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Белый квадрат. Художественный фильм (1970)

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Сергей Михалков. Коньки. Воспоминание о школе. Телеспектакль (1979)

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Channel: Советское телевидение. ГОСТЕЛЕРАДИОФОНД

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Город чудный, город древний... Москва Ивана Грозного

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Страницы творчества. Константин Паустовский. Воспоминания и встречи (1982)

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Приказ номер один. Телеспектакль (1978)

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Channel: Советские фильмы, спектакли и телепередачи

Работать хорошо всегда трудно. Документальный фильм о работе Волжского автозавода (1981)

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Channel: Советские фильмы, спектакли и телепередачи

архив советского тв

богатырев

жизнь в ссср

искусство кино

искусствокино

кино

кино ссср

кинопанорама

новыйгод

ностальгия

останкино

передача

праздник

раритет

сеанс

советские спектакли

советские телепередачи

советские фильмы

советский союз

советское кино

советское тв

советское телевидение

советскоекино

спектакли ссср

ссср

ссср как это было

стеблов

тв архив

три мушкетера

фильмы ссср

вениамин смехов

игорь старыгин

валентин смирнитский

михаил боярский

1979

тримушкетера

00:00:04

[music]

00:00:41

hello hello today we

00:00:43

were asked to help hold this

00:00:45

film panorama because this is an unusual film panorama

00:00:47

this is a New Year's Eve

00:00:49

tincture well and as always before the New

00:00:52

Year there is a lot of trouble with worries during the festive

00:00:55

preparations

00:00:56

well, for starters it would be nice to

00:00:59

decorate the studio like 34 was it would be

00:01:01

great, at least because

00:01:04

you would be really nice if there was

00:01:07

music playing in the studio, yes, but that’s the only way I have an

00:01:08

unobtrusive background,

00:01:11

that’s really good,

00:01:14

Yura,

00:01:15

maybe you won’t sing for us today,

00:01:20

maybe you’ll do it later on New Year’s Eve,

00:01:24

maybe

00:01:26

you can invite guests to the dishes Harness

00:01:28

new music to sound

00:01:31

if you knew how much trouble

00:01:34

today's guests gave us,

00:01:38

of course, for an artist, participation in a cinema

00:01:41

panorama is certainly a very important event,

00:01:43

but in the intervals between cinema panoramas, the

00:01:46

artist gives us

00:01:50

[music]

00:01:52

something else to do,

00:01:54

let's see what the artists of

00:01:57

freedom Botkin panorama do time

00:02:00

director Mark Natalya Zakharova we

00:02:03

met in the theater the expression on his face

00:02:06

was not quite New Year's, but everything

00:02:09

changed as soon as it came to

00:02:12

a fight, or rather to the scene in which it

00:02:16

was necessary to stage a fight, as we were embarrassed,

00:02:19

Mark's daughter admitted this is his favorite

00:02:22

pastime,

00:02:24

actor Alexander Abdulov is

00:02:27

also a guest our program

00:02:30

but he has a different pestolsky

00:02:38

it ended rehearsals

00:02:41

Alexander Abdulov came in victory there is a

00:02:43

piano and Irina Alferova is a good listener

00:02:46

and Alexander Akulov really loves new

00:02:49

songs and

00:02:50

a little ahead of events we will tell you

00:02:52

that today you will hear how he will go

00:02:55

[music]

00:02:58

in opinion in the trailer cheating:

00:03:02

every woman should know how to sew; it’s not only

00:03:04

practically useful, but it’s also eye-catching and

00:03:07

a little joy; it’s nice to wear a dress

00:03:10

sewn with your own hands

00:03:14

[music]

00:03:25

composer Raymond Pauls

00:03:28

said that he always paints the windows in his

00:03:31

apartment himself and not because he doesn’t trust

00:03:34

others, but because he loves it activity

00:03:40

[music]

00:03:43

artist Veniamin Smekhov

00:03:45

doesn’t trust anyone in the house to guide

00:03:48

this process

00:03:50

cooking I always told us myself he told us

00:03:54

with pride and my wife and children only help me

00:03:59

daughters it’s not very upsetting they have their own

00:04:02

worries

00:04:04

Lenochka has

00:04:07

drawing lessons she even prepared for us

00:04:12

gift

00:04:15

artisi and igor starygin are

00:04:18

now mostly writing memoirs

00:04:23

[music]

00:04:25

so far only the title has been written my

00:04:28

memories of the filming of the film the three

00:04:31

musketeers part one chapter one my

00:04:33

life in lvov it was there that he filmed until 3

00:04:37

[music] the

00:04:45

artist valentin smirnitsky every day

00:04:48

sets aside time for a walk with his circle

00:04:51

family

00:04:52

son Vanya dog dog but

00:04:56

we here she is Vente and besides the

00:05:00

blunderbusses

00:05:04

and the war mother is always busy managing

00:05:09

Valentina it’s not easy with such

00:05:11

temperamental travel companions

00:05:14

[music]

00:05:16

Mikhail Boyarsky’s artists we filmed on

00:05:19

the day when, in anticipation of our

00:05:21

arrival, he agreed to become the duty

00:05:23

editor at the phones and mail

00:05:26

kinopanorama

00:05:27

let's see how he succeeded

00:05:37

[music]

00:06:01

who is familiar with this occupation and knows that

00:06:04

feeding children is not a very easy task, it’s

00:06:08

good when you have a grandmother,

00:06:11

although Zoe is the daughter of the artist Evgeniy Simonova

00:06:15

and a quite conscious child at only two

00:06:17

years old, but

00:06:20

curiosity sometimes gets in her way

00:06:26

[ music]

00:06:31

understand,

00:06:33

and this is his giving you his example,

00:06:38

this always happens when it’s especially

00:06:43

impossible to say that the film director giant

00:06:46

stretch does

00:06:48

n’t like to work with technology, but you have to

00:06:52

work, write a script, stage new

00:06:55

films,

00:06:58

nothing in the end you can work

00:07:01

here

00:07:03

[music]

00:07:11

time is yours Oleg Palych nabokov knows how to

00:07:14

plan accurately, but how else could he

00:07:17

combine the work of an artist, director and

00:07:20

teacher and do it all as

00:07:22

it turns out Oleg got, but classes with

00:07:26

students of the acting department of the

00:07:27

Institute of Theater Arts

00:07:29

probably require the most time, and

00:07:32

after all, the fate of future artists largely depends on the teacher

00:07:36

[music]

00:07:44

all this is naturally a joke at home and we didn’t

00:07:47

try to film our guests doing their

00:07:49

favorite activities, we just

00:07:51

liked the passion and

00:07:52

pleasure with which they were engaged, I

00:07:54

would say the most ordinary things, well, as they

00:07:57

say, every joke has its own meaning,

00:07:59

very accurately noted and the main thing is not It

00:08:02

seems to me that even these fleeting film

00:08:05

sketches will help you better understand the

00:08:07

character of our today's guests, and

00:08:09

now we will use our cinematic

00:08:10

eye to show you a

00:08:12

group of people rushing to our program,

00:08:14

perhaps several countries will seem to you

00:08:17

[music]

00:08:32

[music]

00:08:54

[ music]

00:09:11

we specially stopped the film

00:09:13

to give you the opportunity to see

00:09:15

our guests who arrived in such an unusual

00:09:17

way

00:09:19

[music]

00:09:27

mysterious people aren't they?

00:09:37

Let us introduce to our studio the

00:09:41

actor

00:09:43

Mikhail Boyarsky

00:09:44

[music]

00:09:47

Veniamin Smekhova

00:09:48

[music]

00:09:51

Valentin Smirnitsky and the

00:09:53

director of the film Georgy

00:09:57

Yungvald-Khilkevich

00:09:58

we are telling you now about the new 3-

00:10:01

part television film D'Artagnan

00:10:03

and the Three Musketeers

00:10:06

now our guests will enter in their please, more

00:10:10

precisely, into your suits

00:10:16

[music]

00:10:59

and where is the backpack,

00:11:02

I think that most likely something

00:11:04

happened on the road with his horse,

00:11:07

maybe he was detained by the traffic police for

00:11:09

speeding or for violating the lane,

00:11:11

maybe someone knows

00:11:15

again from his cousin, a seamstress

00:11:20

between other than that, this is exactly what happened during the

00:11:22

filming,

00:11:24

ranis, as always, enjoys

00:11:26

one for all, we work all for one, it

00:11:33

seems to us that this last remark

00:11:35

was made not without reason, I give you we have

00:11:38

material evidence,

00:11:39

as you remember, at the entrance to the television center

00:11:41

there was our camera that filmed the

00:11:43

arriving musketeers here is our document

00:11:47

to give names about Igor Starygin, who

00:11:50

plays the role of Aramis, you can’t say that he

00:11:53

works until he has lived, he was a little

00:11:55

delayed at the entrance and

00:11:59

still I think he will say a few words

00:12:03

to the viewers of our program,

00:12:06

please play, I

00:12:08

think Igor got a little carried away,

00:12:13

please

00:12:15

here I am again being taken away from the

00:12:18

important business,

00:12:23

you say that

00:12:26

the days before New Year's are the most

00:12:29

daring wishes, I want to wish our

00:12:32

TV viewers happiness,

00:12:33

health, good luck, and

00:12:36

so that the time they spend on

00:12:40

their TV screens

00:12:42

watching our film, they do not consider the gift

00:12:45

lost

00:12:53

[music]

00:13:03

[music]

00:13:11

again

00:13:13

[music]

00:13:15

and the

00:13:17

wind is cold to the former

00:13:20

family,

00:13:22

where are you, sir, to the devil, and behind the words,

00:13:28

clothes, you have peace and bye

00:13:32

[music] [

00:13:44

music] [music]

00:13:53

[music]

00:13:57

Paris needs the day

00:14:00

[music]

00:14:01

and

00:14:03

he needs knights, and even more so, yes, what is a

00:14:10

knight of love and a

00:14:15

school knight

00:14:20

[music ]

00:14:28

[music]

00:14:54

[music]

00:15:07

not

00:15:09

[music]

00:15:11

times

00:15:14

without

00:15:22

[music]

00:15:25

[laughter]

00:15:31

[music]

00:15:39

despite the fact that everything seems painfully

00:15:42

clear, we, as young presenters,

00:15:46

cannot deny ourselves the pleasure of

00:15:47

reminding you of the text from

00:15:51

Alexander’s works Dumas-father

00:15:54

by tos not only talked a lot,

00:15:58

talked loudly, however, to give

00:16:01

him justice,

00:16:02

he was indifferent to whether he listened to him or not,

00:16:04

he talked for his own

00:16:07

pleasure, for the pleasure of listening to

00:16:10

himself

00:16:12

[music]

00:16:14

Atos was very small through his words were

00:16:17

short and expressive or he spoke always

00:16:20

what I wanted to say and nothing more,

00:16:23

no embellishments, pattern and beauty, what can I

00:16:26

say, Athos was embodied and

00:16:29

nobility

00:16:30

[music]

00:16:33

d'Artagnan, both physically and spiritually, the

00:16:36

daughter looked exactly like the hero Cervantes

00:16:39

Don Quixote; windmills

00:16:41

seemed like giants and a flock of sheep of the

00:16:43

whole army, d'Artagnan perceived every smile

00:16:47

as an insult and every

00:16:51

glance as a challenge

00:16:54

[music]

00:17:18

Astana

00:17:31

[music]

00:17:42

since childhood, probably you were all

00:17:44

migrant musketeers as boys and probably

00:17:47

this is something that has no time for games, it remained in childhood

00:17:50

and resulted in interesting things here

00:17:56

[music]

00:17:58

no, no otkhodniks

00:18:01

costs that you skiing, of course I really did, these are the

00:18:06

childhood impressions that I

00:18:08

liked the most and degrees and of course

00:18:10

I tried to say that he would like everyone

00:18:12

the ability to remain silent matos naturally that’s the

00:18:15

nobility of restraint I think yes I

00:18:18

didn’t like it but I’m already all that I’m already

00:18:21

above the feast of tannins that I came ready

00:18:23

to understand,

00:18:24

but I was lucky to play this, but I’m

00:18:28

very wounded, well, my that there are Athos and Porthos and

00:18:31

Aramis, friends with whom I’m happy, yes, we

00:18:33

also acquired each other, that’s what’s

00:18:35

interesting about this card on grain, probably

00:18:38

the most interesting for those who

00:18:40

remember this life on the set this is

00:18:43

the atmosphere for the most important thing this

00:18:46

atmosphere that was during the filming and

00:18:48

it is certainly here it consists of who can

00:18:51

take this away from us we need this joy of communication and

00:18:54

getting to know each other the bitterness of parting

00:18:56

real bitterness and there were different types of grief

00:18:59

falling from a horse,

00:19:01

I said they were inviting beetles, it seems to me

00:19:03

that Ken panorama and oh well, is there such

00:19:07

a program where it’s very interesting to listen to the

00:19:09

feeling the actor really needs Valina like

00:19:13

what he felt when we bring down the man

00:19:15

who always played beautiful young

00:19:18

graceful people was filming for a long time that he defended

00:19:21

when he was invited to Porthos,

00:19:23

especially since we still arrived

00:19:25

in a cast and couldn’t move at all, this is

00:19:28

one musketeer helicopter living in a cast,

00:19:31

they were held up to the waist when they arrived with a stick, I

00:19:34

don’t do it, I just did it

00:19:36

completely unexpectedly for me, I honestly say

00:19:38

because I just don’t I could have

00:19:40

guessed anything rush for a what

00:19:42

could be one of the musketeers the

00:19:44

bear is a very problematic device

00:19:46

maybe the lady will sit about it they didn’t

00:19:49

offer to play porthos and at the beginning I was

00:19:51

generally honestly honey

00:19:53

skeptical when they began to whisper to me the puppies

00:19:56

won’t the kitchen for this is damn big

00:19:58

on the map the Berlin crisis has developed

00:20:01

I don’t know it’s already judging by you it’s wounded

00:20:03

it’s difficult for him to get out of this role why do you

00:20:05

want to get out gradually well they

00:20:08

often ask us the question why and for

00:20:11

what 30 film adaptations of the three musketeers

00:20:14

well, first of all, this is a work by everyone

00:20:18

beloved by

00:20:19

us and the audience, and

00:20:22

all ages are submissive to this love,

00:20:25

but each organization, of course, first of all,

00:20:27

from the point of view of the work, here is

00:20:30

our point of view, that is, of the

00:20:33

generation that was born in our

00:20:36

country, which we are completely far from everything

00:20:40

that Dima has, and here we

00:20:42

just wanted to explore and understand why

00:20:44

this work is close to us, and as for

00:20:46

me, in this work, I was

00:20:49

offered a concept by the way, by the

00:20:51

way, I supported him completely and

00:20:52

completely in that d'Artagnan arrives as an

00:20:54

unprepared

00:20:56

warrior with a beautiful great clothes to wear

00:20:59

it can be seen that they know how to communicate at court

00:21:02

and and immediately damaging anyone the hospital

00:21:04

a boy came from a village in the most

00:21:06

remote province of Gascony who pieha

00:21:08

not only that on the server there is a green-red

00:21:09

horse devils because a child’s bundle

00:21:12

for laying a piece of bread onion for some

00:21:14

moment the balm hurts and which also I

00:21:17

knew practically nothing for the first time

00:21:18

I saw in fending off non-musketeers and this is

00:21:21

how Clarence really got to the

00:21:24

king himself when he communicated when

00:21:26

except for geese in the village there was practically

00:21:28

nothing visible, the formation of a musketeer I

00:21:30

wanted to play they were ready d'Artagnan

00:21:32

and of course here is the most expensive what is

00:21:35

in this card for me and this is this flight

00:21:37

friendship of male honor good

00:21:40

D'Artagnan strived for one thing eliminated

00:21:43

rather to people but in general we want for

00:21:45

some position in society ends

00:21:46

with happiness the rhythm of something with says we are

00:21:48

happy because we are together and this

00:21:50

really turns out to be human

00:21:53

communication,

00:21:54

human friendship turns out to be

00:21:57

the most important happiness, this is what

00:22:02

Yura is about and now our innocent idea now

00:22:06

our innocent for

00:22:07

in these balls there is a task notes

00:22:11

tasks for you your swords musketeer

00:22:16

your piercing

00:22:18

these balls with swords and receiving notes you

00:22:24

must complete these assignments

00:22:27

please allow this note yes

00:22:33

yes

00:22:41

but

00:22:43

[laughter]

00:23:08

I don’t know myself

00:23:10

but you can, if you wish,

00:23:16

tell briefly the funniest or

00:23:18

most terrible episode that happened to

00:23:20

you wore on the playground

00:23:29

wanted your creativity you

00:23:32

can change for this quiz if the task

00:23:35

seems too difficult to you you can

00:23:37

exchange, I can show his

00:23:39

creative self,

00:23:43

like a true Frenchman, you should

00:23:46

know Paris

00:23:47

with a lion well,

00:23:50

like a true musketeer, you should be

00:23:52

well aware of the Parisian guest courts

00:23:54

and taverns,

00:23:57

what event happened three days before the

00:23:59

New Year of

00:24:00

1896 in the basement of the Grand Cafe that

00:24:03

on the Boulevard of the Capuchins you can

00:24:05

advise the musketeers but don’t

00:24:07

call on the presenters for help, they

00:24:09

know the answer but I won’t say, I actually really

00:24:13

like this movie quiz for

00:24:16

movie lovers that is being held

00:24:20

[laughter]

00:24:23

according to mine, the first movie show took place and the

00:24:26

lumière was perfect on December 28,

00:24:30

1890 forge they say December 28, a thousand here

00:24:35

[ laughter]

00:24:38

just wasn’t a tricky question,

00:24:43

who dared, but I’ll give my creativity,

00:24:46

let’s show him my creativity, read

00:24:47

something, even we were ordered to

00:24:49

allow poetry, please, big pimples,

00:24:52

they said, I don’t regret it, I read other people’s poems,

00:24:54

I compose poems from Mayakovsky’s Voznesensk

00:24:58

meter

00:25:00

on the set before during the filming of the film there

00:25:03

really was such a case I

00:25:05

had a birthday

00:25:08

I was born under the sign of Leo according to the

00:25:10

European horoscope of my grandmother a month

00:25:12

if I had given such a gift I composed

00:25:15

creations it means we were filming in the city of

00:25:17

Lvov I was born under the sign of Leo for the first time

00:25:20

in my life I sat on a horse like many of my

00:25:22

comrades in the year of the horse now is the year of the horse there

00:25:25

was no such thing in the year of the horse

00:25:29

Athos was born under a lion under the sign of the lion according to the

00:25:33

euro horoscope for the first time sat on a horse the

00:25:36

city of lviv while behaving like a

00:25:40

city rattling with trams messing around with

00:25:43

people and the Galician market was bursting with

00:25:46

cherries at the wax hooves of lions look

00:25:50

movie filming an interesting case

00:25:54

stuntmen and stunt doubles flew explosions horses

00:25:58

swords dust flew by plane musketeers on

00:26:03

the wane the fairy tale was going on they settled were flying

00:26:07

Freindlikh tobacco and Durov boyarsky lived in the

00:26:11

saddle uninhibited and risked Terekhova

00:26:15

pearl film culture

00:26:17

crowning star cinema horoscope

00:26:24

truth

00:26:26

not visible rhymed truth but I I would

00:26:30

say here how I would like to show

00:26:32

my creativity and to me it is my daughter and

00:26:37

my creative one who was

00:26:38

most happy when I heard the

00:26:41

boyarsky sing, it’s true, I really

00:26:44

love the music that

00:26:47

he that my

00:26:49

soul has as its hobby

00:26:54

the opportunity to listen to how other

00:26:57

creative ones sing who died well

00:27:00

the music for the film was written by composer

00:27:02

Maxim Dunaevsky

00:27:03

the song performed by Mikhail Boyarsky

00:27:05

is called why not Vika

00:27:11

whether they will sparkle they

00:27:14

will sparkle at the bottom

00:27:16

fs and palm

00:27:22

arash arash war he knows how to take risks with people

00:27:34

and

00:27:35

why do

00:27:37

[music]

00:27:45

he take risks

00:27:47

[music]

00:27:55

why not

00:27:59

3 retreat

00:28:01

play circle

00:28:04

blasting enemies

00:28:08

this

00:28:09

[music]

00:28:11

as ice

00:28:13

for simplicity and

00:28:15

behind death my

00:28:20

paw is swollen

00:28:22

why do I have

00:28:25

[music]

00:28:32

continuous duel with death

00:28:36

someone hoo1

00:28:42

why not

00:28:45

at the local heaven is not poor for him and he is familiar with the doll

00:28:53

[music]

00:28:56

media decide then decide and

00:29:00

if you decided

00:29:02

first

00:29:04

club

00:29:06

club

00:29:09

[music]

00:29:11

me

00:29:13

but club

00:29:18

if you decided

00:29:21

Ayia Napa

00:29:25

Lapa

00:29:28

why not

00:29:31

[music]

00:29:32

word to the composer Maxim Dunaevsky

00:29:35

Pourquo pas what translates into

00:29:38

Russian as why not you are such an easy

00:29:41

frivolous title in fact

00:29:44

this, in general, is also quite a

00:29:47

dramatic song that

00:29:49

d'Artagnan sings, he will go at the moment, quite

00:29:52

also tense in the picture at the moment of the

00:29:55

chase of

00:29:56

iron, my lady,

00:29:58

this work loves for him some kind of elation,

00:30:01

romanticism,

00:30:04

polar passion, activity, dynamics,

00:30:08

which all ages equally like to say,

00:30:11

and this is of course serves as a

00:30:15

sufficient justification for the appearance of

00:30:18

music in such a work, or music

00:30:21

as a drag expresser of the

00:30:23

moment of the highest say of emotions

00:30:27

of drama and vice versa, faceful or

00:30:30

joy, well, a few words about 2 songs, the

00:30:34

second song is keen keen friendship game

00:30:40

unity

00:30:42

is sung in the picture it is at the moment of the highest

00:30:46

climax of the

00:30:49

tragic climax of death

00:30:51

D'Artagnan's beloved Constance, or

00:30:55

rather, a little later, the moment of death,

00:30:58

D'Artagnan sings another song for the death of

00:31:00

Constance at the moment when

00:31:03

people

00:31:04

who are present at grief during

00:31:08

the tragedy, they suddenly unexpectedly feel

00:31:11

each other's shoulder, in this song they seem to

00:31:15

utter an oath of allegiance to friendship and

00:31:17

where -that is an implicit oath to take revenge for this

00:31:21

monstrous crime

00:31:22

that their enemy committed, not a lady,

00:31:34

my fate is in the balance,

00:31:37

but he was,

00:31:44

but weakly,

00:31:46

but God has friends,

00:31:50

but thank God there is

00:31:55

Georgia and

00:31:58

thank God there is

00:32:01

corrosion

00:32:08

when

00:32:11

[music]

00:32:16

[applause]

00:32:21

when

00:32:23

I can

00:32:25

[ music]

00:32:28

storm

00:32:30

to the end

00:32:35

come on to

00:32:36

me

00:32:38

[music]

00:32:42

and the war

00:32:44

on

00:32:46

[music]

00:32:48

on the coffin where

00:32:56

well and

00:32:59

jetta

00:33:03

and proud and

00:33:05

marriage our port of the

00:33:09

decree to cut

00:33:11

[music]

00:33:14

go who

00:33:17

teaches the selection let

00:33:21

's see who is better

00:33:24

[music]

00:33:28

the compartment

00:33:29

will bend

00:33:31

[music]

00:33:36

when

00:33:38

[music] is

00:33:40

mine

00:33:42

on the water

00:33:46

andthey are

00:33:49

and when is

00:33:51

mine in another program

00:33:55

and

00:33:56

[music]

00:34:05

[music]

00:34:13

[applause]

00:34:15

andon a

00:34:16

friend and

00:34:24

I myself prada

00:34:26

[music]

00:34:34

despite a lot of obstacles and

00:34:36

all sorts of intrigues that build a

00:34:39

musketeer, we are their enemies in the end In the end,

00:34:42

friendship and courage win. Now you

00:34:45

will see a fragment from the film in which the

00:34:47

king of people rewards the musketeers and

00:34:51

d'Artagnan for the victory over the

00:34:53

cardinal's guards,

00:34:55

but we are not so much interested in the king himself

00:34:58

as in the artist Oleg Palych Tabakov who

00:35:01

plays this role, look how he

00:35:03

does it,

00:35:07

well, 1

00:35:11

I I don’t mind,

00:35:14

but the bird is the

00:35:21

faithful bodyguards Monsignor and the

00:35:24

Cardinal,

00:35:26

Your Majesty is like a video in Keter and

00:35:29

full of remorse,

00:35:31

they ask Your Majesty styles,

00:35:42

embarrassed, full of remorse, I don’t really

00:35:45

believe something and the cunning faces of the software are from the

00:35:48

face of the Gascons

00:35:53

and the reward for devotion and began to

00:36:01

put on the

00:36:03

juice history

00:36:08

helped my creator the throne inside

00:36:11

because since there are no free vacancies in

00:36:14

your regiment, I propose to clear out

00:36:16

went to the guards company of your sit down and

00:36:19

Mr. thesis

00:36:21

leaving the grimace of the cardinal

00:36:28

my musketeer from you and from perhaps 10 times

00:36:33

superior to his guardsman but the gentlemen of

00:36:38

today, that’s enough, he said audibly

00:36:43

today and now

00:36:47

I can and will continue to hope to count on

00:36:50

your devotion

00:36:51

[music]

00:37:05

you of course recognized

00:37:09

Louis the 13th as our guest

00:37:13

artist Oleg Palych Tabakov

00:37:16

Oleg Palych we of course understand that it’s a

00:37:19

little unusual for you now, you’re not in the

00:37:22

Louvre and we’re having a study film panorama but

00:37:26

still we thank you for the opportunity

00:37:29

that you gave us to ask you

00:37:32

a few banal questions, I obeyed

00:37:35

and

00:37:36

since you felt yourself in the king’s dress, I

00:37:41

must notice something to you about the

00:37:45

absolutely lovely sketches of the artist

00:37:49

Astragor sky the

00:37:50

king’s dress was sewn by the golden hands of

00:37:54

the masters of the

00:37:56

Lenfilm film studio, the

00:37:58

traditions of

00:38:00

good craftsmen are alive and well there the dress

00:38:03

turned out beautifully, you can say that

00:38:07

the dress is good in itself, but no less

00:38:11

important is what the dress is, excuse me, I

00:38:16

wanted to

00:38:17

note that it is usually known that the

00:38:20

king is playing surrounded, but still, what

00:38:24

you carry inside somehow changed

00:38:27

when you wore these dresses

00:38:33

to say that nothing has changed, it would be

00:38:40

an exaggeration to say that everything

00:38:43

has changed,

00:38:45

it would be a lie, but at the same time,

00:38:49

one day

00:38:50

when I came out in the dress of a king from the

00:38:52

Odessa Opera and Ballet Theater from this

00:38:55

charming building, a

00:38:59

boy of about 11 10 years old looked at me with

00:39:03

surprised eyes and said with 3 to us

00:39:08

so

00:39:10

Alik Pal is changing something in us so that you would like to

00:39:14

play in the three musketeers yourself, perhaps I

00:39:17

would still choose the king now, I think

00:39:21

that I am quite sober in assessing

00:39:23

the possibilities, I would not pretend to be

00:39:25

more

00:39:26

Alik Pal, tell me, why after all

00:39:32

Such a rock romantic work

00:39:34

as the Three Musketeers

00:39:35

gives, in your opinion, the opportunity for

00:39:39

comedic resolution.

00:39:41

I said primarily because among the

00:39:44

readers of this novel there are always a

00:39:46

sufficient number of people who believe

00:39:49

that they have a sense of humor, a

00:39:51

significant number of

00:39:54

these readers are screenwriters and

00:39:58

directors and actors

00:40:02

who came together for this novel,

00:40:06

well, I would say, it

00:40:10

certainly finds its application and

00:40:14

as for the film itself, the Three

00:40:18

Musketeers directed by

00:40:20

Yungvald-Khilkevich, as it seems to me,

00:40:22

in it it is

00:40:25

almost sometimes whimsical, sometimes very

00:40:28

elegant,

00:40:31

our idea of this

00:40:34

romantic story is intertwined with quite lively

00:40:37

and I would so said,

00:40:40

full of bloody jokes

00:40:43

that are quite generously scattered throughout the

00:40:46

fabric of this film, well, we are

00:40:50

grateful to Oleg received Tabakov for

00:40:54

not hiding from us his

00:40:57

thoughts regarding the

00:41:00

comedy genre,

00:41:01

but this is not where our conversation about comedy

00:41:04

ends and in order to

00:41:06

continue it we propose you

00:41:08

take a short trip,

00:41:12

we are going with you to shoot a new

00:41:15

film, the sad life of the dishes,

00:41:22

exploring behind this bus, which

00:41:25

houses the film crew

00:41:28

headed by director Georgy

00:41:31

Nikolaevich data

00:41:32

[music]

00:41:34

with him we have to have a conversation

00:41:37

about the movie comedy but in order to

00:41:39

talk Georgy Nikolaevich than we

00:41:42

had to wait quite a long time for him to

00:41:43

find a few free minutes from

00:41:45

filming, so we invite you to

00:41:47

watch with us how

00:41:49

one of the leading

00:41:51

directors of modern Soviet cinema works on the set.

00:41:54

Mina’s latest films were awarded the

00:41:56

main prize at the international

00:41:58

film festival in Moscow and, most recently, a

00:42:01

group of creators this picture was

00:42:03

awarded the State Prize of the USSR in

00:42:06

1978

00:42:17

[music]

00:42:20

well, in work, anything can happen,

00:42:23

you need to remove the extra squadron

00:42:26

[music]

00:42:28

it’s hard, that’s how

00:42:36

the artists are waiting, waiting, Natalya Gundareva

00:42:40

is worried,

00:42:43

waiting, Oleg Basilashvili

00:42:46

they play the central roles in this film, they

00:42:50

started working

00:42:54

[music]

00:43:11

and

00:43:14

this is called another take

00:43:17

[music]

00:43:28

and then there was a break in which we

00:43:30

took advantage of to

00:43:31

talk gear Nikolay than in

00:43:34

film comedies I am naturally funny in his

00:43:36

films

00:43:39

[music]

00:43:43

sometimes I really love my own

00:43:48

they end up for me becoming supposedly the

00:43:49

living clinic of the year

00:43:52

Nastya’s light is familiar

00:43:53

[music]

00:43:55

and when you tell a story about the person you

00:43:57

love, you definitely want to tell it

00:44:00

with humor,

00:44:02

so it’s probably funny in places.

00:44:07

We thought it was interesting to continue

00:44:10

this conversation with Georgy Nikolaevich than,

00:44:11

but since it

00:44:14

was unrealistic on the set, we invited him to our

00:44:17

studio.

00:44:18

I know that you are the head of a comedy

00:44:22

association, I am currently filming your

00:44:25

opinion in two films, do

00:44:27

you consider yourself a comedy

00:44:29

director,

00:44:32

frankly speaking, it seems that I

00:44:38

only worked on two films and everything else is lyrical and

00:44:41

adult or even tragic and some other

00:44:43

stories that I I tell it as best I can,

00:44:48

but the humor arises due to

00:44:51

this nickname at the expense of the heroes needed the hero,

00:44:55

as if they want and begin to behave

00:44:58

independently conceived scenarios, the hero

00:45:00

comes to life on yes, sometimes not even planned,

00:45:03

let’s say names, our hero comes to a

00:45:05

hotel in Russia, so we run from sometimes

00:45:08

approaches the number so that it means there is only one

00:45:12

there, and the number or who does not live with him has been

00:45:15

stopped, which means

00:45:17

Rivas speaking for offers Makarych there,

00:45:21

he says the driver

00:45:23

or has come to receive my car and that’s it

00:45:26

and suddenly the

00:45:28

unplanned completely hero could have been

00:45:30

distinguished, he wasn’t supposed to according to the scheme and the

00:45:34

picture conquers our floor already in days, you

00:45:36

can’t take it away from him and such a charming tour, a

00:45:39

nice man who opened it,

00:45:40

turned the whole plot upside down and brought in a lot of

00:45:43

humor and he himself is no longer an actor, we are

00:45:45

a card, but this hero is even an ocean

00:45:48

rubinhaigan who he plays and it

00:45:50

happens Quite often, what we

00:45:52

make films about is what we know, and then the

00:45:55

people who appear, of course,

00:45:57

dictate their plot moves, and I am against

00:46:00

everyone putting some kind of iron

00:46:02

framework where these people are heroes either cramped, this is what

00:46:05

happened to me, in my opinion, when

00:46:08

we we met you 15 years ago I’m

00:46:12

walking through the bright Moscow Mikhalna call me

00:46:14

shook the little

00:46:17

light

00:46:19

hello

00:46:21

it’s not

00:46:23

all there month of city buildings and

00:46:27

why do you have such a voice nerado it’s not

00:46:31

joyful and

00:46:32

comfortable to talk to me

00:46:36

if it’s here he says hello to you plamen

00:46:40

suit no hasn’t bought it yet now I’ll go

00:46:43

buy it, take it with me, it’s good, they’ll be

00:46:48

free later, it’ll go color

00:46:51

color

00:46:55

light, do

00:46:56

you love me that

00:46:59

yes yes yes

00:47:03

eridan not ending convenient external

00:47:08

light well okay

00:47:12

I kiss you and I met you remember because we you

00:47:14

didn’t like me at first well not that you did

00:47:17

n’t we liked the scenarios and

00:47:20

our little

00:47:23

short, skinny guy does this and when I

00:47:27

made a million people who were barely

00:47:29

bending over your door, that

00:47:31

ours seemed to be interrogating no one, it’s probably not

00:47:36

a coincidence that you probably have your own heroes,

00:47:40

some kind of your own world, your own movie of vodka on

00:47:43

daneli and

00:47:44

not By chance, a lot of your actors

00:47:48

are making their debut and then they are filming

00:47:50

your pictures, you generally film

00:47:52

some of your actors when I say

00:47:55

my films are conditionally these are our films I

00:47:58

am walking around Moscow

00:47:59

this is our film with you teammates and if

00:48:03

you imagine I I’m walking around Moscow without

00:48:06

Yusov’s camera or without Pitalovo’s music or

00:48:11

without the

00:48:12

charm of your then very young person,

00:48:15

maybe you were inexperienced actors but you

00:48:18

brought some kind of frequency

00:48:19

charm, they carry this faith sincerely and

00:48:23

the craving for art that is in the air to this

00:48:25

day and remains very much I love

00:48:27

your work and the film wouldn’t exist, I don’t

00:48:30

understand, I can’t say the characters daneli,

00:48:35

this is probably why I

00:48:37

put together such a team, what is it, but

00:48:42

I know that there are actors that

00:48:45

your actors are not yours, they can be

00:48:48

very talented, interesting people, but not not

00:48:49

from your movie

00:48:51

Well, here’s a

00:48:53

different direction, well, and I have one

00:48:56

actor constantly filming at

00:48:58

Leonov Stadium, well, it’s just

00:49:01

become easy for me, the mascots have a bay video

00:49:04

on the

00:49:05

electronic one, and even when the work is

00:49:07

restored, I think this housing will play on the leg

00:49:09

and I can’t say that there are

00:49:13

mine actors have diplomas, they are actors, and

00:49:17

the longer

00:49:20

the work goes on and the longer,

00:49:22

the more I understand that you need to

00:49:26

trust the actor and take from them

00:49:29

what they can give. At first it

00:49:32

seemed to me that you need to somehow bring the actors

00:49:35

into your plan within the framework of this plan to

00:49:38

wear, drive, own, and then will .

00:49:41

some kind of balance in the film means that an even distribution will be maintained,

00:49:47

but

00:49:49

there is a place for the heroes, but now it

00:49:53

seems to me that I am giving more freedom and therefore

00:49:56

ours gets more, I get more, the

00:49:59

film gets from them, but

00:50:03

Anton’s novel is more interesting

00:50:06

than they forgot,

00:50:09

too, we love the actor

00:50:12

galant, where did

00:50:15

he go?

00:50:19

case, I was in Kiev on tour

00:50:22

with the theater, the weather was rainy, I decided to

00:50:25

go to the cinema and

00:50:27

your picture was showing, which, unfortunately, until

00:50:30

that moment, it means I didn’t have time to

00:50:32

watch it in Moscow, it’s completely lost, it’s wild

00:50:36

reasons,

00:50:39

and

00:50:41

I’ll look at it, it means the picture is America,

00:50:45

the last century, the floor picture has passed me I think,

00:50:48

well, where is Dixieland?

00:50:52

America of the last century cannot be without

00:50:55

Dixieland, but there must be Dixieland, but it’s not there

00:50:56

and it’s not there and it’s not, and this is the scene

00:50:59

that I’m

00:51:01

not the only one who noted this, many wrote

00:51:03

then suddenly this is the boy when the coat of arms is

00:51:06

on the beach and suddenly appears From afar, a

00:51:09

steamboat is sailing along the river and there is an orchestra playing

00:51:12

Dixieland, the boy is instantly

00:51:14

ignited by this music, he is

00:51:15

dancing something and this Dixieland

00:51:18

floats along with the steamboat as it is chopping, like some kind of boat,

00:51:20

this is my favorite scene, from the

00:51:24

film, in Athos, the

00:51:27

elderly man received the largest number of

00:51:33

letters letters in general something different some light

00:51:37

picture some scold

00:51:41

some questions interesting here are the

00:51:43

positive or negative characters in the

00:51:46

background

00:51:48

we each understood so specifically and

00:51:52

how again 0 you solve this problem of

00:51:56

such a person of course

00:51:59

and the person’s background is negative

00:52:02

but when I got to know him better it

00:52:05

turned out that way that there is still

00:52:08

a little good left in him and that’s why it’s

00:52:10

interesting to go there with this person,

00:52:13

but how could a living person find a single piece of trash

00:52:16

that canvas since we

00:52:19

would like to talk about mafon, we don’t do

00:52:22

disgusting, you need to go and yes,

00:52:24

I can’t come to me yet and only wore the

00:52:34

sura This is a profession that you do

00:52:37

n’t get into right away, you

00:52:38

need some kind of life experience, you

00:52:41

need some kind of established at

00:52:45

least relatively mature view of things and

00:52:49

your own point of view, that’s

00:52:52

how you came to cinema, I know that you

00:52:55

seem will be an architect before, I was an

00:52:58

architect, which helped me a lot, but

00:53:00

when I entered

00:53:04

directing courses, he

00:53:06

wants me to be mistaken for drawings because

00:53:09

I will have a lot of drawings, he

00:53:10

said, I wasn’t an expert in Odessa back then, I do

00:53:15

n’t like it, I don’t know how, these are the drawings I

00:53:18

presented now

00:53:19

Unfortunately, I had a lot of them back then. This is a

00:53:22

costume for the film, I don’t mind, and this is a sketch of

00:53:25

the costumes.

00:53:27

This is the dad

00:53:29

from the film Huckleberry Finn, the bass

00:53:35

king from the film, and Huckleberry Finn. I

00:53:39

already knew that he would play Leonov, but

00:53:40

I think I put on a beard for him without a

00:53:44

beard. a

00:53:47

friendly cartoon of the teacher

00:53:51

decided by the letter and

00:53:55

this is the orchestra from the film Don’t Cry

00:53:59

[music]

00:54:36

[music]

00:54:43

[music]

00:54:44

[applause]

00:54:49

[music]

00:54:53

from the sea

00:54:55

I

00:54:56

[music]

00:54:59

I

00:55:00

[music]

00:55:02

and

00:55:03

1 [

00:55:04

music]

00:55:09

you know, this is gel Nikolay I wanted to

00:55:12

ask you about this because over the years it is to

00:55:15

say with experience that you

00:55:17

acquire a lot of skill and skill and

00:55:23

carry and experience life

00:55:26

experience is deposited on your soul here in your soul but what do you

00:55:30

lose and it’s useful sometimes to return to the

00:55:33

same thing that you started unfortunately Gingrich

00:55:37

it’s impossible to go back

00:55:38

because well, what is your creativity

00:55:41

so much after all, a

00:55:43

person changes with age, let’s say

00:55:46

now I would probably have a film like

00:55:49

I’m walking around Moscow they could where they filmed

00:55:51

a friend I filmed it it would be a different

00:55:53

picture and how I think it was it would be worse

00:55:56

on this material,

00:55:58

it seems because

00:56:02

15 years have passed on the verge of a woman’s physical

00:56:05

gift, something has changed in me, something

00:56:08

has changed,

00:56:09

it means, and I must also say that films, as a

00:56:14

rule, age even earlier than people

00:56:18

who are creatures, only they are very

00:56:22

realistic films on which

00:56:24

they are built on characters they will keep a nipple like

00:56:26

Chapaev, let’s say you can endlessly he can

00:56:28

watch this picture this is the end and

00:56:29

find a new meaning of the grain a new

00:56:32

meaning because it means to take it as a basis

00:56:34

lies on life on if the character is a living

00:56:39

person and living people they do not

00:56:40

change. filming methods Graham and that means

00:56:43

colors editing angles it all changes

00:56:46

it means life itself is subject to input people

00:56:50

but if she is present

00:56:53

a migrant and then it will become this is the

00:56:55

most difficult thing for her to be present not a

00:56:57

fake of life not some everyday

00:57:01

similar touches but so that she herself

00:57:03

the most difficult thing in life, well thank you,

00:57:10

I’m sending construction on the site,

00:57:15

we are already starting our next story about a

00:57:18

new two-part television film

00:57:22

theater the picture was shot at a Riga

00:57:25

film studio

00:57:26

the script of this film was written based on the

00:57:30

novel of the same name by an English writer

00:57:32

sms this is mine

00:57:36

[music]

00:57:40

so

00:57:44

we would like to call our film theater Diana's theater

00:57:50

firstly because that is the name of the

00:57:52

romance developed in my theater secondly

00:57:55

because because the heroine of the novel

00:57:57

Julia Lambert

00:58:01

sees direct associations with the theater in the life of her society and

00:58:04

thirdly because we know too little

00:58:07

about England and how would we we didn’t try,

00:58:13

it will all be just that,

00:58:38

but the

00:58:40

answer is

00:58:49

[applause]

00:59:11

he

00:59:18

[applause]

00:59:22

and now I want to introduce you to the

00:59:24

creators of the television film theater

00:59:28

and

00:59:29

give the floor to the directors to

00:59:31

the installer, I’m on the page that

00:59:34

will introduce you to the creative team,

00:59:36

please the main character of our film

00:59:39

and the culprit of this film people's actress of

00:59:43

the Soviet Union in I am artmani next to her

00:59:46

on the left hand the key of all her son

00:59:51

clear only golds son of course to the film

00:59:54

next to me peoples from the board

00:59:56

composer Raymond Pauls

00:59:59

theater colleague artists you Kalnynsh

01:00:04

I think that

01:00:07

this is a great happiness we can wait for such a

01:00:11

role

01:00:13

all the time life to play and we can be

01:00:17

praised and scolded that we seem to be

01:00:21

doing wrong, but

01:00:24

I have to say that

01:00:26

I didn’t even expect such a role, there

01:00:29

is not only material from the English

01:00:33

writer Somerset Maugham

01:00:36

when Stretch wrote the script he already knew and

01:00:40

saw all the actors who will live in

01:00:46

this film and apparently when he wrote

01:00:49

the script and read it to us for the first time,

01:00:52

of course he

01:00:54

took all this into account and it

01:00:57

seems the world seemed to think that to

01:01:00

the oddities this is an interesting woman,

01:01:03

he added joules and my own in his

01:01:08

own coins in the metal late, he

01:01:10

knows well, rehearsals are finished and you even

01:01:14

managed write a few letters answers to

01:01:16

fans of your talent people will not

01:01:18

break

01:01:20

good afternoon these letters are not a trifle your husband

01:01:24

is convinced that they maintain a live connection

01:01:26

with the viewer a button and the director and

01:01:30

chief director himself Michael Basler is still the most

01:01:33

handsome man in

01:01:35

England

01:01:37

hawal Julia I’m now a couple more letters, don’t

01:01:42

rush,

01:01:43

this young man is an accountant,

01:01:47

Lawrence, their impulses are the kind of work we have

01:01:49

in practice, by the way, it works well

01:01:52

politely and otherwise, I don’t know how the challenges might

01:01:55

be and invite you to dinner, but why is it a

01:01:57

gentleman in the children’s room, reasons as

01:02:00

you want, but the guy is delighted with you,

01:02:03

he is our last play watched three times

01:02:06

Marjorie send this so

01:02:13

goodbye carried pests

01:02:16

I want to introduce you to

01:02:19

Miss Pawnshop

01:02:22

Julia thought that this is exactly how

01:02:24

fans of the

01:02:26

great actress Sarah Sedan felt in the past when

01:02:28

meeting them the place

01:02:32

managed to restore order in our house I

01:02:36

hope you will not refuse to believe it

01:02:40

seems to me that here the most important thing in this

01:02:44

video was that,

01:02:46

well, reveal yourself freely, let him think it’s me

01:02:51

or giulia like this, it’s immediately only

01:02:55

its meaning, the most important thing here is to

01:03:00

understand a woman, to understand an actress, to

01:03:05

understand such an age and

01:03:09

intelligence and the charm of this age when it costs

01:03:14

a lot, so many emotions have accumulated she has

01:03:19

n’t given it away yet in

01:03:21

scenes, she swallowed everything and life didn’t

01:03:26

demand everything either, and now a person

01:03:31

has accumulated a lot of this, and now she

01:03:35

goes to happiness, being an intelligent person, a

01:03:38

famous

01:03:40

teacher, a person, she walks right away, she’s

01:03:43

young, give it to me now, and why do

01:03:46

n’t you take the subway if I

01:03:49

meet something like this happiness for myself personally

01:03:53

and joy, but we would be interested to

01:03:57

hear

01:04:00

you and the thief and your thoughts about your

01:04:05

role and

01:04:06

won here love, not quite ordinary

01:04:10

love, a

01:04:12

woman who is older than you did not

01:04:17

need to love and Julie Lambert, that is,

01:04:21

I really love her to

01:04:26

me in this world there is no problem

01:04:31

texts I learned the time and

01:04:37

to stand in front of the camera and I had to

01:04:39

note all the other people there in

01:04:42

this regard everything

01:04:45

is fine I don’t think about him the film

01:04:50

somehow

01:04:53

say nothing about him she is a woman

01:04:59

whom I think he will never leave

01:05:03

Yes, it doesn’t matter that she and he

01:05:09

separated,

01:05:12

it’s love for me, it seems like this,

01:05:15

he met an

01:05:19

ideal woman before that society, I’m chewing Mr. there’s a

01:05:25

finale, bring him here and bring tea,

01:05:27

okay,

01:05:30

so Julia, you’ve already decided how to behave

01:05:33

with this young man, what’s the intention of a million, yes, I’ll be

01:05:36

friendly on restrained and let's talk about his

01:05:39

work about his studies and I'll tell the masses not

01:05:41

ruggeri I'll let this young

01:05:43

man know that I'm fit to be his mother an

01:05:45

elephant fish let's continue the driver

01:05:52

good evening won't break good evening my

01:05:56

sharp music

01:05:58

[music]

01:06:06

hello there

01:06:09

[music]

01:06:14

clamps and good intentions

01:06:18

[music]

01:06:21

part now submit to no then

01:06:27

hello yes this young gentleman

01:06:30

needs to talk about the new play make sure

01:06:33

no one disturbs him I called when

01:06:35

I need you good or to the authorities for the

01:06:39

evening performances ready as always

01:06:41

thank you

01:06:43

[music]

01:06:46

from no think Julia just

01:06:49

fell in love, she just liked being

01:06:52

so reckless

01:06:54

Roger, in general, standing a little bit, as if in

01:06:59

opposition to the rest of the characters in the film, and he doesn’t

01:07:05

accept that

01:07:08

society, that circle of people with

01:07:12

whom you’re used to

01:07:15

communicating, his parents,

01:07:19

theirs, he doesn’t understand his mother a little and

01:07:26

reproaches her, well, he has

01:07:31

a lot of truth about the fact that of course his

01:07:34

mother couldn’t highlight the attention

01:07:38

he needed,

01:07:41

but that won’t work; she’s a great actress

01:07:44

and not very busy, a cultural figure

01:07:46

with two

01:07:48

lanes to go, and also the main thing is that I

01:07:53

need theater the film needs to be watched 2 or 3 times,

01:08:01

here there will be 2 themes, both lyrical, one

01:08:06

is called the theater theme, the second theme, this

01:08:10

theme of love,

01:08:11

maybe even a little bit like this, the

01:08:13

rectors are played on the piano,

01:08:16

often this theme is used in the film,

01:08:19

then it is with info jazz, this also gives

01:08:22

such a mood very much to be a little

01:08:25

like this for me personally, like 20 30 years

01:08:29

on the rector's principle, but the most important thing is

01:08:33

that the film has a

01:08:36

small and easy to remember theme

01:08:39

that always gives the mood,

01:08:42

especially in those moments when

01:08:44

bio-art mono is not played, or rather

01:08:49

conveys true love from the screen, she has a

01:08:52

lot of love and there is false love there

01:08:55

and commercial love and but there is and

01:08:57

urgently

01:08:59

this is very important I was very pleased with

01:09:05

my creative biography this film

01:09:08

will go well since it was filmed in

01:09:16

we will be caught

01:09:19

is notable for the fact that for the

01:09:22

first time I wrote music before the finish I was not

01:09:26

ready but if I have the opportunity

01:09:30

to feel the music even just a little

01:09:33

while I’m playing, then it already

01:09:38

works out smoothly

01:09:40

here. I always admire composers

01:09:43

who write for films and it

01:09:48

seems to me that we had the honor of working with

01:09:52

all sorts of composers

01:09:54

who were very sensitive to the

01:09:58

harmony of the hair,

01:10:00

the subtle mutual relationship

01:10:03

[ music]

01:10:04

[applause]

01:10:06

[music]

01:10:10

four hours later it was all over blown

01:10:14

away I have never been so confident

01:10:16

in myself and the game has never been so

01:10:19

brilliant so multifaceted

01:10:22

right it seems the bird will be in power zone

01:10:26

more right card played it

01:10:30

you are the greatest actress but also decent

01:10:33

osterman understanding what you are doing, don’t pretend to be

01:10:35

innocent, how we did something in the

01:10:38

last act, you turned everything

01:10:40

upside down, remember Julia said that

01:10:43

she would have another party, but

01:10:46

they didn’t expect this, the playwright is not Michael,

01:10:49

especially not the whole Crichton, this silver

01:10:52

dress at once attracted the attention of the audience

01:10:54

Julie unexpectedly Julia went to the back of

01:10:56

the stage her weight was forced to pronounce all her lines with

01:10:59

her back to the audience and then from

01:11:01

nowhere Julia, like a

01:11:04

magician, took out a red handkerchief

01:11:07

when the famous pause of Julia Lambert came,

01:11:11

the scene took on a completely different meaning with

01:11:15

this silence she protested against the

01:11:18

offensive and the frivolous words of

01:11:20

the partner, they sounded like an

01:11:22

outrage against her ideals and the

01:11:24

sympathy of the audience was on the side of the

01:11:26

heroine Julia, this was the end of Alice Krai,

01:11:40

I’m a fool, I was going to sign a contract with her,

01:11:43

and

01:11:44

you’re a [ __ ], you did all this on purpose,

01:11:48

honey, but you don’t have the slightest

01:11:50

reason to be jealous and You understand perfectly well

01:11:53

that for me you are the only woman in

01:11:55

one piece, oh, you old ass,

01:11:57

you think that Julia made this

01:11:59

famous, but at home I’m in good health,

01:12:02

well, what will the playwright say, because you played

01:12:04

absolutely not what he had,

01:12:06

it will give you all

01:12:08

[applause]

01:12:10

you’re a little didn’t ruin my performance yes yes

01:12:13

yes when I reached the stage in the second act I

01:12:15

suddenly realized that we were playing

01:12:17

superficially but you put

01:12:19

deep meaning into this dialogue vote you

01:12:22

wrote a beautiful play it’s brilliant

01:12:25

believe me no one in the whole world could have

01:12:28

written it better

01:12:37

congratulations let’s go I'll drink whiskey and

01:12:40

soda

01:12:43

in 24 hours, this idiot will think

01:12:47

that he really wrote a brilliant

01:12:48

scene.

01:12:50

Today we have a meeting with each creative

01:12:53

group, in the

01:12:56

terminology of playwrights, in three

01:13:00

acts, since this is an unusual panorama on

01:13:05

New Year's Eve,

01:13:06

this means the first story about films,

01:13:10

roles and

01:13:11

filming so then the second part of the second

01:13:14

act is the artistic part,

01:13:16

don’t take

01:13:20

the king by surprise behind you this is

01:13:27

[music]

01:13:33

this is a song about how

01:13:35

thunder and thunder went to take the bride

01:13:41

their fans this

01:13:47

[music]

01:13:58

setting up

01:14:00

at [music]

01:14:02

you

01:14:05

[music]

01:14:43

[applause]

01:14:45

[ music]

01:15:04

andabout

01:15:07

well,

01:15:08

well

01:15:14

[applause] the

01:15:16

amateur performances of the

01:15:18

art theater

01:15:23

have been a year of

01:15:26

tedious such on and

01:15:29

now in the silence of the night curling iron

01:15:34

or not as then

01:15:37

these sighs sounded

01:15:40

so that I fight life that you are alone love

01:15:46

that you can’t achieve without a heart there is no case of torment

01:15:50

in life and

01:15:53

there is no other goal, or else they were jumping to tear blood,

01:16:00

wait for the sounds

01:16:03

[music] of

01:16:04

you people

01:16:07

abaya and

01:16:11

cry

01:16:17

[music]

01:16:32

when

01:16:36

the management of the gypsy theater hears this song

01:16:46

without talking so that

01:16:52

the barbarian and

01:16:56

now our third act pressed these

01:16:59

small semi-riddles on the tasks

01:17:02

that we offer all our guests

01:17:06

today, taking into account the undoubted

01:17:09

presence of desire and

01:17:12

opportunity and the

01:17:14

presence of competition between creative

01:17:17

groups, these tasks are completed so

01:17:21

please question 1 to do you often

01:17:25

have a bad mood

01:17:26

play blitz quickly often-often you

01:17:30

rarely you your

01:17:33

parts

01:17:40

your the most important drawback you

01:17:43

write down is

01:17:44

angry

01:17:47

frivolous good

01:17:49

not my tie

01:17:51

[laughter]

01:17:56

I also wanted to answer for you that you do

01:17:59

n’t have the drawback of your bachelor’s canvas, this is

01:18:03

an advantage you don’t understand yet, but for

01:18:06

which flowers do you prefer

01:18:07

bells or daisies

01:18:11

bell bell

01:18:14

and everything turns out very

01:18:17

much Romashkina if there likes doesn’t like

01:18:20

and doesn’t like it won’t like it so understand a

01:18:23

lot of ramage very well and I should

01:18:26

go home eye so now

01:18:29

the invoice for the electronic machine will process the

01:18:33

collected material please

01:18:36

everything is ready maybe

01:18:40

not so clearly well I’m counting

01:18:43

according to the protection another calculation of points

01:18:46

by which your answers are assessed, this is what

01:18:50

it turns out, we are all friendly,

01:18:52

cheerful people, you are not afraid of any stress and

01:18:55

in the coming year you will not have mistakes and

01:18:58

God willing will be my good luck and joy and your

01:19:02

film theater will receive a well-deserved and great

01:19:04

success very good and I want I wish you

01:19:13

all the employees of the central television,

01:19:18

all the viewers who love television

01:19:22

watching the transmission of films,

01:19:26

that you

01:19:29

always remain as

01:19:32

friendly and spectators as we

01:19:36

know from the sandy reviews and

01:19:41

we, in turn, of course, will

01:19:43

try to make as many

01:19:45

good films as possible by transmitting films,

01:19:48

of course, there was no parting If only

01:19:51

someone had noticed the meeting correctly or

01:19:54

even sung it, but sometimes it’s a pity to

01:19:59

part with your colleagues like this

01:20:02

now, and although we wished him

01:20:05

success, we

01:20:06

really want our

01:20:09

wishes to come true, and yes, but the conversation about

01:20:12

actors and creativity continues and this

01:20:14

topic has become a long-standing tradition of the

01:20:16

cinema panorama when I was a viewer of the last

01:20:18

New Year's cinema panorama, I remember how

01:20:20

much they talked about acting, about the fact

01:20:22

that actors should be able to listen to their

01:20:25

partners, just like I am now, you can move so

01:20:28

well

01:20:29

and even dance, and this was

01:20:33

perfectly demonstrated by Konstantin

01:20:36

Raikin,

01:20:37

remember

01:20:39

[ music]

01:21:11

but you apparently don’t know that Konstantin

01:21:14

Raikin sings wonderfully and he

01:21:17

proved it in the new television film of

01:21:20

performances based on Shakespeare’s comedy

01:21:22

Twelfth Night where he played Sir

01:21:24

Andrew and Gerchik, please

01:21:27

watch and listen,

01:21:29

listen, thank you,

01:21:36

let’s give such verses so that

01:21:48

I

01:22:11

[music]

01:22:20

will start if I'll shut up

01:22:30

[music]

01:22:41

[music]

01:22:53

bend

01:23:02

[music]

01:23:18

[applause]

01:23:20

[music]

01:23:43

[music]

01:23:48

[applause]

01:23:50

[music]

01:23:53

[laughter]

Description:

Кинопанорама. Вениамин Смехов, Игорь Старыгин, Валентин Смирнитский и Михаил Боярский В новогодний выпуск передачи включены кинозарисовки: на репетиции в Московском театре имени Ленинского комсомола - главный режиссер М.А.Захаров, артисты А. Абдулов, И. Алферова; народная артистка СССР В. Артмане дома за шитьем; композитор Р. Паулс дома красит окно; артист В. Смехов дома готовит обед; артист И. Старыгин печатает на машинке; артист В. Смирнитский с сыном на прогулке; артист М. Боярский говорит по телефону; артисты, играющие в х/ф “Д’Артаньян и три мушкетера”, верхом на лошадях подъезжают к Телецентру “Останкино” (начало). Гл. ред. кинопрограмм Ведущий - Юрий #Богатырев Ведущий - Евгений Мы в соцсетях: Яндекс. Дзен - https://dzen.ru/fond Telegram - https://t.me/gosteleradiofond VK - https://vk.com/teleradiofond OK - https://ok.ru/gosteleradiofond ▶Подписаться на канал "Советские фильмы": https://www.youtube.com/channel/UC7FDlGcSUqeSZHh1LRMM1OQ?sub_confirmation=1

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