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break

break intro

Magic Bullet Looks

Magic Bullet Film

#снимайимонтируй

00:00:03

hello friends, my name is Konstantin and you are

00:00:06

watching a video on the channel, I’m filming and

00:00:07

editing, and for those who joined

00:00:10

us recently, I can say that this is the name of

00:00:12

the channel because what we

00:00:14

do here is filming and editing, and

00:00:16

today we will edit and make

00:00:18

such a cool screensaver

00:00:25

and as you can see, everything looks

00:00:29

cool and neat and at the same time it’s done

00:00:32

quite simply, but first I want to

00:00:34

say that it all starts with an idea, that

00:00:36

is, I first made the text, then I figured out

00:00:38

how to decorate it in an interesting way,

00:00:40

I drew cracks, and accordingly,

00:00:42

then the idea came to how this moment

00:00:44

you can animate, but now

00:00:46

let's use a live example, I'll show you

00:00:48

how it's done, it's very

00:00:50

simple, and so first of all, let's add

00:00:54

2 video tracks for this using the

00:00:56

hot keys kontrol shift and cue,

00:00:58

add two tracks and the next thing we

00:01:01

need to do is add

00:01:03

text layer, let's add a text layer,

00:01:05

make it a little shorter, cut it off and

00:01:08

add some fun inscription, I

00:01:11

'll probably use this

00:01:14

fun font, just make it a little

00:01:16

bit bigger, let's turn on the markup

00:01:19

so we can understand how we

00:01:21

arrange our composition, and great,

00:01:24

this size is quite suitable and Next to the

00:01:27

text I would add some

00:01:28

cool texture, so let's create

00:01:31

another video track and add a texture

00:01:34

I already prepared in advance and that's why

00:01:37

we just made it now, but since we

00:01:39

see that our

00:01:40

textures do not match the resolution of the

00:01:42

projects, so let's adjust it to our

00:01:44

resolution and go to punk rock mode and

00:01:47

select the match out put aspect and texture

00:01:50

takes an aspect ratio of 16, I hope it

00:01:53

matches our project further

00:01:55

in the compositing mode, we may need to select

00:01:58

multipla and mask

00:01:59

and our text has now taken this more or

00:02:02

less some kind of finished look

00:02:03

looks good, perhaps we’ll stop there and

00:02:05

the only thing I would do

00:02:08

to optimize

00:02:09

performance on the timeline is

00:02:11

I would save this inscription as a

00:02:13

picture drunk g so

00:02:15

we switch to the best full mode so

00:02:17

that the picture is saved in the resolution of

00:02:19

our project Then we press the

00:02:22

wheelbarrow and save it as a png file

00:02:24

and thus it turns out that we

00:02:26

have the text ready and at the same time we did not have to

00:02:28

resort to the help of photoshop and here we

00:02:31

need to note one such point that I am a

00:02:32

big supporter of doing everything

00:02:35

in one place, that is If we are making a

00:02:37

screensaver in Vegas, then accordingly all

00:02:39

the graphics in most cases and I can

00:02:41

also prepare them in Vegas

00:02:42

without resorting to the help of third-party programs,

00:02:45

especially heavy and large ones like

00:02:46

Photoshop,

00:02:47

so if you have some

00:02:49

specific task and you can’t do

00:02:51

without such giants like photoshop, then of

00:02:54

course this needs to be done because in the

00:02:56

end the main thing is the result, but

00:02:57

he will say so for such simple tasks,

00:02:59

Vegas is quite enough, that’s why

00:03:02

I also recommend that you

00:03:03

try to prepare all the graphics and all the

00:03:06

materials for your project

00:03:08

exactly where the guests are, well and now let's

00:03:09

continue to figure it out further, now

00:03:12

we'll remove everything unnecessary because we wo

00:03:14

n't have to change the text anymore, in principle,

00:03:16

we can use a regular text

00:03:18

layer, but the only thing is that on the timeline it

00:03:20

doesn't work as quickly as, say, a

00:03:23

picture in png format,

00:03:24

and at the same time we'll immediately make a template so

00:03:26

that it was convenient for everyone and in order to

00:03:29

just insert your inscription you need vegas to

00:03:31

simply slip in a picture with your

00:03:33

inscription and it turns out that we are doing and such an

00:03:35

educational lesson and at the same time we will make a

00:03:37

universal template, then we need to

00:03:40

make a mask in punk rock mode since the

00:03:42

text we will break just the mask, we will

00:03:45

make the corresponding one, so turn on the

00:03:47

mask checkbox and select the feather and draw

00:03:50

such a crack where our text will

00:03:53

break, I immediately draw it on the whole screen

00:03:57

if your text is longer so that

00:03:59

it also immediately fits about the mask It

00:04:01

also needs to be said that the mode that

00:04:03

we will need in the future is positive

00:04:05

and negative, that is, in the positive mode we

00:04:08

display everything inside the

00:04:10

mask area, and in the negative mode

00:04:13

everything that is outside is displayed, and so we made the mask,

00:04:15

but for now we don’t need it, so we

00:04:17

turn it off next, we need to do a

00:04:19

basic animation for the text, so

00:04:21

we return to the pink rob mode,

00:04:23

our entire basic animation will be built from

00:04:26

four points and since 1 . we have it

00:04:28

and it already determines the final position

00:04:30

for the text to appear, so we’ll

00:04:32

just duplicate it, only the first point,

00:04:35

we’ll change and significantly reduce the text

00:04:37

to the maximum

00:04:38

possible value, let’s turn on the

00:04:41

sing cursor mode so that we can see in the

00:04:42

window what’s happening and it turns out that it’s in

00:04:45

Vegas more on here in the punk rock mode it doesn’t

00:04:47

allow us to reduce it, so we’ll

00:04:50

stop here for the acceleration mode, between

00:04:53

these two points we’ll set the word mode

00:04:56

and let’s see what we get

00:04:58

too quickly, so we’ll edit it a little,

00:05:01

well, we can

00:05:06

drag it out a little longer so that the text flies to us a

00:05:09

little bit longer like that,

00:05:10

good next, what we need to do is

00:05:13

put the penultimate dot and

00:05:15

enlarge the text a little so that

00:05:17

when it arrives it flies in so that it

00:05:20

increases a little and

00:05:22

we put the last dot at the very end and enlarge

00:05:25

the text so that it goes behind us

00:05:28

frame limits and the value between these two

00:05:30

points let's set fest and let's

00:05:34

see what we get and the

00:05:35

last point can be returned the text

00:05:39

flies in and flies away now everything

00:05:41

looks great in more detail about

00:05:43

the animation in Vegas and I already talked about it in the

00:05:45

previous lesson, that is, now we wo

00:05:47

n’t I’ll just go into detail

00:05:49

at each stage,

00:05:50

but if you have

00:05:53

any questions, let’s say, then be sure to look at the

00:05:55

lesson that has already been done and min specifically on

00:05:57

Sony Vegas animation

00:05:59

and the link is in the description, well, we

00:06:00

continue since the main elements of the

00:06:03

mask and animation are already done, we can

00:06:06

now proceed with the more or less final

00:06:08

stage and duplicate this layer, to

00:06:11

do this, right-click on the

00:06:13

track and select the duplicate track and it

00:06:15

turns out that we have two

00:06:17

absolutely identical video tracks with the

00:06:20

same text with the

00:06:22

same settings, the only thing what we

00:06:24

need to do now is turn on our masks and

00:06:26

for the lower track, including the mask, put

00:06:29

a checkmark, select the

00:06:32

positive mode, and for the upper track we will select

00:06:36

it in the negative mask mode, well, in

00:06:39

fact, it’s already there, but since Moscow

00:06:41

coincides with us for the upper and lower

00:06:43

tracks, respectively, we we don’t see what’s

00:06:45

happening now we just need

00:06:48

that moment when our text

00:06:49

splits, for this we still need

00:06:51

to change one frame,

00:06:54

let’s say this one

00:06:55

in this key frame, we just

00:06:57

enlarge the text and rotate it a little, we’ll

00:06:59

select some more

00:07:02

less successful and the meaning is that I think

00:07:05

something like this looks interesting,

00:07:07

but perhaps we’ll leave it that way and to make

00:07:10

it even more interesting to look at,

00:07:11

let’s add transparency to all two

00:07:13

layers, so using the shift key,

00:07:15

select just these two text layers

00:07:18

and reduce the transparency value is up to

00:07:20

seventy percent, well, approximately

00:07:22

so, so what do

00:07:23

we need to do next and

00:07:25

since we are breaking the text in this scene, so

00:07:28

we can emphasize this even more and for

00:07:30

this we will make the text fly away

00:07:32

unevenly for the top track,

00:07:35

move the points a little and let's see what

00:07:38

we have It turns out that first those

00:07:41

pieces that are on the edges fly away and then

00:07:43

the middle flies away behind it and it all looks

00:07:45

quite good, let’s

00:07:48

see it all together again, well, great,

00:07:51

I like everything and now you can just

00:07:53

add solid color as a background

00:07:56

at least at least we just have a

00:07:59

non-black background, some sort of

00:08:01

shade of gray, but in any case, the basic

00:08:04

principle for this animation is something like this. If you

00:08:05

want, you can also

00:08:08

make more cracks and

00:08:10

broken pieces, but for this

00:08:12

example this will be quite enough in

00:08:14

general here it’s better to experiment

00:08:16

and scan, so if we don’t have some kind of

00:08:19

strict technical specification, then

00:08:22

basically, as they say, everything depends

00:08:23

on your imagination, you can try to

00:08:25

somehow cheer up

00:08:26

the background, add a texture to the background and

00:08:28

or just add a shadow, just

00:08:30

let’s do this and we will make a

00:08:31

shadow, we will add it in the motion track mode,

00:08:34

it is turned on by this

00:08:36

pentagram and here we

00:08:38

turn on the shadow option for this track,

00:08:41

well, if you set it up a little

00:08:43

more interestingly, then you can also achieve

00:08:45

quite a good result, but here it

00:08:47

all depends on your desire and let’s say this is the

00:08:50

result that you want to

00:08:52

achieve, but in this case I won’t

00:08:54

use a shadow, just like that, let’s

00:08:55

leave everything as it is and this is perhaps the

00:08:58

simplest option on

00:08:59

how you can add a shadow to our project

00:09:02

on text or on any other object,

00:09:05

but let’s Let's consider another alternative

00:09:07

option, how you can add a shadow in order to

00:09:10

somehow emphasize more volume

00:09:11

or create volume in our scene, for

00:09:14

this we create another video track,

00:09:16

add solid color,

00:09:18

let it be black and switch to

00:09:23

punk rock mode, use the mask key, select

00:09:27

the mask in in the form of an oval and draw an

00:09:30

abstract shadow like this and now maybe

00:09:33

it doesn’t look the best, but

00:09:35

in general I think that approximately this

00:09:38

option also has the right to life and

00:09:40

so that our shadow moves along with the

00:09:43

text from the lower text layer,

00:09:45

we’ll just copy all the keyframe and where we

00:09:50

have all the animation and we’ll paste

00:09:53

them just on the layer with the shadow,

00:09:55

add Blair, well, let’s say

00:09:57

some kind of option like this and

00:10:00

mute this shadow more strongly and this is how

00:10:03

our scene looks like and so that

00:10:06

it’s even more looked harmonious, let's make

00:10:08

faith at the beginning and, accordingly, for

00:10:11

everyone, for all three of our elements,

00:10:14

which exactly make up our

00:10:16

composition, this looks more

00:10:18

interesting, more harmonious, and to make

00:10:22

our scene look a little more

00:10:24

dynamic, we can add one more

00:10:26

element that will set the necessary rhythm

00:10:28

and eliminate there is a small gap before the

00:10:30

text appears, so we duplicate

00:10:32

any of the tracks with our text, again we

00:10:35

also right-click the

00:10:37

duplicate track and turn off the two top

00:10:39

texts, which are the main

00:10:41

elements of our composition, and for the

00:10:43

bottom track that we just

00:10:45

duplicated, turn off the mask and also

00:10:48

delete two dots at the end we’ll turn on the

00:10:51

synchronization mode with the timeline

00:10:54

when the text arrives, we’ll also add an

00:10:57

animation like this and cut it to

00:11:04

this moment and maybe at the end

00:11:09

we’ll do a little faith like this, so you’re

00:11:11

probably the best to put this track up, let’s

00:11:13

make it a little more

00:11:15

transparent at about 25 like this let's

00:11:18

see now everything looks

00:11:19

much more dynamic and just now

00:11:21

you can render it into a separate file,

00:11:24

so we select the render file

00:11:25

and render it into a separate file, but

00:11:29

I already have a pre-rendered file,

00:11:31

so I’ll just add it, but that’s the

00:11:33

only thing I have in more gray

00:11:35

tones, yes, that one was more fun, a little

00:11:37

more yellow, but in principle it does

00:11:39

n’t matter, I think that for example, this

00:11:41

option will work well, and let’s

00:11:43

now give our scene some

00:11:45

special mood, for this we

00:11:46

’ll use the magic bullet

00:11:48

film plugin and choose any preset and put

00:11:51

it on this track in previous lessons, I

00:11:54

already told you how the plugin for

00:11:56

color correction magic bullet film works,

00:11:58

so we won’t dwell on

00:11:59

this in more detail now, we’ll just find

00:12:01

some color option that

00:12:03

suits us, and so we’ve decided on the color

00:12:06

and after that we can

00:12:08

add a few more interesting

00:12:09

effects, well, let’s say you can add the

00:12:12

effect of chromatic aberrations

00:12:14

and you can also wash the lids, in principle, it

00:12:17

should also look good, for

00:12:19

this we’ll use the magic

00:12:21

bullet looks plugin,

00:12:22

also add it to this layer and

00:12:25

then in this plugin we need to select

00:12:27

the effect of chromatic aberrations, let’s

00:12:30

Let’s select it and set it up like this, and here we

00:12:33

just need to try different

00:12:35

settings so that the scene

00:12:37

looks good, the only thing is that

00:12:39

these colored lines weren’t

00:12:41

too thick, well,

00:12:43

maybe it looks more fun like this, so

00:12:46

we’ll leave it like that, and I also wanted to blur the lids

00:12:48

so that when the text here

00:12:50

flies away so that everything is not so sharp,

00:12:52

at least we have the tires to

00:12:54

smooth out this moment, so it

00:12:56

will be more convenient to do it on this frame

00:12:59

and we’ll just make the blues a little more

00:13:03

great and now let’s see what

00:13:05

we get in general It should be noted

00:13:11

that magic bullet looks, in my opinion,

00:13:13

is one of the best and simplest options for

00:13:16

color correction.

00:13:17

Well, by the way, there’s quite a lot there, and let

00:13:18

’s mention the color correction of other, let’s

00:13:20

say, filters in order to

00:13:22

somehow refresh and enliven your picture,

00:13:25

well, give some special structure a

00:13:27

special style

00:13:28

but in general, I think magic bullet

00:13:30

looks is a fairly simple and

00:13:33

understandable tool for color correction,

00:13:34

but nevertheless, if you would be

00:13:36

interested in a

00:13:37

lesson on this particular tool on

00:13:39

this plugin, then be sure to leave a

00:13:42

comment and write if you are

00:13:44

interested, and don’t forget to like and we

00:13:46

continue for this scene, it will be

00:13:49

appropriate to use

00:13:50

some kind of fudge, for example, with dust,

00:13:53

here is some such effect and, in

00:13:56

principle, in this scene it will be quite

00:13:58

appropriate,

00:13:59

so we will add it to the timeline and in

00:14:01

order to arrange this dust harmoniously

00:14:03

in our composition

00:14:06

we’ll just select the blending mode, for example screen,

00:14:10

the only thing we need to adjust is this layer for contrast,

00:14:12

so let’s quickly

00:14:13

add

00:14:15

contrast so that our scene doesn’t

00:14:19

differ much from the moment when

00:14:22

we had no dust yet, so let’s

00:14:24

see how it looks and, ideally,

00:14:28

put the magic bullet film plugin

00:14:30

on the entire scene along with the dust so it

00:14:32

will look more harmonious

00:14:34

so let’s do just that,

00:14:37

customize it a little and at the same time

00:14:39

consider some

00:14:40

alternative color correction, well, for

00:14:43

example something like this and as you see

00:14:45

everything is quite simple and very quickly and

00:14:47

using just a few simple

00:14:50

effects we achieved a very

00:14:52

impressive result and just like that,

00:14:55

quickly and simply we can create

00:14:56

absolutely such amazing

00:14:59

screensavers in sony vegas,

00:15:00

the only thing you have to do

00:15:02

is voice over this scene so that

00:15:05

it looks bigger finish

00:15:07

it somehow and more harmoniously, but do it

00:15:09

yourself because this process is

00:15:11

quite primitive and it all comes down to

00:15:13

simply choosing an

00:15:14

effective soundtrack and another

00:15:16

thing I wanted to say, try to

00:15:19

be sure not to use it and not do it

00:15:21

exactly one on one as I showed

00:15:24

in this example, this screensaver, try

00:15:26

to invent something of your own, the main thing is

00:15:28

good design, no matter how

00:15:31

much animation and all sorts of oddities

00:15:34

and effects there will be on top, the main thing is

00:15:35

that it looks harmonious

00:15:37

in one piece, in the end the most important thing is the

00:15:39

design because even if in your scene there are a

00:15:41

billion moving objects and there are

00:15:43

some incredible effects, but at the same time the

00:15:46

design is bad, it doesn’t make any

00:15:48

sense, you can sit there for a week

00:15:50

working on this scene, but at the same time, if

00:15:52

it looks tasteless, if it looks

00:15:55

downright bad, then it’s not cool

00:15:57

color correction animation other

00:15:59

post-production will not save your scene,

00:16:01

so it all starts with good designs,

00:16:03

create, invent, create and your

00:16:06

audience will definitely appreciate it,

00:16:08

well, that’s all for me, I hope you

00:16:11

found this lesson useful and liked it,

00:16:13

so

00:16:14

please like and subscribe to my

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channel well we will see you in the next

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video my name is Konstantin bye

Description:

Логичное продолжение урока про Анимацию в Sony Vegas Pro 13. В этом видео рассмотрим пример как сделать интересную анимацию с эффектом раскалывания текста. А так же рассмотрим несколько плагинов, для оживления и украшения нашей сцены. Скачать шаблон из этого видео можно здесь - http://vk.com/shotcutru в документах группы. Смотрите так же: Подробный урок по анимации в Sony Vegas - https://www.youtube.com/watch?v=3XdqxWOo8ow Цветокоррекция в Magic Bullet Film - https://www.youtube.com/watch?v=ta6vCvqhysE Мы в соцсетях: http://vk.com/shotcutru https://www.youtube.com/shotcutru http://google.com/+shotcutru http://twitter.com/shotcutru https://www.facebook.com/unsupportedbrowser Подписывайтесь, ставьте лайки, будьте с нами! Спасибо Вам за это! -К.

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