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00:00:01

[Music] [Applause]

00:00:16

Hello everyone, I'm Corrado Manzoni of

00:00:20

nativity scenes and dioramas. Welcome to my

00:00:22

channel.

00:00:24

Today begins a series of tutorials on the

00:00:29

creation of an important nativity scene

00:00:32

for the 2023 Christmas exhibition,

00:00:37

therefore a fairly complex Palestinian-style nativity scene,

00:00:40

but I want to make

00:00:43

a series. of tutorials not a little different

00:00:47

from the others and therefore not too long

00:00:49

where we see the progress of the

00:00:52

work on this nativity scene, if I can,

00:00:55

weekly at most fortnightly where

00:00:59

we see the progress of the work

00:01:01

and the details of the work as

00:01:05

the perspective could be rather

00:01:07

than

00:01:09

where we it will be the nativity once upon a time

00:01:12

ladders In short, something a little

00:01:15

particular that can be useful for the

00:01:19

creation of your nativity scenes. I

00:01:21

thank you in advance for the trust you

00:01:23

give me and I wish you a good vision.

00:01:29

Hello everyone,

00:01:31

today we are talking about perspective

00:01:35

I say let's talk because it is a very

00:01:38

complex discussion and

00:01:40

objectively difficult to explain

00:01:43

but I will explain the perspective. From my

00:01:46

point of view therefore it is a

00:01:47

decidedly personal discussion which however I

00:01:51

would like to tell you.

00:01:55

So in theory in nativity scenes the

00:01:59

perspective

00:02:00

they say is to create the point of the horizon

00:02:04

at the practically the height of the main figurine

00:02:09

and double the depth of the nativity scene. I

00:02:13

'll give you an example. This is

00:02:16

our plan now. I've made it very

00:02:19

long. Then I'll explain why it's

00:02:21

our plan for the nativity scene.

00:02:24

In my case, I'm making a nativity scene

00:02:26

that it is a depth of 80 cm

00:02:31

so if we start right from 0 so

00:02:33

we keep these references

00:02:39

my nativity scene arrives here this

00:02:43

is the base of the nativity scene

00:02:46

the focus point should be 160

00:02:50

at the height of the figurine so I have

00:02:53

the figurine of 12 cm so the la

00:02:59

horizon line should be

00:03:00

approximately here

00:03:03

So from here I omnipotently plant a

00:03:07

hypothetical nail and take a thread that I

00:03:10

need to pull

00:03:13

the line Let's say downwards and

00:03:16

upwards depending on the

00:03:18

constructions I make by

00:03:21

doing this

00:03:26

I if here for example, if I had a house on

00:03:30

two floors for 12 cm figurines, the

00:03:35

height of the floor should be

00:03:37

2.70 metres, so let's say 2.50 metres,

00:03:41

just to round off,

00:03:44

we are talking about 5 meters

00:03:47

with the Multiply of the ratio for the

00:03:50

statues of 12, let's multiply for 7

00:03:52

we have a 35 cm so we will have a house

00:03:56

10 20 35 cm let's say

00:04:02

here

00:04:03

more or less

00:04:07

pulling the thread

00:04:11

as the theory says

00:04:14

in the world of nativity scenes I would have these

00:04:16

inclination here

00:04:19

but here there is the spectator who looks

00:04:21

precisely who has the eye in theory even

00:04:24

a little taller than the figurine because

00:04:26

no one is ever always

00:04:29

up to it so in quotation marks low you

00:04:33

look at the nativity scene you look at From this

00:04:35

point of view let's say that one

00:04:38

looks at it from here this inclination In

00:04:43

my opinion it is too accentuated

00:04:46

if you go to a square and draw

00:04:49

some hypothetical lines of perspective,

00:04:56

objectively you see that the fire,

00:05:00

I don't know where, comes from, the theory is that

00:05:03

it is double the depth of the

00:05:05

nativity scene because the lines

00:05:07

objectively go a bit in all directions

00:05:09

depending on the inclination of the house and

00:05:16

from

00:05:18

precisely from a horizon line which

00:05:21

is not well defined from the point of view

00:05:24

of the distance

00:05:27

I go by eye. So this is why I

00:05:30

tell you that it is difficult to explain

00:05:33

the perspective

00:05:35

but I then look at the final result and

00:05:39

objectively enough satisfactory

00:05:42

therefore

00:05:43

I believe that when one finds

00:05:47

the square of a problem a little then he

00:05:50

carries it forward

00:05:52

by improving it but he carries it forward I have

00:05:57

solved the matter a little by

00:05:59

bringing this point

00:06:03

not to double the depth of the

00:06:05

nativity scene but to four times therefore in the in

00:06:09

my case

00:06:10

I go if here we have a 25

00:06:17

let's do it like this

00:06:21

I go here

00:06:25

and keep the point so four times

00:06:28

with the horizon line

00:06:32

slightly higher than the

00:06:34

central figurine then then let's see the subject

00:06:37

of the

00:06:39

figurines

00:06:41

so keeping this reference

00:06:47

you see that if I do it like this

00:06:52

I have a decidedly different inclination and

00:06:56

this After various tests also

00:07:01

photographing the nativity scene and relating it

00:07:05

to reality with a discussion of

00:07:09

actually going to a square with a

00:07:11

photograph and seeing if we can measure

00:07:13

the inclination. If we were more or less there it

00:07:16

is quite realistic therefore Some

00:07:21

of you will call me crazy but

00:07:24

so my my perspective

00:07:28

satisfies me and I think it

00:07:31

also satisfies the visitors a bit because

00:07:32

looking at the nativity scenes they are quite

00:07:36

realistic from the perspective point of view

00:07:38

Obviously this also applies

00:07:41

to the

00:07:46

lower discussion so

00:07:48

why looking at us we are talking about a

00:07:52

diorama so a diorama means a

00:07:55

point of view which is the Boca scene which is

00:07:57

this so this here is a glass where

00:08:00

the spectator looks in theory

00:08:06

in theory it should be like this this

00:08:08

point is placed perpendicular to the

00:08:13

nativity In our case anyway the

00:08:15

main scene of the nativity scene so

00:08:17

let's pretend that the cave is here and the

00:08:23

nativity is here we put it

00:08:25

perpendicularly the theory says

00:08:28

double the distance and the height

00:08:30

of the figurine in this main case

00:08:38

so looking however if you Look at the

00:08:42

plan

00:08:43

in the perspective not it is flat but it tends to

00:08:48

rise

00:08:52

it tends the flat tends to rise which is

00:08:55

this

00:08:57

inclination which also in this case if

00:09:00

we kept that reference here you see

00:09:02

that it is definitely

00:09:06

Well definitely maybe not so much in

00:09:09

this case but just a little higher

00:09:12

So we have this inclination which it is

00:09:16

this

00:09:18

and here we have the perspective therefore the

00:09:21

depth which leads us to have the

00:09:27

largest figurine in front

00:09:30

a little smaller the

00:09:33

further we go down and smaller still

00:09:36

so this is the matter of

00:09:38

perspective In our case what do we have

00:09:41

I have the

00:09:43

nativity of 12 12 cm so

00:09:48

that height here I have it approximately

00:09:53

30 cm from the glass let's call it glass

00:09:57

where From the proscenium so I have a 12

00:10:01

cm here

00:10:05

and we are

00:10:07

more or less here as the main statue

00:10:11

Which means that

00:10:13

keeping this reference which in any case

00:10:15

the horizon line whether it is here or

00:10:19

Here is always straight we have

00:10:25

a reference like this I keep it a

00:10:27

little higher because I repeat you

00:10:29

always look for example a little higher

00:10:31

from the figurine so I have seen that they

00:10:33

can be stolen a little ' of centimeters

00:10:36

however indicatively we have the

00:10:39

line which is this

00:10:42

if here we have the statue of 12

00:10:44

Obviously if we put one

00:10:46

attached to the glass it is higher

00:10:49

and if we put one at the bottom it is

00:10:53

lower this allows us to identify and

00:10:56

therefore proportion the various parts

00:10:59

of the nativity scene based on the size

00:11:01

of the figurine Then if we want to give a

00:11:04

decidedly deep effect, therefore

00:11:08

a mountain, a little mountain behind here

00:11:11

with a very small construction,

00:11:13

logically we must have it all an optical effect,

00:11:17

the discussion

00:11:19

we are making completely falls away And we put a

00:11:22

decidedly smaller figurine

00:11:26

that it really gives us a

00:11:29

greater depth, definitely greater. So if

00:11:33

here we still have a 12

00:11:36

cm figurine here we have it more or less than 8

00:11:42

and here more or less

00:11:45

than 10 so the construction we have

00:11:48

here we will do in proportion to statues

00:11:51

of 12 the one that we'll do it here we'll do it

00:11:53

in proportion to statues of 8 this in

00:11:57

principle and according to a

00:12:02

theory

00:12:04

[Music]

00:12:06

I repeat realistic from the point of view

00:12:09

of the final result but a little far-fetched

00:12:15

Since I have a wall anyway

00:12:19

Practically

00:12:21

here This it's 80

00:12:27

I have a wall

00:12:30

here

00:12:35

and then I have a cabinet here in front

00:12:37

However I don't have this depth to

00:12:39

get to this point what did I do

00:12:44

practically at that height here This one

00:12:47

precisely here

00:12:49

I put two points two nails

00:12:52

physically

00:12:55

where I start the wire that I need it

00:12:58

to draw these guidelines so I have

00:13:01

a thread that I keep for the

00:13:04

upper part of the nativity scene and a thread that I keep

00:13:07

in the lower part of the nativity scene

00:13:10

and then consequently I move

00:13:14

more or less by eye

00:13:17

to respect these inclinations a little

00:13:20

because I can't put the

00:13:23

thread here because otherwise I'll

00:13:25

completely miss this point.

00:13:28

Besides, not having this depth

00:13:30

I solved the problem by practically placing a

00:13:33

nail more or less at 110 and a nail more

00:13:36

or less at 125. This is the actual measurements

00:13:41

I have

00:13:43

on the

00:13:46

on this cabinet where I fixed these

00:13:49

two nails then anyway we'll see it

00:13:52

when I show you the nativity scene that

00:13:54

I'm making with this type of

00:13:56

perspective

00:14:00

then there's another problem let's see the

00:14:02

nativity scene from above

00:14:06

So we have our nativity scene we have

00:14:10

our nativity scene

00:14:14

and then we can have

00:14:17

a house inclined like this,

00:14:20

a house inclined like this

00:14:25

and a straight house like this

00:14:29

therefore the question of having let's

00:14:33

always say this vanishing point at

00:14:36

double the depth of the nativity scene and

00:14:38

perpendicular to the nativity which

00:14:41

would allow me to draw lines like this

00:14:46

you see that this is a 'inclination

00:14:49

this is another one and this is not

00:14:52

another one

00:14:53

so

00:14:55

how do I calculate this type

00:14:58

of inclination

00:15:01

would be more or less right

00:15:05

regardless of the fact that I

00:15:09

am right with this point and the theory

00:15:12

says to reason with this but it would be

00:15:14

relatively correct If I had this

00:15:18

inclination but with this it changes

00:15:20

completely because the more I straighten the house

00:15:24

the more straight it becomes

00:15:31

in this case in front of the nativity then

00:15:33

I would have the roof completely straight I would

00:15:36

not have I would not have inclined So

00:15:39

also the fact of having a single

00:15:43

fixed point is in my opinion Completely

00:15:46

wrong because this point should be

00:15:49

moved based on the distance from this

00:15:53

point of view

00:15:55

this is perhaps fine but this needs to be

00:16:00

moved so I make use of these

00:16:03

two measures

00:16:04

both in a fixed point and with a

00:16:08

adjustable stand that I move

00:16:12

according to the inclination of the house that

00:16:15

I have

00:16:18

now I wanted to show you what I

00:16:20

mean about the two wires here

00:16:24

I have a wire that I place higher up

00:16:28

and starts from that famous cabinet that

00:16:31

I said is slightly moved Here

00:16:34

instead I have the wire that starts from double

00:16:37

the depth of the nativity scene parallel

00:16:40

to the height of the figurine the plane

00:16:42

of the figurine is this so here

00:16:45

this to be exact Here we have

00:16:48

12 cm and the wire is parallel to the ground it is

00:16:53

our Horizon I have a

00:16:57

little house here a house that I have to build

00:16:59

so I obviously have to make

00:17:01

the roof cut for

00:17:04

perspective if I keep this thread

00:17:07

So what the rules say in theory

00:17:11

the inclination of the roof would be this

00:17:17

so I take two indicative references

00:17:29

let's say the line would be this

00:17:36

if you see the nativity scene from proscenium

00:17:39

which will be right here in front is an

00:17:43

absolutely exaggerated inclination with

00:17:47

what

00:17:48

let's call it a very personal theory

00:17:51

carried out by me the inclination is

00:17:55

this

00:17:57

and in my opinion this in the

00:18:03

overall perspective let's say of the nativity scene is

00:18:06

quite realistic therefore I start from a

00:18:11

higher point slightly further away

00:18:13

but that famous calculation that I said

00:18:16

before and

00:18:18

I get this So even if it is not

00:18:21

perfect But I have to have a

00:18:23

starting point for what to trace Then

00:18:26

precisely the inclination in this case

00:18:29

of the roof and the inclination

00:18:33

of any window placed in this

00:18:36

point

00:18:37

with this problem with this type of

00:18:41

thread starting from the top obviously what

00:18:44

happens look

00:18:48

let's pretend to have

00:18:51

So we have the figurine which is here

00:18:53

so our point of view is this

00:18:57

we have a door here starting with the thread at the

00:19:00

top Logically it is no longer inclined from

00:19:04

bottom to top but it becomes

00:19:07

from top to bottom because the thread

00:19:10

starts at the top, you see this would be

00:19:13

the correct inclination in theory

00:19:18

but even in this case it is too

00:19:20

accentuated so I take the

00:19:24

reference I was saying of the second thread

00:19:30

of the second starting point of the thread

00:19:34

which is the lower one

00:19:37

Here I lowered the wire but it is a

00:19:39

little further away and this is

00:19:42

the inclination I get for the door

00:19:45

that would be here you see the difference

00:19:54

in this case we start

00:19:56

slightly higher than this

00:20:00

slightly further away we have

00:20:02

a different inclination but it is I

00:20:06

repeat in my opinion more realistic

00:20:12

and therefore abandoning this

00:20:16

but keeping only these references

00:20:19

now you see this is also not

00:20:22

good because it would tilt the upper part too much

00:20:25

So I keep it only for the

00:20:27

lower references

00:20:31

and then I move the thread for the

00:20:33

higher references so here I have the reference

00:20:37

of the upper part of the roof so it

00:20:41

practically becomes

00:20:49

this inclination

00:20:55

and obviously if I have a window to make

00:20:57

let's pretend that it is here

00:21:10

Now I'm working a little crookedly

00:21:18

Here this would be the inclination of the

00:21:21

window

00:21:44

ok

00:21:46

now let's go to trace it

00:21:51

and then let's see on the spot from the proscenium

00:21:54

whether the inclination corresponds or not

00:21:59

Here I tried to put the

00:22:02

shot from the proscenium now So more or less

00:22:05

the height that the visitors should see

00:22:09

precisely that the visitors the

00:22:14

observers would see from the proscenium Here it is the

00:22:17

nativity therefore the center of the

00:22:19

nativity

00:22:20

scene is this and this is the

00:22:25

wall that they see with the inclination

00:22:28

which is the one we have traced if

00:22:32

I used the wire that starts

00:22:36

from double the depth of the nativity scene

00:22:39

the inclination would be this

00:22:42

and it is

00:22:43

excessive it is definitely not realistic

00:22:49

obviously the same thing applies

00:22:51

in the other direction so if we have

00:22:54

the house that goes over there or over here

00:23:01

the inclination is this and therefore everything

00:23:07

consequently follows the lines that

00:23:10

we considered before and so

00:23:13

everything is developed the nativity scene the other

00:23:16

precisely the other problem is the angle

00:23:19

of the houses therefore

00:23:20

changing the angle would logically

00:23:23

change the point of

00:23:28

focus and

00:23:31

at this point we either

00:23:34

move it with the easel as

00:23:36

I do or we move the nativity scene

00:23:40

according to the inclination of the house

00:23:42

we move the base since it is made of

00:23:44

light polystyrene and we trace the

00:23:47

guidelines of all the homes and

00:23:51

buildings that we are doing

00:23:53

the same thing applies to the plan we

00:23:57

this which would be flat but we have to

00:24:00

represent slightly uphill

00:24:03

because for this reason Always for the

00:24:06

perspective you see I here I have already put

00:24:09

some polystyrene which I will then shape here I have

00:24:13

a height at the end of about

00:24:16

7-8 mm Here we are more than a centimeter

00:24:22

and a half away

00:24:23

as you can see as an

00:24:25

inclination if we always kept that

00:24:30

reference of having double the

00:24:32

depth of the nativity scene we would

00:24:34

practically have an

00:24:36

absolutely excessive inclination also in this

00:24:38

case this then serves us to determine

00:24:42

everything that follows from the

00:24:45

construction of the nativity scene

00:24:48

with the figurines Here we have our

00:24:50

statue of 12 Here we said that

00:24:55

we have to put more or less

00:24:58

here

00:25:00

a

00:25:02

let's call it a floor which descends

00:25:05

slightly

00:25:08

therefore keeping as a reference the head

00:25:11

of the figurine you

00:25:14

see here I put a figurine this

00:25:18

is from the 12 This is a generous 8

00:25:25

and here

00:25:27

we have the 10

00:25:30

So this

00:25:32

then allows us to build the houses here

00:25:35

with larger stones

00:25:37

compared to the one with larger accessories there

00:25:40

large compared to the one there, taking

00:25:42

into account the proportion in this case

00:25:44

of 12 to 10 and Lotto.

00:25:49

Here are two more things so

00:25:53

we can more or less finish this ocean of

00:25:55

perspective then there are really

00:25:58

many things so we

00:26:00

can't go into all of them in depth but

00:26:05

let's pretend to have this one wall

00:26:11

quite close to the Boca scene already in

00:26:13

this case

00:26:15

what I say must be respected however it is slightly on the

00:26:19

second floor so it is a

00:26:22

little less noticeable let's pretend that it is a little

00:26:25

closer to the proscenium so it becomes

00:26:28

quite important

00:26:32

we have to make the window So you see

00:26:35

that it has

00:26:37

the walls and the upper and

00:26:42

lower part inclined we have to make

00:26:45

the darks

00:26:47

Obviously this this is

00:26:50

the inclination we have this

00:26:53

dark is further away from the point of view and

00:26:57

this is closer this tends to

00:26:59

become smaller and smaller and this more and

00:27:02

more big so if we can't

00:27:05

do it here now I'll use paper so as

00:27:09

not to make it any more dirty These are

00:27:11

always lines perpendicular to the plane

00:27:15

We can't make

00:27:18

the dark here so consider this half and

00:27:22

make the dark so

00:27:23

we absolutely have to respect

00:27:26

these inclinations So what do we do

00:27:31

we have to do like this

00:27:34

I put two pieces

00:27:38

of paper to keep them from moving

00:27:39

which then serve as a base or

00:27:42

cardboard they serve as a basis for making

00:27:44

the blinds

00:27:50

But first I have to draw this line so

00:27:53

that we can see it

00:28:04

Here these guidelines must

00:28:09

also be used for the inclination

00:28:12

of the stones So if we want to do

00:28:15

things well the stone the stones are

00:28:18

inclined so the more we go down the more

00:28:21

we have to

00:28:22

straighten them slightly Until

00:28:25

we arrive that they are straight at the height

00:28:27

of the statues

00:28:29

at the height of the of the

00:28:31

main statue and obviously here the stone is

00:28:36

a little ' bigger and here the stone is a little

00:28:37

smaller. Because they move away from this

00:28:40

if we want to do things well

00:28:44

and therefore we need it as a guide precisely

00:28:46

so as not to make straight stones because

00:28:48

otherwise the perspective actually

00:28:51

loses. Instead we must respect this

00:28:55

inclination.

00:28:57

So we have

00:29:01

Now I'll do these two lines from here because then

00:29:04

we'll actually do it on both sides so

00:29:06

you can see it well

00:29:12

So I'll draw this line and

00:29:16

put this one here

00:29:25

like this

00:29:26

And I'll draw this That's it,

00:29:38

now then this one here needs to be

00:29:42

cut anyway

00:29:46

I'll draw the two diagonals of this

00:29:49

window

00:30:02

by tracing the diagonals with the

00:30:05

perpendicular

00:30:10

or the center you can see

00:30:15

of the window and if we

00:30:17

carefully measure these two measurements they are not

00:30:20

the same

00:30:21

and then now with the wire I do it

00:30:25

slightly

00:30:28

by eye

00:30:32

here you can see that the wire

00:30:36

is also already tilting The window is being

00:30:39

straightened the lower part is

00:30:41

slightly less inclined than

00:30:43

the upper one

00:30:46

passing from the center.

00:30:51

Now I'm going

00:30:53

by leaps and bounds, but why would it be

00:30:56

necessary? We should trace the thread, but let's

00:30:58

keep more or less a middle ground. We

00:30:59

have identified these two points,

00:31:02

so

00:31:06

now, drawing the diagonal

00:31:10

like

00:31:17

this, you can see that point here

00:31:24

and tracing the left vertical

00:31:34

this

00:31:37

is my template for the left door

00:31:39

in the same way now here with these

00:31:48

pins it's a drama with this way

00:31:54

I trace the right door

00:32:26

This is the right door if I now

00:32:29

I measure them roughly like this. This one is

00:32:32

about 1.7 centimeters wide and this one is

00:32:37

1.9 centimeters a little more but

00:32:43

because I repeat it is small and therefore the

00:32:47

difference is barely noticeable but in any case

00:32:49

we have to make the doors inclined

00:32:55

in this way

00:33:00

the same thing However, I do it on a

00:33:03

piece of paper and for the arches

00:33:06

we pretend to have our

00:33:09

wall

00:33:15

and therefore have an arched window

00:33:18

rather than a balcony. However,

00:33:21

something that has an inclined plane

00:33:26

both

00:33:29

sides.

00:33:30

Now I keep it more or less as a

00:33:36

vertical reference

00:33:42

and let's pretend that this is the space for

00:33:45

the arc

00:33:46

two vertical spaces

00:33:53

and here we have to make the arc

00:33:54

logically the arc is not

00:34:00

flat we

00:34:01

cannot have an arc

00:34:06

we can have an arc so we have to

00:34:09

have the arc in perspective So also

00:34:13

in this case what we do we have to

00:34:17

trace half more or less the

00:34:21

highest point of our Arc so the arc

00:34:23

will have to be at that height here not

00:34:25

up to here because we have

00:34:28

the inclination which

00:34:31

gives us this as a reference So

00:34:33

also in this case we have

00:34:43

the middle we have to determine the

00:34:46

central part

00:34:51

which is this we draw our vertical

00:35:01

So we have

00:35:03

the center which is this so now

00:35:06

establishing where we want

00:35:09

the arc to start If we want it to start from here

00:35:11

rather than from another point we must

00:35:14

also have in this case

00:35:16

the inclination

00:35:20

so let's pretend that it is this

00:35:28

we have the arc that starts from this point

00:35:31

to this so an arc that goes like this

00:35:43

you see we

00:35:45

have an arc that has

00:35:52

two different radii

00:35:55

and this inclination is also

00:35:57

very important because it gives us the arc in

00:35:59

perspective it is

00:36:02

absolutely important to put it in the

00:36:05

nativity scene

00:36:07

How to determine if we want right here we

00:36:12

can do it a little by hand if

00:36:16

we want to be a little more precise

00:36:20

in practice it is done like this we pull the

00:36:24

parallel Let's do it on this side

00:36:26

we pull the parallel

00:36:31

like this

00:36:34

The parallel we have this

00:36:38

Sorry about the parallel from here to here

00:36:45

we have this side

00:36:48

let's pretend it is 5 cm so let's create a

00:36:51

5 cm square

00:36:56

we trace the arc which is obviously a

00:36:59

quarter of a circle in the square

00:37:04

we draw the diagonal we bring this

00:37:08

point exactly in parallel and we have

00:37:11

a further point therefore the arch passes

00:37:15

through this point the same thing on this

00:37:18

side Let's draw

00:37:21

a square

00:37:26

let's create the diagonal let's bring this

00:37:29

parallel So we have the arch that goes

00:37:32

like this

00:37:34

Here One last thing perhaps talking about

00:37:38

doors in the foreground therefore very close to the

00:37:43

proscenium obviously we have the

00:37:47

slightly

00:37:50

sloping ground Let's say that the upper part

00:37:53

of the door more or less being

00:37:55

slightly taller than a man is at

00:37:58

height I'm talking about a wall at

00:38:01

ground level it is more or less

00:38:05

parallel to the ground so here we

00:38:08

have a door like this

00:38:12

which obviously has

00:38:16

the bottom part is slightly inclined

00:38:19

So let's try When

00:38:22

we assemble the wall we prepare the ground

00:38:24

and everything to

00:38:30

steal let's say a few

00:38:33

millimeters on one side and on the other to

00:38:36

try not to have a

00:38:39

decidedly crooked door perhaps with a threshold in

00:38:42

front it

00:38:44

is crooked because

00:38:46

it note that it is crooked So we have to

00:38:49

look for

00:38:51

what we

00:38:53

can see while we prepare the nativity scene

00:38:56

Let's steal a moment so as to have

00:39:00

the door apparently straight but in

00:39:04

reality it doesn't have to be straight

00:39:06

because otherwise

00:39:11

the perspective is lost

00:39:14

I would say that we said more or minus

00:39:16

everything regarding the perspective

00:39:18

I repeat a perspective From my point of

00:39:20

view

00:39:21

and I

00:39:24

ask you if you have any suggestions to

00:39:27

give me some tips and they are welcome

00:39:30

because in any case this is a very

00:39:33

delicate discussion of the perspective

00:39:35

above all looking for an important thing

00:39:39

precisely the house in the first place slowly work it

00:39:42

in one way the house in the second plan

00:39:43

work it in another try to

00:39:46

respect the inclination of the

00:39:49

stones if you can also the stone

00:39:51

closest to the visitor a little

00:39:55

bigger the one further away a little

00:39:57

smaller so as to give precisely the

00:40:00

depth to the nativity scene to give those

00:40:04

apparently natural inclinations

00:40:08

thanks to the next one Hello everyone

00:40:12

[Music]

00:40:32

[Music]

Description:

In un diorama la prospettiva è importantissima. E' un argomento molto complesso che richiederebbe tutorial di ore. Cerco di spiegare la prospettiva dal mio punto di vista, per aiutarvi a realizzare un presepe veramente bello da tutti i punti di vista. Videocorsi https://presesepiediorami.com/videocorsi

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