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объекты Boole

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объект Cloner (клонер)

Разбор эффектной Sci-fi cцены в Cinema 4D

Разбор эффектной Sci-fi cцены в Cinema 4D

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Cinema 4D для новичков - Деформеры и генераторы | Урок 2

Cinema 4D для новичков - Деформеры и генераторы | Урок 2

Channel: VideoSmile

Cinema 4D - Лайфхаки и фишки | Урок 1

Cinema 4D - Лайфхаки и фишки | Урок 1

Channel: VideoSmile

cinema 4d

cinema 4d уроки

cinema 4d для новичков

моделирование в cinema 4d

основы cinema 4d

синема 4д для новичков

cinema 4d обучение

обучение cinema 4d

cinema 4d туториал

cinema 4d видеоуроки

cinema 4d с нуля

уроки синема 4д для начинающих

синема 4д

c4d

cinema4d

cinema 4d уроки на русском

видеоуроки по cinema 4d

videosmile

3d моделирование

cinema 4d уроки с нуля

cinema 4d анимация

уроки по cinema 4d

видео уроки по cinema 4d

cinema 4d tutorial

boole

00:00:03

we are starting to study boolean objects

00:00:06

for this I have opened a new project you can

00:00:09

do this through the file menu here at

00:00:11

the top file new

00:00:12

but in principle all programs have

00:00:13

such a thing so I think there

00:00:15

will be nothing new for you here we will start by

00:00:19

taking two some objects are already

00:00:21

ready, that is, we won’t squeeze them out,

00:00:23

let’s take a cube and just like that, let’s say

00:00:26

a little bit and take another object, a cylinder,

00:00:32

but they are not instantly created at one

00:00:35

point, here the cylinder can be

00:00:38

made a little narrower, here’s my cube for beauty,

00:00:41

I’ll make chamfers so that the edges were not so

00:00:43

perfectly even,

00:00:45

for this we select the cube, go to its

00:00:48

attributes, check the

00:00:50

filled box and here we adjust this

00:00:53

radius for ourselves and be one centimeter,

00:00:56

maybe two, well, they look good

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and now we go to this menu,

00:01:04

press the left mouse button again, there are

00:01:07

quite a lot of objects here

00:01:09

again, we will consider most of them

00:01:10

in the course. Now we are

00:01:12

only interested in the object because

00:01:13

it will appear in the

00:01:16

composition that we will assemble with you at

00:01:17

the end with the train from Moscow.

00:01:21

We select the object ghoul and for ourselves we must

00:01:24

simply understand that the object is boule.

00:01:26

essentially a three-dimensional mask, he takes one

00:01:29

object and cuts out 2 some three-dimensional

00:01:32

object from it,

00:01:33

let's try now, we

00:01:35

take a boule cube into the object, we see

00:01:38

that it is green, which means we need to

00:01:40

put something in it, and then we throw in the cylinder and it

00:01:43

turns out that look now at the cube

00:01:46

cuts out this profile from my

00:01:49

cylinder, if I want it to be the other way around, so

00:01:51

that the cylinder cuts a hole

00:01:53

out of the cube, then there is no need to just swap them here,

00:01:56

that is, I take the cube and drag the

00:01:59

cylinder higher, and now a

00:02:01

cutout appears inside my cube

00:02:04

if we you will turn on the lines here,

00:02:07

the display is ingrown zing lines, then we will see

00:02:10

how we have built a grid, you can take a

00:02:16

cylinder and enlarge it a little,

00:02:20

thereby we get a parametric hole,

00:02:22

which is important, that is, at any moment

00:02:24

we can compress it at all, it won’t be, and

00:02:26

on the contrary, expand it and it can see and

00:02:28

completely hide my entire object,

00:02:31

that is, on the one hand, the boule is a very

00:02:33

powerful element, but on the other hand,

00:02:35

again, when we talk to you about

00:02:37

polygonal modeling, you will understand

00:02:39

that it is not used so often

00:02:42

because it distorts your polygonal mesh very much.

00:02:46

as an example, just to

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understand, I’ll take a sphere and take

00:02:53

some handkerchief object like this,

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orient it so that they intersect

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with each other, I’ll take it again, create a

00:03:03

storm object and place the platonic and the sphere here inside,

00:03:09

well, it doesn’t matter now, you see,

00:03:11

the sphere is cut out from the platone to

00:03:13

such a gigantic part, if we

00:03:17

get closer and look at the edges, then here

00:03:19

we will have a very torn

00:03:22

geometry, that is, some small

00:03:24

polygons somewhere else do not

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intersect, and when

00:03:30

modeling such a more detailed one,

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of course, this form

00:03:34

cannot be used, so

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bool minus it can be immediately noted to

00:03:38

write down it is an unpredictable mesh, but

00:03:41

at the same time you get a very fast

00:03:43

form and for such parametric

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modeling it will of course not be replaced,

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it is used more specifically in motion design

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than in real modeling, in

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real embryonic dosing, there

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these berketts are made a little differently We’ll

00:03:56

also look at this in the course itself, but

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for now all we need to know

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is that the boule is capable of

00:04:04

cutting out any other object from any object.

00:04:06

Well, let’s now look at a slightly

00:04:08

more complex option.

00:04:10

I’ll again take this first blank of ours

00:04:13

and assume I want to not cut

00:04:15

another hole, let's say a cubic one, this time I

00:04:18

'll take the cube again, orient it so

00:04:22

that it is somewhere in this

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part of my main figure, this can be

00:04:27

done in the top view,

00:04:29

go to the top mode, I'll move the whole thing,

00:04:33

maybe squeeze it a little, we'll assume

00:04:38

this is the cutout I want to do means if I

00:04:41

now take this cube and throw it into

00:04:43

my ready one, it won’t work for me

00:04:47

because pain

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only works with two objects, that is, it

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needs 2 some shapes from which it

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will create some kind of three-dimensional

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mask and in order to make

00:05:02

another three-dimensional mask on the extruded object, or rather on the cut out object here, I

00:05:05

will need another boule, let’s create

00:05:09

it and look at the new one, I

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throw this cube and throw the

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old boule here inside, this is a hierarchy

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and now I have there is a cutout,

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pay attention that first there is a boule

00:05:22

here, then there is a cube, if you swap

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places, then

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this shape will be cut out of the cube, that is, here

00:05:29

you can again create an infinite

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number of these

00:05:33

hierarchy levels when you have one object

00:05:35

inside another mask is cut out there

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then it crashes into the main object and you

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get all sorts of intricate

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contours. We also ubooly have some of our

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own settings here in the firing tab,

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you can see the main setting is

00:05:51

boolean type, that is, the type of operation

00:05:53

now it costs as a trick b.a.

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this is the first object b this is the second object

00:05:57

here you get subtraction

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a minus b

00:06:01

breakfast you are English subtraction but

00:06:03

there are all sorts of other modes such as

00:06:04

intersection of

00:06:05

union and calling beta you when there is

00:06:10

no lid inside let's

00:06:14

leave here the usual soft rock by here

00:06:19

there are also additional functions usually

00:06:21

you can just mark it for yourself when

00:06:23

they are working, we will put these three

00:06:24

high quality jackdaws,

00:06:26

glue a single, fire them with fire and jess, and now

00:06:31

you have a more or less plausible cutout,

00:06:34

what about the

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boules? After that, we will still have the clone object and

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we will move on directly to

00:06:41

our composition and so I’m again

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with a clean project, well, let’s again

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first take some simple

00:06:48

object to understand how cloner works,

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I’ll take from above a little bit different from it

00:06:54

and we have the Conor object in the

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Momov tab, these are special

00:06:59

tools for men animation design,

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but in principle some of them can be

00:07:04

used for regular modeling,

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and here we select the

00:07:08

clone object, which by the way is considered the most

00:07:12

powerful, perhaps in terms of functionality, it’s

00:07:15

inside the blue one, and let’s throw in the

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green ones, throw

00:07:20

our sphere into it and instantly see that

00:07:23

the cloner is trying to create copies of this

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object, you can enable it in the display tab

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bureau shading lines display of lines and

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here he is somehow trying to clone the

00:07:33

whole thing there, let's understand its

00:07:36

settings, select cloner

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all the main settings we are in the

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object tab here there are two additional

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tabs transform and apc effect

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We won’t look at the effector now,

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but let’s look at the firing, so the

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first thing that’s going on here is the mod, is the mode

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currently in mode or not, that is,

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linear copying, if you click on it,

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there are several other options for you here,

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we will, in particular,

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use the general option in the composition,

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but a little about it in more detail later

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further the main settings that we are

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interested in count number of copies here

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you can increase them and create

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much more clones

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and in the set this is a shift of this entire mass of clones

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but now it is not particularly useful to us and the

00:08:23

most important thing is these settings

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these are the settings

00:08:26

exactly like you, each clone moves

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relative to the previous one, now we see

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that the only thing that changes

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is along the y axis, each clone moves by

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50 centimeters, let's try to

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increase this value so that the reconciliations do not

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overlap each other, well, somewhere up to

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200, maybe even up to 230 and now Now

00:08:48

we see such a long long row of 18

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spheres that are simply cloned

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relative to each other and shifted upward.

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Here you can also set additional

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displacement options. Now we have set

00:09:03

only along the y axis. I can also move this

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to the side. Then we get such a stepped

00:09:08

shape, that is, reconciliation. one

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more one and each time they move

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with this step of 150 thousand write well and

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accordingly you can also

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rotate it all in z in another axis, it’s not necessary

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so for example, put it next,

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we have the scale settings, that is, how

00:09:28

each next copy differs precisely

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in the scale now costs one hundred percent,

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which means that the original scale is everywhere, if I

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want each next one, for example,

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to increase, you can write 120 here everywhere,

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then pay attention to how

00:09:42

this will happen for you, that is, first

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there is a regular reconciliation, then 20

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percent more,

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another 20 percent more, but so on

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then at the end it’s already quite large,

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it turns out I’ll go

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back now, by the way, you can do this

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not necessarily proportional, for example,

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you can leave only one y-axis 120

00:10:03

when we see how it all looks like,

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sparkle at the end we turn it

00:10:08

all into some kind of elongated egg,

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well then there are a lot of options here for

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all sorts of variations, I’ll return it back here to

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100, then we have variations with

00:10:19

rotation, but now we won’t see it

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because no matter how we rotate the reconciliation, the

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wound on the render will be round,

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so we can’t come up with anything here,

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returning here, let’s now instead of

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spheres, I’ll move this example to the side,

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the simplest one, let’s take a cube instead of checking,

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select it, create a cube, I’ll

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stretch it a little, make a

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step like this and again go to magrav

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of clones, look if you select the cube

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before creating clones and go

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back to this menu and hold alt when

00:10:56

creating clones, you see it is automatically

00:11:00

created and the die is immediately

00:11:02

rolled internally, that is, this is a

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slightly accelerated version of creating a

00:11:06

clone of ra and the same thing, let's

00:11:08

customize it a little, I'll raise it up in the

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settings in the attributes of Conor himself,

00:11:13

I'll lift it up and now I'll shift it along the x axis and now

00:11:19

it turns out to increase such steps

00:11:27

to the

00:11:28

sister of copies and now instantly

00:11:32

look, we have assembled such a simple

00:11:34

staircase,

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so I took a cube object to

00:11:38

more clearly see how it works,

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these parameters are responsible for the angle of

00:11:42

rotation, that is, now we can

00:11:45

set how each copy rotates

00:11:48

relative to the previous one, we get some

00:11:50

pretty cool abstract things like this,

00:11:52

you can collect all sorts of

00:11:54

DNA using this example, now

00:11:58

each copy is shifted relative to the

00:11:59

previous one by 30 degrees and this is how it all

00:12:03

looks, I’ll just put it back 0

00:12:06

if you type it in here, if

00:12:10

you put it on the first 10, then drink and quite

00:12:12

It turns out beautifully, something like a game reminiscent of DNA, but

00:12:15

now we will create a more believable

00:12:17

DNA

00:12:18

that you understood that this is also possible,

00:12:21

let me update everything here and show you

00:12:24

the settings in this thing, they also

00:12:26

relate to rotation, but this time to the rotation of the

00:12:28

entire figure of this entire cluster of

00:12:31

objects we see that it works like a band

00:12:35

deformer, it reminds a little bit of how

00:12:38

you can

00:12:41

create all sorts of curved stairs, I have to create a

00:12:42

ladder here instead of a cube, it can be

00:12:45

any absolutely object, the theme is beautiful

00:12:47

clones that it works for any shape at all,

00:12:50

that is, you can, in principle, upload a

00:12:52

complete model of some kind of machine here

00:12:56

Conor will work with it in exactly the same way

00:12:57

as with ordinary cubes,

00:13:01

and all these parameters can also be

00:13:04

animated, so we looked at the

00:13:10

clones with a cube, well, let’s

00:13:16

collect a small DNA molecule as an example, I’ll

00:13:19

use a cylinder for this, I’ll create a

00:13:21

cylinder object,

00:13:22

you can fly up to it very quickly if

00:13:25

you press s on the

00:13:26

English keyboard, I’ll turn it like this 90

00:13:31

degrees with a shift if you rotate

00:13:34

along one axis, then exactly 90 degrees you can

00:13:37

turn the leg, I’ll distinguish and stretch this

00:13:40

tube,

00:13:41

then I’ll create 2 reconciliations, each of which

00:13:45

will be about this at the ends of this tube

00:13:47

the tube can also be made a little bit

00:13:50

thinner

00:13:51

in the settings of this object somewhere on

00:13:54

the 25th stand so this sphere to quickly

00:13:59

and clone I will hold the command controller

00:14:02

and pull this axis and pull it to the other

00:14:05

end here is something resembling

00:14:09

one link of DNA we

00:14:13

can do a little more reconciliation,

00:14:15

by the way, look, if you have two

00:14:16

identical objects, that is, the same

00:14:18

attributes with attributes, then you can

00:14:20

select them and here the radius can be increased

00:14:23

for two pieces at once, this

00:14:26

looks more interesting and you can turn it off for now for the duration of

00:14:29

our line Guru Chenin Blanc put the

00:14:31

usual one now so that the clone works with

00:14:35

all these three objects equally, I will

00:14:37

take them into a group, that is, I will select 5,

00:14:40

I should have one link and press

00:14:42

alt g, I will

00:14:43

create 0 in which I

00:14:46

will put all 3 objects,

00:14:49

then I I create a cloner, I throw

00:14:53

this 0 into it, which contains

00:14:55

all 3 objects, and now my clone

00:14:58

is cloned by this video,

00:15:01

then I set up the conor, I raise the position

00:15:05

a little, I add

00:15:08

the number of copies, and then you just start

00:15:13

playing with this angle and you have

00:15:16

such a DNA molecule appears, then of

00:15:21

course you can paint it there with all sorts of

00:15:23

materials and other things, well, the simplest

00:15:25

way to create it is like this, we

00:15:30

only looked at the mode of linear

00:15:32

distribution of clones in our

00:15:35

composition, we will use a

00:15:37

slightly different mode, I will now select

00:15:39

all these clones and move them aside again on their

00:15:41

side and for the next example we will

00:15:45

need two objects, the first object

00:15:47

will be the object by which we will

00:15:49

clone the author of the eyelids, respectively,

00:15:52

what we will plan is

00:15:53

I take, create a regular plain, that is, a

00:15:55

regular plane, here it

00:15:57

is, you can turn on the

00:15:59

line display mode quite a lot here

00:16:02

let's reduce the polygon, let's make it 10 by

00:16:04

10, again, you will see all these changes

00:16:07

in the attributes tab and let's create

00:16:10

some other object, for example a

00:16:12

cone, our composition will be a tree,

00:16:15

but now it doesn't matter, this is how the

00:16:18

cone looks like, you can reduce it a little,

00:16:19

select a tool

00:16:21

scaling, just compress it like this and I

00:16:27

want to leave this cone

00:16:28

somehow arbitrarily on the

00:16:30

surface of this play on again, we take

00:16:34

clones, throw the cone inside the clone ra,

00:16:38

initially we go into a linear shift,

00:16:41

but this is just how the clone works,

00:16:42

so we turn to the mode and select

00:16:46

here the very first option we worked with

00:16:48

the leader, here there are other options for

00:16:50

them, we’ll talk about them in the course, we are interested in the

00:16:52

object option, it’s actually the

00:16:55

most advanced when you choose the

00:16:57

object option, you must indicate which object you

00:17:00

will use as a

00:17:02

cloning surface, and here we

00:17:05

take and drag our plane

00:17:08

and see how instantly our cone

00:17:11

begins to be planned on the

00:17:13

play surface, while now they are planned

00:17:17

where we have points because you are

00:17:20

here, the distribution type is selected

00:17:22

vertex and there are several distribution types here

00:17:24

and you can actually

00:17:26

check for a second turn off the clone and

00:17:28

look wherever you have the

00:17:30

intersection of two edges between them

00:17:33

.

00:17:34

if we connect it back, then indeed

00:17:35

now our clones stand directly with their

00:17:38

centers inside these points, the only

00:17:41

thing I like about this distribution

00:17:42

is, firstly, the angle of inclination, now they are

00:17:45

all looking somewhere to the right, if you

00:17:47

want to change it, then in the clones,

00:17:49

go to the transform tab, this

00:17:51

information which applies

00:17:53

to all clones at once and here you can rotate the

00:17:57

rotation angle, you just need to determine which one is

00:17:59

suitable for us, this one is not needed,

00:18:02

but the second option is exactly what we need

00:18:04

and we’ll set the value here to -90 degrees and

00:18:08

we see that our cone now looks

00:18:11

up, what’s one the problem is solved now

00:18:14

there are 2 left I don’t like that they are

00:18:16

now too uniformly distributed over

00:18:19

this surface so let’s

00:18:21

go back to the clone in the object settings and

00:18:25

here we will select the distribution type not by

00:18:28

points but by the surveys option, that is,

00:18:30

the surface, if we select it, then we

00:18:34

will generate this amount

00:18:36

here we can change the clones arbitrarily over the entire

00:18:39

surface, I can say I

00:18:41

will generate on this surface, let’s say

00:18:43

there are 100 clones and now they are

00:18:47

starting to be generated in an absolutely chaotic order,

00:18:49

this is very convenient, just in

00:18:52

our case when we are going to

00:18:53

grow on the trees with you surfaces should be

00:18:56

placed more precisely there it is

00:18:58

necessary to use this

00:19:00

option

00:19:01

and also if you don’t like this

00:19:02

distribution, that is, let’s assume you are

00:19:04

happy with the number of copies but don’t

00:19:05

like the way they copied sleep these are the

00:19:07

surfaces you have the seed parameter, it’s

00:19:10

just an arbitrary number if you

00:19:12

change it If you click on the arrows,

00:19:14

you will have a

00:19:17

new map of the distribution of

00:19:18

these objects generated each time, which is very convenient,

00:19:21

that is, you just clicked, found the

00:19:23

option you liked and left it.

00:19:26

Well, before we start, I think Conor

00:19:29

will be enough for us because there are already a

00:19:31

lot of options

00:19:33

we have considered the only ones quite advanced,

00:19:36

I’ll take it all to zero, two objects, this

00:19:39

zero a little with scaling, otherwise

00:19:42

our whole scene seems very small

00:19:43

compared to the previous

00:19:45

objects and I’ll save it

Description:

Урок о булевых (Boole) операциях и клонере (Cloner) в Cinema 4D (для новичков)! https://cloudlessons.ru/v/237 - курс «Супер Cinema 4D» от команды VideoSmile.ru Cinema 4D (c4d) – программа, которую используют начинающие и профессиональные художники 3d графики для создания впечатляющих роликов и дизайна. Основным преимуществом этой программы является то, что она имеет очень простой интерфейс, удобно взаимодействует со всеми программами пакета Adobe, и легка в изучении. При этом она чрезвычайно мощная и характеризуется стабильной работой. Синема 4д имеет безграничные возможности. Применяется в моушен дизайне, рекламе, кино, VFX, телевидение, анимационном дизайне, архитектуре (архвиз) и дизайне интерьеров. Именно в этой программе есть возможность создавать трехмерную графику и крутые видеоролики, которые заказывают известные на весь мир бренды. Автор иллюстраций: Adam Spizak https://www.behance.net/spizak https://spizak.com/ Автор мини-курса: Михаил Бычков Скачать пробную версию программы: https://www.maxon.net/en/ru/nc/download-try 00:00 - объекты Boole 06:40 - объект Cloner (клонер) Сайт: https://videosmile.ru/ Telegram: https://t.me/videosmile_ru ВК: https://vk.com/ru_videosmile Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser Discord: https://discord.com/invite/G6Vqx3f

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