments, but I want to warn you right away

00:03:27

in so that my

00:03:31

story doesn’t jump back and forth and goes

00:03:34

smoothly. I will

00:03:37

answer the questions at the end, so please,

00:03:41

the questions are there somewhere. Maybe on a

00:03:45

notebook on a piece of paper. I asked you to prepare yes.

00:03:48

Write it down so you don’t forget there at the end

00:03:50

if any questions arise ask

00:03:54

like this Well, what else do I want to tell you,

00:03:58

maybe not everyone knows, but tomorrow is

00:04:01

photographer’s day and I sincerely congratulate

00:04:05

everyone who is interested in photography and

00:04:08

image processing, so I see

00:04:10

the question which version of Photoshop I

00:04:12

’m considering But judging by the title of

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the broadcast, 20 23

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2023 that is 24 5th version

00:04:21

let’s touch on the beta version a little because it’s also

00:04:25

on everyone’s lips and everyone is wondering what’s going on like this

00:04:31

about it I told you about

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Photographer’s Day

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tomorrow in honor of Photographer’s Day on my

00:04:39

website in my online school, or rather,

00:04:41

sales are starting on the website Simply

00:04:43

advertising page

00:04:45

Here it is, but it is available for you

00:04:49

today, that is, this promotional code It already

00:04:51

works,

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if you go here to my website, you

00:04:56

will find here congratulations from me and

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links

00:05:01

on the page Where you can get

00:05:04

information about all my products, each

00:05:07

individual

00:05:09

video how buy well, and accordingly, here is

00:05:13

a promo code for a photo that will cut prices down to 50

00:05:16

percent Why is it up to 50 at the last

00:05:20

master class on working with masks? I

00:05:23

didn’t make a lower price than

00:05:26

people bought it on the online broadcast

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because, well, it would be unfair

00:05:31

immediately after the release of the master- class there, the

00:05:34

price for it has been reduced so much, so the price

00:05:36

for it has been reduced less. Therefore, honestly, I

00:05:39

wrote up to 50 for almost everything

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else there, 50 percent,

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so

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Well, now I think we should

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switch and move on to

00:05:54

directly studying our

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material. So the

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first thing we start with,

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let's look at a removal tool

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that appeared just recently

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in Photoshop. Now I’ll drag a picture into the Photoshop window.

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This picture is already familiar to many

00:06:27

here. Here we have foreign

00:06:30

objects, these are people. I must say that it’s

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very rare in places like this where there are museums

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and architectural monuments. Sometimes it’s deserted,

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but I want to kind of clear the picture and

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make it look like there were no people there.

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Well, let's see what we

00:06:53

can do with the new Photoshop tool,

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so now I'll create a new layer.

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This tool is in the

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retouching tools group, here it is the removal tool.

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If suddenly you don't need this tool.

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click here where we have three

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dots

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and select edit toolbar

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here the tools are located that are

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visible here the toolbars

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here are the tools that can be made

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temporarily hidden, that is, they

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will be right where these three dots are,

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check that you have this there

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was no tool here

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Well, let's see how it works for us,

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select this tool

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Well, naturally, here we need to put a

00:07:55

sample of all layers in the settings

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so that our

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tool takes the

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contents of all layers as a basis.

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font size is the size.

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So, here are the parameters. There are

00:08:11

no more parameters for

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you can put a checkmark here

00:08:17

to delete after each stroke so that the

00:08:19

tool automatically updates

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Well,

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if you don’t do this, you’ll have to

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click this checkbox, that is, look, let’s say you did it,

00:08:41

you see the tool doesn’t work,

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you have to click like this,

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it worked,

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it worked, I must say it’s very good,

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you can will compare it with another

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tool and look

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at the result of the work

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like this Let's cancel it, I'll show you now when

00:09:06

this checkbox should be deleted after each

00:09:08

stroke, in this case you need to

00:09:12

sketch the entire object

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Otherwise, if I let go,

00:09:18

the tool will immediately start working, but here

00:09:20

you see what happened. Therefore, in

00:09:24

this In this case, the object needs to be sketched in its

00:09:25

entirety.

00:09:27

If you need to sketch the object in

00:09:31

parts, then it’s better to remove this checkbox

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after each stroke.

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Look, it’s very good to

00:09:43

remove the

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rest of the objects in the same way, even this tool, in

00:09:50

general, copes well with

00:09:52

such objects, that is, where already For us, the

00:09:54

situation is somewhat more complicated.

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Let's try

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to draw

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such a complex texture of the railing here.

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Look,

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Photoshop really determined that there is

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such a texture here and

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substituted it here, that is, this is already

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quite a difficult task for a reason,

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but not everything is so rosy. Here, for

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example,

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Photoshop we can’t handle it much

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Let’s try

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to sketch

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these objects You

00:10:53

see, instead of placing

00:10:55

this part here symmetrically,

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Photoshop here, to

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put it mildly, was fine-tuning, but nevertheless

00:11:06

very good. Here we have a texture, here it is

00:11:09

best to do it

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manually, that is, copy it, mirror it

00:11:15

and put it is in some

00:11:17

stream I already showed it

00:11:23

here Let’s see that I

00:11:27

also did a very good job

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in general if we didn’t know that there

00:11:34

was some kind of object here, well, as if it

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was all

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very good So well,

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Let’s see how the same thing works It’s

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not quite a new tool. But it also

00:11:50

appeared not so long ago.

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Delete and fill the selection.

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So let me now do it for comparison,

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that is. First, I’ll copy the layer here,

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make a selection,

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so on the selection here, by the way, you can

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do it using a quick mask, a very

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good way

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is to take the brush tool.

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press a hard key

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on the keyboard to switch to

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quick mask mode, or

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paint our object here with a brush like

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this, grab the shadow

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because it will be strange that the object

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is removed and there is no shadow, like

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this we’ll sketch it slightly going beyond the edges

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here’s a quick mask What’s good about it It

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allows you to do this It’s very easy to create selections with

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such a complex shape,

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then press the Q key again or

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click here, here

00:13:11

we have a selection, by the way,

00:13:14

it doesn’t hurt to check Yes, we have selected

00:13:18

everything except the object, that is, the selection needs to be

00:13:21

inverted, here by default there is a

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masked area Yes, we will need to

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put the selected one OK,

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here we have the quick mask inverted.

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So let's invert the selection

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so as not to redraw it. To do this,

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press the combination Shift Control I or

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here is the command selection

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inversion Here it is Shift Control I

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Now

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let's try to delete this object

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so you need to make an active selection tool with the

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right button mouse

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Delete fill the selection, that is, in

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this case we have an area. This

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selection expands there by 17

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pixels, in my opinion, and is filled taking into account

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the contents. But let’s look at it

00:14:20

this way. It’s

00:14:25

quite good.

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Well, let’s compare

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this method and the other one,

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that is, right now on on an empty layer, I’ll

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use the delete tool

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exactly the same way

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as I did with a quick mask, I’ll sketch

00:14:58

and see

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what works best I

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sketched,

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we’ll wait for it to work, we’ll help,

00:15:17

but you need to turn on the bottom layer, yes

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That’s what the delete tool did, and

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here’s the Delete fill selection tool. In

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my opinion, the

00:15:31

delete tool is much better coped

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with this task quite difficult, but

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you, in principle, saw everything yourself on

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these objects,

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yes, very well. He copes,

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that is, this tool is

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really very useful and

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makes the work much easier. I recently

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retouched photographs there; various

00:15:58

heating pipes on the wall had to

00:16:00

be removed sockets, switches generally

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do a great job very well

00:16:06

So I recommend using

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this tool

00:16:13

So, now let’s see what we have

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next in line,

00:16:19

what we’ll deal with

00:16:21

so the removal tool so

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Well, let’s look at a new

00:16:31

tool like this, these are the correction styles

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what’s there on Is it really justified that

00:16:37

all the bloggers are excited about this?

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Let’s try

00:16:43

to twist something.

00:16:46

So, for this, I need to

00:16:48

open some other picture now,

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so here’s our photo

00:17:00

tool. Well, more precisely, it’s not a tool, it’s a

00:17:03

group of tools that appeared

00:17:06

called correction styles, it’s located

00:17:09

in the panel correction, which in

00:17:11

general is always closed for me because I

00:17:13

prefer to call

00:17:15

adjustment layers from here, in order to

00:17:18

gain access to these new

00:17:21

tools we need to go here to the

00:17:24

window menu

00:17:27

and select correction,

00:17:30

this panel will open. Well,

00:17:34

let's see what we have

00:17:36

appeared here Well, here we have a portrait

00:17:39

open. It’s logical that we’ll use

00:17:44

this portrait tab. Well, let’s

00:17:46

look here in one click,

00:17:49

more accurately, even when you hover the cursor over

00:17:53

one of the styles, we already have

00:17:57

a preview of the result here. You can

00:18:00

see that there are bright

00:18:04

bright rich tones here something like this

00:18:08

Here’s a different style of processing,

00:18:11

here’s the third, but here some skin is

00:18:14

not quite the right color,

00:18:18

here’s dark black and white

00:18:25

So, here’s something even brighter here, here’s

00:18:30

what happened, what happened How does

00:18:34

this work that's all that it

00:18:37

really is, well, let's try

00:18:39

to apply some result here,

00:18:42

let's say this yes.

00:18:45

What's actually happening here is that we have a

00:18:50

group formed. Here it is with a

00:18:55

mask

00:18:57

and inside this group there is what is there

00:19:00

for you to think:

00:19:02

Elementary adjustment layer curves and

00:19:06

there are curves of this shape, that is, here it is

00:19:10

raised a little. The red curve in the

00:19:13

area of midtones

00:19:17

and lights of the shadow area is a curve, it does

00:19:22

not rise here. Well, the curve of the blue

00:19:26

channel is slightly bent here,

00:19:31

just in the midtones And gradually

00:19:34

there is an effect on highlights and shadows

00:19:36

like this the curve brings a warm tint

00:19:41

just to the skin area, mainly Because the

00:19:45

skin in the red channel is, as we

00:19:47

know, the lightest and it is in

00:19:50

this area that we have the

00:19:52

effect. Let's try some other

00:19:55

result, delete our group.

00:20:01

So, for example, like this the

00:20:04

same thing, look at the same thing,

00:20:09

and here we also have a photo filter, that is, two

00:20:12

adjustment layers,

00:20:15

these are

00:20:17

curves, a curve here, like this, the

00:20:21

master curve is curved, just the same, the

00:20:24

effect is more on light tones, we

00:20:27

are more precise, these are halftones and light tones

00:20:31

and a photo filter here such a classic

00:20:35

cooling filter 25 percent

00:20:38

nothing Supernatural 1 2

00:20:41

adjustment layers and that’s it in general

00:20:46

Let’s try something else,

00:20:52

something creative and

00:20:56

find a cursor

00:20:59

but here it seems to me the saturation

00:21:01

just jumped up

00:21:03

negative I don’t know what’s creative there

00:21:09

Well there’s some kind of skew here, as if it looks like an

00:21:12

old film, I do

00:21:14

n’t understand that it’s

00:21:18

also sepia Well, yes, the creativity of

00:21:22

cinematography is apparently the Dubovites

00:21:26

translated the

00:21:27

cinematography so let’s see

00:21:30

Well, let’s just say it doesn’t look like

00:21:36

cinematography, but there’s also some kind of

00:21:39

skew that looks like an old film where the skin

00:21:42

was like that in purple tones

00:21:48

Well, in general, you

00:21:51

can do this yourself in principle,

00:21:54

and it’s much better,

00:21:58

you can

00:22:01

collapse the styles like this, that is, present them in the form of a list.

00:22:10

In general, what do I want to say about this?

00:22:14

This is for the very, very newbies who do

00:22:17

n’t know how to do anything do it in Photoshop

00:22:20

yet, but they want to get some result,

00:22:23

in general,

00:22:25

no different from various

00:22:28

processing presets in any other

00:22:30

programs or even in applications on

00:22:33

the phone, it seems that the

00:22:36

Photoshop developers, instead of

00:22:38

doing some more serious

00:22:40

things, are following the path of some kind of mainstream

00:22:45

and some kind of maximum simplification of

00:22:49

tools, which of course is not very pleasing

00:22:52

since a professional instrument

00:22:54

turns into some kind of toy and fun, I don’t

00:22:59

really like this trend, this is

00:23:03

how these same correction styles work.

00:23:08

If you have at least a little knowledge of

00:23:12

color correction, you too you can

00:23:14

do the most even better without even going into

00:23:18

Photoshop using the camera with your

00:23:21

tools, especially in the camera with your mouth, a

00:23:24

bunch of all sorts of presets have appeared

00:23:27

Well, we’ll touch on this later, we’ll get to that later

00:23:34

So what’s next in line for us is

00:23:39

these tools, we looked at

00:23:42

deleting and deleting fill in the

00:23:45

correction styles

00:23:48

So, the next thing I would like to

00:23:53

show you

00:23:55

is the new gradients. This is a

00:23:59

really interesting thing. Let's

00:24:02

close this panel now so

00:24:06

that it doesn't interfere with us here.

00:24:10

Let's make a copy of the layer.

00:24:15

Well, let's select the Gradient tool,

00:24:22

which one should we choose here, let's start from

00:24:24

white to black to black classic

00:24:27

Gradient

00:24:30

here you can immediately switch models

00:24:35

classic The gradient is the one

00:24:37

we are used to

00:24:39

linear The gradient is linear in

00:24:42

energy And the perceptual one is the Gradient

00:24:47

that is best perceived by us

00:24:50

visually

00:24:52

Well, let's choose the classic one

00:24:55

and see what's happening here So I

00:24:59

made a Gradient and you see how it is formed an

00:25:03

adjustment layer, a

00:25:05

gradient fill.

00:25:07

Well, at any moment I can

00:25:13

change this Gradient in some way

00:25:17

or do something like this, change the style of the

00:25:19

gradient here.

00:25:21

The gradient turns out to be radial

00:25:26

here. As you can see, we can change the

00:25:30

transitions.

00:25:35

Make it smoother or, on the contrary, sharper.

00:25:40

Well, that is the scale of the gradient.

00:25:47

the tool turns out to be completely

00:25:50

interactive right there if we change

00:25:52

the presentation

00:25:53

of the gradient, the way we

00:25:56

change the image accordingly, here we have a linear

00:26:00

Gradient, here I like it even more

00:26:04

for this case, it’s so

00:26:06

smooth here

00:26:09

Well, for example, we can

00:26:12

put it here in some mode

00:26:14

overlays,

00:26:16

for example, multiplication

00:26:19

or some other darkening mode, that

00:26:23

is, in this way, for example, you can

00:26:25

make a

00:26:26

vignette in a picture,

00:26:31

that is, darken the edges,

00:26:35

this is a really useful tool.

00:26:38

This was not enough. That is, if earlier I

00:26:40

carried out a Gradient there, I had to

00:26:43

somehow rebuild it or use

00:26:46

adjustment layers, then here a

00:26:49

new Gradient immediately appears,

00:26:52

especially when you build a multi-color

00:26:55

Gradient, that’s all Yes, this helps a lot

00:27:00

and look at the Starting point I can

00:27:03

change it here to some other

00:27:06

Well, I’ll already start having fun here

00:27:09

For example Here I’ll make some red

00:27:15

here something like this green,

00:27:19

some interesting effect

00:27:22

we got,

00:27:26

yes Well, naturally, this is pampering. Although in

00:27:28

some cases, of course, it can be

00:27:30

used for processing. But all sorts of

00:27:34

gradients and everything else. This is very

00:27:36

good, for example, when you replace the background

00:27:40

in an image or there

00:27:42

you can make a design layout of some kind right there in

00:27:45

real time

00:27:46

without resorting to a Gradient adjustment layer,

00:27:50

do all this here, that

00:27:53

is, right here, using a gradient

00:27:55

fill,

00:27:57

select everything. In my opinion,

00:28:00

the tool is excellent,

00:28:05

it’s been asking for a long time all this, that is,

00:28:07

interactive gradients

00:28:09

Well, here you go finally appeared

00:28:13

So, about the Gradient,

00:28:17

now let’s move on, close this

00:28:20

picture, the

00:28:27

next new thing is this called

00:28:30

contextual taskbar, what does it

00:28:34

represent itself, now it’s not there, but if I, for

00:28:38

example, create a free document,

00:28:43

it appears and offers, for example, to

00:28:46

import it here some kind of image

00:28:48

Well, for example, if it’s a design layout I’m

00:28:52

creating there, maybe a screensaver for YouTube

00:28:54

or something else, and this panel

00:28:57

appears and it kind of helps,

00:29:00

here’s the image import button, that

00:29:03

is, here you can import some

00:29:05

image, here the panel opens

00:29:09

properties here, tooltips pop up

00:29:11

if I select, say, a tool

00:29:15

of some kind, for example text, here I have selected yes,

00:29:18

selecting text When I click to start

00:29:22

something here, enter

00:29:23

its contents change, that’s why it’s

00:29:27

called the contextual taskbar, that is,

00:29:29

its contents depend on the context of the

00:29:32

action, what I'm doing Now she's

00:29:36

helping me here, for example,

00:29:38

choose a

00:29:41

font for the text size Well,

00:29:48

I chose the color and here we can

00:29:51

adjust its position, that is, hide the

00:29:54

panel, restore the position, position of

00:29:57

the pin, and this button opens the

00:29:59

properties panel Let's do some- Let’s

00:30:02

open the photo now and see

00:30:05

what will happen with this panel then.

00:30:08

So now I’ll

00:30:11

drag some picture here so to speak.

00:30:21

Well, look, when

00:30:25

any image appears here, that is, the program

00:30:28

recognizes it, we already have

00:30:31

other buttons here. for example, I

00:30:34

can immediately select an object or remove

00:30:37

the background, this button is not active, this is a

00:30:41

transformation, that is, look when

00:30:43

I make a copy of the layer, for example, you see the

00:30:46

button is active, that is, I can now

00:30:49

transform this image here. That

00:30:52

is, this is nothing more than calling the

00:30:55

free transformation command here

00:30:57

some

00:30:58

presets are available flip

00:31:01

horizontally flip vertically here

00:31:04

again the position of the panel confirm

00:31:06

and cancel the transformation But now I pressed

00:31:09

cancel the frame disappeared as you can see We

00:31:13

returned to our original image

00:31:17

if I create any selection here in

00:31:20

any way it doesn’t matter Well let’s We are

00:31:23

now going to press the button to select an object,

00:31:27

click

00:31:33

here, look, when the selection appears,

00:31:35

the program offers me these

00:31:38

assistants, so to speak, that is, I can

00:31:41

click here if I hold down the left

00:31:45

mouse button.

00:31:46

You can, for example, select a selection, mask,

00:31:49

feather, selected area, compression,

00:31:52

expansion,

00:31:53

optimization, so select a frame. Let's

00:31:57

see what this is a

00:31:59

border selection of 4 pixels,

00:32:03

well, it’s clear that

00:32:06

we have an extension, so to speak,

00:32:09

a selection. And it’s clear that we have this kind of

00:32:12

border selection, that is, a

00:32:15

selection is formed along the border,

00:32:18

nothing is selected inside. Let’s

00:32:20

press Control Z,

00:32:23

that is, from here we can go.

00:32:25

Note attention, the panel is floating That

00:32:27

is, when I change the image scale,

00:32:29

it automatically appears where it is

00:32:34

convenient for me and will be used,

00:32:37

look here, it means you can call

00:32:40

some commands,

00:32:46

for example here So we will have an

00:32:50

inversion of the selection, here is a transformation

00:32:53

of the selection of the selected area Although

00:32:57

no probably the entire canvas Now

00:32:59

let’s see

00:33:02

Yes, this is exactly the transformation of the selection

00:33:06

So what we can do next is

00:33:08

create a mask here

00:33:11

Well, and through this mask, accordingly,

00:33:16

I won’t create any effects there.

00:33:19

This is where the

00:33:22

correction panel opens and

00:33:25

here you can create either some kind

00:33:27

of correction style right away, or

00:33:33

create some kind of adjustment layer here,

00:33:36

so

00:33:37

on, let’s close this panel

00:33:42

further here, too. We have this

00:33:45

fill button and this

00:33:47

triangle. This means that there are

00:33:49

also some others hidden here functions,

00:33:53

click Yes, as you can see, here you can

00:33:56

fill there, taking into account the

00:33:57

contents,

00:33:59

color fill, pattern, main color,

00:34:03

background color, in general, this is such a panel to

00:34:06

speed up work,

00:34:09

which in general is quite logical. Well, for example, you can

00:34:13

quickly do something there.

00:34:15

Let's deselect, for example we can

00:34:19

remove the background

00:34:21

in one click

00:34:23

But this basically duplicates our property panel.

00:34:28

So, here we can

00:34:32

put some background there, so we can put it,

00:34:37

that is, below we can put some background here.

00:34:44

For example,

00:34:46

cut out an object to white background, but I have to

00:34:50

tell you that this kind of

00:34:52

cutting will not always

00:34:55

work correctly for us, that is, some

00:34:57

small hairs may not be

00:35:01

preserved here. You see Yes,

00:35:03

that is, this selection has completely

00:35:06

cut them off. Therefore, if we want a high-quality

00:35:10

selection, then this method is not very

00:35:14

suitable If Let's say you are processing

00:35:18

some simple objects, some

00:35:21

objects where we have clear edges and you

00:35:24

need a white background. Let's say cut them out.

00:35:28

This method is quite suitable, that

00:35:32

is, for simple objects it

00:35:34

will work well. For more complex ones, there

00:35:37

will naturally be some... then these kinds of

00:35:40

bugs come out,

00:35:42

that is, this toolkit is

00:35:45

still, let’s say, not very perfect.

00:35:49

Sometimes the command to refine the

00:35:52

selection and mask helps, but not always, so

00:35:56

it’s worth keeping in mind these nuances.

00:36:01

So, here we are with this panel,

00:36:05

let’s say we figured it out,

00:36:09

I’ll tell you in general -it’s a pretty useful thing, in

00:36:14

any case, it doesn’t interfere with work, it helps

00:36:18

speed up something in some cases, that

00:36:22

is, you can also use it, it’s

00:36:25

not a marketing ploy, but it’s completely

00:36:28

justified,

00:36:29

especially since for some of the commands that are

00:36:32

presented there, there are no keyboard shortcuts.

00:36:35

Of course, you can create them, but I don’t

00:36:38

think so let’s say that beginners know

00:36:41

how to do it and experienced users will do it.

00:36:43

Naturally, they have already

00:36:47

created everything for themselves, optimized it, but

00:36:50

nevertheless, it’s also worth taking a closer look at this new

00:36:53

tool,

00:36:56

so close the picture and move on.

00:37:04

Well, in my opinion, one of the most

00:37:07

significant innovations has happened -

00:37:10

in the camera

00:37:12

More precisely, there are several new products at once

00:37:15

Let's look at

00:37:20

these new products in order, they generally appeared as a

00:37:23

camera in the plugin itself and in the filter

00:37:27

Let's Now we'll

00:37:30

drag some picture here and

00:37:35

apply the camera filter

00:37:41

And what's most important Here in in the masking section,

00:37:48

Row's camera has learned to identify people

00:37:52

if there is one person.

00:37:54

It detects one person, if there are

00:37:56

several, then several, and

00:37:59

what's most interesting here is that you can

00:38:01

create different masks, that is, the skin of

00:38:04

the face is immediately highlighted;

00:38:07

this also appeared not so long ago; eyebrows,

00:38:12

and so on and so forth,

00:38:16

and so on. one of the latest innovations is

00:38:19

facial hair, that is, a mustache, a beard and

00:38:23

clothes, that is, clothes can be edited

00:38:27

separately, let’s say that’s also pretty

00:38:30

good,

00:38:34

this is it, let’s cancel it, open

00:38:38

some other image, I

00:38:41

’ll show you what else we’ve got,

00:38:49

close it like this

00:38:55

Well, let’s do it here

00:38:57

we’ll correct the white balance a little,

00:39:02

I usually do it in the following way:

00:39:06

I set

00:39:08

the vibrancy and saturation to plus 100 and

00:39:12

select the white balance in such a way

00:39:14

as to get a greater variety of

00:39:18

colors.

00:39:22

Well, for example, something like this,

00:39:28

then I reset it

00:39:32

here to my taste, adjust everything you

00:39:36

need, now you’ve set it up

00:39:45

Please note that this

00:39:48

frame was taken with a Canon EOS 7D camera. This camera was

00:39:53

born with a rather

00:39:56

noisy matrix, but on the so100 you can

00:40:00

see this kind of noise, so I enlarged it

00:40:02

more so that it would be noticeable in the video.

00:40:05

And now this noise can be removed literally

00:40:09

there in one click to do this you need to go

00:40:12

to the detail menu

00:40:14

and here there is a function for reducing noise

00:40:18

using artificial intelligence, the

00:40:21

result will be in the form of a new DNG file

00:40:25

with a depth of 16 bits per channel,

00:40:28

click remove noise,

00:40:39

the work is happening.

00:40:44

So, let's set it to about 40

00:40:48

percent Yes It’s no longer necessary because

00:40:51

small details are starting to disappear and click

00:40:54

improve like this Well, let’s see how much is here by

00:40:57

default by default 50 well, let’s see for the

00:41:00

purity of the experiment like this,

00:41:03

click improve

00:41:07

The work is in progress, you

00:41:11

need to wait a while until

00:41:15

the camera calculates more accurately the

00:41:19

artificial intelligence will

00:41:20

calculate the stripe here progress is

00:41:23

probably not 15 seconds, of course it will be

00:41:26

a little longer Well, we’ll have to

00:41:28

wait, we also have a progress bar at the bottom

00:41:33

Well, then we’ll compare the result that we have. In

00:41:37

the end, it will turn out that is, we’ll output both frames

00:41:40

to one hundred percent or more, we’ll

00:41:43

even see how we do it like

00:41:49

this

00:41:56

the time is a little longer than expected, it’s

00:41:59

taking Well, let’s be patient There’s

00:42:01

no way I can speed up this process, we’ll

00:42:06

wait,

00:42:10

about half of it has already passed

00:42:26

Well, the strip has already moved a little

00:42:29

significantly, so you can even say

00:42:32

somehow It’s going step by step I noticed

00:42:35

that for more noisy frames But this is

00:42:38

expected, yes, the process

00:42:42

takes a little longer and

00:42:45

much longer than for frames that are less

00:42:48

noisy or from more modern cameras.

00:42:52

So, a

00:42:54

new frame is being formed,

00:42:59

so let’s see what we have registered, no, here’s

00:43:03

one, here’s the second,

00:43:07

let’s all select both two As they

00:43:11

say

00:43:15

here so let's stretch it out

00:43:18

and see

00:43:20

what

00:43:22

noise removal looks like.

00:43:25

This is our original frame,

00:43:30

so something went wrong, let's

00:43:34

reset

00:43:36

the dimensions now, let's

00:43:40

select it.

00:43:49

So, here we have

00:43:52

200 percent. Let's see now it

00:44:03

was

00:44:05

now,

00:44:08

look at the small details,

00:44:11

in general, not very good -they have gotten worse,

00:44:14

so now let’s try to select like this and

00:44:21

drag both frames

00:44:24

Well, where too We have some

00:44:27

small details here For example on the bridge

00:44:32

This is a frame without noise reduction

00:44:36

This is a frame with noise reduction

00:44:41

In my opinion the result is quite decent

00:44:45

And of course you need to set it in advance

00:44:48

Here's noise removal a little

00:44:51

less than 50, this seems to me a bit too much

00:44:57

Here we have a camera that's such a useful function

00:45:02

So now let's move on to the

00:45:08

following, let's look at what we have there

00:45:12

so let's now put some frame

00:45:15

here,

00:45:25

that is, I told you about masks

00:45:29

So let's now reset the default value.

00:45:34

Well, then we'll open it again,

00:45:43

in the masks grain curves

00:45:50

and a

00:45:51

saturation regulator appeared in the Curves, that is, what does

00:45:55

this mean here are the curves? We now have a

00:45:56

saturation regulator, that is,

00:46:00

look when we raise the contrast in the

00:46:03

image,

00:46:05

we inevitably have where the curve

00:46:08

becomes steeper, the

00:46:10

saturation jumps, you can see here and now we

00:46:14

can

00:46:15

compensate for this matter. That is, this is

00:46:19

essentially

00:46:20

an analogue of applying a correction in Photoshop in the

00:46:24

brightness mode. That is, when the effect

00:46:28

is only on brightness and not on

00:46:31

color, that is, the contrast here

00:46:34

remains

00:46:35

increased, but at color influence

00:46:38

is minimal,

00:46:39

that is, such a function appeared

00:46:42

in our Curves here

00:46:46

Let’s reset it and the same thing appeared

00:46:49

in Curves in masks

00:46:53

Well, that is,

00:46:55

let’s now select a person

00:47:00

like this

00:47:01

Well, for example, let’s

00:47:04

take facial skin and body color, but

00:47:09

we won’t create masks separately so

00:47:13

I’ll show you,

00:47:16

masks have been created, look,

00:47:20

we have the same thing here,

00:47:25

let’s say I’m raising the contrast on the skin here.

00:47:28

I don’t like how the

00:47:30

saturation behaved here, and here I

00:47:34

can adjust the saturation in a certain way like this, that

00:47:41

is, it’s also a pretty good

00:47:43

function. Well As for the grain, it’s

00:47:51

debatable somewhere in the masked areas, let’s say it’s so

00:47:54

impressive for an amateur,

00:47:57

that is, what does it give? Well, let’s say

00:48:02

we’ll enlarge it on the skin now, we’ve

00:48:04

added this kind of grain to the skin,

00:48:07

here you can adjust the size,

00:48:12

that is, smoothness. This is how much

00:48:17

different shapes the grain will have.

00:48:22

but in general it can be useful. In

00:48:25

some cases, to imitate

00:48:27

some kind of film effect or

00:48:30

just if the skin is

00:48:32

a little washed out, it’s

00:48:34

quite possible to add a little roughness like that.

00:48:37

Why not?

00:48:39

So

00:48:40

let’s reset this grain

00:48:45

to zero

00:48:49

now

00:48:57

[music]

00:49:01

something- then it doesn’t reset Well, let

00:49:05

’s set it to 0. What is Minus 100 grain is

00:49:08

not entirely clear to me either,

00:49:13

but it’s set to 0. Everything is fine here, probably this is

00:49:17

some kind of grain inversion or blur,

00:49:20

most likely it’s a blur

00:49:22

-100

00:49:28

let’s move on, so let’s reset the curve too Let’s

00:49:31

set it to linear curve

00:49:36

and I’ll show you

00:49:39

Practical use how this

00:49:41

mask can be used very effectively

00:49:43

When the color on our skin,

00:49:47

let’s say, leaves much to be desired,

00:49:49

so let’s check

00:49:52

everything here again, as if by default it’s normal,

00:49:58

first we’ll make a correction

00:50:01

general image correction

00:50:06

I don’t like what’s here some kind of

00:50:08

general warm shade. I want to

00:50:10

get a little more variety in

00:50:14

shades, so

00:50:15

I act in the usual way,

00:50:20

as you can see, the

00:50:23

variety in colors has already become greater, but

00:50:27

this is also fraught with an increase in the

00:50:31

variety of colors on the skin, as

00:50:35

you can see, different shades have appeared

00:50:42

Well, it doesn’t interfere here we need to adjust the

00:50:45

overall contrast a little,

00:50:59

we've slightly adjusted the exposure a little bit,

00:51:03

we'll return the white balance back,

00:51:10

look Let's correct the skin color, that

00:51:14

is, here we have everything sorted out in terms of colors, I

00:51:16

mean against the background

00:51:20

of the wall, but now there is still a problem with the

00:51:24

skin, that is, here we have more

00:51:26

yellow skin here it’s actually kind of

00:51:28

unsaturated let’s fix it

00:51:33

How can this be done

00:51:36

I already have a person mask here

00:51:41

facial skin body skin let’s do it like this

00:51:45

and click create

00:51:50

and look what I’m doing

00:51:53

I’m removing the saturation completely

00:51:57

Well here you’ll need a mask make a few

00:51:59

adjustments

00:52:02

where it didn’t work for us, we

00:52:06

can do it now,

00:52:10

that is,

00:52:18

no, add an intersection, add an

00:52:20

intersection, we won’t do this, we’ll

00:52:27

do it here, so we’ll click add a

00:52:32

brush here, we’ll draw it, and

00:52:40

the strap here has been drawn a few times,

00:52:41

but we just need to be more careful, I do

00:52:45

n’t have it right now time to

00:52:47

draw it all carefully, that is, this is the strap

00:52:51

we can exclude, then we

00:52:53

look further,

00:52:55

go to the mask, the

00:52:59

saturation is removed and here we

00:53:04

select the

00:53:08

desired skin color

00:53:13

like this

00:53:15

OK, look, we have such a completely

00:53:18

evenly colored

00:53:22

skin

00:53:24

This, of course, is not good Now we

00:53:27

will correct this with you

00:53:30

So a little Like this I’ll make it more contrasty,

00:53:39

click open

00:53:42

the photo will open in Photoshop

00:53:44

like this Well, yes, you can also make the dress here

00:53:47

a little less blue,

00:53:51

that is, a

00:53:52

new mask,

00:53:59

add clothes

00:54:05

here a little white balance In warm,

00:54:09

as you can see this blueness in our dress will

00:54:12

take away a little, now you can click

00:54:15

open

00:54:19

and look, we

00:54:21

actually have the skin of the same shade, we

00:54:26

need to diversify it somewhat in

00:54:28

shade because it doesn’t happen like that and

00:54:31

it’s quite easy to do. I create an

00:54:35

adjustment layer, curves

00:54:39

here.

00:54:40

More precisely, let’s

00:54:43

modify the blue channel in the wrong way. there, let's create a

00:54:47

copy of the channel in the channel palette

00:54:52

using curves, the

00:54:54

blue channel before work,

00:54:57

we accentuate the highlights

00:55:00

And so we bend the curve

00:55:05

in this way

00:55:08

OK

00:55:11

Now we can

00:55:13

load a selection based on the blue

00:55:15

channel kontrol and Click on the channel

00:55:20

and

00:55:21

apply an

00:55:23

adjustment layer curves

00:55:27

Now again we refine our blue

00:55:30

channel

00:55:36

more precisely mask on the curves like

00:55:39

this we should only have

00:55:41

the highlights

00:55:45

OK

00:55:47

blur the mask with a

00:55:51

Gaussian blur filter

00:55:56

so that

00:55:59

the texture is gone here OK

00:56:04

change the blending mode of the curves layer

00:56:08

to saturation

00:56:11

and then

00:56:15

tilt the curve like this

00:56:18

here we restore the saturation and

00:56:22

look at what we got You

00:56:27

see our skin

00:56:31

has become a little different in shade That is,

00:56:33

it has become less saturated in highlights That

00:56:36

is, how in reality we should have all this,

00:56:40

that is, this is how we can

00:56:43

correct the color of our skin Well, nothing

00:56:46

prevents us, for example, from putting the

00:56:49

unprocessed source here with some kind of

00:56:52

opacity in order to

00:56:54

get a greater

00:56:56

variety of shades on the skin, so to speak,

00:56:59

this is an interesting way to use a

00:57:03

RAW camera for correcting skin using masks.

00:57:09

So, what else do I want to say about the camera?

00:57:17

I already talked about this at

00:57:21

my master class on HDR, that is in

00:57:26

Rob's camera It is now possible to

00:57:29

work with 32-bit HDR, that is, there you can

00:57:35

stitch together 30 32-bit HDR images

00:57:39

then open them in Photoshop and

00:57:42

modify or save them

00:57:44

directly from the camera ru but

00:57:47

I won’t show it here

00:57:49

because I told the master about it - class

00:57:52

just on HDR,

00:57:54

and you can learn in detail about working with channels

00:57:57

from the master class working with

00:57:59

channels in Adobe Photoshop,

00:58:02

so

00:58:04

in this case about the camera there are

00:58:08

no

00:58:11

such innovations,

00:58:15

and of course, of course,

00:58:19

you can’t ignore

00:58:23

what’s in the beta version Photoshop, the

00:58:27

firefly neural network has appeared.

00:58:33

That's what we'll talk about now.

00:58:37

So for now, I'll turn on the

00:58:41

screen broadcast, restart Photoshop and

00:58:44

we'll continue.

00:58:52

So I restarted Photoshop,

00:58:56

here's the new Photoshop beta version,

00:59:01

so

00:59:02

you can see about the

00:59:05

Photoshop program, here's the splash screen, now

00:59:08

I'll call it again,

00:59:13

here's the release 24 7.0 Photoshop beta

00:59:18

We just got a beta version of the

00:59:20

neural network. But in general they say that it is

00:59:23

also installed on photoshop245. In

00:59:27

any case, there is information about this on the Internet somewhere,

00:59:31

so if you wish, you can find and

00:59:34

install

00:59:36

it like this. Well, let’s look at

00:59:39

several application options this is a

00:59:42

neural network

00:59:44

So, let’s take a photo, it’s

00:59:49

very cool, it turns out

00:59:51

to expand the photo,

00:59:54

that is, look, for example, I want

00:59:56

to expand the photo to a square, if I

01:00:00

just crop it into a square, then for

01:00:03

example fingers and everything else can be cut off,

01:00:07

let’s make the photo square,

01:00:14

that is, this is how I do it I’ll

01:00:16

squad it up so stop,

01:00:19

it’s better, of course, to make copies of everything. Here

01:00:30

we crop the photo. Like

01:00:33

this, for example, let’s

01:00:37

select the areas

01:00:41

that we need to expand, while it’s

01:00:44

better to grab some of the areas here by holding

01:00:48

down the Shift key, select on the other

01:00:51

side like this, and with the

01:00:55

selection tool active, press the right

01:00:58

mouse button and this same neural network is a

01:01:04

generative fill.

01:01:10

Well, I won’t enter the query here.

01:01:13

That is, it will fill it out normally,

01:01:22

let’s wait

01:01:27

with the queries a little later, we’ll work on it a little later,

01:01:30

look, it’s

01:01:32

great

01:01:34

the neural network has created the same

01:01:38

Lilac flowers. Let’s see,

01:01:43

lilac has also been added here. That is,

01:01:46

everything is perfect great and look,

01:01:49

you can also choose options,

01:01:55

that is, look if I click on the

01:01:57

generative layer and here in the properties

01:02:00

here you can select the options that you

01:02:04

like best Look, she even

01:02:07

simulated the blur here very

01:02:10

well, but Personally, I liked this option the

01:02:13

most Well,

01:02:16

we can save all the required options very

01:02:19

well, all this works and we

01:02:23

can even extend it here. The neural network can finish

01:02:26

drawing the dress,

01:02:28

that is, let’s try

01:02:33

too, take the tool

01:02:38

Let’s make a copy of all the flattened layers,

01:02:42

take the frame tool like this, let’s

01:02:46

kind of extend it,

01:02:53

select the

01:03:01

generative fill, nothing either

01:03:03

we’re writing, we’re

01:03:11

waiting for

01:03:22

Photoshop, I even finished drawing the legs, look.

01:03:28

So, for some reason, there’s only one leg. Well, yes, it

01:03:31

happens, there’s some kind of flower sticking out.

01:03:34

Well, nevertheless, he

01:03:37

tried to do something like this,

01:03:41

if he’s not happy with it. You can make a new generation

01:03:46

based on some image

01:04:00

it has already appeared quite nicely, look in the

01:04:04

foreground too Lilac flowers, he

01:04:07

apparently understood what was expected of him and

01:04:09

finished drawing the dress. It’s quite good. That

01:04:13

is, we can still achieve from the

01:04:15

neural network what we need like

01:04:19

this. Well, let’s go further. Let’s

01:04:25

remove all this now,

01:04:31

open another photo

01:04:44

So for some reason I have 16 bits in the camera,

01:04:47

let’s now

01:04:49

put 8 to make it all faster It worked for us

01:04:54

So, here’s a picture, let’s do it

01:04:57

a little Now let’s make

01:05:01

the sky brighter and more contrast Let them be Let it be knocked out here,

01:05:04

I’m doing this on purpose to

01:05:07

show you also one small trick

01:05:13

Well, let's first

01:05:17

reduce the size of the image So that

01:05:20

everything works for us faster

01:05:23

Well, besides, there is such a

01:05:26

moment, and the fact that the

01:05:30

firefly neural network generates squares

01:05:34

measuring 1024 by 1024 pixels with the highest quality, because

01:05:38

in order to generate in high quality

01:05:42

what - a large piece of the picture for

01:05:46

this you need to spend a large

01:05:48

amount of resources, but Imagine

01:05:50

millions of people now all over the world

01:05:52

using the beta version Well, as if not a

01:05:57

single computing power of any

01:05:58

corporation can produce this,

01:06:01

therefore they limit the quality of generating

01:06:05

large fragments Well, so that we

01:06:08

can this is not to lose, I will reduce

01:06:12

the image directly, that is, one and a half thousand by

01:06:15

1000 pixels, it will be, but this will not stop us from

01:06:20

considering the possibilities anyway, this is a neural network,

01:06:25

let us now

01:06:28

get rid of this hole in the sky,

01:06:31

take the lasso tool,

01:06:34

just circle it like this,

01:06:40

right mouse button generative filling, we

01:06:44

don’t write anything,

01:06:53

we’ll wait,

01:07:00

we’ll see, it’s absolutely

01:07:03

perfect. In my opinion,

01:07:06

I don’t think

01:07:08

any other tool could do a better

01:07:10

job here. Perhaps filling, taking into account

01:07:13

the contents, would give a similar result,

01:07:16

but here it’s absolutely perfect, super, so

01:07:21

what else can you do here? Let’s put it all on a

01:07:24

separate layer and then collapse everything like we

01:07:27

did, look,

01:07:30

let's say I want to make the water

01:07:33

surface a little cleaner

01:07:36

here. Reflection,

01:07:39

let's now make a selection,

01:07:43

let's make a selection using a quick

01:07:46

mask, that is, double-click here,

01:07:48

select the selected areas here OK,

01:07:52

take a brush,

01:07:56

you can use a brush

01:07:58

with soft edges, but not too

01:08:01

soft

01:08:05

Well, yes, so that there is some kind of softness around the edges,

01:08:07

but not excessive, and we just

01:08:10

sketch out the desired area like this,

01:08:15

including where in every possible way

01:08:18

we have such spots, we

01:08:23

just draw everything.

01:08:33

Well, let me now outline the edges and then we will

01:08:36

paint it all over,

01:08:40

of course Where there is grass, it is

01:08:44

advisable to make a mask. Be careful

01:08:47

here. But now I’m just showing you

01:08:51

the principle of how it works,

01:08:55

naturally neat. I won’t do it here,

01:09:11

especially since I do everything with a mouse,

01:09:15

not with a tablet.

01:09:30

Let’s paint over it, let’s see,

01:09:33

whatever happens, as they say, now let’s sketch out everything and

01:09:37

see what it generates. there is like

01:09:41

this, I’ll paint over the entire foreground.

01:09:53

Here we created a selection using a

01:09:56

quick mask.

01:09:59

That is, this is not a selection; this is for now the

01:10:02

selection layout, press the Q key or

01:10:05

click here, here we have

01:10:07

a selection

01:10:09

and with the selection tool active,

01:10:12

by the way, it’s also available here.

01:10:15

So wait Now let’s see where

01:10:18

this is available to us. And this is available

01:10:21

on the editing tab generative

01:10:24

fill Yes, here we enter a request in

01:10:28

English

01:10:33

Water reflections,

01:10:42

click generate

01:10:45

and wait wait

01:10:53

wait

01:11:05

oops

01:11:08

As you can see, the

01:11:12

neural network worked quite well, look here and there are ripples in the water, there are

01:11:16

blades of grass floating there

01:11:20

Well and the water became clean, that is,

01:11:22

this very Tina is no longer there, everything seems to be

01:11:26

more presentable, well, as if it

01:11:29

was so, in general, here there are

01:11:33

other options, here

01:11:35

some objects appeared in the foreground, there is

01:11:38

grass here enough Also well

01:11:41

worked out here, cleaner,

01:11:44

well, it’s not very good here, but this

01:11:48

can be improved, that is, this piece can be removed

01:11:49

from here using the delete tool.

01:11:56

As you can see, the neural network is

01:12:00

also capable of recognizing and generating

01:12:02

reflections in water, and this works not

01:12:05

only in water but also on various other

01:12:08

surfaces Well, let's play

01:12:11

a little more

01:12:12

Since this is such a thing,

01:12:17

let's take some kind of photograph

01:12:28

So, well, you need to correct it,

01:12:33

but well, in general, it has already

01:12:34

been corrected.

01:12:41

Let's select some area here,

01:12:55

try to add some kind of boat,

01:13:08

let's see if it works we're

01:13:17

waiting,

01:13:25

look, it's quite good,

01:13:32

that is, and in contrast, everything is suitable in terms of

01:13:36

lighting, everything is wonderful, there

01:13:39

are several options, for some reason there are

01:13:42

two different ships here,

01:13:46

maybe. Let's try to do it like this.

01:13:52

In general, as they say, you can

01:13:55

come up with anything yourself,

01:13:59

but these queries need to be entered

01:14:02

in English,

01:14:09

let's wait

01:14:22

Well, for some reason there are two again Here's

01:14:25

one,

01:14:29

but here it

01:14:30

turned out a little wrong because here we

01:14:33

should already have an aerial

01:14:36

perspective, that is, this is how

01:14:39

the image should look now I'll attach an

01:14:42

adjustment layer because that As

01:14:45

you can see, we have a haze here,

01:14:47

that is, like this it will be more

01:14:50

believable,

01:14:57

that is, with just such a correction.

01:15:00

Well, since here we have a piece of the background still

01:15:03

captured, naturally there the correction

01:15:05

took place, we need to limit it more precisely using the mask here.

01:15:10

Well, and so to speak, this an interesting

01:15:13

example

01:15:15

is a joke

01:15:17

Although Soon it may become not a joke let's

01:15:24

make a copy, select the eye area like this

01:15:30

roughly using the lasso tool

01:15:35

here on the ear

01:15:45

generative fill

01:15:47

sunglasses

01:15:58

let's see what Photoshop gives us

01:16:01

because the last time I

01:16:03

tried to do this the result was terrible

01:16:07

true It was about three weeks ago,

01:16:10

if not more,

01:16:14

well,

01:16:16

if we say by selecting the results, it

01:16:20

was already much better, everything was much worse,

01:16:37

let's correct the query a little,

01:16:47

let's see what it gives us

01:16:58

no somehow Well, here he realized that there were

01:17:02

some reflections But what exactly should be

01:17:06

reflected in the glasses then there is that there

01:17:08

should be some kind of greenery there, what is there

01:17:11

in the background? The neural network doesn’t understand it yet,

01:17:16

but it is already learning before, the

01:17:19

glasses were generally very crooked,

01:17:22

unfortunately, I don’t think I have any

01:17:24

photos left to show you this, but it

01:17:28

was very funny but here, too, here and there there is

01:17:30

such a thing,

01:17:32

but I want it to happen again, the

01:17:37

neural network is constantly being improved and

01:17:39

is being trained. That is, if you don’t like

01:17:43

the result, you can

01:17:45

put Bad result here,

01:17:50

provide some additional

01:17:52

information, and all this is naturally

01:17:55

analyzed by some kind of machine rather

01:17:58

all by algorithms But not manually This is

01:18:00

for sure because millions of reviews are coming in

01:18:02

and the neural network is being supplemented, the

01:18:06

neural network model is being improved and is being trained Well,

01:18:09

naturally it starts to work

01:18:12

much better

01:18:15

Well, let’s look at

01:18:19

some more neurofilters, how they

01:18:22

work,

01:18:24

that is, there’s also something there We’ve got

01:18:28

quite a bit interesting,

01:18:31

so now I’ll also look for some photo

01:18:38

on so now some kind of tank here we’ll

01:18:42

add another one, let it be like

01:18:49

this

01:18:54

Okay, autumn,

01:19:01

so let’s rasterize the smart object with the right

01:19:04

mouse button,

01:19:08

drag the copy to the top,

01:19:12

select the object,

01:19:24

so let’s go to the selection mask Although

01:19:27

we can do without it The important principle here is

01:19:32

to add a mask,

01:19:34

well, look at how

01:19:37

the model looks inconsistent in color with the background,

01:19:42

that’s when we created the mask. Now we

01:19:45

can make the layer active, go to the

01:19:47

filter menu and select the

01:19:51

neurol filters section here, neural filters,

01:19:58

and here we have such a filter

01:20:01

approvals

01:20:04

and it needs to be

01:20:06

downloaded Let's download it,

01:20:12

in principle, the Internet is fast Everything should

01:20:15

work out

01:20:20

because in beta they need to be

01:20:22

downloaded again, I didn’t show this in beta,

01:20:26

that is, when I was preparing, I didn’t do this in everyday life,

01:20:31

so select a layer, you

01:20:43

need to select a layer here Yes, with this

01:20:46

layer we will coordinate Here

01:20:49

the processing is underway Well, look,

01:20:52

Photoshop has adjusted the color of this layer with the

01:20:58

model to the background color. That is, now it

01:21:02

looks more harmonious, you can

01:21:04

adjust the intensity of the effect here, that is,

01:21:07

more less, so it

01:21:12

seems to me that it will be pretty good

01:21:15

Well, on the new one layer, we can apply all this, we

01:21:20

can use it on a new one, we can use it on the current one

01:21:22

as a Smart filter.

01:21:27

Well,

01:21:29

as you can see, the selection here has also improved a little,

01:21:32

as it seems to me,

01:21:35

that is, this is a layer like this filter, it

01:21:38

will allow you to better fit, say, some

01:21:41

objects when collaging into a new one

01:21:44

environment into a new background and quite

01:21:47

well in general, it all happens like this.

01:21:52

Well, let’s also look at

01:21:57

one of the neurofilters that has

01:22:01

practical application about the filters

01:22:04

that

01:22:06

retouch the skin and everything else, I do

01:22:08

n’t even want to talk about it, nothing

01:22:10

has changed, it’s still

01:22:12

being retouched only the face and body

01:22:14

are ignored, so

01:22:20

they don’t have any particular practical value for retouching. So

01:22:22

now I’ll upload another photo like this.

01:22:26

Well, let’s restart Photoshop

01:22:29

so that I do

01:22:32

n’t have to make unnecessary moves to

01:22:35

download filters, that is, close it and

01:22:38

launch another version

01:22:42

24 5

01:22:47

Here it starts.

01:22:59

So now I’ll take the picture I’ll drag

01:23:09

the photo here Let’s

01:23:13

reduce its size a little so that the

01:23:16

neurofilter doesn’t work for a long time, and I’ll set the bit depth to 8

01:23:21

bits. Of course, it’s

01:23:24

better to scan photographs like this with the

01:23:26

maximum color depth that the

01:23:28

scanner allows, in this case 16 bits

01:23:32

per channel. Well, with a good resolution

01:23:34

so that you can was to restore, but here

01:23:37

the principle is also important to us, basically, let’s

01:23:40

reduce the size

01:23:43

So let’s put one and a half thousand

01:23:48

Well, so that it’s not too small so

01:23:51

that at least something is visible

01:23:55

photo 19 in my opinion, the beginning of the 20th century before the

01:24:00

beginning of the 20th century,

01:24:05

many could see it on the stream Andrei

01:24:09

Zhuravlev I gave him a photo,

01:24:12

so click the neurofilters filter

01:24:22

and select recovery,

01:24:27

let's see what Photoshop can do

01:24:32

here, there is also such a

01:24:35

subsection like this

01:24:39

Well, what can I say, let's

01:24:43

say this to ourselves Let's move

01:24:46

the sliders no, it won't work,

01:24:52

it's better to raise the contrast

01:24:55

manually,

01:24:58

but to improve face by the way Let's

01:25:00

see what he's doing to us here

01:25:03

Well, in general,

01:25:06

we can say that it's not even a bad idea to

01:25:09

abuse it, because

01:25:12

because the face separately, when it is

01:25:17

improved like this, it will

01:25:19

look rather unnatural against the background of the

01:25:23

rest of the picture if everything else were

01:25:27

improved It would excellent Well, let's see

01:25:30

how the scratches are removed

01:25:37

But even in such a small size

01:25:40

it takes quite a long time

01:25:51

Well, that's also quite good,

01:25:55

a little more is possible

01:26:06

In my opinion, the filter began to work better

01:26:08

than it did before because before it

01:26:12

did some crazy things there

01:26:14

so

01:26:16

Well, what else is here, it’s

01:26:20

best not to touch these engines,

01:26:23

that is, there is no color noise here. There

01:26:26

is no noise as such, there is no noise here either

01:26:30

because this is a scan from a photograph

01:26:33

on a film photograph, there can be no noise, let’s

01:26:38

see the removal of halftone defects,

01:26:42

so no, it’s kind of lost here

01:26:46

We

01:26:47

don’t have much of a contrast. I like all of this, it’s

01:26:50

quite possible to leave it like that

01:26:53

naturally, but the filter couldn’t cope with such spots. And I

01:26:58

don’t think that it will cope, anyway, it’s

01:27:02

still rather weak for

01:27:04

practical use. The only thing is that

01:27:07

it works well here,

01:27:09

facial restoration

01:27:16

Well, naturally we apply

01:27:19

here

01:27:21

with the help of curves,

01:27:26

the rest seems to be completed,

01:27:30

at least this way it’s

01:27:32

already better than what Photoshop offered us,

01:27:35

in any case, I can at

01:27:38

least make the face lighter,

01:27:43

but here we also raise the contrast,

01:27:48

and accordingly,

01:27:50

we’ll have to do all these spots like I already said

01:27:52

to clean by hand and some blots,

01:27:55

these stains appeared

01:27:58

over time because a

01:28:04

solution of sodium thiosulfate was used to fix the image

01:28:09

and over time, sulfate is a

01:28:12

sulfur compound, even if you rinse it well, but

01:28:15

still there is something left on the paper, then

01:28:18

the emulsion begins like this turn yellow

01:28:21

You can, of course,

01:28:23

somehow process this photo

01:28:25

in a solution, but I just don’t

01:28:29

risk it because it’s an archival

01:28:31

family photo. Well, in general, this is how

01:28:35

neurofilters work, which

01:28:37

can actually be used in practice. As you can see, there are

01:28:41

n’t that many of them.

01:28:48

Well, let’s close this photo

01:28:53

and Once again I remind you that today, that

01:28:58

is, from the evening of July 11, my online school is

01:29:03

having a sale in honor of

01:29:06

Photographer’s Day, it will last until July 14

01:29:10

inclusive and the discount on all courses is

01:29:13

50 percent using the promotional code photo,

01:29:18

that is, enter the promotional code and the price

01:29:21

is recalculated

01:29:23

for an example, now I’ll show you how it

01:29:25

works, using the example of a Photoshop course

01:29:29

for a photographer, a course for beginners, this is the

01:29:32

course at the moment, I have the newest ones at the

01:29:35

end of 22 years, this is a course on the very basics of

01:29:40

working in Photoshop, click the button buy

01:29:43

the course,

01:29:46

here we have

01:29:49

two methods:

01:29:51

bank card payment immediately and

01:29:53

bank card payment in installments

01:29:56

enter the promotional code

01:30:01

click apply

01:30:04

here the price has been recalculated for installments

01:30:07

this promotional code does not work but here it is

01:30:09

anyway 50 percent discount and the

01:30:12

total amount is 2600 rubles I don’t think it’s

01:30:15

worth dividing it into two parts this is

01:30:19

how the promotional code works there is then

01:30:22

click on the way to proceed to payment and after

01:30:27

payment you will be immediately redirected to the

01:30:30

course page, that is, there is no need to

01:30:34

close the window ahead of time, some people

01:30:36

do this, then they write and ask Where do

01:30:39

I have access to the course I need to wait for

01:30:41

redirection after payment then everything

01:30:44

will be fine and a link of course

01:30:45

save bookmarks like this, well, here

01:30:51

I have many courses on various

01:30:53

aspects of photography. That is, it is both

01:30:56

processing and shooting. Well, I

01:31:00

have repeated more than once that I consider shooting primary and

01:31:04

processing secondary, that is, you need to be able to

01:31:07

shoot good sources in order to

01:31:10

then refine them Well there is such

01:31:13

a gradation, yes, if a photograph

01:31:16

is divided into 5 points. Well, I mean, in terms of the

01:31:20

quality of the source, you can go up by

01:31:23

a maximum of 2 points. That is, if

01:31:27

a photo is, say, a C, you can

01:31:30

make it a C, in order to get a A, you

01:31:33

need to try very hard, only a

01:31:36

few can do it. If the photo

01:31:39

was taken one or higher than three and there is

01:31:43

no way to do it anymore.

01:31:45

So, first of all, learn to take good

01:31:49

photographs for this. There are also

01:31:52

plenty of courses on both studio

01:31:56

photography and shooting with compact

01:31:58

flashes and even in an ordinary apartment and with

01:32:03

light from the window. Well, naturally I

01:32:06

’m showing various processing techniques,

01:32:10

revealing various technologies for working in

01:32:13

Photoshop. That is, this includes working with masks

01:32:16

and HDR technology for working with channels,

01:32:20

in short, everything that helps you master working in

01:32:25

Photoshop, make it faster, better

01:32:28

and more efficiently. Well, the cost of

01:32:31

all master classes is

01:32:33

listed here without a discount. there is when you

01:32:36

enter a promotional code, the price will be immediately

01:32:39

recalculated so the cost is very

01:32:42

budgetary and humane If compared

01:32:45

with other online schools

01:32:48

on this I have everything on the content today

01:32:52

That is, I will wait a few minutes while

01:32:55

you ask me any questions if you

01:32:58

have them you will ask

01:33:01

So if anyone has any

01:33:03

questions, please write in the chat on the

01:33:06

YouTube channel, that is, there I will

01:33:08

answer them at the school itself. You don’t

01:33:11

need to write because you don’t want to

01:33:14

jump back and forth and so I expect some from you

01:33:17

questions

01:33:34

So, let's look in the chat

01:33:38

questions something I saw here Let's

01:33:41

answer

01:33:42

like this Pyaterochki Pyaterochki Pyaterochki

01:33:48

Hello hello So probably This was below before

01:33:53

so now I'll drag it here

01:34:03

So what version of Photoshop are we considering

01:34:07

well

01:34:08

20 23 24 5 if by continuous numbering

01:34:14

we mean

01:34:15

and

01:34:17

version Beta 24/7

01:34:24

so the

01:34:27

question is why do you create an empty layer and

01:34:31

not a copy of the layer when you show deletion

01:34:33

but the fact is that this tool

01:34:35

has the ability to work on an empty layer I have

01:34:38

a habit It’s just like that when retouching I

01:34:42

always try if the tool

01:34:44

supports working on an empty one layer

01:34:46

to work on an empty layer That is, if it

01:34:49

takes a sample from all layers, why

01:34:51

not use it? That’s

01:34:53

just why

01:34:58

the question is. In this case, the background

01:35:01

is simple; the main thing is that there is the ability to

01:35:02

edit the selection, add a

01:35:05

selection, or vice versa, probably the

01:35:08

object selection tool is meant. Yes,

01:35:12

there is the ability to add and

01:35:14

exclude selections Let's try, there

01:35:27

is a command object selection object

01:35:34

So there is an opportunity

01:35:37

to add selections here That is, if

01:35:41

you take a tool, in

01:35:43

principle, any selection tool

01:35:45

can be taken, but let's take the same

01:35:48

object selection tool

01:35:49

and here we have an area that is not selected,

01:35:53

here you can set the tool lasso,

01:35:56

hold down the Shift key,

01:35:59

circle this area,

01:36:01

we'll see how our

01:36:04

artificial intelligence copes.

01:36:10

Well, as you can see, it copes, to put it mildly,

01:36:13

not very well, because here it is

01:36:15

partially blocked by leaves, it still does not know how to

01:36:18

determine that this is also

01:36:20

part of the model’s hand, so

01:36:23

you can add it manually that is, for example, using the

01:36:26

lasso tool or translating this selection

01:36:29

Well, as a lasso, do the same thing,

01:36:32

hold down Shift

01:36:33

And just like that,

01:36:36

we roughly show something clumsily,

01:36:39

or as I showed in the quick

01:36:42

mask mode, you can modify the selection,

01:36:44

just take a brush

01:36:49

and cover it up Since intelligence As

01:36:54

they say IQ Artificial intelligence is a little

01:36:56

low Therefore, you have to

01:36:58

supplement it with your human ones like this, so

01:37:03

what do we have further on the questions? So

01:37:07

where did my chat go? The

01:37:12

camera selection can be displayed on a separate layer

01:37:16

in an explicit form. But I talked about this

01:37:20

in my master class,

01:37:23

which can now be bought at a discount,

01:37:26

working with masks in Adobe Photoshop, there I

01:37:29

just told you how

01:37:32

this selection, that is, not a selection, but a

01:37:36

mask from the camera, can be displayed in

01:37:38

Photoshop, that is, there was such a thing

01:37:42

here, of course I

01:37:45

won’t tell you about this for obvious reasons.

01:37:49

So where

01:37:53

will the chat be recording Hello, there will be a recording of the

01:37:55

stream, the recording will be available for those who

01:37:59

have registered for this Stream in the online

01:38:02

school, for 514 people who

01:38:06

have registered, it will be available

01:38:08

for the rest, no,

01:38:12

that is, it will be available, it will naturally be

01:38:14

free for them,

01:38:16

so

01:38:18

let's move on. That

01:38:21

is, if you have not

01:38:23

registered yet, better this is to make

01:38:24

letters I sent to everyone like this That

01:38:31

is, masks are created Not on layers

01:38:34

but on the original image this is apparently

01:38:36

again about the camera question Yes this is exactly the same

01:38:46

question a new course on Photoshop for

01:38:49

photographers are you preparing yes

01:38:52

Course in the process but so far there is

01:38:56

not much time to work on working with it, that

01:38:59

is, many other things are also distracting,

01:39:02

but little by little the process goes

01:39:08

like this Requirements for hardware, video card,

01:39:11

memory,

01:39:13

if you mean Photoshop, then all this

01:39:16

is on the Adobe website Requirements for hardware, video

01:39:20

card and memory,

01:39:23

but I have to tell you these minimum requirements, I’ll

01:39:28

say the more modern and productive the hardware is

01:39:31

better let’s say my computer

01:39:34

This one, which I bought in the

01:39:38

spring of nineteen,

01:39:41

i9900 processor, 32 gigabytes of memory,

01:39:47

NVIDIA 2070 video card, sometimes the graphics processor

01:39:54

writes that it does not have enough memory when

01:39:56

working with masks in the camera, and so on,

01:39:59

especially when broadcasting is turned on at the same time.

01:40:02

That is, even this kind of hardware

01:40:06

but alas, it’s already starting to become outdated, maybe it will last

01:40:10

me another year or two, and

01:40:13

then I’ll have to shell out a

01:40:15

certain amount again, that is, completely buy a

01:40:19

new system unit with all new

01:40:22

components, the requirements are high, I can

01:40:24

tell you

01:40:27

how much a master class on

01:40:30

shooting a photo studio will cost in person with a mentor, that

01:40:32

is, with you,

01:40:33

so the question you can write to me personally,

01:40:36

that is, I don’t

01:40:39

want to publicly voice such information here for

01:40:42

obvious reasons.

01:40:45

That is, this is discussed

01:40:47

in personal messages in personal communication

01:40:52

and depends on many factors, that is, the

01:40:56

availability of a model makeup artist, studio rental

01:41:00

or some kind or another location Well, and

01:41:03

of course, time too,

01:41:05

so write if you are interested,

01:41:10

we will discuss it and come to an agreement

01:41:14

on this, in general, I

01:41:18

still want to congratulate you on

01:41:20

Photographer’s Day and wish you to always find

01:41:24

interesting angles

01:41:26

to photograph bright frames so that your

01:41:30

work is a

01:41:31

real work of art and I also

01:41:35

want to wish that

01:41:37

only the most beautiful and the

01:41:41

best are captured in the photo. And in life, let everything be even

01:41:44

cooler than your photos on this

01:41:48

positive optimistic note. I want to

01:41:50

finish our master class tomorrow. I will

01:41:53

send everyone a letter with a link to

01:41:57

sign up for registration.

01:42:00

I haven’t had time yet. Well, I remind you once again about

01:42:03

the sale, here is its page and I

01:42:07

added a link to the broadcast page. Where you will

01:42:12

soon

01:42:14

be able to watch the recording when YouTube is working.

01:42:18

Thank you all very much for your

01:42:21

participation. It was also a pleasure

01:42:23

to talk with you. Tell you what something new

01:42:26

I hope you learned something useful for yourself Well, bye

01:42:29

everyone See you again

Description:

✅На этом мастер-классе вас ждут: – Обзор новых функций и возможностей программы в контексте обработки фотографий; – Практические практические приемы работы с новыми инструментами; – Возможность задать вопросы и получить обратную связь. Дата проведения: 11 июля 2023 г., 19:00 МСК. ✅Ссылка на мой сайт https://eugenekartashov.com/ ✅Группа Вконтакте с эксклюзивными материалами. https://vk.com/club211948646 ✅Моя онлайн-школа https://kartashov.zenclass.ru/school/courses 💰Ссылки для поддержки выпуска новых видеоуроков https://www.donationalerts.com/r/eugenekartashov https://boosty.to/kartashov/single-payment/donation/112313?share=target_link 📽Мой Youtube-канал https://www.youtube.com/channel/UCfysbeqIGML4BwmUdD_ro6A ✅Мой Телеграм-канал https://t.me/+OlHg_M8fC3lmYTky

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