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Next video: Мой ТОП 20 полезных настроек Blender • Настройки блендера

0:00

Вступление

1:24

SUBSTANCE PAINTER больше не нужен

1:46

что может Fluent Materializer

14:00

тело , реки, ноги

18:20

аддон OCD дефекты

21:26

ставим в позу робота

24:30

ставим камеру, делаем окружение

27:12

варианты окружения и поз

Мой ТОП 20 полезных настроек Blender • Настройки блендера

Мой ТОП 20 полезных настроек Blender • Настройки блендера

Channel: Артидокс

blender

blender уроки

blender tutorial

blender 3d

blender уроки на русском

blender уроки для начинающих

blender быстрый старт

blender для начинающих

фишки блендер

фотореализм в блендер

урок блендер

блендер

компьютерная графика

blender для новичков

моделирование

blender 3 tutorials

blender beginner tutorial

steampunk

3d

render

пасха

Fluent Materializer

fluent materializer blender add-on

00:00:06

[music]

00:00:09

hello everyone, I’m the mind of the Russian Federation Igor, I’m a photographer,

00:00:13

I’m interested in 3D modeling, in particular

00:00:16

in blender, and in a recent video I

00:00:19

told you that

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I regretted that I didn’t study my own using enter for a long time,

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if you haven’t seen this video,

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watch it, I told you that this program is

00:00:31

not very good complex and has proven that it can be

00:00:34

understood in 10 minutes, the actual

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pointer program I really like it is simple and

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convenient and you can achieve

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fantastic results in this

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program it is quite easy to get

00:00:47

chips on the edges of dust in depressions dirt on the

00:00:51

surface of

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the roughness various chips of paint that is,

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we can

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Our model is textured quite realistically, in principle, the

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model turned out quite good and the texture

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completely suits me, but wait a

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minute, this is not our own pointer, this is a

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blender, that is, all the textures and all the

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defects that you see in this

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picture were made directly in the blender,

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goodbye, our own pointer, now we

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can do everything done in the blender itself, you don’t need

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tedious ones in the scan, you don’t need

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to transfer files here and there and

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convert them to your b&g,

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you can do everything right in the blender,

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so no need, alas, scan, we can do

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without it now we can do

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as much as we want and layers of paint on paint

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inscriptions on inscriptions we can make

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edge defects we can make any chips and

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scratches

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we can make water droplets dirt and dust

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we can make materials based on

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fabric textures we can make materials

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based on patterns we can make

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materials based on a bunch of normals of various

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materials and bake everything in one

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click

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[ music]

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all this is one very cool Adolf tape

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material of the lakes and, in principle, now I can

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only get by with it and not use the

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kingdom of panthers in the next videos we

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will make such a robot and make its

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materials we will apply the main material we

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will apply paint to the heads we will make defects in the

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edges we will make chips scratches

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we will make a worn inscription that will

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be under the paint we will make dust and

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dirt

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to make the texture of darkness more interesting for the

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model of such a robot that found a

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living flower in its mechanical world and

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in order to get material

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for example its head we will

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use

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490 nodes

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monks

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tails nodes firmly but we are not used to

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retreating; our subsequent videos will help us to split it;

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in fact, as

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I already said, this is an outstanding addon that is

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good, first of all, because it is very

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well thought out, despite the fact that it

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uses almost the entire

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potential of the blender; we do not need to study it directly,

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that is, it everything is

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done so wisely and correctly

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structured that we just need to

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understand how this wonderful

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addon works after we, as well as the

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actual intercom, understand the principle of

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operation of this addon, working with it

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will become very easy and simple and we will be able to

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receive any blend materials

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this addon is good not only because it

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creates the correct structure for

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creating our materials, but also

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has a huge procedural

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library of different textures, and that is,

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we no longer need to have a supply of our own

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textures in order to make scratches

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in order to make dirt, dust and

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defects, for example, when raw wear everything these

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are the libraries, all of these, almost all of

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these

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textures are procedural, with the exception of,

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say, the

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fabric tarns, everything else we get is

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almost seamless procedural and

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has endless variations, and we

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continue to

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make our robot, we will make a robot

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to create a scene, then

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this robot behind the texture ruim we do

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this for our own pleasure, I’ll say right away

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that I’m not teaching games, not

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modeling, in the sense for future

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employment,

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this is my hobby, I’m telling you what I

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study myself and what I’m interested in. In

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this case, I was just interested in

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creating some simple model in order to use

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it based on the

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knowledge that I received

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while studying the

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lake material addon, the

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robot is quite simple and

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I will attach drawings to it, as usual, we

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create a virtual camera from the drawings, that

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is, we place the drawings and

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we use a cube

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to align these drawings to scale and

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size to scale in size and

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location so that it is easy to model using them; in more

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detail, I talked about how to

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set up drawings

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when we made fat, that is, there you can

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see in the first video how this is all

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done in detail, what and why here I

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do a little accelerated, I believe that

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you have already are familiar with the

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basics of modeling in blender and

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so what we do is we created a cylinder,

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adjusted it according to the drawing and with the help of

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after we made the scale with the help of

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fluently we smoothed the upper part to

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get the

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semicircular helmet of our robot,

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then we make the

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upper part of his head from which it

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will be narrower further appearing as an antenna,

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I do all this from separate parts and

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we make sure to make a scale and we will definitely

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make it so that there are

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slightly beveled edges,

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this is our third part, we

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definitely make a scale, we make sure

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we make 6 moves and

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set 30 degrees in normal ones

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we make it happen we

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make the lower part

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so that it was recessed a little

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inward

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so that it wouldn’t look completely flat.

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Now we’ll make the antenna of our robot,

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all from the same cylinder. We don’t need to make

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a lot of faces; we’ll make the

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minimum number of them;

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we’ll scale them along the z axis so that the height of

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our antenna is

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set according to the drawing. The extrudes together with the

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button c gives us the ability to make an

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extension at the end of the extrud is a repeated

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extrusion and with the help of with we reduce it

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at the tip,

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look at how it looks, it’s a little

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curved, to bend it we need to

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add ribs and with the help of

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proportional editing we

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bend our antenna, remember that when

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you use proportional

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editing you need rotate the wheel

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until you see the size of the

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brush, if you don’t see it, it’s quite

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possible to go into detail completely,

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so rotate until you

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see the size of the brush used, and so the

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next step is to create the

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jaw of our robot, for this we

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create an additional

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magnifying glass and select the

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polygons which will be responsible for the

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jaw

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selected according to the drawing,

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make a copy of them shift d press p

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divide selected by selection and then

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we get a separate object we

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extrude along the normals and

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get our jaws make an

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extrusion of the

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outer edges up a little,

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move it a little so that this mechanism does

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not move through wider and further

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enlarging the servants themselves a little so that

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they do not stick to the head,

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make a scale, select the drags at the top and

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make them more

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rounded by

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rounding the

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upper part of the jaw, I see that I have a

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defect here because I

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caught an

00:10:02

extra edge, I go back and do it again

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scavolini of the upper part of the body, select

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all

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the edges and do it on them also happened so that

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they do not look flat, it is

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necessary to do it so that it all

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looks flat so that it looks

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normal when rendering,

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some glare is reflected on these edges,

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light is reflected on these edges in a tricky way

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information of movement occurs around the

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Arizona point, so we need to

00:10:38

move it so that our jaw can

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rotate around the point we need, that

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is, we move it and now our jaw

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can move up and down like this,

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let’s transform the jaw

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so that it is a little larger than the head,

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move it forward with using

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proportional transformation, but

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it’s already a taste,

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so to speak, you do it so that you

00:11:03

like it at the same time, when we move

00:11:07

the jaw, it doesn’t touch the head, in

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principle, it looks quite

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natural, we

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make it according to the drawing, bake it a little,

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that is,

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we push the lower part forward proportionally next in line

00:11:21

we have the eyes of our robot, we make them simply

00:11:23

from a cylinder, we make the

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cylinder smaller, we rotate the passions,

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we move it forward so that everything is according to the

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drawing,

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we move forward,

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we make additional loops and

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we reduce the main part of the body of our

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eyes so that

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they look like the drawing,

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we transform our eyes

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along the z axis so that they were

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a little elongated, we make

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a recess inside for the lens and

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we get these eyes on our

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robot, you

00:12:18

can make it a little

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smaller next to it, no, we still

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need to return it back so that it is recessed

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into the body and then we do shift d

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duplicate our eye, I don’t do this

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through peace because then I will wear

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defects and I need my eyes to be

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different. Now we make a lens

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for our eye from a sphere and simply adjust it to

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size and

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flatten it along the y axis,

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put it in place,

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set it so that it is

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slightly behind the recess so that it looks as

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if

00:13:01

it is limited by some ring in the eye

00:13:05

of our robot, we make a duplicate and

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put the lens on the second eye,

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we set a new sphere to simulate the hinges

00:13:14

on which our jaw will rotate, we

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reduce it to the size according to the drawing,

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we set it according to the location according to the drawing

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and we make a world so that it is reflected on the

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second part of the robot, here we can

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use a mirror since

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we will not see both of these spheres at the same time, in

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order to make it more convenient to manipulate

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the heads, we will select all the details of the head,

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select the

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central part of the head at the same time and

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assign it a parent element, this

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way we can change each element of

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our head At the same time, by moving the

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central part, we can move and

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rotate the head completely with all

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the details located on it,

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we make

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the body of our robot more strict with a cylinder,

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we reduce the cylinder to the size of the skirt, we make

00:14:08

incest, we do

00:14:10

extrude again and set again, tweezers and

00:14:16

applying a scale, we use used for

00:14:19

rounding the torso at the top, don’t forget

00:14:23

to make a shader and

00:14:25

auto

00:14:26

smooth,

00:14:30

then we make the legs just cylinders, the

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robot model is very simple, that is, I did

00:14:38

n’t make it complicated on purpose, we

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need it in order to build a

00:14:44

beautiful composition and make a beautiful

00:14:48

render,

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we make it as simple as possible in order

00:14:53

not to waste it takes a lot of time to

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create the model,

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we make the legs and make their knees,

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then we make the feet of our robot,

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this is an ordinary rectangle that we

00:15:08

reduce in size for

00:15:11

all these parts, we make a scale except for the

00:15:15

legs themselves, which are hidden by the knees and

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socks, and

00:15:19

we make sure that all the parts have a

00:15:23

bubble bubble you can do it through the modifier

00:15:26

as it suits you, you can do it simply

00:15:29

through control by

00:15:32

to

00:15:34

make it non-replaceable using

00:15:39

spheres we make a hinge on which

00:15:42

our legs will rotate and

00:15:45

then we make a shoulder

00:15:47

pad like this, the shoulder of our

00:15:51

robot we make a sphere we delete unnecessary

00:15:55

polygons

00:15:57

we make an inc extrude

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we press

00:16:06

part of this sphere inside and we get these

00:16:10

shoulder pads that our robot has,

00:16:14

we create spheres, we insert them, it

00:16:17

imitates the hinge on which the

00:16:20

robot’s arms will rotate, we make the robot’s arms ourselves

00:16:25

from cylinders,

00:16:28

the only thing that these arms have is

00:16:32

I move the point in

00:16:35

paris to the places

00:16:38

where it is the hand will rotate, that is,

00:16:41

watch the video about the mode again, this is a

00:16:44

very convenient tool that

00:16:46

speeds up the work

00:16:48

if used correctly, that is, it

00:16:51

speeds up the modeling quite a lot,

00:16:55

then we make the palm of our robot, the

00:16:59

palm itself will be made of a

00:17:04

rectangle

00:17:06

from a cylinder, we make the transition between

00:17:09

the hand and the palm

00:17:11

again, we are all with gel and

00:17:15

smooth everything through the

00:17:18

rectangle, we make fingers at these

00:17:21

fingers, we also move the Arizona point so that

00:17:23

later it will be convenient to

00:17:26

put our robot in a pose and

00:17:30

make the fingers

00:17:34

in the position we need, that is, it will be

00:17:38

convenient to do this if the mode is

00:17:40

on the ends of these fingers and

00:17:44

so we got a

00:17:46

robot's hand,

00:17:48

as in the case of the head, we select the entire

00:17:51

palm, all the fingers, then we select the palm

00:17:54

and make it the parent one. Now we can

00:17:57

move the palm and

00:17:58

together with the fingers we

00:18:01

make a duplicate of it, transfer it to the reverse

00:18:04

curtain, they do it with with the help of the world

00:18:06

because they will stand

00:18:09

differently and

00:18:10

easier for us and just do it all through

00:18:13

shift d

00:18:16

we got the model of our robot and

00:18:19

move on with the

00:18:23

next step I installed this

00:18:25

addon all addons can be found

00:18:29

imaginable imaginable in the group in contacts

00:18:32

bays blender 100 go to this

00:18:35

group, look for the addon you need, download

00:18:37

this addon,

00:18:40

it does destruction along the edges on mice, I

00:18:46

thought that

00:18:47

why not use it on my

00:18:49

robot, maybe it’s not

00:18:52

entirely appropriate to use it, but I’m interested in

00:18:55

trying it, so I decided to try

00:18:57

this particular addon,

00:19:02

so we We pour in the addon and start

00:19:04

using it. To begin with, I used it on the

00:19:06

robot body. The

00:19:08

tool for this

00:19:10

addon is very simple, that is, it is scale and

00:19:13

mount, that is, the value of the scale and mount of

00:19:17

force, the application of the effect, the scale needs to be

00:19:21

selected, that is, it happens that you

00:19:25

need to select it quite accurately or 12 trillion

00:19:27

changes, I use the addon and everything

00:19:30

disappears for me, I return it back because

00:19:32

I didn’t make a skill

00:19:34

on the

00:19:36

body of our robot, that is, the

00:19:39

skeleton definitely needs all the details and this is another

00:19:41

plus for the fact that all the details of the project

00:19:46

need to be cut off, the modifier can either be

00:19:49

canceled or applied after applying

00:19:51

modifiers describes the extension in

00:19:54

the name of the mouse to which it is applied and

00:19:57

adds its own modifier

00:20:00

modifiers that have weight threshold adjustments

00:20:08

after applying modifiers

00:20:10

if you look at the material we see

00:20:14

that

00:20:15

we get 2 materials, one material is the

00:20:18

main one, this is the model

00:20:22

material of the part and the second material is the

00:20:25

material of defects that introduce this

00:20:29

addon

00:20:30

will show its work on the foot, here

00:20:34

I had to select the necessary scale for quite a long time

00:20:40

to

00:20:42

get the result that I

00:20:44

wanted after I picked it up with the

00:20:48

help of the mount, I

00:20:49

reduced the force of influence and got this

00:20:52

defect that I wanted precisely because

00:20:55

I

00:20:56

I used this addon and did not use

00:21:00

a mirror on the

00:21:02

feet on the legs and arms because there

00:21:05

must be different defects and just a

00:21:08

duplicate made my work much easier.

00:21:11

Make all the

00:21:14

parts with such defects and get them from the

00:21:17

robot who

00:21:19

received these defects as a result of a long

00:21:22

mechanical life.

00:21:26

Now let’s install ours. robot in the

00:21:28

pose we need, for this we specially made the

00:21:31

parents' palms and head, that is, we

00:21:35

are the main parts of the body that

00:21:37

will be quite difficult to position,

00:21:40

so

00:21:41

we put our palms in the place where

00:21:44

we need to

00:21:46

put our head as if he were

00:21:49

looking at his palm and

00:21:53

moving Using the phalanges of the fingers

00:21:56

we give

00:21:59

the hand the desired shape,

00:22:02

we make it look as

00:22:05

if he is holding something

00:22:06

in his palms,

00:22:09

for this we set the mode to the end of

00:22:13

our rectangles, thanks to this,

00:22:15

turning the finger is quite easy and

00:22:19

we get the

00:22:21

desired pose of

00:22:24

our robot,

00:22:28

of course, by and large, we need to

00:22:30

use regina that is, you need to take

00:22:33

the bones, but

00:22:35

for our case it’s easiest to do it

00:22:39

this way,

00:22:41

then you adjust the arm yourself, adjust the

00:22:45

elbow,

00:22:47

adjust the forearm, increase it

00:22:50

as you need to turn it to the desired

00:22:52

side and achieve you and the poses that

00:22:55

would suit you, the same can be

00:22:57

done with the legs with the whole body that is,

00:23:01

you can change the tilt of the torso a little,

00:23:03

spread your legs a little and

00:23:06

get

00:23:08

the pose that was in the original in ward

00:23:16

sources that we used,

00:23:29

we forgot to make a robot overlay on the

00:23:31

chest, for this we make two loops,

00:23:33

select the edges we need that will be

00:23:36

the overlay, make a control-d copy and

00:23:41

separate selection

00:23:43

go to object mode, select the

00:23:46

edges selected on us,

00:23:49

do extrude,

00:23:51

then do a scale and select all the edges,

00:23:56

we make

00:24:01

rivets, we would have rivets that

00:24:05

move the jaw, but when we move them

00:24:08

to the pad on the chest, it turns out that we have them

00:24:13

as children of the head to

00:24:15

get rid of from the parent we press alt and on

00:24:20

these buttons and so I got a pose

00:24:23

that is more or less not satisfactory and

00:24:25

now we will build a scene for

00:24:27

this we will create a camera and

00:24:30

arrange our collections a little I

00:24:33

place the robot in one collection in another

00:24:37

collection I place lighting in our camera

00:24:39

and

00:24:41

our

00:24:44

source codes, according to which the drawings from which

00:24:46

we made our robot, I hide them and

00:24:49

then begin to expose

00:24:52

our scene using the camera,

00:24:55

we make the

00:24:57

robot as

00:25:00

in referring seven and then we proceed to

00:25:05

modeling the environment, the environment

00:25:07

will be just boxes with

00:25:10

extruded edges that will

00:25:13

represent

00:25:15

certain nicknames improvised wells we

00:25:19

do all this in accordance with

00:25:21

the reference, we first make the floor and then

00:25:25

we make a similar wall, it’s

00:25:28

all very simple, we

00:25:31

take a cube, turn it on the z axis, then

00:25:35

we split it and

00:25:38

select small squares, the game is not used

00:25:43

to squeeze out the necessary ones using x labor

00:25:46

for us wells, you can squeeze them out

00:25:48

arbitrarily as you want, you can look

00:25:51

at the

00:25:52

reference that I made and make them

00:25:55

look like this references,

00:25:59

you might want to create

00:26:01

some kind of your own environment that is not as

00:26:04

gloomy as it turned out for me, it’s not

00:26:07

important, that is, you can do something

00:26:10

else

00:26:12

this will not affect in any way what we will

00:26:16

do in the next video, we will

00:26:18

texture our robot when we

00:26:21

understand the principles of how we textured it

00:26:24

using this addon, that is, we will be able to

00:26:26

texture any environment that

00:26:29

you can imagine and which

00:26:32

you can do yourself and possibly

00:26:36

around this robot There are many variations that

00:26:39

can be made with this robot, there are

00:26:41

many worlds of robots,

00:26:44

that is, I also made

00:26:47

several different versions of

00:26:50

pictures with this robot, if you follow me, I

00:26:54

almost completely made the scene,

00:26:57

which we will texture in the next

00:27:00

video, that is, we make a hatch out of a plane

00:27:04

wells that are on the floor and a

00:27:07

grate that is on the wall,

00:27:13

here is another version of a scene with a robot; in general,

00:27:16

on the Internet you can find a lot of art with

00:27:19

robots and use them as a basis, use them

00:27:23

as references for

00:27:26

constructing further scenes, if suddenly

00:27:29

you liked the idea of a fence, then

00:27:31

it is even easier to implement than

00:27:35

gloomy ideas with walls and a floor with hatches,

00:27:40

that is, we just make one piece of wood

00:27:43

which we put vertically and then

00:27:45

copy with small variations,

00:27:48

we make a fence like this with a plank and

00:27:51

also to this fence I applied

00:27:54

a modifier from sd which introduced

00:27:58

various defects

00:28:00

in the form of a background, I just used a plane

00:28:04

on which I applied the sky, and so as not to get dirty,

00:28:07

don’t bother too much, and

00:28:10

I put the same texture on the floor and

00:28:13

the result was this when rendering a

00:28:16

picture,

00:28:18

here everything is quite simple and with this

00:28:22

video we end with the

00:28:23

next video we tightly and let's start

00:28:27

texturing our robot using the

00:28:30

lake material addon, we will study it in detail

00:28:33

and

00:28:34

get high-quality beautiful

00:28:37

textured pictures,

00:28:39

subscribe to my channel,

00:28:42

like it, write your suggestions, comments

00:28:45

in the comments, I see that gradually more

00:28:48

subscribers are being added, this means that they

00:28:50

like my channel, so don’t

00:28:53

miss new ones video be sure

00:28:55

to subscribe if you are not subscribed

00:28:57

put likes this will help

00:28:59

promote the channel and for you I will

00:29:02

release more and more interesting

00:29:05

videos but for now see you in the

00:29:10

next video

Description:

Это первое видео про аддон Fluent Materializer . Второе теория, третье практика. С появлением аддона Fluent Materializer мы сможем обходиться в Blender без SUBSTANCE PAINTER. В этом видео мы узнаем о возможностях Fluent Materializer и смоделируем робота по арту, чтобы полностью затекстурировать его в Blender с помощью Fluent Materializer. Присоединяйтесь - будет весело. https://disk.yandex.ru/d/SECtZzoGLYoVGg чертежи и арты для вдохновления. 00:00 Вступление 1:24 SUBSTANCE PAINTER больше не нужен 1:46 что может Fluent Materializer 4 :48 начинаем моделировать робота - голова 14:00 тело , реки, ноги 18:20 аддон OCD дефекты 21:26 ставим в позу робота 24:30 ставим камеру, делаем окружение 27:12 варианты окружения и поз Связаться со мной https://vk.com/razumovfoto Подпишись на канал, чтобы быть всегда в курсе новых видео ! https://bit.ly/31P1qYg ************************* На печеньки 5536 9141 8185 5697 ****************************** МУЗЫКА ****************************** Rock Guitar Intro 09 by TaigaSoundProd Link: https://filmmusic.io/song/8640-rock-g... License: https://filmmusic.io/standard-license ******************************

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