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Video tags
Subtitles
Russian
00:00:21
dear friends, we are starting an evening of poetry by00:00:28
Andrei Voznesensky, please00:00:31
antiquity00:00:54
[music]00:00:56
[applause]00:00:58
[music]00:01:06
I will start with poems dedicated to the memory00:01:12
through whom this Pablo Neruda lies00:01:20
in Chile, as in a mass grave, people were00:01:27
killed by soldiers, you left your gates, your00:01:34
arrest is unthinkable, you were won brown00:01:39
weth dies died freedom died00:01:45
freedom it's terrans terrans don't00:01:54
understand poets when they understand then they kill00:02:00
therefore they killed the great captive choose00:02:05
dreams ore shutters milyavskaya00:02:09
put on your lapel and black ribbons like00:02:14
never before scarlet partisans a minute of00:02:18
silence00:02:19
a minute of anathema will replace obituaries and00:02:24
epitaphs anathema to you martinet mafia00:02:31
anathema to00:02:33
murderers at the stage according to the list alphabet on00:02:39
anathema anathema anathema I will00:02:49
bring the pride of the Russian land00:02:55
for I will00:02:57
forgive the one who swallowed chale shame with00:03:03
the last one therefore the peak of freedom00:03:11
[music]00:03:17
monologue of Marilyn Monroe00:03:25
I am marilyn marilyn I am the heroine00:03:32
of suicide and heroin My dahlias are burning00:03:39
with whom the phones are talking who is00:03:43
creaking in the dressing room leggings are unbearable not to fall in00:03:50
love unbearably hornless00:03:57
unbearable the00:03:58
letters themselves but to live in the city they couldn’t stand00:04:05
selling faces00:04:06
the boss laughs like a gelding I remember00:04:11
marilyn yoga movie screens were flying00:04:15
and we saw cars on the dark steppe00:04:21
between the stars abundant above the steppe with00:04:25
tiny advertisements gauze was breathing and I was00:04:29
beating from the car don’t bring it in unbearable face00:04:38
in the seat of a00:04:40
missing dog unbearable when00:04:44
forcibly and voluntarily don’t bear it unbearable to00:04:50
live I don’t think it’s00:04:54
unbearable to deepen where our faith00:05:04
exists with bubis suicide00:05:09
fight stick suicide world00:05:18
unbearable when mediocrity when the line00:05:25
we kill ourselves00:05:28
careers with money tanned girls because00:05:35
we can’t live with an actor subtle director00:05:44
mom00:05:45
why should everyone know my mother00:05:51
once so movie stars00:05:55
of glaciation we can’t have privacy in the00:06:00
subway in trolleybuses00:06:03
in the store hello here you are looking00:06:09
once it’s unbearable when you’re undressed00:06:14
in all describe in all the newspaper the00:06:20
forgotten heart is calling you herrings00:06:32
unbearable everything wait green00:06:38
main00:06:43
but simple since I00:06:47
couldn’t stand the gasoline when00:06:53
I forgive you oranges on your blue I’m a weak woman, I’d better lay them out00:07:01
right away00:07:03
[applause]00:07:13
[applause]00:07:23
put your hands00:07:26
behind my shoulders and just understand, my lips will die,00:07:33
only the sea00:07:40
splashes behind our backs00:07:43
like moon shells that I’ll close my faces with us00:07:48
now we are listening, leaning against us, like00:07:56
the formula of life, the double in the wind of the world00:08:01
clown from shielding with our shoulders what00:08:08
now arises between us like water00:08:12
flame if the truth is the soul of every cell of00:08:19
your windows dissolve in my00:08:28
soul00:08:31
in the meantime May the00:08:35
nascar mess the elastic forehead00:08:38
sleeps of this regime and suddenly00:08:57
[applause]00:09:02
then I give the paper the features of your00:09:09
hasty beauty, I think not but rhymes, you won’t go00:09:17
crazy when you’re in a cap,00:09:24
pools of00:09:26
stones when you let baby souls out of the water,00:09:32
save your mind, don’t go crazy for robbing00:09:39
the monastery,00:09:40
how alcohol will hit ammonia after00:09:44
thunderstorm gardens00:09:45
catfish bay tick good luck and rude dragonflies00:09:54
in the middle of the fields stand like brushes screws on the00:10:00
glass00:10:01
behind the doors so I dissolve00:10:10
as such, forgive me for that outside the person00:10:19
this amount would not be a site and somewhere00:10:27
else we have for dust and move00:10:39
Russia00:10:41
back there is no00:10:50
and again and again bones year I’m only that00:11:02
he returned from the00:11:05
Crimea from the mountainous Crimea, which is not a00:11:08
tourist place, it is always full of stunning00:11:12
surprises and vodka, recently they00:11:16
discovered a herd of wild00:11:21
mustangs,00:11:22
that is, horses that went wild during the00:11:27
war, generation after generation, and00:11:30
now they are wild according to00:11:32
me or something ai-Petri to Sevastopol they00:11:35
wander,00:11:36
they are shot by poachers, they suffer from it,00:11:40
I wrote poems herds feral herds feral00:12:06
pillar of us at the nitrogen00:12:10
stop to Sevastopol not the sun00:12:16
top mustangs00:12:20
feral after the war00:12:23
wild stallion checked shell-shocked well but the00:12:29
grandmother is not yes I’m an Italian00:12:34
broodmare leaving the stables00:12:38
leg with a tanga but you tangi who plundered the00:12:44
sugar of00:12:45
tea banknotes wear in the district00:12:50
banks wanders panda00:12:54
long-maned mustang they went wild00:13:01
mature named tea and rosehip miss at the00:13:08
same time with taming happens00:13:15
they went wild look into the eyes of the daughters what kind of00:13:21
jungle are you in them tea I'm a century of universal00:13:28
training hour not rus00:13:31
but dycha and the chalov's mustangs have a00:13:36
desperate life, how do you feed yourself under the00:13:41
blizzards00:13:43
in baptism, tame the00:13:47
Adichs and the stems decided to serve in the00:13:55
horses, the memorial service, the inevitable00:14:00
tango, life sniffs at us and you can see00:14:06
the music of us tango, sweet, sweet, funny00:14:13
fools, the antediluvian steam locomotive ended,00:14:19
it turned out to00:14:21
hit him, the primordial muse, merchant00:14:27
cavalry,00:14:29
vigorous hunters radik horse00:14:34
sausage is stealthily missing now00:14:40
the tanks are being replaced and stretched and drink the00:14:48
Crimean champagne sparkling00:14:54
is empty but I don’t drink the Crimean mustang00:15:00
jump00:15:12
and I want to say wants to say about music00:15:27
music sister sister poetry and I00:15:35
called their last book my own oak00:15:38
leaf white and black I want00:15:43
give the floor to the composer Berdiev00:15:59
[applause]00:16:06
don’t touch the00:16:08
man the00:16:11
Castro trees in it don’t breed00:16:15
this is done to him00:16:20
bosch00:16:22
don’t bring the00:16:24
man now the bird is not yet open00:16:30
shooting00:16:31
blood and two below quieter unknown00:16:38
sharper00:16:40
inexperienced friend 2 norm you are a squirrel and speakers00:16:47
with them fun00:16:50
health so that the soul is not on the canal and00:16:58
poaching of the past, he knows the names of the war, there is00:17:05
no need for a green grove of his house to be00:17:11
jealous, do not touch the person, I will00:17:18
congratulate you, do not mislead him, and so this happens to him,00:17:25
God forbid00:17:34
[applause]00:17:41
[music]00:17:55
I agree line of battle with the neighboring00:17:59
slope00:18:01
[music]00:18:02
observed the evening village, as if the soul was being sucked out by a00:18:09
pump, as if a hood was pulling towards them00:18:22
or aching, some kind of neglected guilt00:18:30
or a woman was tormenting him;00:19:08
and having said goodbye they fell again00:19:14
[music]00:19:21
snot hard on the belt00:19:23
neighbors slope00:19:28
sabre blew in the evening village I00:19:35
suck it out with a pump as if Tanya Tanya00:19:41
Father Oliveshka as if what00:19:45
happened there00:19:51
and will happen00:19:52
[music]00:20:01
every year they suck out the key00:20:05
[music]00:20:29
[applause]00:20:44
and00:20:50
you are very00:20:52
quiet nerves stolle00:20:57
abashin and silence00:21:02
so that the shadow from the pine00:21:07
tickling us moves cooling and00:21:14
like a prank00:21:16
from the back this little finger feet of silence and God00:21:23
are disabled00:21:25
what to call your eyebrows garden understanding00:21:31
silent00:21:34
understanding00:21:36
silent00:21:38
deprived00:21:41
sound lags behind the light00:21:46
too often we develop real don’t00:21:53
call00:21:55
real kishi friend00:22:05
girlfriends00:22:07
by nature00:22:10
inscrutable and sung sabakhut and we00:22:17
will understand what it means because it’s boiling00:22:25
right00:22:27
understood00:22:34
like lighters are shining yellow from silence00:22:40
I want silence silence I sharpen silence silence silence00:22:52
[music]00:22:58
silence00:23:00
[music]00:23:17
[applause]00:23:41
I’m hanging around near Novosibirsk where on the00:23:47
path to a vacant lot there’s a00:23:50
note pressed against the masks passer-by and I00:23:56
love you sentimentality of a mischievous woman00:24:01
sent over you00:24:03
in the corner or just need to explain00:24:08
prokhor I love you00:24:13
note I love you00:24:16
zammel I love you00:24:21
the road I love separation I love you like a00:24:29
heart00:24:30
when I should at least never be in my dreams00:24:36
and carried away by a boat seven springs and the back of the head is not a00:24:42
geese forgiving thanksgiving will pass00:24:48
the villages afloat that I pay my grandfather I00:24:57
love00:25:03
cognac00:25:05
and now I00:25:06
love me konig they say the universe00:25:11
I love let's go I give it away he himself is like a drunken elk00:25:20
passers-by my planet for crazy ways00:25:27
pierced tickets from this girl's chest and00:25:34
what is the price of rock & rice00:25:42
earth00:25:50
[applause]00:26:03
goes and glory00:26:11
whistles the all-night00:26:14
sonata between kumho00:26:18
penzin and shchiy like sanu green ozonizer00:26:25
alterations nightingale ah picuga00:26:31
microscopic drinks pichugin everything presses00:26:37
its00:26:38
not lyrically hygienically to be00:26:46
fooled lower your windows00:26:51
own on the subway00:26:55
lower your conscience oxygen00:27:04
that sings like a horse grazing00:27:09
them earth from the body and I am00:27:15
the august life there earthly stream00:27:23
you are in the summer of the edge of the azure00:27:27
street Donita00:27:30
oats this heart ruin00:27:37
only the people of the battles also touched you00:27:45
Berdanka you can’t be seen in Africa for a watt00:27:51
you are wearing a feathered scarf gets00:27:56
in front little00:27:58
also a challenge you will00:28:02
sing in winter without peel the00:28:06
serf under the warm from the long washer00:28:13
voice touched salt00:28:19
serge between proceed00:28:45
[applause]00:28:53
do not return to your former lovers there00:29:01
was their beloved in the world there is no00:29:08
duplicate and like a house decorated where they00:29:13
lived for00:29:15
a little summer you will be greeted by a barking00:29:22
white dog and located on the hill00:29:27
2 grove on the right and after the left one asked the00:29:38
believers,00:29:40
you live separately as if stereo00:29:46
column 2,00:29:49
everything you did and what I will do, they will00:29:55
spread the word out loud and in the house00:30:01
the echo will drop a cup of a lie on the echo, they will offer00:30:06
tea a00:30:07
lie because. will leave you for the night when and00:30:14
conclude don’t come back to me,00:30:19
beloved,00:30:20
we were before us, no 2 of them saw and00:30:27
sounds although you can straighten out this is where00:30:32
and in the00:30:34
evening on your belt following00:30:38
you throw into the river and the keys and the grove00:30:43
on the right and the grove on the left I was not in the world00:31:02
[ applause]00:31:17
[applause]00:31:25
here they ask how I feel about the song in general, what a00:31:32
song is, this is a song the00:31:39
organization of the sound of the00:31:41
daily space around us, how00:31:44
we walk in the apartment, we decorate some beautiful00:31:46
things, that it00:31:47
was beautiful for us to live like this00:31:50
every day, including for the sake of the receiver in the00:31:52
car or just walking down the street you are00:31:56
surrounded by sounds all the time and you want it to00:31:58
be beautifully00:31:59
unique modern and of course of course of00:32:04
course the songs are very important the00:32:07
individuality of the author the00:32:09
individuality of the performers who00:32:12
also becomes a co-author half of00:32:15
3 2 300:32:18
and therefore when he sings or Zykina or sings00:32:24
and like from or Piekha it personality first00:32:30
of all is manifested in this I now I00:32:34
want00:32:37
our wonderful singer Sofia Rotaru to sing here,00:32:41
we are singing a song by the composer00:32:45
Arno Babajanyan, give me back the music,00:32:49
this is the same motive, a version of the poems, water00:32:54
skiers, that’s the question00:33:07
[applause]00:33:12
[music]00:33:30
in the summer00:33:33
you fly on water boats to replace00:33:41
a00:33:43
and00:33:45
[music]00:33:46
and00:33:55
so00:33:57
[music]00:34:06
for your trouble00:34:08
sex00:34:11
is00:34:12
they00:34:18
1 tense00:34:21
but [music]00:34:27
and00:34:34
[applause]00:34:35
[music]00:34:44
and00:34:50
a00:35:00
and00:35:03
true00:35:04
to me00:35:06
poor00:35:07
[music]00:35:19
[applause] I’ll00:35:22
never come back I’ll00:35:29
never binge00:35:34
without trace00:35:37
[music]00:35:38
lag lies and is not needed and a penny price00:35:45
[music]00:35:52
and00:35:56
lanterns00:35:58
but00:36:00
[music]00:36:21
and00:36:25
return00:36:28
without00:36:31
[music]00:36:39
[laughter]00:36:41
and00:36:50
[applause]00:37:21
I read poetry00:37:25
repeated many times music here I00:37:28
dedicate read poetry with music connected00:37:32
called they are playful00:37:35
rules of behavior at the table,00:37:44
respect your fingers with a00:37:47
pie with a salt shaker, dipping chicken,00:37:53
but I beg you for one thing, don’t touch the music with your00:38:01
hands on the shorts, cucumber 1 and the camp on the right,00:38:08
sitting on the right, yes, we are also the same, it’s true, but you take the00:38:16
music with your hands, you take it with your soul, you00:38:25
rub your face with rubles, but even you mott they are00:38:30
not enough with your hands and progressive iso00:38:40
of fasting we are a materialist in Islam but the music00:38:46
has become a yana soup00:38:49
where not a lip with your hands eat even the nose of00:39:00
the music the trouble is such that your hands are not torn off00:39:07
do not touch with your hands it00:39:23
is not enough to say that the sister of Russian poetry is00:39:27
not enough I think that the rhythms of poetic and in00:39:32
our Russian poetry there would be no without00:39:35
powerful music without Scriabin without00:39:40
Prokofiev00:39:41
I’m glad that now the poems of May are friends with the00:39:46
music of00:39:47
Rodion Shchedrin what I don’t want to say00:39:50
now00:39:51
and I want to say about friendship you know I00:39:56
want people of art and00:40:00
people in general to be guided by their relationships00:40:04
not by relationships00:40:06
Mozart, say, and Salieri, and even00:40:10
friendship, on the topic of the relationship that existed00:40:12
between Chopin and Mickiewicz,00:40:15
between Mickiewicz and Pushkin, between Chekhov00:40:19
and Levitan, between Liszt and Chopin, and00:40:22
here00:40:25
Rodion Konstantinovich Shchedrin is in the program,00:40:29
we don’t have this with you since he always00:40:32
came and would like to00:40:34
play something for us like improvisation00:40:46
[applause]00:40:56
I really am not armed00:40:59
to appear before today’s hall00:41:03
as a performer, but my attitude, my00:41:07
love for the poetry of Voznesensky, whom I00:41:11
highly respect, whose figurative rhythmic00:41:15
structure is not very close,00:41:18
still gives me courage and I00:41:23
’ll try to play you one or two pieces for00:41:28
piano that are related to00:41:34
Voznesensky’s poetry and tell you which00:41:38
lines of00:41:39
Andrei Voznesensky wandered through your00:41:43
mind when I wrote this00:41:46
little prelude for piano,00:41:51
sweet grove of a00:41:55
shy homeland, the color of tears or threads,00:42:02
stern00:42:12
[music]00:42:50
[ music]00:43:06
[music]00:43:18
[music]00:43:32
[music]00:43:43
a00:43:47
[music]00:44:06
[music]00:44:20
[music]00:44:50
maybe then allow me to play00:44:53
another piece MP I’m on it, too,00:45:00
inspired by Voznesensky’s poetry,00:45:02
it was written much earlier, it was00:45:06
written in that period of Andrei00:45:08
Voznesensky00:45:09
when written by the masters parabolic00:45:13
ballad00:45:14
fire in architecture it is called00:45:17
basso ostinato00:45:25
[music]00:45:52
well00:46:00
[music] aa aa00:47:00
[music]00:47:01
a [00:47:42
music]00:48:09
[music]00:49:09
[applause]00:49:40
well then I read the introduction to the00:49:45
master’s poem00:49:46
where there is also such a repeating00:49:50
bell for you that the poem is dedicated to00:49:56
the builder of St. Basil's Cathedral the bells00:50:03
the introduction of the bells of the year as many00:50:12
nicks are called swan to you artists all the time00:50:23
and shook you the original artist is00:50:50
always a mushroom in him, something of a revolution00:50:57
forever he00:51:00
lava asari fat ipad and like an evil00:51:13
antidote to me evil traces00:51:17
la la la00:51:21
drink or and hotels of00:51:25
words00:51:36
and ask for notes on how poems are written,00:51:47
how they are written and in general I don’t like this00:51:51
term, they are written because it is not a rhyme,00:51:54
it is not a metaphor, that this is fate, poetry and00:51:58
eats in poetry, and I will answer that poetry is not00:52:02
written, it happens as a feeling or the00:52:08
sunset of the soul, a blind accomplice did00:52:14
not write it happened like this, well, all the same, but00:52:21
you and we have00:52:26
moments like this, physics doesn’t work with the00:52:31
composer, it doesn’t go well, well, it’s not00:52:39
written, I wish you did00:52:42
n’t have such moments in your life, I’ll read00:52:45
poems on this topic00:52:48
absolutely not seriously and I will read00:52:50
humorous poems00:52:51
that are called,00:52:55
ironic religion, my00:53:05
soul is in crisis,00:53:11
not a day without a line, my friend.00:53:17
and I have no days, no lines, fields of May in00:53:25
such a wilderness, the00:53:27
battles of the factories are extinguished and the unemployment of the soul00:53:33
gapes like a terrible zygote and my critical00:53:40
plaintiff will write in an article that a crisis without a00:53:46
crisis of the lowest of the systems alone is experiencing00:53:51
a crisis00:53:52
my friend my sieve00:53:56
my incorruptible friend is a good suit but not00:54:03
for his height inside everything is clear and around I don’t sing00:54:12
I’m degrading in love I’m00:54:16
friends with the second you tavern00:54:20
not Dagra doing you00:54:23
I’m degrading was a fortress like raffina00:54:30
whistled as a hockey scorer I00:54:35
forgot how to reef00:54:36
a little from a distance a simple migratory grief00:54:49
knows how to chorus a fool00:54:56
chorus gray in the wind00:55:00
you cry to the white Vladimir I of these but I won’t00:55:06
pick up I’m degrading 7 poetic ones there about00:55:13
the country come out every day00:55:16
and I’m running friends and year like a mad fox00:55:26
and numb times and where you are engraving spring00:55:35
on a secret turning point but the chains are my relatives00:55:45
2717 poets of our federation00:55:49
will write poems for me they don’t know the00:55:55
gradations00:56:06
[applause ]00:56:15
no matter how much is written, no matter how much is00:56:21
done in00:56:23
human life,00:56:25
life is short, time is limited and00:56:29
still behind us there00:56:32
remains behind us the ocean of both what has been created and what has been done00:56:36
and maybe in Einstein and the00:56:40
great violinist really died, we can’t00:56:43
cover our strength I will read poems on this topic,00:56:47
which is called lament for two00:56:52
unborn, the poem00:57:03
killed, I00:57:08
killed him, the unborn,00:57:11
well, we bury, we bury the poems, the course of all00:57:19
extraneous swarms and the black universe, with00:57:25
poisoned fins, lie in the 2nd year,00:57:31
white theatrical binoculars, two lives00:57:35
pressed with fate, half of the 2 most you00:57:45
people, you animals00:57:47
ponds where they were born you tanks00:57:51
stations were crying and I, like dad, branches00:57:57
of palmistry stand on00:58:00
the road heartbroken contentedly boiling on00:58:05
the asphalt00:58:06
like hair from the smoke over the city you00:58:11
stand open crabs00:58:15
like folding knives of a giant00:58:20
you stand up Cervantes00:58:24
Boris Leonidovich00:58:27
Dante you and now, too,00:58:38
as you wanted headquarters your son00:58:42
walked cleanly and straight camp mom you stand00:58:50
in Siberia00:58:51
Paris in Moscow in the little town00:58:55
stand the cape just at the saw now00:59:01
drunk become00:59:04
Landau dead in peace laboratory assistants become00:59:09
Copernicus dead the water fell on the baby00:59:17
remember the school gangs and become00:59:22
heroes and the boys came out as heroes00:59:26
but in robes died pm and my friends in a00:59:30
joyful panic00:59:32
eternal memory minister you dreamed as a cabin00:59:35
boy in the Atlantic swim eternal memory00:59:41
gram Livan legs girls played00:59:45
Hamlet eternal memory00:59:48
minute of silence a minute like years to remain00:59:53
silent everyone waited for the weather today00:59:58
look for edit eternal memory01:00:06
amen and memory ascii gone01:00:12
like a mammoth eternal memory and01:00:18
[applause]01:00:26
[music]01:00:38
[music]01:00:56
Andrei Andreevich we want varnish of noise and01:01:00
the polytechnic she will press01:01:03
the polytechnic now I will read poems01:01:08
but here today there are a lot of serious01:01:11
poems and these poems are dedicated to Mayakovsky with01:01:17
her dedicated to his01:01:21
anniversary which are coming from him01:01:26
Mayakovsky under the epigraph Alexander01:01:31
Sergeevich01:01:32
allow me to introduce myself May course01:01:39
conversation with the epigraph I01:01:48
own Vladimirovich allow me to01:01:52
introduce myself I am engaged in the biology of01:01:59
poetry01:02:01
there are roles more pedis steel01:02:05
but someone needs a stoker01:02:10
we have poets up to their necks who are busy with the01:02:17
garden who with a report others like01:02:22
ostriches hide their01:02:25
heads from here they look and think I will ask01:02:31
among the idiot of the bustle on the veto01:02:37
y et odio sem sometimes it’s funny01:02:42
yet there is no m and y this is01:02:46
to the sacred sacrifice the stadium and when we01:02:51
go out to the stadiums in Tomsk and Irina01:02:56
the Riga archers who understand you01:03:01
reach out to tomorrow through01:03:06
poetry01:03:07
[music]01:03:08
making and bad go to poetry like01:03:13
Charcot's douche01:03:15
even the heroes of the poem bad demands to sum up about01:03:20
them well01:03:23
you left understood by 10 percent01:03:27
there were axes and parsnips left01:03:30
but we are like whoever didn't hope we01:03:36
will fight for the young as I yearn01:03:40
for the political son of class then 14401:03:46
or Boeing we learned vestas01:03:51
half of Russia give01:03:57
the robber and when this case is01:04:01
happy to introduce myself I will beat off telegram01:04:05
q&a taste burrs I own Vladimir01:04:10
allow me to introduce myself01:04:14
[applause]01:04:20
[music]01:04:21
[applause]01:04:27
[music]01:04:41
I read first I will say if the right hand01:04:51
of poetry is music then the left of course or01:04:55
on the contrary, it lived without 2 her sister,01:05:00
I will read poems dedicated to the artist01:05:10
from Mark Chagall erase and called01:05:15
cornflowers Shagala Recently, after01:05:20
many years of separation, an artist living in01:05:25
Paris visited Moscow and we01:05:29
gave him a huge bouquet of cornflowers01:05:33
and the old master cried cried over them01:05:37
because it was the color his Vitebsk01:05:40
childhood where he was born and raised this light01:05:45
he placed all over the world his blue01:05:49
and yeast like the memory was inside him I01:05:54
will read the poems of01:05:55
cornflowers step01:06:06
le clo silver like a halberd01:06:12
gestures fishing line01:06:17
your hotels01:06:20
tacky jars of sprees at01:06:25
cornflowers gray flowers from the burdock breed01:06:32
but his series does not know the opponent brand01:06:39
Chagall zagato walked with Boris and Gleb in the01:06:51
laughter of NEP and thyme screams of01:06:55
bread brush of the sky there is no living man01:07:03
in them stained glass windows blue jagged well-fed01:07:09
Gothic pull up01:07:12
fields love but the sky loves you01:07:19
go life man in the sky cows face01:07:25
Andy umbrella take walking at the request of01:07:31
the homeland, different but the sky go01:07:36
the sky go man01:07:40
brought the cornflower seed to the01:07:44
fox's feet day in the fields you braided01:07:50
the wine whose on the theme of grand opera opera who01:07:57
kissed your field Russia until the01:08:04
cornflowers come out your weeds 701:08:09
Russia at least exports and keep it01:08:14
in the field as if you are01:08:16
capturing the cries about Greek pupils and01:08:28
the services of the01:08:31
forces of Vasya and01:08:38
[applause]01:08:40
[music]01:08:49
from the poem01:08:52
at lunch and it was written in 62 sixty-01:08:58
three in Paris at that time in the01:09:04
premises of the former school of the01:09:06
lady on the juma there were forests singing van01:09:13
Damme now the sawmill school of Lenin01:09:19
plan than ours once they were blinded by the01:09:25
reception bureau and like a popsicle01:09:29
hello morning frosty doses means01:09:34
sun and Czech air01:09:38
means sun Czech air sells and for some01:09:47
reason without and also for some reason perfeo01:09:52
and also why I don’t know the01:09:56
dialectics of knowledge01:10:00
detect wood under the cover of a01:10:07
crimson haze like a ray from -under the01:10:12
blue cloud you take the saw blades from under the saw01:10:16
let the pine tree have a dense01:10:22
core and lightly01:10:25
wiped it off come in and torment the headquarters with music01:10:34
so that it becomes the singing01:10:38
power of the shipbuilders the violinists01:10:44
were brought from the rock sawing cabbage soup01:10:49
exposing01:10:54
[applause] the01:11:06
Crimean observatory01:11:08
where I was recently wonderful people work01:11:15
there and01:11:17
last fall, an intern student from01:11:24
Moscow University, Sugar,01:11:27
discovered a new star in the constellation01:11:31
Cygnus and my poems are dedicated to this, the01:11:37
new Cygnus 7501:11:48
star was born in the constellation Cygnus,01:11:55
this is oversleeping without family and tribe new01:12:04
swans hen sitting corypheus on eggs in01:12:13
sheepskin coats height, a living star,01:12:17
and our club is a completely obscene01:12:25
whistler, you went crazy with your choice of new swans, the01:12:32
Egyptian light was held on you without being01:12:38
visible in front of all the human servants, it01:12:45
belonged to you, you gave the chosen one01:12:49
light and wealth all three triumphant01:12:54
months, but it went out, goodbye,01:13:09
goodbye, my new faith is01:13:14
growing, the unknown black01:13:20
taught me you sale01:13:29
we01:13:32
know the old one again,01:13:37
you opened a new window, you sculpt a new one, and you become a star01:13:44
from the crumbs, pour the people to Pilate, we rotate,01:13:52
we forgive you, and I’m tired of you, go and01:13:58
break01:14:03
[applause]01:14:07
[music]01:14:12
here in the note asks to read01:14:17
something and I’ll read something completely new01:14:21
the poems were written recently, these are01:14:26
poems from an Italian01:14:28
notebook,01:14:36
I don’t know about the others,01:14:41
but I feel the most severe where for01:14:49
the past01:14:51
there is nostalgia for the present, as if01:14:59
the novice wants access only to the01:15:07
abbot, and I beg for access without01:15:15
an intermediary, the real one will do the01:15:20
yacht, feeling01:15:23
or even not me, others01:15:27
at the pallet, the clearing01:15:31
feels to live on 100 of us,01:15:38
no one splits, but when I hug you, that’s the01:15:52
one for you01:15:58
loneliness,01:16:00
don’t reduce the garden once the carpentry01:16:08
will not redeem the loneliness of the garden, the open01:16:14
carpentry,01:16:15
I’m not longing for art, I’m01:16:23
truly suffocating, black water flows from the01:16:29
tap gushes deciding infusion gushes rusty01:16:38
water from the tap I'll wait for the01:16:43
real ones to go, what01:16:46
has passed has passed better01:16:54
cash register like a secret nostalgia for the01:16:59
real one what will happen and I wo01:17:02
n't find us01:17:13
and promised farewell to the Polytechnic01:17:31
in fact, this is the Russian tradition of01:17:37
Russian poetry, maybe even more so01:17:42
the tradition of our time is not to read poems01:17:46
with the eyes and read poems as a confession to01:17:52
people and Mayakovskaya and Blok and Yesenin01:18:01
read poems read poems of01:18:06
Yesenin's frankness01:18:09
the poem farewell to the Polytechnic01:18:12
is dedicated to the audience of the Polytechnic01:18:16
where we often performed our time and01:18:22
pieces farewell to the Polytechnic01:18:33
Polytechnic Polytechnic01:18:37
in the snow couples hiss scrambled eggs policemen01:18:43
whistle in panic to someone there for a month01:18:48
polytechnic01:18:49
cheers student charaga and on the balls not01:18:55
really things have their own slaps as we were01:19:00
prevented from meeting by the broadcast 12 soon there will be01:19:07
a store and something mourning in case 1201:19:18
soon it’s time to get away as your faces01:19:24
flow mattly pour01:19:27
them in I appear as if through a screen and all01:19:31
your joys are annoying horns01:19:35
you are the third from the edge with a mop on your forehead I01:19:42
don’t know you I love you01:19:44
on what splat the threads over what with the dress and01:19:50
what do you scribble sideways in your notebook what is the01:19:55
glory of the01:19:56
blue sweater og the eyes of the01:20:01
wind others will come and the cracks are not speech and01:20:08
but it will not be you others mine shades01:20:14
are black like weights and we part01:20:19
polytechnic we live we dissolve01:20:27
in human quantity01:20:36
no wear on01:20:40
stay you on someone me from me but01:20:47
you understand promise me some monster01:20:54
forget with the one standing I will bewitch him love01:21:01
the gap water them now01:21:04
kay my Russia01:21:09
you are very careful and kind how can God only my01:21:17
papal not remove this gift give01:21:24
feints between gossip01:21:26
folders and vanity and where in Hannibal the01:21:31
land of the Ganga there is not listening to the01:21:38
magic box and01:21:49
[applause]01:21:52
[music]01:22:03
and finally, lately the commandment is in the01:22:26
evening at night during the day and in the morning01:22:34
I thank you for that Alice didn’t die yesterday,01:22:39
the opponent knocked down the candle, thank you for the01:22:46
sacredness of the01:22:47
ritual of rights on the shoulder of01:22:51
marriage, thank you for not dying yesterday,01:22:58
thank you for not dying yesterday with one and01:23:03
a house with old paint01:23:08
yesterday, in the morning of yesterday,01:23:16
the medlar blossomed and you never entered my life.01:23:21
you will achieve your sins by force purely as01:23:30
if you had forgiven your sins otherwise you lit it up I didn’t01:23:40
know how funny a01:23:47
certain man on01:23:50
the floor would have made you kuba ne pas cher loss is black the01:24:01
devil needs to read the01:24:06
verdict without grumbling you need to start like eyebrows with no damn01:24:12
moisture didn’t die yesterday01:24:18
because the right didn’t enmity could have happened over01:24:27
time so she scratches with a smile of the pen01:24:32
thank you for dying yesterday01:24:52
[applause]01:25:09
[applause]01:25:15
[applause]Description:
Поэзия. Андрей Вознесенский. Вечер в Концертной студии Останкино ▶Подписаться на канал "Советское телевидение": https://www.youtube.com/channel/UCiVZttFkdEwMi3QXpRqFTzQ?sub_confirmation=1 Год производства: 1976 Творческий вечер поэта Андрея Вознесенского в Концертной студии Останкино. А.Вознесенский читает свои произведения, рассказывает о своем творчестве. Гости вечера - композитор М.Таривердиев, певица С.Ротару, композитор Р.Щедрин. Гл. ред литературно-драматических программ 1976 Мы в соцсетях: Яндекс. Дзен - https://dzen.ru/fond Telegram - https://t.me/gosteleradiofond VK - https://vk.com/teleradiofond OK - https://ok.ru/gosteleradiofond ▶Подписаться на канал "Советское телевидение": https://www.youtube.com/@gtrftv?sub_confirmation=1
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