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0:00

Intro

1:20

Setting up the Scene

3:25

Power Mesh in Mocha Pro

7:29

Apply Tracking and Warping Data

10:42

Create a Reference Frame

11:59

Neural Filters in Photoshop (getting old)

14:50

Compositing in After Effects

17:01

Grey Hair

21:35

Final Tweaks and Color Correction

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power mesh

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mesh tracker

mesh tracking

warp tracker

warped surfaces

mesh

photoshop

photoshop 2021

new features

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neural filters

age

digital makeup

aging

planar tracker

facial age

getting old

morph

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00:00:00

[Music]

00:00:01

hey hello and welcome to this really fun

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tutorial by flowmotion

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because today i'm going to show you how

00:00:06

you can get pretty old

00:00:08

pretty fast so just follow me into

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after effects

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so in here as always let's build this

00:00:17

one from scratch but

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first things first as always if you have

00:00:22

a question about this tutorial

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or about the workflow about moca pro

00:00:27

about visual effects in general

00:00:28

about my equipment and whatnot then just

00:00:31

feel free and leave me a comment down

00:00:32

below and i promise

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i will answer all of your questions

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so now let's have a look on what we're

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going to create today

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so this tutorial will basically cover

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mesh tracking

00:00:44

maybe you're wondering what is mesh

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tracking and why haven't i heard of that

00:00:48

before

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well that's a new feature within the new

00:00:51

version of mocha pro

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and this is a complete game changer so

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if you watch this tutorial and think

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that you need to have

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mocha pro within your visual effects box

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and you want to purchase it then you

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will also get a discount if you use my

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promotion code

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flowmotion15 to get 15

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off and i will also write that down in

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the description below and i'm also going

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to share the link to mocha pro

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over there but hey let's jump directly

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into this tutorial

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so what do we have here this is the

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footage that i have shot

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and now let's just define a frame where

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everything should start so this will be

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our reference frame

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and i think i go to this mark that was

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about the timing that i also had in my video

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so i can set a marker here and i'm just

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dragging that out here

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and i can double click on it and name it

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and i'm just calling this reference

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so now let's define the area that we

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want to track maybe i'm not tracking

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everything because that just takes a

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little bit of time maybe just

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a few seconds maybe until here and i hit

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n

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for end and for the first frame

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i hit b for beginning and now i'm simply

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just

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trimming the comp to the work area

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because this is the part that i want to

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work on

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so next thing to keep it a little bit

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more organized i go to composition

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settings and set the start frame to zero

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and hit okay in that way we are starting

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at frame zero

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and i'm also going to pre-compose this

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footage and

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call it the track and we don't have any

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effects or anything applied to it

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but anyways i'm going to move all

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attributes into the new composition

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because in that way it will adjust the

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composition duration to the time span of

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the selected layers

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and this is what i want now the

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composition is exactly from beginning to

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end and full frame perfect so what are the

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steps that we need to do

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at first we will jump into mocha pro and

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i show you the new features of this

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awesome power mesh tool the mesh tracker

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and after that i'm going to show you how

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you can apply different things to your

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face or basically everything that you're

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tracking because the mesh tracker as it

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says it is there to not only track planar

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surfaces

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as we were used to within mocha but it

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can track

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warped surfaces and after that i'm going

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to show you

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how to create a old face and you will

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learn a really

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cool new technique that's also a new

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feature within the adobe creative cloud

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and i'm also going to show you some

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really cool quick tips

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on rotoing fine details so stay tuned

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for that

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but let's jump into mocha and for that

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let me bring out

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mocha pro just drag it onto the footage

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and click on the mocha button

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so here in moca everything looks like in

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the old versions of mocha

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and also the workflow is the same so

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let's just start with our normal

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workflow by creating

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a spline around the area that we want to

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track and in my case this is the head

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and the neck and now

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we can define what we want to track as

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we are used to translation scale

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rotation and shear has always been there

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always fine

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perspective why not in this case because

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i'm moving my head a little bit

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and now there's the new feature the mesh

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so we can also track a mesh

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and when we click on that you can see

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that it automatically creates

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a mesh for us which is pretty nice

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but i want to have finer controls i want

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to define how dense the mesh

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really is that we are tracking and we

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can do that pretty easy because

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over here we have all the mesh options

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and instead of the automatic mesh that

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we just saw let's just switch to the

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uniform one and we don't see anything

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because every time we make a change here we have

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to update it

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by clicking on generate mesh and now you

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can directly see

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what this is doing it creates a mesh and

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later on it will track

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all of those points and therefore warp

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the mesh

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in the same way like the face so that we

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can later on apply

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cool effects to it and there's really

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nothing more to it that i'm going to do

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here

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you could click on the adapt contrast

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button so it will basically add more

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contrast

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to the image before tracking so it finds

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more detail

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and you could also do the auto

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smoothness but hey let's just leave it

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with the defaults everything we have

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done

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here is we switched it from automatic

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mesh to uniform mesh and of course we

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enabled the mesh

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and by the way i'm hitting x to get the

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hand tool here

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and that is for zooming in and out

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okay let's just start the tracking with

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all those default values

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and while this is tracking let me tell

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you that this

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is actually real time

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so all this great power of mocha that we

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are used to from

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other tracks the planar tracks as well

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as the roto

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is in mocha pro in the mesh tracker so

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it's super super fast and also super

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intuitive to work with

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and you can of course benefit from all

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the other options that you're used to

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like occlusion mats if you have more complex

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shots or

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if my hand for example would reach over

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my face

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i could also track my hand and in the

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same time

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remove the data from my hand from the

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other track

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pretty amazing and remember you can not

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only track and stabilize with this

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but you can also use it for complex roto

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stuff and as you see

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as the mesh is tracking and not only the

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spline that you have created

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that will basically mean that the roto

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is more accurate or in other words

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you'll need less keyframes or less

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refinement

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so super super powerful and while i was

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talking the track already finished

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so you can see what this is doing and

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from a first

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view this looks pretty cool and

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super interesting i'm thinking about a

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hundred thousand different ideas that

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come to my mind what you can do with all

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of that but of course i want to show you

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how to get

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old so the same workflow as with a

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planar track you go to the frame

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where you set your reference frame and

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where the whole grid is still aligned to

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the face

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and in my case this is the first frame

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and then you can click on

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show the planar surface and at the

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moment this is that blue box here

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but i want to have it full frame so i'm

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simply clicking on that button that's

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exactly for that reason expand the

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planar surface

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of selected layers to fill the entire

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frame when i click on it

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it's now filling the entire frame

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exactly what i want

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i can save this now and we are done

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in mocha and i can close it now

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so now this was our tracking but i've

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already prepared some examples for you

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so i'm just copying those over so what i

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have here i created a grid and i can turn it on

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and off

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this is just a grid effect on a layer i

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have

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set the color to red and then masked out

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the face

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really quickly and this is exactly the

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same that we are going to do later on we

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create a mask that we can lay on top of

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my face and now how do we apply the

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tracking data that is super easy we have

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tracked on our track layer

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and i can simply go to mocha and copy it

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edit copy and because i want the same

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data to be on the mesh track and

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here i go to edit paste

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and when we scrub through this now you

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see that nothing is happening because we

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have to

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tell the layer how it should behave

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because all the

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warp data that we have created we want

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to see that in the render

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so we have to activate it so for the

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module renders

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we check the checkbox for the render and

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in this way

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it will render the image with the data

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that we have created

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so enable it and now we have to define

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what exactly do we want to render in the

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module you can find all the different

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things that you can do but we want to

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render the warped

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image so there's the warped image and

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remember the first frame is the same

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because we have aligned everything on

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the first frame

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this is why we don't see it here but

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when i play this back you see

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that everything warps like it is

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supposed to do so

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each of those squares has different

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tracking data so to say

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and just as a quick comparison to that

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i've also created something in advance

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and this is the same grid but this time

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i have applied

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corner pin data like you would do with a

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normal track

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and now look what this is doing you see

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that all the squares stay the same

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because they don't get warped

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you can really see that this would be

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like a mask that you print out on paper

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and hold in front of your face and then

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it would track with your face but of course it

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would still look like a pretty

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flat mask and this is why in previous

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tutorials

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what i did is did several tracks for

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different parts of the head like

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chin cheek nose forehead eyes and so on

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and then

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with all that combination you could fake

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something that looks real

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but of course we want to have this

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result but before

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we are going to create the old face let

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me just quickly show you

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what i have prepared here and we are

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going to reproduce all of that in just a

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minute but this is just to show you what

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we are going to do

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so again this is the first frame and

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this is really just like

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a cut out and i can play this back maybe

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just with the mask so you see what this

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is doing and when you take a look at the

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cheeks or

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on the chin or the nose or basically all

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the parts

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are warping differently so that this

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almost looks like

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like yeah almost like a 3d mask and in

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combination with

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my face that's what this will look like

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okay but now let's simply delete those

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three layers

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because we want to create this on our

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own so at first we need our reference

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frame and therefore

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we go to the reference and we can save

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this frame you can do that by

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composition

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and go to save frame as file

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and now you can click on what you want

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to save i don't want a photoshop

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sequence here i want a jpeg

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and then you can define where you want

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to save it and i've already done that as

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you can see here

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as a reference frame for the sake of it

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let's call this

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reference frame 2 save it and don't

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forget to click the render button

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okay and now let's start with the magic

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and basically there are three ways that

00:11:20

you can do that

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first way would be to search on the

00:11:23

internet for pictures of

00:11:25

old people and then just make small

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patches and

00:11:28

try to find your way through after

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effects or photoshop and make yourself

00:11:32

look old and i think there are also apps

00:11:35

out there that can do that

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pretty good these days the second thing

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that i was also thinking about is to

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film this and then simply have my father

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or grandfather standing at the same

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position

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filming him or take a photo of him and

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so i have patches of someone who looks

00:11:52

like me in an older version and then i could

00:11:54

recreate that and then

00:11:56

i saw the new pretty amazing features

00:11:58

within photoshop so let's quickly jump

00:12:00

into

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photoshop and in here i have the

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reference frame

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but i also created this frame here and

00:12:08

this is just for you to see it a bit

00:12:09

better

00:12:10

because this is like more of a neutral

00:12:12

pose that i have here

00:12:13

because in the new version of photoshop

00:12:15

you can go to filters and there you have

00:12:17

neural filters and basically those are

00:12:20

filters that artificial intelligence

00:12:23

will create

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for us so it looks for features in the

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face or in the picture

00:12:28

and can change that and that machine

00:12:31

is called adobe sensei so you will hear

00:12:34

that in the future i think pretty often and

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you have already

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some filters over here but there are

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also some filters when you click on the

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beta filters

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and you have the beta filters also in

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your normal version so this is not a

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beta version that i'm using this is just

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normal photoshop version and you see

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that there are hell a lot of

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filters in there but i'm going to

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concentrate on the smart portrait

00:12:56

and click on enable already you see that

00:12:59

we have some sliders for happiness

00:13:01

surprise anger and of course the facial

00:13:03

age that we want to

00:13:05

change here but let's quickly try it

00:13:07

with happiness

00:13:08

just to see what will happen okay

00:13:12

you see this funny result and it also

00:13:14

tried to

00:13:15

guess my teeth here because as you have

00:13:18

seen there were no teeth on

00:13:20

my image but maybe let's just try the

00:13:22

other way

00:13:23

less happiness oh okay and you see

00:13:26

what you're getting here and what i

00:13:28

found when turning yourself

00:13:30

old you can not only use the facial age

00:13:33

what i'm doing now

00:13:34

and i'm just dragging that to like 31 so

00:13:38

that i get some wrinkles but you could

00:13:39

also play with happiness surprise and

00:13:41

anger

00:13:42

because in that way it will distort your

00:13:43

face and will therefore create more

00:13:45

wrinkles

00:13:46

and yeah this is what i've done here i

00:13:48

just looked for

00:13:49

the image and for my file i actually

00:13:53

created like i think it was four or five

00:13:56

different images

00:13:57

and then brought them together in after

00:13:59

effects and also what i did not like

00:14:02

was the hair but you could also play

00:14:04

with that with the hair thickness

00:14:06

and this is really cool if you bring it

00:14:08

down you get like

00:14:10

more skin on your head and in that way

00:14:13

you can also create more wrinkles on

00:14:14

your forehead so really

00:14:16

cool but i still don't like the hair but

00:14:17

the face is fine

00:14:19

and we are going to work on the hair

00:14:20

later and for the output you can also

00:14:23

check that you want to have it on a new

00:14:24

layer so i'm quickly doing that on the

00:14:26

original frame here

00:14:27

go to filter neural filters smart

00:14:30

filters

00:14:31

facial age high hair thickness

00:14:34

down and this really looks super cool so

00:14:38

i'm going to take this one

00:14:39

and also save it again i'm using a jpeg

00:14:42

here

00:14:43

i've already saved an old face here so

00:14:45

call this old phase 2

00:14:47

and click save ok

00:14:50

and we are done so in here here's my

00:14:54

old face that i have created and i just

00:14:57

bring this out here

00:14:58

and pre-compose it and i'm going to call

00:15:00

this the insert

00:15:02

and i'm just going to show you how i did

00:15:04

the hair

00:15:05

in a minute so stick with me and let's

00:15:08

directly apply the tracking

00:15:09

once again just copy the tracking data

00:15:12

and paste it with ctrl

00:15:16

c and ctrl v and then apply

00:15:19

the render so that you see the rendered

00:15:21

version of this and of course

00:15:22

the warped rendered version now again it

00:15:25

is

00:15:26

warping the whole image so i'm going to

00:15:28

create

00:15:29

a mask here now creating the mask and i

00:15:32

want to blend my neck so i'm not cutting

00:15:34

this out really perfect

00:15:35

and around the hair i'm doing this just

00:15:38

pretty rough

00:15:39

because i know that i'm going to create

00:15:41

new hair anyways

00:15:42

and now i'm also going to mask out my

00:15:44

eyes as well as my mouth

00:15:48

of course i have to subtract that so by

00:15:49

hitting m i get all the masks

00:15:52

and the eyes and mouth i want to

00:15:54

subtract

00:15:55

by hitting f i get feathering options

00:15:57

and i'm just feathering this

00:15:59

a little bit and back on my footage

00:16:02

this is what we have now and this is

00:16:04

what this looks like

00:16:08

already looking pretty good now let's

00:16:12

feather the edges a little bit into my

00:16:13

real skin and therefore i'm hitting g

00:16:15

again so the first time i click it i get

00:16:17

the pen tool and the second time i get

00:16:19

this feather

00:16:20

to feather the mask and how this works

00:16:22

you click on the mask

00:16:24

that creates a point and you can drag

00:16:25

that out for

00:16:27

feathering and you see i'm going to

00:16:30

feather this a lot around the head

00:16:32

and then i add extra points

00:16:35

and bring this back around the head you

00:16:37

can also click on the layer again

00:16:39

and bring it inwards so it feathers all

00:16:42

of this a little bit

00:16:43

to the inside best thing is really to

00:16:46

play with it

00:16:47

until you have a mask that fits perfect

00:16:50

on your face and

00:16:54

honestly i am super happy

00:16:58

with what i'm seeing here this is so

00:17:00

awesome this is

00:17:01

unbelievable okay last thing let's work

00:17:04

on the hair

00:17:05

and what i found for my example is that

00:17:07

my hair is fine it just needs to have a

00:17:09

different color

00:17:10

so let's go back to the insert and i'm

00:17:12

grabbing the reference frame again

00:17:14

because here i want to mask out only the

00:17:18

hair

00:17:19

and i tried that with a simple mask and

00:17:22

quickly came to the conclusion that it's

00:17:24

just too much work

00:17:26

for all this detail here so what i did

00:17:29

is i took the reference frame brought it

00:17:31

into a new composition

00:17:33

maybe we call this hair and basically

00:17:36

it's only going to be one frame long

00:17:37

so i make the composition only one frame

00:17:39

long because remember it's just

00:17:41

one still frame that we have to work on

00:17:43

and this is so powerful

00:17:44

even if you want to make a zombie or add

00:17:47

a wound or something to the face

00:17:49

hey you just have to take your time for

00:17:51

one really cool frame

00:17:53

and then it applies to all the rest

00:17:56

i want to roto this out and

00:17:59

then i remembered a video that i did a

00:18:02

few weeks back

00:18:03

new features within after effects and

00:18:05

there's a tool called roto brush that is

00:18:07

exactly there

00:18:08

challenging stuff like this or actually

00:18:10

not actually it's just

00:18:12

to make a quick roto but hey why not

00:18:15

think outside the box and use it exactly

00:18:17

for that shot

00:18:18

i'm going to show you how you have the

00:18:20

roto brush tool here and when you click

00:18:22

on it

00:18:23

you see that nothing is happening

00:18:24

because you can't

00:18:26

roto on the composition you have to roto

00:18:30

on the layer and for that you simply

00:18:32

double click on it

00:18:34

and you already have this green brush

00:18:37

icon and i can quickly brush over the

00:18:40

hair

00:18:42

and it will create a matte for me and by

00:18:44

hitting down alt

00:18:46

you can subtract stuff from it and now

00:18:49

i'm just going through this real quick and

00:18:50

hey all of this is real time

00:18:53

so i'm trying to get the best result

00:18:56

that i can

00:18:58

and of course you see that there's still

00:19:00

all this fine hair detail

00:19:02

and i'm working on that now because

00:19:04

there's not only the roto brush up here

00:19:06

but also the refine edge tool when i

00:19:08

click on that i'm doing exactly that

00:19:10

what you would expect i'm

00:19:12

painting over the edges that i want to

00:19:15

refine so i'm telling

00:19:17

after effects and once again this is

00:19:18

after effects sensei

00:19:20

i'm telling those great machine

00:19:24

which parts are also part of my mat or

00:19:29

part of the edge that makes up the mat

00:19:31

and i'm also doing this

00:19:33

inside here

00:19:38

when i let go you see it creates a black

00:19:40

and white

00:19:41

mask for the hair super cool and i can

00:19:44

also click on those icons here

00:19:46

to see different versions so this is the

00:19:48

mask that i have created now

00:19:50

for the hair and hey for me that is

00:19:52

super perfect and super fine

00:19:54

but remember this is an effect so you

00:19:56

could still go into

00:19:58

the rotor brush mat and refine the mat

00:20:00

like feather it

00:20:01

add more contrast shift the edges and

00:20:03

what not and you can do the same for the

00:20:05

fine-tuned refine edge mat

00:20:07

you also have options to work on that

00:20:09

like feathering that a little bit

00:20:11

and so much stuff to play with okay once

00:20:14

you're happy with the result you have to

00:20:16

freeze it

00:20:17

that basically means everything that you

00:20:19

have created will get stored within that

00:20:21

frame

00:20:22

in that effect so as we only have one

00:20:25

frame this should go pretty

00:20:26

fast i click on freeze and

00:20:29

there we are and now i can go back to

00:20:31

the composition and you see

00:20:33

here's only my hair so i can close this

00:20:37

now and go back to the insert because

00:20:39

remember

00:20:40

i only did that to change the color of

00:20:42

the hair so

00:20:44

let's bring out the hair in here and now

00:20:46

i'm simply going to time

00:20:48

freeze frame so that i have it for the

00:20:51

whole composition

00:20:52

and i could work directly

00:20:55

on the hair like for example tint it but

00:20:57

what i prefer to do is to create a new

00:20:59

adjustment layer right in

00:21:01

alt y or simply go to layer new

00:21:04

adjustment layer and bring that

00:21:06

beneath the hair and use the hair as a

00:21:09

matte for the alpha and in that way when i'm

00:21:12

doing something to the adjustment layer

00:21:14

it only takes place

00:21:15

where the hair sits on top and for

00:21:18

example i can do the same

00:21:20

and i'm using the hair again to cut out

00:21:22

the reference frame

00:21:24

so we only see the parts that we are

00:21:27

working on

00:21:28

so we have the old face with some gray

00:21:31

hair

00:21:32

and in our footage this is what this

00:21:35

looks like so almost there i'm quickly

00:21:38

going to change the color

00:21:40

on that side of my neck a little bit to

00:21:42

blend a little bit better

00:21:44

and for that simply creating a new

00:21:46

adjustment layer

00:21:47

put it on top of everything here and

00:21:49

mask out that part

00:21:51

bring up a levels effect and now i'm

00:21:54

going to the footage

00:21:56

and enable the lock here and in that way

00:22:00

i can go to the insert layer

00:22:01

but i can still see what happens to the

00:22:04

whole composition

00:22:05

because in that way i can now work on

00:22:07

this until the skin tones match

00:22:10

now this part is really looking nice so

00:22:12

i can unlock this

00:22:14

and now the rest is simply again

00:22:17

feathering this

00:22:21

so and that made a big difference once

00:22:23

again i'm hitting the lock

00:22:24

to show you this is width

00:22:28

and without the levels effect

00:22:32

okay and now is the last step of course

00:22:34

you have seen that there's some

00:22:36

old hair showing through through my gray

00:22:39

hair but nothing easier than that because for

00:22:41

that i simply created a clean plate

00:22:43

and when i bring that out here i can

00:22:46

simply mask

00:22:47

out the part where my hair sits and then

00:22:50

i'm just feathering this a lot

00:22:52

so maybe as a last step because i see

00:22:54

that my lip is looking a little bit

00:22:56

strange over there but i can easily fix

00:22:59

that

00:23:00

by going in here and simply make this a

00:23:03

bit bigger

00:23:04

and maybe even also feather this a

00:23:08

little bit more

00:23:09

maybe some overall color correction and

00:23:12

let's keep it simple with this one

00:23:14

just bringing out a curves effect

00:23:17

and just clicking on dark mid and

00:23:20

highlights and just create a small

00:23:23

s curve and this is just

00:23:26

to have a little bit more contrast on

00:23:28

the image

00:23:30

and maybe also add a photo filter

00:23:33

and make this a little bit cooler maybe

00:23:36

that's too much

00:23:37

something like this looks fine and here

00:23:39

we have our final shot

00:23:41

so i really hope that you also like the

00:23:43

new mesh tracking features

00:23:44

as much as i do and once again if you're

00:23:46

considering buying mocha pro

00:23:48

then you will get 15 off by using my

00:23:51

promotion code

00:23:52

flowmotion15 and also remember the mesh

00:23:55

tracker

00:23:56

is just one of the many many awesome

00:23:58

features that are only available in

00:23:59

mocha pro so this is really really a

00:24:01

great tool

00:24:02

and if you also like all the other quick

00:24:04

tips and workflow

00:24:06

tips and insights on my workflow feel

00:24:08

free to give me a thumbs up leave me a

00:24:10

comment and as promised

00:24:11

i will answer all of your comments and

00:24:13

you can also consider subscribing

00:24:15

because the more subscribers i have the more

00:24:17

tutorials i can do for you

00:24:19

and i really really love doing those so

00:24:22

what tutorials do you want to see next

00:24:24

just leave me suggestions

00:24:26

also in the comments below and for now i

00:24:28

wish you a lot of fun

00:24:30

getting old in after effects

00:24:54

[Music]

00:25:04

you

Description:

Age effect in After Effects and Mocha Pro 2021 (Power Mesh Tutorial) 💥💥 SPECIAL OFFER FOR ALL SUBSCRIBERS 💥💥 Take 15% off Boris FX plug-ins for Adobe After Effects & Premiere. Go to: https://borisfx.com/?a_aid=64ad83830ad25 🎬🎥 GET 70% OFF ENVATO ELEMENTS 📽🎞 https://elements.envato.com/?irgwc=1&clickid=21bSbJ0sLxyKWiE1SMz%3Ae2BmUkHTo33orVoqT40&iradid=298927&iradtype=ONLINE_TRACKING_LINK&irmptype=mediapartner&mp=Flomotion 💥 🔥 ACTION VFX ⚡️☄️ https://www.actionvfx.com/?ref=flomotion -- You will find explosions as well as many different vfx elements here. 00:00 Intro 01:20 Setting up the Scene 03:25 Power Mesh in Mocha Pro 07:29 Apply Tracking and Warping Data 10:42 Create a Reference Frame 11:59 Neural Filters in Photoshop (getting old) 14:50 Compositing in After Effects 17:01 Grey Hair 21:35 Final Tweaks and Color Correction Neural Filters in Photoshop 2021 Boris FX is running a Black Friday 25% off sale during Thanksgiving 2020 and the discount code will be temporarily disabled. In this new tutorial by flomotion you will learn how to age a person / character with the help of the new poser mesh tool within mocha pro. This new feature within mocha pro 2021 allowes you to track warped surfaces. So in a easy to understand way I am going to show you this new feature/ tracking method and you over the main features of a mesh track. I am also going to show to you how to customize the mesh to your needs. In After Effects you will learn how to set up your composition for an easy tracking workflow. Learn how to precompose and adjust the time of your composition within the composition settings. The whole tutorial will be easy to follow along and therefore good to watch for beginners and pros, as all steps are explained in detail from beginning to end. As a bonus this time we will go into Photoshop and have a look at the new neural filters which are based on AI. This means the maching learning tool from Adobe "Adobe Sensei" will generate images for you, with easy to use sliders for the facial age. An other new tool that we are going to take a look at is the new roto brush tool, which we will use to create a matte from fine hair detail. YOu will also learn the following effects today: - levels - tint - curves - photo filter - masking - roto brush - track mattes - mocha pro Here you find all the EQUIPMENT I used to create my videos as well as my tutorials If you have any questions concerning the equipment just leave me a comment and I will answer all of them. Promised!! VIDEO EQUIPMENT: Camera: Blackmagic Design Pocket Cinema Camera 4K: https://www.amazon.de/gp/product/B07C5MFN1Z?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07C5MFN1Z Lenses: Panasonic Leica 8-18 mm F2.8-4.0: https://www.amazon.de/gp/product/B071V69WM3?ie=UTF8&camp=1638&creative=6742&creativeASIN=B071V69WM3 Panasonic Lumix G X Vario 12-35mm F2.8: https://www.amazon.de/gp/product/B0086ODC3O?ie=UTF8&camp=1638&creative=6742&creativeASIN=B0086ODC3O Monitor: Feelworld FW 279 4k: https://www.amazon.de/gp/product/B07LG43R7T?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07LG43R7T Extra Stuff: Metabones EF-MFT Speed Booster: https://www.amazon.de/gp/product/B011GEMHU4?ie=UTF8&camp=1638&creative=6742&creativeASIN=B011GEMHU4 PHOTO EQUIPMENT Camera: Canon EOS R: https://www.amazon.de/gp/product/B07H9KLR5J?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07H9KLR5J Lenses: Canon RF 24-105mm F4: https://www.amazon.de/gp/product/B07H94FVD8?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07H94FVD8 Canon 50mm F1.8 STM: https://www.amazon.de/gp/product/B00X8MRBCW?ie=UTF8&camp=1638&creative=6742&creativeASIN=B00X8MRBCW Extra Stuff: Canon EF - EOS R Adapter: https://www.amazon.de/gp/product/B07H5SL6W3?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07H5SL6W3 DJI Ronin Gimbal: https://www.amazon.de/gp/product/B07R48NZVD?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07R48NZVD AUDIO EQUIPMENT: Mic Shure SM7b: https://www.amazon.de/gp/product/B00E4X65KS?ie=UTF8&camp=1638&creative=6742&creativeASIN=B00E4X65KS Mic Rode smartLav+: https://www.amazon.de/gp/product/B00EO4A7L0?ie=UTF8&camp=1638&creative=6742&creativeASIN=B00EO4A7L0 Interface Focusrite Scarlett: https://www.amazon.de/gp/product/B07QR73T66?ie=UTF8&camp=1638&creative=6742&creativeASIN=B07QR73T66 Headphones AKG K702: https://www.amazon.de/gp/product/B001RCD2DW?ie=UTF8&camp=1638&creative=6742&creativeASIN=B001RCD2DW PC & HARDWARE: HP ZBook 17: https://www.amazon.de/gp/product/B085DR3TZN?ie=UTF8&camp=1638&creative=6742&creativeASIN=B085DR3TZN McBook Pro: https://www.amazon.de/gp/product/B083TK3S2M?ie=UTF8&camp=1638&creative=6742&creativeASIN=B083TK3S2M Follow me for more tutorials: Website: https://www.flomotion.eu/ Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser YouTube: https://www.youtube.com/flomotionEU Follow me for more tutorials: Website: https://www.flomotion.eu/ Instagram: https://www.facebook.com/unsupportedbrowser Facebook: https://www.facebook.com/unsupportedbrowser YouTube: https://www.youtube.com/flomotionEU

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