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00:00:13

so let's go over there one more time, which means that

00:00:17

the bindings will allow us to perform a

00:00:19

large number of tasks, in particular,

00:00:21

those tasks that carry out the

00:00:23

movement commands, transformation are very convenient

00:00:26

to do these tasks that carry out the

00:00:28

alignment commands, which means several

00:00:31

tools that activate different

00:00:34

types of bindings, we can find on the

00:00:36

toolbar here in this

00:00:37

area 4 these are the icons let's

00:00:40

start with each of them let's

00:00:41

look at which ones have what tasks here are the

00:00:46

nuances what are the advantages of using

00:00:48

these types by tying so the first one is

00:00:51

tying to we have a video displayed like

00:00:53

this but here is a magnet

00:00:54

and numbers this figure may differ that is, there is

00:00:56

more than one binding here, if

00:00:58

you expand here there are three such

00:01:00

subtypes, but there may be a binding with the

00:01:02

number 2 two and five and three

00:01:04

so you can meet one of them,

00:01:06

I just don’t remember which default

00:01:08

map is three-dimensional, but just in case

00:01:10

you know, if there is something we can

00:01:12

switch between any of them, and so the

00:01:16

first binding, if the mouse cursor is

00:01:18

supported, the message “no” will simply appear,

00:01:20

that is, the switch for the

00:01:22

enabling bindings was translated as

00:01:24

enable, and now we can turn on

00:01:28

this binding, we can turn it off, the first

00:01:32

type of bindings is bindings that

00:01:33

work with the move tool and

00:01:38

rarely work with the move tool,

00:01:46

so when we turned on this binding,

00:01:48

if we have the move tool active, you and I

00:01:50

can see this binding

00:01:54

visually if we have

00:01:56

objects or it will be configured as

00:01:58

needed, but now I’m a little bit

00:02:02

let's create a little structure for you, a

00:02:05

little scene so that we have a little more

00:02:07

objects

00:02:15

and

00:02:20

xbox

00:02:26

let's also say the torus of

00:02:29

our group, we'll have enough for you and I,

00:02:35

so here I am again and turn on the

00:02:38

bindings if you start typing the cursor

00:02:40

over objects or over your country, here

00:02:43

you can see that next to the

00:02:45

mouse cursor there will appear a

00:02:47

yellow color like this, various

00:02:49

shapes they can be different depending

00:02:51

on the type of binding, now let’s say

00:02:54

snapping to points works, the mouse cursor

00:02:57

is snapped to the points of objects, it has

00:02:59

one type, but there are other types of

00:03:01

snaps, so the shapes can be different

00:03:03

but nevertheless, this yellow

00:03:04

indicator that runs after the cursor

00:03:06

is usually an indicator that

00:03:08

you currently have the binding enabled and working,

00:03:11

if we don’t need it, we can

00:03:14

turn it off again by clicking its

00:03:16

icons; the toolbar now

00:03:18

we don’t have any binding like this how this

00:03:21

binding is one of the most frequently

00:03:23

used

00:03:24

it has a hot key that

00:03:26

allows you to turn it on and work with it

00:03:29

on the keyboard this is the key with the English

00:03:33

letter s the first letter of the word snips

00:03:36

binding a knife into this bun, we

00:03:39

accordingly enable the

00:03:41

knife binding tool it again we disable the

00:03:44

binding here I clicked it works, so I

00:03:47

clicked it, I

00:03:48

lost the bindings themselves, I do

00:03:52

n’t have any special role because the

00:03:55

first thing we need is this binding,

00:03:56

tune in to indicate what exactly we

00:03:59

would like to bind to in order to

00:04:01

do this, the fastest way is to

00:04:04

use the same button with

00:04:07

which we enabled the binding, well, click

00:04:09

on it not with the left mouse button, but with the right

00:04:11

mouse button,

00:04:12

right-clicking opens a window with

00:04:16

binding settings, in particular this first binding,

00:04:21

which works as a move tool, the

00:04:26

window when it opens, it consists of a

00:04:28

set of parameters, by the way,

00:04:30

this is a window if you look closely we are already

00:04:32

familiar with the

00:04:34

home grid parameter, which allowed us to

00:04:36

customize the grid, an

00:04:38

alternative call to this window, I will change the

00:04:40

ace in the hryvnia category snap'n grip us

00:04:44

to all tanks out of ten of you below, there is

00:04:46

also a toggle switch for the letter s

00:04:50

just like that this is window 1, its

00:04:53

Snap tab with bindings

00:04:56

contains different parameters that will

00:04:59

specify how this binding

00:05:01

will work, how it should behave,

00:05:04

here is a list of parameters for what

00:05:07

this binding should be attached to, what

00:05:09

it should react to, the

00:05:11

checkboxes are the type of objects for

00:05:13

which the binding at the moment will be

00:05:16

snapped and the window will work; it’s

00:05:18

floating, which means that you can

00:05:20

work from your scene, but sometimes there may be

00:05:23

situations when you need to

00:05:24

combine or turn on and

00:05:26

off different types of snaps from time to time,

00:05:28

so this can be done without

00:05:30

closing it The

00:05:31

checkbox window is also set as we need it,

00:05:34

that is, we can combine several

00:05:36

types if we need it and they

00:05:39

will all work, let’s now go through the

00:05:41

most basic types of bindings, which are

00:05:44

not all here, but I need

00:05:46

some, here we will stop and look at them

00:05:49

how do they work and so the

00:05:52

first type of snaps that we

00:05:54

will get acquainted with is this category grid points

00:05:57

snapping to grid points grid points of the

00:06:02

projection window this means everything that

00:06:04

concerns the grid inscriptions flu this is

00:06:07

usually the grid of the projection window grid point

00:06:12

snapping to points of the

00:06:15

projection window I checked the box next to

00:06:20

this parameter, don’t forget to turn on the

00:06:24

snapping itself, if you suddenly turn it off, I

00:06:26

can notice my mouse cursor when it

00:06:28

walks over the grid, look as soon as it

00:06:30

moves to the place where it

00:06:32

is. grid, he immediately jumps to that point,

00:06:35

that is, the cursor goes at

00:06:37

the moment when he is close to it, he

00:06:39

jumps there, that is, this is the essence of

00:06:41

snapping, it allows you to quickly

00:06:42

move to the desired point in the

00:06:48

perspective window, it is not limited

00:06:50

only to this grid behind it outside, it

00:06:52

will work in the same way as if

00:06:54

this grid continues in other windows,

00:06:57

it will

00:07:00

work in the same way, what is the advantage of such a

00:07:02

snap, the advantage is that, for

00:07:03

example, you can easily and simply

00:07:05

work on your objects, so I just

00:07:07

turned off the snap for a second there, for

00:07:09

example, I lifted the kettle up,

00:07:11

now my task is to

00:07:13

let it go to the horizontal

00:07:15

plane, yes, for this I can take

00:07:17

any side view, for example, the front view,

00:07:19

now I turn on the binding using the

00:07:21

letter with the binding starts working, I

00:07:25

take it here by the base of the kettle and

00:07:27

drag it down, bang Here I have it lying on a

00:07:30

horizontal plane

00:07:31

clearly on it, that is, the snap allows

00:07:34

me to move this object along the points of the grid,

00:07:37

you see, that is, it won’t let me put it between it anymore

00:07:39

if I give it the need to place it

00:07:41

or between the grids I need to turn off

00:07:43

the snap and place it as it should

00:07:46

by turning on snapping, it will

00:07:48

only work in this case for grid points

00:07:50

because that’s how they set it up at a construction site, knowing

00:07:55

how you set the grid size, for example,

00:07:59

let’s say if here et [ __ ] and

00:08:00

rearranged, I’ll set the cell step,

00:08:06

for example, like this, I can easily and simply

00:08:09

move an object, or even there, for example, on

00:08:11

meter to make it even easier if, for

00:08:13

example, I need to move the kettle there by

00:08:15

7 meters, yes, I can also do this easily and

00:08:17

simply, that is, I scolded him one

00:08:18

two three times 4 5 6 7

00:08:20

because, let’s say, it’s standing there with me, but I

00:08:24

need it in size too

00:08:27

there is snapping sometimes allows you

00:08:29

to do these things very simply without

00:08:32

any difficulties

00:08:34

this is the first parameter snapping to grids

00:08:36

points green belt another parameter I

00:08:39

will disable one of them the other show

00:08:42

green line

00:08:43

snapping to grid lines snapping to

00:08:48

grid lines

00:08:57

this type of snaps will snap

00:08:58

specifically to to look at the grid lines, I can see the

00:09:01

mouse cursor and as soon as it

00:09:04

is above the line, it allows you to

00:09:07

kind of stick to this line,

00:09:10

thus I can also easily and simply, for

00:09:12

example, move my lunch there clearly there

00:09:14

in the direction of this line of the grid line,

00:09:17

namely the third parameter parameter pivot

00:09:26

snaps to the anchor points of the object

00:09:34

snaps to the anchor points of the object

00:09:41

the cursor here has a different look, look here,

00:09:43

if I point at the object,

00:09:45

this yellow frame appears,

00:09:47

in the middle of which the

00:09:50

anchor point of the object is shown, that is, now

00:09:52

by clicking on the object, I will move it

00:09:54

there clearly, for example, by a reference point,

00:10:06

here I am, for example, using this type of

00:10:08

snapping, look, I can align an object, the

00:10:12

reference points, let’s say I took another object from

00:10:18

you, let’s say there I took my teapot

00:10:29

there by its center and don’t let go, I’ll drag it away, for

00:10:30

example, to this box, I pointed at

00:10:33

it, a yellow frame appeared, I let go of the

00:10:36

left one pressing the mouse button, he himself jumps to the

00:10:39

reference point of this object due to the fact

00:10:41

that the binding is like

00:10:44

clumsy beer.

00:10:49

that is, different types of binding, different ones,

00:10:51

allow you to perform Bowden box tasks;

00:10:55

another of the parameters that is

00:10:57

bound to the size of an object to

00:11:01

the size of an object allows you to bind, that

00:11:19

is, in this case, we can easily and

00:11:20

simply work with dimensions, that

00:11:22

is, by hovering the mouse cursor on objects,

00:11:24

it is highlighted as if its overall

00:11:26

frame and is highlighted in the corner

00:11:29

that corner of the mouse cursor is closer, that

00:11:32

is, for example, again, if I have

00:11:33

the task of aligning this teapot with

00:11:36

its dimensions, press this side

00:11:38

to this side, for example, before

00:11:41

this box of mine, I can do it like this

00:11:44

clicking on this object, but before that,

00:11:46

I move the mouse cursor over the currency one more time,

00:11:48

the main thing is to make sure that

00:11:50

the corner of the side that we will

00:11:52

need to align is highlighted,

00:11:54

now I click, don’t let go, I’ll drag it, for example,

00:11:56

to this object that’s highlighted there, its

00:11:58

corner is released and you don’t see them joining with

00:12:01

their sides one to one, it’s easy,

00:12:05

simply, or let’s put the sphere on

00:12:09

top of the teapot so that it is

00:12:11

determined by its dimensions, the same thing, that is,

00:12:14

I move the mouse cursor over the sphere, select the

00:12:17

bottom corner, but so that it clicks with its lower

00:12:19

part for a second,

00:12:23

another object hits,

00:12:33

so I click, let’s say this a corner and

00:12:35

dragged it up here, the sphere at 10 o'clock

00:12:40

worked after the direction of the axis which is

00:12:53

not the same angle,

00:13:01

here it is not with its sides, for example,

00:13:04

they were leveled off, let's say not

00:13:05

if up, then first turn off the binding,

00:13:08

I select Thomas will switch the binding,

00:13:17

let's say it's leveled off in height

00:13:21

now there will disable the binding, there is a

00:13:23

binding key

00:13:31

about that, practically

00:13:35

if necessary, you can adjust the most

00:13:36

important thing, that something is not aligned in height,

00:13:37

that is, these different

00:13:39

types of bindings are needed so that

00:13:41

we can easily and simply perform different

00:13:43

tasks even when we analyze the main types of

00:13:45

bindings that we need are needed and after that I

00:13:47

will show again how by combining them we

00:13:49

can do certain things, we don’t

00:13:52

always have to know everything and include

00:13:54

all absolutely types, very often you can

00:13:56

use one of them sometimes in

00:13:59

combination with them, so you can get it easily and

00:14:03

simply now we align we'll come back to this later,

00:14:05

so let's continue the conversation and these

00:14:08

types that we are left with after

00:14:11

bow there is no box, the next one we

00:14:12

will need

00:14:13

is the parameter gorteks binding to the

00:14:17

vertices of the object

00:14:18

vertex binding to the vertices of

00:14:24

the object binding to the vertices of the object I

00:14:28

click power so that it turns on and

00:14:31

now here what a thing by hovering the

00:14:33

mouse cursor including snapping by hovering the

00:14:34

mouse cursor over the object it jumps for me

00:14:37

snapping to the points of the object but we

00:14:39

will talk in more detail about the points

00:14:41

a little later but nevertheless here are the

00:14:43

segments of our object in the places where they

00:14:45

intersect they form the vertices of the point

00:14:48

here here, here, here, here, you are everywhere, in

00:14:50

principle, the whole object,

00:14:51

if you look at it this way, can be

00:14:53

represented as a set of points, just like that, it’s precisely

00:14:56

to these points that our

00:14:58

binding allows you to bind,

00:15:25

look, let’s say, with the binding of

00:15:28

points, one of those bindings that I, for

00:15:30

example, almost always I use it, and in

00:15:32

principle it can replace all the

00:15:34

others, well, with the exception of the grid

00:15:37

point, for example, igritt lines,

00:15:39

beer there, the bowden box can be

00:15:41

replaced with just one snap to the

00:15:44

vertex vertices, it

00:15:45

works very simply, that is, I

00:15:47

move the mouse cursor over the object, but the main thing is

00:15:49

not to forget turn it on and really should

00:15:50

turn it on, so I can select

00:15:53

any point of the object, let’s say I need

00:15:55

my this sphere and the bottom point. and

00:15:58

let’s connect the bases with

00:16:00

this one here. and of my box, yes, I choose an

00:16:04

angle in which I would see both this point of

00:16:07

the object and this point of another object

00:16:09

by which I need to align now by

00:16:11

moving the mouse cursor instead of this point of

00:16:14

my sphere, I click on it with the left

00:16:16

mouse button, without releasing it, I begin to

00:16:18

drag it here to this point of my box,

00:16:21

when the snapping worked, I release the

00:16:24

left mouse button and now it is not

00:16:27

perfectly positioned, that is, for example, this has

00:16:30

the advantage that I can align it to any

00:16:31

point of the object; there is no need, as

00:16:33

in alignment, to deliver the reference point

00:16:36

to where it is needed; it already exists . and

00:16:39

I can work with them now, let’s say there’s

00:16:41

not this point, you need to drop it here from the side

00:16:43

angle, please select this

00:16:45

point without letting go, drag it to this

00:16:47

point, it was equal to you, but here, if necessary,

00:16:50

turn off the binding here and let’s say,

00:16:51

position it as it should, here’s the corner,

00:16:54

or rather here this Gorteks type binding is

00:16:57

very interesting, this is how it works,

00:16:59

allowing you to bind as you like to

00:17:02

an object,

00:17:09

or let’s say I turn it on again, select the

00:17:11

base point there and drag it

00:17:14

somewhere here to the top of my

00:17:15

objects,

00:17:22

here it is, accordingly, at the top, the

00:17:24

same time you can combine

00:17:26

different ones types, let’s say if I, for

00:17:29

example, need this object, this one,

00:17:33

or for example a teapot, here’s a teapot

00:17:36

with its base, for example, put it

00:17:39

on top of this object,

00:17:44

I can, let’s say, combine

00:17:46

different types of a teapot, the bottom point

00:17:49

is acceptable, maybe even its pivot

00:17:51

if it wasn’t carried out vertex you can

00:17:53

disable it, that is, this

00:17:55

pivot of my object is available to me, and let’s say this

00:17:59

object, you can take it, let’s say, for

00:18:01

example,

00:18:02

the size of the Bowden box is turned on and then I, for

00:18:07

example, take the mouse cursor in my

00:18:11

teapot, the main thing here is to make sure that you

00:18:14

click on the fault that the snap

00:18:17

to the reference worked The dots you now see

00:18:18

here together are the reference points like Christy

00:18:20

in the cross like this appears, you know

00:18:22

that you will definitely work with the reference point.

00:18:26

click without letting go and drag on this

00:18:28

object

00:18:29

until it is highlighted, which means the

00:18:32

program has realized that it needs to be attached

00:18:33

to it and the gums still need to make sure which

00:18:35

point, that is, we need the top one.

00:18:39

they let it in, according to the

00:18:41

vertical level, it clearly docked

00:18:45

because it’s happy to the side view, we

00:18:47

’ll switch to us, it’s ideally lying on

00:18:51

this surface, but now if we

00:18:55

need it, let’s put it in the center,

00:19:03

here we can turn it off,

00:19:05

use only tombow, no

00:19:06

box modes, for example, they do

00:19:20

n’t want to need it

00:19:22

I’ll tell you one more parameter now so that it

00:19:24

works normally, so very often

00:19:29

we can easily

00:19:31

solve a large number of problems with just bindings alone and

00:19:33

align and move as we

00:19:34

need and put our objects in the right positions in

00:19:38

space without any

00:19:41

problems So, regarding the types of bindings,

00:19:45

in addition to the binding settings, we also have

00:19:48

here in this drop-down menu that

00:19:50

sets the type of binding, there are several more

00:19:52

subcommands. Now we worked with

00:19:54

binding number 3,

00:19:55

this is the so-called three-dimensional binding,

00:19:58

three-dimensional binding tells us

00:20:01

that it works with object in all three

00:20:04

directions,

00:20:05

that is, it will be snapped and moved

00:20:07

in all three directions,

00:20:11

that is, I’ll let’s click on the object

00:20:14

if there is a snap there,

00:20:16

then all these in any direction,

00:20:18

it drags me along the x-axis along the y-axis

00:20:24

without any problems there are other

00:20:27

parameters and the number co2 indicates that the

00:20:30

so-called two-dimensional snapping will work.

00:20:32

The two-dimensional snapping differs from

00:20:36

three-dimensional ones in that it always works in the

00:20:38

horizontal plane only, that

00:20:40

is, the x and y planes, that is, this

00:20:42

snapping will not allow your object to

00:20:44

rise up along the z axis only the

00:20:50

x y plane will work and credit the

00:20:55

bindings I generally never

00:20:57

use two and five

00:20:59

means go bindings that work in

00:21:01

orthographic form

00:21:03

and here it allows you to perform the function of a

00:21:07

three-dimensional binding

00:21:08

only for art of graphical views 2 and 5

00:21:11

in fact I even view I

00:21:14

don’t use two-dimensional bindings, I’m always

00:21:16

in three-dimensional in three-dimensional

00:21:18

bindings, but if necessary, I include

00:21:20

one additional parameter that

00:21:22

allows the bindings to behave differently

00:21:26

if we go to the binding settings,

00:21:29

well, not to the first tab where we set

00:21:31

what it should snap to,

00:21:33

but on the second tab, which is called

00:21:35

general settings, then at the very bottom of this

00:21:38

tab

00:21:39

there will be a command called ms

00:21:41

access constraints, which translates

00:21:43

as using limiters along the axes,

00:21:47

using limiters along the axes,

00:21:53

this command, when enabled,

00:21:58

allows three-dimensional snapping to work

00:22:02

only in the direction of the selected axis,

00:22:07

allows three-dimensional snapping to work

00:22:11

only in the direction of the selected axis,

00:22:22

which means the use access constraints command

00:22:25

allows 3D snapping to work

00:22:29

only in the direction of the selected

00:22:31

axis, now that command is turned off, I

00:22:38

turned on 3D snapping to the vertex mode in vertex mode,

00:22:41

and look, let’s say

00:22:44

this torus can move as you like, so

00:22:46

I chose one point of it this is a probe of a point,

00:22:48

for example, a teapot, look, it has risen and

00:22:50

up, that is, along the z axis, and now it’s an hour along the

00:22:53

y and x axis, walking, that is, as I want there and

00:22:57

walks there are no restrictions, I should

00:23:01

turn on the ms access constraints parameter,

00:23:03

use restrictions on the axes,

00:23:06

the picture is already changing, look Now

00:23:08

I have

00:23:09

two axes marked in yellow, the x-axis and the

00:23:12

y-axis, that is, plane 1 is marked in

00:23:14

yellow, so if I, for example,

00:23:16

click on some point of the object and

00:23:19

drag it, or look up here,

00:23:22

it rises to the top or, for example,

00:23:24

the neck of the teapot, this does not happen for

00:23:28

the reason that this command limits the

00:23:31

snapping only in the direction of the x y axis

00:23:33

because these are the axes that are highlighted

00:23:37

if I, for example, click on the z axis and

00:23:39

look, I turn off the snapping click on the

00:23:42

z axis by moving it like this up and down

00:23:44

so that this axis is highlighted and

00:23:46

now turns yellow I press c again, turn on

00:23:48

the snapping, select a point and drag it, for example,

00:23:52

here it works for me only in the

00:23:55

direction of the z axis, that is, this

00:23:57

command you have sex with constraints,

00:23:58

limiting the three-dimensional snapping in the

00:24:01

specified direction, sometimes this

00:24:04

solves problems very simply, that is, I

00:24:06

’ll let the teapot be narrower in height I set it

00:24:08

as needed and I don’t want its height

00:24:10

to change, I turned on this command by turning on

00:24:17

3D snapping, I can,

00:24:19

accordingly, my object is a

00:24:23

wall, let’s say agave, that is, first the

00:24:29

axis is determined without snapping, that is,

00:24:32

I turned off the snapping, dad

00:24:34

moved the run a little so that the x and y axis

00:24:35

are highlighted, or you can just click

00:24:37

according to this triangle there or along the

00:24:39

specific axis that you need, here it is

00:24:42

selected, now selecting the point including and

00:24:45

accordingly dragging the desired place, that is, in

00:24:47

this way, let’s say my object can be

00:24:50

aligned according to the required form, for example,

00:24:52

I need to align the object in such a way

00:24:54

that it can be used with its handle with docked with

00:24:56

this side only in the direction of the

00:24:58

x axis and turned off the snapping 1 clicked on the

00:25:01

x axis, fixed it and now I turn on

00:25:05

the snapping, select a point on the handle, click

00:25:10

and without releasing, drag to that point in the

00:25:12

direction I want to align and

00:25:14

now this. the handles

00:25:16

fit perfectly with this point,

00:25:18

look here they are on the

00:25:21

same line,

00:25:29

or let’s say now I need to

00:25:32

put my kettle in height so that

00:25:35

it stands on this object,

00:25:37

turn off the snapping, click on the z axis,

00:25:41

turn on the snapping again, select any point at

00:25:43

the base and without letting go I dragged it to the point of

00:25:49

my object at which I want to compare it in

00:25:51

level and now you

00:25:53

see it has become on the same level with it, if

00:25:56

you check here you can see that they are on the

00:26:01

same level with it and now

00:26:04

let’s say it’s already turned off I

00:26:09

can put this object there, you know, it’s

00:26:10

100% on this

00:26:12

surface. The snap is a very interesting

00:26:16

thing, we will use it very often

00:26:18

in the future, so you will see

00:26:22

all its power, how convenient it is, not these

00:26:24

procedures will perform everything, we

00:26:26

will align parts of the spline of

00:26:28

polygonal objects further compare,

00:26:31

align objects and sometimes simply

00:26:35

place some objects on the surface of

00:26:36

other objects, which is why, in principle,

00:26:42

you can use only one

00:26:45

three-dimensional reference, as an option if its

00:26:48

command sex with constraints does not

00:26:50

limit your object will move

00:26:52

in all coordinates in all three points

00:26:55

along all three axes in any direction

00:26:59

if you enable the you sex parameter with

00:27:01

constraints the object was to move only

00:27:04

where the axes allow it,

00:27:06

it determines this by what 8

00:27:08

are highlighted in yellow, no matter how I

00:27:13

drag it, the top does not rise because the

00:27:17

z axis is highlighted for me, so it does not move there. in

00:27:22

this way like this and here is a

00:27:24

three-dimensional snap that will be

00:27:25

used to move objects

00:27:28

and in the future not for docking objects

00:27:33

now we will talk about further about

00:27:36

other types of snaps that exist but

00:27:37

before that, let’s now try

00:27:39

working with three-dimensional create

00:27:41

several objects then turn on

00:27:43

three-dimensional snapping, go to the settings

00:27:48

to switch different types of

00:27:51

vertex snaps there grid points and try to

00:27:56

move the object, move the object with

00:27:58

the snap so that you can see how it will be

00:28:00

attracted to those parts of the object

00:28:03

that you will indicate to it, and after

00:28:08

that we’ll talk to you about other types of

00:28:10

snaps,

00:28:14

which means the following type snaps, which

00:28:16

we'll talk about, I'll close the settings window for now,

00:28:19

but I don't need this, this is the second

00:28:22

button on the toolbar in the

00:28:26

snaps category, the so-called engl

00:28:28

snap angular snap ingles on

00:28:37

arrived or ingles on the PC angular snap

00:28:45

angular snap, unlike the previous one,

00:28:48

which only works with the tool

00:28:50

movement works with the

00:28:54

rotation tool, angular snap works with the

00:28:59

rotation tool, that is, on other

00:29:01

tools we won’t see it, it doesn’t make sense to me, it wo

00:29:03

n’t be there only when the

00:29:06

rotation tool is turned on,

00:29:23

which means look when we have the

00:29:26

rotation tool turned on and we

00:29:29

start the procedure of rotating our

00:29:31

object, we can see that it rotates

00:29:34

quite smoothly calmly, but if

00:29:37

you look closely at how the

00:29:39

numbers showing the angle

00:29:41

of rotation change here, you can see that they literally

00:29:43

change by 100 degrees on one side,

00:29:46

this can be good for such

00:29:48

arbitrary rotations when we do

00:29:50

n’t have any clearly defined ones values,

00:29:53

we can insert an object into this

00:29:55

position at the angle that we need, but

00:29:57

if we, for example, need to rotate it

00:29:59

clearly by 45 degrees, it can be

00:30:02

very difficult to do in this mode;

00:30:03

literally here, a slight movement of the mouse

00:30:06

already makes a big jump in the values and

00:30:09

select 45 it’s very difficult, in principle it’s

00:30:12

not a problem, but on the one hand,

00:30:14

I’ve done the rotation, we can then

00:30:16

look at its coordinates

00:30:17

with the rotation tool turned on and

00:30:20

just write here the value we need,

00:30:22

this is minus 45, for example, it will

00:30:24

accordingly become clearly 45

00:30:26

degrees, this is one of the options, but there is an

00:30:28

easier way and more convenient and efficient

00:30:30

which simply saves you time on

00:30:32

these adjustment transfers this is the

00:30:35

use of angular snapping now for a

00:30:38

second I’ll cancel the

00:30:39

rotation using angular snapping

00:30:42

look when I click on it I have it

00:30:44

turned on becomes this angular

00:30:45

snapping if I start the rotation procedure

00:30:49

pay attention to how

00:30:51

the coordinates of the rotation angle will change from my

00:30:54

tied, I feel

00:30:59

it is in steps of 5 degrees in this case,

00:31:01

rotation occurs, that is, it is

00:31:03

much more convenient to choose 45 without

00:31:06

any problems, so the angular

00:31:08

binding does not help us with this,

00:31:11

it allows us to perform the

00:31:13

rotation procedure with a given step, this is the

00:31:18

essence of the angular binding, to perform the

00:31:20

rotation procedure with a given step,

00:31:24

since this is the 2nd binding and one of the same

00:31:29

most frequently used ones, it

00:31:31

has a hot key that

00:31:34

allows us to quickly turn it on and

00:31:36

off;

00:31:37

this is the first letter of the English alphabet and

00:31:40

a the first letter of the word engl

00:31:43

angle by pressing this letter on the keyboard you

00:31:48

enable or disable this type of

00:31:51

binding,

00:31:52

so from time to time when you need

00:31:54

it you can turn it on and perform the

00:31:57

rotation procedure with it, which is much more convenient and

00:31:59

simpler. Besides this, of course, this

00:32:03

binding can be customized by us

00:32:06

because the step 5 is not always the one I need,

00:32:08

if I need forty-five and five there,

00:32:09

for example, yes, here’s something to do with

00:32:12

the binding, so we can

00:32:14

rebuild it in order to get into

00:32:16

the settings, that is, just like in the first

00:32:17

case, we right-click on its

00:32:20

icons the

00:32:23

same window opens that

00:32:25

was just down on the active not the first tab

00:32:27

but the second tab called general

00:32:30

settings and here below there is a

00:32:33

category with the name eng angle

00:32:36

and next to it a digital field in which in

00:32:40

degrees in parentheses it is written dec

00:32:42

abbreviation degrees degrees the step

00:32:45

with is written which the angular snap works in

00:32:49

this case is 5 degrees, if we need

00:32:53

more less we can do this without

00:32:55

problems, we need for example a

00:32:58

larger value, we can

00:33:00

write here for example 10 degrees, interchange

00:33:02

it to fix this value and now

00:33:04

if we try to move it we will have a

00:33:07

10 degree step if you need smaller

00:33:12

values, please there one degree

00:33:14

can be set even smaller, you can also have

00:33:20

05 for example degrees and so on, that

00:33:25

is, you can rearrange it as you wish

00:33:26

for your specific needs for your scene

00:33:29

for the task that you need to

00:33:31

perform at the moment like this in

00:33:36

principle, everything is based on angular

00:33:38

binding, it is very simple, that is, if you

00:33:41

need to do a rotation with someone, step by step,

00:33:43

the first thing you did was turn on this binding

00:33:45

letter, it’s a pity that the second

00:33:47

rotation tool was turned on and the third one went to a

00:33:50

construction site, set the required rotation step and

00:33:52

you get an easy and simple result without

00:33:54

any problems, so

00:33:57

now give us two minutes that you have seen

00:33:58

how this binding works and we will move on with

00:34:00

you to the third type of binding, which

00:34:06

means that the remaining types of bindings are not

00:34:09

used so often, but we are there in very

00:34:12

very special cases, for example, I

00:34:14

have never used them at all, but let’s say for a general

00:34:16

introduction about them, therefore, the third

00:34:19

type of Rio for which we will analyze it has

00:34:21

this icon called persons,

00:34:24

this is the so-called percentage snap, a

00:34:26

snap that works with the scaling tool, a snap that

00:34:33

works with the

00:34:36

scaling tool, person snap,

00:34:44

that is, this snap, just like the

00:34:46

previous ones, allows us to perform the

00:34:49

scaling procedure with a certain

00:34:51

step,

00:34:52

that is, without it, if I turn off

00:34:55

the scaling process, it also happens,

00:34:57

but with one percent, if you look

00:34:59

here in the fields, change the coordinates,

00:35:11

why are you so confused already under that, that

00:35:19

is, our third one is tied to the percentage,

00:35:21

look at it, in principle, when

00:35:23

we do the scaling procedure below here

00:35:26

in the coordinate fields we basically

00:35:28

see changes, but in fact this

00:35:30

change is not as clear as it is

00:35:33

now, what’s happening here seems to be

00:35:35

87 percent, but if we release the

00:35:38

mouse cursor, select the object there and

00:35:40

look, then we’ll see what here are

00:35:41

completely different numbers, that is, such hundredths of

00:35:44

thousands can change, so if

00:35:48

we need the scale to make some

00:35:49

clear value, again we can

00:35:51

use the old method of simply

00:35:53

erasing the desired value, write the

00:35:55

one we need, it will be applied,

00:35:56

and we can also use a

00:35:59

percentage reference then click on

00:36:01

this button to turn it on and now

00:36:03

perform scaling at a given step

00:36:05

in this case, for example, it’s 10 percent

00:36:16

like this, so it’s not a

00:36:20

frequently used thing, but

00:36:22

nevertheless, sometimes it’s probably useful, that

00:36:24

is, I haven’t encountered such a problem in my practice

00:36:26

there is a clear

00:36:28

scaling of this, but in principle I still do

00:36:30

n’t use the scaling tool very often,

00:36:31

so probably in this

00:36:34

regard it’s not very often used for me,

00:36:37

which means, just like the

00:36:39

previous tool, it has

00:36:40

settings that can also be called up by

00:36:42

right-clicking on its

00:36:45

miniature and here from at the bottom, immediately

00:36:48

under the parameters of the angular binding, at the bottom

00:36:50

where the map woe I person goes, this is the

00:36:53

very setting of the step of this percentage

00:36:55

binding there, 10 percent can be 51

00:37:01

as you need, which

00:37:11

means this type of bindings is generally

00:37:13

interesting, or rather, not that interesting,

00:37:17

this one is not so often used, therefore

00:37:19

this the keys have no hot keys

00:37:23

if the first two are very often needed

00:37:26

so it’s convenient to call them there

00:37:29

are no hot keys here by default if

00:37:33

you need it you can assign them but

00:37:35

we’ll talk about this a little later in the

00:37:37

interface settings opera and the procedure for

00:37:40

assigning hot keys to certain

00:37:42

commands so let’s now let's move

00:37:45

on and after that you will at the same time

00:37:46

try both this and the next binding the

00:37:49

next ti bindings about which we

00:37:51

will tell you this is generally a super mega

00:37:54

specific thing

00:37:55

spinners above the binding to such link to

00:37:58

come interface elements like spinner

00:38:02

spinners nab I will remind you that the spin frame

00:38:07

is called these are the elements

00:38:09

that have two up and

00:38:11

down arrows located here are spinners, that

00:38:14

is, this binding works with this

00:38:16

back frame that allows you to change the values in it

00:38:19

with a certain step means by

00:38:26

default when this binding is turned off the

00:38:28

output is clicked in the desert ru the value

00:38:32

decreases increases but

00:38:34

how the rule

00:38:36

depends on the field, that is, if the fields

00:38:38

there are with integers, the work here is an integer,

00:38:40

if, accordingly, there are fractional ones,

00:38:41

or rather, there are honeycombs with thousandths, that is,

00:38:44

some kind of step like this, if we turn on

00:38:47

this spinner, accordingly, the change in

00:38:49

values, the value of this field will

00:38:53

occur with some then the steps in this

00:38:55

case are 10, but why don’t I personally

00:38:58

use this binding? Firstly, it doesn’t

00:39:00

work for all fields for a while, if

00:39:02

you try here it does

00:39:07

1, in principle, nothing changes much, yes, that

00:39:11

is, it went as before

00:39:13

arbitrarily and continues to do that here,

00:39:15

therefore It’s easier to guess where to

00:39:16

work on where it works until it’s easier

00:39:18

to erase the values to write with which it is in

00:39:20

dates to get the result without any

00:39:22

problems in this way, so in

00:39:26

this regard it’s not a very convenient thing to

00:39:27

just do it again or to let them know, it’s

00:39:29

here and it’s configured a little bit

00:39:31

another settings window, but you

00:39:33

can also call it with the right key,

00:39:35

this is a window with general settings, I’ll

00:39:37

remind you of the costama menu from preference,

00:39:40

it was called up, or here’s a quick way,

00:39:42

this is with the right key on this

00:39:44

binding button, here in the

00:39:47

general category, general settings, here at the bottom there

00:39:49

is a category spinners

00:39:50

and you here the step category is precisely where this

00:39:54

very step is set, increasing

00:39:58

this binding if necessary, but

00:40:01

again, I’m talking about all the time

00:40:03

they have never been used at all and in principle

00:40:05

that this is a very

00:40:08

specific thing,

00:40:11

this is basically now all types

00:40:13

bindings that are in the program that

00:40:15

we will use, as a rule, the first

00:40:17

two are really the most frequently

00:40:18

used, we will very often

00:40:20

use three-dimensional ones

00:40:21

and no less often use the angular

00:40:24

binding, the rest are very, very rarely

00:40:27

used, but there are times when

00:40:30

we have them here, so

00:40:32

again, you an hour a few minutes that

00:40:34

you tried 2 3 or rather that and the

00:40:36

fourth type of bindings looked at their

00:40:39

settings and after that we will say the final

00:40:41

word and when knitting additional ones

00:40:43

on the lines that go in the window for working

00:40:46

with bindings

00:40:47

and after that we will close this topic,

00:40:56

well, if you do it in different ways axes, that is,

00:40:58

not only proportionally

00:41:00

along different axes, the object is

00:41:01

deformed and this is now probably

00:41:04

turned on the scaling lights

00:41:06

and the third tool will now tell you what it’s

00:41:09

called squash select an squash

00:41:13

it seems there is no for normal scaling

00:41:17

at the top where it is written where we have

00:41:19

scaling select a mini forms ate that

00:41:25

's why Cersei is leading it's great that

00:41:32

in the seventh lesson Olya opened 10 than we

00:41:36

talked about in the third lesson and but this is

00:41:41

actually great at least it will

00:41:43

already be remembered so it's very good

00:41:46

ok let's continue it means

00:41:49

there are a few more things regarding bindings

00:41:51

that you need to know, in principle,

00:41:54

nothing new will open,

00:41:56

it’s just some kind of addition to what we

00:41:58

talked about if you go to the binding settings,

00:42:01

but any of them

00:42:03

will switch to the second tab of

00:42:05

communities where we changed the settings

00:42:07

related to the angular binding with the

00:42:08

percentage binding you there are also a

00:42:10

couple of teams that, in principle, you can

00:42:12

also tell us that means at the top here is the

00:42:16

marker category, it relates

00:42:19

to this one,

00:42:20

to the markers that we displayed in

00:42:22

yellow in 3D binding, these are these little

00:42:25

yellow markers

00:42:27

that are running here, we could change

00:42:29

the sizes that is, by increasing it,

00:42:34

we could get a bigger view of it there,

00:42:36

but sometimes it’s convenient for convenience to

00:42:38

see it better, let’s say there you can

00:42:40

somehow play with these values, this is the

00:42:46

first moment, the second moment, these are two

00:42:48

additional settings snap preview

00:42:51

radius and snipe radius, yes, that’s the point the fact that

00:42:53

snapping on what principle does it work

00:42:56

from the mouse cursor and I will turn on snapping to

00:42:58

grids so that it is better visible, it

00:43:01

draws an area from the mouse cursor, an area

00:43:05

that it is called as a preview radius, that is,

00:43:07

in this case, 30 pixels, that

00:43:09

is, from the mouse cursor, a radius of 30 pixels

00:43:12

figuratively from I drew it is clear that this is

00:43:14

probably more than a pixel, within

00:43:18

this area with a radius of 30 pixels, she is

00:43:20

looking for points that can be snapped, that

00:43:24

is, if, for example, the grid there is too

00:43:26

small or large, then sometimes this

00:43:28

value may not be enough, you have to

00:43:29

rebuild it, although these are very rare

00:43:31

cases, just most often such a value

00:43:34

by default, the

00:43:35

basis of the prodius is quite sufficient, this area is usually a

00:43:37

little smaller within which it

00:43:39

directly binds 30 and the

00:43:42

accounts here will directly

00:43:43

work,

00:43:44

but this is mainly more for informational purposes

00:43:46

since most often in most cases

00:43:50

it does not have to be changed, which means but there

00:43:54

is another interesting one a parameter

00:43:55

that will be useful to us

00:43:57

snap the frozen object to snap to

00:43:59

objects for ice cream you remember that we

00:44:02

can put objects in a

00:44:04

frozen state until you right-click on it

00:44:07

and here at the

00:44:08

top we have the free selection parameter

00:44:10

freeze the object here the object is currently

00:44:13

frozen like this By default, this

00:44:15

parameter with this phrase but close

00:44:16

is disabled and therefore when we turn on

00:44:18

snapping, let me set the snap to

00:44:22

points only it doesn’t work,

00:44:25

you see, it walks over a frozen object

00:44:26

but doesn’t work in 2 situations when you

00:44:29

need to have this object in a

00:44:32

frozen state the ability

00:44:33

to bind then this parameter just

00:44:36

needs to include the snow that phrase for firing

00:44:37

then it will also bind

00:44:39

to frozen objects, that is, it will

00:44:41

work with them in this way,

00:44:46

now in principle this is all this is complete

00:44:48

information on the binding that I

00:44:50

wanted to tell you, I already said

00:44:53

in the future we will use this more than once,

00:44:55

repeatedly, so we will

00:44:57

return to this, but if

00:44:59

something is allowed somewhere, now it may not be

00:45:02

completely clear, but you will still have a chance

00:45:05

to understand it completely when, from a

00:45:07

practical point of view, we

00:45:09

begin all these things more actively use good

00:45:13

now let's go a little further and

00:45:15

touch on another topic which is also very

00:45:18

important, in particular this topic will allow you to

00:45:20

complete the homework that you

00:45:22

will have after today's lesson

00:45:24

write down in your notes the following

00:45:26

subtitle

00:45:28

copying and in parentheses cloning

00:45:31

objects

00:45:33

copying parentheses cloning

00:45:36

objects

00:45:46

copying and cloning objects

00:45:54

means and so very often you and I will

00:45:57

perform the copying procedure, or as

00:45:59

it is also called, the

00:46:01

cloning procedure, in principle, the essence does

00:46:03

not change from this, that is, the

00:46:05

copying or cloning procedure allows

00:46:07

us to obtain copies of

00:46:09

already created objects and, in the future,

00:46:12

parts of these objects because very

00:46:15

often When modeling, you and I will

00:46:18

not fully model the object, but

00:46:20

model only xy, this is its part,

00:46:22

and then duplicate it in order, for

00:46:24

example, to somehow change it, so we can

00:46:27

get another object based on it, or

00:46:30

simply very often you can encounter

00:46:32

repeating objects, so it’s understandable

00:46:35

no one makes them every time 0

00:46:38

model this object once you

00:46:40

can always copy it or

00:46:43

plan it the required number of times with

00:46:44

this you get a large number of

00:46:46

these objects very often ki elements

00:46:49

like furniture to this technique 1 monotonous

00:46:52

in one on when placed as here

00:46:53

let's say computer desks, monitors, that

00:46:55

is, they are similar, so in principle, it makes sense

00:46:58

to make them from scratch if you can just

00:46:59

get them. Cloning methods, this

00:47:02

procedure is very often used, but

00:47:04

unlike ordinary cloning or

00:47:06

copying, which, let’s say, you

00:47:08

perform when you copy there and

00:47:10

some files in the operating room. system

00:47:12

or when in other programs and

00:47:14

editors you copy something in the

00:47:16

3d studio max program, the

00:47:18

cloning copying procedure

00:47:20

implies another interesting thing:

00:47:22

when cloning, we can establish

00:47:25

connections between objects and in the future these

00:47:28

connections will allow us to get very

00:47:30

interesting results

00:47:32

from the goal point of view on this

00:47:35

topic, we need to dwell in

00:47:38

a little more detail,

00:47:39

and so now, in order to

00:47:42

demonstrate all this to you, I’ll make several objects in my scene, I’ll

00:47:49

create such a teapot object, but we’ll make a little more

00:47:51

segments so that it

00:47:54

looks prettier and we’ll

00:48:00

rename it accordingly in order to then

00:48:03

to distinguish it from all other objects

00:48:06

that will appear in our name,

00:48:10

we will make

00:48:13

such an original object in the sand that we will

00:48:15

then understand that this is the first object that made it

00:48:18

possible for the rest to become a clone,

00:48:21

and since you and I will perform the

00:48:25

copying and cloning procedure

00:48:27

very simple, as always for us we need to

00:48:29

initially select the object

00:48:31

that will be cloned in the future,

00:48:34

well, this is a fundamentally clear point for you,

00:48:36

that is, highlight that the program

00:48:37

knew what we would work with,

00:48:40

after that you and I can

00:48:41

use different commands and

00:48:43

keyboard shortcuts that we have

00:48:45

reserved for these commands so the very

00:48:48

first way is to go to the main menu

00:48:51

edit

00:48:52

editing and use the

00:48:54

command here called clone, this

00:49:00

command clone is

00:49:01

one of the ways to copy objects, the

00:49:09

keyboard shortcut that is

00:49:11

assigned to this command is control in on the

00:49:14

right side you see on the registered one, that

00:49:17

is, not kontrol c ha like this Usually

00:49:19

we are used to the copying procedure

00:49:21

contra la contra, you have already inserted the

00:49:23

copied object, here we simply

00:49:26

control we perform this procedure,

00:49:28

so either by calling the command or pressing

00:49:31

this combination with the object selected, we

00:49:34

can launch the cloning procedure.

00:49:36

As a result, we have this

00:49:38

dialog box in which there is a number of

00:49:40

parameters that we can set,

00:49:42

well, at the very bottom there is a name field

00:49:45

where we can set the name of this clone

00:49:47

that will appear new we can

00:49:49

do it now we can

00:49:51

do it later as we want and at the top in the

00:49:54

firing category there is a tricky

00:49:56

bow we will ignore this field for now

00:50:00

a little later today, literally in

00:50:01

a few minutes, we will return to it and

00:50:03

analyze it in more detail

00:50:06

so for now I

00:50:08

will simply click ok in this window so that the

00:50:10

cloning procedure is completed

00:50:13

cool, also there is a question that cool in

00:50:19

fact the cloning happened before on

00:50:21

visual and so far we don’t see anything, we don’t

00:50:23

see anything for the reason that such a command

00:50:25

plans an object with the same

00:50:27

coordinates as the

00:50:31

object was, let’s say, from which this

00:50:34

clone was obtained, that is, now at

00:50:36

this point I visually have two

00:50:38

objects, but visually I don’t see there are

00:50:40

differences between them, so I should follow the

00:50:43

simplest way to distinguish

00:50:45

them later, yes, it’s just to perform the moving procedure.

00:50:49

I’ll see that the

00:50:52

following data will come out of this object. That’s exactly how

00:50:55

I got a clone,

00:50:58

that is, this command is convenient in cases

00:51:00

when you you need to get a copy of an object

00:51:03

that is located in the same

00:51:05

place, then this is the cloning command, it’s

00:51:07

just

00:51:08

ideal and what’s most

00:51:09

interesting when executing this command

00:51:11

from deleted using the keys is to separate the

00:51:13

object, clone, to re-select the object, now

00:51:15

they will do it using the to control combination in the

00:51:17

press, press ok, pay attention that

00:51:21

after the clone is created,

00:51:24

this particular clone is the selected objects, I

00:51:26

wait for this, the object from which

00:51:29

we received the clone was selected, now this

00:51:31

object is selected, that is, I shift not the

00:51:33

original object, but precisely this clone that

00:51:36

will receive, that is, here is the

00:51:39

cloning procedure that allows you to receive the

00:51:41

object has the same coordinates,

00:51:42

but outwardly you see that is, this clone is, in

00:51:44

principle, absolutely identical to

00:51:46

its object from which it was

00:51:50

obtained, that is, they are absolutely identical

00:51:52

in this regard, they do not differ in any way, I

00:51:54

will delete it again, this was the first method

00:51:58

that we can with you perform the

00:52:00

cloning procedure; the second method,

00:52:02

cloning, involves the use of

00:52:05

transformation tools, that is, we

00:52:07

can get clones using the

00:52:09

movement tools, rotation and

00:52:12

scaling, but not on their own, as

00:52:14

we did before, using

00:52:17

additionally with them the

00:52:21

shift key on your keyboard, these look

00:52:25

if I just Having turned on the

00:52:27

move tool, I’ll try to drag my object in

00:52:29

the direction of the x axis; it,

00:52:31

of course, just moves, nothing unusual,

00:52:34

press control z to cancel this

00:52:35

action,

00:52:36

but by holding down the shift key on the keyboard,

00:52:39

that is, I keep it pressed

00:52:41

and now, while holding down the shift key, I

00:52:44

can start the displacement procedure object,

00:52:46

I click on the x-axis and don’t let go, I’ll drag it away, a

00:52:50

clone appears now when it’s

00:52:53

already got me, let’s say, dio

00:52:55

I can release the shift key

00:52:57

after I’ve decided on the

00:52:59

place where this clone will be located

00:53:01

and I release the left mouse button and

00:53:04

only then This familiar window pops up for me

00:53:06

and we

00:53:08

can also set a name and some other parameters

00:53:11

by pressing the ok button, we get a clone, that

00:53:16

is, we can do this, move procedures,

00:53:19

we can do this with the

00:53:22

rotation tool, you have including the

00:53:24

rotation tool letter and reminded, I hold down

00:53:27

shift and Without letting go of the matter of cloning,

00:53:30

I got a clone, in this case it’s not

00:53:32

clear they have one coordinate, but

00:53:34

because they move to there by moving it,

00:53:36

now I’ll get this clone and the

00:53:40

scaling tool

00:53:42

works in exactly the same way, and if we let’s say make

00:53:45

it smaller, then you can actually

00:53:47

get the effect here such nesting dolls are Danes in

00:53:49

a teapot, but again, when I pull it out,

00:53:52

I see that I really

00:53:55

have created a clone, that is, all three tools with

00:53:58

this shift key allow you

00:54:00

to get clones, what’s most interesting is that

00:54:03

this is the window that pops up when we

00:54:06

use the transformation tools,

00:54:08

once again I do cloning with the

00:54:09

shift key, in addition to the parameters of the general types of

00:54:13

clones that we will now talk about, it

00:54:15

contains another interesting field

00:54:16

called number of copies number of

00:54:18

copies number of clones before this, the

00:54:22

clone command that we looked at did not have this field

00:54:24

that this field allows us to

00:54:28

make this field allows us to create

00:54:32

we have more than one clone,

00:54:34

that is, by increasing the number of

00:54:36

copies here we can create not a single clone, but

00:54:39

several clones, the question may arise

00:54:44

as to where they will appear given

00:54:46

they appear as follows,

00:54:48

the program

00:54:49

looks at how much the

00:54:51

coordinates of the original object differ from the

00:54:54

clone object, remembers this offset and the

00:54:57

next clone will have exactly the same

00:54:59

offset, that is, each of the new clones

00:55:01

will be located at the same

00:55:03

distance as the first clone

00:55:05

relative to this object from

00:55:07

which it appeared, let’s say I

00:55:09

press the number q3, then I will create three clones,

00:55:11

three copies, press ok and I have

00:55:14

three objects appear, look, that is, the number 3

00:55:17

determines exactly the number of clones, they are the

00:55:19

total number of objects, that is, three

00:55:23

means here are three clones

00:55:24

if you pay attention to the distance between the

00:55:26

first and second to the second third

00:55:28

third and fourth and the

00:55:29

same, that is, the program remembers

00:55:31

the offset and, accordingly, further on the

00:55:33

remaining clones in in the same direction of the

00:55:34

building, that is, by performing the

00:55:37

displacement procedure, we can not only along one axis

00:55:39

there, for example, diagonally and they are

00:55:43

all accordingly in this way,

00:55:45

we will have

00:55:50

exactly the same thing lined up and when rotating it will

00:55:54

work for us, here is one object, here is the

00:56:06

third one, it turns out here this is the second

00:56:08

object and this command will work in exactly the same way

00:56:13

when scaling, and here is the

00:56:18

real matryoshka effect in this

00:56:29

way, that is, the friction is the

00:56:31

same, that is, the

00:56:33

cloning procedure with an increase in the

00:56:35

number of clones parameter allows us to get such

00:56:37

interesting points here this is something that you and I

00:56:41

can do

00:56:44

easily, just without any special problems,

00:56:46

let’s now try to do it

00:56:48

yourself and after that we will come back and

00:56:51

talk about the types of clones, this is a

00:56:53

very interesting thing

00:56:57

and just the usual creation of a clone is

00:57:01

actually not such a difficult thing and it’s not

00:57:04

so interesting and the whole beauty of the

00:57:06

cloning procedure in the 3d

00:57:08

studio max program lies precisely in the fact that

00:57:11

we have the opportunity to establish

00:57:13

connections between objects between these

00:57:16

clones, now look, I

00:57:18

’ll use the cloning procedure that is already familiar to us

00:57:20

in order to get

00:57:22

three objects here from this

00:57:26

original object I will get a clone by holding shift

00:57:29

in one direction, this is the

00:57:30

type of clone it will have: copy, I’m

00:57:35

here in the name so that we don’t get confused later, I’ll

00:57:37

also write copy, we’ll change the color

00:57:40

so that they are a little

00:57:42

different, so this is a clone of the copy type, I

00:57:46

make another clone in the other side and

00:57:49

give him a different type of cloning

00:57:51

second type of instance instance translation

00:57:54

found a copy everything is clear copy and here

00:57:57

Stas is translated as an instance

00:58:00

now we will talk to you about this in detail

00:58:02

and analyze it, so I’m

00:58:04

doing the following correspondence to his name so that you

00:58:06

too later we knew that this is a clone of this

00:58:10

type of instance

00:58:11

and the third object, I clone it in this

00:58:16

direction, I make it a

00:58:19

third type of clone, reference, which

00:58:23

is translated as a sample,

00:58:30

and so we have three types of clone, the

00:58:32

original object is the object that

00:58:35

allowed us to get these three clones,

00:58:37

this is a clone of the type copy of the next one column by

00:58:41

authority, an instance

00:58:42

and the third last clone keep a reference

00:58:45

sample, so this is the difference between them,

00:58:48

in principle there is no difference in appearance, well, except for

00:58:50

the colors that I changed, in

00:58:52

everything else they are basically the same, the

00:58:54

difference between them is what

00:58:57

connections are established between them these are the

00:59:00

three types of cloning places that

00:59:02

are shown in this window

00:59:04

copy instance reference copy instance

00:59:08

and sample they define the

00:59:10

relationships between objects before

00:59:13

we begin to analyze them in detail I would

00:59:15

like to introduce two terms that

00:59:17

I will use in the future so that you

00:59:19

understand what am I talking about and so

00:59:21

this is the original object that made it

00:59:23

possible to get the rest of the clones, we

00:59:25

will call the parent object the

00:59:30

parent object, that is, this is the object

00:59:32

from which the rest of all the clones were obtained

00:59:36

parent the

00:59:48

word parent parent is

00:59:50

probably familiar to you after the word buzz language

00:59:54

capital of ukraine

00:59:55

you should have learned in the

00:59:58

English course and the words parent parent

01:00:01

means just under this term

01:00:03

prn, just if suddenly you are somewhere in the

01:00:05

future in the program, we will

01:00:07

meet you more than once, and in general,

01:00:09

let’s say if you come across it over time

01:00:11

English-language literature on three-dimensional

01:00:15

computer graphics using this program, then the

01:00:16

term prn just

01:00:17

means the parent object, that is, the

01:00:19

main object, let’s say the object, all the

01:00:23

other clones

01:00:24

that we have created, we will

01:00:25

call child objects child

01:00:29

objects,

01:00:34

or very often such a term as child

01:00:36

or children's that is, there is a child or a

01:00:38

child object, these are two children treated

01:00:41

green, another term will be used

01:00:43

that means

01:00:45

objects received from the parent, that is,

01:00:48

either objects very often

01:00:50

subordinate to it, that’s how life has come

01:00:55

from here, in principle, this is the logic and so

01:00:59

they found for the parent object and its

01:01:02

three child objects

01:01:03

have connections with each other and each of these

01:01:06

connections is established in its own way

01:01:09

depending on the type that we have

01:01:11

chosen, so the first type of clone

01:01:16

clone type copy means clone type copy

01:01:19

creates an object that is

01:01:24

not connected with the parent object in any way object copy

01:01:28

clone type copy creates an object that with

01:01:32

the object is not connected to the parents in any way, that

01:01:36

is, there is no connection between them,

01:01:44

what does this mean, I will now select objects 1 and 2

01:01:46

and isolate them for a while, I will

01:01:48

remind you of the key combination that

01:01:50

turns on the isolation mode, which allows you to

01:01:52

temporarily select only these objects,

01:01:54

hide everything else, so I select

01:01:56

the object parent and for example, starting to

01:01:58

change something from it, these are its parameters,

01:02:00

segments, let’s say I change you see, one

01:02:03

changes, the other nothing happens,

01:02:05

that is, if I select the

01:02:08

child object, this copy before I start

01:02:10

to change something from it, transform the

01:02:12

same thing, this is in no way affects

01:02:14

no other object, that is,

01:02:16

these two objects have no connections,

01:02:21

okay, let's get out of isolation mode, the

01:02:24

second type of clone, the type of clone, instance

01:02:30

instance, we are here if you can see anything with them

01:02:32

instance, that's what is translated

01:02:35

as instance instance establishes between

01:02:43

objects mutual feedback

01:02:49

establishes between objects have mutual

01:02:52

feedback,

01:02:58

that is, a connection that works in two

01:03:00

directions. Now I’ll select these two

01:03:07

objects, isolate them, and we’ll

01:03:09

look at it. After all, I select the

01:03:11

parent object and starting to change something on it,

01:03:13

for example, its segments parameter, the

01:03:17

same changes occur with its with a

01:03:19

child object

01:03:20

I change the radius, its radius changes, that is,

01:03:26

in one direction it works from parent

01:03:29

to child, this thing works,

01:03:31

we check the feedback before selecting

01:03:33

the child, we begin to work with it, the same thing,

01:03:35

that is, the child object is exactly the

01:03:37

same, changing its parameters

01:03:39

affects the parent, that is,

01:03:40

two-way communication I have one

01:03:42

changing the second and third type of clone clone

01:03:50

type refresh sample

01:03:59

column paris france sample

01:04:01

establishes a

01:04:03

one-way connection between objects establishes a one-way

01:04:09

connection between objects there is it

01:04:12

works only in one direction and

01:04:14

this direction is from parent to child it

01:04:26

becomes a one-way connection

01:04:27

working in the direction from the parent for

01:04:30

the child, we isolate the same thing, only

01:04:34

these two objects and look, it means we change

01:04:37

something in the parent object, this

01:04:40

affects its child object,

01:04:43

but as soon as I change something in the

01:04:46

child object, I’ll run ahead a little now, let’s say there’s

01:04:49

one modifier

01:04:51

that we’ll soon time we will talk to you about

01:04:55

transforming it a little,

01:04:59

look, that is, here is the change that I

01:05:02

applied to it uniquely; its changes are

01:05:05

not transmitted in the opposite direction, but

01:05:09

at the same time, the connection at the level

01:05:11

when they are at the level, let’s say, from the

01:05:14

parent to it works if, let’s say, I

01:05:16

start changing segments or let’s say

01:05:20

the radius, it will be transmitted again, but

01:05:21

its unique changes no longer

01:05:23

affect the parent object, that

01:05:25

is, the change is only in one

01:05:27

direction in this way,

01:05:30

so these are the three types of clone copy

01:05:33

absolutely independent object instance

01:05:36

two-way communication instance

01:05:38

Here is a reference example: one-way

01:05:41

communication only from parent to child very

01:05:43

often allows you to easily and simply solve

01:05:45

different problems, for example, when you need to

01:05:49

get, for example, you

01:05:52

have two almost identical

01:05:54

objects in your scene, but one of them is slightly

01:05:57

different, for example, there are two identical

01:05:59

columns whose upper parts

01:06:01

are different to the types there are different, so we, for

01:06:07

example, can model the main part of the column,

01:06:09

and now when we need to change its

01:06:12

upper part to make it

01:06:13

different, we are looking for a different one, we can

01:06:16

make a clone like a copy and easily

01:06:18

change the top for ourselves, that is, we will

01:06:20

already get the lower part from this object, we can then

01:06:22

easily exchange the beaver without any problems.

01:06:25

If, for example, we have the same lamps in the room,

01:06:27

let’s say, then it’s

01:06:30

best for us to make them of the instance type.

01:06:33

Well, what if then the customers come and

01:06:35

say, let’s slightly

01:06:36

lengthen some elements of this

01:06:38

chandelier, and for example, a lamp, we can easily

01:06:40

we’ll just make these changes in one

01:06:42

object; all the rest will

01:06:44

change automatically, that is, we’ll just save ourselves the

01:06:48

work; all the changes we’ll

01:06:50

make to objects will be inherited

01:06:51

by all its children, and at the same time, the

01:06:54

opposite situation is when we need to

01:06:57

get almost the

01:06:59

same there, for example, a lamp like me is an

01:07:02

original object, but at the same time it

01:07:04

will make some changes in it, but at the

01:07:06

same time we want that if

01:07:08

the size or something else of

01:07:10

the lamp changes, it should be better to

01:07:12

make a reference then we can

01:07:13

add some to it - then the details, but if

01:07:16

suddenly he is, for example, there the customer

01:07:21

wants to change the size of the lamps, we

01:07:23

can do this with the object’s parents and

01:07:25

these, despite the fact that they already have

01:07:26

some of their own changes to the size that

01:07:29

they had in common, they will still

01:07:30

inherit, so this is sometimes many

01:07:32

tasks are easy and simple to perform in this

01:07:35

way instance is very often

01:07:37

useful, for example, for animation, yes, that

01:07:39

is, let’s say we need to

01:07:40

number there,

01:07:42

let’s say I don’t know, swaying in the wind,

01:07:46

for example, some bushes in the park,

01:07:48

yes, we have a model of this bush,

01:07:50

we can apply it to create an

01:07:52

animation, let's say in the future we will

01:07:53

analyze modifiers, the band modifier is a

01:07:56

modifier that creates a tilt of

01:07:58

the object, so with the help of the modifier we

01:07:59

can create the effect of these bushes swinging so

01:08:02

they will sway there in the wind

01:08:04

and then clone these bushes like a

01:08:06

mine stand and then let's say one of them

01:08:08

so the rest were animated in exactly the same way,

01:08:10

work with him if there are

01:08:12

some bushes there we would like to uniquely

01:08:14

animate to create a unique effect for them,

01:08:16

but we’d better make them of the

01:08:18

reference type then we’ll apply

01:08:20

our modifier there, give it our own

01:08:22

animation a certain course, it won’t be

01:08:24

like the rest of ourselves to guide you on this,

01:08:27

these are the types of clones and

01:08:29

we will use them very often in our work in order to

01:08:31

be able to

01:08:33

simplify our work very often and in

01:08:36

homework, for example,

01:08:38

you can also do some elements

01:08:40

using these types of clones,

01:08:42

but in order to make it painful

01:08:44

painless without any problems, to

01:08:47

solve many problems in

01:08:49

this way, this is what, in

01:08:52

principle, gives us the opportunity to obtain

01:08:54

cloning, different motives, types of communication,

01:08:57

which means that cloning does not inherit, what is

01:09:00

not transmitted, is not transmitted, changing

01:09:02

the color of an object if we change the color and this is a

01:09:05

unique parameter it is attached to the

01:09:07

object in no way affects the

01:09:09

transfer of data there;

01:09:13

the coordinates are not inherited; they are unique for each

01:09:15

object; the scale is not inherited; they are also

01:09:19

unique; only the parameters are inherited; the

01:09:22

physical parameters of the object are height,

01:09:24

width, radius, and so on; and

01:09:28

rotation angles are not inherited, that’s all

01:09:30

As for transformation tools, it is

01:09:32

unique to each object but is not

01:09:34

transferred to others in any way, but as for

01:09:37

parameters in the future, we will

01:09:39

analyze more modifiers, all of this

01:09:41

can be transferred and inherited;

01:09:43

we will often use this to

01:09:45

obtain objects of the same type in

01:09:51

this way, good again -

01:09:54

literally two minutes, what are you looking for,

01:09:56

we tried to create objects of different types, we

01:09:58

saw how changing one will change the

01:10:01

others, also try to make

01:10:04

three more clones, and after that we will

01:10:07

talk about another topic,

01:10:17

which means another useful point that

01:10:20

you also need to know regarding clones

01:10:22

is how objects that are created

01:10:27

load computer resources, I mean that

01:10:29

when you create an object of type copy

01:10:33

clone type copy, it is an actual

01:10:35

independent object, so in order to

01:10:36

store information about all the changes

01:10:38

that happen to it in the

01:10:40

computer memory, a corresponding

01:10:42

section in memory is allocated, that is, it fully

01:10:44

consumes resources which object,

01:10:47

when you create an object of the

01:10:49

instance type, it is simply a reference to the

01:10:52

parent object, that is, it physically

01:10:54

practically does not take up resources

01:10:56

because the program simply refers

01:10:59

to this object in order to display

01:11:00

it, it will display all changes and the third type,

01:11:04

accordingly, takes up a little more than

01:11:07

an instance but significantly less than a copy

01:11:09

because in addition to the fact that it is a link at

01:11:11

some stage from time to time it

01:11:13

still has to keep some

01:11:14

information unique to this object in

01:11:17

this regard, this is another way to

01:11:19

optimize work, that is, work so

01:11:22

as not to load your scene, if you have

01:11:25

objects of the same type, then, if possible,

01:11:27

make them instances because,

01:11:29

firstly, not only can you easily

01:11:31

and simply adjust them and change their

01:11:33

parameters, making changes with one

01:11:36

object, and secondly, the advantage is

01:11:38

that they are practically do not

01:11:40

consume computer resources, that is, for

01:11:42

example, by making a forest of trees of the

01:11:44

instance type, the projection window will

01:11:47

feel more comfortable and memory

01:11:49

will not be consumed as much if you

01:11:51

made the same number of clones of the

01:11:54

copy type, so from this point

01:11:58

of view, it is also a very convenient moment,

01:11:59

good last thing What we

01:12:02

will tell you today is that it will concern our theories,

01:12:06

so this is another command,

01:12:08

please write down the commands for

01:12:10

mirroring objects, the command for

01:12:14

mirroring objects,

01:12:25

it means in the tools menu, if I'm not mistaken, there is a

01:12:29

tool menu, there is a command

01:12:31

with the name of the world mirror, this command

01:12:35

that allows you perform the same

01:12:37

procedure of copying cloning, but

01:12:40

the difference is that this cloning can be

01:12:43

performed in a mirror manner relative to

01:12:46

this ointment being selected and either plane this same

01:12:50

command is available on the toolbar

01:12:52

because it is something

01:12:54

that you often access, here it is

01:12:57

next to the alignment tool

01:12:59

is the world command

01:13:01

creation command mirror mirror

01:13:04

clones sounds beautiful just like a book, you can

01:13:08

write mirror clones again don’t

01:13:15

forget the object must be selected without

01:13:17

selected objects

01:13:18

to mirror there is simply nothing to do click on

01:13:21

this command the result is a

01:13:23

dialog box appears and as a rule

01:13:26

there are also some settings so we are in the

01:13:27

projection window we can already see some

01:13:29

changes, which means

01:13:31

below is the familiar parameter clone types,

01:13:33

yes there are three familiar parameters

01:13:36

copy instance or reference and there is a

01:13:39

parameter for slope; the parameter for slope does not

01:13:42

create a clone but applies the

01:13:44

mirroring procedure to the current object if, for

01:13:47

example, you need the right side there

01:13:48

of an object, the period is strikingly left,

01:13:50

flip the object, for example, let's say

01:13:52

mirrored relative to the plane, it is convenient to

01:13:54

use this command, that is, without the

01:13:56

cloning mode, if we create a

01:13:58

copy of some axis, we will make a machine

01:14:00

for convenience, then we select the desired type of

01:14:02

clone at the top, we must select an axis or

01:14:05

plane mirroring in In this case, the

01:14:08

axis is the x axis,

01:14:09

this is our x axis, so relative to

01:14:11

this axis, here are our two clones, you see, they

01:14:13

are layered one-on-one,

01:14:14

and the mirror does not occur relative to the

01:14:17

reference point of the object, that is, the countdown comes from it;

01:14:22

in addition to this, there is another parameter, well,

01:14:25

let’s take a look here if you switch the axes

01:14:27

you can see how our object will

01:14:29

move

01:14:32

1 2 3 plus you can connect the planes here

01:14:37

x y y z z and x

01:14:40

there are different ways to re-reflect the object,

01:14:44

in addition to this there is an offset parameter that

01:14:46

determines the offset, that is, we

01:14:48

additionally here in this window,

01:14:49

bypassing the transformation there, we can perform the

01:14:52

procedure for shifting this clone

01:14:55

relative to the selected

01:14:56

mirroring axis there in one or the

01:14:58

other direction in positive or

01:15:00

negative when we have done everything

01:15:03

then we press ok

01:15:04

lower this parameter mirar and kalamies we do

01:15:06

n’t touch yet we don’t know what the

01:15:08

ethics limit is so there is no point in disassembling it

01:15:11

now we press ok and we get a

01:15:14

clone of the selected date if in this case

01:15:17

I selected instance so they are connected by

01:15:19

changing the parameters here they

01:15:21

will automatically change for me and at the top this is

01:15:24

another one of the cloning methods

01:15:26

that

01:15:28

will also be interesting to us and which we will

01:15:30

use means in the next lesson

01:15:32

They and I

01:15:33

will continue to talk about the latest

01:15:35

things related to working from our scene,

01:15:38

we will talk about commands such as array,

01:15:41

which very conveniently allows you to get a

01:15:43

large number of clones,

01:15:44

using the transformation tools,

01:15:47

we will talk to you about what

01:15:50

layers are, how layers work in the program 3d

01:15:52

studio max why you don’t need it, how to work with them, let

01:15:55

’s get acquainted with additional

01:15:57

extended primitives, and and and and and,

01:16:02

accordingly, we will also touch on

01:16:05

some commands for importing and

01:16:06

exporting objects, here’s how to load an

01:16:10

object from different scenes, which is basically

01:16:12

what we are also dealing with you will soon

01:16:14

intersect and collide, here

01:16:18

we will make a stop for now regarding

01:16:20

the theory and the last point that I

01:16:23

wanted to tell you is regarding the

01:16:25

homework that you will need to do

01:16:27

means in the seventh to the

01:16:34

seventh lessons the seventh lessons from daddy

01:16:37

hum god homework

01:16:39

accordingly, we will have the material for

01:16:41

our homework, you will need to

01:16:44

build from simple objects only from primitives

01:16:48

that a tropical island

01:16:54

it will be in such a cartoon style,

01:16:57

yes you see, but nevertheless, that is, from

01:17:01

primitives to simple objects, but now

01:17:03

on the basis of those simple ones objects, you can

01:17:04

build more complex compositions,

01:17:06

now you can do this in a more

01:17:08

advanced way because you know many things, well,

01:17:10

firstly,

01:17:12

you know the cloning procedures that

01:17:15

will allow you to obtain objects of the same type

01:17:17

easily and simply without

01:17:19

the need to create them again,

01:17:21

once you know the groupings that

01:17:24

will allow you solve many complex

01:17:26

problems in this case, here are the

01:17:29

transformation tools, these are

01:17:31

basically the things that you will need

01:17:33

in addition to this picture, there is also a set of

01:17:35

pictures that are simply made from a

01:17:37

projection window in order to show you

01:17:40

is a guide to what kind of

01:17:43

model it is, that is, from what elements it’s

01:17:46

made, which means basically most of

01:17:48

the object, you only know that

01:17:51

these cubes, if you paid attention,

01:17:53

and not unlike boxing, you have

01:17:55

some kind of more rounded structure,

01:17:57

these are charter boxes, but if you want, you can

01:18:00

look at nothing heavy in the

01:18:02

geometry category here where we

01:18:06

chose standard primitives there is a

01:18:08

category extended primitives extender

01:18:10

primitive but we will talk about them in more detail

01:18:12

in the next lesson but here

01:18:15

there is an object called its fer box this is

01:18:17

an object that is very similar to the god object the

01:18:19

only difference is that it can

01:18:20

have rounded edges

01:18:22

you can look of all the

01:18:25

others, we’ll focus on them in more detail

01:18:27

when we talk to you

01:18:28

about these primitives themselves, so everything

01:18:31

else is done with ordinary primitives,

01:18:33

how is this done in principle, that

01:18:35

is, look at your task, let’s switch

01:18:39

somewhere to a grid,

01:18:41

which means that the object, despite its complexity,

01:18:44

consists of a set simple objects,

01:18:45

for example a leaf and ordinary boxes,

01:18:48

they differ in that they are shaped like a

01:18:51

leaf, the

01:18:53

first leaves are smaller and then more are

01:18:55

larger, and so on, you can do this

01:18:57

using the cloning procedure and then, for

01:19:00

example, by changing the parameters, if you

01:19:03

change the parameters, then do they are a copy

01:19:06

of the instance because changing parameters 1

01:19:08

will change the rest, or if

01:19:10

you make an instance, then you can change

01:19:12

their size and scale, for example, get

01:19:15

this shape and then use the

01:19:17

rotation tool to rotate them so as to get a

01:19:19

curved

01:19:20

leaf shape. Further for convenience, it is

01:19:22

more convenient, of course, to group it to

01:19:24

work with it as one whole

01:19:26

they are with a set of objects and as you can see they are

01:19:29

all focused at one point, that

01:19:31

is, the place from where more than once there from the tops of the

01:19:33

top of the palm tree, it would be convenient for you

01:19:36

to copy and clone these sheets

01:19:38

if you are the reference point of this group

01:19:40

shifted at the base of the leaf, then they would

01:19:43

rotate relative to one point, you

01:19:45

put the st one time further, performing

01:19:47

rotation, you would forgive them all the time

01:19:49

relative to one point when creating

01:19:52

primitive objects, take into account the segments,

01:19:54

look here on the cylinders there is not a

01:19:56

single segment in height, it is not

01:19:59

needed here the object does not change it somehow doesn’t

01:20:01

bend here, for example, so this is another

01:20:03

one of the moments that I also ask

01:20:05

you to definitely control now, we

01:20:07

will pay attention to this, there is nothing to

01:20:09

do, extra polygons, extra segments,

01:20:12

they will only load your scene, that is,

01:20:14

where they are not needed, remove them, well,

01:20:16

for example, here on these coconuts and

01:20:18

ordinary spheres they are needed, of course, so that

01:20:20

they are round, but on cylinders they are

01:20:22

completely useless, for example,

01:20:24

it makes sense for the

01:20:25

authorities to make a cylinder, because then if

01:20:27

something happens, it’s easy for me to make adjustments and

01:20:29

again, for example, the scale can be

01:20:31

changed their size by making leaves,

01:20:35

grouping, duplicated, leaving

01:20:37

coconuts there, you get palm trees, and

01:20:40

again, you can group the

01:20:41

reference point, put beer at the base of this

01:20:44

palm tree, and continue to clone it,

01:20:46

get two additional palm trees,

01:20:49

then use the scaling tool

01:20:50

to create an effect, one larger, the other

01:20:53

smaller, and then this demolish some

01:20:55

uniqueness the island is made of spheres

01:20:57

and if you look it’s

01:21:00

actually here I don’t think I made such views

01:21:03

yes it’s not completely round because the

01:21:05

sea level in this plane is

01:21:08

actually not large if your sphere

01:21:10

is a full-fledged sphere and this sphere

01:21:12

will crawl out beyond the seas, simply

01:21:14

knowledge here will help you in the settings of the

01:21:15

primitive sphere

01:21:17

parameter, it seems like a slice,

01:21:19

which can cut it, so you can

01:21:23

cut it, leaving only the top, the mound

01:21:25

on top is made in exactly the same way, these are

01:21:27

the author of the tetra, you are ordinary spheres here, as it were,

01:21:29

these cameras chamfer box pebbles can be used in a

01:21:31

regular box, as long as it’s not critical, and

01:21:34

after that your task is to

01:21:36

separate everything by color so that there is

01:21:38

a feeling that these are like materials,

01:21:41

we don’t know the materials yet, but even

01:21:44

the colors we can already separate the object and

01:21:45

make them unique. your task

01:21:48

will be to make an island like this, not

01:21:50

necessarily one to one, that is, do not take

01:21:52

ours here exactly 15 centimeters from

01:21:53

these stones lay these coconuts, that is,

01:21:56

you can make your changes, this is an

01:21:57

approximate guideline, that is, three

01:21:59

palm trees the island is towards me and so further,

01:22:01

all sorts of innovations are welcome,

01:22:03

you can model a monkey here from

01:22:05

primitives, hang it up, that means your

01:22:08

task will be to

01:22:10

bring a max

01:22:11

file for the next lesson in which there will be something like this, such an

01:22:15

island, from this what will be required of you,

01:22:16

okay, okay, then that’s it for

01:22:19

you and me stop at today's

01:22:21

lesson

Description:

Видео-курс "Профессионал в 3dsMax за 2 месяца" поможет Вам 100%-но стать уверенным пользователем 3dsMax всего лишь за 2 месяца, при условии, что каждый день Вы будете выделять 2 часа времени на изучение нового урока. По мимо теоретической части, Вы будете регулярно выполнять практические задачи в программе, которые дадут Вам возможность прокачивать Ваши навыки владения 3dsMax в различных областях: архитектурная визуализация, игровой моделинг, визуальные эффекты и анимация. Этот видео-курс рассчитан на новичков и не привязывается к какой-то конкретной индустрии 3-х мерной графики, поэтому он будет интересен всем: 3d дизайнерам, web дизайнерам, видео дизайнерам и просто любителям делать цифровой 3d арт своими руками. Все практические и домашние задания к этому видео-курсу Вы можете скачать совершенно БЕСПЛАТНО на этой странице: https://accounts.google.com/v3/signin/identifier?continue=https%3A%2F%2Fdrive.google.com%2Fopen%3Fid%3D0B8yd5wtIeTLZTkF6QTAwY254R00&followup=https%3A%2F%2Fdrive.google.com%2Fopen%3Fid%3D0B8yd5wtIeTLZTkF6QTAwY254R00&ifkv=AS5LTARsePQ9VUhRMIfrTVT5NjzZejTcKV8MBvG9WpfNGee6l6s8IGWFqtoQIM7bli4QpKuBet_X&osid=1&passive=1209600&service=wise&flowName=WebLiteSignIn&flowEntry=ServiceLogin&dsh=S1799135842%3A1717247481234506 Если Вы желаете поддержать нашу работу по выпуску новых и бесплатных уроков вашими добровольными пожертвованиями, то вы можете это сделать по ссылке: https://api.fondy.eu/api/checkout?button=%7B%22merchant_id%22:1412846,%22currency%22:%22USD%22,%22fields%22:%5B%5D,%22params%22:%7B%22response_url%22:%22%7Bresponse_url%7D%22,%22lang%22:%22ru%22,%22order_desc%22:%22%D0%94%D0%BE%D0%B1%D1%80%D0%BE%D0%B2%D0%BE%D0%BB%D1%8C%D0%BD%D0%BE%D0%B5%20%D0%BF%D0%BE%D0%B6%D0%B5%D1%80%D1%82%D0%B2%D0%BE%D0%B2%D0%B0%D0%BD%D0%B8%D0%B5%20%D0%BD%D0%B0%20%D1%80%D0%B0%D0%B7%D0%B2%D0%B8%D1%82%D0%B8%D0%B5%20%D0%BF%D0%BE%D1%80%D1%82%D0%B0%D0%BB%D0%B0%20CGScope.com%20%D0%B8%20%D0%B4%D0%B0%D0%BB%D1%8C%D0%BD%D0%B5%D0%B9%D1%88%D0%B8%D0%B9%20%D0%B2%D1%8B%D0%BF%D1%83%D1%81%D0%BA%20%D0%B1%D0%B5%D1%81%D0%BF%D0%BB%D0%B0%D1%82%D0%BD%D1%8B%D1%85%20%D1%83%D1%80%D0%BE%D0%BA%D0%BE%D0%B2%20%D0%BF%D0%BE%203D%20%D0%B3%D1%80%D0%B0%D1%84%D0%B8%D0%BA%D0%B5,%20%D0%B0%D0%BD%D0%B8%D0%BC%D0%B0%D1%86%D0%B8%D0%B8%20%D0%B8%20%D1%8D%D1%84%D1%84%D0%B5%D0%BA%D1%82%D0%B0%D0%BC%22%7D,%22amount%22:%22%22%7D или же на странице: http://www.cgscope.com//support-us/ Вот, вкратце то, что мы изучим в этом видео-курсе за следующих 2 месяца: 1) Базовый блок: Введение в 3d графику, интерфейс 3dsMax, навигация в окнах проекции. 2) Формирование сцены: Примитивы, выделение объектов, опорные точки, группы, иерархия. 3) Основы моделирования: Сплайны, полигональное моделирование, модификаторы. 4) Работа с материалами: Создание и редактирование материалов, текстуры, UV-координаты. 5) Камеры и освещение: Работа с камерами, источники освещения, глобальное освещение. 6) Визуализация: Рендеринг и его настройка, рендер элементы и пост-обработка, эффекты. 7) Анимация: Основы анимации, анимационные редакторы, анимация контролерами. 8) Динамика: Системы частиц, силы и дефлекторы, ткань и другие динамические системы. Уже через 2 месяца регулярных занятий по этому видео-курсу Вы будете знать и уметь все необходимое, чтобы стать начинающим 3d дизайнером! http://www.cgscope.com

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