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Download "Aula 1 - Os Princípios da Divisão de Voz - MDV"

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Aula de Canto
Técnica Vocal
Cantar
Icaro Melo
Voz em Construção
Voz por Voz
Aquecimento Vocal
Cantar Bem
Divisão de Voz
Segunda Voz
Melisma
Vibrato
Vocal
Maratona Vocal
Canto
Cifra Club
Claudio Olliver Vocal Coach
Renato Max
Mauro Henrique
Aline Fontes
Harmonia Vocal
Kit de Voz
Kit Vocal
Voz Rouca
Rouquidão
Respiração
Música Gospel
Fábio Vaz
Timbragem
Backing Vocal
Voz Bonita
Aprender Cantar
Afinação
Desafinado
Desafinação
Igreja
Louvor
Banda
Deus
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00:00:00
Have you ever asked yourself what your greatest
00:00:02
purpose is so that after all you live
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just like you, I have
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asked myself these questions many times during 12 years of
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working and training people, from the most
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talented to the most unqualified to
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those without any talent, I realized that
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we all have something in common You know
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what it is is the desire to impact people
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and change the reality around us the
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desire to generate life through
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words spoken or sung like the
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message that burns inside your
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chest and that screams wanting to hear
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everything you have lived So far it wasn't in
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vain there was a reason why your story full of
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rejection acceptance failures and victories
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prepared you for this moment and you
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know what moment it is this is a
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turning point a moment where everything can change
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in other words all it takes is your choice a
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decision now to definitely change
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the direction of your voice and where it will be heard
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where your message will actually reach and
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definitely find its
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purpose one day they didn't want to listen to me
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one day they made me silent but today more than
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200,000 people follow me closely and
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seek the my knowledge every day I've been
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around the world spreading my
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message Brazil United States Paraguay
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Arab Emirates Angola Chile Portugal
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Spain Colombia France Morocco and
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Italy and today I know exactly what
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I came to earth for and I want to transform a
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silent generation I want to help you if I heard
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to amplify your voice so that
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the world can hear you and see the power and strength
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that is within
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you, welcome,
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welcome to the voice division marathon,
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this event that I prepared for you
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to learn and for us to really do an
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intensive, a literal marathon of
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voice division, we are going to put our
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voice to work, we are going to put
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our vocal fold to work and the
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techniques will stick to our larynx
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so that you can sing well in a group,
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but especially in your solos, if
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you thought that The only thing learning here is
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group singing, in fact our goal is for
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you to master the voice division, but I
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want you to leave here already mastering the
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voice division and for your timbre, your voice,
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you as an individual, you and your timber
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to be incredible, this is the our objective is
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what this voice division marathon will be like.
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I'm basically going to give you
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a new pair of glasses. If you don't wear glasses, you
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're going to start wearing glasses.
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seeing these glasses that
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I have here, these glasses here, they don't
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change who I really am, My
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Essence, I'm still Wesley, my
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ID is the same, the numbers are the same, the
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CPF is the same, I'm the same Wesley, I have
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glasses It's not the camera here that I
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'm seeing, right, while you're
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watching me here, for example,
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this lighting doesn't change, it doesn't change anything, the glasses
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don't change the object I'm
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seeing, what does it change, does it change the
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way I see this object? so
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in these classes I will give you a new
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way of seeing the division of voice a
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new way of seeing vocal technique
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and when you see it in a new
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way when you can visualize
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this technique you can learn it you
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can perceive the sounds I bring it to
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you a new auditory perception if you
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see in a new way you learn
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if you learn you can execute
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if you can execute you dominate and
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in fact if you dominate you become a
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Harmony What is a Harmony who is a
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Harmony you will be a Harmony I am
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a Harmony, people who master the
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voice division are harmonies So I
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want you to go out at this moment and stop
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Stop being an amateur Stop being an
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amateur when you sing or when you do
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voice division and you will master
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Vocal Harmony A voice division This is
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my goal, I won't be alone here,
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you can't see me here now because
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I'm doing this introduction here,
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but an incredible group of hard level people will come
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like this to teach you together
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with me, voice division,
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Fran will be here Fran will arrive in a little while,
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Jaque, who else is Felipe and the
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rest of the guys from the Harmony Vox choir?
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Their teachers, I was a teacher, they took classes
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to learn voice division, I didn't
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understand degrees, I didn't know, I didn't have
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the perception to be able to do
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voice division, arrangements, etc.
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they
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developed and they managed to
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become a Harmony they managed to master the
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vocal technique just as I'm
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sure you will also master this
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group will come here oh So this is the
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choir Harmony Vox they were singers
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simply today they are harmonies
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today they dominate the division of voice and I
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need you, if there are people around,
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then I ask so-and-so, I want to be alone
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here, or you bring that person to
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watch with you, take this class with
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you But promise me that you will
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reproduce voice, you will reproduce sound because
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if you don't play it, you don't understand the
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sound, I want you to play it, even
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if it's softly, you need to put your voice
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to work, okay, I'm going to show
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you now what you'll be able to
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do, come color Harmony Vox, come come, let's
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show these guys how to
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divide your voice I will teach you everything come
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come
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come fear
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because if I
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am guarded by those who have never
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lost
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battles Your name
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is Jehovah you
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will provide
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again I believe in
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you no matter what comes
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what may you will provide
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again I believe in
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That's it, this is the group from the
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Armon Vox choir, we're here, I brought them so we can
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show you in practice
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how you can learn
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voice division, we're really going to show
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you step by step what
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the theme is In today's class, I'm going to introduce
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the guys to you, come on, introduce
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yourself Jamily Felipe ca Jaque Alan Fran Cris
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and that's it today we're going to learn and the
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step by step guide to starting
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voice division, there's no Magic Formula, there's no
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miracle, there's exercise experience
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experience and that's what we're going
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to show you today, I have
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a script here, I'm going to ask you now
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Cancel everyone, everyone's around Cancel
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everyone, come on, everyone, take a
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pen and paper so you can write everything down, okay, I'll
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go. I'll show you here, in
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today's class, we're going to learn, as I said,
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the principles, the principles for
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learning voice division, in
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tomorrow's class we're going to learn how to find
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the tone of the second voice, we're going to learn
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in the third class, mastering the
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voice division of Definitely, the most
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assertive path is what these principles
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of voice division are, they are techniques that you
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obri obat Oriente need to learn, we
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are going to show you about timbre,
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we are going to show you here the sounds of each
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technique, okay guys, please share
00:07:36
it with the your church group, get the
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link here, don't miss out on this opportunity,
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send it to them in the name of Jesus because there's
00:07:42
no point in evolving alone, they
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have to evolve Imagine you singing,
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incredibly beautiful, cool, but they have
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to sing too because otherwise they'll look like
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hell, beauty and something
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special is going to happen in this class, get
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ready now because something
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very incredible is going to happen, say it now, then, or
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what do you think?
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now a
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part at the end, no, so here's
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your intercessor here, Fran
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convinced me to speak a part, at least
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great, if you stay until the end you
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will have the opportunity to receive, you
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will win the training, qualification and
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voice division division of voice in practice
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armony Vox will learn understand this
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training that will give you exercises
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vocal kits you will contrast
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vocal identity a lot of things a
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mentorship with me for a long time
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so you will have the opportunity to
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win this you want to win this so
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stay Until the end, the second thing I'm
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going to reveal to you here, you see
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this pedal here, someone, someone who is
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watching too, you will be able to win
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this pedal, what is this pedal, it's a
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Talk pedal, where when you're
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ministering or singing and so on, you can
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step and when you step only the people
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listen the church doesn't listen you let go
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everyone listens so pedal you will be
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able to talk to the band I will send it
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to you at your address but so you
00:09:03
know everything it will stay until the end of the class and
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I will go reveal all the information so
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you can learn beauty this pedal
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here is from Martins pedals ok so you
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will have the opportunity to win Beauty
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I'll tell you at the end of the class ã and
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really like that, I tell people to
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study voice division there's no miracle
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but only the strong stay until the end, you
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will stay until the end, if you really
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understand your purpose, you understand your
00:09:26
will, you understand your calling, you can't just
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keep singing out of tune,
00:09:30
going through this shame that
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you are going through on a daily basis, you
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will stay until the end to learn
00:09:36
because we have a lot to
00:09:37
teach you, you film an appointment with
00:09:39
us, we are already filming an appointment
00:09:40
with you, we are here now, you are
00:09:42
watching So, grab a pen and paper,
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write everything down and film this
00:09:45
appointment with us. I'm going to show
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you now everything you can
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learn if you apply these techniques
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that we're going to develop with you here,
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look, okay, my name is Jéssica, I
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'm from the Dog Baptist Church of Curitiba, I
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participate in the Ministry of Praise and I
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'm taking classes with Wesley, my
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main difficulty before starting
00:10:06
classes was doing the vocal division and
00:10:09
staying right because sometimes I
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could divide but when I heard
00:10:13
another voice there I went along and
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couldn't maintain my voice Where was
00:10:18
I supposed to be and I had
00:10:21
I've already noticed a lot of difference, I've already managed
00:10:23
to apply this in my church, I
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highly recommend his classes, they've been
00:10:29
excellent for me, they're wonderful, I
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highly recommend, thank you very much Hi, my name
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is Franciele, I'm from Igreja Batista
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Sião de Curitiba, where I work part of the
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Ministry of Praise and Worship in May
00:10:40
I looked for Wes' classes to learn
00:10:42
more about vocal technique, especially
00:10:44
in the theoretical part. But I saw that I was
00:10:47
learning a lot more both in the
00:10:49
practical and theoretical part because
00:10:51
his classes are very optimized. and
00:10:54
it makes us have a lightness
00:10:56
to learn, even that person
00:10:58
who gets there sometimes without knowing how to do
00:11:00
division and in the first class She
00:11:02
can already do division Did you see Look at
00:11:05
this result, my God, look at
00:11:08
what level you are that you can achieve
00:11:11
that today you are an amateur you can
00:11:13
definitely raise the level but it has
00:11:15
more to do with you than with me because
00:11:17
I have a list here and I will
00:11:19
give it to you here at the end of this cycle
00:11:21
you will take the classes You're going to write everything down,
00:11:23
but I'm going to give you a map literally
00:11:25
of what you're going to do and how to do it. If you
00:11:28
follow this list of tasks, you'll
00:11:30
get results, but it has to do with you, I'm
00:11:33
already giving it to you, you have to want it,
00:11:35
you have to stop giving up on things.
00:11:37
things like you have, it's
00:11:39
always done, you go halfway, it's
00:11:42
difficult, you give up, it's right there
00:11:45
after the curve, your result is there,
00:11:47
just insist a little more, but don't
00:11:48
worry, I'll go with you and Oh,
00:11:50
you can write down that this result will
00:11:52
come but you need to do three things
00:11:54
for me first of course watch the
00:11:57
classes watch this class until the end I
00:11:59
don't know what time you will book
00:12:01
to watch the next classes you are
00:12:02
watching this one you are watching me
00:12:03
Of course you are here watching It's going to
00:12:05
the end, don't make excuses, don't, don't
00:12:07
leave it to watch the rest, then
00:12:08
watch it now, everything will get to the
00:12:11
content, we'll go to the end and you
00:12:12
wait for the next class, then the others,
00:12:14
you'll reserve a time there so
00:12:16
you can do the second thing you
00:12:18
have to write down as many things
00:12:20
as possible, just like I write down I put
00:12:22
on my list the things that I need to
00:12:24
develop because if you don't write it down
00:12:26
you won't know, oh you won't
00:12:29
remember some information, you have to
00:12:30
write it all down there, oh so you can
00:12:33
always remember and seek this information and the third thing this is a
00:12:37
watershed moment you need to start
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walking and sharing with the
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right people amateurs hang out with amateurs
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remember that amateurs hang out with amateurs
00:12:48
harmonies walk with harmonies the
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Bible itself says The following is that bad
00:12:54
conversations corrupt good morals
00:12:57
What does it mean when you hang out with
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people who have habits that you don't want to
00:13:02
achieve, you will definitely fall into this
00:13:05
trap You will definitely be the
00:13:07
next one who has the same habit, there
00:13:09
is also a saying popular saying that
00:13:12
says hang out with five idiots and you
00:13:15
'll be the sixth but I tell you to
00:13:17
hang out with a group of harmonies you'll
00:13:20
be that next person for
00:13:23
sure and if you're fooled into
00:13:27
thinking it's just because you sing and
00:13:31
there is a title of back inv vocal you
00:13:32
are already a negative back in vocal because the
00:13:35
back inv vocal needs to know how to do
00:13:37
voice division armon needs to
00:13:39
know how to do voice division if you are in
00:13:41
backing or know someone who is in
00:13:43
backing but this This person doesn't know how to do
00:13:45
voice division, this person is neither
00:13:47
Harmony nor back vocal for
00:13:49
sure, but I'll teach you, I'll give you
00:13:52
the tools you need to be
00:13:54
able to do all this stuff and you might
00:13:57
find people always say Wesley
00:13:59
It's easy for you because you're a
00:14:00
teacher I'll give you Two
00:14:02
quick, very direct answers for me today it's
00:14:05
easy because I dedicated myself I gave my
00:14:08
hand I went for it
00:14:11
many years ago I participated in a
00:14:12
competition in 2012 I participated in one
00:14:14
competition I was doing voice division
00:14:17
I ended up with my partner I literally ended up with
00:14:20
Débora if she
00:14:23
had sung just sung just sung
00:14:25
alone she would definitely have won
00:14:28
but I ended up with that project of ours
00:14:31
because I did everything wrong but years
00:14:34
later a while later Isadora Pompeu
00:14:37
called me, look at this guy who was an amateur,
00:14:40
I was a total amateur with the
00:14:42
correct tools, I managed to
00:14:44
transform myself into the armory. Today, in addition to knowing
00:14:46
my voice, I know my
00:14:48
division, I know how to lead other people, I
00:14:51
know how to direct division of voice for each of
00:14:53
these people and I will train you, I
00:14:56
will teach you how to also learn to
00:14:58
do this today I am Harmony and you
00:15:00
will also be able to do the second
00:15:02
answer I was forgetting the first one Yes
00:15:05
today is easy but the second one is not Because
00:15:07
for me It's because I'm a teacher and it
00:15:10
's easy for me today and I'm
00:15:12
not actually a teacher, I'm not
00:15:13
just a teacher, I'm a leader of
00:15:16
a movement and what a movement this is,
00:15:18
Wesley, this movement that we're
00:15:20
generating, I want my goal. I
00:15:22
always say to Fran and other people
00:15:24
my goal is to make as many
00:15:27
vocal groups as
00:15:29
possible become
00:15:32
harmonious groups that dominate the voice division
00:15:34
not only in Brazil but in the world today
00:15:36
I am already in more than 40 countries my
00:15:39
message My training already has
00:15:40
students spread across more than 40 countries.
00:15:43
I will dedicate myself as much as I can in my life
00:15:45
if necessary so that I can
00:15:47
train this entire crowd. Do you want to come
00:15:50
along with us? Do you want to become
00:15:52
Harmony? Do you want to join this movement?
00:15:54
Look, if you don't come with
00:15:56
us, you'll be left behind, but I
00:15:57
don't want you to be left behind,
00:15:59
give me a yes, I'll have your yes
00:16:01
now, if you said your yes, let's get to the
00:16:04
heavy content now because all at once
00:16:06
For all of you, you will understand the
00:16:08
principles and how to start and master the
00:16:10
choral voice division. Come on, because
00:16:13
now the potatoes are going to bake. Now the business is
00:16:16
going to happen. The choir can come.
00:16:23
Remembering that we have class
00:16:24
tomorrow and on Wednesday this class you
00:16:26
can watch, right?
00:16:34
right, so maybe you're in the
00:16:36
middle of the day, don't waste time, go until the
00:16:38
end, tomorrow, same thing, I'll release the
00:16:41
class for you and you'll only have this
00:16:42
period to take the class,
00:16:44
so don't waste time, it's on Wednesday,
00:16:46
the same thing put it in your diary and get
00:16:48
ready because otherwise you'll be
00:16:50
off the air, there's no point in complaining, I won't order it,
00:16:52
it'll go off the air anyway, I'll delete
00:16:53
this thing, okay, let's go straight to the content
00:16:55
here, the first thing you
00:16:57
need to know to do voice division
00:16:59
is timbre there's no point in wanting to
00:17:01
sing with your timbre, the way
00:17:03
you sing, you're used to it in a group, because
00:17:05
otherwise it'll be a mess and we'll
00:17:07
show you here's what
00:17:09
timbre is, everyone has a timbre,
00:17:11
everyone speaks January one at a time, go there
00:17:12
Speak January January January January
00:17:16
January January January January January you saw
00:17:19
each one a type of January a TIM a
00:17:21
different timbre you need to balance
00:17:24
this timbre with some techniques we
00:17:26
will show you how to balance
00:17:29
the first thing we will adjust
00:17:30
in the timbre, right? which is the balance
00:17:32
of these timbres, it's tuning if you sing
00:17:35
in a group and don't adjust the tuning, man, there
00:17:38
's no singer without tuning, right?
00:17:40
Let's start here, but singing in a
00:17:42
group is even worse, imagine the sister here
00:17:44
with one tuning, me with another, the brother,
00:17:46
you go see here now come on sing
00:17:48
the song Let me see Prodigal very beautiful
00:17:51
beauty here oh but I decide well That
00:17:54
way go
00:17:56
there go there
00:17:59
but I decide to
00:18:03
believe that you are
00:18:08
waiting for me go I decide to
00:18:16
believe brother here my God in
00:18:20
heaven play To do it, it came with strength, that's what
00:18:23
happens when the group doesn't
00:18:25
tune in, we have to sing really well,
00:18:27
in tune, look at
00:18:29
you
00:18:31
there, but I
00:18:33
[Music]
00:18:36
decide that it's
00:18:42
waiting for me, I decide to
00:18:47
believe that it's going to
00:18:53
hug me, that's it, look how incredible
00:18:57
you tuning man be it small
00:19:01
details the end of a phrase a syllable
00:19:03
adjusts this because your group will grow
00:19:05
and in tuning we have three things to be
00:19:08
able to observe the first
00:19:10
auditory perception if the guy who is singing with
00:19:13
you the woman who is singing with you the
00:19:14
person there, it doesn't tune, maybe
00:19:17
her auditory perception isn't good, what
00:19:18
is auditory perception, is the
00:19:21
person's ability to identify the note, for example,
00:19:24
this note here, the sound is Oh, and the person,
00:19:26
oh, and there is, right, Do you know, do you know someone
00:19:29
like that? I know you remembered, now look,
00:19:34
you have to see
00:19:36
that everyone
00:19:39
with me again,
00:19:42
it's this sound here,
00:19:46
with
00:19:47
[Music]
00:19:49
it's this here, auditory perception,
00:19:53
listen to the sound and that's it, fine, so the
00:19:56
next technique you need to
00:19:58
work on, you wrote it down. first the
00:20:00
timbration we are working on the
00:20:02
timbration within the timbration tuning
00:20:05
second topic within the timbration the
00:20:07
dynamics of intensity is the volume man
00:20:10
volume seems so simple such a
00:20:13
silly topic to work on but look at the
00:20:15
difference and the music and the
00:20:18
vocal group when you work on the
00:20:20
dynamics of intensity or play a
00:20:22
well-known melody here which is
00:20:25
meama's contralto voice, right? You remember, right? It
00:20:30
does it to me with
00:20:32
[Music]
00:20:43
it supports
00:20:45
[Music]
00:20:49
last beauty we sang, it was beautiful
00:20:52
Let's separate it into three levels, volume
00:20:54
one, well softly volume two a
00:20:57
medium volume intermediate and volume three very
00:20:59
strong ok
00:21:18
A volume two
00:21:24
[Music]
00:21:27
medium
00:21:37
Volume
00:21:41
1 Alright now the TRS volume Remembering
00:21:44
that you don't need to scream to
00:21:46
reach this volume three is a
00:21:48
large volume there is pressure on your voice but if you
00:21:51
scream your voice passes your vocal fold
00:21:53
tenses too much you'll get hoarse you'll
00:21:55
start scratching You know that scratching
00:21:57
you feel inside your throat is going to
00:21:59
be bad so find the maximum volume
00:22:01
of your leather so you can
00:22:03
adjust if it comes o for me It's not
00:22:04
working, I'm getting more than that, try to
00:22:06
adjust and balance it, okay, let's go
00:22:08
volume
00:22:10
[Music]
00:22:20
[Music]
00:22:26
TRS
00:22:29
pressure huh Look, if you
00:22:31
start working on these dynamics in
00:22:33
your group, look what you can do by
00:22:35
doing the first section with volume one
00:22:37
go there
00:22:42
it was
00:22:47
two
00:22:48
[Music]
00:22:56
TR Even though it's beautiful it makes a lot of
00:23:00
difference you can adjust these
00:23:02
volumes to make a transition instead
00:23:07
of from nothing to nothing yes you will
00:23:11
balance with an increasing volume and
00:23:13
decreasing volume let's recap
00:23:15
here then in dynamics of intensity,
00:23:17
which is a technique that you need
00:23:19
to work with your group but not just with a
00:23:21
group, okay, if you are in doubt, I can
00:23:23
use it on my voice when soloing, you must have
00:23:26
no point, you won't be able to
00:23:28
Sing Well in a group, if your voice doesn't, do
00:23:31
n't absolve these techniques you don't
00:23:33
bring to your vocal identity,
00:23:35
so volume one is low volume two
00:23:39
medium volume Common volume is volume TR
00:23:41
already a little more pressure loosens the voice
00:23:44
beauty increasing volume now guys
00:23:47
let's do it directly in Volume one and then
00:23:50
at the end crescendo goes there it was
00:23:56
good
00:23:58
[Music]
00:24:10
growing You saw what happened,
00:24:12
imagine if we are in the final verse of
00:24:15
a verse, it grows and reaches the
00:24:18
chorus, right? At the moment of the chorus, the band P man, man
00:24:19
breaks up there, you understand to
00:24:22
bring this dynamic let the
00:24:24
apotheotic music understood increasing bringing the m
00:24:28
Imagine you singing, you have my ass, you
00:24:31
love me, he is your love, Amen, look how
00:24:34
dull it is, the same thing, too monotonous, it has to
00:24:36
bring dynamics, a musical movement,
00:24:39
but not only this increasing dynamic, there is also the
00:24:41
decreasing one, it is also us Use it more at the
00:24:45
end of a phrase, the end of a song or the
00:24:47
end of a song, even to reset the
00:24:50
song, you'll remember it because you're not
00:24:52
young, I'm sure you also
00:24:54
remember the cassette tape, the cassette tape, not
00:24:56
that little tape from the radio. Do
00:24:58
you have Felipe 23 Ah,
00:25:01
Felipe, no, but the brothers here do
00:25:03
n't you either, how old are you, 23,
00:25:07
no, we're here, we're almost elderly, we
00:25:11
remember, we
00:25:13
don't, we remember. Remember, at the
00:25:15
end of a tape, the song didn't end.
00:25:22
Don't you remember joking, but hey, I remember it too, I'm
00:25:25
in this, I remember at the end of the song
00:25:27
it would simply decrease the
00:25:29
volume like this and it would go to zero in a
00:25:31
little while there would be no more. Understand,
00:25:33
this would end here we call it F
00:25:35
Down or Fade in Fade out right at the end
00:25:38
So let's go let's do the
00:25:40
decreasing dynamics now Volume three
00:25:42
[Music]
00:25:56
was
00:25:59
[Music]
00:26:01
volume goes to zero until it decreases this
00:26:05
brings dynamics to the music it's
00:26:07
interesting with the band music doesn't get
00:26:09
that boring thing beauty the third
00:26:12
technique in here of timbration, did
00:26:14
you realize that we are talking
00:26:15
a lot about timbration because
00:26:17
this is really the basis for creating
00:26:20
Vocal Harmony, you don't do Vocal Harmony, you
00:26:22
don't do voice division, which I will
00:26:24
explain very well in tomorrow's class, I will
00:26:26
show you the degrees intervals
00:26:28
how you put together the chords but today is the
00:26:30
foundation it's the base so remember at the
00:26:33
end there's a surprise for you that
00:26:36
you need you won't miss this thing
00:26:38
in the name of the Lord Jesus brother you won't
00:26:40
waver stay until the end so you can get
00:26:42
the thing closed but let's go we're going to
00:26:44
talk today we're talking about this
00:26:46
base and the timbrage is the foundation you don't
00:26:48
make a good unison if you don't have
00:26:50
the timbre you don't do Vocal Harmony if you don't
00:26:53
have the timbral you don't sing in a duet
00:26:55
second and first voice if you don't have
00:26:56
the timbral beauty Okay, what I
00:26:58
also notice in many groups is that many of
00:27:02
them, you know, aren't that out of tune, there aren't
00:27:05
many big problems, it's more in the
00:27:08
details that people don't pay attention to, right,
00:27:09
so it's very important to pay attention to what
00:27:12
we're talking about here we go
00:27:14
until I show you tomorrow about the
00:27:15
chords, you'll understand, you'll set up the
00:27:17
correct divisions But you know, when you're
00:27:19
in your group, you're sure it's already
00:27:21
happened, the voice is beautiful, everyone
00:27:23
is at least in tune, everything ajad, but
00:27:27
there's nothing, there's something missing, one is missing
00:27:29
detail this detail
00:27:31
can certainly be the timbration or here the
00:27:33
resonance or whatever dynamics of
00:27:36
intensity one is shouting the other is
00:27:37
making it lighter there is no
00:27:39
agreement So when you start to
00:27:41
adjust these timbre here we will be rolling
00:27:43
until these days Eh I was in a
00:27:45
mentorship with Mozart and he talked
00:27:47
about the choice of backing, they make
00:27:50
backing choices with people who have
00:27:53
similar tones to add
00:27:56
that Bing and look really cool, that's why
00:27:58
they stand out so much,
00:28:00
exactly I'll show you
00:28:02
Now about the timbre, I have a really
00:28:04
cool topic, resonance, what
00:28:06
is resonance, the third aspect
00:28:08
here of timbrage, repeating
00:28:10
dynamic tuning of intensity, now
00:28:12
resonance will make the
00:28:14
vocal identity of each person
00:28:16
here balance the first resonance.
00:28:18
the first timbre that I'm going to give
00:28:20
you that you can now apply to your voice is a
00:28:22
more covered sound write it down, coverage a
00:28:25
covered sound is when you throw your voice towards the
00:28:27
soft palate a yawn everyone
00:28:29
now on purpose
00:28:31
ah with a yawning sound go There,
00:28:35
microphone, you can see this big sound at the
00:28:38
back, we're going to call it coverage and
00:28:40
you're going to use this to sing
00:28:41
too, let's take the song here for
00:28:43
example, let me
00:28:44
see why
00:28:48
he's not that roaring Lion, it's that R Leão
00:28:52
that RJ is the lion in the back, very big with
00:28:56
this timber here was May the
00:28:59
lion roar and may the earth
00:29:04
tremble before the
00:29:08
majesty of
00:29:10
[Music]
00:29:11
Jesus Did you see that we left the voice
00:29:14
rounded, the mouth even rounded
00:29:16
to make this sound also rounded
00:29:19
this cover here we use it to
00:29:21
sing Obviously You can find the
00:29:22
balance, right, you don't need to exaggerate, do it
00:29:25
like Dory, right, Finding Nemo, there's
00:29:28
no need, you can find an
00:29:30
ideal point, let's do it again, now a little
00:29:31
more balanced, go there Let the
00:29:35
lion roar and the earth
00:29:39
Tremble before the
00:29:43
majesty of the
00:29:47
perfect Jesus Look how cool the
00:29:51
sound is how you can timbrate each one with
00:29:53
their own type of voice using the same
00:29:55
resonance we can find a
00:29:57
common point and the timbre will happen
00:30:00
another resonance that you can use
00:30:02
is a more nasal sound, more metallic, so
00:30:04
the first one is more covered, it's a timb,
00:30:07
a covered resonance, the second one, a
00:30:10
metallic or nasal resonance,
00:30:13
both terms are fine. It's great, just so you
00:30:14
understand that the sound will be here at the
00:30:16
front, more nasal on purpose, but
00:30:19
Wesley, a nasal voice is not wrong,
00:30:23
as long as you do it the right way,
00:30:24
beauty That's our intention here,
00:30:26
intentionality, right? I think with
00:30:28
intentionality, with timbre to bring
00:30:30
shine and everything else, I'll show you now,
00:30:31
let's do it again,
00:30:33
the lion roars there in the front, calm down,
00:30:37
let the
00:30:40
lion roar and the earth
00:30:42
[Music]
00:30:44
shake before the
00:30:48
majesty of the
00:30:51
perfect Jesus Look how cool Let's
00:30:54
do it back there again, now covered,
00:30:56
you're with us, okay What a roar it was Let
00:31:00
the
00:31:02
lion roar and the earth
00:31:06
shake before the
00:31:10
majesty of
00:31:13
Jesus May the
00:31:16
lion roar and the earth
00:31:20
shake Ok perfect perfect and you do
00:31:24
n't need to use just one resonance
00:31:26
wes which of the two is more correct depends
00:31:28
on the section of the song if you ask for this
00:31:30
pressure did you notice that when we
00:31:32
use a resonance more metallic, the
00:31:35
sound grows, it becomes
00:31:37
brighter, the sound passes through, but it even gives an
00:31:40
impression of more treble, more
00:31:42
treble, because you bring more
00:31:44
treble frequencies to the sound and
00:31:46
when we cover it, we make the sound
00:31:48
more opaque, it seems like It's more
00:31:51
flat, softer, you understand these terms,
00:31:53
right?
00:32:05
R doesn't have to come along,
00:32:08
understand, you have to move forward, imagine
00:32:11
a part of the song that requires, for
00:32:12
example, more lightness, volume two and the
00:32:16
covered sound goes there Let it roar Let the
00:32:21
lion roar and let the earth
00:32:25
shake oh how cool this moment is
00:32:27
like piano and piano voice, does the church know if
00:32:30
we are going to make a lighter, more
00:32:32
covered sound, imagine if at this moment only the
00:32:35
church is just the vocals then we do it
00:32:37
like this oh metallic, go there just church that R
00:32:43
lion and the earth
00:32:46
shakes what This is giving the
00:32:49
impression that something is missing,
00:32:51
the band is missing this
00:32:52
pressure or that we are really
00:32:54
wrong because it is supposed to be lighter and more
00:32:56
good here so you understand where
00:32:58
the resonances fit but you can also
00:33:01
play with the
00:33:03
resonance transition Look how incredible this is, write it down,
00:33:04
resonance transition, editor, if
00:33:08
you're good, you'll put it on the screen
00:33:09
now, resonance transition, you'll
00:33:11
put the techniques there for everyone,
00:33:13
what are we going to do, what are we going to do, let's make
00:33:15
a song Let me
00:33:17
see let's do the early hours of the morning, do
00:33:22
the early hours of the morning, I'm not going to do it anymore, I'm
00:33:25
going to increase the dynamic volume and Go
00:33:28
Opening. In the resonance, it's then covered,
00:33:30
volume, a unison
00:33:37
here, let's do it here
00:33:39
[Music]
00:33:57
I'm going I'm
00:34:00
going
00:34:01
[Music]
00:34:08
volume noticed here, when we
00:34:11
divide the voices that will be now it
00:34:13
will be much more interesting because
00:34:15
each one will stay in their region it will
00:34:17
be interesting the opening of this sound
00:34:19
of the resonance of the timbre of the volume Look at
00:34:21
tenors me I
00:34:23
'm going contralto I'm going
00:34:28
Beauty that's how it went by quickly and it's
00:34:30
gone I'm
00:34:35
going to
00:34:44
breathe look how cool it's going back there again
00:34:46
I
00:34:51
[Music]
00:34:55
I'm going to
00:35:00
understand the song grew the band comes and
00:35:02
is calling something understood the
00:35:04
moment of the drum turn band goes crazy
00:35:06
because we give intention we
00:35:08
show the band what's ahead
00:35:10
if it's heavier if it's lighter you
00:35:12
understand if you realize the power you
00:35:13
have in your voice you and your vocal group it's
00:35:16
really you who sets the rules for the
00:35:19
band, I doubt it, I doubt it, you would send
00:35:23
this class here to your band, now you know
00:35:25
why the band seems to be sometimes the
00:35:27
enemy of the vocal, I don't know if with you there are
00:35:29
people there who are not from my church,
00:35:31
we are from different churches um or
00:35:32
another is the same, it's going to be [ __ ], it's going to be
00:35:35
[ __ ], it's going to be [ __ ], no, but it's good.
00:35:38
This awareness for the band
00:35:42
sometimes seems like it's the enemy of the vocals and
00:35:43
vocals are the enemy of the band, no, we're
00:35:45
all doing the same thing, the same
00:35:47
song. for the same objective, but
00:35:49
inevitably, whoever sings the
00:35:50
main message of vocal music, then we are the
00:35:53
ones giving the intention, whether
00:35:55
to grow, whether to stop, to diminish, and
00:35:57
everything else, you are free. So when you
00:35:59
use these resonances, even these
00:36:01
timbral aspects, man the band will
00:36:04
understand oh it's growing metalizing it's
00:36:06
to grow instrumental it's decreasing
00:36:08
doing the Fade out here right the dynamics ah
00:36:11
decreasing it's decreasing the band will
00:36:13
also decrease you understand the power
00:36:15
you have in your voice here's a tip beauty
00:36:17
another technique we're going to work on
00:36:20
here now it's Vibrato there are people who don't
00:36:23
like vibrato I've heard people
00:36:25
saying you don't like vibrato I don't want to
00:36:26
learn Vibrato I'm going to tell you
00:36:28
here now if you don't learn vibrato
00:36:30
you don't learn melisma wes you like
00:36:32
melisma if you don't learn melisma or
00:36:33
vibrato you don't have vocal definition if
00:36:36
you don't have definition
00:36:38
you're very likely to be a terrible backing vocalist, okay, it's
00:36:41
real, naked and raw You need to learn it not
00:36:44
because you like it, it's because the music demands it,
00:36:46
we are at the service of the music at the
00:36:48
service of message if you are the one you have to
00:36:51
like it you have to like it you have to love it
00:36:53
I love making music but I love everything
00:36:55
he presents to me Let's do it let's go
00:36:56
let's go Relax Let's go let's
00:36:58
leave it Oh man Of course but let's take
00:37:00
what the music asks for if you You're not in
00:37:03
that mood, man, is this the place
00:37:05
for you? You have to think
00:37:07
about it, come on, I also think that
00:37:10
vibrato, for those who like this sound here, is
00:37:13
essential, right?
00:37:18
a little bit there it sounds like
00:37:20
black music, a thing, right, a Molejo
00:37:24
needs to do Vibrato, I'm going to show
00:37:26
PR you that now the music Without vibrato,
00:37:28
how dull it is at the end, it's without
00:37:30
definition, we're going to make it beautiful,
00:37:32
make it cute, just so cute, so
00:37:34
right which ends up being like we
00:37:36
used to say in São Paulo ass also from São
00:37:37
Paulo you too you are also São
00:37:39
Paulo stay paia paia PR damn let's
00:37:42
do it here, oh
00:37:45
glora, very straight, it's very square,
00:37:48
glora
00:37:55
was
00:38:03
GL [
00:38:07
Music]
00:38:10
Glória
00:38:13
[Music]
00:38:15
gló Beauty you saw that it was lifeless,
00:38:19
the molej is missing a vibrato thing Bringing
00:38:22
this dynamic also has an emotion, right, the
00:38:24
brother who arrived feeling sleepy already fell asleep during the
00:38:25
service, he slept he's here, og the hand when he
00:38:28
hears you singing he already drops it Oops,
00:38:30
something is wrong, understand, let's go
00:38:32
adjust the Vibrato Which is basically
00:38:34
you make the nuances of the music
00:38:37
here Oh there are some drawings instead of
00:38:39
doing GL GL you're going to do
00:38:44
GL with me
00:38:51
Perfect GL That's it then you're going to
00:38:53
train this vibrato my students all
00:38:56
right there we go
00:38:57
Come on, you're going to train these
00:38:58
vibratos to be able to apply them to your
00:39:00
music, look at the endings of that same
00:39:04
song Glória with vibrato how it looks
00:39:06
better, it's defined and very cute,
00:39:08
go on
00:39:12
[Applause] [Music
00:39:14
]
00:39:18
Glória
00:39:19
[Music]
00:39:25
gló Look at the difference in this power Look at the
00:39:28
difference in this dynamic, you know, just
00:39:30
putting Vibrato at the end and you
00:39:32
need you inevitably need to
00:39:35
learn vibrato to be beautiful, otherwise
00:39:37
you'll be left behind. I usually say
00:39:40
that there are singers, there are
00:39:43
people who are ah, who try, you know, to
00:39:47
divide their voices. they try to do the backing
00:39:49
vocals But as I said to you at the
00:39:51
beginning there but there are harmonies that
00:39:53
dominate the voice that knows how to do there the
00:39:55
dynamics the vibratos vocal opening
00:39:58
timbrar really man I sing well my timb
00:40:02
is cool I know how to do such things but
00:40:03
you understand that if the song didn't ask for it you
00:40:06
won't use it But if the song asked for it you
00:40:08
will use it because everyone is here
00:40:10
in communion there's an excerpt from a song
00:40:12
Including I'm not going to stop that we
00:40:15
created from nothing a melisma doesn't have it but
00:40:17
we'll put it in a melisma with iod with
00:40:19
falsetto there's a lot of stuff here and then
00:40:21
there are people who think, look, you can't use
00:40:23
melisma in a group, it's wrong, you can't
00:40:25
grind it, you
00:40:27
can't, I don't know what you can, people feel
00:40:29
free, anthem, anthem, you can, if you feel
00:40:32
free, you You can put it on as long as it
00:40:33
has a minimum of decency, it's not
00:40:36
exaggerated and it's coherent with the music,
00:40:39
you know, come on, we did it here,
00:40:41
let's do it.
00:41:02
I'm
00:41:04
me I'm not going to
00:41:09
stop [Music] Ok perfect you saw here we
00:41:12
did it's me let's go everyone everyone
00:41:16
together o it's me three that's
00:41:20
me I'm not I'm not going again it's
00:41:25
me I'm not going to stop perfect perfect
00:41:29
let's do it with the voice division now
00:41:30
PR you can see how beautiful it looks you can
00:41:32
do voice division do unison in the
00:41:35
middle Open do vibrato do melisma
00:41:38
do what you want as long as there is
00:41:40
coherence rehearsal training and here as long as it is
00:41:43
well done well done you have to think
00:41:45
You understand, you have to have good taste, that one
00:41:47
here, it's a little thing, you understand, I'm not
00:41:50
going to stop detail, tenor melody, okay, I'm
00:41:53
not going to stop, I'm not going to stop, I
00:42:04
'm going to
00:42:07
continue worshiping you,
00:42:11
God, the
00:42:14
miracle is me, I'm
00:42:19
me, I'm not going to
00:42:24
stop, ok, perfect. did you see how beautiful
00:42:27
man this is phenomenal Do you want
00:42:29
to learn this thing here apply these
00:42:31
techniques that I'm showing you watch
00:42:34
all these classes today tomorrow
00:42:36
tuesday on wednesday watch
00:42:38
these classes go to the end put them in your
00:42:41
notebook but do your voice happens there's no
00:42:43
point in just listening and not
00:42:46
training a little bit you have an
00:42:47
opportunity whoever trains reigns, right we
00:42:49
listen, trains reigns we learned
00:42:51
this weekend including whoever
00:42:53
trains reigns what that is is the fact
00:42:56
that you repeat repeat train train
00:43:01
and At some point you will receive
00:43:03
invitations places that you think how cool
00:43:05
what an incredible opportunity for example
00:43:08
some of the team here these guys
00:43:11
were invited the choir Harmony Vox finally
00:43:13
was invited to participate in the
00:43:15
recording of a singer I won't talk
00:43:17
now why not It's a spoiler, I'm not going
00:43:19
to give a spoiler, actually quite famous. Maybe
00:43:22
one of the top 10 there, right, from Brazil,
00:43:26
and because we started recording
00:43:28
content, we started training together
00:43:30
and so on, there are people who have been there since the beginning,
00:43:32
I think the Cris, from the
00:43:34
beginning, you let me see, right,
00:43:37
Fran, too, me, Fran, Cris,
00:43:39
obviously, Jaque came, like, a
00:43:41
little later, but it was also more at the
00:43:43
beginning, then, Felipe, you guys, came
00:43:45
more later, just like it was back then. At first,
00:43:47
man, all of this here was forest, you know that
00:43:49
phrase when I arrived, everything was forest,
00:43:50
but it was such an ugly forest to look at, like,
00:43:53
oh my God, it's reproducing
00:43:57
those voices from the crowd because I
00:43:59
couldn't know them, but we trained,
00:44:02
repeated, recorded a lot of content and
00:44:03
such, one day this singer saw it and called me on
00:44:05
Instagram and so on, I don't know what, etc.
00:44:07
Then he called someone else and so on, he invited the
00:44:09
crowd, they recorded with him, it was beautiful,
00:44:12
wonderful, Look where you can get to, you
00:44:14
finally understand what I want to say.
00:44:16
If you are an amateur today If you
00:44:18
don't have the capacity today, as Fran said,
00:44:21
what is the phrase, even those who
00:44:24
train reign, those who train reign,
00:44:26
exactly so if you train, you will
00:44:27
laugh, you will dominate, closed, and so on,
00:44:30
we're going through this is all for you
00:44:32
here because one day we were in your
00:44:34
place One day we didn't know how to do
00:44:35
this here when I say that I arrived
00:44:37
here when everything was forest I'm going to have it,
00:44:40
okay, ok, come on, people, the first
00:44:43
time I sang with Well, he didn't
00:44:44
really know how to open up voices because he
00:44:47
knew a lot about theory and more or less about
00:44:49
practice, so when he practiced, he became
00:44:52
this, and she was still modest, but
00:44:54
people were really doing it, and at the beginning, man, I
00:44:58
had a little bit of an idea and everything else, I
00:45:00
knew the chords, I knew the theory and
00:45:01
everything, but I didn't really have the practice I lacked
00:45:04
and there's no problem in
00:45:06
telling you that, on the contrary, I'm
00:45:07
proud today of being able to know how to
00:45:09
make an arrangement, I remember the
00:45:10
first vocal arrangement I made, I
00:45:11
sent it to a guy for a
00:45:14
vocal arranger and such he blocked me on WhatsApp
00:45:17
because he
00:45:19
said no I know it was horrible
00:45:21
because today
00:45:24
I'm the audio arranger I said
00:45:28
mercy but years later the thing
00:45:31
started happening understand so you will
00:45:33
dominate At some point like when I
00:45:35
say that we have been in your place
00:45:36
because really one day the sister I was
00:45:39
trying out I didn't know how to do the business
00:45:41
so you are going to learn we want to
00:45:42
help you you simply need to make
00:45:44
this commitment to stay until the end of this
00:45:46
class attend class tomorrow and
00:45:48
Wednesday I will have you in these
00:45:50
classes you will want to learn So
00:45:52
let's go if you want to learn Let's go let's go let's
00:45:53
go for now I'm going to tell
00:45:56
you now a surprise surprise that I
00:45:59
prepared for you at this exact moment
00:46:02
so what a ruf the drums let's talk
00:46:05
to you come on man what a class it was this
00:46:08
phenomenal phenomenal and hey we do this
00:46:11
today but one day I thought about giving up Do
00:46:13
you really believe me I already thought about
00:46:16
giving up because I saw people doing it
00:46:17
and to me it seemed like impossible I was an
00:46:19
amateur but with a method with step by step
00:46:22
tools I managed to do it and
00:46:24
these tools I decided to
00:46:26
share with you It changed the game of
00:46:28
my life it changed the game of my voice
00:46:29
today I live by this today I travel the world
00:46:32
literally teaching this and you
00:46:35
will definitely get the results too and
00:46:37
today, just to give you an idea, within
00:46:39
my
00:46:40
training courses, I have more than 18,000
00:46:43
students, do you know what that
00:46:45
number is, that's why I said at the
00:46:46
beginning that I don't I'm just a teacher
00:46:48
I'm a leader of a movement and I want to
00:46:49
help you be part of this
00:46:51
movement there are a lot of people 18,000 students There are
00:46:54
a lot of people spread
00:46:56
across the world who accessed this
00:46:57
training accessed classes with me and
00:47:00
today they are also changing the reality
00:47:01
of the people around them but you need to
00:47:04
make a decision and really do it and
00:47:06
master doing the voice division in
00:47:09
practice you become Harmony you
00:47:11
need to make that decision you will
00:47:13
choose Today I'm making this
00:47:15
commitment with you we'll go together until the
00:47:17
end and you know why next time class I
00:47:19
will show you I will teach you how
00:47:22
to find your tone of voice in the second
00:47:24
voice you will find your
00:47:26
vocal identity you will know how to make these
00:47:29
voice divisions in practice even according to
00:47:31
the voice Vocal Harmony I will show you all
00:47:34
this me and the choir Harmony Vox we will be
00:47:36
here again tomorrow in the next class
00:47:38
so you can't miss it and when you
00:47:41
learn these techniques that I
00:47:43
am giving to you, you have
00:47:46
the possibility of meeting other
00:47:49
people, relating to
00:47:51
important people, relevant people because
00:47:54
you will be the difference you will be
00:47:55
able to find your vocal identity
00:47:58
as a singer you will be able to help
00:48:01
be a reference for people maybe
00:48:04
that is the point you are afraid of being a
00:48:06
reference imagine a person who one day
00:48:08
is an amateur another day is a Harmony
00:48:11
because at that moment You are already a
00:48:12
reference, people are already looking for you
00:48:15
asking for help, maybe you are afraid of it being
00:48:17
successful, whether or not many of you have
00:48:19
this fear, I want you to give up on
00:48:21
it today, you will succeed, accept it
00:48:24
because the result is incredible, you will
00:48:26
get out of trouble. your comfort zone For sure
00:48:28
and there's no point in getting to this part of the
00:48:31
stage, we're already at the end of the class but
00:48:33
stay there because there's a surprise there's a
00:48:35
surprise Hang in there and there's no point in you
00:48:37
arriving at this class here at this moment and
00:48:39
giving up, there's a class tomorrow hold on a
00:48:42
little longer tomorrow and next and on
00:48:44
Wednesday So you have to stay
00:48:47
with me until the end of these beauty and
00:48:49
detail classes you have to join the VIP group
00:48:51
and activate the reminder Oh you have to join
00:48:54
the VIP group o o is below OK, the
00:48:56
VIP group link button is
00:48:58
down here, if you don't see the
00:49:00
VIP group link button, go to Instagram, go to
00:49:02
WhatsApp, go to my Instagram, Wesley
00:49:04
Moreira, personal voice from the media, put it on the
00:49:06
screen, my Instagram, Wesley Moreira, voice,
00:49:08
you go. look for me there if by chance
00:49:10
you didn't find this link the VIP group
00:49:13
you will join there because I need
00:49:15
you to be there I will explain to you why,
00:49:17
ok remember the surprise I told
00:49:19
you there are two surprises one of the
00:49:22
surprises I will show you For you, I already
00:49:24
revealed, right, that it's the pedal, it's from Martins
00:49:26
pedal, but in the next class, right, on
00:49:29
Wednesday, in fact, I'm going to tell
00:49:31
you how you can win this
00:49:33
pedal, but today's surprise is that one
00:49:36
of the people, one of you, Maybe you're
00:49:39
watching, you can get my
00:49:40
complete training on voice division in
00:49:42
Harmony Vox practice, but how do you pay
00:49:45
attention to this? You have to pay
00:49:46
attention, are you going to get some paper, your cell phone
00:49:49
or something, so if you're watching on your
00:49:50
cell phone or computer, I don't know about you. Take
00:49:52
a piece of paper and write it down so you don't
00:49:53
forget Alright, you'll have the
00:49:54
opportunity to take part in the biggest
00:49:56
vocal technique training in Latin America,
00:49:59
beauty, but come on, I'm going to give you three
00:50:02
passwords, three passwords, one password, today I'm going to
00:50:05
give you the first password, the
00:50:07
second. password I will give you in class
00:50:09
tomorrow the third password on Wednesday
00:50:13
I will make a call to you on
00:50:15
Wednesday night at around
00:50:17
8 pm live I will be on a
00:50:20
live Live with you I will show you there on
00:50:22
Vip group I will send everything
00:50:24
explained to you, don't
00:50:26
worry But what do you need to
00:50:27
worry about now write down the three passwords
00:50:30
I will give you one today today's password
00:50:32
is sou s o u am just this word the editor
00:50:38
will also put it on the screen the staff of
00:50:39
The media will put the word am there
00:50:42
Tomorrow there will be another word and on the fourth
00:50:44
another word will form a sentence but there's
00:50:46
no point trying to deduce it because you wo
00:50:48
n't even imagine I'll call you I'll
00:50:50
ask you what the password is and you'll
00:50:53
say
00:50:54
am if you say it wrong and you'll lose it's going to be
00:50:56
live so there's no excuse
00:50:58
oh you're just going to lose and I'm going to
00:51:00
call someone else but how am I
00:51:02
going to have your number if you're in the
00:51:04
VIP group I already have your number I'm going to call
00:51:06
the people who are in the VIP group
00:51:08
if you are not in the VIP group you have to
00:51:10
join now click here at the bottom there is the
00:51:12
VIP group button or go
00:51:14
somewhere and ask for the VIP group link and
00:51:16
we will put you there great, did you
00:51:18
understand today's password note repeating
00:51:20
the password is S ouu sou Beleza tomorrow I will
00:51:25
give you the second password and on
00:51:26
Wednesday I will give you the third password
00:51:28
that will form a sentence I will call you and
00:51:30
you will have the opportunity to gain
00:51:33
training in voice division with armony
00:51:36
Vox Beleza you will be able to enter the
00:51:38
voice division in practice Oh you're going
00:51:41
to take a print now I'm going to ask you to
00:51:42
take a print I'm going to pose here
00:51:44
take a print come
00:51:46
on take another print because you're going to
00:51:48
post it you're going to tag it on Instagram
00:51:51
Alright I'm going repost you I'm going to give you
00:51:53
the last chance because you take the
00:51:55
print all wrong I'm all crooked
00:51:57
here we go again hello
00:51:59
there's another
00:52:02
ball show we're together let's
00:52:05
finish with Coral Harmony Vox let's
00:52:07
sing release the sound Coral take the print
00:52:09
tag me on Instagram @ Wesley moreir voice and
00:52:13
tag too @ choral Harmony Vox tamo
00:52:16
[Music]
00:52:18
together May they
00:52:22
roar and may the earth tremble
00:52:27
before the
00:52:29
majesty of
00:52:33
Jesus May the
00:52:36
lion roar and may the earth
00:52:40
tremble before the
00:52:44
majesty of
00:52:48
[Music]
00:52:54
Jesus
00:52:58
oh
00:53:03
oh

Description:

Seja bem vindo a Maratona da Divisão de Voz 🔥 🚨 Para se tornar um HARMONY, entre no nosso Grupo dos Futuros Alunos agora mesmo: ➡️ https://www.google.com/ 🔴 NÃO SAIA DO GRUPO

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