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Russian
00:00:08
dear friends, dear music lovers,00:00:12
we are starting the next lecture of our00:00:13
series composer Ivan Sokolov about music in the00:00:19
last lecture we examined 200:00:21
Scriabin’s people opus 16 number 1 and 2 now 300:00:27
preludes00:00:28
G flat major quite a rare00:00:31
key and why not F sharp Scriabin00:00:36
loves diets so much for the poem question 32 100:00:41
F sharp major on and sonatas 4 5 F sharp00:00:48
major here 6 g sea in Bach both00:00:54
prelude & fugue from both tom F sharp00:00:58
major00:00:59
this is a very important question here00:01:02
matte coloring Scriabin feels that there is00:01:05
no flight here we are talking about00:01:09
this prelude, a certain portrait of00:01:11
some imaginary abstract00:01:15
religion, but of course a00:01:18
portrait of a religion may not be a very successful expression, but here is00:01:22
a painting, and that these are some kind of monks,00:01:27
maybe even just people with their00:01:31
heads covered with some kind of hoods00:01:34
somewhere in in the fog they are going somewhere it is not clear00:01:38
that they are who they are where they are we feel the00:01:43
holy spirit hovering over everything some00:01:48
year the same reprise people begin with00:01:51
such parallel sex TV00:01:55
[music]00:01:59
in general sex you are the interval for the melody in00:02:03
romanticism so the rock is very popular00:02:05
suitable characteristic but so that there00:02:08
is a melody in parallel texts well there are00:02:12
some etudes and maybe that in00:02:18
Podolsk00:02:19
but so that it is slow I’m00:02:23
standing here on find out again here’s how the torus00:02:26
amount of 1 bullet rummaged around carbine and organ00:02:29
first prelude organ nature organ00:02:33
point00:02:34
and here is a mix into the enemy, don’t you know, there are00:02:37
different registers and in some00:02:40
registers we feel this cycle the00:02:43
value of00:02:44
the text overtone there somewhere it does not immediately00:02:50
appear then somewhere in some00:02:52
octave it appears there sex then in 3 pro 200:02:56
left is hidden from the corridors 4 to 4 doctors00:03:00
sex arises but in any case there00:03:02
is already a hint of this idea here 300:03:07
etudes of Scriabin experience 65 in but us in00:03:12
major sevenths and in fifths some00:03:16
tunes of some kind monks and maybe even00:03:19
this is not a monarchy, just some00:03:21
people who communicate with heaven, you know, there00:03:28
was such an artist Chekrygin, too,00:03:30
I probably already said here00:03:32
Fedorov philosophy of the common cause, these are the00:03:35
phenomena of the Russian spirit that I remember when00:03:38
we listen to the 3rd prelude and00:03:41
think about it oao ney00:03:47
[music]00:03:51
y00:03:52
[music]00:04:44
a00:04:45
[music]00:04:48
[laughter]00:04:53
[music]00:05:37
y00:05:40
[music]00:06:02
people opus 160300:06:05
philosophy of the common cause played blew00:06:08
philosophy of the common spirit I kara agreed00:06:11
on my00:06:12
Fedorov library with the holy librarian00:06:17
well here is Nikolai Fedorov00:06:20
and here these pictures of chekrygin and something00:06:24
like that, we see the introduction as00:06:28
if you are in a dream, some dreams00:06:31
and these will come in you can really00:06:33
call00:06:34
us visions all 5 and here 4 400:06:42
people climax00:06:44
god is really very short 1200:06:48
bars we know this craving for laconicism00:06:54
which, as beethoven, the verse is rich or00:06:57
suits Chopin's prelude 7, the famous 9, also in00:07:03
E major, on I'm still the same 12 bars and00:07:08
of course then later Liszt and now immediately00:07:13
Scriabin right here, unconditionally and so to00:07:16
speak, the genetic connection is a melody00:07:20
and the solo chord and the universe is beethoven00:07:27
ska and of course understanding, and this is also a00:07:33
lesson, it seems, so to speak, the most00:07:35
normal, ordinary known00:07:37
musical technique: melody horizontal and00:07:42
chords vertical, but this is also the main00:07:46
philosophical idea not only of music on and of00:07:49
all life as one genius00:07:55
Perry sponsors with the universe with the00:07:59
rest of the world and how the whole huge world00:08:04
corresponds with God who is also a00:08:09
unit in three persons, but this is one00:08:14
all00:08:15
and one key E-flat minor, also00:08:18
not for the sake of the son, something very immersed00:08:21
down and again here are three quarters here 400:08:28
3 3 measures the00:08:30
structure in general you see three measures of 300:08:35
4 4 times 9 quarters it turns out in00:08:41
each measure in each quarter also00:08:43
and sometimes it happens at three eighths this00:08:47
time two three that is 1 quarter there 200:08:58
then three this maybe there is also something00:09:00
connected with the trinity, here is the golden sequence00:09:05
[music]00:09:16
basses going up in fourths or while the00:09:20
screw is down in general, we haven’t00:09:25
talked about the golden sequence yet, it seems that00:09:29
this is, so to speak, the most common00:09:32
stencil thing that is very often00:09:34
found in valves00:09:39
and then he comes to Bach00:09:43
and if we hear the golden sequence from00:09:46
Brahms from Chopin, these are always, as it were,00:09:50
some kind of memory of the classics and you00:09:53
know why I was so interested in00:09:55
this golden sequence because it was the00:10:02
first time here in my childhood or even in school years of00:10:05
study at the school and was fourteen00:10:07
fifteen years old, when00:10:10
listening to the golden sequence, I always had a00:10:15
cold in my back, and I later read about this cold in my back in the00:10:22
block’s poem of retribution, he knew the00:10:27
cold behind my back when they woke me up to the noise of00:10:33
mysterious sounds, I don’t remember the exact hour00:10:36
unfortunately I can’t quote, but anyone who00:10:39
wants can find these words, he knew the00:10:41
coldness behind his back, the block writes about00:10:44
his father00:10:45
when he read this, I think it’s amazing, that00:10:50
is, the coldness behind his back, and it’s00:10:52
in the ditch that the sequence is what it is, why00:10:55
this is the physiological effect of music00:10:58
on the body man, what kind of processes are there here,00:11:03
so I began to think, I was00:11:05
pushed to this overtone scale, so00:11:08
we talked to you when we were analyzing00:11:12
Chopin’s 23 major preludes,00:11:14
remember there it ends00:11:17
[the music]00:11:20
accentuated by them home ends on00:11:22
the dominant seventh chord and the black thing itself00:11:24
is already a typical Scriabin here this this00:11:28
is the dominant seventh chord00:11:29
it is not the dominant of B-flat00:11:32
major which does not have it is the tonic00:11:35
this is what Scriabin will have later but00:11:39
since we already took this sound on the00:11:47
piano00:11:48
we Chopin in this case he took it00:11:52
because he heard it but not all it was00:11:55
heard before no one took it00:11:58
because it is an overtone it he heard it00:12:01
sounds yes here it is00:12:04
but we don’t hear it and therefore when00:12:08
we have already taken it we already want the00:12:10
next B flat chord and how did we00:12:13
take the next 7th major chord00:12:15
then we already hear the subconscious, this is what00:12:19
you accept from and for this purposely you want00:12:22
this and it turns out that this is the golden00:12:25
sequence now for 30, it is the00:12:28
material embodiment of what00:12:33
our body wants to hear physiologically because the00:12:36
body wants to resolve this with this00:12:39
system by listening to the golden sequence I00:12:44
I felt a00:12:45
certain feeling of physiological00:12:48
satisfaction of the lungs, this coldness in00:12:54
the back is some kind of pleasure, you know, I remember00:12:59
this place00:13:00
[music]00:13:05
from the first yulyasha I’ll go, it gave me the00:13:07
same feeling for a very long time, here it’s the00:13:11
same music that permeates the00:13:17
entire universe00:13:19
to the roots compositions as the apostle Paul00:13:23
says in one of his messages, but the music00:13:26
speaks to me about the music, but it’s the hanged00:13:29
product, but there it’s different, but here in general,00:13:32
why are similar things people number four00:13:36
about 1600:13:40
[music]00:14:36
this is such a very laconic piece on00:14:39
and immediately after it like this it’s laconic and00:14:45
also on one page,00:14:47
here the tempo is faster, a little more00:14:52
tact af-24, so here there were 1200:14:59
F-sharp major in and the fifth prelude we00:15:03
studied philosophy at the conservatory, I00:15:08
remember very poorly because everything that00:15:10
we had then from the point of view of philosophy00:15:12
it was given that it was colored by00:15:15
Marxism-Leninism, but that’s why00:15:18
all of this, so to speak, immediately seems to00:15:24
push into a kind of wall, so when we were00:15:27
told about Hegel,00:15:28
I remembered that the construction of00:15:33
Hegel’s philosophy at the very top00:15:37
had to include00:15:40
Hegel himself, and so because it was so to00:15:44
say that the time was absurd then there was not yet00:15:47
some kind of avant-garde conceptualism, it00:15:50
was still impossible to say everything, everything was not00:15:53
allowed to be said, therefore, in general, she I did00:15:57
n’t talk about it, but it was implied00:16:00
it was implied it was the same in exactly the same way00:16:03
here it’s very philosophical and the00:16:06
composer Scriabin he has a lot of00:16:08
associations with philosophy, he loved00:16:10
philosophy, he read philosophy books all the time, I don’t00:16:12
know, I don’t think it’s difficult for me,00:16:15
I’m stupid, so it’s00:16:20
difficult and difficult for me to comprehend philosophical reasoning, but that’s00:16:24
exactly what you see here,00:16:27
and I kind of completely agree with him that00:16:30
it’s like an attempt to go beyond the boundaries00:16:36
of the deity to see what’s probably there00:16:40
too, I00:16:42
’ll tell you more than once before in a book in00:16:44
Martynov’s deck I read the old book 9 or00:16:47
an illustration of a monk who reached the edge of the00:16:49
earth, in the old days it means the earth00:16:55
seemed to be, so to speak, in charge of00:16:56
their damn from such such pancake that00:17:00
is covered with a certain one and the pans that00:17:03
you like were not pancakes this is the ground the pan does00:17:05
not allow you to eat for a very long time00:17:07
so you can reach the end of the clay to the00:17:09
edge and there you will see the beginning of this00:17:11
pan that you like the sky and00:17:14
if you try to push it apart so to speak00:17:17
a little pancakes and pans will work out, well,00:17:21
we can see what’s00:17:22
out there, and the monk, the monk, which is00:17:25
interesting, went and looked in there a little, which00:17:29
means he saw gears, nuts,00:17:33
all sorts of mechanisms, and saw there that,00:17:39
so to speak, there is more than God, as it were, here00:17:42
again when we talk about these in front of00:17:45
4 and 5 people, Gödel’s theorem arises.00:17:49
I, too, am not a mathematician at all, this is not00:17:52
some kind of connection between this theorem and religion that00:17:55
was not explained by my sister Masha, also a very00:17:59
long time ago, who is much smarter than me00:18:01
to understand and were climbing in science,00:18:04
she said you see, we cannot in the00:18:07
Diodorus theorem there is one such, well,00:18:10
side00:18:11
proof that we cannot understand00:18:13
the system and if we are in the00:18:16
European framework, we can understand the system only00:18:19
then we will leave its framework, that is, we can00:18:22
understand how our world works00:18:24
only when we will go beyond00:18:26
its borders, which is impossible and therefore we00:18:32
feel we know that God exists00:18:34
absolutely for sure,00:18:36
but this is exactly how everything works that we00:18:39
cannot touch him, we cannot see him,00:18:43
Moses really wanted it, but00:18:46
still God told him, here you can00:18:50
only have my shadow see, and when00:18:53
Moses saw the shadow of God, it shone00:18:56
and it was impossible to approach anyone, the00:18:59
fire itself emitted some00:19:03
such things and God is incomprehensible,00:19:05
although we are absolutely all absolutely sure00:19:08
someone who believes,00:19:09
yes we are sure that God exists like me Yesterday00:19:14
I watched a film on the Internet of the spilling of a00:19:17
boiled wonderful brilliant00:19:19
saint for me, the vicar of a scout of the00:19:22
Pechersk Lavra, some Komsomol members came to him00:19:27
and decided to take the bull by the horns there00:19:30
is no God and he says here of course00:19:33
where can he come from if you canceled the soul00:19:36
they spun in place it’s on station00:19:40
denies God UN razors extinguish to me God00:19:44
is where the soul00:19:45
looks for you from it will be00:19:48
for you it is not there for you00:19:51
objectively exists there and just like that,00:19:54
such complex things, some00:19:56
mysterious incomprehensible ones, we touch upon00:20:01
when we analyze these tiny as if00:20:05
would be in quotation marks the salon preludes of Scriabin00:20:08
and that’s what amazes me and it’s not because00:20:11
I’m so00:20:12
corrosive there that I’m like that, you’re pouring00:20:15
thoughts all over the tree of the budget and that is, it’s not00:20:18
just me, it’s us who are teenage saints who00:20:21
discovered all this I’m changing deeply00:20:24
touched and amazed these these and you if00:20:27
you let's listen to the 5th prelude experience 1600:20:31
final00:20:32
[music]00:20:38
were00:20:41
[music]00:21:09
you will say but it was worth it because of this so00:21:14
spread the thought of the falera it00:21:17
was worth it he said I have such00:21:20
preludes they look like a compliment look00:21:24
I didn’t say look good today and00:21:27
curtsy some kind of general formula00:21:31
here 2 8 bars at the end is repeated00:21:36
2 times the same thing here are twenty00:21:40
four bars 888 and I did00:21:45
n’t even remember the joke from but card games00:21:47
deuce beats ace pathetic and cheesy and00:21:51
here this is00:21:52
nature, she is trying to go beyond the boundaries of00:21:57
our world, but she can’t, and we are going to the sky,00:22:06
we are going to 3 2 200:22:08
architecture in the first people, some beautiful lakes,00:22:12
the sky in the00:22:14
cathedral and looking up, the00:22:17
third people,00:22:19
religion, the human spirit, comprehending00:22:23
God 4 he himself there in heaven and are00:22:28
we like a goldfish, a00:22:31
greedy old woman wants a goldfish in her00:22:38
arms,00:22:40
here are 5 dishes and this will become returns and00:22:43
sees again a broken trough your this is00:22:46
like this in this there is in this 5 then people00:22:48
but this Of course,00:22:52
Pushkin’s fairy tale is ingenious, we00:22:55
can talk about this separately later, but here I’m not00:23:00
even taking this prelude as a compliment, but00:23:03
somehow you know, here’s one of the brightest00:23:07
colors on the glare of the rainbow, droplets of dew, not00:23:15
even a drop of ours. you are the brightest00:23:18
color or we can easily thread already he and the00:23:20
smallest flower in the world with her a00:23:22
small bird something the smallest and the00:23:25
most beautiful this is for me this is the00:23:27
type there is the type 5 years old people there is such a00:23:32
concept in Mansky cadence cadence here00:23:35
we are all we teach harmony even in music00:23:40
schools and in the very first grades they say00:23:42
that here is the general formula for completing a melody00:23:46
is a cadence cadence cadence and they are all00:23:49
the same they usually consist of a00:23:51
spark of Dontsov quartz exta cord00:23:53
dominants tonics there are some00:23:56
interrupted for dancing differences there others00:23:59
there are different types of dominant so on, but00:24:03
all the same, if we compare why00:24:06
a kodos arose in passed00:24:09
because we somehow all when in00:24:12
society we say goodbye to prayers to00:24:15
say goodbye or for now anyway00:24:18
this is a certain one to them not a shout dance a new00:24:20
turn that we have in our language goes00:24:27
in the living and music is the same language and the00:24:30
fifth with people is some kind of cadence00:24:32
turn and then we will be in the forty-ninth00:24:34
miss the same preludio 149 building 2 we00:24:40
will find x major, too, amazingly this is the00:24:43
same prelude, all consisting of one00:24:44
cadence, decadence will come that is, a thing00:24:49
that begins already with completion,00:24:52
this is the whole Scriabin, and this is probably where we are with00:24:56
our next lecture, the latest firmware00:24:59
16 experience for the tops very well, it will be 3200:25:03
bite 2pm and today we finish00:25:10
opus 16 dear friends all the best,00:25:13
thank you and goodbyeDescription:
Почему Бог непостижим и где Он? О взгляде Ивана Глебовича на смысл цикла из пяти прелюдий опус.16. Что такое золотая секвенция? Lecture 118. Alexander Scriabin. Preludes, Op.16. Conclusion. | Composer Ivan Sokolov about music. Why is God incomprehensible and where is He? How does Ivan Sokolov interpret the Five Preludes, Opus 16? What is the circle of fifths? 00:00 Начало 00:18 Прелюдия Ор.16 №3. Тональность соль-бемоль мажор. Портрет воображаемой религии 01:51 Начало прелюдии. Скрябин и органная музыка. Идея трёх этюдов Ор.65. Художник В.Н. Чекрыгин 03:44 Прелюдия Ор.16 №3. Исполнение 06:02 "Философия общего дела" Николая Федорова. Прелюдии Op.16 как видения, сны 06:40 Прелюдия Ор.16 №4 ми-бемоль минор. Идея лаконизма в линии Бетховен - Шопен - Лист - Скрябин. Философская идея взаимодействия гения со всем миром и мира с Богом 08:16 Тональность, размер и структура прелюдии Ор.16 №4 09:23 О золотой секвенции и ее воздействии на организм человека ("Он ведал холод за спиной..." А.А. Блок). Обертоновый звукоряд на примере прелюдии № 23 Шопена 13:38 Прелюдия Ор.16 №4. Исполнение 14:36 Прелюдия Ор.16 №5 фа-диез мажор. Философия как попытка выйти за пределы мира. Математическая теорема Гёделя и непостижимость Бога. Архимандрит Алипий (Воронов) и комсомольцы 20:32 Прелюдия Ор.16 №5 фа-диез мажор. Исполнение 21:10 Скрябин о своих прелюдиях. Взгляд Ивана Глебовича на цикл из пяти прелюдий Ор.16. О прелюдии Ор.16 №5, кадансовый оборот в языке и в музыке 24:53 Заключение. Анонс следующей лекции Смотрите знаменитый цикл лекций Ивана Соколова о музыке "От Баха до наших дней" https://www.youtube.com/playlist?list=PLOM7OLn3AZxt6qVd1MMtisnn8H8aZ3wDG . Новая лекция каждую неделю. В каждой лекции музыкальные иллюстрации в исполнении Соколова Ивана Глебовича. Подписывайтесь на канал и приглашайте друзей!
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How can I download an audio track (music) to MP3 "Лекция 118. Скрябин. Прелюдии, опус 16. Окончание. | Композитор Иван Соколов о музыке."?
The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.
How can I save a frame from a video "Лекция 118. Скрябин. Прелюдии, опус 16. Окончание. | Композитор Иван Соколов о музыке."?
This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.
What's the price of all this stuff?
It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.