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Вступление

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Работа через Dodge & Burn

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Пластика в Фотошопе

Как добавить логотип на множество изображений в фотошопе. Пакетная обработка. Водяной знак.

Как добавить логотип на множество изображений в фотошопе. Пакетная обработка. Водяной знак.

Channel: Графач l Учим дизайну

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00:00:02

lesson as part of our course in the

00:00:03

program this is photoshop, today we

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will look at a really very,

00:00:07

very important topic - the topic of retouching -

00:00:10

how you can improve your

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photographs, how you can

00:00:14

retouch, process portrait

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landscape jewelry object photographs,

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anything there will be a lot, a lot of

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useful material, but the video will be

00:00:25

quite long, so get

00:00:27

your notebooks ready, open

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the photo that is linked

00:00:32

in the description to work with me

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and let's get started, but don't forget to

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like, let's go

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today we will work with this

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beautiful girl and link to As

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I said earlier in the description, we will

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first consider the most

00:00:51

basic standard retouching tools

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from which everything starts, and the

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first thing I would like to look at is

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the tools of the healing group, brushes for a

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handkerchief, and similar things, to begin with,

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I make a copy of the layer in order to so that I

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can always see the result before and after

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control j, then I press the j key and the

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spot healing brush tool will be selected,

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this is a spot

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healing brush, you can

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select any other tool from

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this list, depending on whether

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you have used it before or not, if

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anything just hold down the left

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mouse button here is the whole list to

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switch between the tools of this

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group quickly press shift j and

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you automatically scroll through the

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tools now let's look at the

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principle of operation of this

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very tool the principle is actually

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very simple we select a

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tool similar to a brush we

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adjust its radius using

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square brackets on the keyboard, these are

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the keys ha Russian and ъ x decreases ъ

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increases then we adjust the size of

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our brush so that it is

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slightly larger than the defect that we

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want to correct, for example, I have

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a flaw, I press the left mouse button and

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it just disappears for me. It’s important with this

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tool, I strongly

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recommend that you work with a brush with a

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hardness of 0. How to adjust the hardness with the

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right button, click here on the

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work area and lower the hardness

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to 0, in the same way you can

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do this here at the top left in

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order to eliminate all the flaws with the

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help of this tool, we simply

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hold down the left mouse button in the problem

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areas and the program tries to

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smooth them out. The question is, how does the program

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even understand what needs to be

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selected, how it works, let me

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try to explain to you, a

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separate empty layer has been created for this, I will select a

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standard brush and draw For example,

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I have a flaw, some kind of defect, I

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will put it in red. I have

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some kind of defect. How does the program

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understand what to do with it? It just

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takes and scans the area around it. As a result,

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it analyzes the brightness of the color that

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is in the environment and tries to fit

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all these areas that are outside

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into the central area. As a result,

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you get a situation where this

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central circle is replaced the fact that

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it is located outside of it and the radius of

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how far the tool will take the

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information depends primarily on the

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size that you have chosen here, but at the

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same time, if your size is very

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large, then in this situation there

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are often cases when even your hair

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can come here start changing, so

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friends, be careful with this in order to

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work with this tool

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efficiently, under no circumstances

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draw long lines, artifacts will begin

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to appear, I will now try to

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show them clearly and it is best to

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do this somewhere in contrasting areas,

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here is a very clear example when you will

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very often move these with your mouse

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across the screen,

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some smooth, ugly straight lines will appear, along

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with this you will greatly rob the

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skin texture; you need to be

00:04:06

extremely careful with this; I also do not advise you to

00:04:09

work on the borders of contrasting

00:04:11

areas such as eyebrows and eyes hair

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because you will have

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strange artifacts, the hair will be

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mixed up and the picture will

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not look very good, so be prepared for the fact

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that the tool is good for quick

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basic cleaning if you are pressed for

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time, if you just need to upload a photo to

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Instagram, a great way now

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let's talk to you about the disadvantages

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The main disadvantage of this tool is that we

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cannot forcefully say where we

00:04:37

are copying the information from, the program itself

00:04:39

simply takes the information around and pulls it into the center,

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so the developers created an

00:04:43

alternative tool

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called the healing brush and it is

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in the same group and works

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as follows: we hold down the

00:04:51

alt key a sight appears on us, we must

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click with the left mouse button in order

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to take a sample from the area that we

00:04:58

will copy,

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then we are simply on the area

00:05:02

that we want to correct, hold down the left

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mouse button and that's it, we

00:05:07

automatically replace the area with

00:05:10

problematic healthy skin and I

00:05:13

will show you more demonstratively if I

00:05:15

now hold down the alt key and start taking

00:05:18

information from this section, click

00:05:20

release alt if I start holding down the left

00:05:24

mouse button and dragging, you will see

00:05:26

that in the place from where I copied the

00:05:28

information a plus sign appears, this plus sign

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indicates where I am now

00:05:33

taking the information from and if it will climb, for

00:05:35

example, onto the eyebrow, then I will begin to transfer

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the eyebrow, and you can see that the eyebrow is

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not as black as it was, this happens

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because the program tries in every possible way to

00:05:45

adapt the brightness and color of the area

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that we copy to the area on

00:05:51

which we transfer in this way and

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this tool works in general, in

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my opinion, it is much more flexible than the

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previous one rather than the spot

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healing brush, but at the same time,

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the moon is not free from problems with working

00:06:06

in contrasting areas, you

00:06:08

will still have artifacts; problems, if

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you do this many times, your

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skin will become very washed out and

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smoothing, so the tool is not bad,

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but again, for quick basic retouching,

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now let's talk to you about the

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patch or mail tool; the principle of this

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tool is as simple as possible and most

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often it is used in cases where

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I have some kind of large problem

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area or I need to remove something

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-let’s say a large object, if there’s a

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trash can on the grass on the street, I can quickly

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select it and remove it because it’s a

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big object and using a spot

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healing brush to remove it

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will take a really long time;

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some incomprehensible areas will be taken; I’ll show you

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how this tool works when we’re with

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you We took the patch, we hold down the left

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mouse button and circle the area, the principle of

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operation is the same as yours, we have selected the area,

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it begins to blink and in order to

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replace this problem area with a

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healthy one, you need to hold down the left

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mouse button on it and transfer it to a healthy

00:07:09

area of the skin, then release the

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program automatically will correct

00:07:14

this problem area and replace it with a

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healthy one, which we just

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selected, and again, if you

00:07:21

make some kind of giant

00:07:23

area, you start dragging or

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do this many times, you will see that a

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repeating pattern appears that

00:07:31

looks really bad, so

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friends, use this tool in

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situations when you don’t need to

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jerk the mouse like this 350 times, carefully selected

00:07:42

the area, moved it to healthy skin,

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ready to handle it, now I would like to

00:07:46

discuss with you the parameters that

00:07:47

will very often drive you into a stupor so

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that you understand what options to decide if

00:07:52

you choose for example, the healing

00:07:55

brush tool or the spot healing brush tool,

00:07:57

these two tools have one

00:07:59

important setting: sample sample, this

00:08:02

checkbox indicates which layer you

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will copy information from, and here

00:08:07

everything seems to be simple, I have

00:08:09

photos, so I’m copying from it here is

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my layer, but very often

00:08:14

in the future we will work on empty layers and an

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empty layer if we copy information from it,

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it will not draw anything empty,

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so we take a sample and

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switch either to the account and below, that

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is, the current and underlying layer

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this layer and the bottom one in this case everything

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will work and the information that we

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will copy will be displayed

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on the top layer, that is, we will have a

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non-destructive editing process

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when we can make a separate

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layer on it to work on the texture of the skin

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texture and finished, we will not spoil the

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original photo,

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also if you need to

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take into account absolutely all the layers in the document,

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you can select here the complete one with all the

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layers so you will always be

00:08:58

sure that everything works well for you

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also friends, be careful this

00:09:03

tool has more the blending mode

00:09:05

should be restored, but they say in 99 percent of

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cases the case when it should not be

00:09:10

normal is unusual, in our paid course

00:09:13

it is periodically useful and so friends, you

00:09:16

and I have now gone through a stage

00:09:20

when we worked with the most

00:09:22

popular local

00:09:23

retouching tools and it’s important to tell you about

00:09:26

one more thing, this tool is called a stamp,

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by the way, why didn’t I tell you about these

00:09:32

two tools to the content in the coupling and

00:09:34

rabiatul because they are stupidly

00:09:36

useless, we will replace them with other

00:09:38

tools 1 works like mail, but

00:09:42

on the contrary a red aitl it allows you to remove the

00:09:45

red color in the eyes if you were shooting with

00:09:47

a flash at night, which now in the 21st century I do

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n’t know anymore, so I would at

00:09:55

least not use it, and if you need to

00:09:56

remove the redness in the eyes, this is done

00:09:58

through color tone-saturation, we

00:10:00

touched on this a little already already

00:10:03

back to the stamp, the principle of operation of

00:10:05

the stamp is very simple, this tool,

00:10:08

unlike others that we have disassembled,

00:10:10

stupidly copies a section from one zone and

00:10:13

pastes it into another without adjusting the

00:10:16

brightness by color, why didn’t it just

00:10:18

copy and paste,

00:10:21

so I press the alt key and take a sample

00:10:23

here eyes, click with the left

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mouse button, then I select the area where I want to

00:10:28

place it and with the left button I place

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everything here, there is no magic if you

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are working with skin, and if you

00:10:37

do this without frequency decomposition,

00:10:39

which we will talk about later, hardness I

00:10:41

advise you to set it to zero, otherwise the boundaries will be

00:10:44

too obvious expressed, now I’ll

00:10:46

set the hardness, then I’ll copy

00:10:47

the information and paste it, well, as you can see, let’s

00:10:50

say with retouching there’s not much

00:10:52

work to be done here when this

00:10:55

tool comes in handy first of all when we

00:10:56

work with you with frequency

00:10:58

decomposition and secondly when we

00:11:00

work with you on in contrasting areas,

00:11:02

if there is, let’s say, some kind of pimple

00:11:04

or just a bump, a flaw that we

00:11:08

want to correct and this hair is bothering us

00:11:10

because other tools ca

00:11:12

n’t cope with it, we take a stamp with you,

00:11:14

click side by side and it’s beautiful, in

00:11:17

the end, nothing will be side by side spoiled

00:11:20

So we took the sample with you and

00:11:22

everything is ready. There are big disadvantages. It has the fact

00:11:26

that it will have to be modified and the appearance and

00:11:29

ideally you need to work with it on a separate

00:11:30

layer,

00:11:31

while changing the glue screen mode

00:11:34

to quarantine below, copy the area,

00:11:37

edit it, then take, for example,

00:11:41

add a mask. we take a black brush from

00:11:43

below, carefully hide it, only it is desirable

00:11:46

that the brush be soft, that is, you

00:11:48

will have to play around a little, but this

00:11:50

tool really often

00:11:53

helps out when the situation is absolutely hopeless

00:11:55

and others do not help, so know

00:11:59

that the Ashton stamps are a wonderful thing and

00:12:01

they work as similar as possible to the

00:12:04

healing tool brush tool

00:12:06

healing brush simply does not

00:12:07

take into account environmental information on

00:12:10

brightness, saturation, color at this

00:12:13

point you can safely assume that

00:12:15

you have dealt with basic retouching and we

00:12:17

need to have already talked to you about more

00:12:19

advanced techniques and it would be a sin not to

00:12:22

tell you in our course about the technique

00:12:25

should burn about frequency decomposition,

00:12:27

but there is one thing, but if we start to

00:12:31

analyze frequency decomposition now,

00:12:32

specifically in this video, it will stretch

00:12:34

to absolutely some unimaginable

00:12:36

dimensions, so I suggest you go

00:12:38

to this video clip, where I talk

00:12:42

in detail about how create

00:12:45

frequency decomposition, how to work with it

00:12:47

and what is the principle of constructing a photograph

00:12:50

using it, but in this video, don’t

00:12:51

be upset, we will work with it, while you

00:12:53

and I will work with frequency

00:12:55

decomposition through a special action

00:12:57

operation, at the same time we’ll figure out what it is and

00:13:00

what it’s eaten with, plus we’ll talk With you,

00:13:02

of course, we must Bernie, we’ll figure out how to

00:13:05

create it, how to tinker with it, and

00:13:07

by the way, there’s also a video about it on the channel

00:13:09

here, so friends, all the videos

00:13:12

that I think will complement our course, I

00:13:15

strongly recommend that you watch it so that

00:13:17

you know as much information as possible.

00:13:20

I don’t see the point of just re-recording the

00:13:22

same thing 350 times in order to

00:13:24

save your time so that you don’t end up

00:13:27

watching the same thing over and over again. Let’s

00:13:29

start by first analyzing the

00:13:31

frequency decomposition and in order to

00:13:33

use it you will need to get the

00:13:35

palette of the actions operation, you have it

00:13:38

most likely it already exists if you

00:13:39

set up the workspace

00:13:41

with me, but if not it’s in the

00:13:43

tab you’re Indian and then actions

00:13:45

operations in Russian if you have

00:13:48

Ukrainian photoshop, I don’t know them, they

00:13:51

often write to us that you just have English

00:13:53

photoshop and it’s very bad but guys this is

00:13:56

just a de facto standard, so

00:13:58

you have to look for something optimal and

00:14:01

in order for you to have

00:14:04

all these folders that we need, you

00:14:07

will need to press the menu button and then

00:14:10

select but addiction download operations,

00:14:12

you can download them from the link in the

00:14:15

description there you have there will be an action of

00:14:17

frequency decomposition, how to work with it,

00:14:20

you must evaluate what kind of photo you have by the

00:14:23

bit depth of 8 or 16 bits, in my experience,

00:14:26

99 percent of photos are 8 bits,

00:14:30

so you can work with 8 bits without any problems,

00:14:33

but how can you check from below you

00:14:36

have an arrow

00:14:37

to launch the pager for a second so below and

00:14:41

with the arrow here you can select the

00:14:43

joker profile column of the document profile,

00:14:46

it will show you the bit depth of your

00:14:49

photo in my case it is 8 bits per

00:14:51

channel 8 records if you have 16 there you will

00:14:55

need to select this action

00:14:57

I select 8-bit how action works in general

00:15:00

and these operations

00:15:03

are actually a recorded sequence of

00:15:05

actions to speed up your

00:15:07

work if you often perform the

00:15:09

same actions over and over again you can

00:15:11

write them into actions photoshop will do

00:15:13

them for you instead of you with an apple action by the way

00:15:16

there is a very detailed one a guide from this one from

00:15:18

us, look at the eight-bit action we

00:15:20

chose, you and I don’t have to

00:15:22

open it, we just chose it and press

00:15:23

the play button, the first thing we will be asked to

00:15:26

do is select the blur radius and

00:15:29

here we select the radius so

00:15:31

that the texture of the skin disappears the

00:15:34

more we blur the more you and I

00:15:36

will divide the skin into 2 sections, as at

00:15:39

the junction, frequency decomposition is a method

00:15:42

when we can separate the skin texture,

00:15:45

texture, these are various tubercles, flaws from

00:15:49

color and volume, when you and I

00:15:51

work with the texture of the skin, we

00:15:54

will not influence it in any way for highlights in

00:15:56

the area of brightness and darkening, this is

00:15:59

really incredibly convenient to work with and

00:16:01

it makes the task many times easier, and

00:16:03

when we need to change the

00:16:05

cut-off pattern,

00:16:06

we will work on a separate

00:16:09

layer in which exactly this

00:16:11

cut-off pattern is displayed and now we are with you

00:16:14

set up a layer with a black and white

00:16:16

pattern

00:16:17

set up the blur value here according to

00:16:20

your eye depending on the photo in

00:16:22

my case it’s probably even close to

00:16:24

ten so that all the bumps and

00:16:26

flaws disappear I press the ok button and then a

00:16:30

group is automatically created for me

00:16:32

to show you and the group consists of two

00:16:35

low frequency layers this is a low frequency and

00:16:37

high-frequency this is a high frequency I

00:16:40

will show you these layers separately from

00:16:43

each other the low frequency you have already seen here

00:16:45

we will work with the volume of the photograph and the

00:16:47

high frequency looks like this here

00:16:51

we have only bumps texture pimples

00:16:54

irregularities and flaws that we have with you

00:16:56

we will now adjust this layer, we

00:16:59

should have it in linea light mode and

00:17:02

start working with it, first select the

00:17:05

layer with a high frequency, press the

00:17:07

key with stamp and change the stamp to

00:17:10

hardness one hundred percent hard one hundred

00:17:12

percent then simply approach the

00:17:15

defects that we want to correct,

00:17:16

hold down alt and click left mouse button

00:17:18

and then we correct

00:17:21

the problem, you see I have a red section of

00:17:23

everything that I have here quarantine

00:17:26

below you need to select only the current layer

00:17:28

I copy the information again and correct

00:17:31

the image

00:17:34

if you correct some

00:17:37

defects and see that they are

00:17:38

not completely gone don’t be upset, this

00:17:41

means that they are so large that they

00:17:43

even penetrated the layer with laf and calcium with a

00:17:46

low frequency and we will fix them

00:17:49

a little later.

00:17:55

Important advice for you: if you see

00:17:57

moles or any

00:17:59

distinctive birthmarks on models,

00:18:02

please take the trouble to check with the model Is

00:18:06

it necessary to remove these flaws because

00:18:08

otherwise you may

00:18:10

even need to return them, it wo

00:18:12

n’t be very convenient, you’ll probably

00:18:14

even have to rework the picture,

00:18:16

so friends, don’t be lazy, check

00:18:19

before doing anything, what seems to

00:18:21

us a flaw, some people may

00:18:22

consider it an

00:18:23

element of their style beauty and

00:18:26

some expressive feature that

00:18:28

distinguishes a person from other people, be

00:18:32

careful with this,

00:18:35

now I don’t want to spend millions of

00:18:37

time on retouching, but I want to tell you

00:18:40

one important note, don’t forget

00:18:42

that we retouched my face only and

00:18:44

retouched the entire portrait as a whole, the portrait

00:18:46

is not only the forest, it’s also the body, it’s

00:18:48

the neck, it’s the hands, so don’t make the mistakes of

00:18:52

many beginners, many do only

00:18:55

the face, the hands then appear in the bumps,

00:18:57

pimple Akhmedyanov scars, it looks

00:19:00

unnaturally ugly and

00:19:03

please be careful, do all the work at once,

00:19:05

you see that there is a flaw on the hand,

00:19:07

correct it I’m now showing you

00:19:10

the work that I quickly

00:19:13

did in a hurry, it’s not perfect, but just

00:19:15

what you saw, turning on the eyes, turning off the eyes, we

00:19:17

see the flaws that have gone away and now you and I

00:19:21

can start working with low

00:19:24

frequency and at the stage of working with low

00:19:27

frequency it is very important that you understood

00:19:30

at least the basic structure of the human skull

00:19:34

and, in general, how light

00:19:37

is distributed across our face in the summer, you

00:19:40

can open some photograph of the

00:19:41

reference of which it is, or you can

00:19:44

find a photograph of a skull like the

00:19:49

one you know artists draw from, puts

00:19:51

cherry buds on themselves, such a multifaceted one

00:19:53

sees where they have bevels where everything looks

00:19:55

like and then you will get

00:19:57

your bearings on how to draw light on the forehead

00:19:59

on the cheeks how to work with bags under

00:20:02

the eyes how to work with a beard and other

00:20:06

things the biggest mistake you

00:20:08

can make and which I

00:20:09

make from time to time is just that the eye becomes

00:20:12

blurred. kill the volume when you

00:20:14

start, and I’m showing when you start

00:20:17

working, a lot of guys, in pursuit of

00:20:20

equalizing the brightness of

00:20:23

the face,

00:20:25

can stop overdoing it and in the

00:20:27

end there will be such a problem that your forehead,

00:20:30

for example, becomes simply

00:20:33

flat, but this is no good,

00:20:35

so when you work you need to

00:20:38

understand where the light comes from, how it is

00:20:40

distributed across the face and how

00:20:43

you can improve the geometry of the face to

00:20:46

make the model look better. For example,

00:20:48

we now see that here the model has

00:20:52

a chin, it is quite clearly defined,

00:20:55

if you think it is redundant, you can

00:20:58

correct it for To do this, you take a

00:21:00

special tool

00:21:02

called a mixer brother,

00:21:04

select it with a mixing brush, then you

00:21:06

will need to configure it exactly

00:21:09

as I now have all the settings in the panel at the top,

00:21:12

just copy

00:21:14

them; these settings will

00:21:16

practically not change, with rare

00:21:18

exceptions you can change the parameter,

00:21:20

depending on this, it will

00:21:23

change with the strength and speed of influence of

00:21:24

this tool, this is something like

00:21:27

opacity if you translate it into

00:21:29

standard networks that you see at

00:21:31

the top in the settings, this is a similar

00:21:33

principle and the essence of this tool is

00:21:35

what we are talking about we take a

00:21:38

section of the brightness color, we just took

00:21:41

a section with you, it is displayed

00:21:44

here in a miniature of their preview, then we

00:21:46

hold down the left mouse button and drag,

00:21:49

thereby we will remove defective

00:21:52

areas

00:21:55

with you, here we have muted the highlights if

00:21:58

we don’t need it, the same goes for and

00:22:01

the area with the chin, now I’ll show you how to

00:22:04

work with it, here we have

00:22:06

a chin in order to tone it down a little,

00:22:08

I need to copy

00:22:10

information from the lighter area,

00:22:13

then hold down the left mouse button and

00:22:16

drag several times here over the area

00:22:19

that I want to fix, I’m ready

00:22:21

this area has also been corrected,

00:22:24

also a big recommendation for you, take

00:22:27

absolutely any graphics tablet if

00:22:29

you plan to seriously engage in

00:22:30

retouching because otherwise it will be

00:22:32

almost impossible and inconvenient for you

00:22:35

to work with all these tools,

00:22:37

take any tablet, it doesn’t have to be

00:22:39

huge, I have such a tiny one,

00:22:42

I won’t advertise just an ordinary one a

00:22:44

small tablet and you’re already working on it,

00:22:46

you can control the

00:22:48

pressure you press, the strength of the opacity, and

00:22:51

thus your retouching

00:22:52

will really increase many times over.

00:22:54

When I worked on a mouse, this

00:22:57

stage of working with brightness and contrast on my

00:23:00

face caused incredible disgust and

00:23:03

pain as soon as you take the graph tablet

00:23:05

everything is getting much better, you don’t

00:23:07

have to throw away a lot of money, the very

00:23:09

basic one will come in handy in a lot of places,

00:23:11

even if you go into 3D, you

00:23:13

will need a graph tablet and then when you have

00:23:16

already chosen a sample, you just carefully, with

00:23:19

small strokes, slightly

00:23:22

correct the area that you don’t

00:23:24

like for In order to achieve the

00:23:26

best results when retouching, I

00:23:29

advise you to move away from the photos

00:23:31

all the time, don’t work close because it

00:23:34

seems to you that everything is fine, I’ll show you

00:23:36

an example, so I’m starting to correct it,

00:23:40

for example, it seems to me that everything is fine,

00:23:42

I move back and see that my

00:23:45

contrast here is too sharp

00:23:47

there is a hard difference in brightness and

00:23:49

you get the feeling that this area is

00:23:53

brighter than the left one, which means that there is

00:23:56

some kind of protrusion there, a tubercle, you

00:23:58

can really ruin your

00:24:00

life in this way, so work, get closer and

00:24:03

move away, I can also show you one

00:24:05

very cool trick that comes

00:24:06

in handy for me from time to time especially if

00:24:08

you work on two

00:24:10

identical monitors, it is desirable that you can create a

00:24:12

new window and look at the picture in

00:24:15

miniature, click here the button you

00:24:17

indole then click here range and

00:24:21

select new window foul the name of your

00:24:23

image click you a

00:24:26

separate window will be created and now you can

00:24:28

add it and split it screen into two

00:24:31

parts, go to the Windows section window and

00:24:33

range distribution and I don’t remember what it’s

00:24:36

called in Russian, if there is

00:24:38

text notation and choose the option of

00:24:40

how you want to look at the picture, for

00:24:41

example, two vertical pictures, you chose

00:24:45

everything is ready now on the right, for example, I

00:24:47

can move away from photos and on the left I

00:24:51

can get closer to it,

00:24:53

you can change the distance between these

00:24:57

images and then you can

00:24:59

work calmly, immediately seeing what you

00:25:02

have in miniature and in close-up. A

00:25:04

very, very cool way, I advise

00:25:06

you to use it most often, I

00:25:09

advise you to work with bags with volume of the

00:25:12

nose, if you want to make it

00:25:14

thinner, you need to highlight this beam of

00:25:16

light as bright and slightly

00:25:18

darken the sides to create the

00:25:20

feeling that the nose is thin. If you

00:25:23

make the beam of light so thick and

00:25:25

big, now I’ll try to show you that it

00:25:27

will create the feeling that the

00:25:30

model has a nose. it’s too huge in

00:25:33

miniature, but it will look downright

00:25:35

gigantic, so you just need to

00:25:38

practice processing a

00:25:40

lot of photographs; photographs by the way, you

00:25:42

can take mine from the moodle website;

00:25:44

in no case are they advertising; no one

00:25:46

pays for anything; this is a resource on which

00:25:48

photographers publish your work in

00:25:52

order to find a retoucher, you do a retouch,

00:25:56

publish it on that site in

00:25:58

pinned comments and then the

00:26:00

photographer chooses you if he

00:26:01

liked your processing and gives you the

00:26:03

rest of the work, this is how they are

00:26:06

like a small recommendation where you can

00:26:07

upgrade your skills at the same time

00:26:09

look for clients so the

00:26:11

first method is frequency decomposition, we

00:26:13

have analyzed them, there are

00:26:16

quite a lot of subtypes of variations and

00:26:19

mechanics of how you can work with

00:26:22

all these tools in order not to

00:26:24

destroy the photo so that we

00:26:27

work with you on separate layers,

00:26:29

again we will have all this on a paid

00:26:31

course, but for basic processing,

00:26:34

all these techniques will be enough for you. Now

00:26:37

let’s look at the principle of

00:26:40

how you can work on a light-and-

00:26:43

shadow drawing, highlight some

00:26:46

lighter areas, darker ones in

00:26:48

order to add contrast and volume

00:26:51

to the model’s face, I’ll close perhaps this is a

00:26:55

miniature picture for this by clicking on the

00:26:57

Windows and HIV button and selecting here

00:27:00

consolidate old here ebs that is, glue

00:27:03

everything in the tab, I will create a new

00:27:05

adjustment layer curves and you and

00:27:08

I will make two layers, one layer

00:27:12

will darken so that we

00:27:14

work with shadows and the second layer will

00:27:16

lighten this so-called mechanics

00:27:18

should bird bird when we

00:27:20

darken the picture on some layer on another we lighten

00:27:23

there are many variations, we

00:27:25

will analyze all of them again later in the

00:27:26

course, but the most one is the

00:27:30

best option for me, which is most often

00:27:32

it’s useful, we’re just

00:27:34

not considering it right now, we need to

00:27:37

equally evenly shift the

00:27:39

brightness curve down and up. To do this,

00:27:42

first of all, we enter here the value 128,

00:27:45

why 128 because we only have

00:27:48

two hundred and fifty-six units of value

00:27:50

from 0 to 255 and 126 of this exactly

00:27:54

the middle, therefore you are exactly

00:27:57

in the center, now we need to lower

00:27:59

this curve, initially it is intended for us

00:28:01

128 128 is the ideal center and

00:28:04

we need to lower it evenly down and up,

00:28:07

for example, put 118 here,

00:28:11

then we call this layer mandrel

00:28:14

darkening and create a new layer

00:28:18

that we have will lighten, put a

00:28:21

dot here, select 128 and

00:28:25

add 10 more units to 128 138 now

00:28:30

we can group these

00:28:32

elements for compactness and call this

00:28:34

one a forge, you can record the action for yourself

00:28:36

for convenience, then I need to

00:28:38

paint these masks black in

00:28:41

order to quickly paint the layer with

00:28:43

some color, you press kontrol

00:28:45

backspace and alt backspace, this paints with the

00:28:47

color of the foreground and background,

00:28:49

now we need to figure out how

00:28:53

this whole thing works, select the

00:28:54

burn layer with you, select a regular brush,

00:28:57

set up the opacity and flow properties for it,

00:28:59

click for

00:29:02

I give this a C right here, 30 percent,

00:29:04

and to adjust the flow of the same husband id3, then

00:29:08

I take a small, soft brush and

00:29:11

carefully move it over the area that I

00:29:14

want to darken slightly. It’s important for

00:29:17

this to work, you need to

00:29:18

choose a white brush,

00:29:20

since white reveals everything on the mask.

00:29:23

you have already gone through this, if it

00:29:25

seems to you that the effect is working slowly, then

00:29:27

you can set the flow to one hundred percent

00:29:30

60

00:29:35

now we can look at the result

00:29:38

it seems that I haven’t changed anything much, but

00:29:41

as soon as I turn it on, turn it off, here is

00:29:43

the result, here it works and with the help of

00:29:46

this thing you you can already draw

00:29:48

the volume, work with the texture of the nose, make

00:29:52

it narrower or thicker, you can work with the

00:29:55

cheekbones, if you want to make the cheekbones

00:29:57

more pronounced, just

00:29:58

work out the shadow here and add a

00:30:01

more pronounced light area

00:30:03

on top, take a layer that we

00:30:05

call daughter,

00:30:07

choose its mask, take a brush white

00:30:10

color and carefully drew a

00:30:12

triangle here for our cheeks so that

00:30:15

we can better create a sense of volume, now

00:30:18

we have already drawn a little skull here

00:30:20

in order to

00:30:23

work correctly with these tools you

00:30:24

will need to spend a lot of

00:30:26

time to start seeing the

00:30:28

shape of the face and how you can

00:30:30

modify it, but at the same time you can

00:30:32

very well emphasize some

00:30:34

basic things, or choose if you

00:30:37

see a hard shadow, take the

00:30:38

daughter layer, take a white brush and

00:30:41

carefully highlight it, the

00:30:44

same applies to the areas with the

00:30:47

eyes if you want make the eyes

00:30:49

more voluminous, you can carefully

00:30:52

draw them from the top from the bottom to make them

00:30:54

darker, but there is one trick

00:30:57

when you work at the maximum

00:31:01

opacity parameters, let’s say I

00:31:03

took that percent bird and adjusted it very strongly

00:31:06

and here the curve you will have

00:31:09

the following problem, you will start to

00:31:11

select a picture the color will become very

00:31:13

saturated, this happens because

00:31:16

when we work with the curve in the normal

00:31:18

blending mode, the new normal one, we are

00:31:21

not just changing the contrast, we are

00:31:24

working with the color contrast, as a result, the

00:31:26

saturation begins to

00:31:29

come out very strongly so that this does not happen There are

00:31:31

many ways, one of the options is

00:31:33

to switch the layer to luminosity. In this

00:31:36

case, your work algorithm will be

00:31:38

slightly different and you will not

00:31:41

influence the

00:31:42

saturation of your work so much, you will

00:31:45

simply lower the brightness of this area,

00:31:47

so ideally these layers need to be

00:31:49

transferred to the luminosity brightness mode in

00:31:53

this case, you can

00:31:54

work calmly without fear of

00:31:56

spoiling the color, adjust your

00:31:58

shape, make the model more beautiful, have a

00:32:01

smoother structure and rejoice, and now for

00:32:04

bonus content that will allow you

00:32:06

to change the shape and structure of your face

00:32:09

or the face of the model you were photographing

00:32:11

now I’m talking about plastic filters,

00:32:14

which really

00:32:15

make life very simple and on the basis of which

00:32:18

a lot of different memes and

00:32:20

funny pictures were built, now I’m showing how to

00:32:22

use it, for this we need to

00:32:24

glue all the layers together, select the

00:32:26

top layer and press control alt

00:32:28

shift and glue everything together then

00:32:31

go with you the filter tab and

00:32:32

select here face wi-fi this is plastic

00:32:36

here is the popular shift counter x-fit 3 plastic

00:32:39

there are a lot of parameters

00:32:41

that we can correct initially

00:32:43

if you have a face in the photo you

00:32:45

will select the tool on the left festool

00:32:48

which allows you to customize a

00:32:50

lot facial parameters eye size nose height

00:32:53

width lip size

00:32:57

lip width corners of the mouth to

00:33:00

make the model more smiling or

00:33:03

sadder just like the angle of rotation of the eyes

00:33:06

width of the face

00:33:08

chin cube

00:33:14

just like that you can manipulate

00:33:16

these parameters here or on the right

00:33:19

to control them symmetrically

00:33:21

to the left and with the right eye, for example, the left

00:33:23

eye and the right eye, we have

00:33:25

all these settings if you are used to numbers,

00:33:28

you can configure them here now

00:33:30

let us figure out

00:33:32

how to see the result before and after and on the

00:33:34

bottom right there is a button

00:33:36

preview preview turn on and include here with

00:33:39

processing without processing,

00:33:41

it’s clear that I’m now doing everything in a hurry,

00:33:44

clean for demonstration, but so that you

00:33:46

understand how it works, the most

00:33:48

popular tool in this

00:33:51

space is the finger 1 tool, it

00:33:53

allows you to adjust the brush size in

00:33:56

the same way x and b, if it’s not adjustable,

00:33:59

switch to English

00:34:00

keyboard layout then you can already change the

00:34:03

geometry of your object make something narrower

00:34:07

something wider make the hair more

00:34:09

voluminous and similar things don't

00:34:13

overdo it with this tool

00:34:14

especially if you have some straight lines in the back

00:34:17

as they will also be

00:34:19

distorted but for giving volume and

00:34:21

correcting some elements

00:34:23

can be used quite well, but if you

00:34:27

make a mistake and have already

00:34:29

done something wrong here, you can use the

00:34:31

second tool, you construct a tool

00:34:33

that allows you to select the

00:34:35

effect of the effect you just

00:34:37

did with your finger next

00:34:39

the tool that I think is important to

00:34:42

tell you is the shaky tool, which

00:34:45

allows you to pull an area inward,

00:34:48

if you have an element that is too

00:34:50

large, you can carefully

00:34:51

reduce it, or if, on the contrary, you want to

00:34:54

increase it, then select the

00:34:56

blot tool, thereby making it

00:34:59

larger, all parameters and the settings of the

00:35:01

tools are located on the top right of you,

00:35:03

you twist them, find the

00:35:05

optimal value so that

00:35:07

these tools work

00:35:10

perfectly for this or that task, there are

00:35:11

no optimal settings here, they

00:35:13

depend on the resolution of the photo, then a

00:35:16

tool that few people know how to

00:35:18

use is omitted from the tool principle

00:35:21

you have the following: when you

00:35:22

move the mouse from bottom to top, you move

00:35:25

pixels to the left, now I’m moving from bottom to

00:35:28

top, I’ll move them to the left, if I

00:35:31

move them from top to bottom, I’ll move them to the

00:35:32

right,

00:35:34

this is much more convenient than working

00:35:37

with your finger because you get a

00:35:39

perfectly even degree of displacement throughout the entire

00:35:42

area over the entire area if you

00:35:44

need to make the jaw, for example,

00:35:47

a little narrower, then you and I can

00:35:50

take it from top to bottom and the jaw will become a little narrower.

00:36:05

look at the result,

00:36:10

if you did everything right, it will

00:36:13

look good, but of course I

00:36:15

messed up a lot here, but I showed you

00:36:18

the principle of operation of this tool. I also

00:36:20

think it’s important to tell you about the

00:36:21

freezing tool, it allows you to

00:36:24

select an area that you do not want to

00:36:25

influence during the transformation.

00:36:27

you chose some tool and the entire

00:36:29

frozen area is no longer touched, just like

00:36:32

you can defrost it with

00:36:34

this tool, defrost when you’re

00:36:37

done, press the ok button and the retouching

00:36:40

and processing of your portrait will be

00:36:42

completely completed,

00:36:49

friends, I want to thank you for

00:36:51

staying on our video all this time

00:36:53

I really hope that it was

00:36:55

useful for you, if so, don’t forget

00:36:57

to subscribe to the channel, like it and

00:36:59

very importantly, put the bell at the bottom

00:37:02

with notifications to everyone, this is the only way you

00:37:04

will be sure that you will not miss new

00:37:06

useful videos on the channel, and if you

00:37:08

want to support us further we are

00:37:10

waiting for you using the link in the description, you

00:37:12

can purchase our course or

00:37:15

subscribe to our gusti service on which

00:37:17

we regularly publish new useful

00:37:18

content on photo retouching processing, an

00:37:21

additional text lesson and

00:37:22

much much more, so we will be

00:37:25

glad to see you, but she is all of me

00:37:27

see you in the next lessons see you later

00:37:32

[music]

Description:

В этом видео мы рассмотрим все доступные нам инструменты ретуши: восстанавливающие кисти, заплатки, штампы, а также разберем главные техники для ретуши - Частотное разложение и dodge & burn в фотошопе. Помимо этого мы поговорим про автоматизацию действий и написание экшенов в программе фотошоп. В видео уроках с курса Фотошоп с Нуля вы изучите все необходимые аспекты программы: интерфейс, как создать документ, как работать с фотографиями, как работать со слоями, как вырезать изображения, применять эффекты, сохранять, делать коллажи, ретушировать, а также как делать веб-дизайн. И все это за 10 роликов! ►Ссылка на фото (все права на фото принадлежат автору снимка): https://drive.google.com/file/d/17VAqaqD91PHah6lpWAbnBxUTYnRt9EPZ/view?usp=sharing ► Экшен https://drive.google.com/file/d/1peYIkfnyHaPItfGc9x5dKqkp8M0vq7qi/view?usp=sharing ► Однако это еще не все, мы сняли дополнительно 95 роликов по продвинутым функциям и техникам в фотошопе, если вы хотите получить к ним доступ и стать настоящим профессионалом - прочтите текст ниже: 🔸 Записаться на PRO курс по Фотошопу: https://photofoxpro.com/ Заполнив эту анкету вы получите приятный бонус в виде скидки на наш PRO курс. Его анонс состоится после выхода 10-го видео в рамках нашего бесплатного курса! Мы обязательно уведомим вас о запуске на e-mail указанный вами в Google форме, а также дадим вам специальный промо-код. Если вы уже заполняли анкету, то повторно проходить ее не нужно. 🔸 Наш канал на Boosty: https://boosty.to/photofox ►Тайм-коды: 00:00 - Вступление 00:42 - Восстанавливающие кисти/заплатка 10:00 - Штамп / Информация про частотное разложение 13:30 - Работа с частотным разложением 27:00 - Работа через Dodge & Burn 32:15 - Пластика в Фотошопе ► Наши соц. сети: Телеграм канал: https://t.me/PhotofoxYouTube Instagram: https://www.facebook.com/unsupportedbrowser Tik Tok: https://www.tiktok.com/@photofoxtiktok?lang=ru-RU Discord: https://discord.com/invite/TPkE8AVUFE Мы команда Photofox, снимаем обучающие видео для начинающих и для профессионалов по обработке фото и монтажу видео. Если Вы хотите научиться работать в программах Adobe, то Вы обратились по адресу. На нашем канале Вы можете найти обучающие видео по Photoshop, Premiere Pro, Lightroom, Illustrator. Начиная с основ обработки и до крутых профессиональных фишек, наша команда научит Вас всему, что знаем и Вы увидите, что дизайн - это круто! ► По вопросам сотрудничества: [email protected]

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