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Download "Джаз-оркестр Ретро. Романтика романса. Вдыхая розы аромат. Незабытые шедевры. 13 февраля 2022"

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Вдыхая розы аромат
Романтика романса
Культура
Джаз-оркестр Ретро
Анна Бутурлина
Лариса Макарская
Ирина Шведова
Алла Гончарова
Валерий Кучеренко
Сергей Избаш
Александр Кольцов
Танго
Незабытые шедевры
13 февраля 2022
13.02.2022
vintage jazz cover
soviet orchestra
jazz accordion
jazz violin
soviet composers
old russian songs
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00:00:00
[music]
00:00:30
[applause]
00:00:38
[music]
00:00:39
good evening, friends,
00:00:41
have you noticed what pleasure it sometimes
00:00:44
gives us to touch old books,
00:00:47
to look at black and white photographs of
00:00:49
mysterious handsome men of the Silver Age in
00:00:52
feathers and pearls, to listen to the sound of
00:00:54
crackling records, the inexplicable
00:00:57
charm of retro attracts,
00:00:59
envelops us in a gentle cloud of dreams of
00:01:02
beauty what will happen will be nice,
00:01:06
more precisely than Alexander Sergeevich Pushkin and
00:01:08
you won’t say today we invite you
00:01:11
to immerse yourself in the world of captivating melodies and
00:01:13
poems that sometimes live longer than the
00:01:16
memory of their creators and first
00:01:19
performers we will try to correct
00:01:22
this injustice and tell you about the
00:01:25
authors of small sandy masterpieces on the
00:01:28
jazz stage - a retro orchestra conducted by
00:01:31
Nikita Confessor ago
00:01:39
it turns out to establish the authors of never
00:01:41
very popular songs, it’s not always easy
00:01:43
sometimes you just have to carry out a whole
00:01:45
investigation as for the next
00:01:47
beautiful melody, its creator
00:01:50
never had any doubts about it, the violinist
00:01:53
and pianist of the Leonid Utesov Orchestra,
00:01:55
Albert Thriller, that’s who wrote the words
00:02:00
knowing that rumor attributed these verses to the
00:02:02
theater and film actress Lyubov Dobzhanskaya
00:02:06
but Katanga, who was born in Leningrad in
00:02:10
the forties, Lyubov Ivanovna
00:02:13
had nothing to do with the verses written by the
00:02:16
Leningrad poetess Natalya 9
00:02:19
sign with the pseudonym Dobzhanskaya
00:02:22
melody Albert from the reling was sung by the
00:02:25
beautiful singer Zoya Rozhdestvenskaya and
00:02:28
she became the first performer
00:02:34
Larisa Makarskaya chose this song for our evening and
00:02:43
[music]
00:02:59
[applause]
00:03:03
he
00:03:06
[music]
00:03:10
God's day is Saturday
00:03:15
[music]
00:03:16
siri and
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[music]
00:03:19
capture the agreement
00:03:22
and rotated their example
00:03:26
brother
00:03:27
so that the hours of love
00:03:31
[music]
00:03:33
name will
00:03:35
not give them everything your
00:03:38
love me
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at
00:03:53
[applause]
00:03:56
share
00:04:00
[music]
00:04:02
under things not a sheet
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here
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[music]
00:04:15
it’s good that you are good to me
00:04:19
bosch
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they are only good that you see me in my eyes
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so easily from that
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from the menu for the device
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[music]
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I will be a lot of
00:04:43
us will wait from
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[music]
00:05:00
[applause]
00:05:02
[music]
00:05:24
on
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[music]
00:05:31
[applause]
00:05:32
[music]
00:05:34
and this dark
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hour of love
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[music]
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will give them not all
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people take water
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[music] the
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next song, which rarely happens, was created by
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two beautiful women composer not on
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and people about vich and the poet Olga Fadeeva were both
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born in the same year, also in imperial
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Russia, Nina Yakovlevna was a St. Petersburg resident, a
00:06:30
brilliant pianist, she graduated from the
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Leningrad Conservatory in 1926,
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as for Olga Fadeeva, she
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wrote poems to many Soviet
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hits, including legendary ones
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lilies of the valley for Elena Velikanova, most
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likely it was Elena Velikanova
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who became the first performer of the song
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that Larisa Makarskaya will remind us of
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[applause]
00:07:14
and
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when I sit on a quiet evening
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and often start playing the
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melody, there is no water and you can’t distinguish the
00:07:33
words but it’s a song in the soul
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[ music]
00:07:42
in the world so that he is already spinning, we are
00:07:46
sliding
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[music]
00:07:53
and that
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always
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in the rivers in a month to surround
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and tremble, make noise at will,
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Egor could himself at home,
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but do not take the arc from me,
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not only a month of video when I
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thank you
00:08:21
for
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things [music]
00:08:28
we don’t
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tit what has reached
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I can’t live with me
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record space and its on
00:08:39
we more than once
00:08:41
because it’s not far
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esata can be
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heard past
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[music]
00:09:02
man
00:09:04
rubber
00:09:06
[music]
00:09:11
so that
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I can’t live
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[music]
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mystery dedication
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sometimes it remains unsolved
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to know which one Composer and poet
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Mark Maryanovsky dedicated his
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famous song to Tatyana, many of course remember
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this tango performed by Pyotr Leshchenko, and I
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know who she is, that Tatyana Katya, you
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always wonder where such
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information comes
00:09:52
from from reliable sources, Mark
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Gregory’s grandson Mark Maryanovsky Jr. revealed a
00:09:58
family secret in one from an interview and I
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read, well, don’t torment Katyusha,
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Tatyana’s grandfather dedicated the song to his beloved
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woman, he said it was his old
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love from that pre-revolutionary life,
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and many years later they met in
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Paris, then we were born words Tatyana,
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remember the golden days,
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sung by Sergei Izbash
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[applause]
00:10:29
[music] we
00:10:45
met, we took a restaurant,
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how do I meet my friends, your features, do you
00:10:53
remember me, mine, then you,
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my love
00:10:58
and our previous dreams
00:11:00
and I see
00:11:02
your next birth
00:11:04
in your eyes,
00:11:07
emptiness,
00:11:08
well, where is the disk
00:11:10
and mine, you,
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my love and our previous dreams,
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Tatya
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she
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golden
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bushes
00:11:28
[music]
00:11:29
they share
00:11:30
[music]
00:11:34
Tatyana
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he didn’t burn
00:11:38
[music]
00:11:40
and
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Italy
00:11:48
fell on the bones of the
00:11:53
fragrant rusts
00:11:54
[music]
00:11:56
of his
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y and inclined me to how
00:12:05
the article
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remember you
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[music]
00:12:12
weight and not passed
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and she’s all to me
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[music ] the
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fragrant ones fell towards the autumn, you
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have your
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boat
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and tilted it on my chest,
00:13:10
Tatyana,
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remember you are golden
00:13:14
[music]
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we are not able to
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[music]
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and
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as for the next masterpiece,
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without exaggeration it can be called
00:13:42
the cult tangle of the century, its author and St.
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Petersburg was a real melodist,
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you won’t believe melodist is the surname of the
00:13:52
composer’s mother, the surname turned out to be a
00:13:55
talking mother and was a virtuoso
00:13:58
pianist, his brothers were violinists, and he himself
00:14:02
graduated from the Warsaw Conservatory and the
00:14:04
Vienna Academy of Music;
00:14:06
moreover, he received the blessing of
00:14:10
Imre Kalman himself, I wrote my brilliant tango
00:14:14
in 1935 in
00:14:17
1937 the best tango from
00:14:21
St. Petersburg reached the Soviet
00:14:23
Union, at least three versions of poems were immediately written to this melody,
00:14:29
but only Joseph’s version took root.
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Aleksandr Tsfasman made
00:14:35
his own adjustments to the music, emphasizing its
00:14:37
sensuality, and the song was performed by
00:14:40
his jazz soloist -the orchestra of
00:14:42
Pavel Mikhailov but we are looking forward to the
00:14:45
appearance of our artist Sergei
00:14:48
Izbash
00:14:50
[applause]
00:14:55
[music]
00:15:37
and
00:15:39
[music] the
00:15:42
tired sun
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below with the sea we will read
00:15:50
this hour you admitted
00:15:54
that you didn’t
00:15:55
lead me
00:15:58
a little sad
00:16:01
[music]
00:16:02
without melancholy without sadness
00:16:06
in this hour sounded Allen
00:16:10
glory
00:16:12
my go
00:16:16
ra we stay eat
00:16:19
restaurant
00:16:22
[music]
00:16:25
other
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from him this
00:16:27
[music] the
00:16:31
tired sun did
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not say goodbye to the sea
00:16:38
at this hour
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you recognized and
00:16:42
what not
00:16:46
[music]
00:17:01
[music]
00:17:30
[applause]
00:17:33
[music]
00:17:35
tired the sun
00:17:38
below forgave you
00:17:42
at this hour, you knew
00:17:46
that it was not love
00:17:49
[music]
00:18:05
oh, it’s not in vain that they say the new is the well-
00:18:08
forgotten old, agree Katyusha how
00:18:12
fresh the songs of the last century sound today,
00:18:14
we just miss the romantic
00:18:17
high feelings, it would be great
00:18:20
if they returned to modern times
00:18:22
songs I'm sure Katya one day this will
00:18:25
definitely happen for a reason our
00:18:27
artist chose a
00:18:30
song with a symbolic title for tonight
00:18:32
until we meet again see you Irina
00:18:35
Shvedova
00:18:37
[applause]
00:18:41
[music]
00:18:53
again not both have become dark blue
00:18:59
lights are burning around
00:19:03
[music]
00:19:06
sounds like
00:19:08
smiling like the old
00:19:12
himself
00:19:13
our hands together as before and
00:19:18
we again
00:19:20
who are yours
00:19:21
[music]
00:19:26
curtains
00:19:28
[music]
00:19:29
kuleshova
00:19:30
[music] see you again
00:19:31
than dear ruin until we meet again
00:19:38
didn’t leave but even though we’re like
00:19:42
I want
00:19:44
that we drag on like this forever we
00:19:47
were together in the morning and until the morning,
00:19:53
my dear, see you again and I took you
00:20:00
to the same
00:20:06
place
00:20:08
[music]
00:20:11
and
00:20:12
when this evening melts away
00:20:16
and the night comes silently into my house,
00:20:22
kindness
00:20:24
again
00:20:26
to tell the girls about
00:20:28
how long it takes
00:20:31
and I don’t want to part with you,
00:20:36
stay still wanted with me
00:20:40
look
00:20:43
today in Lyublino
00:20:45
forget about the time at one o'clock in the night
00:20:50
until a new meeting sweet riot until a new
00:20:54
meeting and didn't leave I wanted to leave while I
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wanted
00:21:02
it was water and bitten forever
00:21:05
and were outside
00:21:06
we are leading
00:21:12
new meetings in the morning and
00:21:14
[music]
00:21:18
in the same way
00:21:22
[music] ]
00:21:26
speech
00:21:27
[music] the
00:21:46
saddest thing is when you listen to a
00:21:49
beautiful song and trying to find out who
00:21:52
wrote it, you read the author is unknown,
00:21:55
this happened with the song cranes although
00:21:59
no no, it’s not that sad here,
00:22:01
first of all, we know the name of the author of the poems, it’s
00:22:05
Veniamin Zubin but the name of the author of the music was
00:22:08
really lost in history, this
00:22:12
melody became popular back in the
00:22:14
thirties, although with other words the song was
00:22:17
published underground, as they said on the
00:22:20
ribs then, and the first official recording
00:22:23
appeared in
00:22:25
1954 in Leningrad,
00:22:27
the song was beautifully performed by Olga
00:22:29
Kravchenko, well, it seems we’ve sorted it out and
00:22:33
now we’ll be happy to listen to
00:22:35
the cranes sing Irina Shvedova
00:22:39
[applause]
00:22:48
[music]
00:23:07
autumn rain and all around
00:23:11
[music]
00:23:16
there is
00:23:18
not a
00:23:21
little donkey
00:23:22
[music]
00:23:32
1
00:23:35
high up in the
00:23:39
harsh skies
00:23:41
[music] they fly away
00:23:49
they
00:23:53
gave up
00:23:57
I can do it
00:24:05
[music]
00:24:15
pass the log
00:24:17
[music]
00:24:42
and
00:24:43
when I drank uni
00:24:47
I window
00:24:51
[music]
00:24:56
what are you
00:24:57
[music]
00:25:02
then
00:25:05
[music]
00:25:09
again
00:25:11
[music]
00:25:14
instill
00:25:18
cranes
00:25:20
[music]
00:25:31
[applause]
00:25:39
[music]
00:25:42
Katyusha how good it is that you are always next
00:25:46
to me on this stage with you I’m not I know
00:25:49
what sadness is, what a wonderful
00:25:51
confession the short story played for you,
00:25:54
the music of Eugene was played by
00:25:56
few people remember the authors of the next romance
00:25:59
and we must definitely tell them
00:26:01
they were the most talented people of the composer
00:26:05
and the film Rosenfeld had the gift of
00:26:08
creating melodies that the next
00:26:10
day the whole country sang, but about the
00:26:13
poet Nicholas of Hungary almost
00:26:15
nothing is known,
00:26:16
he was included in the encyclopedia as the author of
00:26:19
1 romance, but what glory
00:26:24
did his first performer bring to the Rosenfeld and Hungarian tango, of course, and Georgy
00:26:27
Vinovyv, Alexander Bayev, will add his
00:26:30
colors to this unforgettable masterpiece
00:26:34
[applause]
00:26:42
[music]
00:26:59
[applause]
00:27:04
[music]
00:27:22
inhaling the roses
00:27:26
shady aroma remembering 100
00:27:31
of course I love Vanya
00:27:34
so they told me then
00:27:38
remember you suddenly lit love
00:27:42
left and did not return
00:27:45
[music]
00:27:46
well, the words tender love
00:27:50
I will never forget
00:27:54
my love is not a construction site,
00:27:59
what suddenly gives the radiance of the day
00:28:03
I ask for a lot only with a smile and did
00:28:07
not notice me
00:28:11
there returning your port
00:28:14
[music]
00:28:15
I don’t beg for your love
00:28:19
not
00:28:20
mine without bold reproach not
00:28:23
I still love you
00:28:29
[music]
00:28:43
in the morning
00:28:45
[music]
00:28:53
[applause]
00:28:54
[music] I
00:29:17
return your portrait to you
00:29:21
I can’t
00:29:25
mine from the immortelle not
00:29:29
I still love you
00:29:34
and
00:29:35
[music]
00:29:49
how fascinating it turns out to be to
00:29:52
investigate the history of songs and find out the
00:29:54
names of their authors, well, let’s continue as
00:29:58
we continue, however, I’m sure that
00:30:02
everyone sitting in our hall knows the next song
00:30:04
because Leonid Utesov sang it and everything
00:30:07
he performed it’s simply impossible to forget this unique artist, we
00:30:13
just forgot the name of the composer, or rather, we
00:30:16
just didn’t know because for many years
00:30:19
the author was listed as the arranger of the orchestra, Mikhail Utesova,
00:30:21
worry, but in
00:30:25
fact, five years before
00:30:28
I performed this song, no Osipovich, it sounded in a
00:30:31
search for a Czech film 12 chairs,
00:30:34
the composer of this picture, Vladislav
00:30:37
Danilovsky, well, a charming author's
00:30:40
text that has nothing in common with a
00:30:42
Polish grain of sand was written for Utesov by the
00:30:44
poet Anatoly Frenkel, known under the
00:30:47
pseudonym dactyl, and so the song
00:30:50
that Utesov sang with his daughter
00:30:53
edit will be presented to us by Irina Shvedova and
00:30:56
Alexander Koltsov
00:30:57
[applause]
00:31:06
[ music]
00:31:44
you are not only sia, here the flowers are dawning
00:31:50
[music]
00:31:56
he has luck.
00:32:01
put out my friend sister, you are
00:32:04
right,
00:32:05
everything is so foggy after all, Vasya,
00:32:09
without them, your life is to
00:32:13
[music]
00:32:15
sister
00:32:16
why
00:32:17
[music]
00:32:19
glade
00:32:21
andflowers
00:32:22
motorcycles
00:32:25
and dreams they say
00:32:27
goodbye to the typewriter
00:32:30
porn
00:32:31
forgive me
00:32:32
[music]
00:32:38
something something
00:32:39
something I you to I
00:32:42
don’t understand the robot
00:32:46
[music]
00:32:48
very much my fate
00:32:51
[music]
00:33:08
how difficult it is to live my corpse is not [ __ ] and
00:33:12
all the darkness in the whole region
00:33:16
if my life is cruise control of anyone then there
00:33:21
would be no sleep, that’s why
00:33:26
[music]
00:33:41
I am infinitely sorry for
00:33:44
this in our country the aching tender tango
00:33:48
was first performed by Ivan Shmelev and the
00:33:51
Alexander Tsfasman Orchestra,
00:33:53
you can hear something very very familiar in the melody,
00:33:56
I’m infinitely sorry for Katyusha, but this is a
00:34:01
tango,
00:34:02
greetings from Europe, and more specifically, this is a
00:34:07
question about some respected
00:34:10
source, the author of the music is Frenchman Andre
00:34:13
Auguste Seventh, but the French themselves They consider the
00:34:17
composer of this little masterpiece to be a
00:34:20
German cult or Vinnik, so it is
00:34:24
true, I know the French, they
00:34:27
never renounce their musical wealth,
00:34:30
but the poems belong to the poet,
00:34:33
translator and playwright Boris
00:34:35
Timofeev, they remembered everyone and now we are
00:34:39
pleased to introduce our
00:34:41
artist, welcome
00:34:43
Valery Kucherenko
00:34:46
[applause ]
00:34:53
[music]
00:35:32
[music]
00:35:40
[applause]
00:35:43
[music]
00:35:58
I waited in vain for
00:36:02
you that evening dear,
00:36:06
since then I have learned that I am a stranger
00:36:09
[music]
00:36:11
and for me
00:36:15
I am infinitely sorry for
00:36:19
your unfulfilled
00:36:21
dreams
00:36:23
and only the pain of
00:36:26
memories
00:36:27
shoulder here is me
00:36:30
[music ]
00:36:32
wanted parts
00:36:35
[music]
00:36:36
of us there
00:36:38
alone
00:36:39
[music]
00:36:45
not on the way
00:36:48
I am infinitely sorry for
00:36:53
my unfulfilled
00:36:54
dreams
00:36:57
and only the pain I remembered
00:37:00
[music]
00:37:02
oppresses
00:37:04
[music]
00:37:22
is not
00:37:23
endless
00:37:25
[music]
00:37:27
two unfulfilled dreams
00:37:31
and only the will besides there is
00:37:35
no
00:37:36
[music]
00:37:57
our next romance, happy
00:37:59
fate, they remember it and sing it to this day, I
00:38:03
just adore it, I listen to it and immediately
00:38:05
remember the southern coast of Crimea,
00:38:08
Park Chair,
00:38:12
I think this is an ideal place for
00:38:14
artists, musicians and poets, only for the
00:38:17
composer Konstantin 6 everything was
00:38:20
the other way around, first he wrote the amazing
00:38:23
ramones and only then he came to
00:38:25
Chair Park, but that means he was inspired by the
00:38:28
poems of the poet Pavel Arsky, the fate of this
00:38:32
man is surprising, he was among those
00:38:35
who stormed the winter in 1917, he wrote
00:38:39
mainly revolutionary poems, and people
00:38:42
remembered him as the author of the lines in Chair Park,
00:38:46
roses are blooming,
00:38:48
Konstantin Lists proposed to perform
00:38:51
this novel to my fellow
00:38:53
Odessa resident Arkady, success has exceeded all
00:38:57
expectations,
00:38:58
we'll take a walk and we'll take a walk in the tea park, at least in our
00:39:02
dreams Valery Kucherenko will help us
00:39:06
[applause]
00:39:13
[music]
00:39:19
[applause] [music]
00:39:30
in the park the vats are
00:39:34
blooming ru
00:39:39
parker tea
00:39:42
blossom
00:39:47
dreaming of your
00:39:50
golden window
00:39:55
and sitting cheerfully from the computer and I’m
00:40:03
dear,
00:40:07
we see you from but
00:40:10
[music]
00:40:12
he didn’t dream of a
00:40:14
God-loving song
00:40:16
[music] the
00:40:19
beach at Mitya’s
00:40:22
fields they just
00:40:28
dreamed about
00:40:29
this
00:40:31
flight
00:40:32
[music] in
00:40:35
the park chair of
00:40:38
doves of love and
00:40:43
snow whiter
00:40:45
[music]
00:40:46
Tereshin sweet
00:40:48
[music]
00:40:51
dreaming I
00:40:53
dream of spring roasting flames
00:40:56
[music] I
00:40:59
dream of a chair
00:41:02
of ceremonies
00:41:04
[music] I
00:41:07
remember the mind
00:41:10
as unclear language
00:41:14
that night blue
00:41:17
ears and ships into the distance
00:41:21
[applause]
00:41:25
yours
00:41:27
and [music] will
00:41:30
I ever forget your songs [
00:41:35
music]
00:41:59
he
00:42:10
park chair
00:42:12
blossoms in
00:42:15
[music]
00:42:17
park tea and
00:42:20
hundreds of thousands
00:42:25
dream of your
00:42:28
golden shark
00:42:32
tit my light your spring
00:42:37
and
00:42:40
[music]
00:43:06
Katyusha finally you and I can
00:43:09
exhale in the creation of the next two
00:43:11
songs there is no mystery except the great
00:43:15
secret of them 1 performer Claudia Vanna
00:43:19
Shulzhenko it
00:43:21
was worth hearing the voice with this once
00:43:23
singers and it sounded in a person’s soul all his
00:43:27
life; composers and poets considered it an
00:43:30
honor to entrust their compositions to Shulzhenko;
00:43:33
many later confessed; they listened and were in
00:43:36
disbelief; did I really
00:43:39
write a song so well from the repertoire of Klavdiya
00:43:42
Ivanovna Shulzhenko;
00:43:44
performed by Anna Buturlina
00:43:48
[applause]
00:43:55
[music]
00:44:42
farewell is better than a
00:44:44
spinner in the distance
00:44:47
flashing for the last time
00:44:50
our old dream
00:44:53
with fire in the hall
00:44:55
and suddenly while
00:44:59
the question and immediately ban
00:45:03
on the quiet garden gan as if the night had
00:45:10
carried away
00:45:11
[music]
00:45:12
stale
00:45:14
[music]
00:45:16
how this lesson
00:45:19
flashed your look
00:45:21
flashed and a moment of a bug
00:45:24
with when they sewed up
00:45:28
half an hour
00:45:30
goodbye ball
00:45:33
1
00:45:34
went out and immediately the scale
00:45:38
on my heart felt
00:45:42
like a glance forgiven your nose love
00:45:48
with you
00:45:50
[music]
00:46:25
how this ray
00:46:28
flashed your gaze like a
00:46:29
spinner in a moment to the gods
00:46:33
when
00:46:36
we silently entered the garden at the farewell hour
00:46:42
luggage and immediately the head [
00:46:46
music]
00:46:47
fell on my heart
00:46:49
[music]
00:46:53
still
00:46:55
at deus
00:46:57
with
00:47:00
[music]
00:47:04
[applause]
00:47:15
[music]
00:47:57
talk
00:48:00
about love
00:48:02
tell me again from
00:48:05
I without
00:48:07
[music]
00:48:12
they
00:48:14
repeat to me a thousand times
00:48:20
not
00:48:22
bitumen
00:48:23
only
00:48:24
all of us
00:48:26
that sounds to me forever
00:48:30
I love only you
00:48:34
blue afraid
00:48:39
stella the
00:48:41
smell of fresh strong
00:48:47
in the evenings
00:48:49
so we met again
00:48:53
[music]
00:48:55
and again
00:48:57
I’m lying, you’re ready
00:49:01
without lead,
00:49:05
speak to
00:49:07
me
00:49:10
joyfully today with you, so warm your hearts with
00:49:16
words
00:49:20
and
00:49:21
like that memorable one that after the first and
00:49:27
second dates,
00:49:29
repeat to me a thousand times,
00:49:33
inspired by your closeness,
00:49:37
I love only you
00:49:42
[ music]
00:49:56
here we met, but
00:49:59
you yourself,
00:50:02
I’m
00:50:04
ready to cut off
00:50:08
endlessly repeating
00:50:11
to tell me about love,
00:50:15
I’m so happy today with you, so
00:50:20
you’ll collect the trot
00:50:22
from the word
00:50:23
and
00:50:24
[music]
00:50:26
he
00:50:27
[music]
00:50:45
thanks to our artist and wonderful
00:50:48
musician of the retro jazz orchestra under
00:50:51
managed by Nikita Bukaf no one they so
00:50:55
talentedly recreated the atmosphere of past
00:50:57
years, it was as if I had watched a great movie
00:51:02
thanks to our amazing, sensitive
00:51:04
audience they are always on the same wavelength with the
00:51:07
program romance romance
00:51:15
[music]
00:51:48
a [ music]

Description:

Программа А.С.Гончаровой "Вдыхая розы аромат. Незабытые шедевры". Поют Анна Бутурлина, Лариса Макарская, Александр Баев, Ирина Шведова, Александр Кольцов, Валерий Кучеренко, Сергей Избаш. Мы благодарим А.В.Бутурлину, которая познакомила всех нас :) Хорошо на московском просторе! Светят звезды Кремля в синеве. И, как реки встречаются в море, Так встречаются люди в Москве. Нас веселой толпой окружила, Подсказала простые слова, Познакомила нас, подружила В этот радостный вечер Москва. И в какой стороне я ни буду, По какой ни пройду я траве, Друга я никогда не забуду, Если с ним подружился в Москве. Не забыть мне очей твоих ясных И простых твоих ласковых слов, Не забыть мне московских прекрасных Площадей, переулков, мостов, Скоро встанет разлука меж нами, Зазвенит колокольчик: «Прощай!» За горами, лесами, полями Ты хоть в песне меня вспоминай. Волны радио ночью примчатся Из Москвы сквозь морозы и дым. Голос дальней Москвы мне казаться Будет голосом дальним твоим. Но я знаю, мы встретимся скоро, - И тогда, дорогая, вдвоем На московских широких просторах Мы опять эту песню споем. 1941

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