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Video tags
Subtitles
Russian
00:00:25
the author of a modern monograph on Kazimir00:00:29
Malevich, Ksenia Buksha, gave herself the trouble and00:00:32
went to Google in order to00:00:34
somehow monitor the situation00:00:37
in everyday consciousness with the black square of the00:00:40
famous painting by Kazimir Severinych This is00:00:43
what she writes00:00:46
on the Black Square Request This is nonsense00:00:49
Google gives00:00:51
460 thousand results00:00:54
Black Square is nonsense more than one00:00:56
million00:00:58
another about 150 thousand each for mediocrity00:01:01
and shiz twice as much for well here00:01:05
use a word that I cannot00:01:07
say out loud But there are a lot of00:01:10
results for this word00:01:13
for a masterpiece 171000 is much less00:01:18
but the very first links are a masterpiece or further00:01:22
all the same words as in the first versions of00:01:24
the request Well, that is, a masterpiece Or shizna there00:01:27
or rubbish or nonsense00:01:29
Black square I can do that too again00:01:32
more than a million00:01:34
this is the popular opinion00:01:37
I think that00:01:41
Well, everyone who has ever00:01:43
been interested in painting has at least once in their00:01:47
life participated in this popular dispute00:01:49
And I will also draw like that and what is so special about this black00:01:54
square that people00:01:57
are dancing around it like that I will also draw like that I00:02:00
can do that too Well, what did this Malevich00:02:03
invent00:02:05
and not This program is not yet a hundred thousand00:02:08
transmissions will not help because There are00:02:12
not so many people in the world, as it00:02:15
seems to me, who could00:02:17
really simply and clearly and at the same00:02:19
time, with the accompanying discovery of this discovery,00:02:23
still reveal in depth00:02:25
what the miracle of this Black Square is, I must00:02:29
say that the very moment of its appearance is very00:02:32
curious 1500:02:35
and Malevich paints his Suprematist00:02:39
paintings He just had00:02:42
a Revelation, he created it And he00:02:45
hides it from everyone I told in the previous00:02:47
program how these people were00:02:50
concerned not to steal, but to steal the00:02:53
Black Square As you understand, it’s not so00:02:56
difficult, that is, to go at home, draw00:02:58
about the same thing and say what00:03:01
came to my mind first. But this is the vulgar00:03:04
version, and outside the vulgar version, a whole00:03:06
number of artists at about the same00:03:09
time come to the idea without objects,00:03:11
and here we need to make a small00:03:13
digression in order to generally understand00:03:15
what this is about. we are talking It will be small00:03:18
because we don’t have more time here is00:03:22
non-objective or abstract art00:03:24
Well, let’s name the greatest Kazimir Malevich00:03:28
Kandinsky00:03:30
Pitmandrian Paul glue00:03:35
from each of these names as soon as00:03:38
we are talking about abstract or non-00:03:40
objective art Malevich himself did not00:03:42
really like this definition abstract00:03:44
art, but nevertheless00:03:46
we are talking about a very complex spiritually00:03:50
mystical concept,00:03:52
therefore the very transition from objectivity to00:03:55
non-objectivity is the zone where the00:03:59
deepest mystical00:04:02
quest of these people and not only them is concentrated,00:04:05
and here Malevich draws, he drew00:04:08
about 40 pictures, he will soon exhibit them and00:04:11
by chance how it turns out is00:04:14
unknown Malevich In a panic,00:04:18
Ivan Pune comes into his apartment Ivan Punia, a00:04:22
critic specialist himself, an artist himself, a man00:04:25
who organized a lot of exhibitions00:04:27
and Malevich In a panic, he is unknown because he00:04:30
communicates with everyone and tells everyone00:04:32
about what he saw, which means he has already00:04:36
glanced at wall And despite the fact that00:04:40
Malevich very quickly kicked him00:04:42
out of the house He had already seen something, so00:04:45
Malevich In a panic, he begins to00:04:48
write letters and he writes a letter to Matyushin,00:04:52
this is a famous composer and artist, a00:04:55
man who was looking for a correspondence between00:04:58
sound and color with the fact that he needs00:05:00
to print a brochure, he needs to stake out the00:05:03
discovery because you can’t00:05:05
stake out something like this and everything will go away and he writes a00:05:07
brochure. This is also an important point00:05:09
insofar as the00:05:11
Black Square and all subsequent00:05:14
squares are not just squares. This is not00:05:18
just painting,00:05:21
it’s philosophy, it’s a kind of philosophy00:05:25
expressed in a system of pictorial00:05:27
signs. and this is the very moment in the development of00:05:31
art. When such00:05:34
analytical art arises, it no longer requires just a00:05:36
burst of inspiration, not just a00:05:38
breakthrough, not just an insight, a Revelation, a00:05:42
discovery, but of course Malevich uses all these categories in00:05:46
relation to his own creativity,00:05:47
and it requires an00:05:50
explanation of the work of the mind, the work of00:05:54
philosophical consciousness as00:05:56
therefore, the Black Square is born along00:05:59
with a brochure along with an explanation of what it is;00:06:04
moreover, Malevich himself will00:06:06
tell you that when he painted the Black00:06:08
Square, that’s when it dawned on him because he was00:06:10
going towards this, this is the moment of revelation,00:06:14
that is, the moment when00:06:16
abysses open,00:06:18
secret distributions open, the00:06:21
moment when before the whole time, nothing was00:06:25
clear, but there was a certain path, there was a road, and then00:06:29
it happened. The most important thing is00:06:32
when he paints it, Malevich says that00:06:34
lightning flies out and runs across the canvas00:06:37
and he stands in this ecstatic00:06:40
state of00:06:42
mystical Revelation and every00:06:45
movement of the brush painting a black00:06:48
square gives birth00:06:52
I could have come up with this I could have come up with Of course,00:06:56
but at the same time he expressed a certain00:06:59
significance of the discovery that he00:07:01
made00:07:03
and there was this famous00:07:06
futuristic exhibition 0.10 which the world00:07:09
finally saw the Suprematist00:07:11
compositions of Kazimir Malevich00:07:14
and I must say that again, very much in the spirit of00:07:18
the times, everyone was afraid that someone will00:07:19
steal something like this Len was very afraid that00:07:22
Malevich’s opponent, he generally only00:07:24
when the audience was allowed in, he already dragged in his00:07:27
paintings and hung them up. Well, that is, so that there would00:07:29
not be a second when his friends and00:07:33
opponents could see it00:07:36
open and accordingly borrow and00:07:38
steal. and so on, and as a matter00:07:42
of fact, from this moment00:07:44
Suprematism is born, I will remind you that Suprematism is from the00:07:47
Latin word supremuse, that is,00:07:50
something of the highest excellence,00:07:53
which, in fact,00:07:56
was revealed to both Malevich and those who00:08:00
saw the Black Square as a contemporary, but it00:08:03
seems to me very significant two reviews, one00:08:06
review belongs to To Alexandre Benois and to the00:08:09
outstanding Russian artist the world00:08:12
to the artist the critic to the author of two volumes of00:08:16
memoirs And in the era that we are00:08:20
now talking about, wine came into horror and00:08:22
into a black square00:08:25
And for him, what he saw was this00:08:29
But this is the disappearance of everything,00:08:31
this is simply the disappearance of the world, this is the transfer of the00:08:35
world into a certain statics and the stage of a black00:08:39
square. Yes, let's call this a black00:08:42
square dimension, such a conditionally00:08:44
when everything is canceled when everything has disappeared,00:08:49
love has disappeared and Benoit writes00:08:54
and he is in the red corner in the red corner00:08:57
where icons were hung and he hung a Black Square in the red corner,00:09:03
that is, for Benoit this situation is00:09:07
approximately synonymous with the reaction of00:09:09
contemporaries to Nietzsche’s famous phrase00:09:12
God is dead So he saw it But Mikhail00:09:16
Gershenzon is a00:09:18
Russian philosopher who looks at the00:09:21
black square and begins to00:09:24
burst into laughter in delight and says Yes, this picture is00:09:28
worth all the painting of all your00:09:31
Vrubels and so on This is yes, he says00:09:35
that he saw Gershonzon, that he saw Binom, we00:09:39
understand that he saw the world in some kind of zero00:09:42
state00:09:46
because, well, human00:09:49
consciousness cannot live in, or rather, it can, but00:09:53
it is not trained to live without an objective world,00:09:55
we always rely on the object, we00:09:57
see them around us We we think with objects,00:09:59
we think with figures And here Malevich invites us to00:10:02
plunge into a non-objective00:10:05
state00:10:06
before the beginning of creation, if I may say so00:10:09
in the state of the beginning of the Universe. How00:10:12
he thought of himself and Gershenzon sees the00:10:16
same thing. And for him this is also, so to speak,00:10:18
a Revelation, but simply about which he00:10:20
speaks with some other sign was00:10:23
once Julius and Vova, also an00:10:26
outstanding philosopher of the 20th century, an Italian00:10:29
who began when the00:10:31
author of treatises on abstract painting00:10:34
himself drew and so on, he wrote an00:10:36
article metaphysical consciousness tried to00:10:38
determine how the physical differs from the00:10:41
metaphysical And for him the main00:10:44
principle is this and consciousness which thinks00:10:48
in physical categories, it necessarily00:10:49
uses the categories of space and00:10:52
time,00:10:53
but metaphysical consciousness It is always00:10:56
beyond the boundaries of space and time, that’s00:10:59
where it was striving00:11:03
and that’s where it seemed to him, and he ended up at00:11:06
the moment when yes00:11:09
He created the Black square, he got to the00:11:13
point where there is no space, no time,00:11:15
and then Malevich’s thought works00:11:18
throughout his entire life, he tries the same way00:11:20
as before the teacher Guru Guru, he00:11:25
then tries in all his00:11:27
teaching experiments to00:11:29
carry out his students Along this entire line,00:11:32
that is, in Vitebsk they are here and then in00:11:36
St. Petersburg They draw first00:11:39
impressionistic paintings, then00:11:42
post-impressionism or the season, then00:11:44
futurism00:11:46
and Almost no one reached the point of00:11:48
non-objectivity,00:11:50
that is, it seems to us that Well, this is probably00:11:55
a joke, and such a brilliant gesture,00:11:58
hang a Black square on a white background00:12:00
Yes, symbolize a certain state of00:12:04
zero when the visible world is completely00:12:07
disembodied and when the artist begins00:12:10
already draw with sensations with certain flashes of00:12:14
supersensitive emotions there, in00:12:17
a sense, he paints with the breath of God00:12:20
or the breath of the universe,00:12:24
but Malevich himself00:12:27
took this path in order to reach the black square and he00:12:29
demanded the same from all his00:12:31
students, and most of his students did00:12:34
not go through this path - then at the stage of cubism00:12:36
Someone was stuck at the stage of futurism, that00:12:39
is, but they saw this path not as00:12:43
these objects without objectivity immediately00:12:45
stepped forward. They saw a certain process, this is about00:12:48
this path, in a sense, a spiritual00:12:50
path, but because Malevich constantly00:12:53
begins to use this category00:12:55
there are categories of the spiritual and how the00:12:57
abstract are used by Wassily00:12:59
Kandinsky, another greatest artist of the same00:13:03
era of the same time, and here is00:13:05
Malevich’s thought, it00:13:08
begins to swirl around these guidelines.00:13:11
That’s why he said to the opiate who00:13:14
came to him with his00:13:16
introduction, go stop progress00:13:19
It would seem, well, here you go in the ordinary consciousness,00:13:22
the avant-garde is friends with progress. So they00:13:27
all the time tried to embody certain techniques00:13:30
in especially the constructivists00:13:33
in their works,00:13:37
but here in Malevich the exact opposite is00:13:42
close, probably to Schopenhauer and to00:13:45
Eastern philosophy, the movement of the mind, but00:13:48
man has a Will and this spoils everything00:13:50
because in the Universe no will no00:13:53
will these are clots of energy they do not have a certain00:13:57
point, yes when the Will behaves from point00:13:59
A to point B yes when there is a certain00:14:02
goal and this means that a person lives00:14:06
on his own The Universe itself needs to be00:14:08
created because these are ideas of equality The era00:14:12
is delirious with ideas equality evolution is accomplished by00:14:15
wars ideas of equality How do they00:14:17
understand this? Therefore, a certain equality of00:14:20
man and the Universe is needed, and for this you need00:14:23
will, or as Malevich will express this00:14:26
with the help of the word weight And without weigh, remove00:14:30
the weight of the weight of the objective world, remove it00:14:33
so that the00:14:35
picture in its00:14:37
certain00:14:39
original meaning ready00:14:41
to take off and Malevich, let us remind you,00:14:45
will write more seriously, he also discovers a certain00:14:46
cosmic principle according to which00:14:49
bodies can tear off from the earth,00:14:51
neutralized, he will build his00:14:53
architectural works, models of the architect, the00:14:56
so-called according to the same principle;00:14:59
moreover, Malevich will come at this00:15:03
time to the conviction that The universe,00:15:05
of course, is unstable, that it is either00:15:08
expanding or contracting. That is, he will00:15:11
essentially formulate a view of the00:15:12
universe of modern physics, but he will do00:15:15
it many decades earlier from the00:15:18
Black Square, he will draw00:15:20
discovery after discovery in a variety of00:15:23
areas, he sought to make00:15:25
not only painting without an object the entire00:15:28
history of mankind,00:15:30
human consciousness and any area of00:15:32
human knowledge. But about this in our00:15:35
next programDescription:
Казимир Малевич. Квадрат.
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