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ARTCAM

CNC

ЧПУ

АРТКАМ

3DSMAX

МЕБЕЛЬ

3D

ФАСАД

ДЕКОР

УРОКИ

КОРЕЛ

ВЕКТОР

woodworking

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CORELDARW

COREL

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powermill

орнамент

saviwood

чпу

cnc

carving

furniture

00:00:01

[music]

00:00:11

hello everyone, hello my subscribers, hello

00:00:13

new viewers of my channel and so we

00:00:16

continue the course on aspar and today we have

00:00:19

6 lessons on the topic of

00:00:21

processing, that is, today I want to

00:00:24

fully discuss with you the types of

00:00:27

processing operations, talk about them, but also

00:00:34

what additional opportunities there are exist for

00:00:37

copying and editing the tactics

00:00:39

of these types of processing, well, let's

00:00:43

start with the very first thing

00:00:45

I want to start with, here we can, as always,

00:00:49

change the dimensions of the workpiece at any time, the

00:00:54

thickness and the origin of coordinates 10

00:00:58

begins and

00:00:59

set the natural parking and

00:01:02

safe movement at any time,

00:01:04

click ok even if we have

00:01:06

some of our operations here,

00:01:09

we will carry out all these cultural actions here and

00:01:11

ask them to recalculate ours,

00:01:13

so

00:01:15

it’s very very very inconvenient for you

00:01:18

with trousers, then someone is missing, well,

00:01:22

let’s start the physical education teacher along the contour,

00:01:24

milling along the contour it’s

00:01:28

either a trim or

00:01:31

some kind of village

00:01:35

that we

00:01:37

produce in the art cafe Vard Komi,

00:01:41

let’s say there’s me under and a profile or there’s

00:01:44

just a trim, I do

00:01:47

n’t remember exactly what it’s

00:01:50

called in the old versions

00:01:53

or just there processing according to the profile, in

00:01:56

my opinion, that’s what it’s called here, it’s

00:01:58

milling floor contour contour contour

00:02:01

it’s been around for some centuries,

00:02:04

and let’s quickly go over the

00:02:06

parameters, which means of course the initial

00:02:09

depth is all the same as in

00:02:12

art komi, here are the cutter settings all the

00:02:16

same thing,

00:02:17

there is a difference, this is to change the passes;

00:02:21

quite serious differences and very

00:02:24

very

00:02:26

useful means it is here and we can

00:02:28

manually double-click the left mouse button; you

00:02:31

can set it manually and the number of

00:02:33

passes can be

00:02:34

set with a numerical value; the

00:02:37

number of passes can be set;

00:02:45

our last pass was

00:02:49

at a depth of 12 3, let's now

00:02:54

do it again, I feel the pass, I'm removing it, let's say the

00:02:57

last pass at a depth of

00:03:00

13,333, if I let's say I'll display the

00:03:04

values here, it's the same thing

00:03:08

.

00:03:12

then the finishing pass should have been

00:03:16

there now okay just a second

00:03:20

make

00:03:22

four passes here again I put it feels

00:03:25

passes at 15 and

00:03:31

sorry not at 15 but the

00:03:34

finishing pass I put at 5

00:03:37

millimeters

00:03:38

from here

00:03:43

5 millimeters I put the finishing pass like this

00:03:47

apply 5 millimeters everything,

00:03:49

as apparently, the number and the pass do not create a

00:03:52

new additional pass, it simply

00:03:53

remains at this point and the pass

00:03:56

will be so, but 4 here is April, the number of

00:03:59

passes and the cutter used,

00:04:01

that is, you can click apply, remove the

00:04:04

finishing pass, click apply and,

00:04:07

due to the parameters of the cutter,

00:04:10

you will and the number of passes

00:04:12

here depends on what our

00:04:16

milling depth is,

00:04:19

the last pass removes the allowance, there is also

00:04:22

a difference, but I haven’t talked yet, it’s

00:04:25

interpreted by the lecture hall, it happens both outside and

00:04:27

inside along the contour, everything is the same as in

00:04:31

his mouth Komi, but we can still set

00:04:35

the offset,

00:04:40

we can still for compensation, for some reason, from

00:04:43

the outside to the inside and while we can still

00:04:47

set the offset, that is, we can

00:04:48

shift

00:04:52

the position of our cutter, let’s say then with the

00:04:55

next next magnifying glass, we do

00:04:58

n’t take the offset here and then we clean up our

00:05:01

box, but it all depends on what,

00:05:04

when and how you need how -then Viktor

00:05:07

shifts the size of Viktor by one millimeter there, brothers,

00:05:09

or in some other way it’s

00:05:12

not necessary, that is, the shift does it all like this,

00:05:16

automatically the last one

00:05:18

passes, removes the allowance, and that’s how we see

00:05:21

that we have the last pass of three, that

00:05:24

is, we have two passes they will pass with

00:05:25

an offset, let’s say one millimeter, the

00:05:30

last pass we already have with them is

00:05:34

our finishing pass, or just with them,

00:05:39

the material that will remain from

00:05:42

three passes, well, let’s say we have one pass, and

00:05:45

we will remove one pass

00:05:48

6 happiness six bavaro millimeters

00:05:52

almost 7 millimeters, each pass out of

00:05:54

three would be removed, honest guys, let me

00:05:57

increase the number, let’s say it misses

00:06:01

five millimeters like this,

00:06:02

which means the last pass we will

00:06:05

shoot 5 millimeters of depth and plus

00:06:09

another millimeter on the side, here

00:06:12

we press calculate and let me

00:06:15

show you this is how we see it by one

00:06:18

millimeter and shifted three passes

00:06:21

out of 4 and the last pass is shifted back

00:06:25

to the normal position to clean

00:06:27

this box and

00:06:29

remove it and, in fact,

00:06:34

select all the material that

00:06:36

we have here, here we

00:06:40

made an allowance, well, naturally, according to the last

00:06:42

word, it goes through the depth to add

00:06:45

on the bridge everything is the same as the

00:06:47

ward frames here, it’s a little

00:06:49

more convenient if you compare from can 2008 with

00:06:53

spire if the possibility is already 3d bridge

00:06:56

that’s how we see what they are or the usual

00:07:01

depth depths from the front thickness the

00:07:04

exact number 4 constant intervals the

00:07:07

first music of the starting point

00:07:11

we can also selecting it is all a matter of

00:07:13

inserting it manually and what else is very

00:07:17

convenient here the bridge is placed on the

00:07:20

vector and

00:07:21

if you match vodka, eight more here

00:07:24

the bridge is inserted onto the vector and when we

00:07:28

copy this vector further, these bridges will be saved from it,

00:07:34

which is not in art Komi 2008

00:07:38

there it was necessary each time to select all these

00:07:40

vectors somehow and then manually

00:07:44

drag them over, let’s say if there are a lot of

00:07:47

bi 2 some other ones they are different here the

00:07:50

lecturers keep the bridge they are the most

00:07:54

stubborn among those ruling the program the bridge

00:07:57

was calculated namely directly

00:07:59

on the

00:08:01

ACS vectors, it’s easier directly they just take all the sizes

00:08:04

and that’s it, the next cut into Ryazan and

00:08:07

smoothly zigzag or in a spiral on a

00:08:10

spiral there is no in art Komi there are only

00:08:12

18 more articles very convenient cool

00:08:15

especially when the circle and cut out the

00:08:16

permanent visa are immersed here from

00:08:20

clearly smoothly we perform we set the

00:08:23

length or an angle, that is, not like

00:08:26

Ward Komi smoothly further smoothly closer

00:08:29

smoothly with an angle

00:08:32

there or something else like that also a

00:08:36

zigzag let’s say it’s just written length and

00:08:39

all the length of the minimum length of the

00:08:41

maximum there Ward Komi in my opinion

00:08:44

it gets confused sometimes it even works like then on

00:08:47

the contrary,

00:08:48

here everything is much better simpler in Aspire

00:08:52

and somehow easier it’s all ours

00:08:55

we press out and as we see there on

00:08:58

the bridge we have

00:09:00

everything we have this is our strategy the

00:09:04

next next let’s look at

00:09:07

the milling of the recess frieze fatal nicknames this is the

00:09:10

selection all the same the most important thing to

00:09:13

tell is just a little called

00:09:15

differently the final depth of the cutter of the passage

00:09:18

the number of passes and left it here

00:09:23

here this is the passage of the excavation that is how

00:09:27

the selection will be press re the Raspadskaya spiral

00:09:32

[music]

00:09:33

according to which tractor it will turn out

00:09:36

means there is only one difference

00:09:39

a little and with a minus sign of course in

00:09:41

comparison with Artem, this is that the spiral

00:09:44

here only works with the center,

00:09:49

although here it would only be shown

00:09:52

the other way around, but here’s

00:09:54

how we see it, but it’s just like that, it’s

00:09:59

always shown only from the center, the spiral

00:10:01

and

00:10:03

always starts its work only from the

00:10:05

center in art Komi you can choose outward

00:10:08

or inward from

00:10:10

where

00:10:12

the work of the spiral will begin, or from here to here inward it

00:10:16

will twist, or outward

00:10:19

so zigzag knitting through millimeters and

00:10:22

you can put it, you don’t have to try,

00:10:23

depending on how you

00:10:25

immerse the visa, once the sophie is loaded

00:10:27

exactly in the center and

00:10:29

you can just put it and a small

00:10:31

speed of immersion there on

00:10:33

carefully, it

00:10:35

will load 10 millimeters and then it will go to select

00:10:39

a step there, let’s say 12 millimeters,

00:10:41

how much you will put

00:10:46

so actually this is

00:10:49

the trajectory,

00:10:52

press view and this is

00:10:54

what we get

00:10:57

so the next next is the drill

00:11:02

for drilling needed vectors,

00:11:09

we select them, you can select them manually,

00:11:13

you can select it like this, then find it,

00:11:16

just remove it, it’s clamped by yours, then

00:11:18

it doesn’t matter anymore, of course, I’m the depth of

00:11:21

drilling, the initial depth of drilling

00:11:26

with a drill, or what kind of cutter we’ll

00:11:30

drill in the

00:11:32

article, drilling with a rebound

00:11:36

means it’s higher than the previous pass, that

00:11:40

is, it’s not the pastor will rise

00:11:42

there higher than the material, just a little higher, the

00:11:45

right of passage will be torn from the previous one,

00:11:49

or it will constantly rise to a

00:11:53

safe height at which we will

00:11:55

place the mouths here, here you

00:12:00

can even put a little

00:12:03

delay on the safe networks

00:12:06

in order to all the same,

00:12:09

the cutter still had time to cool down a little, but it all depends on

00:12:12

what kind of material you drill and

00:12:14

press, the calculation of the syrup will always

00:12:17

happen in the

00:12:20

center of the vector, that is, if in art Komi

00:12:23

there, in my opinion, there was an opportunity to

00:12:27

set up some additional ones,

00:12:30

everything depended on the diameter Is there a vector

00:12:32

like in

00:12:34

spore here this is no longer there because the

00:12:39

center is simply determined by the vector the diameter

00:12:42

is determined by you already

00:12:45

setting your cutter

00:12:49

or living your arrow in art homme this is

00:12:52

done perhaps for some

00:12:54

automatic machines there is no such thing here

00:13:00

so the next next is quick

00:13:02

engraving well The thing is that I haven’t

00:13:05

tried it,

00:13:07

so I can’t really tell you much about the hand,

00:13:14

but let’s go over it a little quick

00:13:17

to

00:13:19

at least see what it is,

00:13:23

I remind you once again that the vector a can be

00:13:26

moved with the arrows from left to right,

00:13:30

which means filling,

00:13:34

selecting the width, let’s say entry

00:13:41

01

00:13:44

we have a cutter here, this is a conical cutter,

00:13:49

line width is 3 millimeters,

00:13:53

here the line width determines the

00:13:56

depth directly, that is, it’s not

00:14:00

this that determines the depth, here we already

00:14:02

put mine in general, but

00:14:06

directly at the construction site the line width

00:14:10

determines the depth, let’s do it

00:14:23

this way, as we can see, the reset system didn’t work

00:14:28

once again inspecting the selected operation, so

00:14:33

I did something wrong,

00:14:37

maybe I did something like this, it’s

00:14:40

possible and this is determined by whether the ki woo bina

00:14:43

account is now we’ll see,

00:14:45

yes, here’s how we see one millimeter,

00:14:48

but there are settings

00:14:56

again,

00:15:00

yes again, but these settings and

00:15:06

settings

00:15:11

should also be Definitely the depth, press

00:15:14

calculate

00:15:16

reset,

00:15:19

as we see,

00:15:21

these line width settings also

00:15:23

determine the depth, so here you need to

00:15:26

play with engraving with these

00:15:29

settings for the line width and the

00:15:32

depth itself.

00:15:44

not to get out inside, but just to pass

00:15:46

without smell, the same thing and the same

00:15:50

settings, the

00:15:52

depth of ours, and here

00:15:56

we click calculate and

00:16:00

view,

00:16:04

so the next thing I want to disassemble is the

00:16:08

liner, a

00:16:12

simple liner, we

00:16:14

remove it at the bottom, in fact, these are passes along the

00:16:18

contour, but only

00:16:21

everything is still the same settings but

00:16:25

only here there

00:16:27

will never be any sharp corners here and there

00:16:31

will always be along the diameter of the cutter

00:16:35

because we will put this insert

00:16:40

in the recess which also

00:16:43

works according to the same principle as and

00:16:46

what you put the recess will always be

00:16:53

the recess will always be me make sharp corners

00:16:56

along the diameter of the cutter, that is, apparently there

00:16:59

will be some here, there will be one here,

00:17:01

and here it will be the same,

00:17:07

so the recess will always be selected

00:17:10

so that there remains

00:17:13

some radius here, which is the

00:17:17

diameter of the cutter,

00:17:20

this is how the

00:17:25

liner works recess, so the next stage is

00:17:27

processing with rings with a tool, but

00:17:30

processing with a cone with a tool, it is

00:17:32

more like ave a hand, after all,

00:17:36

we have on our account the depth f to which

00:17:40

we need to engrave,

00:17:43

three millimeters,

00:17:45

we have an initial depth d, well,

00:17:49

let’s say

00:17:52

a recess I have is

00:17:59

that -that’s not what

00:18:02

I just read,

00:18:05

excuse me a little,

00:18:09

and

00:18:12

viewing the operation is selected,

00:18:14

if I have a recess, I

00:18:18

want to do it

00:18:21

now, I’ll make a recess with a cone tool and

00:18:25

take 10 millimeters here,

00:18:28

select a cutter,

00:18:31

there are roughing options and

00:18:34

I click calculate, and that’s

00:18:41

how I’ll do it right now, that’s how

00:18:50

I did it viewing all operations, so

00:18:53

now

00:18:55

you can see the maps and the cone and see the visible

00:18:59

operations,

00:19:03

this is more like

00:19:05

direct engraving, that is, the

00:19:09

processing of cone tools,

00:19:13

I constantly click on the view of the

00:19:16

operation, I’m getting ahead of myself a little, but

00:19:18

I think we already understood that, in fact, speaking

00:19:22

to myself, it’s a secret there is this is

00:19:25

a visualizer those hope ecotourism it was

00:19:28

created here this reset view all

00:19:31

view visible visible these are the ones that

00:19:34

we select with these sticks or

00:19:37

view selected operations

00:19:40

we started with 10 millimeters so

00:19:44

this is the result

00:19:47

so the next creation Camilio is

00:19:52

very interesting

00:19:55

to create flute we need a vector,

00:19:58

the vector can be anything, but in this

00:20:01

case I’ll just take a straight line,

00:20:04

choose the carrier, the initial depth is the

00:20:07

same, it all depends on the water we will

00:20:09

do,

00:20:11

I’ll now make it from 0

00:20:14

maximum depth 3 millimeters

00:20:17

slope along the entire length I want to take not only the

00:20:20

initial slope at the beginning and at the end, that

00:20:22

is, I want to take the corner at the beginning at the end, the

00:20:24

slope is one hundred percent, or

00:20:28

I want to make the length of the slope and the profile of the slope and like this,

00:20:34

in the form of a boat, and

00:20:40

as you can see,

00:20:44

it loads smoothly and off it goes, and

00:20:48

here it smoothly comes out,

00:20:51

and naturally here we can make all these

00:20:54

settings for myself, it depends on

00:20:56

which channel q we want to get

00:21:00

texturing

00:21:02

texturing

00:21:06

texturing means when we click calculate for

00:21:09

our specific parameters

00:21:26

and

00:21:29

as we see these are the

00:21:33

ones we get

00:21:39

now, click view

00:21:45

these are the settings and that’s it depends on

00:21:48

what kind of texture we have outside for such a texture

00:21:51

we will

00:21:53

now get a small cutter was I

00:21:58

can choose a cutter of

00:22:01

some kind, let’s say 20 millimeters, we will

00:22:06

recalculate and see the result the

00:22:13

maximum depth here could be

00:22:15

done and more

00:22:20

viewing the operation was selected due to the fact

00:22:23

that the depth is 4 millimeters for you

00:22:26

to dive into, but still, in any case,

00:22:29

it’s clear that the

00:22:32

texture itself has changed, and here

00:22:34

from here we can change all this, and I didn’t

00:22:38

do the texture here, I just showed

00:22:41

how it works for

00:22:44

p.v. aspire

00:22:47

so the following I create a profile are recognized

00:22:53

so create a prism profile on select a

00:22:57

vector

00:22:58

go here here from we can choose

00:23:01

what your depth is,

00:23:05

let’s say like

00:23:07

this

00:23:09

or we can arrange up to the full

00:23:13

depth of the prism but it all depends on

00:23:15

what kind of cutter you have in this case

00:23:18

14 millimeters almost turns out to be

00:23:22

such a prism, that is, in fact, in the

00:23:27

profile it should be some kind of

00:23:28

triangle,

00:23:33

such a blunt prism,

00:23:38

so the next next thing is a molding

00:23:43

molding quite an interesting thing,

00:23:46

now I’ll show you,

00:23:49

then select the guides for the

00:23:51

processing operation, followed by

00:23:53

the profile that you if you want to win,

00:23:55

you can select several guides, the

00:23:57

last selected vector is a pro, that

00:24:00

is, we need to create now,

00:24:03

we need to create our profile now,

00:24:11

let’s say I want,

00:24:22

I want to pull out something like this,

00:24:36

editing points like

00:24:42

this,

00:24:46

into the mode editing points of this,

00:24:49

now I’ll connect everything here this

00:24:52

means let

00:24:54

's go molding chose the vector chose the

00:24:59

profile and that's how we see the

00:25:05

depth of the cutout exceeds the thickness

00:25:08

so let's go to the size the size I have here is

00:25:13

22 millimeters so I'll just choose 20

00:25:17

millimeters and

00:25:20

now

00:25:22

everything is correct there are no errors, here's

00:25:26

how we see

00:25:29

you can use roughing

00:25:32

like this select a cutter

00:25:35

select a cutter, I want to choose an indirect one, but

00:25:40

still choose a spherical

00:25:43

3 mm one for better quality, but the

00:25:46

truth is, in this place, I still won’t have an

00:25:48

acute angle,

00:25:50

but you can’t feel it, press calculate,

00:25:54

see the trajectories,

00:25:59

they all already

00:26:01

look like our profile and

00:26:05

press viewing and, in

00:26:09

fact,

00:26:12

the cutout was cut out for the profile

00:26:16

that we need, that is, with

00:26:21

this

00:26:25

type of processing, we can make any of

00:26:29

our profiles, we don’t need any

00:26:31

complex

00:26:33

manipulations from manufacturers, some

00:26:36

freeze a lot in order to make any

00:26:39

profile, perhaps this is a little longer, but

00:26:41

in this case we won’t process

00:26:43

it all like 3D, but it will still

00:26:47

go along

00:26:49

just along the contour and process it with the

00:26:52

garden parameters for the cutter according to the

00:26:55

depth for the check, so the next thing is the colors for

00:26:59

roughing and

00:27:01

finishing 3D relief or any relief

00:27:04

that we have,

00:27:10

I do all this, you do our share just so

00:27:13

that it does not interfere, go to the

00:27:15

modeling tab here, import the file,

00:27:18

track the information or 3D component,

00:27:21

insert it here for some kind

00:27:25

of 3d, which means both g files with the resolution

00:27:30

like this aspire also understands how

00:27:34

earth can take us the working field was 901

00:27:40

so here I just put 900

00:27:44

with the connection naturally and

00:27:49

click apply

00:27:50

[music]

00:27:57

so here I need to raise it a little

00:28:00

and

00:28:04

just like that

00:28:07

I have everything and

00:28:09

[music]

00:28:13

remember that

00:28:15

everything the components that I insert and

00:28:24

everything is 3D and the steel control is

00:28:29

like a component you can always change

00:28:31

the size here you are, go out highlighting

00:28:34

these like

00:28:37

this on the account

00:28:40

fine

00:28:42

roughing

00:28:46

means

00:28:48

I want to create

00:28:52

bounding vectors for this I

00:28:53

need to create a draw visible around the

00:28:55

selected components everything I have a vector for the

00:29:00

guys earlier and zones for the

00:29:03

vector of the

00:29:05

milling cutter that I will do this with,

00:29:08

I will have an allowance of 6 millimeters,

00:29:12

one millimeter allowance is

00:29:14

mandatory for

00:29:18

milling like this because it’s better then a

00:29:21

finishing cutter will remove this millimeter,

00:29:24

but there’s nothing anywhere doesn’t fail and

00:29:27

we will have better quality, you are an

00:29:31

opportunity for processing options

00:29:34

like 3D rubbing and and we look

00:29:38

when everything is when we have a direction in this

00:29:42

direction, we already have it here, so it’s better to

00:29:45

change it a little

00:29:47

along the game, let’s say set it to

00:29:50

calculate so that it’s like this and

00:29:56

let me now I’ll

00:30:00

click view the

00:30:03

rough processing has passed and that’s it, that’s

00:30:07

all the tinctures of three d next to

00:30:10

the rough the next it’s clean everything is the

00:30:13

same there’s nothing here but

00:30:17

the spiral raster

00:30:21

here I’ll also do a simple one I’ll click

00:30:25

calculate

00:30:27

and by the way the cutter had to be selected

00:30:31

miscalculations here may take longer

00:30:37

well let this cutter seem to be

00:30:40

fine, everything is fine and

00:30:42

I click on

00:30:45

visualization,

00:30:47

everything is just like

00:30:50

that, quickly we created a u for

00:30:55

3d processing, and so,

00:31:01

in fact, everything that we have in the unit and

00:31:06

in the processing tab,

00:31:10

in fact, it’s all there 10, so the

00:31:15

next thing is that I wanted to show the next thing

00:31:17

that I want to show

00:31:28

this layer has been impossible to delete

00:31:33

for a long time that it is one month

00:31:35

[music]

00:31:37

so the next thing we have here is run to the

00:31:39

bible draw tool I think you already

00:31:42

saw it when I just before this clicked

00:31:45

where to edit select

00:31:48

edit operation that's all the

00:31:50

same thing that we do is double click on

00:31:52

any operation with the left mouse button

00:31:55

edit the operation

00:31:58

duplicate the operation we are simply

00:32:01

copying this operation let’s say we

00:32:03

need to change it a little

00:32:05

right click of the mouse brings up such a

00:32:09

context menu it is here as we see we

00:32:12

can

00:32:13

additionally click edit

00:32:16

rename duplicate that is, copy

00:32:18

recalculate recalculate everything

00:32:21

delete this all invisible visible and

00:32:25

so the next thing is just remove the operation

00:32:30

button so recalculate all operations taking into

00:32:33

account the changes made

00:32:37

now it’s natural that I’ll have problems with this,

00:32:39

by the way I shouldn’t have

00:32:43

pressed this probably because

00:32:48

now all this will be happening for a very long time in a

00:32:52

crush everything is good the texture I

00:32:57

delete

00:33:06

so the finishing and rough strokes the keys

00:33:09

gave a push they gave so the next thing is that we

00:33:12

load a template

00:33:14

what a template is I don’t know I and it’s

00:33:16

good for me save as a template

00:33:19

save everything as a template merging

00:33:21

operations of processing the trajectory

00:33:25

combine operations

00:33:28

it all depends on that one Is there a

00:33:31

tool

00:33:33

selected in these operations and

00:33:36

some other settings? I just merged

00:33:39

1 processing for everyone and one procedure right

00:33:41

there, a tool for video

00:33:43

processing operations using various

00:33:44

tools, I

00:33:45

didn’t use merging, so

00:33:49

but the essence of the principle here is clear,

00:33:52

create a copy of the processing array,

00:33:56

well, let’s say in contour

00:33:58

contour to which we can

00:34:01

transfer it into an array, this is how

00:34:06

any operation will look like, we can transfer it to an

00:34:09

array and

00:34:11

use

00:34:13

it is much more convenient than let’s

00:34:16

copy a bunch of victors and

00:34:19

then calculate them, it works better

00:34:23

than in artka artka we also have one

00:34:25

the path is drawn like this, but there it

00:34:29

works worse, this array can always be

00:34:31

corrected, its dimensions can be corrected, and you

00:34:35

can even correct it from the ansb, and

00:34:38

then naturally it all

00:34:40

recalculates,

00:34:47

so it was oil view operations you have

00:34:51

already seen, I have already shown view

00:34:54

selected operations

00:34:59

views

00:35:00

all operations

00:35:06

view all operations view visible

00:35:09

operations and

00:35:13

reset reset the last ones By the way, as you can see,

00:35:17

you can save the image,

00:35:20

but here we select the material that

00:35:24

we have here, here we want

00:35:26

the texture to be displayed

00:35:28

so display a summary of operations

00:35:31

including the estimated time, but to be

00:35:33

honest, I don’t know if this

00:35:36

works correctly in principle because in word

00:35:39

Komi it all works incorrectly,

00:35:42

there are certain

00:35:45

coefficients that can be used to

00:35:49

calculate the time approximately,

00:35:53

but still it’s better if the anti studio does it,

00:35:56

well, these judges directly

00:35:59

understand what kind of machine the court is speeding and that’s

00:36:03

all the rest is the following processing

00:36:06

by sections,

00:36:07

but as we see, processing by sections

00:36:10

works in this mode, that is, we

00:36:13

create our working field of some kind

00:36:16

with some large task and

00:36:18

then we can

00:36:20

divide it all into separate sections and

00:36:26

now we see how we can divide

00:36:29

then these will not be shared to make

00:36:33

money, I’ll be honest, I haven’t

00:36:36

used it yet, I haven’t got it practically

00:36:40

theoretically, I roughly understand

00:36:42

how it works, but practically

00:36:47

I haven’t gotten to that point yet, let’s say

00:36:49

we divide by 4, I created such sections,

00:36:53

let’s say it

00:36:56

produces

00:37:00

450

00:37:03

450 update this is how we see

00:37:07

sections these sections then we can

00:37:12

select and work with them

00:37:17

so look to create a task card what is

00:37:20

this I don’t know

00:37:23

maybe as we see some html file

00:37:28

like this if you share and fold the container

00:37:31

create a task card and

00:37:40

what this will mean where it

00:37:46

was saved to the desktop

00:37:49

with html resolution

00:37:59

yeah,

00:38:01

that’s a cool thing by the way, I have

00:38:04

n’t done this yet even

00:38:08

all the information is

00:38:10

acceptable in if in production it’s

00:38:13

very cool dimensions of the working

00:38:15

field

00:38:18

safe material where 0 as we can see what

00:38:23

ours are called n and the description with you

00:38:27

bathing cool cool

00:38:34

very cool

00:38:37

so well, actually the mountain save I’ll

00:38:40

mention here different upa and

00:38:43

different phrases so she swore

00:38:46

save y by choosing a post processor and

00:38:49

click save everything

00:38:55

here here we have a list formed by

00:38:58

which we save like this

00:39:01

let’s say this way, but ours must

00:39:03

match,

00:39:09

ours must match, that’s how we

00:39:15

see here, here we are forming

00:39:18

an order, and

00:39:20

there’s a lot of defects, what phrases should we

00:39:24

keep, we should all

00:39:26

match our cutters in the settings and

00:39:29

buy them ourselves because if we

00:39:31

cut different ones, as we see, they start rush

00:39:35

so well, and that’s basically all I wanted to

00:39:38

tell you about the types of processing in

00:39:43

Aspire, I think that this lesson will be

00:39:45

useful for you to understand Aspire, but if

00:39:50

you basically have no consciousness and you just

00:39:53

came to watch my course,

00:39:57

I

00:39:58

highly recommend start doing

00:40:01

this from the first lesson and get to this point,

00:40:03

then you

00:40:05

will be completely familiar with aspire,

00:40:08

but if you have already reached this lesson and

00:40:12

you are still a beginner, I think this lesson will

00:40:14

still help you, in principle,

00:40:15

understand

00:40:17

what

00:40:19

type of processing is and what they exist, and how can you

00:40:22

still create your first one

00:40:25

for processing, say, relief, because

00:40:28

as a rule, everyone buys

00:40:32

small machines, I mean

00:40:34

such productions are usually bought

00:40:36

for 3D processing, and then everything

00:40:39

else, or

00:40:41

rarely it’s some kind of specific work there

00:40:45

under water, of course, I have more experience in the

00:40:47

underwater environment and didn’t work, but as we see in

00:40:50

aspire aspire it’s so simple, well, that

00:40:54

is, here there are 3 4 clicks and that’s

00:40:58

it and

00:40:59

you’ve already created your software in it, save it,

00:41:02

you launch us in the machine for today

00:41:06

everyone thank you all so far successful projects

00:41:09

and look forward to more lessons

00:41:11

[music]

Description:

В етом видео уроке с курса по Aspire, я вас познакомлю с тем как создаются управляющие программы и их виды. Для чего нужны по отдельности и отличие от Artcam. Подписывайтесь и ставте Лайк! Жмите на колокольчик чтоб не пропускать новые видео по курсу! 1. Aspire | Первое знакомство https://www.youtube.com/watch?v=mCpshjOiDns 2. Aspire | Рисование Векторов https://www.youtube.com/watch?v=ymJmQsPxZvA 3. Aspire | Редактирование обьектов https://www.youtube.com/watch?v=_67J_Av1X5U 4. Aspire | Смещение, массив и компоновка https://www.youtube.com/watch?v=Zx7cl7bkalg 5. Aspire | Создание Моделей https://www.youtube.com/watch?v=dlHfD-LgSZA

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