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Россия
музыка
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кучка
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00:00:07
[music]
00:00:17
[music]
00:00:38
[music]
00:00:58
[applause]
00:00:59
[music] [applause]
00:01:01
[music]
00:01:26
[applause]
00:01:33
[music]
00:02:06
it seems like his time of miracles 7 shifts
00:02:10
dropped everything and right here finally
00:02:13
finally we will hear our mushroom theater I’m like a
00:02:16
boy wave I, too, can even sleep
00:02:18
from the floor of Kiev graduated from the floor of Kirill
00:02:21
a long time ago and didn’t show up to him even so
00:02:23
awkwardly stretch you’re afraid let’s go
00:02:26
[music]
00:02:42
here’s
00:02:48
the fireworks of the military company
00:02:53
it’s good to meet
00:02:56
Mr. Union in vitro critic they stuck
00:03:02
nature we won’t spare we won’t speak to the black
00:03:06
expensive
00:03:07
Rimsky-Korsakov
00:03:09
fearlessly mari and at the piano very glad in
00:03:15
common it’s decided to hide
00:03:18
merciful by no means but the hospital then
00:03:21
in chemistry and you
00:03:24
finished the arrangement of your Oedipus Rex
00:03:27
for two ayali
00:03:33
well today we’ll
00:03:36
perform it were able to [ __ ]
00:03:46
your
00:03:48
memory your
00:03:50
when they run the head is sitting I was at the
00:03:55
premiere of the opera for
00:03:57
14 years and
00:04:15
bride lunatic
00:04:24
Russian composer my dear
00:04:39
he
00:04:44
[music]
00:04:53
well, the first Petrov today our first
00:04:58
Susanina to tell how the
00:05:04
Persky classmates could have been drowned
00:05:12
to stop the Russian musicians to
00:05:18
set
00:05:28
for two pianos and
00:05:36
today I want graffiti what are you
00:05:41
starting, you
00:05:45
can another boring in this ancient
00:05:48
to do and
00:05:55
[music ]
00:06:39
my narrow godson remember the
00:06:43
rumpled Alexandrovich
00:06:46
[music]
00:06:58
[applause]
00:07:12
Santa Claus and I wanted to take revenge you
00:07:17
sing and I will certainly be a singer
00:07:21
otherwise they forbid me this recording I
00:07:26
hope you don’t follow me what’s calling
00:07:29
you to my friend Balakirevo his brother
00:07:31
memory what what how you can even have
00:07:35
strings here, ah, an outfit of amazement, that’s exactly the
00:07:43
romantic night of the shister daredevils,
00:07:47
six of them are walking around the city like 1 mile, and
00:07:51
I liked this broken
00:07:54
string,
00:07:55
which means the sale of their strength throughout all of Russia, and
00:07:58
now there is an excess of strength, he and Herzen in the
00:08:01
bell of the gospel, the giant is rising,
00:08:06
Ida my friends, let’s read this issue
00:08:09
aloud from the passion of
00:08:11
Chernyshevsky, as he wonderfully said,
00:08:14
there are beautiful ones, but it’s probably time for me to go home
00:08:17
to work and fix this broken
00:08:21
string that is due to excess strength but how severe the
00:08:25
offset of the beard is I
00:08:28
can’t I’m too young I
00:08:33
give my word they fought and big Atr are already writing an
00:08:36
opera vodka and the plot is about friendship
00:08:40
objects on a moped people
00:08:43
to be colorful unprecedented example
00:08:46
Spartak yes-yes-yes-yes-yes something like that
00:08:48
well hand
00:09:00
[music]
00:09:13
and the
00:09:16
peasants
00:09:20
can really come in
00:09:26
[music]
00:09:46
[ music]
00:09:51
be
00:10:06
[applause]
00:10:08
[laughter] the
00:10:14
bailiff is coming to show you
00:10:22
[applause]
00:10:36
[applause]
00:10:43
I will not drag and
00:10:46
[applause]
00:10:48
[music]
00:10:54
lined up
00:10:56
[music]
00:11:03
the mediator
00:11:05
concocted a complaint against me
00:11:06
[music]
00:11:12
they could and are spoiling our land for themselves
00:11:15
ottekov and what will do for us will give away to lies
00:11:21
[music]
00:11:23
this is to say,
00:11:26
but
00:11:29
I’m
00:11:37
free,
00:11:39
what should you do
00:11:44
[music]
00:12:27
where
00:12:28
[music]
00:12:31
and Roginsky wars eat a gun
00:12:34
there scary they galloped and we mean
00:12:38
our men yes on the bottom and you what’s wrong with
00:12:42
us with whom -he
00:12:44
’s on his own,
00:12:46
I can’t help myself, brother, he’s worthless on earth,
00:12:50
wait, seeing you, the fabric from men’s little
00:12:54
masha, they’re all one my star de barrio
00:13:03
[music]
00:13:26
yes, you’re not sleeping, father of modding,
00:13:30
oh oh oh,
00:13:34
I didn’t
00:13:37
kill a lot of people
00:13:47
[music]
00:13:49
with you
00:13:56
count and be with her after
00:13:59
all
00:14:01
[music] the
00:14:13
bubbles are
00:14:15
good your fair little men and
00:14:18
you
00:14:20
understand that you will order a
00:14:23
surprise at parting you have not heard the land of a
00:14:27
peasant without ransoming you let it be
00:14:31
over with this is
00:14:41
how it
00:14:44
means for mothers to flood the family I am ready to pay specially
00:14:51
in demand uniforms of tramps
00:15:01
wool and so on besides, business is pushing
00:15:04
you, but they have already been erased, they are gone, both in
00:15:08
business and in body, and
00:15:13
every troublemaker is also destined for them, and you
00:15:19
will live with them for the night, because you are not even a
00:15:23
composer
00:15:27
opera salammbo
00:15:30
opera modest Musorgsky salam pop or
00:15:34
Libyans and yet not a line or a line
00:15:38
how he arrived with 1 worse tagged you are in
00:15:42
one chorus
00:15:45
we speak to the
00:15:47
Olivias
00:16:08
you will remember Modest leave all this too
00:16:12
can be an adornment in society you are a
00:16:14
video after all we see Modest from the dirt
00:16:17
of a small child for no less than yours remembering
00:16:20
our ancestors
00:16:22
do not forget about your native folder serf
00:16:28
grayling branches Well, that is, you sing,
00:16:32
mother of the guys,
00:16:36
I understand,
00:16:54
I persuaded you to be able to 1 had and say no,
00:17:04
I’m happy with everything that you do
00:17:12
[music]
00:18:02
[applause]
00:18:29
despite the
00:18:32
enemy
00:18:34
musical society
00:18:41
below there titled cancer
00:18:47
they have their time Russian musical
00:18:49
society and
00:18:51
musical and Russian the
00:19:00
tsar has no
00:19:02
logic there 0 and arrived
00:19:06
oh and we’re waiting for you, we need you to sweep this
00:19:10
away
00:19:19
[music]
00:19:29
well, how can I make them guess
00:19:35
who
00:19:36
Yulia Plato you remember the
00:19:40
prolific debutante Novinsky him
00:19:43
with our faithful ally well done
00:19:45
Platonov class prejudices come on and
00:20:01
envy all of yourself for the noble service
00:20:06
with the hand
00:20:08
of his student
00:20:16
[music]
00:20:53
[music]
00:21:02
we will teach you humbly thank you
00:21:11
[applause]
00:21:14
why am I in first place
00:21:16
today Roman-Korsakov excellent Borodin
00:21:20
pumpkin and from the opera Ratcliff performed by
00:21:23
Mrs. Culture excellent Musorgsky
00:21:29
why here? it’s worth it’s still unknown
00:21:33
exclamation point put an
00:21:35
exclamation point
00:21:37
man I’m lucky with the opera and you do
00:21:42
n’t believe it,
00:21:45
at least kill me dear I won’t believe that
00:21:48
you brought nothing nothing there is no
00:21:52
friend with his forehead against the wall with my Libyan
00:21:56
water and that’s how they wanted Modest
00:21:59
colorful plot
00:22:01
uprising or uprising plot that the
00:22:07
sight of a
00:22:10
boy being knocked down by his collar, they saw
00:22:14
a bagel survived, and the
00:22:17
people were revolted and depressed,
00:22:22
they saw
00:22:26
how to write about it,
00:22:30
I don’t know,
00:22:37
you don’t know,
00:22:39
so that you are full to the brim, Modest in the world is right,
00:22:44
look into yourself January, not
00:22:54
so sketches, well, well, well, well, well,
00:22:58
give yourself all your best,
00:23:00
give your all
00:23:16
[music ]
00:23:24
[music]
00:23:33
[music]
00:23:53
only
00:23:56
[music]
00:24:00
Omsk
00:24:12
[music]
00:24:20
we
00:24:23
[music]
00:24:28
he
00:24:31
[music]
00:24:53
[music]
00:24:55
1
00:24:57
[music]
00:25:05
[music]
00:25:21
[music]
00:25:36
[music]
00:25:43
[music]
00:26:01
what is this Modest
00:26:14
no these are not songs and romances are
00:26:19
peasant Russia of stars with water and sorrows
00:26:23
and living Shivaya
00:26:25
goes no Glen grenade targa bridge behind
00:26:30
him and you are
00:26:33
a fish
00:26:35
I won’t go home today when I also
00:26:39
stay peach we all won’t leave we will
00:26:43
talk and argue about music
00:26:46
[ __ ]
00:26:58
on behalf of the
00:27:00
Russian musical society and from
00:27:04
Her Highness Elena is full of the muse we call
00:27:08
patiently, we announce that we have been appointed
00:27:13
vice-president
00:27:15
[music]
00:27:21
[music]
00:27:22
time will pass and I am a sinner to the call of Paul
00:27:26
Kirill and
00:27:28
the governor and smooth and the
00:27:32
words will
00:27:35
organically
00:27:38
dissolve Russian musicians,
00:27:40
look at a small but already mighty group
00:27:48
[music]
00:28:06
Tolmachev again emphasized with his hands that
00:28:08
everyone is equal and they invited us to buy drinks here,
00:28:11
they changed,
00:28:21
I think about these sacred walls, and for
00:28:27
many years now
00:28:28
the blessings of Mr. Dargomyzhsky have been rampant, the
00:28:31
generosity of your Excellency, yes,
00:28:34
yes, perhaps we are really too much
00:28:36
for this, but will invite xp
00:28:40
time, His Highness
00:28:43
or to bring his dream to reason and here is
00:28:47
the gratitude, gentlemen,
00:28:49
condenses Mr. Stasom this drank the
00:28:52
rubbish of the classes of the mines and the
00:28:59
poisonous gentleman
00:29:01
[music]
00:29:03
musician of Rzhevsky and Altai
00:29:09
lipstick-mousse
00:29:11
where is ours from the peasant songs and now
00:29:15
having put his symphony with his symphony,
00:29:18
the traffic cop of the recession he bought and the officials the
00:29:23
singers represent I’ll refuse an aliyah for myself and go
00:29:27
on a tour with passports, or will we still be
00:29:30
allowed in
00:29:32
[applause]
00:29:48
[music]
00:29:58
[applause]
00:30:08
[music]
00:30:26
[applause]
00:30:27
Mr. Martini, this is the third time we’ve made the
00:30:32
same mistake, I’m
00:30:34
correcting the mistake for the third time this archi
00:30:37
tula you are too arrogant I was
00:30:40
raised ropa mister caplin storks and
00:30:44
lagged behind Russia dearest from and
00:30:47
innovators
00:30:49
[applause] he
00:30:55
asks you
00:31:11
well the rooster
00:31:15
midnight has not yet come and
00:31:19
before I sleep in the
00:31:23
cold sleep of the grave
00:31:28
I will force you to give in
00:31:33
retreat
00:31:37
tea shiva
00:31:41
decision
00:31:44
while I’m alive
00:31:48
Balakirev won’t leave
00:32:00
I’m
00:32:28
something small why did
00:32:37
I get a sting not in the department you’ll
00:32:41
have time to catch the wire
00:32:45
go, go repeat your marriage
00:32:55
[music]
00:33:24
Petrovich
00:33:28
how can you not understand garbage
00:33:44
[music]
00:33:48
[applause] [music
00:33:49
]
00:33:58
[music]
00:34:08
[music]
00:34:30
[music]
00:34:37
[music]
00:34:43
[applause]
00:34:51
and even as I stutter,
00:34:59
you know very well, I probably missed this conversation without a
00:35:03
twinge of conscience, I wouldn’t say it
00:35:05
only if someday you finish the
00:35:08
second act and don’t give them the Khan,
00:35:10
let her even be crucified to fight parla,
00:35:14
after all, believes there will be no bride
00:35:18
with blows, you wo
00:35:19
n’t have a second act, and the
00:35:26
time has come for the wide musical
00:35:30
space to move, I applaud Modest and a
00:35:34
new opera, you’re starting something like a
00:35:37
Babylonian pandemonium,
00:35:41
a performance and there’s
00:35:43
still nothing to watch,
00:35:47
I hope, and the guys are less
00:35:50
busy at the Mariinsky,
00:35:53
I’m waiting
00:35:55
ok, we’ll rehearse soon and I’m waiting for
00:35:59
you with patience, and here I heard right, it
00:36:03
seemed to me that you were going to write a
00:36:05
new one, otherwise there would be a new one again, but
00:36:10
you don’t know what happiness
00:36:11
the lady was thrown into the salon battle or your
00:36:16
notorious Libyans were abandoned and the wife is like now
00:36:18
apparently also bros, yes, you don’t know
00:36:21
me, you don’t know,
00:36:24
I don’t
00:36:31
go modest
00:36:50
[applause] the
00:36:56
caliber of the idea, I believe that if you don’t
00:37:00
tell me about it, we or dooms
00:37:03
me constantly, then he abandoned that one, he didn’t finish writing;
00:37:05
rather, I can be reproached as the
00:37:07
author of one and the same the same topic
00:37:11
agree modest people draw it because
00:37:16
searches since when have you been interested and you
00:37:19
will solve this topic I believe you thank you for your
00:37:21
support friend thank you but before
00:37:24
achieving the same ambitions we had to wander around
00:37:27
a lot of
00:37:28
expensive guns and you won’t be on the run that
00:37:32
some Musorsky I’m holding
00:37:36
it’s time for us have a big conversation with people
00:37:41
[music]
00:37:49
I would like them
00:37:52
no matter what seas we go through I have always been in
00:37:55
soul with you model want to settle in a
00:37:59
month
00:38:00
gloriously invented
00:38:02
gloriously
00:38:06
night owl
00:38:11
owner I now have a caramzin and a
00:38:14
route to the ceiling of all sorts of elevators and
00:38:17
yet something else- something for my
00:38:20
prize money to build ishim let's go
00:38:22
riot spreads to you
00:38:24
a word about Igor's regiment a
00:38:26
good topic I give to our alchemist this is
00:38:31
Korsakov for the Pskovites and here is this for you
00:38:39
Sarah Boris
00:38:44
Marina Mnishek is an impostor and
00:38:47
here are the holy fools monks peasants aero re
00:38:52
women
00:38:55
glasses and here are these for you genuine songs to
00:39:01
your Varlam to the tavern Volodymyr light
00:39:05
Vasilyev dear Vova then I am the happiest
00:39:08
person on earth I am very glad below that you are
00:39:13
no longer sleeping
00:39:14
I was sleeping like the dead
00:39:18
but I was
00:39:20
awakened by the voice of the happiest shiva man
00:39:23
on earth
00:39:28
that the earrings
00:39:31
on my character and
00:39:34
the knocker of Kiev brought me to white heat
00:39:38
because to notice you
00:39:40
again means
00:39:43
I'm the one
00:39:46
forgive me, dear, you are the greatest
00:39:49
composer, you're quite content among us,
00:39:53
because I, too, both rise yours, I think
00:39:57
it's time,
00:39:58
I gave Modest a lot of daring from you, I'm expecting great courage
00:40:04
[music]
00:41:15
but
00:41:16
[music]
00:41:26
aa
00:41:28
aa
00:41:31
[music]
00:41:32
[applause ]
00:41:33
[music]
00:41:35
and
00:41:40
[music]
00:41:43
[applause]
00:41:45
[music]
00:41:58
like
00:42:14
[music]
00:42:18
[applause]
00:42:20
[music]
00:42:29
hand bat.
00:42:31
I understood why I couldn’t understand from Pushkin the scene
00:42:35
at the Novodevichy
00:42:37
monastery Boris disappeared and the people were driven to
00:42:40
beg him the villains Godunovs from under the stick
00:42:43
on the throne burns out like that and why the villain of
00:42:46
the media Tsarevich alone took the throne himself
00:42:50
Anaroza an impostor and drove it like that
00:42:52
then it’s not like that the essence and what is
00:42:56
the people not only for the death of the prince from
00:43:00
Boris at least returned
00:43:02
in his name Boris rose to
00:43:05
hopeless bondage rejected the people
00:43:08
apple nobles and a sign I wandered his people
00:43:12
terrible
00:43:14
loneliness
00:43:16
in my conscience alone and
00:43:20
paskal at him
00:43:28
[music]
00:43:40
I sleep and see him
00:43:43
awake
00:43:45
it seems
00:43:47
big not wonderful without social
00:43:52
it won’t be that I have an opera forum
00:43:55
that only sings along with the heroes
00:43:58
you’ll be my hero himself and here’s the interruption the
00:44:02
main character
00:44:06
of them is
00:44:12
good
00:44:16
[music]
00:44:27
[music] [music
00:44:37
]
00:44:47
[applause]
00:44:50
[music]
00:45:05
noble kind of
00:45:08
drink this is your first meeting with the people,
00:45:12
his people did not accept the court, his fear
00:45:18
but she did not lower him,
00:45:20
he was
00:45:22
majestic for five minutes
00:45:34
[music]
00:45:49
I hide my soul
00:45:50
[music]
00:46:23
[music]
00:46:28
we went and we were here
00:46:34
[music]
00:46:36
located
00:46:37
[music]
00:46:50
exactly nobly majestic
00:46:55
why such a contradiction
00:46:57
coronation and in orchestration,
00:47:04
modesty of expressions, what if this
00:47:14
[music]
00:47:39
Olga Sekatsky is not true, the people will
00:47:43
choose the king from under the stick, what
00:47:46
a pomp of orchestration here, I understand Modest and
00:47:48
yet music should be
00:47:51
music, and in my opinion life is music and in
00:47:55
music it sound
00:48:00
my time is up now your
00:48:10
AvtoVAZ
00:48:11
arrive new
00:48:14
theme duet for the Pskovites
00:48:17
anyone
00:48:22
in general
00:48:24
love duet Korsakov wonderful yet you
00:48:28
so why you Modest try you don’t
00:48:30
want to be disappointed in Boris love and
00:48:33
oil nothing better what kind of unfortunate bodies am I to
00:48:39
drink you have in your body once
00:48:43
well, perhaps that’s all you are, I don’t need
00:48:47
your la impostors are not in him, but in his
00:48:50
name, the essence is why his affairs of the heart
00:48:54
will be
00:48:56
my immodest even the prime minister to do
00:48:59
what and they clung to Marina as
00:49:03
if there was a wedge of light on her
00:49:06
these things are right behind the afterbirth of another would
00:49:09
have scratched out her eyes behind the wheel, I
00:49:12
bow, however, without Marina and with
00:49:17
folk choirs and moderate doses, a
00:49:20
historical treatise will come out an
00:49:23
opera, we don’t have it, but my people will get it, here is
00:49:32
our dear artist,
00:49:36
but imagine the
00:49:39
[music]
00:49:40
the earth shook,
00:49:46
how are you doing without me here?
00:49:50
not even anything like sitting two I’m glad to myself
00:49:53
why I can’t smile public
00:49:55
libraries service in the ranks sex stream
00:49:57
archeology in music lived and drank to hell
00:50:00
they’re in ruins
00:50:02
thank you, let’s
00:50:08
continue our fear
00:50:12
[music] [music]
00:50:44
[music]
00:51:02
[music]
00:51:13
[music ]
00:51:20
[music]
00:51:26
.
00:51:31
[music]
00:51:45
[music]
00:51:47
a
00:51:51
[music]
00:51:57
[music]
00:52:01
paradise
00:52:05
[music]
00:52:09
worker's rights
00:52:13
[music]
00:52:15
what kind of visa are you and create professorships of
00:52:18
Irwin most of the people
00:52:22
are born folk musical drama and
00:52:26
Caesar is afraid don’t listen to Caesar on 6
00:52:30
you are nagging people love in some
00:52:33
distraction you little
00:52:37
leave you at least for a minute yours and
00:52:39
preparing food can’t explode at all
00:52:43
just chemists don’t advise but
00:52:45
admit it I dream at least once a
00:52:48
week that you are above all the
00:52:51
composer of the parade dreaming dreaming
00:52:54
dreaming on Sunday with him
00:53:00
composer on Sundays
00:53:03
playing poetry
00:53:05
from chemistry I'm drawn to music from music to
00:53:08
chemistry are
00:53:09
n't they twins something new
00:53:15
no fashion it's not over yet I'm hatch royal
00:53:20
bar 1
00:53:22
couple we have an answer to the people
00:53:33
[music]
00:53:34
[applause]
00:53:38
a
00:53:39
[music]
00:53:47
a a
00:54:08
a
00:54:11
[ music]
00:54:18
[applause] [music]
00:54:22
a a
00:54:25
[music]
00:54:27
[applause]
00:54:28
a
00:54:32
[music] a a
00:54:38
[music]
00:54:40
I a
00:54:45
[applause]
00:54:46
a
00:54:54
[music]
00:54:58
[applause]
00:55:05
[music] [
00:55:13
music]
00:55:30
[music]
00:55:41
[music]
00:55:45
you type of lesson
00:55:47
[music]
00:56:06
no
00:56:19
[applause]
00:56:24
[music]
00:56:42
this step
00:56:47
[music]
00:56:48
[applause]
00:56:49
[music]
00:57:00
[music] [music]
00:57:25
Krupskaya
00:57:35
and
00:57:38
[music]
00:57:54
excuse me or concerns
00:57:57
extraordinary with things has already begun
00:58:00
listening to the seminarian of
00:58:04
Hussar's works
00:58:22
where
00:58:23
this stage
00:58:27
by
00:58:29
agrippa
00:58:32
all this at
00:58:34
[applause]
00:58:37
[music]
00:58:40
[applause]
00:58:47
at 5 and profit and
00:58:50
press
00:58:53
this
00:58:55
lore
00:58:56
I read and
00:59:00
and
00:59:02
and
00:59:05
[music]
00:59:11
[applause]
00:59:15
yes under
00:59:18
[music]
00:59:25
. for everything about
00:59:31
off
00:59:35
and
00:59:54
encroaching on ours
00:59:59
and
01:00:02
you know how
01:00:19
provable admirers will jump out, it becomes
01:00:22
human,
01:00:46
we will arrive from Germany,
01:00:59
we attract him,
01:01:05
Mr. Stas Vladimir
01:01:08
Vasilyevich is accused of libel in the press
01:01:12
newspaper St. Petersburg Vedomosti,
01:01:15
number
01:01:16
154, article musically pleasing Mr.
01:01:21
Stas claims that the group is a critic in
01:01:24
newspapers the voice maliciously poisons the
01:01:27
composers of the so-called mighty
01:01:31
handful and this, according to the plaintiffs, is slander,
01:01:39
we adorn the so-called and complete destruction of
01:01:43
all our opponents
01:01:47
thank you
01:01:48
[applause]
01:01:52
well done Repin there
01:01:58
was no use I think modes means
01:02:02
and today there will be no
01:02:04
victim the word is given there you
01:02:16
see
01:02:19
musical
01:02:24
this is a disgrace I have a spot of
01:02:38
what kind of figure and say gur seriously
01:02:43
wounded baby with a woman that you
01:02:47
want to inform the court,
01:02:50
gentlemen, judges and imago chevy on me,
01:02:55
I defend my charges with touching
01:02:59
innocence, faith in the carp of them,
01:03:02
Mr. status has come full introduction,
01:03:06
he drags their so-called Russian
01:03:09
music to the first place in Europe,
01:03:12
but unfortunately, gentlemen, we are
01:03:17
not yet there, we can become a laughing stock in the waters of
01:03:22
only Europe,
01:03:24
we tried in vain, and even though in the zone,
01:03:27
honestly,
01:03:28
only a slanderer could have called us liars,
01:03:35
expelling Kirov from the Imperial
01:03:37
Musical Society, since right
01:03:41
now this dress is
01:03:45
from Moscow composer Tchaikovsky
01:03:48
writes his time Lomonosov failed to
01:03:51
dismiss the Russian Academy of Sciences and
01:03:54
Balakin here is Russian music insert not
01:03:56
all
01:03:58
some other way I will be forced to clear the
01:04:01
hall of the public
01:04:05
why Miles didn’t come to understand I can’t understand
01:04:09
Mr. accused deity Gentlemen
01:04:11
itching
01:04:13
why they want it so much
01:04:16
they smell powerful group of a
01:04:19
new rising force that Rostov
01:04:24
you are all put together in this sense, I
01:04:29
mentioned their destruction, please take into
01:04:33
account
01:04:34
the sense of physical impact, I
01:04:37
have no power, although perhaps I extremely regret
01:04:42
it, and as for the main thing, I will say
01:04:54
the company now did not writhe from these
01:04:56
words
01:04:58
to reason
01:05:05
every article, every line is
01:05:09
material evidence of their persecution,
01:05:11
they hoot, they throw mud at
01:05:14
Balakirevo, his students and our
01:05:17
free school for the people of
01:05:21
Rzhevsky, I’m ashamed of you, after
01:05:25
all, you are a Russian composer, you have
01:05:28
the strength and will, this is clear from your
01:05:32
speech, you pulled Russia so militantly
01:05:36
back back in March it won't come out
01:05:40
gentlemen schottky not to be from
01:05:43
and what did you see in Europe Rzhevsky you are
01:05:49
together with those who go crazy with
01:05:51
marmalade 3 has anyone ever poured me
01:05:54
in front of the Italian prima donnas and screams
01:05:58
kneeling
01:05:59
divinely and Patrick
01:06:05
our folk talents
01:06:08
they are growing, for example, millers now a
01:06:12
soloist of the Mariinsky Theater recent
01:06:16
our future Borisova we want we want
01:06:22
original
01:06:24
Roman realistic art the
01:06:27
Russian people from time immemorial have loved the song,
01:06:30
broad and wise like the very nature of our
01:06:34
endless land
01:06:38
koko
01:06:39
[applause] the
01:06:40
heir of Glinka Dargomyzhsky to drink
01:06:43
bow taught because the thresholds
01:06:47
we introduced our true Russian song
01:06:51
sang your chamber of art we u10 Rome
01:06:55
our strong ones will comprehend and and it already
01:06:58
sounds in our operas the symphony we
01:07:02
will equip you with new wings flies
01:07:05
forward ourselves forward to those inevitable
01:07:10
times when the people of simple happiness will sing to
01:07:14
us and hear it in the
01:07:18
most remote corners of the earth and
01:07:22
rejoice
01:07:24
[applause] st.
01:08:28
missing in a mile when we will be
01:08:33
together in the
01:08:35
regions, a
01:08:38
seriously wounded baby is dedicated to Vladimirovich Stasova
01:08:46
[laughter]
01:09:00
[music]
01:09:09
4 chant shook the schismatics something of love and
01:09:14
sad
01:09:19
[music]
01:09:26
here we are finished Boris and I will definitely write
01:09:30
leaves and songs in the morning and write your
01:09:36
voice I won’t trust
01:09:40
however you are right, never, well,
01:09:58
we gave each other words today,
01:10:03
good hour,
01:10:05
and
01:10:11
I heard that you think that getting married is
01:10:14
cheating more creatively
01:10:18
[laughter]
01:10:23
[applause]
01:10:27
[music]
01:10:51
sent straight to your exhibition tomorrow,
01:10:54
we are rehearsing before the stars arrive
01:10:56
and
01:11:23
[music]
01:11:43
[music]
01:11:47
comprehensively
01:11:50
spun around without listening to him
01:11:56
[music]
01:11:58
dig and keep up
01:12:01
[music] [applause]
01:12:06
[music]
01:12:16
apatity
01:12:22
[music] [applause]
01:12:23
[music]
01:12:42
[music]
01:12:43
[applause]
01:12:44
[music]
01:13:03
[applause]
01:13:09
I'm almost
01:13:12
cute
01:13:17
[music]
01:13:30
[music ]
01:13:39
[music]
01:13:46
ordering a
01:13:50
cup of
01:13:52
moisture
01:13:55
pale
01:13:57
[music]
01:14:01
wash off the stain yourself laying around
01:14:07
[music]
01:14:29
came to see you here are the keys of the theater sent
01:14:33
I think yes and please
01:15:00
our shkolota describes for debts
01:15:23
run away
01:15:27
run away you don’t dare shout at me
01:15:33
or Bakiyev
01:15:36
lays down his arms before the
01:15:38
steam slam the door I've had
01:15:42
enough of everything
01:15:45
I'm leaving
01:15:48
little Kirill there's no place in music let
01:15:55
's go together Modest under with this of yours
01:16:01
killed by type glad
01:16:07
to see the blows
01:16:11
can break
01:16:18
here you don't see the soul damn time they didn't
01:16:24
let anything in the truth won't be
01:16:29
look around the
01:16:32
removable rubbish
01:16:48
don't you see it's rising and
01:16:51
gathering
01:16:53
after all, my husband is sick for Chernyshevsky,
01:16:57
I’m sick, they achieved their goal, I’m
01:17:06
tired,
01:17:12
hear your song they sing
01:17:15
[applause] [music]
01:17:23
just for debts I’m writing a
01:17:28
song
01:17:30
you can’t print
01:17:34
[music]
01:17:49
well, what will happen to our Boris now
01:17:52
I can’t now they’re
01:17:56
a friend and
01:17:58
remember you once suggested a topic to me, you
01:18:01
want to show me
01:18:28
[music]
01:18:30
I remember remembering the Raskolnikovs our
01:18:33
conversation about yes yes yes yes yes we will
01:18:36
turn the second page of history again there will be a
01:18:39
Naruto prize a lot Pedro
01:18:42
Scudo boyars und Khovansky
01:18:46
they lured people of wool to me without a
01:18:50
seal they were bliss but they sold it and
01:18:53
they betrayed the
01:18:56
ghost, the schismatics are chasing, even if they do
01:19:00
n’t stand for something worthwhile, but
01:19:02
what kind of power does water flog, they burn and don’t
01:19:07
give up, and
01:19:09
only one people would never dream of such a thing,
01:19:15
but
01:19:16
[applause]
01:19:17
[music]
01:19:19
what kind of characters do you see this
01:19:23
woman
01:19:25
at the wedding you
01:19:28
more high anathema all this is
01:19:31
fascinating but I don’t free you from the pain of finding,
01:19:39
we won’t give up,
01:19:42
because you and I are old
01:19:45
schismatics
01:19:48
Amelie
01:19:55
[applause]
01:20:03
his
01:20:06
sign
01:20:09
[applause]
01:20:10
[music] is
01:20:14
burning and doesn’t give up
01:20:26
[music]
01:20:30
water
01:20:32
is true Sashenka
01:20:34
they are constantly making noise there
01:20:40
you wanted to talk to him
01:20:43
no and not I will interfere with him, you will interfere that
01:20:49
you are Sashenka yes I am ready all my life
01:21:07
to remake Boris
01:21:09
the exalted and redre in love feelings
01:21:12
they crave will
01:21:18
bring
01:21:20
Marina closer as in your opinion at home at home
01:21:23
of course yes and no she is a
01:21:26
trump card in the hands of the Jesuits and the
01:21:30
gentry listen to the historian what if we and
01:21:34
really 0 1 let's introduce Tanya, a friend, but simply not a
01:21:38
gentleman and draws them and other evil spirits will trample
01:21:41
on Russia Grishka rags
01:21:44
hiding behind and then in hatred of the
01:21:47
aliens about the drivers
01:21:50
drowned faith in the impostor perfectly
01:21:53
developed Caleb this I myself Chernyshevsky
01:21:57
would advise let's
01:21:59
create another country for painting
01:22:03
the scene which our dear Pushkin did not
01:22:06
have time to write the
01:22:07
scene of the freedom of
01:22:10
strength and the limit of the people the
01:22:15
scene under the crowns
01:22:40
[applause]
01:22:43
[
01:22:50
music] [applause]
01:22:56
[music] [applause] [music] [applause] [
01:22:57
music]
01:23:09
[laughter]
01:23:12
[music]
01:23:36
[music]
01:23:45
[ applause]
01:23:46
[music]
01:24:27
[music]
01:24:35
[music]
01:24:37
[applause]
01:24:39
[music]
01:24:41
a [music
01:24:42
] [
01:24:51
applause]
01:24:52
[music] [applause]
01:24:53
[music] [
01:25:13
music]
01:25:14
[applause]
01:25:20
[music]
01:25:55
a
01:26:08
[music]
01:26:13
[music]
01:26:25
[ music]
01:26:33
[music]
01:27:04
[applause]
01:27:05
[music]
01:27:06
[applause]
01:27:09
[music]
01:27:31
[applause]
01:27:33
[music]
01:27:58
[music]
01:28:09
and [music]
01:28:36
[music]
01:28:56
[music]
01:29:13
[music]
01:29:50
you killed in the morning,
01:29:53
don’t interfere and
01:29:59
[music]
01:30:05
[music]
01:30:16
you’re not looking for
01:30:32
[music]
01:30:37
so we’re going here,
01:30:46
we decided when everyone’s head
01:31:07
[music]
01:31:23
oh and complete freedom
01:31:30
a.a.
01:31:33
google
01:31:38
creates
01:31:40
behind her and others
01:31:43
grazed the fruit of the flesh
01:31:48
[music]
01:31:56
from fleas would
01:31:59
not have survived, but because
01:32:22
of their great hatred, to hate
01:32:26
themselves for
01:32:29
the future of our Russian people, they will be
01:32:32
afraid and
01:32:41
finished in spirit, let’s go and raise you up and write 3
01:32:47
pages of history
01:32:49
and
01:32:57
Pugachev’s warehouses then the
01:33:01
whole of St. Petersburg has gone crazy, everything demands
01:33:04
a production Boris,
01:33:06
students, professors and even the artists of
01:33:10
our theater will have to give in, well,
01:33:13
you signed up for Stas in comprehension,
01:33:17
just don’t get angry, nothing can be done,
01:33:19
because there’s a powerful group of
01:33:22
students who were invited to the conservatory to
01:33:25
romances where Borodin’s symphony is performed at all
01:33:26
concerts
01:33:28
they allow Bogatyrskaya
01:33:32
this is not a joke for even in the free school
01:33:35
Balakirev already he was replaced by others there is no
01:33:38
name you can handle it sign Your
01:33:40
Excellency days you will miss
01:33:42
sign
01:33:48
in vain Platonova chose this opera that she
01:33:52
chose this opera for the benefit performance
01:33:55
what is
01:34:01
calling you
01:34:04
say yes
01:34:07
well broom molasses so that’s what
01:34:20
I thought from theater we are not talking about the theater and I’m
01:34:24
just you but I’m not talking but it just
01:34:27
can’t be that now I’m silent I’m silent
01:34:38
saying Balakirevo demands
01:34:41
possible
01:34:43
hawala we want to serve Sashenka your
01:34:47
brand will sing she will give the sketches to her to
01:34:52
think how long it’s been since I’ve seen
01:34:54
the child is it really a risk
01:34:57
on Saturdays a new count begins and what
01:34:59
about 9 do you miss the
01:35:04
liksys hooks so please give your picture out
01:35:08
without it I won’t leave without it you tell
01:35:11
Mr. Stasov who sent you that I’m
01:35:14
overloaded with business and
01:35:17
[applause]
01:35:19
home I can’t help but
01:35:23
see
01:35:27
[music]
01:35:29
I’m sodomized and I’m
01:35:32
invited to visit the
01:35:36
media camp. Saturdays haven’t existed for a long time
01:35:39
and I’m not interested in music, but
01:35:44
Yandex is always interested in you because of
01:35:52
[music]
01:36:06
[applause]
01:36:07
almost, and we’re on the walls using the technologies of the
01:36:11
sacred banner,
01:36:15
give me carnations in honor of the Kompantsev
01:36:19
couple rt is remarkable that
01:36:24
should arc a
01:36:27
secret to him nipples will be a stage slow down
01:36:34
one of your sacred archives as a bait and
01:36:38
I would advise Modest Petrovich to just
01:36:41
do more and masterfully what else should he
01:36:44
finish there completely still 16 remark
01:36:46
to have
01:36:48
Caesar sat down his horse
01:37:08
[music]
01:37:15
[applause]
01:37:16
[ music]
01:37:18
killed
01:37:24
[music]
01:37:30
[music]
01:37:46
about
01:38:12
[music]
01:38:21
lovers
01:38:42
once again once again Alexandra Nikolaevna
01:38:46
once again
01:38:49
[music]
01:39:09
finally waited, let's go
01:39:14
hello
01:39:19
[music]
01:39:34
on behalf of wear a poem actor in the village
01:39:40
[applause]
01:39:48
[music]
01:39:59
you are a bright soul
01:40:03
I this
01:40:05
evening until the hour of death
01:40:20
[music]
01:40:44
trumpet
01:40:56
[music]
01:41:08
[
01:41:35
music] [music]
01:41:42
[music]
01:41:51
[applause]
01:41:53
ears
01:41:54
[music]
01:42:13
[music]
01:42:20
[music]
01:42:30
I am the people
01:42:33
[music]
01:42:51
birds are not about
01:43:00
[music]
01:43:31
understanding
01:43:36
that you are
01:43:37
wonderful and
01:43:45
[laughter]
01:43:48
[applause] [laughter] [
01:43:51
applause] [
01:44:05
applause] [applause]
01:44:17
[music]
01:44:22
[applause]
01:44:25
[music]
01:44:29
[applause] is
01:44:41
n’t it a dream that there is one massif in the village,
01:44:45
look at it and
01:44:50
our Dargomyzhsky didn’t live to be awarded
01:44:53
this is amazing the extraordinary power and
01:44:57
greatness of the idea
01:45:04
page format
01:45:09
[laughter]
01:45:16
this is from the vich goal Anton whose admiration for your
01:45:20
colleague Mr. Musorgsky whom
01:45:23
it is so often parts I
01:45:25
consider it my duty to tell you
01:45:33
in vain you young people that
01:45:44
note when I speak you why did
01:45:49
I sweep there more 3 from Poles
01:45:52
acts
01:45:54
[music]
01:46:06
[applause]
01:46:09
[music]
01:46:25
[music]
01:46:28
ufologists
01:46:32
[music]
01:46:41
[applause]
01:46:43
[music]
01:46:56
a
01:47:05
[music]
01:47:19
and
01:47:20
Maria
01:47:21
from
01:47:25
my
01:47:27
Elena a
01:47:30
[music]
01:47:45
[music]
01:48:26
Annino
01:48:32
[music]
01:48:37
he [music]
01:48:40
[applause ]
01:48:43
[music]
01:48:45
[applause]
01:48:51
[applause]
01:49:12
thank you, my forever dear queen
01:49:21
[applause]
01:49:56
[music] [
01:49:57
applause]
01:49:59
[music]
01:50:00
[applause]
01:50:05
[music]
01:50:24
[music]
01:50:33
[applause]
01:50:35
it’s either Izhevsk they again
01:50:41
[applause]
01:50:51
and
01:50:59
leave its true jusup yeah what to
01:51:02
a man
01:51:03
[applause]
01:51:08
this
01:51:17
one
01:51:20
[applause] the
01:51:26
best and
01:51:29
dearest in the world
01:51:33
I will always be your friend and
01:51:39
someday I
01:51:42
will call him
01:51:51
[music]
01:52:36
friends2 wilds
01:52:39
will the system meet who will go to Prussia
01:52:42
like this through theirs
01:52:44
with those who Perry plows the times and hearts
01:52:54
the artist
01:52:56
believes in the future
01:52:58
because a million lives
01:53:10
[music]
01:53:13
[applause]
01:53:18
and

Description:

Великолепный художественный фильм о русском композиторе Модесте Петровиче Мусоргском (1839—1881) с надеждой, что русские музыкальные традиции не оборвутся. А также о легендарной "могучей кучке". В одном из эпизодов картины реальная резкая полемика между критиком В. В. Стасовым и профессором Петербургской консерватории А. С. Фаминцыным (здесь выведен под фамилией Ржевский), а также судебный процесс о "музыкальных лгунах" в апреле 1870 года, в котором Фаминцын обвинил Стасова в клевете. Тот в итоге 30 апреля 1870 года был оправдан, но за найденную в его статье «брань» приговорён к штрафу в 25 рублей и домашнему аресту на 7 дней. В ролях: Александр Борисов — Модест Петрович Мусоргский Николай Черкасов — Владимир Стасов Владимир Балашов — Милий Балакирев Андрей Попов — Николай Римский-Корсаков Юрий Леонидов — Александр Бородин Бруно Фрейндлих — Цезарь Кюи Фёдор Никитин — Александр Даргомыжский Любовь Орлова — Юлия Фёдоровна Платонова Лидия Штыкан — Александра Пургольд Валентина Ушакова — Надежда Пургольд Георгий Орлов — Осип Петров Владимир Морозов — Иван Мельников Беззубенко, Василий — юродивый Василий Софронов — Дормидонт Иванович Лидия Сухаревская — Великая княгиня Елена Павловна Константин Адашевский — Ржевский Лев Фенин — Карцев Григорий Шпигель — фон Мец Георгий Георгиу — Гагин Александра Васильева — мать Мусоргского В титрах не указаны: Игорь Дмитриев — эпизод Иван Дмитриев — певец Мариинки, исполнитель роли Лжедмитрия Николай Дмитриев — эпизод Рэм Лебедев — Илья Репин Е. Никитина — няня Манефа Соболевская — курсистка Павел Суханов — эпизод Николай Трофимов — студент Валентин Янцат — Филарет Петрович Мусоргский[3] Съёмочная группа: Авторы сценария — Анна Абрамова, Григорий Рошаль Постановка — Григория Рошаля Режиссёр — Геннадий Казанский Второй режиссёр — Эмиль Галь Ассистент режиссёра — Екатерина Сердечкова Операторы — Моисей Магид, Лев Сокольский Второй оператор — Евгений Кирпичёв Художники-постановщики — Николай Суворов, Абрам Векслер Художник-гримёр — Василий Ульянов Костюмы — Евгении Словцовой Музыкальная редакция и музыка к фильму — Дмитрия Кабалевского Звукооператор — Арнольд Шаргородский Комбинированные съёмки: Оператор — Георгий Шуркин Художник — Михаил Кроткин Монтаж — Валентины Мироновой Оркестр Ленинградского академического театра оперы и балета им. С. М. Кирова Дирижёр — Борис Хайкин Директор картины — Иван Провоторов

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