background top icon
background center wave icon
background filled rhombus icon
background two lines icon
background stroke rhombus icon

Download "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА"

input logo icon
Video tags
|

Video tags

аккорды
битмейкинг
теория музыки
тот самый
видос
аккорды на пианино
fl studio
обучение
урок
как играть на пианино
теория музыки для чайников
теория музыки по пацански
iy beats
основа музыки
как писать музыку
кино музыка
тональность
фл студио
курс
тот самый видос про аккорды
chords
теория музыки для
теория музыки для битмейкинга
Subtitles
|

Subtitles

subtitles menu arrow
  • ruRussian
Download
00:00:02
knows this to us and why did you say that
00:00:04
we didn’t understand this analysis, but there is a
00:00:06
minor chord the difference is generally
00:00:08
minimal in fact this is an abortion this is
00:00:11
not a chord this is an interval
00:00:13
[music]
00:00:23
drava let’s try to make it quite
00:00:26
interesting today's lesson we'll try to
00:00:27
figure out what's wrong with the chords,
00:00:29
yes there's no one again already asked for this
00:00:30
like a lesson on chords from them today
00:00:33
I'll try to do something with them and
00:00:35
try to explain
00:00:36
I know it myself and that the melody of Kordofan helps me a lot in
00:00:39
writing further,
00:00:40
it doesn’t matter what style this movie might even be in,
00:00:42
or whatever else is there before
00:00:44
this trap, I don’t care at all, the main thing is to understand
00:00:47
how
00:00:48
the base works and everything else will follow,
00:00:50
wait, let’s try now, I’ll introduce
00:00:52
the camera, I’m sweating here about the angle,
00:00:54
but let’s do it anyway us and the
00:00:57
keyboard and so on, in short, it
00:01:02
means what you have as you can see, the little
00:01:03
blacks have parties, they repeat all the time
00:01:06
until where the little black 3
00:01:07
blueberries,
00:01:08
oops again for the blacks, four little blacks and like that
00:01:10
ad infinitum, this is
00:01:12
the interval, that is, this is what we need before
00:01:15
dreamed the gifts of mi fa
00:01:17
sol la si begin before again actually
00:01:21
begin and again the same pattern is
00:01:22
repeated until re mi fa sol la si until re
00:01:26
mi and so on ad infinitum, that is,
00:01:28
in fact, you need to remember this
00:01:30
interval and how is it it works if
00:01:32
you remember this, if you remember this,
00:01:35
then everything else is stupid copy-paste, you
00:01:37
can use it, even though I don’t know, there are
00:01:39
1000 acts there and it’s called that,
00:01:43
we figured it out, [ __ ] it, this is the most important thing,
00:01:46
essentially, what you need to know because if you
00:01:47
know that this is all repeating a thousand
00:01:49
times then you can use different ones
00:01:51
there and dirks there and combine it means
00:01:55
we move on what is a chord chord this is
00:01:58
three more sounds three and more sounds not 2
00:02:01
none is there yet how many 3 more then
00:02:05
actually this is this this is a chord this is this is
00:02:07
not a chord is an interval
00:02:09
actually an interval from a between one
00:02:11
note 2 notes
00:02:12
everything you need to know more everything like
00:02:15
our chord, look at this is also a chord
00:02:17
in essence and this is when a ton of notes this is also
00:02:20
a chord just more complicated let's
00:02:22
try to understand what a set is
00:02:23
such a major dou is often there happens in
00:02:25
C major we are now in the summer temporary what is
00:02:28
a chord and is there a tonality
00:02:31
a chord is exactly 3 more sounds it is
00:02:34
at the same time and on consonances not for example
00:02:38
major yes let's die at home in the grove the
00:02:40
most popular in general and let's go shorter
00:02:43
times semitone 2 semitone 3 pluto 4 pluto
00:02:47
semitone this is exactly one
00:02:49
distance from the network key this is by
00:02:51
semitones that is factory 12 tones
00:02:53
read one two three 4 5 six 7 8
00:02:55
from 11-12 everyone came major chord
00:03:00
first you go from well and here some
00:03:02
button to the community it is important from which children 4
00:03:04
pluto one-two-three-four three more times
00:03:07
two three
00:03:09
it turns out to be a major chord, no matter
00:03:12
where you build from, you can build from any note
00:03:13
and this is exactly the scheme that
00:03:15
will make a major chord, it sounds more like
00:03:17
this date, then in short it’s solemn and everything
00:03:20
is fun and cool and there’s no notes of
00:03:22
sadness, but there is a minor chord, the difference is
00:03:26
generally minimal in fact in position, that
00:03:29
is, you first go not 4 semitones three
00:03:31
times two three
00:03:33
and then 4 already one-two-three-four
00:03:36
actually what’s the difference after all or
00:03:41
point to your finger it’s only a
00:03:43
half step the minor course is already moving,
00:03:45
it is known, the minor court is
00:03:47
already so dreamy, a bit sad,
00:03:50
some kind of addictive note, and so
00:03:52
on, it’s all starting to feel
00:03:54
sad, we’ve sorted out everything else, nothing, well,
00:03:58
that is, there’s nothing else there, super
00:04:00
complicated, some topics, no, here’s a major, there’s a
00:04:02
minor, it’s already laid out variations are an
00:04:04
addition to everything and this is just an improvement
00:04:06
in the fact that you still need to find out
00:04:09
the tonality, here’s the tonality, let’s
00:04:11
decide these were the chords, yes, that
00:04:13
is, this is, but it doesn’t matter how extra
00:04:16
this chord is exactly in tune with
00:04:18
the tonality, this is the system in which you
00:04:21
are exactly the diagram, in short
00:04:23
exactly which ones feet, that is, look, there is a
00:04:25
black C key, that’s how there are
00:04:27
white ones in C major,
00:04:30
if we are in C major, that’s exactly
00:04:32
in the key of C major, this is how it is, this is
00:04:34
actually this, this is C re mi fa sol la
00:04:37
si do what is this in general, why exactly
00:04:39
so we say yes, why don’t we use
00:04:41
black keys we pronounce the major
00:04:44
scale in fact the major key, that
00:04:46
is, how it is determined 2 plutos
00:04:49
go two bolts for then two plutos
00:04:52
then 1 2 2 2 1 and actually everything is there and
00:04:58
the minor is also all in white right here it’s clear
00:05:03
the scheme is a little different here two plutons
00:05:05
one pluto 2 plutons 2 button1 half tones
00:05:08
two loaves 2 plutons will be seen not from the
00:05:11
black one this is not this is not because the
00:05:13
keyboard broke and they lost the
00:05:15
little black one not because if they had
00:05:17
so they will be constantly in general then we everything
00:05:19
would sound terrible and there wouldn’t be
00:05:21
one specific scheme,
00:05:23
wouldn’t there be acts and so on, in short,
00:05:25
you can go into depth for a long time, but the point is that
00:05:27
they need these half-tone themes and you
00:05:31
can’t ask Anokhin’s question for us
00:05:34
to know this, and even one of them said that
00:05:35
we didn’t understand this analysis,
00:05:37
look, if you, for example, play a chord,
00:05:39
you won’t all play the same chord,
00:05:41
but you’re afraid, it’s just not interesting,
00:05:43
but who are you to jump on, it’s
00:05:44
still the same chord, it makes no sense,
00:05:46
it means you need something -then add
00:05:49
some more chords if you
00:05:50
add random major chords all the time
00:05:52
it will be wild, for example, if I’m
00:05:55
playing like this now and I want to, for example,
00:05:58
play a major one again, it reminds us
00:06:00
we’ll arrange 1 2 3 4 1 2 3 and it turns out
00:06:06
[music ]
00:06:09
it’s more like a game theme or there’s a
00:06:11
little bit of a game theme on some kind of movie theme,
00:06:14
but it’s
00:06:18
most likely that you won’t be able to play pop music, and so on ad
00:06:21
infinitum, that is, vaz
00:06:23
[music]
00:06:25
it seems like a tadic it doesn’t look like it
00:06:28
looks like something beautiful, just like a set,
00:06:31
but there
00:06:33
should actually be such a fun system like this system in
00:06:35
which you can write chords
00:06:37
normally, that is, let’s say, often in
00:06:40
everything and in general in any music it doesn’t matter,
00:06:43
not only in pop music in any other genres
00:06:45
there is such a theme like the first step
00:06:47
first goes what is finally a step
00:06:48
yes again the question step is a number but
00:06:53
you in this analysis let’s say if in C major C
00:06:55
major the first note is C this will be the
00:06:57
first step for what that is you
00:07:00
start to pass it the first note
00:07:02
is the second note in that openwork because
00:07:05
after that, let's track and so on, I think he
00:07:07
can count to 7, at least, or up to
00:07:09
eight, maybe it's not necessary to play the chord
00:07:13
from the first step from the first step, the
00:07:15
third chord
00:07:16
so that it fits in the drama F G A
00:07:18
B C no, the black keys have a test in the
00:07:20
construction site like this then
00:07:22
you build the third chord from the third step
00:07:24
it will be me why I played it
00:07:28
then in fact it is to examine that one two
00:07:30
three times two three 4 this is a minor chord
00:07:38
you see it sounds but I could play a
00:07:41
major chord I will be instead of 3 pluto
00:07:44
4 bolts he played, it turned out well, like this, it’s
00:07:50
also normal, yes, well, there’s already a
00:07:52
slight moment of modulation and it
00:07:54
will be quite difficult to explain
00:07:55
at the very beginning, so fill it in,
00:07:57
that is, you should have eaten a fool mi
00:07:59
fa sol la si do this step
00:08:01
we play the sixth degree sixth degree
00:08:04
let's count one two three 4 5 six for
00:08:06
minor why did I immediately say insert
00:08:10
or aminov
00:08:11
because the time in C major is in the wrong place, the
00:08:15
sharp is a rise by a semitone and a
00:08:19
flat is a tension by a semitone there is no
00:08:23
this, that is, if the staples all the
00:08:24
major roots of brooches, well, that’s also
00:08:30
interesting, but it’s not pop music,
00:08:32
but like this, if according to the scheme, well, you understand
00:08:38
and it already sounds normal, that is, you can already think of
00:08:40
someone’s vocals where to write a frame,
00:08:42
and so on, we’ve figured it all out,
00:08:44
let’s now a little bit and I’m hard, but
00:08:47
that means here it is, please take the points into the file,
00:08:49
sing there in the middle
00:08:51
please, because otherwise it will be difficult to
00:08:54
add the seventh step, what does this mean, here we have a chord, we
00:08:59
add another step, this is what
00:09:05
it is, here we have chords and we
00:09:07
add some more - then the surface notes are
00:09:09
this, this would be called the letter c
00:09:11
in English major or C major
00:09:13
in Russian like this when we
00:09:17
add one more note it will already be c em
00:09:20
h7
00:09:21
if in English or in Russian it is a house C
00:09:23
major and a major seventh chord
00:09:25
actually if we also add through
00:09:28
one
00:09:29
in English it would be that h9 or
00:09:32
in Russian, I don’t know, it
00:09:34
will be too difficult in Russian, in English
00:09:35
you remember and then in fact
00:09:38
you can add the whole month through one, but there
00:09:41
as much as you want, why is this why do we need so
00:09:44
many more notes, we attack with pride,
00:09:46
why do we need to complicate things when you add
00:09:48
a seven or a nine from a chord,
00:09:51
yes, that is, let’s say from anyone, maybe they do
00:09:52
n’t know my
00:09:54
to go through one tuning, well, I got into
00:10:00
something that can still be done with water, but these
00:10:01
two types will come later all this adds
00:10:09
more emotions in fact this is more emotion
00:10:11
this is bad and in jazz
00:10:14
in cinematic music be sure to listen to
00:10:17
Miozaki cartoons
00:10:20
that's exactly joe hisaishi there is a composer here and
00:10:22
there in Japanese cartoons
00:10:24
all the time for someone here nines there all the
00:10:29
time without seeing glues in the form of a piano
00:10:31
they see strings there we don’t know in anything
00:10:33
and it happens all the time and actually
00:10:36
it sounds cool it’s very cool to
00:10:37
take into account let’s say if you play something
00:10:39
[music] that is it
00:10:52
turns out just an
00:10:54
endless set of such emotional
00:10:57
colors that you just can’t describe and it’s
00:11:00
very sounds cool
00:11:01
means all nines it’s very cool
00:11:04
how it can be used it’s just that in
00:11:08
general there are a lot of options for
00:11:09
what they give in nine and sevens they can
00:11:12
constantly echo each other and
00:11:14
can change according to the key
00:11:15
accordingly if you are at
00:11:17
home zhory yes you can go for example,
00:11:21
in D major, I explained there a little
00:11:26
about cinematic music, there was a video, but I did
00:11:28
n’t explain when it happens, but it
00:11:30
happens, you can watch it now,
00:11:33
let’s try h7, that is, add this button
00:11:38
and then I’ll come in a daisy and it will be like this, that
00:11:44
is, the h7 frame will be there two little black ones,
00:11:46
this is F F sharp and bdds position on a
00:11:50
semitone, let's try then ask to
00:11:52
improvise, you can even improvise these two
00:11:53
chords
00:11:54
[music]
00:12:08
y [music] this is how
00:12:14
it sounds, it's very cool,
00:12:17
that is, in fact, only two chords
00:12:18
were used, but I can already come up with it
00:12:20
I don’t know how much you can really come up with,
00:12:22
that is, and it all starts to
00:12:24
resonate with each other because I’m still
00:12:25
holding the pedal if I’m holding pido que ya no
00:12:27
hitting, but you see it holds and in
00:12:30
fact if, for example, you play like this in some
00:12:32
chord to the cats and Perry started
00:12:36
clicking them, that is, you take some notes
00:12:38
from a different key, that’s
00:12:45
what’s happening, you feel, yes, she’s
00:12:47
a little bit like you’re struggling and how
00:12:50
she’s sympathizing with Perez, I
00:12:53
don’t know, it’s all very cool, well,
00:12:57
here’s the base, that is, C major and minor, I
00:12:59
remember yes I think you also have tonalities
00:13:01
for the McCord, these are three more, but you are just
00:13:04
consonant tonality, this scheme in which
00:13:06
you work is a simple rule of the hole in
00:13:08
which you are,
00:13:09
what can you add a little bit, it was a
00:13:10
different step, they also sound cool, a
00:13:13
bridge through one, yes of course there is, for
00:13:17
example, wait 4 there before when instead of 3
00:13:20
notes you add 4 all sorts of things and Jess from
00:13:25
2:00 in short, wait, it doesn’t mean creating,
00:13:29
but it’s the 3rd note that you remove either in
00:13:32
4 or in the second, wait 4 it will be like that,
00:13:34
wait twice it will be like that, there’s also at- 6
00:13:37
for example there yes this is when you write a
00:13:39
regular chord and give the sixth degree
00:13:40
everything is very simple everything is very logical that
00:13:43
is the name there let’s say 2467 and so
00:13:48
on then just count from 1 note that
00:13:51
is if you have from 2 win a
00:13:54
regular chord add a second step
00:13:57
if there from 4 it’s clear here 4 6 6 here
00:14:03
six seven will be handsome h7 but I don’t
00:14:07
know there from 9 without 9 because if you
00:14:13
take something separately this one is the same
00:14:14
as from 11 but from 9 it’s essentially
00:14:18
from 2 the same thing from 11 it will be the
00:14:21
same as from 4 it hurts in short
00:14:23
the point is that 10 is an octal number
00:14:25
system if you are a programmer you
00:14:28
already understand me and here all the cops are fasting
00:14:30
that is, it will be difficult for you 8 equals 19
00:14:34
equals 2
00:14:35
there is one Sarah on 4 and so on, it’s
00:14:37
pretty cool if you
00:14:39
delve into it, you prefer muse theory for you,
00:14:41
they will slowly become simpler,
00:14:44
simplified, say goodbye, and so on, then we
00:14:46
can talk to you
00:14:48
about how this can be
00:14:49
used in music, and specifically in
00:14:51
music not in the beats because in the beats
00:14:53
everything is super simple and not interesting,
00:14:55
so I would like to raise such a
00:14:56
section just so that people feel
00:14:59
the music more subtly through just
00:15:02
melody and harmony and that’s not what really
00:15:05
begins, so if you’re not
00:15:06
that interested, then give it a like under this
00:15:09
video write a comment what do you want to
00:15:11
learn about music theory I’m ready see the
00:15:13
piano here I’m ready
00:15:15
to say something so you don’t have to
00:15:17
improvise yet I don’t know you can do live
00:15:18
streams I’ll fix it
00:15:21
play explain why I play this way
00:15:22
precisely because You can also live below manta
00:15:24
or live broadcast, just leave a recording,
00:15:26
you can see what kind of
00:15:27
moments there are, thank you very much, I
00:15:29
hugged you, I also ask for courses on beat
00:15:31
king and mixing, there will be a separate
00:15:33
big one, then about the theory of music, harmony, it will
00:15:34
take half an hour, well, to
00:15:36
explain everything in detail and about cinema music I
00:15:38
also think many will be useful so I am a
00:15:40
composer myself and I recently won
00:15:42
something at an index festival there, cinema
00:15:45
music and foreign ones in Italy in second
00:15:48
place was French French cinema
00:15:50
and third I don’t remember what first
00:15:52
place we took in Russian cinema and
00:15:54
I was also a composer am and was the first to give it out and
00:15:56
became the best musical accompaniment,
00:15:57
I don’t believe in it because I
00:15:59
wanted it there, but still, if you have to
00:16:01
tell me something, I understand it, but I
00:16:03
think you know the first organ layer
00:16:09
[music]

Description:

Добрались мы до аккордов, потихоньку буду дополнять канал видосами о теории музыки и ее практическом применении в написании треков в разных жанрах Буду признателен если вы будете ждать таких видео, поднимем культуру нот и аккордов в битмаркинге! Подробная информация о моем курсе по БИТМЕЙКИНГУ и СВЕДЕНИЮ (Начало 20 июля!) - https://vk.cc/8xDJIN 🎓 🔥 Драм-Пак которым я пользуюсь - https://vk.cc/8OTst7 🌊 Послушать мой релиз EP - https://vk.cc/9ryJKF На этом канале я показываю как писать биты, сводить, записывать самому вокал, изучать самостоятельно битмейкинг и музыку в целом. Переходите на мой канал, там вы найдете много полезной информации на различные темы посвященные написанию музыки в FL Studio 20 и не только! Провожу стримы 2 раза в неделю (пишу биты, слушаю ваши треки и все такое), чтобы узнать когда стримлю, следите за новостями в паблике! - https://vk.com/iy_beats Также пишите в комментариях свое мнение о видео, нужно ли их продолжать и предлагайте свои идеи о новых видео, я все комментарии смотрю и читаю, поэтому мне действительно важна ваша поддержка! ------------------------------------------------------------------ Паблик VK - https://vk.com/iy_beats Личный VK - https://vk.com/compose_ivan Instagram - https://www.facebook.com/unsupportedbrowser

Preparing download options

popular icon
Popular
hd icon
HD video
audio icon
Only sound
total icon
All
* — If the video is playing in a new tab, go to it, then right-click on the video and select "Save video as..."
** — Link intended for online playback in specialized players

Questions about downloading video

mobile menu iconHow can I download "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА" video?mobile menu icon

  • http://unidownloader.com/ website is the best way to download a video or a separate audio track if you want to do without installing programs and extensions.

  • The UDL Helper extension is a convenient button that is seamlessly integrated into YouTube, Instagram and OK.ru sites for fast content download.

  • UDL Client program (for Windows) is the most powerful solution that supports more than 900 websites, social networks and video hosting sites, as well as any video quality that is available in the source.

  • UDL Lite is a really convenient way to access a website from your mobile device. With its help, you can easily download videos directly to your smartphone.

mobile menu iconWhich format of "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА" video should I choose?mobile menu icon

  • The best quality formats are FullHD (1080p), 2K (1440p), 4K (2160p) and 8K (4320p). The higher the resolution of your screen, the higher the video quality should be. However, there are other factors to consider: download speed, amount of free space, and device performance during playback.

mobile menu iconWhy does my computer freeze when loading a "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА" video?mobile menu icon

  • The browser/computer should not freeze completely! If this happens, please report it with a link to the video. Sometimes videos cannot be downloaded directly in a suitable format, so we have added the ability to convert the file to the desired format. In some cases, this process may actively use computer resources.

mobile menu iconHow can I download "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА" video to my phone?mobile menu icon

  • You can download a video to your smartphone using the website or the PWA application UDL Lite. It is also possible to send a download link via QR code using the UDL Helper extension.

mobile menu iconHow can I download an audio track (music) to MP3 "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА"?mobile menu icon

  • The most convenient way is to use the UDL Client program, which supports converting video to MP3 format. In some cases, MP3 can also be downloaded through the UDL Helper extension.

mobile menu iconHow can I save a frame from a video "ТОТ САМЫЙ ВИДОС ПРО АККОРДЫ / ТЕОРИЯ МУЗЫКИ ДЛЯ БИТМЕЙКИНГА"?mobile menu icon

  • This feature is available in the UDL Helper extension. Make sure that "Show the video snapshot button" is checked in the settings. A camera icon should appear in the lower right corner of the player to the left of the "Settings" icon. When you click on it, the current frame from the video will be saved to your computer in JPEG format.

mobile menu iconWhat's the price of all this stuff?mobile menu icon

  • It costs nothing. Our services are absolutely free for all users. There are no PRO subscriptions, no restrictions on the number or maximum length of downloaded videos.